| | 13 SEP 2012
| Please click on images to enlarge and again to close. |
|
EX DE MEDICI Addict #2 2011 watercolour on paper 119 x 114 cm $ 27,500 (inc. gst) |
|
Botanical Residues (after the Great Glasshouse) 2005 Duraclear photographs and paint on acrylic, three panels, 100 x 150 cm overall
AUD38,000 |
|
ALICJA KWADE Marble, slate, glass bottles
EUR 80,000 |
|
WOLFGANG TILLMANS Silver 71 2008 C-type print on paper in artist’s frame 45.5 x 33 x 2.5 cm Unique
USD 40,000 |
|
PETRIT HALILAJ Abetare (Martin Wong) 2024
EUR 50,000
|
|
CAMILLE HENROT Digital collage serigraph print with watercolor, ink, acrylic and oil on prepared canvas
EURO 140,000 |
|
LEE UFAN Pigments on canvas
Price upon request |
|
MAAIKE SCHOOREL dancing couple 2023 Oil on linen in two parts with powder pigment 150 x 180 cm
EUR 50,000 |
|
ANDREA BÜTTNER 2021 188 x 113 cm Unique
Andrea Bu?ttner’s work alternates between forms like the woodcut, which privileges the use of the hand and the rough interaction of materials, and research-based projects that delineate the broader contexts in which her ideas circulate. Erntende (2021) emerges from an ongoing engagement with people and things that are humble, low to the ground, and suffused with earthiness. It depicts a figure bending down, as if to glean fallen crops that would otherwise have gone unharvested. Gleaners have long appeared in art historical contexts, but Bu?ttner adds to—and modifies—this discourse by entering it with the quick lines and improvised immediacy of her chosen medium. The result is as personal and touching, in all senses of the word, as it is notable for its graphic power. Also of note is the density of the rich hue she achieves, which has its own immersive qualities and radiant energy. |
|
Bridge bath 2020 Oil, acrylic, and collage on canvas 121.9 x 121.9 cm
SOLD |
|
ED RUSCHA Gunpowder and raisin stains on paper 37.5 x 59 cm framed 36.8 x 58.4 cm unframed
Price upon request |
|
PETRIT HALILAJ Bronze with patina EUR 40,000 |
|
NAIRY BAGHRAMIAN B 75, BH, Mod. NB, Re f. CO, MM 2012 EUR 150,000 |
|
CAMILLE HENROT Watercolor on paper mounted on Dibond
Price upon request |
|
DONALD MOFFETT Lot 030424 (cliff swallows, 1) 2024 Oil on linen and wood panel support 52.1 x 41.9 x 5.7 cm
USD 80,000 |
|
ALICJA KWADE Causal Emergence (November 2023) 2020 Galvanized gold on cardboard 81 x 81 x 4.7 cm framed
EUR30,000 |
|
GABRIEL OROZCO Halo 2023-2024
USD 1,100,000 |
|
PAUL MCCARTHY Henry Moore Bound to Fail Maquette 2005 carbon fibre (brown) 96 x 63 x 45 cm
USD500,000 |
|
TORBJØRN RØDLAND 2018-2020 140 x 140 cm 142.6 x 112.7 x 5.1 framed Edition of 3 + 1 AP
Torbjørn Rødland makes photographic images that pointedly address their viewers, evoking a wide range of emotional and intellectual states. Curiosity, humour, criticality, artifice, reverence for the natural world, and romanticism appear throughout his work and often in the same image. Rødland also emphasises the formal attributes of his photographs and forges links between twentieth-century photography and twenty-first-century approaches to image making common to advertising and social media. In The Blondes (2018–2020), Rødland showcases his penchant for humour by depicting a shirtless model-like figure on a sports bike holding an oversized fabric doll. Here too, we see common themes present throughout Rødland’s work, such as the incorporation of props used during childhood play, the interaction of two figures—whether real or otherwise—and the analogue darkroom processes he employs, pushing the medium toward modes of visual expression more commonly associated with painting. |
|
ATONG ATEM Our Neighbour was a Witch 2022 Ilford Smooth Pearl print 100 x 150 cm edition 2 of 3 + 2AP or 60 x 90 cm edition 2 of 10 + 2AP |
|
MARY WEATHERFORD 2024 167.6 x 152.4 cm
USD 300,000
Mary Weatherford has become increasingly recognized as one of the leading painters of her generation, as well as one of the most astute and daring practitioners taking on the legacies of American abstraction. Over the course of her career, Weatherford has continually repositioned the boundaries of painting, investigating natural, built, and social environments through expressive colour and bold gesture, and by her innovative incorporation of three-dimensional elements into her canvases, including the neon tubes that have appeared in her work since 2012. In her large Flashe painting on view, Sakura (2024), black, white, and rose-colored plumes pool, bleed, overlap, and give way to deeper hues in a composition that recalls the boggling formation of organic matter. Weatherford’s title is a nod to the cherry blossom trees that bloom each spring in Japan, which the artist encountered on a recent visit. In this new work, Weatherford uses expressive gestures and sublime atmospherics to evoke the power and mystery of the natural world and to locate the colors and surfaces vital to her singular depictions of natural phenomena. |
|
Kajsa 2017 oil on polyester 40 x 35 cm
GBP11,000 |
|
ALEX PRAGER Twilight 2021 Archival pigment print 121.9 x 105.4 cm (print) 124.46 x 107.95 x 5.08 cm (framed) Edition of 6
USD35,000 |
|
JOHN BALDESSARI Hitchhiker (Splattered Blue) 1995 40.6 x 50.8 cm |
|
BENDT EYCKERMANS
Bendt Eyckermans' enigmatic paintings suggest glimpses into hidden psychological spaces. The tense, unstable narratives Eyckermans constructs through cryptic symbols and spliced, ambiguous scenes create emotionally charged, complex and impenetrable internal worlds. The paintings depict people and places that surround the artist and are composed from life or from the artist’s own drawings, attempting to describe fragmented memories and moments. Statues often appear in these paintings, often as a looming presence or as statue-like bodies. Eyckermans is a painter born into five generations of sculptors and reveals through his compositions a complicated personal lineage in relation to these objects, as well as the complex genealogy of these objects themselves, weighted by European and colonial art histories. In a recent interview, the artist states: “I wanted my work to be influenced by the Belgian cultural heritage and to be as Belgian as possible” (Kaleidoscope, 2019). |
|
CHANTAL JOFFE Alba 2019 Oil on canvas 305 x 152 cm
GBP85,000 |
|
NAIRY BAGHRAMIAN S'eloignant (chamois, pe?che, rougie, vert mousse, bleu nuit) 2022 Frame: 39 x 37 x 12 cm each EUR 280,000 |
|
|
Installation view |
|
GUISEPPE PENONE Impronte di luce 2022
EUR 400,000 |
|
MIRIAM CAHN o.t.,15.1.22 2022 oil on canvas 30 x 48 cm
EUR 25,000 Reserved |
|
YAYOI KUSAMA PUMPKIN 2018 Painted bronze USD 7,000,000 |
|
|
OLIVER LEE JACKSON No. 1, 2016 (1.2.16) 2016 Oil paints, oil enamel on wood panel 246.4 x 188 cm
USD 120,000 |
|
Tarkine 2017 dye-sublimation print on aluminium, photograph on acrylic 100 x 120cm edition of 3 + 1AP
AUD18,000 |
|
TACITA DEAN Bolt 2024 160 x 160 cm EUR 150,000 |
|
YAYOI KUSAMA Soul 2013 Acrylic on canvas 194 x 194 cm USD 2,200,000 |
|
HAYV KAHRAMAN Bend Drawing 9 2020 Watercolour on paper 19 x 15 cm
USD 11,000 |
|
|
WALTER PRICE Beware of the Squares 2022-24 Acrylic, gesso, pvc glue, photo collage, screws, plexi glass on wood 55.9 x 76.2 cm
USD 40,000
Beware of the Squares is a series of scenes within a scene, pictures inside a picture. A bright yellow section of underpainting has been worked over in darker red-blacks and blue. Some elements are screwed into the work and in one bright section a crowd is shown avidly watching a TV atop a chest of drawers. The various delineated sections, disparate approaches contained in the piece convey a sense of the competing narratives we encounter in the mass media.
|
|
RODNEY GRAHAM Refraction Study after Jerry Lewis (Artists and Models, 1955) 2020 Painted aluminum lightbox with transmounted chromogenic transparency 182.9 x 152.4 x 17.8 cm Ed. 2 of 5 + 1 AP
USD 250,000 |
|
GÜNTHER FÖRG Untitled 2005 acrylic on canvas on wood 60 x 90 cm
EUR125,000 |
|
TONY OURSLER noom 2024 Computer screen, plexiglass lens, acrylic paint, camera lens, led lights, cloth, foamcore, aqua-resin, plywood, steel, digital media player, volume-controlled sound 178.4 x 43.2 x 31.8 cm
USD 100,000 |
|
MAI-THU PERRET Detestable, to dream with the eyes open 2020 glazed ceramic 74.9 x 74.9 x 10.2 cm
USD45,000 |
|
ROBERT MAPPLETHORPE Ken and Lydia and Tyler 1985 Silver gelatin print Ed. of 10 USD 100,000
In Ken and Lydia and Tyler, Robert Mapplethorpe rehearses the art-historical trope of the Three Graces, subverting the genre by supplanting the three goddesses with exceptionally muscular, headless male and female bodies thus consecrating the beauty of both genders – the exploration of which was a con- stant throughout his practice. Mapplethorpe dramatically orchestrates light and shade to give the three interlinked bodies the lustre of a classical bronze statue, crystallising his enduring investigation of sculptural beauty in the human form. Robert Mapplethorpe’s works are currently presented in dialogue with Filippo de Pisis’s paintings at the Currier Museum of Art, Manchester, NH, until Sep- tember 2024. |
|
HAYV KAHRAMAN Bend Drawing 5 2020 Watercolour on paper 16 x 18 cm
USD 11,000 |
|
HUGH HAYDEN Zelig 2024 Sharp-tailed grouse feathers on cardboard tubes 25.4 x 33 x 34.3 cm
USD 100,000 |
|
WALTER PRICE Savvy yawn blanc 2022 Acrylic, gesso on wood 55.9 x 76.2 cm
USD 40,000
Savvy Yawn Blanc has an uneasy feel – hues of black and green dominate, cut through with sections of blood red. The title puns on the famous grape varietal used in the production of wine – speaking to the composition’s woozy quality. The ambiguous interior is shot through with various motifs: books, two armchairs, a goblet of wine, a head in profile, and along the top of the work there are more exterior elements – a bright blue horizon and gates.
|
|
OLGA DE AMARAL Soles A 2014 Linen, gesso, acrylic, Japanese paper and gold leaf 75.2 x 76.2 x 5.1 cm
USD 200,000 |
|
GIANNI POLITI Lamento di cane 2023 Oil and acrylic on canvas 170 x 140 cm
EUR 30,000
Legendary art critic Roberta Smith described recently in the New York Times GIANNI POLITI’s paintings as works whose presence and meanings expand as you look at them [...] the brushstrokes conjure everything from Abstract Expressionism to Tiepolo-like sunsets.
Politi's powerful and vivid canvases are made layering and combining into complex abstract compositions strips and whole parts of other oil paintings. Politi rediscovers the idea of a “combine”, an hybrid work that associate painting with collage and assemblage and a wide range of techniques and reference materials taken from life. Neither paintings nor sculptures, but both at once.
Their chromatic brilliance is inspired by Veronese and other Venetian painters, the slashing by Fontana, and their sweeping scale by grand history painting which celebrates specific historical events. |
|
JOYCE PENSATO The Mask 2010 Enamel on linen 228.6 x 183.2 x 4.1 cm
USD 240,000 |
|
GIANNI POLITI Piangoforeverperteamore 2023 Oil and acrylic on canvas 170 x 140 cm
EUR 30,000 |
|
GÜNTHER FÖRG Aller Retour 2008 Pastel on handmade paper 72.1 x 93.5 cm 82.5 x 103.6 x 4 cm framed
EUR85,000 |
|
IDRIS KHAN After The Breakfast 2024 Watercolour mounted on aluminium 256.3 x 234.3 cm GBP 180,000 |
|
THOMAS SCHEIBITZ 2024 180 x 160 cm
EUR 68,000
Though his conceptual practice often draws on an archive of found images and art historical references, Scheibitz explores the boundaries of universality and invention, creating works that are defined by their visual ambiguity. Informed by the codes and systems that structure both the world and our understanding of it, the artist has developed a distinct and singular visual language at constant play between figuration and abstraction. He combines highly varied imagery according to formal and associative similarity. In a process that reduces and reformulates legible figuration until it obtains the character of an abstraction, each element becomes autonomous and self-contained. His latest work Window (2024) displays painterly fluorescent areas next to black slopes and peaks rendered with graphic precision, emphasizing the idea that we are dealing with a surrogate of nature. Scheibitz’s title, together with the work’s composition, offer a striking example of his investigations into the reciprocal relationship between visual and linguistic information. |
|
HÉLIO OITICICA Untitled 1955 Gouache on cardboard 62.9 x 70.5 x 2.9 cm
USD 350,000
Hélio Oiticica began experimenting with geometric forms at the age of sixteen while studying under the artist Ivan Serpa. In 1954, Oiticica became a key member of Serpa’s Rio de Janeiro-based Grupo Frente alongside artists such as Aluisio Carvão, Lygia Clark, and Lygia Pape, who rejected the figuration and nationalism of the predominant modernist Brazilian painting style. During this time Oiticica was highly influenced by European modernism, particularly Paul Klee, Kazimir Malevich, and Piet Mondrian. Oiticica had been exposed to Klee and others at an early age at the São Paulo Bienal in 1953-54 as well as in the National Gallery of Art while his family briefly lived in Washington DC. Oiticica combined his interest in Modernism with Serpa’s Concretist ideas of non-representation to begin making abstract gouaches on cardboard and oils in 1955. His radical play with geometric forms and vibrant colours embodied in these early works demonstrates an intuitive understanding of colour and sensitivity to rhythm that he would later translate into physical space. |
|
MATVEY LEVENSTEIN Painting of the Rain 2022 Oil on linen
USD 45,000
Matvey Levenstein is known for his mastery at rendering soft light and his use of colour through subtle tonal values. Growing up under Leonid Brezhnev’s regime, Levenstein left the USSR in 1980 and lived in Vienna and Rome, before moving to Chicago.
Since leaving Russia, Levenstein has returned to painting as a primary medium. He holds a BFA from the School of the Art Institute of Chicago and received his MFA degree at Yale University. The artist’s subjects, still lifes and landscapes, are among the classical genres in figurative painting. Levenstein’s works trace back to the European tradition of painting, from Italian Old Masters, Giorgio De Chirico and Pittura Metafisica, to the meditative scenes of Caspar David Friedrich and the haunting interiors of Vilhelm Hammershøi. Levenstein is known for his unique ability to render soft light and to use color mastering tonal values.
Levenstein has exhibited in solo and group exhibitions in several international museums, including the Modern Art Museum of Fort Worth, the Dallas Museum of Art, the Miami Museum of Contemporary Art, the Drawing Center and White Columns, New York. He has received numerous grants including the Louis Comfort Tiffany Foundation Biennial Award (2022), the Rome Prize (2003), and the Penny McCall Foundation Award (2002).
As many of Levenstein’s well-known contemporaries who paint choosing representation, he came out of Yale at the same moment (John Currin is a very close friend, and Lisa Yuskavage his wife). Levenstein shares with them the deepest knowledge and interest in painting techniques, and among them has chosen a distinctive calm, reflective approach. These paintings are quiet meditations pervaded with literary sensibility.
Thyrza Nihols Goodeve describes Levenstein as "a painter of exquisite quiet where interiority seems to emanate from every brushstroke” |
|
TUNJI ADENIYI-JONES Untitled (Cascades Study) 2022 Oil on canvas 182.9 ×x132.1 cm
USD80,000 |
|
LIU XIAODONG ????, Huazi Catching a Goose 2024 Oil on canvas 150 x 140 cm
USD 350,000 |
|
MATVEY LEVENSTEIN Orient Interior 2023 Oil on linen
USD 60,000 |
|
MATTHEW BARNEY Bivouac: States one and four 2018 Two electroplated copper plates in copper frames Framed Dimensions, each: 27.9 x 35.6 x 4.4 cm Overall Dimensions: 27.9 x 86.4 x 4.4 cm
USD250,000 |
|
ANISH KAPOOR Black 2023 Fiberglass, paint 186 x 186 x 37 cm
GBP 950,000 |
|
URS FISCHER Lovelock 2024 USD 50,000 |
|
HIROSHI SUGIMOTO Palace Theater, Gary 2015 Gelatin-silver print 119.4 x 149.2 cm Ed. 2 of 5
USD 200,000 |
|
ANISH KAPOOR Untitled 2021 Oil on canvas 244 x 183 cm
GBP 750,000 |
|
SANYA KANTAROVSKY Blue Steel 2018 monotype 55.9 x 45.4 cm 58.5 x 48 cm framed
USD10,000 |
|
TOM WESSELMANN Great American Nude #81 1966
USD 1,900,000
Tom Wesselmann’s iconic Great American Nudes stand as seminal manifestations of the Pop Art sensibility. Great American Nude #81, 1966, with its vibrant palette and suggestive curves, exemplifies the artist’s significant role in the visual culture of the latter half of the 20th century. Art historian Sam Hunter notes that the title for The Great American Nude series was an outgrowth of Wesselmann's "gag-humor days when standard topics of parody were The Great American NovelandThe Great American Dream. But the theme also captured something of the collective spirit of satire at a time of a newly dissenting avant-garde, and it connects the banal imagery of Pop Art to the empty, inflated Minimalist forms in that turbulent sixties era.” (Sam Hunter, Tom Wesselmann, New York, 1994, p. 18).
The present work depicts a nude woman reclining, with portions of her body isolated and cropped for a focused presentation of her form. Its use of lines and color speaks to Wesselmann’s significant impact on the crucial period when Pop artists rejected the visual modes of Abstract Expressionism while employing imagery redolent of American identity. Acknowledging commercial graphics and technological innovation allowed Wesselmann and his contemporaries to manifest a new type of American art. There is an idealized ambition to Wesselmann’s style and a truly innovative mastery in his symbolic appropriation of the nude.
Great American Nude #81 portrays a carefully composed, anonymous female form, stripped down in its simplicity, curves, and visual boundaries. The composition itself consists of very few elements: the smooth, flat surface of the figure, a limited color palette that allows for a delineated representation of her skin, hair, and smile, and an abstract series of curves and shapes that focus deliberately on her form. The absence of detailed facial features and the focus on her anatomy strip the subject down to the essential parts of a classical nude and imbue it with electric sensuality. The subject of Great American Nude #81, like many works from the series, which ran from the early 1960s to the early 1970s, was the artist’s wife, Claire Wesselmann. This association lends the work an added sense of familiarity and adoration that comes from the dialogue between artist and subject in what is a distinctly modern, sensuous, and joyful work of art. |
|
JESSE WINE To be titled 2024 USD 40,000
Jesse Wine has developed a uniquely lyrical and surreal body of sculptural work over the last decade. He is concerned with exploring the relationship between the physical and psychological as they manifest in terms of weight, gravity and pose. His individual sculptures have a playful archetypal quality, depicting anthropomorphic elements, geometric shapes, and houses, amongst other things.
This new suite of bronze sculptures, produced at the Fonderia Battaglia, Milan, were inspired by the artist’s late father. For Wine, they function as distinct sculptures but also odes to his father – their production a cathartic act. Each one accommodates an orange peel or stack of mandarins in their various dream-like stage sets. This is a reference to his father’s habit of drying out and stacking oranges in strange totems – not with a view to making art but just as a practice. Wine has kept all his dad’s oranges and in one of the sculptures there is a little stack – a direct cast of one of the totems. In 2015, Wine did one project based exclusively on the oranges, producing a gigantic ceramic work, ‘Let Me Entertain You’, 2015, covered in iron filings to create a rust effect.
As with Surrealism, Wine’s pieces assert the primacy of the unconscious – its capacity to invert and reconfigure reality. A curtain flutters on a phantom breeze and strange branches sit within the works alongside various body parts – fingers, ears, feet. All four bronzes reference other artists too. There are nods to Italian sculptor Fausto Melotti’s moons, Alberto Giacometti works and in ‘Reality Tinkerer’ the peels of two oranges come to resemble the f-holes found in Man Ray’s ‘Le Violon d’Ingres’, 1924. In this way, Wine’s personal history becomes embroiled with art history. These concerns manifest themselves in more subtle ways too – particularly as regards Wine’s concern with the play of soft and hard. Gian Lorenzo Bernini (1598-1680) is of great interest to Wine and his influence is found in Wine’s fascination with depicting soft, malleable materials (such as cardboard, fabric, leaves, orange peel, flesh) using material that is hard and fixed. There is always an attempt to trick the viewer – to produce a moment of amazement or disbelief. |
|
OTOBONG NKANGA Tides and Glitches 2023 Woven textile on aluminium frame Diptych: 150 x 50 x 3.5 cm Installed: 150 x 100 x 3.5 cm
EUR70,000 |
|
WOODY DE OTHELLO for those who return 2024 Glazed ceramic and wood 134.62 × 44.78 × 40.64 cm
USD 85,000
|
|
KENNETH V. YOUNG Untitled 1970
USD 135,000 |
|
CATHY WILKES Untitled 2024 GBP 49,000
Cathy Wilkes will open an institutional solo exhibition at Hunterian Art Gallery on 7th June, as part of Glasgow International Festival of Contemporary Art. The exhibition is influenced by Cathy’s childhood in Northern Ireland, and by histories and experiences of violence not usually given expression within official representations of war.
Wilkes’ new paintings on silk and linen panels are primed with gum arabic and painted with pigments. They show subtly constructed landscapes and compositions of hypostatic objects. Rather than focusing on the visual, their creation is iterative and conceptually led. Wilkes finds a correlative to the interior relationships of her installations, with their careful negotiations of space and placement, on the painted surface.
The paintings are made and repeated till they’re finished. After a while I know what should be there: I start again over and over. I can feel the speed of each action, which is fast and has no real duration – just the briefest moment compared to long periods of waiting and looking. It doesn’t feel like production, production is too aggressive – it feels like continuous preparation, and then eventually recognition when I see it. – Cathy Wilkes
The paintings harbour forms which exist at the edge of legibility and their combination of celestial sparsity with depictions of land conjures associations with loss and the wilderness – the pursuit of philosophical or religious meaning. |
|
TALA MADANI Shit Mom (Zed) 2021 Oil on linen 40.6 x 38.1 x 2.5 cm
USD 35,000 |
|
ELLSWORTH KELLY Siberian Iris 1989 Ink on paper 77 x 57 cm
USD 250,000
Ellsworth Kelly’s Siberian Iris, 1989, is a stunning example of the artist’s renowned drawings featuring plants and flowers. Kelly began making drawings of natural imagery in the late 1940s, and they played a central role in his oeuvre, reflecting seminal formal ideas that resonated with his paintings and sculptures. “The drawings from plant life seem to be the bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work,” Kelly wrote.
Kelly made each drawing from life, reflecting a career-long enthusiasm for found compositions. Siberian Iris depicts the flower’s distilled, abstract form through elegant contours and stark contrast, exemplifying the artist’s focus on direct visual impression. “They are exact observations of the form of the leaf or flower or fruit seen,” Kelly has said, “Nothing is changed or added.”
Kelly’s plant drawings were the subject of a one-person exhibition at the Metropolitan Museum of Art in New York in 2012. |
|
CATHY WILKES Untitled 2024 Pigment on linen
GBP 46,000 |
|
MAJA RUZNIC The World Doesn’t End II 2023-2024 Oil on linen 229.24 × 178.13 cm
USD 90,000
Maja Ruznic (b. Bosnia and Herzegovina, 1983) fuses personal narrative, psychoanalysis, mythology, and esoteric thought into vivid paintings that hybridize #guration and abstraction. Painting variably with oils and gouache on immense and small scales alike, she extracts order from layers of diluted pigment. Ruznic’s practice is informed by her studies, from Slavic shamanism and alchemy to Jungian psychoanalysis and sacred geometry. Imbued with a discordant beauty, her compositions emerge without a premeditated outcome. Ruznic’s introspective, mystical approach places her into a lineage of visionary painters including Paul Klee and Hilma af Klint. |
|
RENE MARGRITTE L'accord Parfait 1947 - 1948 Oil on canvas
USD 4,200,000
L’Accord Parfait (Perfect Harmony), 1947-1948, is an exquisite example of René Magritte’s singular oeuvre. Enigmatic and compelling, the painting is a provocation of incongruously strong visual poetry; a room, a window, - a young woman, a stone, and a leaf. The individual elements of the painting are familiar motifs of Magritte’s art, imbued with totemic power and symbolic resonance.
The citation for L’Accord Parfait, 1947-1948, in the René Magritte Catalogue Raisonné: Volume II Oil paintings and Objects, 1931-1948 references a letter Magritte wrote to the Belgian poet Paul Nogué describing the multiplicity of associations within the painting. “One idea is the stone is bound by an ‘attachment’ to the earth, it does not lift itself up on its own, its kind of fidelity to terrestrial attachment can be counted on. One may think the same true of the woman.
From another point of view, the hard, well-defined existence of the stone – ‘a hard feeling’ and the physical and mental system of a human being are not unconnected.” Dating from the threshold of Magritte’s mature period, L’Accord Parfait was conceived in a decisive moment in Magritte’s development. A time when Magritte intellectually distanced himself from the influence of Parisian Surrealism, from the chance operations, automatism, and intuitive strategies for liberating the unconscious championed by André Breton in favour of refining his own cooly rational, analytic course. A path famously set in motion decades earlier by a 1923 encounter with Giorgio De Chirico’s disquieting painting Le Chant D’amour (The Song of Love), 1914. An uncanny composition featuring discordant elements; a marble bust, a ball, and a surgeon’s plastic glove theatrically staged in a moody, dream-like cityscape. Magritte wrote of the strange alchemy of this painting: “This triumphant poetry replaced the stereotyped effects of traditional painting. It represented a complete break with the mental habits peculiar to artists who are prisoners of talent, virtuosity and all the little aesthetic specialties. It was a new vision through which the spectator might recognize his own isolation and hear the silence of the world” (Sylvester, David, Magritte, Brussels, 2009, p. 71). |
|
LIZ LARNER ii (calefaction) 2014–2015 ceramic, glaze, stones and minerals 50.2 x 87.6 x 15.9 cm
USD100,000 |
|
FRANÇOIS-XAVIER LALANNE Fontaine aux Oiseaux de Williamsburg 1994 Patinated bronze and carved stone
USD 1,200,000
Franc?ois-Xavier Lalanne’s Fontaine aux Oiseaux de Williamsburg, 1994 is a superb exemplar of the artist’s later work. Behind the elegant and refined contours of the work’s three birds lay the unique visual grammar of Franc?ois-Xavier Lalanne, a self- taught, pioneering artist who forged a path against the artistic trends of his time.
Franc?ois Xavier Lalanne was a French sculptor and installation artist who frequently worked with his wife Claude under the sobriquet Les Lelanne. He incorporated animal and mythological imagery into his sculptures and furniture pieces. He invented a bestiary composed of monkeys, rhinos, birds, camels, toads, hippos and cats, among others. His fascination with bringing figurative depictions of wildlife into domestic spaces while blurring the lines between sculpture and design desacralizes the medium of sculpture to give it a familiar dimension.
Before Lalanne began his sculptural practice, He worked as a guard at the Louvre Museum. His time there, particularly in the Oriental Antiquities departments, deeply influenced his art. The reliefs he studied, with their shapes, curves, and religious iconography sparked his fascination with the stylization of symbols and naturalistic representations of animals in Egyptian and Assyrian civilizations. This, combined with the influence of his friend and neighbor Constantin Brancusi, led Lalanne to emphasize smoothness and fullness of form in his animal sculptures, breathing new life into the medium.
Lalanne's relentless focus on animals in his artistic practice was a deliberate subversion of the Western concept of traditional statuary and the hegemony of abstraction in the post-war era. In the present work, three birds perch around the perimeter of a fountain. Birds in many ancient civilizations were considered couriers of the Gods and represented a gateway between worlds, carrying messages of love, fertility, life, and even omens of bad fortune. Here, the luscious bronze and carved stone, evoking an ancient ruin, coupled with the symbolic figure of the bird, omnipresent in ancient cosmogonies, create a powerful visual presence whose forms, curves, and tranquil air remain timeless. |
|
CATHY WILKES Untitled 2022 Pigment and gum arabic on cotton 50.5 x 54 x 2 cm
GBP 56,000 |
|
PIERRE HUYGHE Camata III 2024 96 x 64 cm EUR 65,000 |
|
OLAFUR ELIASSON Colour experiment no. 34
Since 2009, Eliasson has been engaged in a project involving a new colour theory based on the prismatic colors and explored through a series of painted artworks. He began these experiments by working with a colour chemist to mix in paint an exact color for each nanometre of light in the visible spectrum, which ranges in frequency from approximately 390 to 700 nanometers. Since the initial experiments, Eliasson has used this palette to make paintings on circular canvases, known collectively as the Colour experiment paintings.
|
|
ATONG ATEM I Have Two of Everything 1 2022 Ilford Smooth Pearl print 150 x 100 cm edition 3 of 3 + 2AP or 90 x 60 cm edition 2 of 10 + 2AP |
|
REBECCA ACKROYD 2024
USD 50,000 |
|
LEONOR ANTUNES Ana #1 2024
EUR 90,000 |
|
YANG FUDONG Sparrow on the Sea 1 2024 101 x 180 cm USD 45,000 |
|
HAROLD ANCART Untitled 2018 |
|
SANYA KANTAROVSKY Small Parts 2022 Monotype 53.5 x 43 cm
USD 16,000 |
|
LUCIO FONTANA Concetto Spaziale 1962 Graffiti on pink canvas
USD 1,200,000
With a single deep fissure gouged into its pink, oil paint- encrusted surface, Lucio Fontana’s Concetto Spaziale, 1962, is from the artist’s celebrated body of Olii (oil) paintings. These works represent the ultimate efflorescence of his Spazialismo movement, launched in 1947 with the Primo manifesto dello spazialismo (First manifesto of spatialism.) The title Concetto Spaziale, derived from Spazialismo, was employed by Fontana for the bulk of his output from 1950 onward. In the Olii works, Fontana abandoned the opacity and uniformity of water-based paint in favor of the flexibility and brilliance of oil paint. The Olii came to dominate Fontana’s practice in the early 1960s and remained central to his work until his death in 1968.
Characterised by a monochrome canvas with one or more holes roughly torn into the center of the work, the brightly colored Olii’s were counterparts to Fontana’s Minimalist Tagli paintings. While the hallmark of the Tagli (Cuts) were crisp, almost surgical slashes into the surface of the canvas, the Olii expressed a more primal sense of raw immediacy. Indeed, rendered in thick, sculptural lavishes of oil paint, the buco or ‘hole’ in the present work seems to erupt from the surface. The antithesis of the cool and seductive Tagli, the wound-like hole in Concetto Spaziale dominates the composition. Fontana further incised markings into the pictorial surface: they circle and spiral around the gaping hole, imbuing the work with a sense of percolating, pent-up energy.
While the paint was still wet, Fontana would employ a sharp tool to gouge the surface, then claw at the canvas with his fingers, adding texture and weight, with a thick impasto of oil paint encrusting the ragged edges surrounding the violently punctured hole. Describing his transition between the Olii and the Tagli, Fontana explained: “The cuts that I have made so far represent above all a philosophical space. But that which I am seeking, now, is no longer philosophical space but rather physical space... It is a human dimension that can generate physiological pain, a terror in the mind, and I, in my most recent canvases, am trying to give form to this sensation.” (Lucio Fontana cited in Grazia Livi, ‘Incontro con Lucio Fontana’, Vanita, No. 13, Autumn 1962, p. 55).
The conceptual essence of Concetto Spaziale and the series from which it derives is the creation of the central perforation, which disrupts the traditional flat plane of the medium. This innovation opened the canvas, infusing it with the space endlessly expanding behind, around, and through it. The dawn of the Space Age, marked by Yuri Gagarin’s flight in 1961, introduced an entirely new cultural dimension. For Fontana, the astronaut’s launch into the infinity of the cosmos is echoed in the void created by his perforations. These punctures ruptured the canvas as well as the traditional boundary between painting and sculpture, bringing a new dimension to art of the 20th century and the cosmic age. |
|
JONATHAN LYNDON CHASE we leave the fan during winter 2022 watercolour and marker on sheet 76.2 x 101.6 x 2.5 cm
USD35,000 |
|
FERNANDA GOMES Untitled 2021 Wood and paint 40.6 x 81 x 10.3 cm
USD 50,000 |
|
WILFREDO PRIETO La forma en la que hablas/The way you talk 2023
USD 40,000 |
|
CHASE HALL 2023 30.5 x 22.5 x 5.1 cm
USD 25,000
|
|
JADÉ FADOJUTIMI 2018
USD 575,000 Radiating a joyously inviting internal light, Jade? Fadojutimi’s Fleetingly Fresh, 2018, conjures an astonishingly lyrical painterly space filled with luminous colour and joie de vivre. Earthy greens, fiery washes of mineral reds and oranges, and a delicate spectrum of violets interact in an expansive space, where the gestural physicality of the artist’s commanding brushwork builds an ethereal cosmos, rhythmically fluctuating between figuration and abstraction. Within this poetic domain, suggestions of organic forms crystalize and dissolve in a meditation on the traditional motif of a floral still life.
Created the year after Fadojutimi was awarded a Master of Arts degree from the Royal College of Art in London and honored with that year’s Hine Royal College of Art Painting Prize, Fleetingly Fresh is a sublime example of her work from this period. In the present work, a growing confidence in Fadojutimi’s approach to colour and form is evident, as well as the urgent timeliness of her project, questioning influence and identity, and the evolving nature of beauty. As Andrew Hunt states, her work “demonstrates an oscillation between figuration and abstraction representative of our polyrhythmic identities.” (A. Hunt, Across the Universe: Andrew Hunt on the 11th Liverpool Biennial, Artforum, June 17, 2021) |
|
GLENN LIGON WITH HOPE 2017 Neon mounted on a white powder coated aluminum box 24.1 x 66.0 x 12.7 cm Edition of 10 + 2AP
USD175,000.00
A portion of the proceeds from the sale of this work will be donated to the Equal Justice Initiative (EJI).
Equal Justice Initiative, a non-profit organization started by lawyer and social justice activist Bryan Stevenson, is committed to ending mass incarceration and excessive punishment in the United States, to challenging racial and economic injustice, and to protecting basic human rights for the most vulnerable people in American society. Ligon was deeply inspired by Stevenson’s book "Just Mercy." When the two men met, Stevenson thoughtfully inscribed Ligon’s copy of "Just Mercy" with the words “With Hope”—an encouraging and forward-looking message that the artist borrowed to create this evocative neon sculpture. |
|
MAI-THU PERRET Monkeys clinging to the frosted branches shriek all night 2023 53 x 41 x 11 cm
|
|
MIRIAM CAHN o.t.,17.9.23 2023 Water color and colored pencil on paper 38 x 70 cm
EUR 11,000 Reserved |
|
ANISH KAPOOR Shudder 2021 Oil on canvas 213 x 274 x 5 cm
GBP800,000 |
|
WILLIAM E. JONES 2023 30.5 x 40.6 x 1.9 cm
USD 15,000 |
|
CARRIE YAMAOKA 16 by 12 (blue/white) mixed media on wood panel
USD 8,000
The reflective polyester film piece 16 by 12 (blue/white) shows edges and pools that are particularly organic. The plastic sheeting the artist used on top of the piece in the making process interacted with the heat of the wet resin, giving birth to the topography of air bubbles and cavities, softening the edges. |
|
JOANNA POUSETTE-DART Untitled 2024 Acrylic on canvas on wood panel 85.7 x 87 x 1.9 cm
USD 60,000 |
|
MERET OPPENHEIM Porträt mit Tätowierung 1980 Gelatin silver print 29.5 x 21 cm Edition of 50 + 5EA (EA 1)
CHF80,000 |
|
TATSUO MIYAJIMA Time Waterfall-panel #10 2018 Computer graphics, LED display 336 x 64 x 32 cm
USD180,000 |
|
MASAOMI YASUNAGA Mosaic Vessel 2023 Glaze, Colored glaze, Titanium oxide, Tile, Kaolin 49 x 24 x 19 cm
USD 12,000 |
|
BROOK HSU Pasolini Seven Times
USD 60,000
Pasolini Seven Times is Brook Hsu’s latest ink-on-canvas piece from the text painting series that began in 2023. It directly expresses the artist’s profound affection for the Italian director.
By repeating in a special font Pasolini’s name seven times across the large canvas, this painting marks a significant deviation from the ongoing green painting series, speaking of both an obsession with Pasolini’s artistic and political legacies, and a subtle interest in turning texts into radically figurative compositions. |
|
ZHAO GANG ???? Chicken, Duck and Fish 2023 Oil on canvas 180 x 180 cm
USD 93,000 |
|
ANISH KAPOOR Shudder 2021 Oil on canvas 213 x 274 x 5 cm
GBP800,000 |
|
JOSH KLINE American Camouflage 7 2024 Dehydrated & sterilized fast food, corn, rubber gloves, cardboard packaging, plastic, epoxy resin, aluminum, acrylic, automotive paint, LED strips 76.2 x 114.3 x 6 cm
USD 75,000 |
|
ANNIE MORRIS Stack 3, Cobalt Turquoise 2023 Foam core, pigment, concrete, steel, plaster, sand 197 cm approx.
On Reserve |
|
CHANTAL JOFFE Katy in a Pink Dress 2023 Oil on board GBP 50,000 |
|
NATE LOWMAN Maria Tree 2021 Oil and alkyd on canvas on wood panel 137.2 x 82.9 cm Signed and dated verso
USD220,000 |
|
KELLY AKASHI Cultivator (Mirror Image) 2023-2024 Lost-wax cast bronze, galena mirrored hand-blown glass, flame-worked borosilicate 24.8 x 22.9 x 29.2 cm
USD 55,000 |
|
OSCAR TUAZON Shoshone Cedar 2023 Enamel on glass, aluminium, silicone
USD 40,000 |
|
SARAH CUNNINGHAM Earth Song 2024 Oil on canvas 80 x 60 x 4 cm
USD 16,000 |
|
GREGORY HODGE Blue Light 2024 Acrylic on linen 200 x 160 cm
USD 19,800 |
|
VAN HANOS The World 2024 Oil on linen 152.4 x 243.8 x 5.1 cm
USD 70,000 |
|
SIMONE FATTAL Study 2014 Watercolor on paper 30 x 38 cm
EUR 8,000 |
|
HÉLIO OITICICA Spatial Relief Amarelo 22 1959/2002 Acrylic on wood 127 x 181.6 x 11.4 cm
USD2,500,000 |
|
OTOBONG NKANGA Midnight Study I 2021 Woven textile on aluminium frame 85 x 160 x 4 cm
EUR 60,000 |
|
GORDON PARKS Muhammad Ali, Miami Beach, Florida 1966 Gelatin silver print cm framed
USD 42,500 |
|
MARIO GARCIA TORRES O Equilibrista Acrylic on canvas USD 60,000 |
|
TAUBA AUERBACH Foam 2023 acrylic on dibond 91.4 x 137.2 x 2.5 cm
USD136,000 |
|
LAURA OWENS Untitled 2024 Oil, Flashe, and screen-printing ink on linen 275 x 213 cm
USD 1,200,000
Laura Owens is known for her wide-ranging and experimental approach to painting, which incorporates an extensive scope of sources and painting techniques. Her work embraces multifarious visual references, including embroidery, textiles, literature, wallpaper design, and natural imagery.
Untitled, 2024, is inspired by imagery Owens first explored for a 2021 exhibition at the Fondation Vincent van Gogh Arles in France. For the exhibition, the artist created monumental, handmade wallpaper, transforming design motifs borrowed from the little-known twentieth century English artist and designer Winifred How. In Untitled, references to How’s designs include the fragmented wallpaper borders, as well as the bell-shaped Fritillaria flowers. Owens exaggerates the distinctive checkered pattern found on the flower’s surface, producing a pixelated quality that highlights her experimental approach to painterly abstraction.
Owens’s use of thickly applied impasto and screen-printing techniques further challenges the traditions of abstraction, reflecting the artist’s ability to raise questions about the painting process, including its materials and history. In Owens’ own words: “I’m trying to move the boundaries of familiar categories in your linguistic mind through your visual perception.” |
|
CAMILLE HENROT Dos and Don'ts - Self Flood 2022 Digital collage serigraph print with watercolour, ink, acrylic and oil on prepared canvas 80 x 60 x 4 cm 82.6 x 62.6 x 5.4 cm framed
USD100,000 |
|
LEONOR ANTUNES Lena #9.2 Brass EUR 90,000 |
|
FRIDA ORUPABO Illustration 81 / Bearing Witness 2024 Collage with paper pins 139 x 85 cm
USD 26,000 |
|
ANISH KAPOOR Untitled 2019 Acrylic 150 x 100 x 60 cm
GBP1,000,000 |
|
SANYA KANTAROVSKY Honey 2022 Monotype 53.5 x 43 cm
USD 16,000 |
|
CLARE WOODS The Concealment 2023 Oil on aluminium 150 x 100 cm
EUR 55,000 |
|
CHOU YU-CHENG Origami #60
USD 32,000
Chou Yu-Cheng’s Origami series of paintings reconsider the tradition of origami or paper-folding, a complex game that transforms flat materials into sculpted, three-dimensional objects. Chou closely examines the plasticity of paper in relation to abstract painting’s illusionistic potentials, producing curvy volumes and depth. Unlike previous series such as Moody and Water, Colour & Paper in which various elements float and converge, Origami paintings are firmly governed by gravity and by the implication of a standing ground, suggesting a still-life quality.
Another artistic tradition at work here is ikebana or kado?, the Japanese art of flower arrangement. Instead of creating animals and figures as traditional origami does, Chou’s recent paintings speak of revealing the nature of the material itself, and the aesthetic of bringing distinct elements together to form a harmonious totality. |
|
AILEEN SANDY Colours of the Rocks 2022 acrylic on canvas 201 x 196 cm
AUD28,000 |
|
CARRIE YAMAOKA 40 by 40 (clear/black #2)
USD 20,000
A founding member of the artistic collective 'fierce pussy', Carrie Yamaoka is interested in the way error, defect and chance influence the outcome of an art object, and has since 1994 created a series of radically elusive artworks that are at once sculptural, painterly and photographic.
The ripples on Yamaoka’s black vinyl film piece 40 by 40 (clear/ black #2) are results of the New York sunshine: black silver vinyl was acted on by the heat generated by sunlight in Yamaoka’s studio and it responded by rippling. Yamaoka’s work wrestles with the viewer’s desire to search for an image: “I want the viewer to lurk in that limbo, that place before an image is arrived at.” |
|
NAN GOLDIN Empty beds, Boston 1979 Cibachrome 76 x 102 cm
USD 18,000 - 35,000 |
|
ANISH KAPOOR Untitled 2019 Acrylic 150 x 100 x 60 cm
GBP1,000,000 |
|
WALTER PRICE Alpha vs beta 2023 Ink, acrylic, gesso, vinyl on wood 127 x 152.4 cm
USD 65,000 |
|
GLENN LIGON 1619-2023 (X) 2023 Oil stick, ink and acrylic on canvas 223.5 × 88.3 cm
USD750,000 |
|
KATHARINA FRITSCH Birkenkreuz (Birch Cross) 2023 Plaster, acrylic paint 30 x 20 x 3 cm Edition of 16
EUR 20,000
Katharina Fritsch’s sculptures are based on familiar objects mined from the sphere of public knowledge, which she then distorts through uncanny shifts in colour and scale to create destabilizing encounters. Typically, each work is molded by hand, then cast in plaster, reworked, and then cast again in its final material. The form is finished with a matte paint that absorbs light, giving the sculpture’s surface a disorienting, immaterial quality.
Through this unique process, Fritsch creates sculptures that evoke a sense of wonder while probing the nature of human perception and experience. In the artist’s own words: “I find the play between reality and apparition very interesting. I think my work moves back and forth between these two poles. There is still the connection to the real, but at the same time to the unreal.”
Birkenkreuz (Birch Cross), 2023, is a plaster sculpture depicting vivid green birch branches assembled into a cross. The simplified yet evocative form reflects the artist’s lifelong fascination with Christian traditions, including frequent visits to Catholic churches throughout Germany as a child. The sculpture exemplifies Fritsch’s ongoing exploration of religious imagery, including St. Nicolas, 2002 (Walker Art Center, Minneapolis) and Mönch (Monk), 1997–99 (Glenstone Museum, Potomac, Maryland).
|
|
CLARE WOODS Puff of Smoke 2023 Oil on aluminium 150 x 100 cm
EUR 55,000 |
|
Katharina Fritsch Kotelett (Cutlet) 2023 Plaster, acrylic paint 3 x 15 x 11 cm
EUR 16,000
Kotelett (Cutlet), 2023, is modeled after a cut of meat from the artist’s local butcher shop. Painted a monochrome blue-green colour, Fritsch’s cutlet both intrigues and bewilders. “My sculptures can never be totally grasped, like a picture that has something unresolved about it,” Fritsch has explained. “They stay in your head like an enigma. That’s how life seems to me and that’s how I depict it.” |
|
Fiona Connor #10 2019 Hand painted lettering on wall unique USD$6,600 (inc GST)
Fiona is a New Zealand artist of the same generation (and social group) and Simon Denny. She’s been in lots of good international group shows, but no good solo shows as yet. She’s living in LA and clearly trying to crack the US market. She’s just had a new commission at the Sculpture Centre that’s gained some good press. She’s on the radar of The Art Newspaper, Ocula, Artforum, E-flux, Hyperallergic etc.
I love this work. It was created for a little private exhibition in an apartment in Potts Point, and speaks to areas of the home that the light cannot reach. It is not a vinyl, but rather, engages a sign writer to hand paint each letter. It is beautiful and poetic.
|
|
MARK BRADFORD Untitled Pink (SFMOMA Benefit) 2016 Acrylic, paper, and string on canvas 152.4 x 121.9 cm
USD3,500,000 |
|
CHANTAL JOFFE Bella 2023 Oil on board GBP 80,000 |
|
ALICJA KWADE Ein Monat (April 2020) 2021 Nickel-plated brass on cardboard 88 x 77 cm framed
EUR28,000 |
|
CATHY JOSEFOWITZ Untitled c.1974 gouache on paper 23.9 x 32.2 cm 36.5 x 44.8 cm framed
USD40,000 |
|
FLORA YUKHNOVICH Study 2020 Oil on paper GBP 45,000 |
|
NATE LOWMAN San Andreas Fault 2021 Oil and alkyd on linen 200.7 x 134.6 cm Signed and dated verso
USD200,000 |
|
OSCAR TUAZON Suovdni 2023 Enamel on glass, aluminium, silicone
USD 40,000 |
|
NATE LOWMAN Merapi/Cutouts 2021 Oil on canvas on wood panel, two parts 40 x 152.4 cm part one 121.9 x 103.5 cm part two 163.8 x 152.4 overall
USD180,000 |
|
OSCAR TUAZON Autumn Equinox 2023 Enamel on glass, aluminium, silicone Unique
USD 40,000 |
|
OLIVER BEER Resonance Painting (Cry Me A River) 2022 Pigment on canvas 200 x 150 cm |
|
CATHY JOSEFOWITZ Untitled c.1974 gouache on paper 23.9 x 32.2 cm 36.8 x 44.8 cm framed
USD40,000 |
|
SIMONE FATTAL Woman with Necklace 2011 Stoneware fired in a wood kiln 63 x 35 x 20.5 cm
EUR 83,000
In Simone Fattal’s practice, archaeology, politics, religion, literature, and history are deeply entangled. Born in Syria and raised in Lebanon, the Mediterranean is the basin from which the artist’s works spread out, equally drawing upon ancient myths and current socio-political concerns. Ancient creation myths have often been connected to Fattal’s sculptures, which depict primordial men and women, goddesses and warriors, animals and trees, as in Woman with Necklace, a stoneware sculpture in which a few irregular pearls suggest the shape of a female figure adorned with jewels. |
|
JONATHAN MEESE "MEIN BLUT FÜR DEN MELONENKÖNIG "MABUSIS"! (ABRIDGED)" 2021 210 x 140 cm
USD50-75k |
|
MARILYN MINTER Circe 2023 Enamel on wood panel 81.3 x 61 cm
USD140,000 |
|
SIMONE FATTAL Fix Your Gaze on Saturn’s Rings 2012-2022 Bronze 63 x 46,5 x 36 cm Edition of 6 + 2 AP
EUR 88,000 |
|
JOHN ARMLEDER Elliptical Galaxy 2021 mixed media on canvas 149.9 x 110.2 x 3.8 cm
USD110,000 |
|
SIMONE FATTAL Untitled (House) 2018 Glazed stoneware 24 x 36 x 32 cm
EUR 37,000 |
|
TERRY ADKINS Marshall 2013 wood-handled fruit harvester, chrome, blown glass, and velvet cushion 114.3 x 30.5 x 30.5 cm
USD175,000
PROVENANCE The Estate of Terry Adkins |
|
SIMONE FATTAL Sans titre (Variation en noir et blanc, l’état du ciel) 2013 Acrylic and oil on canvas 110 x 110 x 2 cm
EUR 70,000 |
|
ANN CRAVEN Portrait of a Red Finch (After Picabia, Singing Kindly, Again) 2023 2023 Oil on linen 213.36 × 152.4 cm
USD165,000 |
|
SIMONE FATTAL Variation en noir et blanc, l’état du ciel 2013 Acrylic and oil on canvas 100 x 100 x 2 cm
EUR 70,000 |
|
GRETCHEN ALBRECHT Seraf 1982 Acrylic on canvas 153 x 306cm
NZD125,000 |
|
GORDON PARKS American Gothic, Washington D.C. 1942 Gelatin silver print 69 x 55 x 3 cm framed
USD 38,500 |
|
SOPHIE VON HELLERMANN Nature 2022 Acrylic on canvas 61 x 51 cm
GBP10,000 |
|
ALICJA KWADE Principium 2022 Patinated bronze, Brenna stone 143 x 60 x 50 cm
EUR65,000 |
|
STERLING RUBY WIDW.PEASEBLOSSOM 2020 Acrylic, oil, elastic and cardboard on canvas 213.4 x 121.9 x 5.1 cm
USD350,000 |
|
Ore of Cyprus Study 2021 acrylic paint and pigment on glass 29.4 x 20.5cm
AUD2,000 |
|
RICKY SWALLOW Skewed Open Structure with Rope #9 2023 Patinated bronze and oil paint 15.2 x 35.6 x 26.7 cm
USD 50,000 |
|
ALLORA & CALZADILLA Aeolian Chart 2022 Watercolor on paper 135.9 x 214.9 x 5.1 cm framed
USD85,000 |
|
LIU WEI Outcast 2021 No. 1 2021 Oil on canvas 177.8 x 215.9 x 4.44 cm
USD400,000 |
|
WALID RAAD/THE ATLAS GROUP Festival of Gratitude: Omar 2003/printed 2021 inkjet print on Luster Paper Epsom Premium 39.4 x 57.2 cm image 42.5 x 60.3 x 3.8 cm framed Edition 5 of 5 + 2AP
USD12,000 or complete set of 12 USD95,000 |
|
ANN CRAVEN Woodpecker (and the Moon, Again, January 14, 2021), 2021 2021 Watercolor on Arches paper, 140lb 76.2 x 55.9 cm 81.3 x 61 cm framed
USD25,000 |
|
STERLING RUBY BC (3791) 2012 Paint, bleach, glue and fabric collaged on wood 320 x 243.8 x 5.1 cm
USD250,000 |
|
ANN CRAVEN Snowy Owls (after Audubon, January 2, 2021), 2021 2021 Watercolor on Arches paper, 140lb 76.2 x 55.9 cm 81.3 x 61 cm framed
USD25,000 |
|
CHRISTIAN MARCLAY Untitled (from the series Taped Tape) 1994 collage of magnetic tape and adhesive tape on paper 63.5 x 74.9 cm 67.9 x 82.6 cm framed
USD45,000 |
|
STERLING RUBY SP31 2008 Spray paint on canvas 254 x 365.8 cm
USD870,000 |
|
CHRISTIAN MARCLAY Untitled (from the series Taped Tape) 1994 collage of magnetic tape and adhesive tape on paper 66 x 101.6 cm 73 x 108.6 cm framed
USD45,000 |
|
TALA MADANI Perfect Copy I 2021 Oil on linen 99.7 x 80 x 2.5 cm
USD65,000 |
|
Ore of Cyprus 2021
Installation view |
|
MARGUERITE HUMEAU Orisons (Sandhill Cranes) 2022 Pigment and charcoal on paper; wax, resin and wood frame 100 x 140 cm 107.5 x 147.5 x 5 cm framed
GBP32,000 |
|
TALA MADANI Smeared Interior II 2021 Oil on linen 30.5 x 45.7 x 2.5 cm
USD35,000 |
|
VICTOR MAN As yet untitled 2022 Oil on canvas on wood 70 x 60 cm
EUR250,000 |
|
Landspace Shaping Of Memory 2019 Wax pastel, wash with oil pigment, acrylic, watercolour, pencil, ink, balsa wood, twine, archival PVA and gilding on paper; two elements on paper mounted on aluminium 176 x 176 cm image 180 x 180 cm framed Unique work
AUD77,000 SOLD
|
|
MATH BASS [Title to be determined] 2024 Oil on linen 127 x 132 cm
USD 45,000 |
|
TALA MADANI Shit Mom (Zed) 2021 Oil on linen 40.6 x 38.1 x 2.5 cm
USD35,000 |
|
Ore of Cyprus 2021
Installation view |
|
WANGECHI MUTU Subterranea Holy Cow 2022 Ink, emulsion paint and watercolor paper on photographic print 184.8 x 121.6 cm 201.3 x 140.3 x 6.4 cm framed
SOLD |
|
TODD MCMILLAN Lull (X) 2019 watercolour and gouache on cotton watercolour paper on plywood, epoxy 133 x 98 cm
AUD20,000 |
|
citizens with birds 2020/21 synthetic polymer on canvas 40 x 51 cm
AUD2,750 |
|
AMY SILLMAN Green Shift 2022 oil on canvas 182.9 x 165.1 x 3.8 cm
SOLD |
|
URS FISCHER Sunny Side Up 2012 Epoxy resin, fiberglass, expanded polystyrene foam, pigment, water based oil paint 7.6 x 91.4 x 73.7 cm
USD125,000 |
|
SOPHIE VON HELLERMANN Rebirth 2022 Acrylic on canvas 140 x 160 cm
GBP28,000 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work ANNE COLLIER
Crying (Negative) 2017 C-Print 221.9 x 128.75 x 4.45 cm Edition of 5
USD45,000 |
|
SARAH MORRIS Calendar [Spiderweb] 2022 Household gloss paint on canvas 207 x 152 cm
USD185,000 |
|
TODD MCMILLAN Lull (VIII) 2019 watercolour and gouache on cotton watercolour paper on plywood, epoxy 133 x 98 cm
AUD20,000 |
|
CLARE WOODS Murk 2022 Oil on aluminium 100 x 100 cm
GBP30,000 |
|
FELIX GONZALEZ-TORRES Untitled (Lover's Letter) 1991 C-print jigsaw puzzle in plastic bag Edition 1 of 3 + 1AP 19.1 x 24.1 cm
USD200-300k |
|
WILL COOKE You and me 2022 primer, acrylic on aluminium, powdercoated aluminium frame, clear coat lacquer 91.6 x 81.6cm
AUD6,200 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work OSCAR MURILLO
untitled (catalyst) 2018-2019 Oil and graphite on canvas 210 x 165 cm
USD300,000
Compared years ago to the great Basquiat and set to be the next big thing, Oscar is another big hit in the art fair circuit. His works are indeed enigmatic and totally captivating - and the market seems to agree. His works are highly sought after. |
|
Lot 1 CAROL JERREMS (1949 – 1980) Mozart Street 1975 silver gelatin photograph 13.5 x 20 cm image edition 1 of 9 signed, dated, numbered and inscribed with title below image: MOZART STREET. / 1 / 9 / JERREMS, 1975.
ESTIMATE AUD20,000 – 30,000
PROVENANCE Gift from the artist, Melbourne, 1975 Catriona [Katrina] Brown, Mexico
EXHIBITED A Decade of Australian Photography 1972–1982: Philip Morris Arts Grant at the Australian National Gallery, Australian National Gallery, Canberra, 8 October 1983 – 29 January 1984 (another example) Living in the 70s: Photographs by Carol Jerrems, Plimsoll Gallery, University of Tasmania, Hobart, 20 July – 12 August 1990; and touring nationally (another example) Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang, Heide Museum of Modern Art, Melbourne, 31 July – 31 October 2010 (another example) Carol Jerrems: Photographic Artist 1968 – 1978, National Gallery of Australia, Canberra, 25 August 2012 – 28 January 2013; and touring nationally (another example)
LITERATURE King, N. (ed.), Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang, Heide Museum of Modern Art, Melbourne and Schwartz City, Melbourne, 2010, p. 131 (illus., another example)
RELATED WORKS Another example of this work is held in collection of the National Gallery of Australia, Canberra |
|
RACHEL HOWARD Love Fool 2019 Oil and acrylic on canvas 213.4 x 213.4 cm
GBP85,000
In her work, Rachel Howard plays with the tensions between control and chaos, order and entropy, making and unmaking, beauty and destruction. Dominated by alizarin crimson, Love Fool oscillates between a crisp, clear pattern of leaves and twine that collapses in areas of the canvas into smeared, gestural forms of mark making. The repetitive motif appears to swell and rise above the painting’s surface; the texture and intensity of the red pigment drawing the eye in and across the composition. The softer opaque areas feel similar to light plumes of smoke. The glow of fluorescent yellow paint at the top and bottom edges of the canvas lends the work a forensic quality. |
|
ARNULF RAINER Ohne Titel 1956 Oil on canvas 100.5 x 75.5 x 3.1 cm
EUR450,000 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work ARTIST NAME Title of Work Year Materials Size of Work Price of Work MARKUS AMM
Untitled 2021 oil on gesso board 35 x 30 x 2.5 cm
USD25,000 |
|
Installation view |
|
DOUG AITKEN DEMO CRACY 2020 Archival pigment print on Ilford Galerie Gold Fibre Silk paper 99.1 x 76.2 cm Edition of 6
USD 35,000 |
|
Entangled Garden for Plant Memory 1 2020 dye sublimation archival print onto polished mirror 120 x 80 cm edition of 3 + 1AP
AUD16,000 |
|
citizens 2020/21 synthetic polymer on canvas 35 x 46 cm
AUD2,500 |
|
AI WEIWEI Bicycle Basket With Flowers 2015 Porcelain, Huali wood and glass 35 x 28 x 33 cm
EUR220,000 |
|
ED RUSCHA Japan is America 2019 Acrylic on museum board 61 x 86.4 cm |
|
JOAN MITCHELL Untitled ca.1962 Oil on canvas 74.9 x 91.4 cm
USD2,800,000 |
|
collage of imaginary pots 2021 collage, synthetic polymer paint 76 x 56 cm
AUD2,200 |
|
Lot 31 ARTHUR BOYD (1920 – 1999) Nebuchadnezzar in the Long Grass c.1968 oil on canvas 108.5 x 113 cm signed lower right: Arthur Boyd bears inscription verso: 13
ESTIMATE AUD55,000 – 75,000
PROVENANCE Private collection, Sotheby’s, Melbourne, 24 July 1988, lot 368 (as ‘Nebuchadnezzar Swimming Across a River’) Savill Galleries, Sydney Private collection, Sydney, acquired from the above in 1998
‘I’d like to feel that through my work there is a possibility of making a contribution to a social progression or enlightenment. It would be nice if the creative effort or impulse was connected with a conscious contribution to society, a sort of duty of service.’1
According to the Old Testament, Nebuchadnezzar, king of ancient Babylon (602-562BCE), was a successful ruler who fell from grace for placing his own self-aggrandisement before God. As punishment for his pride and arrogance, he thus lost his sanity and was banished into the wilderness for seven years where he underwent various trials and tribulations: ‘...his heart was made like the beasts, and his dwelling was with the wild asses: they fed him with grass like oxen, and his body was wet with the dew of heaven; til he knew that the most high God ruled in the kingdom of men, and that he appointeth over it whomsoever he will’.2 Although the Book of Daniel has provided inspiration to the visual arts for centuries from the medieval façade reliefs of Notre Dame La Grande, Poitiers to the Romantic prints of visionary William Blake, no painter has arguably ever devoted him or herself more fully to imagining the degenerative experiences of Nebuchadnezzar in the wilderness than Australian modernist, Arthur Boyd.
Imbuing his king with Lear-like characteristics, Boyd embarked upon this impressive Nebuchadnezzar series in 1966 to illustrate a text on the theme by the scholar Thomas S.R. Boase (who subsequently published 34 of the works in his dedicated tome in 1974).3 Characterised by its frenzied energy, vivid colour and profound symbolic permutations, the series still remains one of the artist’s most sustained, encompassing more than a hundred works and featuring some of the most sumptuously executed paintings of his career. Elaborating upon the appeal of the theme for the artist, Boase suggests: ‘Here is a subject that leads immediately into Boyd's preoccupation in many other works with the fusion between man and natural forces, the involvement of man and beast... Other echoes link with Boyd's own symbolism, the sinister dark birds, the gentle mourning dog. Behind the figures there are traces of the Australian landscape of his early inspiration. But if these works are enriched with such references, the myth is newly and freshly created, a second Daniel come to judgment our own contemporary obscure and secret impulses’.4
Given the artist’s renowned social conscience, indeed it is perhaps not coincidental that his Nebuchadnezzar series was produced at the height of the Vietnam War when audiences internationally were assailed with images in the mass media of cruel dictatorial regimes: villages incinerated, men and women tortured, children screaming from the pain of napalm. As one author notes, ‘self-immolations in protest actually took place on Hampstead Heath near Boyd's house... and once more, a biblical subject by him was seen to be an allegory of the descent of humanity in a conflicted world’.5 Accompanied by the signature Boydian motif of the black ram, in Nebuchadnezzar in the Long Grass, c.1968, the king ablaze in golden flames has become barely distinguishable from the dry Australian bushland - thus inextricably fused with the natural world in a manner strongly reminiscent of the artist’s interpretations of the Narcissus myth a decade later. As with the finest of Boyd’s Nebuchadnezzar images, the work offers an empathetic and emotive response to a harsh tale of moral instruction, giving compelling form to ‘…good and evil; things elemental and mysterious, things intensely human and vulnerable’.6
1. Arthur Boyd, cited at https://www.bundanon.com.au/collection/exhibitions-page/active-witness/ 2. Boase, T.S., Nebuchadnezzar, Thames and Hudson, London, 1972, p. 20 3. Pearce, B., Arthur Boyd Retrospective, Art Gallery of New South Wales, Sydney, 1993, p. 26 4. Boase, op.cit., p.42 5. Pearce, op.cit. 6. Oliver, C., ‘A Welcome to Arthur Boyd’ in Retrospective Exhibition of Paintings, Drawings and Other Works by Arthur Boyd, ex.cat., Richard Demarco Gallery, Edinburgh, Scotland, 1969, n.p. |
|
CATHERINE OPIE Untitled #4, Richmond, Virginia (monument/monumental) 2020 pigment print Edition of 5 167.6 x 111.8 cm
USD55,000 |
|
AI WEIWEI Bicycle Basket With Flowers 2015
Detail |
|
KARA WALKER Yesterdayness in America Today 2020 Graphite and watercolour on paper, diptych 221.9 x 365.8 cm overall
USD350,000 |
|
PETER FISCHLI Untitled 2021 cardboard, coated, color 70 x 28 x 28 cm
EUR 26,000 |
|
SANDRA CINTO Untitled (from the series By Chance and Necessity) 2015 permanent pen and acrylic on canvas 198.1 x 149.9 cm
USD70,000
A beautiful convergence of Japanese watercolour techniques and intricately detailed landscapes that seem to hover between myth and reality.. |
|
MIRIAM CAHN L.I.S. (bl.-arb.) gefährlich, m. 09.05. 1989 chalk on paper 8 elements, 53 x 450 cm (overall) 1. 47 x 59 cm 2. 48 x 44 cm 3. 36 x 66 cm 4. 46 x 66 cm 5. 51 x 36 cm 6. 51 x 44 cm 7. 48 x 35 cm 8. 52 x 52 cm
CHF40,000
These are seminal works for Miriam - the same richly expressive charcoal drawings that were presented at Documenta 7 and Venice Biennale in the 80s that precede her leap into painting. I feel she is a mixture of Maria Lansing and Louise Bourgeois. These works come as a set but of course would need some delicate framing to truly do them justice. |
|
ED RUSCHA Corn 1967 Gunpowder on paper 36.2 × 57.5 cm
USD800,000 |
|
PAMELA ROSENKRANZ I Wish I Could Cry Blood (Your Products) 2021 Acrylic paint, inkjet print, Plexiglas 37 x 152 cm
USD18,000 |
|
GEORG BASELITZ Manifattore 2019 Oil and gold varnish on canvas 165 x 89 cm 168 x 92 x 3.8 cm framed
EUR650,000 |
|
Christian Marclay Actions: Spurt Splat Thwump Splsh (No.1) 2014 Screen print and acrylic on canvas 196.4 x 271.4 cm USD 375,000 |
|
MCARTHUR BINION Modern:Ancient:Brown 2020 ink, oil paint stick, and paper on board 182.9 x 121.9 x 5.1 cm
USD160,000 |
|
PAMELA ROSENKRANZ Healer Skins (Moon Water Lodge) 2021 Ekdysian robot snake skin, kirigami cut PVC, LED light 6 x 88 x 6 cm Installation dimensions variable
USD25,000 |
|
CHRISTOPHER WOOL Untitled (S20) 1987 Alkyd and flashe on aluminium 121.9 x 91.4 cm Signed and dated (on the reverse)
USD175,000
PROVENANCE Luhring Augustine & Hodes, Los Angeles Private Collection, USA Luhring Augustine, New York Private Collection Simon Lee Gallery, London Private Collection, France |
|
PARK SEO-BO Ecriture No. 17-70 1970 Pencil and oil on canvas 80 x 100 cm
USD590,000 |
|
BARBARA KRUGER Untitled (How can I be a better person?) 2011 Archival pigment print 81.3 × 127 cm 84 × 129.8 cm Edition 9 of 10
USD80,000
The notion of questions and questioning, posed in direct address to the viewer, has played a central role in Barbara Kruger‘s work. Her 2011 series of text-based editions, which each feature a fundamental philosophical or ethical question, are thus emblematic of the artist’s practice not only visually but also conceptually. Across the series’ ten motifs, these range from self-help type concepts—“How can I be a better person?“ and “Do I have to give up me to be loved by you?”—to more esoteric questions, including „Is there life without pain?,“ „Is blind idealism reactionary?“ and „Are there animals in heaven?” Each phrase is rendered in stark white text, outlined in black, atop a vibrant array of colored and patterned backgrounds, which add yet another layer of information for viewers to consider. As ever, the aim is not to find explicit answers, but rather to encourage reflection upon one‘s own reactions to the artist‘s bold inquiries, which she poses to herself as well. Regardless of one’s politics, religion or worldview, Kruger’s questions urge us to push beyond our comfort zones to think clearly, critically and empathetically. |
|
JUAN DAVILA Untitled 2022 Oil on canvas 314 x 540 cm
AUD250,000 |
|
LOUISE BOURGEOIS Cumuls (Double sided) 1972 Recto: watercolour on paper Verso: pencil on paper 66 x 101 cm
USD250,000 |
|
PAMELA ROSENKRANZ Healer Skins (Moon Water Lodge) 2021
Installation view |
|
DANIEL RICHTER Einzelgespricht 2021 Oil on canvas 232.8 x 172.7 x 6.1 cm
EUR200,000 |
|
LOT 96 DOROTHY NAPANGARDI ROBINSON Mina Mina 2003 synthetic polymer paint on linen 122 x 122 cm bears inscription verso: artist’s name, and Gallery Gondwana cat. 8029DN
ESTIMATE AUD4,000 – 6,000
PROVENANCE Gallery Gondwana, Alice Springs, Northern Territory (stamped verso) Vivien Anderson Gallery, Melbourne The Peter and Renate Nahum Collection of Aboriginal Art, London, acquired from the above in 2003
EXHIBITED Dorothy Napangardi - Mina Mina - My Country, Vivien Anderson Gallery in association with Gallery Gondwana, Melbourne, 4 – 20 December 2003, cat. 6
|
|
JOHN CHAMBERLAIN Rap Psalm II 1999 Painted chromium and painted steel 257.8 x 124.5 x 81.3 cm
USD2,950,000
PROVENANCE PaceWildenstein, New York; Private Collection, Dallas; David Zwirner, New York; Private Collection, USA; White Cube, London; Private Collection, São Paulo
EXHIBITION HISTORY Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, 2 February – 30 November 2015 The First Exhibition, The Warehouse, Dallas, 21 October 2012 – 17 January 2013 John Chamberlain: Recent Sculpture, PaceWildenstein, New York, 12 May – 10 June 2000
LITERATURE Susan Davidson, John Chamberlain. Choice, Guggenheim Museum Publications, New York 2012 Carole Goodman and John Chamberlain, John Chamberlain: Recent Sculpture, PaceWildenstein, New York, 2000, illus. pp.1, 3 John Chamberlain: Recent Sculpture, PaceWildenstein, New York, 2000 Allan Schwartzman, Geometries On and Off the Grid: Art from 1950 to the Present, PaceWildenstein, Dallas, 2015, illus., pp.V, 170 |
|
Sandra Cinto From Landscape of a Lifetime 2019 Permanent pen and acrylic on canvas 200 x 100 x 4.5 cm
USD60,000 |
|
PABLO PICASSO Tête 1943 Pen and ink on paper 65.5 x 51 cm unframed 92 x 76 x 3 cm framed
USD575,000 |
|
GILBERT & GEORGE E II R Bear 2009 mixed media 123 x 88 cm
GBP16,750 |
|
GARY HUME Swans I 2021 Gloss paint on aluminium 214 x 151 cm
USD185,000 |
|
SOPHIE VON HELLERMANN Surfing with Poseidon 2022 Acrylic on canvas 190 x 160 cm |
|
MAI-THU PERRET From the leaves of the sandalwood tree a fragrant wind rises 2020 Glazed ceramic 50 x 40 x 6 cm
EUR20,000 |
|
LOUISE BOURGEOIS Cumuls (Double sided) 1972
Reverse |
|
ROBERT LONGO Study for Ophelia #16 2005 Ink and charcoal on vellum 27.3 x 33.5 cm
USD65,000 |
|
JACK PIERSON HERE AND NOW 2020 Aluminum, gold leaf, steel and tin 208.3 x 172.7 x 7.6 cm
USD200,000 RESERVED |
|
THOMAS DEMAND Canopy 2020 C-print/Diasec 180 × 144 cm Edition of 6
EUR95,000
Thomas Demand’s work has long focused on detailed reenactments of specific and familiar places, public and private sites often loaded with sociopolitical meanings. Demand’s large-format photograph Canopy (2020) speaks of a moment in our current pandemic: A solitary balcony has its canopy fully extended, its inhabitants shielding not only from the harshness of the sun’s rays, but also the trouble in nature that has unfolded around them. The ordered seriality of the balconies is in contrast to the disorder beyond, as the world fails to contain a virulent disease. The work is a continuation of the artist’s practice in which he creates cardboard models before photographing and then destroying them; highly detailed, these life-sized models nonetheless retain subtle but deliberate flaws and anachronisms that challenge any complacent assumptions about photography’s claims to verisimilitude and authenticity. |
|
CY TWOMBLY Untitled 1971 Gouache, graphite, crayon, and oil on paper 68.6 x 86.4 cm 91.8 x 109.2 x 5.1 cm framed
USD2,500,000 |
|
DONNA HUANCA SYNECHOCOCCUS 2019 Oil, sand, synthetic hair on steel 201 x 102 x 99 cm |
|
TANIA PÉREZ CÓRDOVA Contour #5 2020 Bronze poured into sand 50 x 100 x 2 cm
USD12,000 |
|
AMY SILLMAN Somewhat Blue 2021 Oil on canvas 182.9 x 152.4 x 3.2 cm
USD350,000 |
|
KATHERINE BERNHARDT Pineapple 2019 Acrylic and spray paint on canvas 183 x 152cm
USD50,000
|
|
BERNARD PIFFARETTI Untitled 2019 Acrylic on canvas 170 x 170 cm
EUR48,000
Since 1986 Piffaretti has committed his practice to the "duplication method", abstract paintings that appear to be two identical halves split through the vertical axis. Closer inspection reveals moments of differentiation: the inclination of the brushstrokes, the number of drips, the weight of the hue. "The duplication clouds the origin of the time of the work. All supremacy is abolished, and that is the subject of my painting". |
|
LATIFA ECHAKHCH Sun Set Down 2020 acrylic paint and concrete, vinyl and fibre on canvas mounted on aluminium, diptych 200 x 150 x 2.5cm each 200 x 300 x 2.5cm overall
EUR150,000 |
|
ZOË CROGGON Magazine 2 2020 Collage of found images and glue on paper, perspex box frame 47.6 x 36.7 x 7 cm
AUD3,000 |
|
MARCUS COATES Conference for the Birds 2019 Sound recording, papier mâché bird heads 32 minutes 34 seconds
EUR40,000
Conference for the Birds celebrates the lives of the birds Thomas Bewick depicted in his wood engravings. His book ‘A History of British Birds’ first published in 1797 was a comprehensive guide to both the appearance and behaviour of birds. In the birthplace of Bewick, in one of the two rooms his family inhabited along with his seven siblings, we are surrounded by seven large bird heads, 3 dimensional renderings of his prints. We hear these seven different bird species discussing their lives with each other. The birds, played by wildlife experts, discuss topics from migration to predation, with each species speaking about the challenges they face day to day. By exploring the lives of the birds that Bewick studied and depicted, this artwork attempts to reveal how we, when speaking from the position of another animal like a bird, rely on subjective experience to relate across to this alien perspective. |
|
LATIFA ECHAKHCH Wind Wall Icon Diptyque (03) 2020 Metallic pigment, red, black paint, concrete, fiber and vinyl on canvas 200 x 300 cm two parts, 200 x 150 cm each
EUR150,000 |
|
Installation view |
|
GIUSEPPE PENONE Leaves of Grass 2013 Oil on canvas, terracotta, wire 200 x 300 cm
EUR950,000 |
|
KEITH HARING Untitled (Three Dancing Figures), Version C 1989 Painted aluminium Sculpture 124.5 x 134.6 x 119.4 cm Base 109.2 cm diameter Edition of 5 + 1AP
USD650,000 |
|
MEL BOCHNER Ha Ha Ha 2018 Signed on verso in Sharpie on stretcher Oil on velvet 190.5 x 227.3 cm in 3 parts
USD225,000 |
|
MOON & JEON My future will reflect a new world -Liverpool 2019 Casted Glass Edition 3 of 10 65.0 x 65.0 x 1 cm
USD10-25k |
|
Cui Jie Aeron Chair 2019 Acrylic and spray paint on canvas 180 x 250 cm USD$50,000 (plus relevant tax)
Cui Jie produces highly intricate paintings that are extremely sought after at the moment. She is part of a new generation of young Chinese artists with intense international recognition, with a strong market not only in China (the biggest growing market internationally) but also globally. pc |
|
STERLING RUBY SP06 2007 Spray paint on canvas 244.2 x 214 cm
USD600,000 |
|
RAYMOND PETTIBON No Title (The Clear-cut brow) 2020 Acrylic, ink, and colored pencil on paper 151.4 x 274.3 cm
USD1,200,000 |
|
CARSTEN HÖLLER Octopus 2014 Purple-coloured polyurethane, brown glass eyes 40 × 171 × 120 cm Edition 5/5 + 2AP
EUR120,000 |
|
KATHERINE BERNHARDT Sicilia 2020 Acrylic and spray paint on canvas 243.84 × 304.80 cm
USD90,000 |
|
KAREN KILIMNIK The chinese pavilion in green park 2007 Water soluble oil colour on canvas 45.7 x 35.6 cm
USD90,000 |
|
TONY SCHWENSEN Prototype for Artistically Designed Steel Slats (Proudly Made with All Immigrant Labour in the USA) #17 2019 tung oil and beeswax on poplar 90 x 19 x 19 cm
AUD5,500 |
|
RICHARD SERRA Orchard Street #24 2018 Etching ink and silica on handmade paper 120 x 80 cm unframed 131.1 x 91.1 x 6.3 cm framed
USD350,000 |
|
PHILIPPE PARRENO Clock 2020 Plexiglas, DMX controller, air pressure and temperature sensor, motor, belts 160 x 168 x 20 cm
USD500-750k
Clock is part of Philippe Parreno’s new body of work begun in 2019. It consists of a transparent Plexiglas clock with three hands animated by a complex mechanism of gears and belts controlled by a DMX recorder. Clock's mechanism moves like an automaton, following its own rhythm and producing a choreography conceived by Parreno. Connected to a sensor that records the air pressure and temperature changes occurring in the room, Clock reacts to the climatic conditions happening in real time. When connected to the Internet, Clock can also give time: its three hands marking hours, minutes and seconds. The motor controlling the gears produces a sound similar to a dynamo.
|
|
SHAHRYAR NASHAT Untitled 2021 papier ma?che?, epoxy resin, and acrylic installation dimensions variable, approximate installation dimensions: 91.4 x 182.9 x 152.4 cm
USD55,000 |
|
Installation view |
|
JULES DE BALINCOURT Merging Island, Divided Island 2017 Oil on panel 203.2 x 228.6 cm
USD140,000 |
|
RYAN GANDER This natural sign (There was a sense we were being watched, but our attention remained distracted by the moon) 2021 10 oz indigo black Japanese denim, acrylic paint 180.5 x 130.5 x 4.5 cm
GBP35,000 |
|
ANTHONY JOHNSON 689/254/58 (Service) 2017 tennis racquet, crystal champagne flute, threading needle 69 x 28 x 8 cm
AUD5,500 |
|
RYAN GANDER This natural sign (We felt them watching us, as we watched the moon) 2021 10 oz indigo black Japanese denim, acrylic paint 180.5 x 130.5 x 4.5 cm
GBP35,000 |
|
KATHERINE BERNHARDT Xanax + Cigarettes 2019 Acrylic and spray paint on canvas 182.88 × 152.40 cm
USD50,000 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Brook Andrew
Yellow 2019 Detail
|
|
teamLab Universe of Fire Particles 2021 single-channel digital work 193 cm × 109.2 cm), [1] 86" monitor Edition of 10 + 2AP
USD85,000 |
|
ANGEL OTERO Untitled 2019 Oil paint and fabric collaged on canvas 182.9 x 121.9 x 6.4 cm
USD70,000 |
|
AMY SILLMAN XL36 2020 Ink and acrylic on paper 151.1 x 105.4 cm 156.2 x 111.1 x 5.7 cm framed
USD110,000 |
|
KATHARINA GROSSE Untitled 2020 acrylic on canvas 388 x 240 cm
EUR350,000 |
|
MONICA BONVICINI Furious Knitting #1 2019 Silkscreen print on aluminium 75.0 x 100.5 (cm) Edition of 5 + 2AP
USD10-25k
The silkscreen prints on aluminium panels "Furious Knitting" (2019) follow Bonvicini’s performance "A Choir of Five" that premiered at the Herkulessaal in Munich in 2017. In it, a group of female performers produced clacking sounds by snapping leather belts while trying to sync to each other, turning the belts into a new musical instrument in need of whole bodies and a collectivity in order to produce sound. In these series of aluminium prints, female hands firmly hold a belt bent in half, as if ready to deliver a strike. Nevertheless, the violent move is frozen, a metaphor for the struggle against cultural symbols of masculinity, discipline and violence. The orange background is a reference to the Saffir–Simpson Hurricane Wind Scale (SSHWS) used to categorise hurricanes depending on the intensity of their sustained winds. In this case the specific gradation of orange suggests a category 4 hurricane; a prediction that a catastrophic damage will occur, with structure failure, irreparable damage and losses. |
|
Untitled (Self Portrait: White Way) polyptych 1995 Acrylic on paper 4 panels; 341.5 x 250 cm overall
AUD75,000 |
|
LATOYA RUBY FRAZIER Shea Standing Above the Flint River on the Flint River Trail near the University of Michigan–Flint Campus, Flint, Michigan 2016-2017 Gelatin silver print 50.8 x 61 cm 61 x 71.1 cm framed Edition of 5 + 2AP
USD22,000 |
|
CUI JIE China Merchants Tower 2018 acrylic and oil on canvas 150 x 100 cm
USD35,000 |
|
KEHINDE WILEY Portrait of Savannah Essah 2020 Oil on linen 266 x 185.5 cm
USD325,000
‘Portrait of Savannah Essah’ is a new oval painting by American artist Kehinde Wiley. Wiley met Savannah Essah on the streets of Dalston, East London when he was casting for his exhibition, ‘The Yellow Wallpaper’ at William Morris Gallery in London. In the portrait Wiley portrays Savannah Essah adopting a confident pose with one hand resting on her chest and the other on one hip. Viewed from below, she gazes directly at the viewer from a lavishly patterned background. Here Wiley employs the heroic visual vocabulary of traditional portraiture to depict the subject as an emblem of strength within a society of complicated social networks. Wiley is renowned for his finely detailed portraits of contemporary men and women, as well as global figures such as former US President Barack Obama.
‘Portrait of Savannah Essah’ is currently included in 'Kehinde Wiley: The Yellow Wallpaper' at William Morris Gallery, London, the artist’s first solo show in a UK museum and the first to feature exclusively female portraits. The exhibition offers a visual response to American novelist Charlotte Perkins Gilman’s acclaimed feminist short story, 'The Yellow Wallpaper', 1892. Gilman’s text is a semi-autobiographical tale which sees her narrator confined to her bedroom after being diagnosed with hysteria and explores the disastrous consequences of denying women independence. Wiley explains, "'The Yellow Wallpaper' is a work of literary fiction that explores the contours of femininity and insanity. This exhibition seeks to use the language of the decorative to reconcile blackness, gender, and a beautiful and terrible past."
For over fifteen years Wiley has sourced William Morris’ iconic floral designs for his paintings. Building on his interest in the relationship between the human body and the decorative, Wiley’s model is depicted in a reimagined field bursting with colour and patterns inspired by the William Morris designs. Gilman’s 'The Yellow Wallpaper' also holds a strong, personal connection to William Morris. Morris’ daughter, May Morris, herself an accomplished designer, struck up a friendship with Gilman in July 1896 when they first met at an International Socialist Conference in London. That autumn, May Morris invited Gilman to give a lecture at her family home Kelmscott House, Hammersmith. A month later William Morris died and Gilman sent a moving letter of sympathy, which was a rousing call to arms: "Do you love to do - to DO and especially to make? With that, and the freedom to exercise it, life has no terrors." |
|
HELEN FRANKENTHALER Distant Barrier 1992 Acrylic on canvas 115.6 × 268 cm
USD2,200,000 |
|
JOSH SMITH Untitled 2020 Oil on linen 152.4 x 121.9 cm
USD140,000 |
|
LARRY BELL Untitled Triolith C SS 2020 Blush and Lapis laminated glass coated with Inconel and silicon monoxide Unique 30.5 x 30.5 x 30.5 cm
USD75,000 |
|
MARTHA JUNGWIRTH Ohne Titel 1993 watercolour on paper 151 x 250 cm 166 x 264.7 cm framed
EUR75,000 |
|
SAMSON KAMBALU Flag Factory 5 2021 24 prints on archival paper 166 x 386 cm overall
GBP25,000 |
|
GARTH WEISER Marshmallow lyrics 2019 Oil and spray paint on canvas 185.4 x 152.4 cm
USD85,000 |
|
NIGEL COOKE Healed 2021 oil and acrylic on linen 225 cm x 164 cm
USD250,000 |
|
MAMMA ANDERSSON The First Magician 2020 Oil and acrylic on linen 105 x 80 cm
USD350,000
‘The First Magician’ is a new painting by Mamma Andersson featuring a lone female figure standing before an ominous, brooding sky. The wanderer wears a jacket featuring an indecipherable symbol sewn onto the back in thick, gold brocade. Her tall riding boots highlight the absence of any equestrian companion, emphasising the isolation of the figure in the landscape. Depicted in muted tones of forest green and earthy brown, interrupted with an expressive stroke of blood red, the painting juxtaposes loose washes with textured brushstrokes. Engaging with themes of femininity, fantasy and memory, the Swedish artist imbues the scene with an eerie, uncanny quality.
Inspired by filmic imagery, theatre sets, and period interiors, Andersson’s compositions are dreamlike and expressive. While stylistic references include turn-of-the-century Nordic figurative painting, folk art and local or contemporary vernacular, her evocative use of pictorial space and juxtapositions of thick paint and textured washes are uniquely her own. Andersson’s melancholic landscapes recall late nineteenth-century romanticism, whilst also embracing a contemporary interest in layered, psychological compositions. The desolate patch of Nordic countryside depicted in ‘The First Magician’ is an enduring subject in the artist’s practice. Yet, rather than pinpoint a particular spatial or temporal location, her works appear to combine past, present and future. Otherworldly in quality, Andersson leaves the scene in this painting entirely open to interpretation by denying the viewer any form of narrative or visual clue. |
|
SUPERFLEX If Value Then Copy 2021 Oil on canvas 70 x 185 cm
EUR25,000 |
|
Signed on verso
(EK 706)
$8,500
Ella Kruglyanskaya
Untitled
2018
Flashe, oil pastel, and graphite on paper
22 1/2 x 14 1/4 inches (57.2 x 36.2 cm)
Signed on verso
(EK 708)
$8,500
Ella Kruglyanskaya
Untitled
2018
Pastel on paper
19 3/4 x 13 1/8 inches (50.2 x 33.3 cm)
Signed on recto
(EK 710)
$8,500
Ella Kruglyanskaya Untitled 2018 Flashe, oil pastel, and graphite on paper 22 1/2 x 14 1/4 inches (57.2 x 36.2 cm) $8,500
|
|
LIZ DESCHENES Green 1997-2021 Dye transfer print 50.8 x 40.6 cm 58.1 x 48.9 cm framed Unique
USD24,000 |
|
JULIAN SCHNABEL November 2017 Inkjet print and oil on polyester 223.5 x 172.7 cm
USD200,000 |
|
LIZ DESCHENES Green/Cyan 1997-2021 Dye transfer print 50.8 x 40.6 cm 58.1 x 48.9 cm framed Unique
USD24,000 |
|
LORNA SIMPSON Midnight LA time 2021 Ink and screenprint on gessoed fiberglass 274.3 x 243.8 x 3.2 cm
USD495,000 |
|
ROBERT LONGO Study of Swimmer (Butterfly) 2019 Ink and charcoal on vellum 43.3 x 83.8 cm
USD90,000 |
|
TETSUMI KUDO Votre portrait (Your Portrait) 1970-79 Mixed media 50 x 46 x 25 cm
USD350,000 |
|
ANGEL OTERO Drifting Far From Shore 2020 Oil paint and fabric collaged on canvas 182.9 x 213.4 cm
USD95,000 |
|
DAMIEN HIRST Five Prayers for Forgiveness 2008 Butterflies and household gloss on canvas Each panel 107 x 91 cm
USD1,250,000 |
|
OSCAR MURILLO (untitled) surge 2019-2020 Oil and oil stick on canvas and linen 240 x 330 cm Signed verso
SOLD |
|
FRED TOMASELLI Untitled 2020 Leaves, photo collage, acrylic and resin on wood panel 152.4 x 152.4 cm
USD575,000 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Alex Katz
White Roses 7 2012 Oil on linen 320 x 243.8 cm
USD950,000 |
|
CLARE WOODS Airdrop 2019 Oil on aluminium 200 x 100 cm
GBP40,000 |
|
SARAH MORRIS October 2019 2019 Household gloss paint on canvas 90 x 90 x 4 cm Unique |
|
ROBERT RAUSCHENBERG Rice Wine Dog, Tuak Hudok-Iban (ROCI Malaysia) 1990 Silkscreen ink, gold leaf and fabric on plywood 244.15 x 122.2 cm Rauschenberg 90 in lower front
USD1,350,000 |
|
JON RAFMAN You are Standing in an Open Field (Thanatopsis) 2020 Dye sublimation aluminum print and resin on dibond aluminum and wood 149.9 × 201.9 cm
USD35,000 |
|
JIA AILI Mountain and Line 2020 Oil on canvas and tempered glass, and wood frame 82 x 70 cm (unframed)
USD350,000 |
|
FRANK BOWLING Wadi √ Two 2011 Acrylic on canvas 188 x 180.5 cm
GBP445,000 |
|
CINDY SHERMAN Untitled 2019 cotton, wool, acrylic, cotton mercurisé, and polyester cotton woven together 285.8 x 218.4 cm Edition 1 of 10
USD150,000
This is an interesting development for Cindy, transitioning her portraiture from paper to woven tapestry. |
|
PHILIP GUSTON Untitled 1971 Oil on paper mounted on panel 72.4 x 94 cm |
|
SAM GILLIAM Untitled 2019 Watercolour on washi 188 x 99.1 cm
USD180,000 |
|
ANSELM KIEFER Der Gordische Knoten 2019 Oil, emulsion, acrylic, shellac, wood and metal on canvas 280 x 380 cm
EUR1,200,000 |
|
GILBERT & GEORGE BEARD HONOR 2016 Mixed media 226 x 380 cm
GBP130,000 |
|
NICOLAS PARTY Cave 2020 Soft pastel on canvas 101.6 x 76.2 cm
|
|
Emily Kame Kngwarreye Alalgura Country 1993 Synthetic polymer paint on canvas 121 x 90 cm painting AUD$45,000
CA |
|
LOUISE FISHMAN Perilous Things 2003 Oil on canvas 228.6 x 152.4 cm
USD250,000 |
|
PAT STEIR Untitled XX, 2019 (Taipei) 2019 Oil on canvas 91.4 x 91.4 cm
USD400,000 |
|
|
ROSEMARIE TROCKEL Men 1985 Wool on canvas 110 x 50 cm
EUR380,000
Rosemarie Trockel is one of the most versatile and pioneering contemporary artists working today. Since the early 1980s, her collages, knitting pictures, sculptures, installations and film works have investigated such diverse concerns as cultural codes and roles, gender and social identities, philosophy and theology, the natural sciences, and the importance of craft. Men (1985) is a unique work among Trockel’s celebrated Strickbilder (knitting pictures), as it is the only motif of its kind across the series, and it succinctly captures the complex ambivalence of medium and statement so characteristic of the artist’s wool works. The running American-football player represents an activity and physique that is distinctly male, which on the one hand is emphasized by the work’s title, but on the other is compli- cated by the woolen material and knitting process, often coded female. Machine-generated rather than hand-knit, Trockel’s wool works shift the way traditionally craft-based, feminine materials are used, at once critiquing both gender roles and established artistic hierarchies that revere painting above all other arts and crafts. The repeating football player recalls a larger football team, and the motif also suggests art historical references such as American Pop Art of the 1950s and 1960s—perhaps to offer a feminist commentary on this male-dominated, “boy’s club” aspect of the art movement. |
|
Latifa Echakhch The green leaves stick to my soles. Several of its agglutinate enough to make steps heavier enough to slow me down 2019 Black India ink and sepia ink on canvas 200 x 150cm
EUR80,000 |
|
MILTON RESNICK Diamond city 1963 Oil on paper mounted on canvas 110.5 x 255.9 cm
USD275,000 |
|
Jules de Balincourt Cliff Dwellers 2016 Oil on panel 61 x 50.8 cm USD$40,000 (ex tax) |
|
ROY LICHTENSTEIN Head (Study) 1986 Cut painted paper, cut printed paper, graphite pencil on board 96.5 x 66 cm
USD580,000
‘Visible brushstrokes in a painting convey a sense of grand gesture. But, in my hands, the brushstroke becomes a depiction of a grand gesture. So the contradiction between what I’m portraying and how I’m portraying it is in sharp contrast.’ - Roy Lichtenstein |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work DOUG AITKEN
electric eden (aerial pools with red) 2019 Chromogenic transparency on acrylic in aluminium lightbox with LEDs 172.1 x 316.2 x 18.1 cm Edition 1 of 4 + 2 AP
USD250,000 |
|
ANICKA YI You Are Identical With Yourself 2020 High density foam, resin, urethane paint, and color matched frame 121.9 x 182.9 x 12.7 cm
USD150,000 |
|
|
Remnant 1994 acrylic on cotton duck and sash cord 165 x 90 cm
AUD35,000 |
|
HUMA BHABHA I was Invited 2020 cork, Styrofoam, acrylic, oil, chalk, clay, wood, and Masonite 190.5 x 91.4 x 91.4 cm
USD185,000
Huma condenses the sweep of figurative art-making into objects and two-dimensional works of monumental power. She draws from many traditions and contemporary sources, including ancient religious statuary, science fiction and horror movies, and modernist painting and sculpture. But above all her work conjures the strangeness, violence, and paradoxical beauty of the current moment. Her sculptures have been a foundation part of her practice for many years, using recycled materials such as cork and Styrofoam to create hybridized humanoid beings. On the surface of her sculptures, Bhabha builds up layers of marks made in different mediums, using ink and paint to produce visual textures that approximate those of the natural world in states of decay and regeneration. Huma evokes archaic and contemporary sources alike, so that cycles of time, of life and its inevitable decay, are concretised as physical forms.
I was Invited is a continuation of her approach to making that imbues formal similarities to the archaic. The multi-faced head, made from cork and Styrofoam and fastened to a wooden pedestal for support, is brought to life by riddling it with dark incised lines that read like scars casted against a vivid hue of light sky blue. Resembling a mauled head, a few oval markings resemble singular eyes, and in some cases pairs of, their haunting gaze looking onward to one or several futures. |
|
TOMÁS SARACENO Solitary semi-social simultaneous mapping of FK5 3724 and GC 14232 by a solo Nephila senegalensis - six weeks, a duet of Cyrtophora citricola - two weeks 2019 Spidersilk and ink on archival paper 149 x 270 cm 153.4 x 274.4 x 6 (framed)
EU75,000
The process to make these works is part of its allure (maybe not if you're arachnophobic) - two spider species wove a web in a carbon frame for a few weeks each before the web is applied to paper and lightly misted with ink to create the monochrome, sculptural surface. |
|
Oliver Wagner Removed Painting 8 2019 house paint dust on linen 137 x 152.5 cm AUD12,000 |
|
|
Heimo Zobernig Untitled 2018 Acrylic on canvas 200x200cm
EUR120,000 |
|
RODNEY GRAHAM Untitled 2020 Oil and sand on canvas, walnut frame 185.4 x 155.9 x 5.2 cm each 185.4 x 318.3 x 5.2 cm overall Signed, dated, verso: R. Graham
USD235,000 |
|
Wave 2015 porcelain 18,1 × 34 × 47 cm
|
|
RODNEY GRAHAM Untitled 2020 Oil and sand on canvas, walnut frame 216.7 x 253.7 x 6.2 cm Signed, dated, verso: R. Graham
USD225,000 |
|
LIZA LOU Desire Lines 2019 woven glass beads and thread on canvas 142.9 x 284.5 x 5.1 cm
USD375,000 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Doug Aitken
Inside me 2018 Aluminum, high density foam, resin, auto paint, acrylic mirror 143.5 x 161.3 x 104.1 cm Variation of 4 USD$300,000
303 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work
|
|
RODNEY GRAHAM Untitled 2020 Oil and sand on canvas, walnut frame 200.3 x 155.1 x 5.2 cm Signed, dated, verso: R. Graham
USD170,000 |
|
ALEX DA CORTE THE SUPÆŽRMAN 2018
INSTALLATION VIEW |
|
Lot 72 Arthur Boyd Wimmera Landscape with Windmill n.d. oil on composition board signed 'Arthur Boyd' lower right 91.5 x 122 cm Provenance Private Collection Eva Breuer Art Dealer, Sydney (label verso) Private Collection, Perth Australian + International Art, Deutscher-Menzies, Sydney, 13 June 2007, lot 60, illustrated Savill Galleries, Sydney, acquired from the above (label verso) Private Collection, Melbourne, acquired from the above in 2007 Estimate: $80,000 – $100,000 |
|
Untitled (self portrait) 1993 Acrylic, pencil and collage on paper 2 panels; 240 x 70 cm overall
AUD45,000 |
|
Theaster Gates Dance of Malaga 2019 Single-channel video, sound and five wooden stools Aspect Ratio 16:9 Duration: 35 minutes 4 seconds Screen: 394.11 × 700.13 cm Edition of 3
|
|
ALEX DA CORTE THE SUPÆŽRMAN 2018
INSTALLATION VIEW |
|
Oliver Wagner Removed Painting 10 2019 house paint dust on linen 137 x 152.5 cm AUD12,000 |
|
Untitled (self portrait) 1993 Acrylic on paper 2 panels; 240 x 70 cm overall
AUD25,000 |
|
Wave 2015 Installation view |
|
Body print (E) 1994 Acrylic on paper 120 x 80 cm
AUD25 000 |
|
Sarah Lucas Hunk of the Year 1990-1992 inkjet print on paper site size: 305.5 x 224 cm frame size: 325 x 241 x 9 cm unique price to be confirmed
|
|
TRACEY EMIN The Shower 2019 Acrylic on canvas 183.4 x 122.2 cm
USD420,000 |
|
Untitled (White Way II) Study 1995 Acrylic on paper 120 x 80 cm (unframed) 132.5 x 91 cm (framed)
AUD25,000 |
|
Julie Mehretu Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin) 2014 Multi-colored aquatint and spit bite on Hahnemühle Museum Etching 450 gsm Four panels, each: 206.4 x 114.9 cm 214.6 x 125.7 x 5.7 cm framed Edition 9 of 30
USD475,000
The Los Angeles County Museum of Art is showing a mid-career survey by Julie Mehretu until 22 March 2020. Co-organised with the Whitney Museum of American Art, the exhibition brings together nearly 40 works on paper with 35 paintings dating from 1996 to the present day. Over the next two years, the exhibition will go on tour to the High Museum of Art and the Walker Art Center.
|
|
Lot 73 Charles Blackman Child with a Pram 1953 enamel paint and tempera on composition board signed and dated 'B APRIL 53 / BLACKMAN' lower right 61 x 76 cm Provenance Charles Blackman, Sydney Joseph Brown Gallery, Melbourne (stock 6818), acquired in 1978, 'Girl with Pram/Portrait (verso)' Private Collection, Melbourne, acquired from the above on 18 April 1979 Estimate: $80,000 – $120,000
|
|
Julie Mehretu Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin) 2014
Detail
|
|
The face Gordon Bennett had before he was born 1997 Mixed media size variable
AUD5,000 |
|
Julie Mehretu Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin) 2014
Detail
|
|
Ruyi 2012 porcelain 10 × 41 × 16 cm
|
|
Emily Kame Kngwarreye WILD FLOWERS 1995 Synthetic Polymer Paint on Belgian Linen 180.0 x 283.0 cm AUD$130,000
CA |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work MARILYN MINTER
Ginger 2016 Enamel on metal 213.4 x 152.4 cm
USD325,000
These are great works - beautifully soft, tone and palette complement the fuzziness (which also obscures enough for those adverse to the risqué) |
|
Ruyi 2012
Installation view |
|
Bernard Frize Brick 2009 Acrylic and resin on canvas 180 x 160 cm Unique €62,000 (USD$68,878) without tax |
|
Free Speech Puzzle 2017 porcelain 0,8 × 51 × 41 cm unique, from a total of 12 sets |
|
Emily Kame Kngwarreye n.d. Acrylic on Canvas 111 X 168 cm Framed AUD$75,000
CA |
|
Free Speech Puzzle 2017
Installation view |
|
Daniel Boyd untitled 2019 oil, charcoal and archival glue on digital print on paper mounted to linen 80.5 x 91.5 x 4 cm AUD$12,000 (inc. GST) |
|
Kathy Temin Purple Garden 2015 Synthetic fur, steel, synthetic filling 194 x 60 x 60 cm AUD26,000 |
|
Remains 2014 porcelain 13 parts, dimensions variable unique, from a total of 8 sets |
|
Ruby Onyinyechi Amanze The Gap [and the beams of sun, special ordered on our behalf] 2017 Graphite, ink, photo transfer, metallic pigment, acrylic on paper 427 x 183 cm Unique 35,000.00
Brooklyn-based Nigerian artist Ruby Onyinyeche Amanze has been chosen as the featured artists for the Deutsche Bank VIP lounge - a great opportunity for such a young artist. I haven't recommended her work before but I think it's good. Think of her paintings as non linear narratives - disjointed objects and displaced bodies within alien landscapes or simply floating in space, acting to explore cultural hybridity and post-colonial non-nationalism.
GG |
|
Remains 2014
Installation view |
|
Emily Kame Kngwarreye UNTITLED (ALALGURA I) 1992 synthetic polymer paint on belgian linen 150 x 120 cm AUD$95,000
CA
|
|
Lee Bul Untitled (Mekamelencolia - Velvet #10 DDRG35AC) 2018 human hair, mother of pearl, acrylic paint, dried flower on silk velvet triptych, canvas overall: 130 x 285 x 3.2 cm USD$250,000
Lee Bul is considered the leading Korean artist of her generation, and has achieved international recognition for her formally inventive, intellectually provocative oeuvre. It's characterised by an unwavering defiance of boundaries, that explore challenging media and experiment with form. She is influenced by utopian ideas and which she formally applies in her sculptural works to ponder contemporary society’s unending pursuit of perfection in all things...physically and socially. |
|
Daniel Boyd Untitled 2018 mirrored Perspex, acrylic, aluminium composite panel 150 x 360 cm*** AUD$50,000 (inc. GST)
**This can be custom fitted to any window |
|
Ruby Onyinyechi Amanze Swim caps for Flying [the ocean forgot its perimeter] 2018 Graphite, ink, photo transfers and colour pencils on paper Work: 101 x 140 cm Unique USD$ 16,500.00 GG |
|
Lot 438 Jennifer Steinkamp Formation C 2006 computer video installation installation dimensions variable Executed in 2006, this work is unique and is accompanied by a certificate of authenticity signed by the artist. Estimate: USD$20,000 - 30,000 |
|
Daniel Boyd untitled 2019 oil, charcoal and archival glue on digital print on paper mounted to linen 26 x 18.5 cm AUD$5,000 (inc. GST) |
|
Lot 473 Rita Ackermann Fire by Days X 2011 signed, titled and dated "F-B-D X 2011 Rita Ackermann" on the left turnover edge oil, pigment, wax, modeling paste, enamel, rabbit skin glue and spray paint on canvas 162.6 x 104.1 cm Estimate: USD$20,000 - 30,000 |
|
Ella Kruglyanskaya
Untitled
2018
Flashe, oil pastel, graphite, and collage on paper
19 5/8 x 11 5/8 inches (49.8 x 29.5 cm)
Signed on verso
(EK 706)
$8,500
Ella Kruglyanskaya Untitled 2018 Flashe, oil pastel, graphite, and collage on paper 19 5/8 x 11 5/8 inches (49.8 x 29.5 cm) $8,500
|
|
Sabine Moritz Untitled 2019 Oil on canvas 200 x 200 cm EUR 72,000 (plus relevant tax)
pc
Young artist who can paint and is now being championed by uber NY gallery Marion Goodman. |
|
Carrie Mae Weems Scenes & Take (Director's Cut) 2016 inkjet print on canvas 185.42 x 154.94 x 6.35 cm(framed) Edition of 5 USD$72,000 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Karen Kilimnik
the royal Swedish forest 2018 Water soluble oil color on canvas 35.6 x 45.7 cm Signed, titled, dated verso USD$130,000
Karen Kilimnik is a mid career/established American painter, whose work builds a tension between romantic tradition and consumer culture. Steeped in references to romantic painting, pop music, icons of film and fashion, signs of witchcraft, time-travel, murder, the ballet and childhood traditions, Karen's art rematerialises a quest for the romantic sublime.
303 |
|
Oscar Murillo Untitled 2019 Etching, pen and graphite on paper 58 × 40 cm USD$16,000
Oscar too is bringing a gorgeous series of small works to ABHK. Although small, they are each individual works - etchings with explosions of pen and graphite scrawled over the top. Murillo is a highly desirable artist and his large canvases fetch between USD350-500k. As small (but potent) works on paper, these are a fraction of the price and a much more affordable way of adding Murillo to your collection before making such a large financial commitment. |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Ann Veronica Janssens
Brass Disc 2010-2017 Brass 75 cm diameter x 2 cm Edition 1 of 1 + 1 AP UDS$55,000
Ann Veronica Janssens builds upon the legacy of Minimalism and the California Light and Space Movement, enabling viewers to perceive visible light as a material through intimate sculptural environments. In the mid-1990s she ventured into object-based work, creating a series of minimal geometric forms; squares, diamonds, and circles of various colours. Brass Disc is one example from this series. The subtle groove in the surface of this work plays a trick on the eye so that the light appears to emanate from the centre, creating a convex light cone that one perceives but cannot touch. |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work ARTIST NAME Title of Work Year Materials Size of Work Price of Work Cerith Wyn Evans
Locus Solus 2010 Kokeshi dolls and mirrored plinth format variable GBP 50,000 + VAT |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Pier Paolo Calzolari
Untitled 1983 Lead, iron, oyster, tea light oil 35.6 x 60.3 x 8.9 cm USD$275,000
Calzolari is an important historial figure who originally associated with “Arte Povera” and included in the seminal 1960’s exhibitions curated by Germano Celant. |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Lu Pingyuan
“Look! I’m Picasso!” -1810-1 2018 Acrylic on canvas 112 x 141 cm USD$12,000 (VAT not included)
Lu Pingyuan is a young emerging Chinese artist who is doing some interesting this. His Look! I’m Picasso! series is inspired by the first feature-length computer-animated film produced by Pixar in 1995, “Toy Story”. The film exerted a strong influence on the artist in his childhood as the plot featuring toys being alive in the absence of humans, appeared to him as rather terrifying. A scene in the film presents the toy Mr. Potato with his eyes, nose and mouth on the side claiming: “Look! I’m Picasso”. |
|
Alicja Kwade Meta-Meter 2018 Measuring stick on paper 150 x 250 cm 154 x 254 cm framed Unique €45,000
303 |
|
Bonita Bub Box Study for Industry III 2018 powdercoated mild steel, concrete 71.00 x 50.00 x 50.00 cm TCG21532 AUD$5,000 (incl. GST) |
|
Oscar Murillo Untitled 2019 Etching, pen and graphite on paper 58 × 40 cm USD$16,000 |
|
Anna Kristensen Brick wall 2014 silkscreen, ink and acrylic on canvas 231.00 x 195.50 x 6.00 cm AUD$14,000 (incl. GST)
I thought I'd sneak this one in - just over the 10k price point but it is a large work and good value for money! I love how she has taken the banality of a basic architectural material, and reproduced it into a shimmering metallic canvas - very striking! There are other young artists who I think have more promise in terms of their future careers, but she is still, nonetheless, a very respectable artist and this is a bold work. |
|
Elizabeth Peyton Jake and Heath (Jack and Ennis) 2012-2013 Color pencil and pastel on black paper 29.8 x 21 cm artwork 47 x 37.5 cm framed USD$100,000
|
|
Imants Tillers Nature Speaks: FX 2017 Sung into Being acrylic, gouache on 16 canvas boards, no. 102573 - 102588 100 x 141 cm AUD$27,500 (inc. GST) |
|
Pamela Rosenkranz Pattern Tension (Holimos) 2017 Acrylic paint, inkjet print, plexiglas PR1282.17 110 x 155 cm USD$35,000
|
|
Oscar Murillo Untitled 2019 Etching, pen and graphite on paper 58 × 40 cm USD$16,000 |
|
Sam Falls Relocation 2018-2019 Pigment on canvas 179.1 x 123.8 cm framed USD$50,000
Sam is an artist who is primarily concerned colour, digital imagery, and natural processes. You might remember his work in Mami Kataoka's Sydney Biennale last year at Carriageworks. His 'paintings' are what he is best known for, but he has recently started to explore the possibilities of ceramics (it helps that his wife is a ceramicist).
303 |
|
Ghada Amer Rainbow Lulu 2018 Acrylic, embroidery and gel medium on canvas 150 x 178 cm USD$250,000 (plus relevant tax) |
|
David Griggs Rorschach test fail 2017 acrylic on canvas 153 x 143 cm 12,000.00 AUD (inc. GST) |
|
George Condo Figure Composition 8 2008 signed and dated 'Condo 08' (upper left) Wax crayon and acrylic on panel 127 x 116.8 cm USD$950,000 + taxes where applicable
|
|
Oscar Murillo Untitled 2019 Etching, pen and graphite on paper 58 × 40 cm USD$16,000 |
|
Lot 138 Rosalie Gascoigne Pavement III 1998 sawn wood on plywood 69.0 x 52.0cm signed, dated and titled verso: 'Rosalie Gascoigne / 1998 / PAVEMENT'
Estimate: AU$ 50,000 - 70,000 £ 28,000 - 40,000
|
|
Oscar Murillo Untitled 2019 Etching, pen and graphite on paper 58 × 40 cm USD$16,000 |
|
Patricia Piccinini Cloudless Field 2017 Automotive paint on ABS plastic 150 x 200 cm AUD$22,000 (inc. GST)
She will take commissions on these, if you had a colour preference. |
|
Pamela Rosenkranz Alien Blue Window (Xenesz, Via San Tomaso 53) 2017 Lighttex, blue LEDs, anodized frame, remote control, USB dongle 158 x 138 x 10 cm USD$55,000
|
|
Chris Ofili Poolside Magic 15 2013 Charcoal, watercolour and pastel on paper 39.5 x 26 cm USD$75,000 (ex tax)
Over the past two decades, Ofili’s practice has become identified with vibrant and meticulously executed artworks that meld figuration, abstraction, and decoration. As one of the leading YBAs, his diverse oeuvre has taken imagery and inspiration from history-spanning sources such as the Bible, hip-hop music, Zimbabwean cave paintings, Blaxploitation films, and the works of William Blake. These smaller paintings from 2013 riff on themes of sexuality, mutability, magic, and the occult, making reference to the vibrant and sensuous landscape and culture of Trinidad, where Chris lives and works. |
|
Wolfgang Tillmans audio recording 2013 inkjet print mounted on aluminum, in artist’s frame 63.9 x 85.5 cm (framed: 69.5 x 91 x 3.3 cm) 3 + 1 AP (1/3) USD$35,000 |
|
Chris Ofili Poolside Magic 5 2012 Charcoal, watercolour and pastel on paper 39.7 x 26 cm USD$75,000 (ex tax) |
|
Patricia Piccinini The pressure as they close 2012 Curious Affection automotive paint on aluminium 100 x 200 cm AUD$27,500 (inc. GST) |
|
James Angus Mountains Valleys Caves 2005 fiberglass and acrylic 90 x 146 x 90 cm Edition of 3 + AP 1 ED 3 USD$44,000 (inc. GST) |
|
Monika Sosnowska Balustrade 2016 Painted steel 250 x 180 x 210 cm 98.4 x 70.9 x 82.7 in EUR 60,000
|
|
Mikala Dwyer The Letterbox Mary 2015 Perspex, steel, mary 170 x 22 x 30 cm AUD11,000 (inc. GST) |
|
Chris Ofili Poolside Magic 19 2013 Pastel, charcoal and watercolour on paper 39.5 x 25.5 cm USD$75,000 (ex tax) |
|
Mikala Dwyer Semi Caldron (witches 'n' britches, Melbourne) 2018 acrylic, wood, fabric, wire mesh 70 x 90 x 70 cm AUD$11,000 (inc. GST) |
|
Lot 23 John Brack Study for Standing Nude 1970 conté on paper signed and dated 'John Brack 70' lower right 68.5 x 49.5 cm Estimate $30,000 - $40,000 |
|
Carrie Mae Weems Louvre 2006 Digital c-print 185.42 x 154.94 x 6.35 cm Edition of 5 USD$72,000 |
|
Mirdidingkingathi Juwarnda Sally Gabori Dibirdibi Country 2012 Synthetic polymer paint on linen 151 x 196 cm AUD$40,000.00 including GST
|
|
Andro Wekua Levan Portrait 2017 Oil and silkscreen ink on aluminum panel 100 x 70 cm 101.6 x 72.4 x 3.8cm (framed) €90,000 |
|
Angela Tiatia Narcissus 2019 pigment print on cotton rag 157 x 244 cm Edition of 3 + 2 AP AUD$9,900 |
|
Secundino Hernandez Instant Disassembly 2018 Rabbit skin glue, calcium carbonate, chalk, titanium white acrylic, and dye on linen 244 x 240 x 4 cm USD$130,000
Secundino is a brilliant artist who is on the rise, represented by Victoria Miro and I think is destined for great things! His more colourful work is more sought after, however this darker piece is broody and dramatic. |
|
Kaari Upson 10:25 A.M. (Color) 2015 Watercolor and watercolor pencil on paper mounted on aluminum panel 245.1 × 123 × 2,8 cm 246.1 × 123.8 × 5.7 cm (framed) USD$75,000 + Vat if applicable
Another work by Kari, even more overtly sexual if that is at all possible.
|
|
Lot 7 Brett Whiteley The Pink Dove I 1983 gouache and collage on cardboard 76.0 x 51.0 cm artist’s frame: 195.0 x 65.0 cm stamped with monogram lower right: BW signed on the stretcher bar verso: Brett Whiteley ESTIMATE: $80,000 – 120,000 |
|
Binion McArthur Hand:Work 2019 oil paint stick and paper on board 182.9 x 121.9 x 5.1 cm USD$125,000 |
|
Jacqueline Fraser "Those giant shamrocks are super-glued for extra heavy duty luck, baby" 2008 mixed media 101.5 x 198 x 12 cm AUD$30,000 (inc. GST) |
|
Paulina Olowska The Puppeteers 2017 oil and acrylic on canvas 220 x 180 cm USD$90,000 |
|
Liu Xiaodong Europa Europa 2016 Oil on canvas 220 × 300 cm USD$550,000 |
|
Jacqueline Fraser "If that faded Sharon Stone clone blinks her Lancome lashes slowly, she knows something good's going to happen, precious" 2008 mixed media 102 x 76.5 x 18 cm AUD$10,000 (inc. GST) |
|
Rirkrit Tiravanija untitled 2008 (fifty dollar the days of this society is numbered) 2008 $50 bill, oil paint, gray ink stamp, MDF frame 23.5 x 29.8 cm Edition of 5 + 1 AP USD$10,000
Rirkrit is an artist who is absolutely in tune with the current zeitgeist and this piece in particular is not for the faint of heart - hitting scarily close to home. |
|
Theaster Gates Shine Study 1 2013 Wood, roofing paper, tar and metal 153.7 x 184.9 cm USD$250,000 |
|
Zeng Fanzhi Untitled 2017 Oil on canvas 249.7 x 250 x 6.5 cm 255 x 255 x 8.6 cm (framed) |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Glenn Ligon
Figure #97 2010-2016 Acrylic, oil stick, coal dust and silkscreen on canvas 152.4 x 121.9 x 3.8 cm USD$450,000 |
|
Ella Kruglyanskaya Striped 2018 Oil on linen 90 x 59 inches (228.6 x 149.9 cm) $60,000
|
|
Reko Rennie Crest 2014 enamel on aluminium 161 x 124 x 4 cm AUD$27,500 inc GST |
|
Bharti Kher Algorithm for embodying control 2018 Bindis on painted board Diameter 137.2 cm EUR 100,000
I've recommended Bharti Kher since 2012. Married to Gupta, who is acclaimed as the Damian Hirst of India, Kher is regarded by most people as being the better artist. She is collected by impeccable institutions and continues to make beautifully socially engaged works with the Indian Bindi as her medium. |
|
Louise Weaver Mirage (The fear of unstructured time) 2009 nylon wool, hessian, cotton 210 x 300 cm AUD$55,000 |
|
Harold Ancart Untitled (the great night) 2018 Oil and pencil on canvas 457.2 x 1346.2 cm Signed and dated verso *On view at Pompidou Metz USD$750,000 |
|
Ella Kruglyanskaya
Fish, Yellow, Bikini
2018
Oil on linen
59 x 74 inches (149.9 x 188 cm)
Signed on verso
(EK 679)
$50,000
Ella Kruglyanskaya Fish, Yellow, Bikini 2018 Oil on linen 59 x 74 inches (149.9 x 188 cm) $50,000
|
|
Rudi Mantofani DLROW #2 2018 acrylic on canvas 200 x 200cm |
|
Milton Avery Wader 1963 Oil on canvas 61 x 76.2 cm USD$450,000 (ex tax)
A playful piece from 'the American Fauvist', who is considered a master of luminous landscapes, figures and still lifes. His gallery Victoria Miro featured him in a solo exhibition last year, his first in over a decade. They are pushing him as one of the under-regarded heroes of American modernism. As he died in 1965, there is a limited supply of work available. I've chosen this one as it feels more contemporary, more timeless than some of his other paintings. |
|
Rudi Mantofani CAHAYA DUNIA #2 (Light of The World #2) 2017 acrylic and gold plating on canvas 170 x 250 cm |
|
Adrián Villar Rojas From the series 'Planetarium' 9 2015 Wire, tennis shoe, metal, plastic, bones, coral, glass, pigmented cement 105 x 34 x 54 cm USD$100,000
A truly brilliant young artist, Argentinian Adriàn Villar Rojas made a particular impact on me with his awe inspiring installation at the 2015 Istanbul Biennale. He is the hottest young artists on the circuit right now - well worth acquiring.
|
|
Tim Silver Untitled (When Lilacs Last in the Dooryard Bloom'd 02) 2016 Porcelain with enamel and acrylic 34 x 44 x 20 cm Unique edition of 3 AUD 17,600 incl. GST |
|
Louise Weaver Mirage (The fear of unstructured time) 2009 Detail |
|
Tracey Emin She closed her eyes 2017 Acrylic on canvas 121.8 x 121.8 x 3.4 cm GBP250,000 |
|
Ashley Bickerton Codsallop & Doggeral 2019 oil and acrylic on canvas 190 x 179 x 8.5cm |
|
Tony Albert weight of the world 2018 vintage playing cards, coasters and matchboxes on board 154 x 183 (framed size) 94 x 88 cm (image size) AUD$38,500 Including GST |
|
Ashley Bickerton PST2 2018 oil and acrylic on jute in artist designed wood frame inlaid with mother of pearl, bamboo & found objects 221 x 241.5 x 13 cm |
|
Wolfgang Tillmans peninsula 2011 inkjet print mounted on aluminum, in artist’s frame 90.4 x 72.5 cm (framed: 95.8 x 77.9 x 3.3 cm) Edition of 3 + 1 AP USD 35,000.- + VAT
|
|
Louise Weaver Beetle elytra 2008 Nylon wool, jute, linen, foil, synthetic polymer gloss medium 55.2 x 46.4 AUD$9,900
|
|
Ella Kruglyanskaya
Dolls in Orange
2018
Oil on linen
66 x 64 inches
(167.6 x 162.6 cm)
(EK 677)
Ella Kruglyanskaya
Yapping Men
2018
Oil on linen
66 x 64 inches (167.6 x 162.6 cm)
Signed on verso
(EK 684)
$50,000
Ella Kruglyanskaya Yapping Men 2018 Oil on linen 66 x 64 inches (167.6 x 162.6 cm) $50,000
|
|
Tony Albert Fight for your rights 2017 vintage playing cards and acrylic on Eric Jolliffe comic book pages 30.5 x 44.3 cm AUD$3,300 Including GST
|
|
Ella Kruglyanskaya
Dolls in Orange
2018
Oil on linen
66 x 64 inches
(167.6 x 162.6 cm)
(EK 677)
Ella Kruglyanskaya
Yapping Men
2018
Oil on linen
66 x 64 inches
(167.6 x 162.6 cm)
(EK 684)
Ella Kruglyanskaya Horse and Carriage on Green 2018 Oil on linen 66 x 64 inches (167.6 x 162.6 cm) $50,000
|
|
Louise Weaver Like a needle in moss (Turquoise) 2008 Nylon wool, jute, linen 122.2 x 102.2 cm AUD$22,000 |
|
Rachel Harrison The Legend 2015 Wood, metal, raincoat, telephone, polyester resin with fiberglass mask, costume beard, telephone book, and acrylic 223.5 x 85.1 x 82.6 cm USD$225,000 |
|
Ceal Floyer Umbrella 2018 C-print on alu-dibond 86 x 119.5 cm Edition of 6 CF 221 €18,000 |
|
Julian Schnabel North America 2007 oil on map and fabric, mounted on linen 205.7 x 165.7 cm frame USD$200,000 |
|
Richard Wright No Title 2017 Ink, watercolour and enamel on paper 30 x 25 cm GBP 35,000 + VAT USD 45,000 + VAT |
|
Anne Collier Black and White Crying Eye (Negative) 2017 C-print 136.84 x 92.1 x 3.97 cm framed Edition of 5 USD 22,000 + VAT |
|
Mark Leckey NOBODADDY'S WET MAP 2018 Archival pigment 160.7 cm x 160.7 cm framed 163.8 x 163.8 x 6.4 cm Unique USD$60,000 |
|
Daniel Silver After Golden 2018 Portoro Marble 52 x 27.5 x 30 cm £40,000 + VAT |
|
Paul Yore Art Is Theft 2016 Mixed media textile, beads, sequins, buttons fringe and marker 100 x 110 cm (irreg) AUD$8,900 |
|
Dinh Q. Lê Fragile Springs 2012 portfolio of 10 silkscreen prints in a laser engraved aluminum box 14 x 17 inches each; edition of 21 USD$ 7,500 |
|
Louise Weaver Object of the Sun 2009 hand crocheted lambswool over hand-turned Japanese birchwood, cedar wood, sequins, human hair, silk fabric, cotton thread, gold leaf, gesso, enamel paint, steel 71 x 32.5 x 12.5cm AUD$22,000 |
|
Glenn Ligon Debris Field #8 2018 Etching ink on canvas 289.6 x 223.5 cm USD$500,000 |
|
Julian Schnabel Strait of Georgia and Strait of Juan de Fuca 2007 oil on map mounted on linen 122 x 83.8 cm 136,8 x 99 cm frame USD$65,000 |
|
Zhou Li Lines 2017 Mixed media on canvas 200 x 300 cm €40,000 ex VAT |
|
Lee Ufan Dialogue 2018 Oil on canvas 162 x 130 cm Signed on bottom right edge of Recto USD 300,000 |
|
Tony Cragg Castor & Pollux 2016 Wood, appr. 250 kg 130 x 114 x 64 cm €325,000 |
|
Sarah Lucas Hunk of the Year 1990-1992 inkjet print on paper site size: 305.5 x 224 cm frame size: 325 x 241 x 9 cm price tbc |
|
Doug Aitken Eclipse (countdown) 2006-2007 Neon, wood, program and synchronizer 66 inches (167.6 cm) diameter 8 inches (20.3 cm) depth Edition of 4 USD$125,000 |
|
Paul Yore Art Is Fun 2016 Mixed media textile, beads, sequins and buttons 105 x 108 cm (irreg) AUD$8,900 |
|
Starry Sky 2016 Archival inkjet print 69 x 120 cm Edition of 6 + 2 AP USD 7,500 excluding framing |
|
Paul Yore When Will It End 2016 wool needlepoint 47 x 28cm (irreg) AUD$4,000 |
|
Katharina Grosse o.T. 2017 acrylic on canvas, framed 290 x 193 cm 293 x 196 x 4.8 cm unique EUR 150,000 |
|
Paulina Olowska The Premiere 2017 oil and acrylic on canvas 220 x 180 cm USD$90,000 |
|
Kiki Kogelnik Untitled (Still Life with Hand) c. 1964 oil and acrylic on canvas 66.7 x 51 cm USD 38,000 |
|
Rodney Graham Cylindro - chromatic Abstraction Construction􀀃 2015 Acrylic gouache on wood 104.1 x 80 x 21.6 cm USD$70,000
|
|
Amy Feldman Bliss Amiss 2017 Acrylic on canvas 152.4 x 152.4 cm USD$14,000 |
|
Annette Kelm Helmholtz Sirene 2017 archival pigment print, framed 99.8 x 75 cm 102 x 77.2 x 4 cm EUR 14,000 |
|
Trevor Paglen Karnak (working title) 2018 three LE silver gelatine prints 80 x 40 inches (each) 203.2 x 101.6 cm
|
|
Daniel Boyd Untitled (WTABP) 2017 oil, charcoal and archival glue on canvas 198.5 x 122 cm AUD$30,000 |
|
Sanford Biggers Just Us 2017 Vinyl banner 60 x 120 inches 152.4 x 304.8 cm USD$45,000 |
|
Thomas Schütte Eierkopf, halb 2014 Glazed ceramic 25 x 28 x 36 cm NG3694 |
|
Thomas Struth Notre-Dame, Paris 2000 Chromogenic print 186.37 x 229.55 x 6.35 cm Edition of 10 USD$550,000 |
|
Tracey Emin A New Upgrade 2002 Balsa wood, wire mesh and metal 37.5 × 69 × 86 CM GBP85,000 |
|
Christian Thompson To Behold Is to Be Beholden 2016 c-type print on Fuji Pearl Metallic Paper 120 X 120 edition of 6 + 2AP AUD$11,000 unframed AUD$12,000 framed
Michael Reid, Sydney Sarah Scout Presents, Melbourne |
|
Alicia Kwade Candle Column (Camile) 2018 Bronze 173 cm €28,000
|
|
Theaster Gates Gold Landscape in Three Strokes 2017 Bronze and tar 146 x 231 x 15 cm USD$ 325,000 |
|
Arthur Jafa Slaver 2017 Printed acetate 130 x 106 cm Edition 1, Edition of 10 USD 10,000 |
|
|
Mark Grotjahn Untitled (Moss on Rock Heavy Texture Mask M16.d) 2012 Painted bronze 110.5 x 40.6 x 13.3 cm USD$ 750,000 |
|
YOU 2007 1 channel video AUD$20,000
|
|
Takashi Murakami And then, and then and then and then and then 2017 Acrylic and platinum leaf on canvas mounted on wood panel 141 x 150 x 5 cm Unique USD$$485,000 (€472,953) without tax |
|
Urs Fischer Green Mountain 2016 Aluminum panel, epoxy, reinforced polyurethane foam, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, acrylic paint 181.6 x 228 x 2.5cm USD 500, 000 |
|
Jonathan Jones untitled (salt) A 2010 Graphite on Arches paper 113 x 73 cm NZD$7,500 |
|
Tatiana Trouvé Untitled 2013 patinated bronze, copper, paint 90 x 60 x 62 cm EUR 25,000 |
|
Jonathan Jones untitled (salt) K 2010 Graphite on Arches paper 113 x 73 cm NZD$7,500 |
|
Ugo Rondinone morning mist in the mountains 1808 2016 Cast aluminumm 55.7 x 46 x 4.8 cm price TBC |
|
Jonathan Jones untitled (salt) E 2010 Graphite on Arches paper 113 x 73 cm NZD$7,500 |
|
Tracey Moffatt Plantation (Diptych No. 11) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 + AP 2 ED 2 AUD$13,000 |
|
Nate Lowman Before and After 2014 Oil, alkyd, resin, tape, paper and dirt on inkjet on canvas 91.4 x 381 x 3.8 cm USD$195,000 |
|
Mai-Thu Perret In the dark, the expert is startled 2017 glazed ceramic 50.2 x 40 x 5.1 cm USD$24,000 |
|
Jonathan Jones untitled (salt) B 2010 Graphite on Arches paper 1130mm H x 730mm W NZD$7,500 |
|
Anne Noble Dead Bee Portrait #11 2015 archival photograph on Canson Baryta Paper, framed museum glass 425 x 515 mm edition 6 of 10 AUD$5,000 AUD inc GST |
|
Edith Dekyndt Summer Drum 003 2017 Fabric and resin on wooden frame 30 x 40 x 8 cm € 13,000 |
|
Joan Jonas House Drawing 13 Watercolor on handmade paper 121.9 x 81.3 cm USD$22,000 |
|
Janet Laurence Habitat 2016 duraclear and oil glaze on acrylic 100 x 117 cm AUD$20,000 |
|
Sigmar Polke Elementares Baumaterial 1998 Mixed media on fabric 137.2 x 157.5 x 5.1 cm framed USD$1,300,000 |
|
Louise Bourgeois Untitled 2002 Fabric and wood 61 x 35.6 x 35.6 cm / 24 x 14 x 14 inches Steel, stainless steel, glass and wood vitrine: 177.8 x 76.2 x 76.2 cm USD$3,800,000 excl. VAT |
|
Armor (Jakob Schnatz, Plankengestechteile Erzh. Ferdinands II., 1545-50 Kat. Nr. 122) 2017 C-print mounted on Dibond 157.48 x 106.68 cm Edition of 3 with 2 AP USD$14,000 framed and glazed with OP3 UV Plexiglas |
|
Georg Baselitz Winfried 2017 Oil on canvas 155 x 120 cm EUR 320,000 |
|
Mamma Andersson Black Cat 2015 Handprinted colour woodcut on rice paper, monotype 65 x 50cm USD$10,000 |
|
Ugo Rondinone elfterjulizweitausendundfünfzehn 2015 Acrylic on canvas, plexi plaque with labeling 280 x 185 cm price TBC
|
|
Lot 32
Arthur Boyd (1920-1999) Dancers n.d. bronze signed and numbered on base: Arthur Boyd E/E with Meridian Foundry stamp 48 cm high, 32 cm wide, 31 cm deep Estimate: $20,000-22,000
|
|
Fred Wilson Tears for Desdemona 2015 Murano glass and light bulbs 94.9 cm x 74.9 cm x 74.9 cm Edition 2 of 6 + 2 APs No. 61881.02 USD$90,000 |
|
Rebecca Baumann Automated Colour Field (Variation 4) 2013 44 flip clocks, archival card, batteries 1420 x 1430 x 90 mm Duration 24 hours Edition of 5 (+1AP) USD$1,500 for a single clock piece USD$32,500 for the set of 44 clocks
|
|
Jim Shaw Untitled (Hand Drawing) 2006 Pencil and airbrush on paper 208 x 139 cm USD$ 85,000 |
|
HARVEST 2017 Installation view |
|
Mary Weatherford phoenix 2017 Flashe and neon on linen 236.2 x 200.7 x 7.6 cm USD$180,000
|
|
Llyn Foulkes Night Train 2016 Velvet, luan, acrylic, photographs and found objects on canvas 180.3 x 203.2 cm USD$325,000 plus VAT and taxes if applicable |
|
Edith Dekyndt Summer Drum 002 2017 Fabric and resin on wooden frame 30 x 40 x 8 cm € 13,000 |
|
Robert Rauschenberg Saturday / ROCI Venezuela 1985 oil on plywood 125.7 cm x 228.9 cm USD$2,500,000 subject to applicable taxes |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work John Armleder
Untitled 2017 mixed media on canvas 224.8 x 149.9 x 10.2 cm USD$150,000 |
|
Rirkrit Tiravanija untitled 2009 (who is afraid of chrome, chrome and chrome) 2009 4 oil barrels, 4 grills, left over charcoal, chromed lamb bones, empty bottles dimensions variable unique USD$250,000 + VAT if applicable |
|
Ronnie Tjampitjinpa Tingari Cycle at a Site Adjacent to Wikinkarra 1994 Synthetic polymer paint on canvas 182cm x 152cm AUD$180,000 |
|
Rob Pruitt TBT 2017 80.01 × 177.8 cm USD$60,000 |
|
Antony Gormley FAZE 2013 Mild steel bar 184 x 48 x 44 cm GBP350,000 |
|
Rebecca Baumann Automated Colour Field (Variation 6) 2017 28 flip clocks, archival card, batteries 900 x 1430 x 90 mm Duration 24 hours Edition of 5 (+1AP) USD$1,500 for a single clock piece USD$22,500 for the set of 28 clocks |
|
Theaster Gates Meditation station for prayer and the contemplation of local knowledges 2016 Mixed media 190 x 70 x 96 cm USD$275,000 |
|
Carrie Mae Weems Untitled (Black Love) 1992 three gelatin silver prints 28 x 28 inches (each print) 28 1/4 x 28 1/4 inches (framed) Edition of 10, with 2APs USD$75,000 |
|
Rosella Namok New villages in Lockhart 2016 acrylic on canvas 303x193cm $3,5000 |
|
Grisha Bruskin Scene Change 2016-2017 Russian Pavilion |
|
Gary Simmons On Point (Big Sur) 2007 Pigment and oil paint on canvas 137.2 x 137.2 cm USD$75,000.00 |
|
Harold Ancart Untitled 2016 Detail |
|
Theaster Gates Face over time 2016 Clay, metal and wood 28.3 x 64.1 x 24.8 cm Plinth: 46 x 116 x 31 cm) USD$165,000 |
|
Rosella Namok New villages in the tropics 2017 acrylic on canvas 135x210cm $1,6500 |
|
Korakrit Arunanondchai With history in a room filled with people with funny names 4 (with stage for extinction) 2018 Installation, video: HD video, 23 mins stage: soil, left over seafood remains, latex paint, clear resin, jackfruit shell, various shaped fabric pillows 400 x 600 cm USD$70,000
|
|
Jean-Luc Moulène Monochromes / Samples Girlies (American Standard), New York, January 2017 2017 Bic ink on Ampersand clayboard 4 parts, each: 50.8 x 40.6 cm USD$60,000 |
|
Rirkrit Tiravanija untitled 2017 (eclipse of the soul) (nation: march 2, 2009) 2017 Gold leaf and newspaper on linen 164 x 142 cm USD$100,000 (plus relevant tax) |
|
Armor (Sebastian Schmid, Harnash, 1550-60. Kat. Nr. 139) 2017 C-print mounted on Dibond 157.48 x 106.68 cm Edition of 3 with 2 AP USD$14,000 framed and glazed with OP3 UV Plexiglas |
|
Tim Maguire Continuous Life and Death at the Now of Eternity 2017 Digital work, 9 channels, Endless Edition of 10 + 2 AP AUD$220,000 |
|
Hans-Peter Feldman Flower Pot n.d. Mixed media Dimensions variable 15 flower pots HPF 197 €2ô€€˜,000 |
|
Anne Noble Dead Bee Portrait #7 2015 archival photograph on Canson Baryta Paper, framed museum glass 425 x 515 mm edition 6 of 10 AUD$5,000 AUD inc GST |
|
Roe Ethridge Blue Roses 2017 Dye sublimation print on aluminum 91.4 x 61 cm USD$16,000 |
|
Toby Ziegler Yellow wallpaper 2017 Oil on aluminium 120 x 123 cm GBP 35,000 |
|
Rirkrit Tiravanija untitled 2017 (eclipse of the soul) ( nation: november 14, 2009) 2017 Gold leaf and newspaper on linen 164 x 142 cm USD$100,000 (plus relevant tax) |
|
Gabriel de la Mora B-8 izq / 8 der I 2016 16 vintage radio speaker fabrics Dimensions variable USD$60,000 |
|
Richard Long Red Ring 2017 Red slate 215 cm (diameter) USD$140,000 |
|
Tim Silver Untitled (When Lilacs Last in the Dooryard Bloom'd 01) 2016 Porcelain with enamel and acrylic 34 x 44 x 20 cm Unique edition of 3 AUD 17,600 incl. GST
|
|
Yinka Shonibare Mbe The American Library Collection 2017 225 Hardback books, Dutch wax printed cotton textile, gold foiled names, shelving 248.9 x 101.6 cm USD$85,000 |
|
Kerry James Marshall to be titled 2017 74 x 60 cm USD$800,000 |
|
Oscar Murillo untitled 2016 Install
David Zwiner |
|
Tracey Moffatt Plantation (Diptych No. 5) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 + AP 2 ED 2 AUD$13,000 |
|
Georg Baselitz La futura cammin facendo 2015 Oil on canvas 205 x 150 cm Frame 224 x 169.2 x 7 cm €380,000 + VAT |
|
Lisa Yuskavage Ledge 2005 Oil on linen 154.9 x 102.2 cm Signed and dated verso USD$750,000 |
|
Tracey Moffatt Plantation (Diptych No. 7) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 + AP 2 ED 2 AUD$13,000 |
|
Cindy Sherman Untitled Film Still #44 1979 gelatin silver print 76.2 x 101.6 cm (image) 101.9 x 122.2 cm (frame) Edition of 3, 1 AP USD$375,000 |
|
Verne Dawson The New Road 2017 Oil on canvas 50.8 x 61 cm Signed and dated on verso USD$30,000 |
|
Michel Majerus Ohne Titel 1998 acrylic and pencil on cotton 480 x 700 cm EUR 500,000 + VAT if applicable |
|
Matt Johnson Drywall #2 (Grape Hyacinth M560-3) 2016 Carved wood and paint 160 x 165.1 x 81.3 cm pedestal: 20.3 x 162.6 x 106.7 cm Unique Signed and dated USD$55,000 |
|
Tracey Moffatt Plantation (Diptych No. 10) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 + AP 2 ED 2 AUD$13,000 |
|
Karl Holmqvist Untitled 2016 Marker on canvas 180 x 180 cm USD$18,000 |
|
Sterling Ruby DRFTRS (5606) 2015 Collage, paint and glue on paper 21.9 x 27.9 cm 54.9 x 61.6 x 3.8 cm (framed) USD$12,000 |
|
Matt Johnson Drywall #2 (Grape Hyacinth M560-3) 2016 Carved wood and paint 160 x 165.1 x 81.3 cm pedestal: 20.3 x 162.6 x 106.7 cm Unique Signed and dated USD$55,000 |
|
Tim Silver Untitled (When Lilacs Last in the Dooryard Bloom'd 03) 2016 Porcelain with enamel and acrylic 34 x 44 x 20 cm Unique edition of 3 AUD 17,600 incl. GST |
|
Kara Walker Spectators 2014 Ink, watercolour and cut paper on paper 127 x 96.5 cm USD$125,000 (ex tax) |
|
Tracey Moffatt Plantation (Diptych No. 8) 2009 Digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 54 x 57.5 cm Paper size: 46 x 50.5 cm (each) - Diptych Edition of 12 + AP 2 ED 2 AUD$13,000 |
|
Tracey Moffatt Plantation (Diptych No. 12) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 + AP 2 ED 2 AUD13,000 |
|
Sterling Ruby DRFTRS (4987) 2014 Collage, paint and glue on paper 30,2 x 45,7 cm 85.1 x 100.3 x 3.8 cm (framed) USD$15,000 |
|
Gillian Wearing Cahun and Wearing 2017 bromide print 42.5 x 52.4 cm edition of 6 + 2 AP GBP£18,000 exc VAT |
|
Tracey Moffatt Plantation (Diptych No. 6) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 + AP 2 ED 2 AUD$13,000 |
|
Brian Belott Tondo Puff 2017 Mixed media on canvas 54.6 x 54.6 x 12.7 cm Signed and dated on verso USD$10,000 |
|
Lot 150
Danie Mellor (B.1971) Tracing a Path Lost 2004 glazed slip cast earthenware signed, dated and titledverso: Danie Mellor 2004 Tracing a Path Lost cat. no. FW8685 78 x 42 cm Estimate: $2,500-3,000
LITERATURE Grishin, Sasha, Accounting for Taste: the Lowensteins Arts Management Collection, Macmillan Art Publishing, Melbourne, 2013, p. 276 (illustrated) |
|
Ibrahim Mahama Smoked fish paper on charcoal sacks 2016 212 x 326 cm EUR45,000 |
|
Robert Longo Study of Breaking Shark 2017 ink and charcoal on vellum 32.1 x 53 cm (image) USD$65,000 |
|
Sterling Ruby Brigade RWG 2014 Collage, paint and glue on paper 66 x 101.6 cm 72.7 x 108.3 x 3.8 cm (framed) USD$32,000 |
|
Franz Ackermann Formerly Grey (Walled City) 2017 oil on canvas / öl auf leinwand 210 x 160 cm EUR 125,000 + VAT if applicable / zzgl. MwS |
|
Oscar Murillo exercises 6 2015 Oil and oil stick on paper 152.4 x 101.6 cm image 160.7 x 109.9 x 4.4 cm framed Signed and dated verso
David Zwiner |
|
Brook Andrew Systems of Substance V 2017 small size Hand coloured Silver gelatin photograph 65 x 73 cm (framed) Edition of 5 + AP 1 ED 1 AUD$3,000 |
|
Lot 149
Danie Mellor (B.1971) Moving In Moving Out 2004 glazed slip cast earthenware signed, dated, titled and editioned verso: Danie Mellor 2004 Moving in moving out 2/3 Estimate: $2,500-3,000 |
|
Bill Henson Untitled #29 2008 - 2009 archival inkjet pigment print 127 x 180 cm Edition of 5 plus 2AP AP 1 55,000.00 AUD (inc. GST) |
|
Brook Andrew Systems of Substance VII, 2017 (small size) Hand coloured Silver gelatin photograph 65 x 73 cm (framed) Edition of 5 + AP 1 ED 1 AUD$3,000 |
|
Pae White Drone-drome H 2016 cotton, polyester, lurex, cashmere 290 x 290 cm USD 70,000 + VAT if applicable |
|
Navid Nuur The Tuners 2005-2017 prepared linen canvas, mixed media 165 x 125 cm USD$17,000 |
|
Jimmie Durham (BLAM!) 2002 Ink on paper 114 x 85.5 cm framed €30,000 |
|
Brook Andrew Systems of Substance VI 2017 (small size) Hand coloured Silver gelatin photograph 65 x 73 cm (framed) Edition of 5 + AP 1 ED 1 AUD$3,000 |
|
Mickalene Thomas Untitled #17 2016 rhinestones, glitter, acrylic, and oil paint on wood panel 152.4 x 121.9 x 5.1 cm USD$105,000 |
|
Mario García Torres N.D. n.d. graphite on plastilita on canvas 25 x 20 cm numbered on verso EUR 8,000 + VAT if applicable
|
|
Installation view |
|
Billy Childish irises in cat pot 2016 oil and charcoal on linen 122 x 91,5 cm EUR 18,000 + VAT if applicable
|
|
Section from Clark's Myriorama within a feigned frame 2016 acrylic on canvas 102 x 76 cm AUD$ 22,000.00 |
|
Andreas Eriksson Strata 2017 oil on canvas 130 x 80 cm EUR 25,000 + VAT if applicable
|
|
Tim Silver Untitled (Husk) 2016 Copper 76 x 20 x 9 cm edition of 3 plus 2 AP AUD 24,200 incl. GST
|
|
Damián Ortega Lava wave XVII 2016 Clay from Oaxaca, Mexico 13.8 x 15.5 x 14.5 cm USD 25,000 |
|
Andreas Eriksson Boarder 2017 oil on canvas 50 x 40 cm EUR 15,000 + VAT if applicable
|
|
11-11:15pm
Jamie North Sarah Cottier Gallery 23 Roylston Street, Paddington NSW 2021
Artists of interest: Todd McMillan, Sarah Mosca, Gemma Smith |
|
Thaddeus Strode Pelican Thoughts (The Cold) 2010 epoxy resin, pigment, metal, concrete head: h 20 x ø 24 cm with bucket and metal support: approx. h 165 x ø 24 cm USD$7,500 + VAT if applicable
|
|
Damián Ortega Lava wave XVIII 2016 Clay from Oaxaca, Mexico 13.5 x 37.9 x 14.7 cm USD 30,000 |
|
Damián Ortega Installation view
|
|
Roe Ethridge (to be titled)k 2017 Dye sublimation print on aluminium 134.6 x 101.6 cm Edition of 5, with 2 APs USD$20,000 |
|
Martin Creed Work No. 1634 2013 Acrylic on canvas 40 x 30 cm 42 x 32 cm with frame USD$45,000 + VAT |
|
Uri Aran Book Sad 2016 wood, glass and mixed media 121.9 x 60.9 x 160 cm US$ 35,000 excl. vat |
|
Nyapanyapa Yunupingu 49. Birrka'mirri 22 2011 paint pen on clear acetate plastic 83.5 x 59.5 cm AUD$3,000 |
|
Roe Ethridge Double Fruit Plate 2017 Dye sublimation print on aluminium 83.8 x 125.7 cm Edition of 5, with 2 APs USD$20,000 |
|
Andreas Eriksson Court 2017 oil on canvas 50 x 40 cm EUR 15,000 + VAT if applicable |
|
Damián Ortega Installation view |
|
Lee Bul Untitled (Mekamelencolia - Yellow Velvet #2) 2016 crystal and acrylic paint on silk velvet 79.4 x 59.1 x 3.5 cm framed: 85.7 x 64.1 x 8.2 cm USD$75,000 |
|
Patricia Piccinini The Dancer 2016 Silicone, steel, resin, human and animal hair 45 x 24 x 16 cm Edition of 3, 1AP Edition AP AUD$25,000 |
|
Thaddeus Strode Pelican Thoughts (The Misunderstood) 2010 epoxy resin, pigment, metal, concrete head: h 18 x ø 21 cm with bucket and metal support: approx. h 165 x ø 21 cm USD$7,500 + VAT if applicable
|
|
Vanessa Billy Five continents, three oceans 2013 Cardboard Box, Epoxy Resin 50 x 40 x 24 cm £6,000.00
Limoncello |
|
Louise Bourgeois Untitled 1950 48.3 x 31.6 cm USD$300,000 |
|
Nick Mauss Waiting 2016 Installation |
|
Damián Ortega Installation view |
|
Georg Baselitz Wadi, Wadi 2012 Oil on canvas 305 x 245 cm EURO 550,000
PROVENANCE Gagosian Gallery, New York |
|
Nyapanyapa Yunupingu Untitled 23 2012 paint pen on clear acetate plastic 83.5 x 59.5 cm AUD$3,000 |
|
Alice Browne Occupation 2016 Acrylic and Oil on Canvas 50 x 45 cm £2,500.00
Limoncello |
|
David Ostrowski F (San Francisco days) 2016 Acrylic, lacquer and paper on canvas 276 x 221 cm (framed) EUR 60,000 |
|
Damián Ortega Iceberg IV 2016 Detail |
|
Ben Quilty Rezene Mebrahta Engeda 2017 Oil on linen 130 x 110 cm AUD 35,000 |
|
11:15-11:45am
Brenda L Croft Full/blood 2016 Pigment Print 111.2 x 90.5 cm Edition of 5
Stills Gallery 36 Gosbell Street, Paddington NSW, 2021, Australia.
Artists of interest: Trent Park, Ricky Maynard, Roger Ballen |
|
Louise Bourgeois Greetings: A Laughing Monster 1946 etching 12.7 x 15.2 cm USD$60,000 |
|
Damián Ortega Iceberg III 2016 Glazed clay from Oaxaca, Mexico 23 x 36 x 20 cm USD 30,000 |
|
Thaddeus Strode Pelican Thoughts (The Ostrich) 2010 epoxy resin, pigment, metal, concrete head: h 22 x ø 26 cm with bucket and metal support: approx. h 153 x ø 26 cm USD$7,500 + VAT if applicable |
|
John Armleder Soak 2016 detail |
|
Lot 48
Arthur Boyd (1920-1999) Shoalhaven (c.1980) oil on board signed lower right: Arthur Boyd 37 x 29.5 cm Estimate: $18,000-20,000
LITERATURE Grishin, Sasha, Accounting for Taste: the Lowensteins Arts Management Collection, Macmillan Art Publishing, Melbourne, 2013, p. 43 (illustrated) |
|
Mikalene Thomas Untitled #13 2015 rhinestones, acrylic, oil, glitter, pastel, graphite and oil stick on wood panel 243.8x182.9cm USD $150,000
|
|
Ryan Gander Felix provides a stage #7 — (Eleven sketches for ‘A sheet of paper on which I was about to draw, as it slipped from my table and fell to the floor’) 2008 Color photograph printed on wall paper 300 x 450 cm Edition 1 of 1 (+ 1 AP) GBP£25,000 |
|
Uri Aran 2016 acrylic, graphite and mixed media on HDO |
|
Nyapanyapa Yunupingu Untitled 26 2012 paint pen on clear acetate plastic 83.5 x 59.5 cm AUD$3,000 |
|
Uri Aran 2016 charcoal, oil pastel, graphite, china marker, carbon copy, ink on paper, framed installation dimensions: 143.5 x 219 x 3.5 cm |
|
Nyapanyapa Yunupingu 47. Birrka'mirri 19 2011 paint pen on clear acetate plastic 83.5 x 59.5 cm AUD$3,000 |
|
Damián Ortega Iceberg V-VI 2016 Set of 2. Clay from Oaxaca, Mexico with acrylic and varnish 36 x 30 x 27 cm 26 x 28 x 18 cm USD 45,000 |
|
Lot 47
Freddie Timms (c.1944) Mount Keira Massacre 1998 natural earth pigments and synthetic binder on linen singed, titled and dated verso: F TIMMS 98 MOUNT KEIRA MASSACRE WOLLONOONG cat no. FT45 120 x 120 cm Estimate: $7,000-9,000
PROVENANCE Watters Gallery, Sydney
LITERATURE Grishin, Sasha, Accounting for Taste: the Lowensteins Arts Management Collection, Macmillan Art Publishing, Melbourne, 2013, p. 214 (illustrated)
|
|
Eva Rothschild Your Head In My Eyes 2015 Jesmonite, fiberglass, polystyrene, steel, paint 226.1 x 79.1 x 79.1 cm £40,000 + VAT
303 Gallery |
|
Ben Quilty Reza 2016 Oil on linen 130 x 110 cm AUD$35,000 |
|
Damián Ortega Lava wave VI 2016 Clay from Oaxaca, Mexico 7.5 x 41.8 x 13 cm USD 30,000 |
|
Jacqueline Humphries Untitled 2016 Detail |
|
Kate Owens Alarms & Embarrassments 2016 Reduced Energy Drink 3 x 21 x 29 cm £3,000.00
Limoncello |
|
Thaddeus Strode Pelican Thoughts (The Deformed) 2010 epoxy resin, pigment, metal, concrete head: h 21 x ø 24 cm with bucket and metal support: approx. h 185 x ø 24 cm USD$7,500 + VAT if applicable
|
|
Damián Ortega Iceberg V-VI 2016 Detail |
|
Louise Bourgeois Untitled 1949 ink and graphite on paper 55.9 x 38.1 cm USD$345,000 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work XXGreg Creek
Amendment #11 – #19 2014–2016 Watercolour on paper with balsa drip tray, framed Each 204 x 145 cm Each $12,500
Creek’s practice over the past twenty years has represented a political perspective on personal and public histories – engaging narrative, allegory and satire in large painting, drawing and installation projects. Described as one of Melbourne’s most complex and demanding artists, Creek’s practice poses compelling questions about art history, politics, aesthetics and, not least, the question that perpetually hovers over art making today: the relevance of painting as a medium for contemporary practice. |
|
Ben Quilty Leo Seemanpillai 2017 Oil on linen 130 x 110 cm AUD$35,000
|
|
Jimmie Durham Echo 2008 Glass and German silver (copper, zinc and nickel) 28 x 23 x 23 cm. €60,000 |
|
Nyapanyapa Yunupingu Untitled 27 2012 paint pen on clear acetate plastic 83.5 x 59.5 cm AUD$3,000 |
|
Katie Paterson Candle (from Earth into a Black Hole) 2015 A candle scented as if journeying from planet to planet 29 x 3 cm (height x diameter) edition of 45 £2,000 + VAT
Ingleby Gallery |
|
Ben Quilty Mohammad Hadi 2016 Oil on linen 130 x 110 cm AUD$35,000 |
|
Damián Ortega Iceberg XI 2016 Glazed clay from Oaxaca, Mexico 23 x 26 x 20 cm USD 30,000 |
|
Ben Quilty Khodayar Amini 2017 Oil on linen 130 x 110 cm AUD$35,000 |
|
Alice Browne More 2012 Oil on Canvas 60 x 55 cm £2,000.00
Limoncello |
|
Renata Lucas Homeless topography 2016 ceramic tiles, mixed textile blanket, aluminum, steel, polyurethane construction adhesive, epoxy based tile grout 3 x 174.5 x 151.5 cm EUR 50,000 + VAT if applicable |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Jimmie Durham
Echo 2008 Detail |
|
Louise Bourgeois Untitled 1945 oil on canvas 101.6 x 61 cm USD$2,500,000 |
|
12-12:30pm
Diena Georgetti KIT 2016 Acrylic on canvas, custom frame, 74.00 x 52.50 x 6.50 cm
The Commercial 148 Abercrombie Street, Redfern
Artists of interest: Archie Moore, Michael Riley, Lilian O'Neil |
|
Ben Quilty Fazel Chegeni 2017 Oil on linen 130 x 120 cm AUD$35,000 |
|
William Mackinnon Yulong 2014 oil & automotive enamel on synthetic linen 200 x 100 cm $9,900 |
|
Damián Ortega Iceberg IX 2016 Clay from Oaxaca, Mexico with acrylic and varnish 33 x 38 x 27 cm USD 30,000 |
|
Tim Silver Untitled (Found Image) 2016 C-Type Print 77 x 62 cm AUD 4,840 incl. GST (framed) |
|
Keith Edmier Keith Edmier 1998 [ After ] Tobias Rehberger 2016 epoxy, dental acrylic, polyurethane, and acrylic paint 59 x 40 x 33 cm USD 35.000,00 + VAT if applicable |
|
Tim Silver Untitled (Husk) 2016 |
|
Jimmie Durham Echo 2008 Detail |
|
Greg Creek Amendment #11 – #19 2014–2016 Watercolour on paper with balsa drip tray, framed Each 204 x 145 cm Each $12,500
Creek is perhaps most well known for his large scale political and allegorical paintings, including his series The Violence of Appearances, but large desktop works – begun as the throw away blotting sheets for his oil paintings – have since become a focus of his practice, significant in their own right. Creek uses a range of different graphic styles and mediums: representational and abstract rendered drawings, watercolours, diagrams, notations from everyday life and collage among so many others. |
|
Jorge Pardo untitled 2016 stained mahogany wood, leather, metal hardware 2 parts, each 237.9 x 68.8 x 5.5 cm USD$95,000 + VAT if applicable |
|
Eva Rothschild Your Head In My Eyes 2015 Detail |
|
Ben Quilty Fereshteh 2016 Oil on linen 130 x 110 cm AUD$35,000 |
|
Adriana Varejão Rome Meat Ruin 2016 Detail |
|
Damián Ortega (1967) Lava wave V 2016 Clay from Oaxaca, Mexico 4 x 31.8 x 13.4 cm USD 30,000 |
|
Yonatan Vinitsky Why does nobody talk to circles? (Because there is no point!) 1 2014 Back-Painted Gloss Paint (RAL 9010) on Extra Fine Gouache Paint (Brilliant Red, Sky Blue, Meadow Green, Permanent Yellow Deep, Cobalt Violet Deep Imit.) on Extra Clear Glass (4mm), Bespoke Oak Frame 31 x 39 cm £2,250.00 |
|
Ragnar Kjatansson Klang der Offenbarung Dioramas 2016 mixed media in glass vitrine 50 x 50 x 50 cm USD$135,000 |
|
Katie Paterson 2015 A candle scented as if journeying from planet to planet 29 x 3 cm (height x diameter) edition of 45 £2,000 + VAT
Ingleby Gallery |
|
Nyapanyapa Yunupingu 48. Birrka'mirri 20 2011 paint pen on clear acetate plastic 83.5 x 59.5 cm AUD$3,000 |
|
Mickalene Thomas Clarivel #4 2016 Detail
Lehmann Maupin |
|
Ben Quilty Omid Masoumali 2016 Oil on linen 130 x 110 cm AUD$35,000 |
|
Damián Ortega Lava wave IV 2016 Clay from Oaxaca, Mexico 7 x 34 x 12.5 cm USD 30,000 |
|
Tala Madani Blue Room 2016 oil on linen 50.8 x 43.2 x 2.5 cm USD $22,000
SOLD |
|
Tony Oursler E*Nel 2016 aluminum, acrylic paint, LCD screen, and sound 139.1 x 94 x 8.9 cm USD 100,000
Lehmann Maupin |
|
Ben Quilty Rakib 2016 Oil on linen 130 x 110 cm AUD$35,000 |
|
Isa Genzken Hallelujah (Portraits) 2012 Paper, wallpaper, foil, photographs, prints on paper, adhesive tape, lacquer, and spray paint 290 x 180 cm Certificate of Authenticity $300,000 |
|
Modello for a backdrop with two sections from Clark's Myriorama 2016 acrylic on paper 30 x 30 cm (2) 30 x 60 cm overall 56 x 84 framed AUD$ 5,500.00 |
|
Greg Creek Amendment #11 – #19 2014–2016 Watercolour on paper with balsa drip tray, framed Each 204 x 145 cm Each $12,500
There is both a pure optical beauty and a strong material presence in these works. Part object, part process and part exercise in repetition, the works might also be read metaphorically: the titles, First Amendment, Second Amendment and so on suggest a political reference to the subtle alteration or decay of an ideal. In their serial formulation, titling and temporality Creek’s Amendments indicate an interest in minimalist and other 60s and 70s process driven drawing practices. For this series he revisits and expands upon the target motif used in previous drawing projects. |
|
Ben Quilty Omid Ali Avaz 2016 Oil on linen 130 x 110 cm AUD$35,000 |
|
Gary Hume Horizon 2011 Gloss paint on aluminium 134.6 x 97.8 cm GBP 95,000.00 + VAT |
|
Installation view |
|
Gary Hume March 33, 2016 Charcoal on 90 gsm Ingres Celeste 32 x 24 cm image 44 x 35.5 x 3 cm framed GBP 9,000.00 + VAT
Sprüth Magers |
|
Ben Quilty The Last Supper 2016 Oil on linen 205 x 268.5 cm AUD$65,000 |
|
Greg Creek Amendment #11 – #19 2014–2016 Watercolour on paper with balsa drip tray, framed Each 204 x 145 cm Each $12,500
The works often incorporate aspects of the working process such as spills and stains and, much as Creek constructs the works themselves, this excess of information begins to form an idiosyncratic, philosophical narrative. Amendments comprises an ongoing series of large watercolour works on paper made up of numerous concentric coloured rings. From each ring paint drips and spills, amending those rings it traverses as it gravitates down the paper’s surface – colour drips and spills from the edge of the page, staining the balsa wood tray beneath. Creek’s drawings take an extended period to complete. As the rings gradually accrue and colour harmonies develop, time and change accumulate. The materiality of the drawing and sense of performance is heightened by the play of gravity and drip trails. |
|
Damián Ortega Lava wave XVI 2016 Clay from Oaxaca, Mexico 8.7 x 37 x 9 cm USD 30,000 |
|
Marisa Merz Senza Titolo 2010 Mixed media on paper 308.3 x 260 x 6 cm USD 500,000
Gladstone Gallery |
|
Ben Quilty 2016 2016 Oil on linen 186 x 175 cm AUD$44,000 |
|
Victor Man Untitled 2016 Watercolor on paper 27.5 x 23 cm
Private collection |
|
Ruth Root Untitled 2016 Fabric, plexiglas, enamel, spray paint, and digitally printed fabric 224.2 x 135.9 x 1.3 cm USD$35,000 |
|
Gary Hume Bones 2013 Enamel on aluminum 153 x 115 cm GBP 110,000.00 + VAT
Sprüth Magers |
|
Section from Clark's Myriorama folded to form an octagon 2016 acrylic on paper 20 x 14 cm 51 x 38 cm (framed) AUD$ 1,750.00 |
|
Vanessa Billy The removed hand of man (Blue) 2016 Bio Resin, Dye 50 x 40 x 1 cm £6,000.00
Limoncello |
|
Gary Hume March 40 2016 Charcoal on 90 gsm Ingres Celeste 32 x 24 cm image 44 x 35.5 x 3 cm framed GBP 9,000.00 + VAT
Sprüth Magers |
|
Ryan Gander Mr Gander, My Fickle Friend 2016 Digital print on newsprint 118.9 x 84.1 cm (unframed) 125.7 x 90.9 x 4.2 cm (framed) Edition of 1 + 1 AP GBP 25,000.00 excl. taxes |
|
1-1:30pm
Tim Silver Untitled (Blow Up)(Film Still) 2014 single channel video 5 minutes
Sullivan+Strumpf 799 Elizabeth St Zetland, Sydney NSW, Australia
Artists of interest: Darren Sylvester, Richard Lewer, Tim Silver, Tony Albert, Hiromi Tango
|
|
Kader Attia Untitled 2015 Detail
Lehmann Maupin |
|
William Mackinnon After the wedding 2016 acrylic and enamel on canvas 120 x 150 cm $7,700 |
|
Gary Hume Back of Snowman 2016 Blue lacquer, stainless steel 152.4 (height) x 124.5 (diam.) x 44.5 (diam.) cm GBP 200,000.00 + VAT
Sprüth Magers |
|
Craig Kauffman #1-5 1994/95 Drape formed acrylic with acrylic lacquer 79,4 x 54 x 11,4 cm USD 75,000.00 + VAT
Sprüth Magers - his work featured in the Berlin Biennale |
|
Cory Arcangel Fashion / Lakes 2015 1920x1080 H.264/MPEG-4 Part 10 looped digital file (from 11 lossless TIF masters), media player, 70” flatscreen, armature, various cables 200.7 x 92.7 x 27.9 cm USD 60,000
Lisson Gallery |
|
William Mackinnon Together now 2016 acrylic and enamel on canvas 120 x 150 cm $7,700 |
|
Craig Kauffman Pakwan 2007 Acrylic lacquer on vacuum formed plastic 86.4 x 96.5 x 30.5 cm USD 125,000.00 + VAT
Sprüth Magers |
|
Gary Hume Bones 2013 Enamel on aluminum 153 x 115 cm GBP 110,000.00 + VAT and taxes if applicable
Sprüth Magers |
|
Ella Kruglyanskaya Untitled (Hammocks) 2014 Ink on paper 52.7 x 38.1 cm Signed and dated on verso ON RESERVE USD $6,000
Gavin Brown's Enterprise |
|
Gabrielle & Silvana Mangano Endless End (Option #1) 2009 Single-channel digital video 8 minutes 52 seconds 16:9, black & white, sound Edition of 5 plus 2 Aps Video | https://vimeo.com/162920362 Password GMSMEE2009 $9,000
We see a romantic silhouetted figure before a shuttered window, slowly closing an opening the shutters, we see a terrazzo floor, the draping of a curtain and the peripheral details of heavy furniture. The elements are alternatively lit and obscured as the light penetrates into the room. |
|
Craig Kauffman Bayabas 2008 Acrylic lacquer on vacuum formed plastic 60.3 x 65.4 x 24.1 cm USD 75,000.00 + VAT
Sprüth Magers |
|
Chen Wei Stairs 2015 Archival inkjet print 150 x 187.5 cm Edition of 6 USD $12,000 excluding framing 180 x 225 cm
AP 1/2 USD $15,000 excluding framing
An up and coming Chinese photographer from Leo Xu Projects
|
|
William Mackinnon Love Letter 2016 acrylic, oil and enamel on linen 217 x 215 cm $16,500 |
|
Craig Kauffman Untitled 2009 Drape-formed acrylic with acrylic lacquer and glitter 91,4 x 101,6 x 20,3 cm USD 125,000.00 + VAT
Sprüth Magers |
|
Chen Wei Dance Hall (Pearls) 2015 Archival inkjet print 150 x 187.5 cm Edition of 6 USD $12,000 excluding framing 180 x 225 cm
AP 1/2 USD $15,000 excluding framing
An up and coming Chinese photographer from Leo Xu Projects
|
|
Ella Kruglyanskaya Untitled (Running) 2016 Graphite on paper 44.5 x 31.4 cm Signed and dated on recto USD 3,000
Gavin Brown's Enterprise |
|
3:40-4pm (time permitting)
Richard Lewer Depression is like quicksand you have to avoid panic to escape 2016 graphite on museum rag board 85 x 102 cm
AGNSW Art Gallery Rd, The Domain 2000 Sydney, Australia
Artists of interest: Richard Lewer |
|
Craig Kauffman Untitled 2009 Drape-formed acrylic with acrylic lacquer and glitter 91.4 x 101.6 x 20.3 cm USD 125,000.00 + VAT
Sprüth Magers |
|
Lorna Simpson Selections from Photos 2016 Found photograph and collage on paper 76.2 x 54.9 cm Individual work: USD 22,000 Suite of two: USD 40,000 Suite of three: USD 54,000 Suite of four: USD 60,000
Salon 94 |
|
Ella Kruglyanskaya Untitled (Crouching Girl) 2016 Graphite on paper 45.7 x 30.2 cm Signed and dated on recto USD 3,000
Gavin Brown's Enterprise |
|
Shirazeh Houshiary Swift 2016 Cast Aluminium 132 x 84.5 x 35.2 cm GBP 160,000 |
|
|
Thomas Ruff 09h 32m/-25° 1992 C-Print 260 x 188 cm Edition 2/2 + 1AP EUR 110,000.00 + VAT
Sprüth Magers |
|
|
Lorna Simpson Untitled (Feathers Head) 2016 Found photograph and collage on paper 76.2 x 54.9 cm
Salon 94 |
|
MIAMI DESIGN DISTRICT AND WYNWOOD ARTIST STUDIO VISITS | THURSDAY, DECEMBER 1 | 9AM TO 12 NOON
A | Mira Lehr 5215 Pine Tree Drive B | Locust Projects 3852 North Miami Avenue Oliver Sanchez 3940 North Miami Avenue Obsolete Miami Media Kevin Arrow and Barron Sherer 5 NW 39 Street, Loft #2 C | The Bakehouse Art Complex 561 NW 32nd Street D | Magnus Sigurdarson 2628 NW 2nd Avenue, 2nd Floor E | Asif Farooq 4261 NW 36 Avenue F | Dimensions Variable and Studios of Frances Trombly and Leyden Rodriguez-Casanova 300 NE 2nd Avenue, MDC Building 1, 3rd floor |
|
3:30-4pm (time permitting)
Moon Kyungwon & Jeon Joonho, El Fin Del Mundo (still) 2012 2 channel HD film
Museum of Contemporary Art 140 George Street, The Rocks, Sydney NSW 2000
Exhibition: New Romance |
|
Uri Aran Merrily 2016 polyurethane, acrylic and mixed media on wood 81.4 x 123 x 7 cm US$ 30,000 excl. vat
|
|
ARTIST STUDIO VISITS | SATURDAY, DECEMBER 3 | 9AM TO 12 NOON
A | Bridge Red Studios: Carol K. Brown, Robert & Kristen Thiele, Lou Anne Colodny, Stephan Tugrul, Yanira Collado William Cordova and Luisa Basnuevo 12425 NE 13th Avenue B | Carlos Betancourt 283 NE 86th Street C | Agustina Woodgate 300 NW 73rd Street D | Michael Loveland 65 NW 71st Street Douglas Hoekzema The Fountainhead Studios, 7252 NW Miami Ct Bhakti Baxter, Michael Vasquez 7111 North Miami Avenue, Suite A E | Odalis Valdivieso 2640-A NW 21 Terrace Marcos Valella and Angela Valella 2623 N.W. 21 Terrace Miami, FL 33142 F | Meetinghouse Moira Holohan 168 SE 1st Street G | Mette Tommerup and Robert Chambers 3697 Avocado Avenue H | Lynne Golob Gelfman 9401 Kerwood Court |
|
Thomas Ruff neg◊india_17 2014 C-Print 29.4 x 22.4 cm image 70.5 x 60.5 cm framed Edition 2/8 EUR 8,000.00 + VAT
Sprüth Magers |
|
Lorna Simpson Window 2016 Found photograph and collage on paper 76.2 x 54.9 cm |
|
Gabriel Kuri Untitled (Caviar House 54) 2016 Detail
Kurimanzutto |
|
William Mackinnon The Fraternity 2016 oil and enamel on canvas 2 panels of 150 x 200 cm $22,000 |
|
Robert Therrien No title (head with sore nose) 1999 Enamel and mixed media on metal 11 x 10 x 2 cm USD 25,000.00
Sprüth Magers |
|
Thomas Ruff neg◊artist_23 2015 C-Print 32 x 42 cm image 71 x 81 cm framged Edition 1/8 EUR 8,000.00 + VAT
Sprüth Magers |
|
Oscar Murillo VS 25 2015-2016 Installation view
David Zwirner |
|
Lorna Simpson Golden Glove 2016 Found photograph and collage on paper 76.2 x 54.9 cm
Salon 94 |
|
Andra Ursuta Uphill Farmer 2015 Ex. unique Canvas and linen on plywood panel with Optium in artist wooden frame 191.8 138.5 3.5 cm unframed 207 x 154.5 x 13 cm framed USD 50,000
Massimo De Carlo |
|
Rashid Johnson Untitled Anxious Men 2016 white ceramic tile, black soap, wax 184.8 x 119.4 x 7.6 cm $110,000
Though Johnson employs images and materials drawn from particular sociological and autobiographical contexts, he is equally interested in their ability to function as part of an abstract visual language. The visceral experience of an artwork, on purely formal terms, is therefore considered inseparable from the social matrix that gives rise to it. This is a two-way phenomenon, however: in the realm of art, the social must also be considered as something with formal reverberations, and Johnson’s practice is predicated upon moving freely between these two modes. The visceral force in Johnson’s recent series of Untitled Anxious Men reflects the emotional charge generated by this movement. Beginning with the grid of a white tile support, he lays down a layer of his characteristic mixture of black soap and wax, creating a roughly rectangular shape with a kind of stem. Once he uses tools to dig into the wax, inscribing frenetic renditions of eyes, a nose, and mouth, the rectangle is transformed into a head, and the portrait of an anxious man begins to take shape.
Like the fleeting emotional portraits of ourselves and others that we endlessly sketch in our minds, Johnson’s figures reflect the vagaries of the present moment. In this sense they are performative abstractions, made in response to the relatively quick drying time of the wax, and sculptural meditations on the contrast between its flowing, molten plasticity and the rigidity of the tile grid. But these works are also figurative representations of a pervasive psychological state that seems to define our historical period. Born of paradox, they are portraits of the free-floating anxiety that unites us, even as it forces each of us into our own subjective experience of a fragmented world. |
|
Gabriel Kuri Untitled (Caviar House 54) 2016 Detail
Kurimanzutto |
|
Gabrielle & Silvana Mangano Mechanical Cloud 2009 21 minutes 03 seconds, 4:3, black and white, silent, Edition of 5 plus AP1 and AP2 Video | https://vimeo.com/144828216 Password GMSM09MC $9,000
Mechanical Cloud is a mesmerising film of a ceiling light. The movement of the light creates kaleidoscopic abstractions and patterns. Nascent and engorged geometries, prisms, the shimmer of a star are all suggested by this mechanical ballet of light |
|
Robert Therrien No title (Joyce) 1999 Mixed media 28.6 x 26 x 5.1 cm USD 25,000.00
Sprüth Magers |
|
Thomas Ruff neg◊stil_06 2015 C-Print 29.4 x 22.4 cm image 70.5 x 60.5 cm framed Edition 1/8 EUR 12,000.00
Sprüth Magers |
|
William Eggleston Untitled c. 1983-1986 Pigment print 114.3 x 166.1 x 5.7 cm Edition 1 of 2, 2 AP Signed in ink and Eggleston Artistic Trust copyright 
 reproduction limitation on label affixed verso on mount USD 185,000
David Zwirner
|
|
David Noonan Untitled 2015 silk screen on dyed linen collage, steel tray frame 154 x 114 cm GBP 32,000
Modern Art |
|
Nate Lowman TBT - Broken Bridge 2016 Ex. unique Alkyd in canvas 139.7 177.8 3.8 cm USD 180,000
Massimo De Carlo |
|
Damiano Bertoli Mystere Machine Molle 2010 VIDEO | https://vimeo.com/137825435 PRICE | $7,000 (incl. GST)
Bertoli is a conceptual artist, whose practice lingers over the legacy of radical 60’s art practices and modernism, taking prominent historical works, movements, and figures and subjecting them to reworking. His practice is the result of a type of time travel; the way art history asserts itself in the artist’s studio, and what can result from collaborating with certain moments from the past. Utilising a wide range of media such as drawing, video, performance and sculpture and installation Bertoli communicates his historical influences in speculative, remixed and intuitive ways. |
|
Wolfgang Tillmans Silver Medi Zini 2013 Inkjet print on paper mounted on 
 Dibond aluminum in artist's frame 145 x 212.5 x 6 cm Edition 1 of 1, 1 AP Signed verso USD 80,000
David Zwirner |
|
Robert Therrien No Title (baby) 2003 Graphite on paper on wood 44,5 x 34,3 x 10,2 cm USD 25,000.00
Sprüth Magers |
|
Uri Aran Untitled 2015 Graphite, resin, polyurethane, HDO, transparent poly lactic acid on wood 36.8 x 29.8 x 12.1 cm USD 14,000
Gavin Brown's Enterprise |
|
William Eggleston Untitled c. 1983-1986 Pigment print 52.7 x 73 x 4.4 cm Edition 1 of 5, 2 AP Signed in ink and Eggleston Artistic Trust copyright 
 reproduction limitation on label affixed verso on mount USD 45,000 |
|
Pedro Cabrita Reis Les verts #1 2011 aluminum, double laminated glass, acrylic on raw canvas 171.5 x 121.5 x 13.5 cm EUR €50,000
Peter Freeman, Inc. |
|
Isa Genzken Untitled 2015 Mirror foil on aluminum panels 4 panels 147.3 x 214.6 x 2.2 cm Certificate of Authenticity $250,000 |
|
Wolfgang Tillmans Easter, b 2012 inkjet print mounted on aluminum in artist’s frame 73.1 x 61.7 x 3.3 cm Edition 1 of 3 plus 1AP USD 24,000.- + VAT |
|
Caroline Rothwell Barometer 2016 Detail |
|
Uri Aran She woke early and left straight for the bodega. She picked up scissors and glue. She had to let him know how she feels, and an hour before was beautiful. 2016 Detail
|
|
Cindy Sherman Untitled #578 2016 Dye sublimation metal print 128.3 x 121.9 cm Edition of 6 USD 350,000.00
Sprüth Magers |
|
Robert Therrien No Title (box edition, blue) 2011 Mixed media 41.6 x 33.3 x 11.4 cm Edition 10/15 USD 45,000.00
Sprüth Magers |
|
Robert Therrien No title (single foot in smoke signal) 1998 Pencil and bleach on paper 42.2 x 35.9 cm USD 15,000.00
Sprüth Magers |
|
Gabriel De La Mora Impossible II 2015 Hand carved obsidian 14 x 110 x 4 cm USD 6,000
Proyectos Monclova |
|
Laurence Aberhart War Memorial , Westbrook, Queensland, 25 March 2013 2013 platinum print 51 x 61 cm (image),56 x 76 cm (paper) 5/5 $14,300.00 |
|
Mickalene Thomas Shug 2016 silkscreen, ink, and acrylic on acrylic mirror mounted on wood panel 182.9 x 152.4 cm signed, dated, and Ntled on verso USD 125,000
Lehmann Maupin |
|
11-11:15pm
Jamie North Sarah Cottier Gallery 23 Roylston Street, Paddington NSW 2021
Artists of interest: Todd McMillan, Sarah Mosca, Gemma Smith |
|
Angel Otero Untitled 2016 oil paint and fabric collaged on canvas 243.8 x 304.8 x 5.1 cm signed on verso USD 115,000
Lehmann Maupin |
|
John Olsen 1928 Wet Lands 2005 oil on canvas signed and dated ' John Olsen / 05' lower left; signed and dated 'John Olsen 05' lower right 184 x 244.3 cm
Estimate $200,000 - $300,000
Provenance Private Collection, Sydney, acquired directly from the artist
Exhibited Pulse: Paintings by John Olsen 1961-2005, TarraWarra Museum of Art, Healesville, 29 May - 23 October 2005, illustrated |
|
Uri Aran Untitled 2015 mixed media on paper 44.8 x 57.8 x 3.8 cm / 45.4 x 58.1 x 3.8 cm US$ 14,000 excl. vat |
|
Anna Uddenberg Lady Unique 2015 mixed media |
|
Nick Mauss Waiting 2016 15 panels with reverse glass painting, mirrored 221.6 x 267.7 cm USD 90,000 |
|
Celia Hempton Greece 21st March 2016, 2016 oil on linen 30 x 35 cm £6,200.00 |
|
Martin Basher Untitled 2016 Oil on canvas with artist’s frame 101.6 x 76.2 cm $7,500.00 USD
Basher will present new paintings featuring the trademark brand of optically complex gradated stripes he has become known for in recent years. Working with the languages of retail and advertising, Basher explores the emotional charge of common objects and images. |
|
Robert Therrien No title (running feet) 2011 Graphite and coloured pencil on paper 33,7 x 33,7 cm USD 15,000.00
Sprüth Magers |
|
Ashley Bickerton Wall-Wall Triptych No. 1 (Double Silver/Psychedelic) 2016 oil paint on resin and fiberglass on plywood with aluminum 180 x 120 x 15 cm USD 125,000
Lehmann Maupin |
|
Adriana Vaerjao Kindred Spirits III, 2015 oil on canvas 3 parts, each 52 x 45.5 x 3.5 cm signed, dated, and Ntled on verso USD 300,000
Lehmann Maupin |
|
Gabriel De La Mora 1,287 2013 1,287 eggshell fragments on cardboard 9 x 6.5 x 6.5 cm USD 6,000
Proyectos Monclova |
|
Tony Cragg Bust 2014 Stainless Steel 175 x 78 x 65 cm EUR 550,000 |
|
TONY OURSLER E*Nel 2016 aluminum, acrylic paint, LCD screen, and sound 139.1 x 94 x 8.9 cm USD 100,000
Lehmann Maupin |
|
Caroline Rothwell Flux 2016 Detail |
|
Simon Fujiwara Masks (Merkel D8.1) 2016 Make-up on canvas 104 x 60 x 4 cm EUR €12,000
Andrea Rosen Gallery |
|
Jim Lambie Metal Box (Buttercup Orchid) 2015 Aluminium and polished steel sheets, gloss paint 125 x 375 x 30 cm MI ARTIST NAME Title of Work Year Materials Size of Work Price of Work
|
|
Isa Genzken Untitled 2014 Plastic, mirror foil, adhesive tape, paper, and spray paint 169 x 131 x 15 cm Certificate of Authenticity $200,000 |
|
EDDIE PEAKE Make Me Hard (tbc) 2015 Lacquered spray paint on polished stainless steel 100 x 70 cm GBP 20,000 + VAT |
|
Adriana Vaerjao Kindred Spirits III, 2015 oil on canvas Detail
Lehmann Maupin |
|
Jessica Sanders Mold Form AW3 2015 Fired porcelain 27.9 x 12.7 x 2.5 cm $3,000.00 USD
Sanders will present a continued body of ceramic works that share a formal vocabulary of organic shape derived from the terms of the process that creates it - in this case slip casting. Sanders began as a ceramicist, and that background is very evident here, where her interest in clay returns in the form of cast porcelain objects that are segments of a single mold, displayed in sets of four. |
|
Sarah Crowner Untitled 2016 Detail
Casey Kaplan Gallery |
|
Martin Basher Untitled 2016 Oil on canvas with artist’s frame 101.6 x 76.2 cm $7,500.00 USD |
|
|
Teresita Fernandez Fire (America) 3 2016 glazed ceramic 182.9 x 365.8 x 3.2 cm USD 450,000
Lehmann Maupin |
|
Elizabeth Peyton Elizabeth (self portrait II) 2016 Monotype on handmade paper 33.8 x 43.5 cm image 38.4 x 48.3 x 3.8 cm framed USD 55,000
Gladstone Gallery |
|
Sarah Crowner Tile Painting (Terracotta Pentagon Leaves, White) 2016 Glazed terracotta tiles, grout, steel frame 152.4 x 121.9 x 8.2 cm 34,000 USD
Simon Lee Gallery |
|
Nicolas Party Table and Few Bronze Snails 2016 cast bronze, glass 92 x 130 x 0,5 cm Ed. of 5 + 1AP EUR 12,000 + VAT
Kaufmann Repetto Gallery |
|
Jean-Michel Basquiat J. D. Card 1984 Acrylic on canvas 223.5 x 177.8 x 5.1 cm $6,500,000
PROVENANCE Galerie Bruno Bishofberger, Zurich and Mary Boone Gallery, New York Private collection, Paris |
|
Steve Carr Transpiration 2014 HD Video Duration 15 mins, continuous loop VIDEO | https://vimeo.com/125862564 PRICE | NZ$40,700 (incl. GST)
This work references the well known flower series by Andy Warhol, who in turn when making these works was referencing the closing cinematic sequence to Jean Cocteau’s 1960 film Testament of Orpheus. In keeping with Carr’s on going interest in the notion of time, this wrap-around video wall stretches out the optical experience making viewers aware of the materiality of film, while also making vivid painterly connections. |
|
Teresita Fernandez Fire (America) 3 2016 Detail
Lehmann Maupin |
|
|
Martin Basher Untitled 2016 Oil on canvas with artist’s frame 101.6 x 76.2 cm $7,500.00 USD |
|
Jessica Sanders Mold Form AW2 2015 Fired porcelain 34.9 x 8.9 x 2.5 cm $3,000.00 USD
They are all parts of an earlier mold of a previous work from years ago, which Sanders cast in porcelain, then altered. Much like antique sculptural fragments, these works of Sanders' feel complete despite their self-evidently fractured nature. Displaying these works in sets of four underscores the way that they are both complete in themselves, but also relate to a larger unity - that of the original mold. |
|
Teresita Fernandez Small American Fires 3 2016 colored ink and pencil on wood 12 panels, each 15.2 x 20.3 x 5.1 cm Overall 55.9 x 96.5 x 5.1 cm signed, dated, and numbered on verso of all panels USD 225,000
Lehmann Maupin
|
|
William Kentridge Sister Cone 2016 Bronze 37 x 47 x 33 cm USD 110,000
Marian Goodman Gallery |
|
David Altmejd The Turtle 2016 Aqua-Resin, pigment, polystyrene, polyurethane foam, fiber glass, steel, stainless steel, plaster, wood, latex paint 247.7 x 160.7 x 20.3 cm $90,000 |
|
Caroline Rothwell Orbit 2016 Details |
|
Teresita Fernandez Small American Fires 3 2016 Detail
Lehmann Maupin |
|
William Kentridge Sister Fan 2016 Bronze 33 x 51 x 31 cm US 110,000
Marian Goodman Gallery |
|
Jessica Sanders Mold Form AW1 2015 Fired porcelain 27.9 x 15.2 x 2.5 cm $3,000.00 USD |
|
Marisa Merz Senza Titolo 2010 Detail
Gladstone Gallery
|
|
Martin Basher Untitled 2016 Oil and acrylic on tape and cardboard mounted on fiberboard 101.6 x 76.2 cm $4,000.00 USD |
|
William Kentridge Sister Fan 2016 Bronze 33 x 51 x 31 cm US 110,000
Marian Goodman Gallery |
|
Jennifer Steinkamp It’s a nice day for a white wedding (white + yellow) 2008 video installation dimensions variable Edition of 1 PRICE | US$65,000
Five colour strips formed out of seasonally arranged wedding flowers are combined to form a cascade of flowers flowing down the wall. Steinkamp infuses these animations with a psychological complexity seemingly born of relentless trauma as wide bands of flowers cascade from the ceiling to the floor, falling in a continuous stream of moving colour. Snapdragons, asters, lilies, columbines, mums, jasmine, thistles - these flowers have no roots - only stems, leaves and ravishing blossoms that drift silently through optical space |
|
Do Hu Suh Rubbing/Loving Project: Unit 2, 348 West 22nd Street, New York, NY 10011, USA 2014 colored pencil on vellum pinned on board 162.3 x 305 x 20 cm, framed USD 225,000
Lehmann Maupin |
|
Tracey Emin Feeling Sexy and Beautiful 2015 embroidered calico 139.5 x 197 cm (fabric) 183 x 214 x 8.5 cm (framed) titled lower left signed and dated lower right £170,000 GBP |
|
Glenn Brown Drawing 1 (after Greuze) 2014 ink on polypropylene 29.8 x 24.9 cm 51.5 x 46.5 cm framed USD 70,000 + VAT
Galerie Max Hetzler |
|
Alicja Kwade Untitled 2016 Copper, stone 193 x 94 x 150 cm Unique €65,000 |
|
Ethan Greenbaum ’49-’78 2015 Direct to substrate print on vacuum formed PETG and spray enamel 71.1 x 63.5 cm $4,600.00 USD
The final work is embossed with a low relief impression of ceiling tiles - topographical surfaces similarly used to mask the internal wiring and pipe work in many buildings. In addition to the vacuum forms, Greenbaum will exhibit new examples from his recent series of low-relief 3D powder prints. The prints begin with dimensional scans of building materials like insulating foam, wood and ceiling tiles, often the same items used as molds in his vacuum forms. The scans are then wrapped or engraved with architectural imagery or logos recreated from building supply brands. This process results in works where language is literally embedded in form, modeling how branding penetrates material. |
|
Roni Horn Untitled ("...he is remembered for a remark he didn't make.") 2016 Solid cast glass with as-cast surfaces with oculus Unique (Series 19) Height: 72.4 cm Diameter: 106.5 cm USD 1,350,000.00 These just go up every year...they started at US$800,000. |
|
Jennifer Steinkamp Daisy Bell (spring all) 2008 video installation dimensions variable Edition of 1 Certificate of Authenticity included $70,000 USD
The format of white wedding has been multiplied to create a more expansive work that showcases Steinkamp’s wry humour in a cascade of brightly coloured flowers. Her choice of flowers, however, plays against this bright aesthetic as they are both seductive and deadly. The themes reflected in Daisy Bell (spring all) follow Steinkamp’s artistic trajectory that renders and questions the meeting points of animation and the digital, nature and pop-culture. |
|
Peggy Preheim Ark 2015 mixed media 52.4 x 42.2 cm (framed) 8,200 + framing |
|
Do Hu Suh Rubbing/Loving Project: Unit 2, 348 West 22nd Street, New York, NY 10011, USA 2014 Detail
Lehmann Maupin |
|
Ethan Greenbaum Foam Render (Foamular) 2015 3D powder print, UV varnish 43.2 x 43.2 cm $2,500.00 USD |
|
Theaster Gates Water Proof anti-racist action painting 2016 Wood, tar paper, various foils and tar 246 x 246 x 14.5 cm USD 375,000
White Cube |
|
Wang Jianwei Untitled 2015 Acrylic and oil on canvas 101x150cm $68,250
|
|
Jeppe Hein Installation view
König Galerie |
|
Nate Lowman TBT - stitched dropcloth ceiling painting 2015 Oil, alkyd and dental floss on canvas 117.5 x 77.5 cm USD 120,000 |
|
William Kentridge Sister Box 2016 Bronze 23 x 45 x 40 cm USD 110,000
Marian Goodman Gallery |
|
Adam Fuss FROM THE SERIES 'MY GHOST' 2014 Daguerreotype 89.5 x 72.4 x 3.8 cm $40,000 |
|
Ricky Swallow Z Sculpture with Band #3 2016 patinated bronze unique 9 x 25.4 x 12.7 cm US$44,000.00 |
|
Pat Foster & Jen Berean Untitled (Never Alone Again) 2016 Resin, Plexiglas, enamel and aluminum 106.7 x 76.2 cm $4,500.00 USD
Foster & Berean work predominately in sculpture and installation, employing a diverse array of media and processes. These works are from their ongoing series Never Alone Again. Informed by various methods for obscuring windows, primarily plastic drop sheets and adhesive privacy vinyl, these new works are comprised of cast resin on plexiglas. Windows veiled in plastic during periods of construction, or renovation, are a recurring motif of this series, which looks to articulate the precariousness of the act of translating ideas into physical form. |
|
Günther Förg Untitled 1992 acrylic on wood 201 x 171 cm EUR €210,000 + VAT
Galerie Max Hetzler
|
|
Tony Cragg Mixed Feelings 2012 Bronze 550 x 236 x 224 cm €950,000 |
|
Liz Larner ii (mantle) 2014 - 2015 Ceramic, epoxy, pigment, oil paint 46.4 x 97.2 x 17.1 cm MI |
|
|
Jessica Sanders Mold Form AW9 2015 Fired porcelain 34.9 x 15.2 x 2.5 cm $3,000.00 USD |
|
Ethan Greenbaum Report 2015 Direct to substrate print, acrylic on vacuum formed PETG 41.3 x 26.1 cm $3,500.00 USD |
|
Edmund De Waal diary of a long year 2016 49 porcelain vessels, some with gilding, with 27 alabaster blocks and 1 piece of silver in a wood, aluminium and plexiglass vitrine 102 x 158 x 10 cm USD 300,000 + VAT
Galerie Max Hetzler |
|
Duane Hanson Surfer 1987 Polyvinyl, polychromed in oil, mixed media, with accessories 66 1/4 x 37 1/2 x 16 inches / 168.3 x 95.3 x 40.6 cm $475,000
PROVENANCE Collection of the artist |
|
Theaster Gates Water Proof anti-racist action painting 2016 Detail
White Cube |
|
Jeff Elrod Desert Inset 1997 laser print 27,8 x 43,2 cm 33,8 x 49,2 cm, framed $ 15.000, plus frame $ 200 (VAT not included) |
|
John Armleder OLG 2016 Tecnica mista su tela / Mixed media on canvas 150 x 130 cm EUR 90,000
|
|
William Kentridge Sister Box 2016 Bronze 23 x 45 x 40 cm USD 110,000
Marian Goodman Gallery |
|
Ugo Rondinone the waterfall 2011 Cast bronze, patinated AP 1/2 + Ed. of 3 Approx. 16.5 x 25 x 12 cm
Galerie Eva Presenhuber |
|
Isa Genzken Hallelujah (New Museum) 2012 Wooden crates, acrylic on canvas, plastic, glass, dried branches, artificial flowers, and casters 352 x 142 x 102 cm Certificate of Authenticity $450,000 (On Reserve)
With a career spanning four decades, Isa Genzken's works draw upon everyday material culture, including design, consumer goods, the media, architecture, and urban environments. Widely recognized for her significant, pioneering contribution to sculpture, Genzken's prodigious oeuvre also includes paintings, collages, drawings, films, and photographs, and frequently incorporates seemingly disparate materials and imagery to create characteristically complex, enigmatic works. |
|
Kerstin Brätsch
Blocked Radiant (for Ioana) Occhiolino (K 242), 2016
Baked and sandblasted Artista Glass with metal stand; neon tubing
(warm, cold, pure white)
Glass + metal stand: ca. 24 x 21 x 21 cm
Kerstin Brätsch Blocked Radiant (for Ioana) Occhiolino (K 242) 2016 Baked and sandblasted Artista Glass with metal stand; neon tubing (warm, cold, pure white) Glass + metal stand: ca. 24 x 21 x 21 cm
|
|
Geoffrey Farmer Tramp Tree, Eating Tree, Honey Dipping Crow Crate. 2016 Magic Sculpt, metal wire, paper cuts, acrylic painted foam core 40.6 x 22.9 x 16.5cm $16,000.00 |
|
Guan Xiao Din Din Jaarhh 2016 Brass, stainless steel wheel, colored flax rope
|
|
Peter Doig G.P. 1999 Oil on canvas 40 x 29.8 cm $ 650,000.00 (ex tax) |
|
Karen Kilimnik hiding out in the cold winter polish countryside, the old country 2013 Water soluble oil color on canvas 255 cm diameter USD 80,000
Sprüth Magers |
|
Ryan Gander Kodak Courage 2012 Oak display vitrine, Smart glass GAND120012 170 x 60 x 60 cm GBP 40,000 |
|
Edmund De Waal silentia 2016 4 porcelain vessels with 4 sheets of Cor-Ten steel and 13 sheets of lead in a wood and lead-lined cabine 48 x 105 x 23 cm USD 110,000 + VAT
Galerie Max Hetzler
|
|
Ethan Greenbaum Bar 2015 Direct to substrate print and acrylic on vacuum formed PETG 55.9 x 73.7 cm $4,600.00 USD
In his vacuum formed works, Greenbaum focuses on the ground plane in urban environments and visualizes this surface as a skin dividing the world above from a network of infrastructure beneath. His imagery often isolates moments where this partitioning is revealed through abstract symbols like the marks delineating telephone wiring or the graphic mark-making that splits pedestrian and traffic lanes. In these latest works, the artist has printed photographs onto both sides of transparent panels, resulting in a dense layering of figure and ground that echoes his preoccupation with what lies above and below. |
|
Jonas Wood Wimbledon #7 2013 ink, gouache, colored pencil on paper unframed: 153.7 x 102.9 cm framed: 166.4 x 115.6 x 5.1 cm USD 140,000
David Kordansky Gallery |
|
Theaster Gates Water Proof anti-racist action painting 2016 Detail
White Cube |
|
Rachel Kneebone To think of one's life is to destroy it, to make it sterile 2016 Detail
White Cube |
|
Laurence Aberhart War Memorial, Kendall, New South Wales, 11 March 2013 2013 platinum print 51 x 61 cm (image),56 x 76 cm (paper) 5/5 $14,300.00 |
|
Sculpture is accompanied by:
Akio Makigawa Titans I 1998 watercolour, ink, pastel on paper signed, dated and inscribed 'Titans I AKIO Makigawa 98' lower right 29 x 41 cm |
|
Jennifer Steinkamp Formation B 2006 video installation dimensions variable Edition of 1 $80,000 USD
Formation B is a hypnotic video installation that is made up of falling pieces of animated cloth. Their bright colours and patterns both adds to the awareness of the works artificiality while creating a dynamism and rhythm of movement. There is no sense of digital alienation in her works that embrace beauty and a lightness created through both the movement of the fabric and the immersive installation format that sees the shapes fall from ceiling to floor. |
|
Hans Op de Beeck Lucas 2016 Polyester height 143 cm Ed. 2/3+2 AP EUR 65,000
Galerie Krinzinger |
|
Lynette Yiadom-Boakye Conspiracies 2010 oil on canvas 140 x 190 cm This is a secondary market piece. $225,000 RESERVED |
|
Eddie Peake Want To Suck This Pussy 2015 Installation
White Cube |
|
Tracey Emin In You 2009 embroidery on cotton 34.5 x 40.5 cm (fabric) 55.6 x 62.2 x 6.4 cm (framed) signed, dated, and titled £45,000 GBP |
|
Pat Foster & Jen Berean Untitled (Never Alone Again) 2016 Resin, Plexiglas, enamel and aluminum 106.7 x 76.2 cm $4,500.00 USD
In this iteration, the artists have cast plastic sheets in resin rendering a flimsy, disposable material, solid and locked. In doing so, the distinguishable materiality of the plastic sheet is lost and its form shifts to the ambiguous. The plastic, once a device to conceal, is now intriguing. It becomes an object to be looked at rather than through. This surface/depth dichotomy is further confused by the potentially unsettling realization that one is viewing both sides of a seemingly opaque material at once. Inevitably, there is no decision |
|
Gert & Uwe Tobias untitled 2016 woodcut on canvas ed. 2/2 200 x 168 cm EUR 46,000
Contemporary Fine Arts |
|
Florian Meisenberg |
|
Isa Genzken Untitled 2012 2 parts, child mannequin and chair on wooden pedestals, mixed media child: 286 x 53 x 60 cm chair: 230 x 60 x 46 cm installation dimensions variable €250,000 |
|
Theaster Gates Face over time 2016 Detail
White Cube |
|
Sarah Lucas Eros 2013 cast concrete, crushed car 275 x 135 x 106 cm edition 1 of 3 + a/p
SC
|
|
Christopher Hanrahan A Stage (for BF) 2012 Embroidered fabric 154 x 330 cm $7,000.00 USD |
|
Rachel Kneebone To think of one's life is to destroy it, to make it sterile 2016 Detail
White Cube |
|
Thilo Heinzmann O. T. 2014 Oil, pigment on canvas behind plexiglass cover 127 x 106 x 8.5 cm £ 18,000.00 GBP ex VAT |
|
Isa Genzken Monterosso 1990 Concrete and steel 228 x 68 x 47 cm $650,000 |
|
Ethan Greenbaum Slat Blade 2015 3D powder print, UV varnish 20.3 x 15.2 x 3.8 $2,000.00 USD |
|
Sascha Braunig Herm 2 2016 Oil on linen over panel 96.52 × 33.66 cm. USD25,000 |
|
Kerstin Brätsch
Blocked Radiant (for Ioana) Occhiolino (K 243), 2016
Baked and sandblasted Artista Glass with metal stand; neon tubing
(warm, cold, pure white)
Glass + metal stand: ca. 24.5 x 20.5 x 21 cm
Kerstin Brätsch Blocked Radiant (for Ioana) Occhiolino (K 243) 2016 Baked and sandblasted Artista Glass with metal stand; neon tubing (warm, cold, pure white) Glass + metal stand: ca. 24.5 x 20.5 x 21 cm
|
|
N. Dash Untitled 2016 Silkscreen ink, adobe, jute, wood support 149.9 x 129.5 x 3.6cm HOLD |
|
Jeffrey Smart Study I for Bus Terminus 1972-1973 synthetic polymer paint and oil on canvasboard signed 'JEFFREY SMART' lower right 58 x 50 cm
Estimate: $80,000 - $100, 000
Provenance Rudy Komon Art Gallery, Sydney Dr Peter M. Elliott AM, Sydney, acquired from the above The Peter Elliott Collection, Mossgreen Auctions, Sydney, 30 August 2015, lot 14, illustrated Savill Galleries, Sydney, acquired from the above
Exhibited Jeffrey Smart, Rudy Komon Gallery, Sydney, 30 November - 31 December 1973, no. 18 Up Close and Personal: Works from the Collection of Dr Peter Elliott AM, S.H. Ervin Gallery, Sydney, 12 August - 18 September 2011 Breaking History: Denis Savill, Savill Galleries, Sydney, 21 October - 13 November 2015, no. 3, illustrated |
|
Dan Colen To be titled 2012 Oil and pigment on canvas 100.3 x 81.3 x 3.8 cm POA
PROVENANCE Collection of the artist |
|
Theaster Gates Tar work for Pfänderslope 2016 Detail
White Cube |
|
Cory Arcangel Lohan / Lakes 2015 1920x1080 H.264/MPEG-4 Part 10 looped digital file (from 11 lossless TIF masters), media player, 70” flatscreen, armature, various cables 200.6 x 92.7 x 28 cm USD 60,000 |
|
Isa Genzken Hanne 2000 Wood and metal 290 x 24.6 x 24.6 cm $450,000 |
|
Kerry James Marshall Untitled (Looking Man) 2016 acrylic on PVC panel 30 1/2 x 24 1/2 inches $350,000 SOLD |
|
Kerstin Brätsch Blocked Radiant (for Ioana) Occhiolino (K 240) 2016 Baked and sandblusted Artsits Glass with metal stand; neon tubing (warm, cold, pure white) Glass + metal stand: ca. 24 x 20.5 x 21 cm |
|
Louise Bourgeois Love 2000 Fabric and stainless steel 206.4 x 30.5 x 25.4 cm USD 2,400,000.00 |
|
Ethan Greenbaum Hook 2015 Direct to substrate print, acrylic on vacuum formed PETG 92.1 x 69.8 cm $5,500.00 USD |
|
Lin Onus Butterflies 1994 synthetic polymer paint on card signed 'Lin Onus' lower right 49.5 x 37.5 cm
Estimate $15,000 - $25,000
Provenance Gallery Gabrielle Pizzi, Melbourne Private Collection, acquired from the above in 1995 Contemporary Art, Christie's Australia, Sydney, 26 August 2001, lot 31, illustrated Private Collection, Sydney Australian + International Art, Deutscher-Menzies, Sydney, 6 December 2006, lot 14, illustrated Savill Galleries, Sydney (stock 206244) (label verso), acquired from the above |
|
Judy Chicago EU-22 Earth Birth 1983 Sprayed Versatex and DMC floss on fabric 154.3 x 335.9 cm $325,000
A monumental painting from her Birth Project series from the early 1980s. |
|
Helen Frankenthaler Winter Figure with Black Overhead 1959 Oil on sized primed canvas 213.4 x 134.6 cm $3,000,000
PROVENANCE Collection of the artist |
|
Michael Heizer Yet to be titled 2015-2016 Polyvinyl latex on canvas 35 1/4 x 27 1/8 x 2 1/8 inches89.5 x 68.9 x 5.4 cm (unframed) $250,000 USD
PROVENANCE Artist Studio |
|
Jennifer Steinkamp Invisible Man 2007 video installation dimensions variable Edition of 1 $80,000 USD
Inspired by H.G Well’s film of the same name, Steinkamp creatively interprets the connection between cloth and surface in rendering the invisible, visible. The layers of animated falling cloth have texture and surface of their own while simultaneously revealing a previously unnoticed surface behind them. Steinkamp employs computer animation and new media to create projection installations in order to explore ideas about architectural space, motion, and phenomenological perception. |
|
Theaster Gates Tar work for Pfänderslope 2016 Detail
White Cube |
|
Lisa Yuskavage Stoned 2016 Oil and graphite on linen 42.2 x 40 x 3.2 cm $180,000) (On Reserve)
Widely associated with a re-emergence of the figurative in contemporary painting, Lisa Yuskavage has, over the course of several decades, developed her own genre of portraiture in which lavish, erotic, vulgar, angelic women (and more recently men) are cast within fantastical landscapes or dramatically lit interiors. Seamlessly blending pop cultural imagery, feminist discourse, color theory, and psychology, Yuskavage draws on classical and modern painterly techniques and, in particular, martials color as a conduit for complex psychological constructs. |
|
Rodney Graham Artist in Artists' Bar, 1950's 2016 Painted aluminum lightbox with transmounted chromogenic transparency 241.3 x 181.9 x 17.8 cm Edition of 4 $275,000 |
|
Joan Mitchell UNTITLED 1951 Oil on canvas 203.2 x 177.8 cm $3,500,000 |
|
Hans Op de Beeck Clouds (small study) 2014 black and white watercolor on Arches paper, wooden frame 65 x 80 cm EUR 15,500.00 |
|
R.H. Quaytman The Origin of the Sauromatai Tribe 2016 silkscreen ink, gesso on wood 152.5 x 94 x 4 cm *price upon request |
|
Andrea Büttner Beggar 2016 woodcut unframed: 126.5 x 90 cm framed: 131.4 x 94.9 x 3.8 cm unique USD 11,000 unframed
David Kordansky Gallery |
|
Lynette Yiadom-Boakye Goldfinch 2010 Oil on canvas 11 3/4 x 9 7/8 inches (canvas) 13 3/8 x 11 7/16 inches (framed) $42,000 RESERVED
|
|
Pae White Untitled (Smoke) 2016 Cotton, polyester and Trevira 190 × 245 cm / 74.8 x 96.5 in USD $55.000 + VAT These are woven tapestries and look totally gorgeous in situ. |
|
Ethan Greenbaum Lacquer Scraps 2015 Direct to substrate print on vacuum formed PETG 67.9 x 69.2 cm $4,600.00 USD FRAMED |
|
Thilo Heinzmann O. T. 2010 Oil, pigment on canvas behind plexiglass cover 212 x 187 x 9 cm £ 31,000.00 GBP ex VAT |
|
Sergej Jensen Untitled 2011 Sewn fabrics 250 x 221 cm USD 175,000
Modern Collections Ltd |
|
Charles Blackman The Ceremony 1959 oil on composition board 152.8 x 137.3 cm
Estimate $250,000 - $300,000
Provenance The Hon. John Siddeley, London Private Collection, London, by descent from the above Important Australian Art, Bonhams, Sydney, 24 November 2014, lot 35, 'Two Figures with Flowers', illustrated Savill Galleries, Sydney (stock 610316), (label verso), acquired from the above
Exhibited Antipodeans, Victorian Artists' Society, Melbourne, 4-15 August 1959, uncatalogued, 200 gns The Helena Rubinstein Travelling Art Scholarship, Art Gallery of New South Wales, Sydney, September 1959, no. 5 Four Arts in Australia, South-East Asia, 1962, no. 1, 'Passing in the Street' First International Art Exhibition, Saigon, 1962, no. 131, 'Passing in the Street', illustrated Breaking History: Denis Savill, Savill Galleries, Sydney, 21 October - 13 November 2015, no. 14, illustrated
|
|
Lisa Yuskavage Lovers 2016 Oil on linen 203.2 x 203.2 x 3.8 cm Signed and dated verso $900,000 (On Reserve) |
|
Kerstin Brätsch Blocked Radiant (for Ioana) Occhiolino (K 243) 2016 Baked and sandblasted Artista Glass with metal stand; neon tubing (warm, cold, pure white) Glass + metal stand: ca. 24.5 x 20.5 x 21 cm |
|
Josephine Meckseper Dirty Hands 2016 Detail
Andrea Rosen Gallery |
|
Betty Woodman Kabuki Diptych 2016 Glazed earthenware, epoxy resin, lacquer, acrylic paint 88.9 x 170.2 x 20.3 cm $60,000
In addition to having a new ceramic diptych |
|
Michael Heizer Yet to be titled 2015-2016 Polyvinyl latex on canvas 36 3/4 x 26 3/4 x 2 1/8 inches93.3 x 67.9 x 5.4 cm (unframed) $250,000
PROVENANCE Artist Studio |
|
ALICJA KWADE Untitled 2016 Copper, stone 76 x 37 x 59 inches (193 x 94 x 150 cm) €65,000 |
|
Ugo Rondinone the water 2011 Cast bronze, patinated AP 1/2 + Ed. of 3 Approx. 13.5 x 20 x 7 cm
Galerie Eva Presenhuber |
|
Jeff Wall Daybreak 2011 Colour photograph 243 x 319 cm 248.2 x 324.1 x 5 cm (framed) Edition of 3 |
|
Dan Colen TBT (Miracle Painting) 2012 Oil and pigments on canvas 76 x 61 cm USD 200,000 |
|
Glenn Sloggett Amputee Op-Shop Bride Series: A White Trash (Lost) Love Story Type C Print 80 x 80cm Edition 1 of 5 $1750 |
|
Kerstin Brätsch Blocked Radiant (for Ioana) Occhiolino (K 250) 2016 Baked and sandblasted Artista Glass with metal stand; neon tubing (warm, cold, pure white) Glass + metal stand: ca. 24 x 20 x 21 cm |
|
Kerstin Brätsch Blocked Radiant (for Ioana) Occhiolino (K 245) 2016 Baked and sandblasted Artista Glass with metal stand; neon tubing (warm, cold, pure white) Glass + metal stand: ca. 24 x 20 x 21 cm |
|
Simon Starling Adam Chair 2016 Adam Chair, over-printed Fig Leaf fabric 94 x 79 x 74cm $44,000.00 |
|
Michael Heizer Yet to be titled 2015-2016 Polyvinyl latex on canvas 36 1/8 x 29 x 2 1/8 inches91.8 x 73.7 x 5.4 cm (unframed) $250,000
PROVENANCE Artist Studio |
|
Torbjørn Rødland Cake (Studio 798) 2008-2016 chromogenic print unframed: 80 x 105 cm framed: 81.6 x 106.7 x 3.8 cm Edition of 3, with 1 AP USD 13,000
David Kordansky Gallery |
|
Celia Hempton Kate 2014 Oil on panel 35 x 30 cm GBP £ 4,500 + VAT |
|
ALICJA KWADE Untitled 2015 Granite, steel i-beam 86 3/4 x 47 1/4 x 78 3/4 inches (220 x 120 x 200 cm) €85,000 |
|
Laurence Aberhart War Memorial, Brydone, Southland, 11 December 2010 2010-2013 platinum print 51 x 61 cm (image),56 x 76 cm (paper) 5/5 $14,300.00 |
|
Josephine Meckseper Dirty Hands 2016 Detail
Andrea Rosen Gallery |
|
Brett Whiteley Preliminary Idea for Very Large Plum and Ultramarine Vase or Pot 1976 oil on paper on card 141.5 x 87 cm
Estimate $60,000 - $80,000
Provenance Arkie Whiteley The Estate of the Late Christopher Kuhn, Canada Quarterly Fine Art Auction, Lawson Menzies, Sydney, 19 June 2014, lot 59, illustrated Savill Galleries, Sydney (stock 610290) (label verso), acquired from the above
Exhibited Breaking History: Denis Savill, Savill Galleries, Sydney, 21 October - 13 November 2015, no. 22 |
|
Theaster Gates Face over time 2016 Detail
White Cube |
|
Tom Friedman Looking Up 2014 Highly polished stainless steel 10.2 x 2.3 x 1.75m Edition 2 of 3 plus 1 AP Park Avenue and East 53rd Street, New York SF |
|
Ugo Rondinone the wind 2011 Cast bronze, patinated AP 1/2 + Ed. of 3 Approx. 16.5 x 29.5 x 9.5 cm
Galerie Eva Presenhuber |
|
|
Kerstin Brätsch Blocked Radiant (for Ioana) Occhiolino (K 247) 2016 Baked and sandblasted Artista Glass with metal stand; neon tubing (warm, cold, pure white) Glass + metal stand: ca. 24 x 20 x 21 cm |
|
Tracey Emin The more of you the more I love you 2016 Neon, mirror, and dibond installation 174 x 660 cm |
|
John Armleder OLG 2016 Mixed media on canvas 150 x 130 cm EUR 90,000 |
|
Lothar Hempel Plakat (Projektor) 2015 laminate, inkjet on dibond, colour pencil, ink, perspex, cellophane, framed 259 x 259 x 10 cm EUR 26,000 |
|
Arthur Boyd Bride over Shoalhaven oil on paper on board 24.2 x 27.5 cm
Estimate $14,000 - $18,000
Provenance Savill Galleries, Sydney The Denis Savill Collection of Australian Art
Exhibited |
|
Kerstin Brätsch Don't Shape_Shape Shift_Mund der Wahrheit 2012 – 2016 Glass, neon and wood
|
|
Michelangelo Pistoletto Workers' exit 1962-2007 Silkscreen on polished stainless steel 250 x 125 cm
|
|
Nate Lowman TBT - poppy 2015 Joint compound and house paint on dropcloth 99 x 99 x 3.2 cm USD 140,000 |
|
John Armleder GLO 2016 Mixed media on canvas 150 x 130 cm EUR 90,000 |
|
Frank Thiel Perito Moreno #03 (Large Edition) 2012 - 2013 c-print 210 x 180 cm Editioin 5 plus 2AP EUR 36,000.00 |
|
Richard Prince He Ain't Here Yet 1988 Acrylic and silkscreen on canvas 56 x 48 inches142.2 x 121.9 cm (unframed) POA
PROVENANCE Galerie Thomas Borgmann, Cologne Private collection Phillips de Pury & Company, New York, Sale of Contemporary Art, November 10, 2005 Private collection Sotheby’s, New York, Sale of Contemporary Art, November 14, 2007 Private collection |
|
William Kentridge Drawing for 'Lulu' 2014 Indian ink and red pencil on found pages 45.1 x 46.8 cm $90,000 |
|
Isa Genzken Untitled 2015 Bronze sculpture, headphones, and portable CD player 149 x 98 x 65 cm €180,000 |
|
Jason Martin Untitled (Alizarin violet) 2014 Mixed media on panel in black frame MART130042 40 x 29 cm Framed dims. 50.5 x 38 cm Framed dims 19.9 GBP 30,000 |
|
Kerstin Brätsch Don't Shape_Shape Shift_Mund der Wahrheit, 2012 – 2016 Detail glass |
|
Karla Black Fed 2015 sugar paper, oil paint, body paint, cotton wool, ribbon 49 x 54 x 23 cm GBP 10,000 |
|
Neil Jenny Media and Man 1969 Acrylic on canvas 59 1/2 x 73 x 4 inches151.1 x 185.4 x 10.2 cm (framed) $1,500,000
PROVENANCE Collection of the artist |
|
Jack McConville Sugar Melt 2015 Oil on canvas 120 x 110 x 4 cm MI |
|
Richard Serra Ramble 5-8 2015 Litho crayon and pastel powder on paper 28 x 21 inches71.1 x 53.3 cm (unframed) $190,000.00 + $1,596 for framing
PROVENANCE Gagosian Gallery, London |
|
Jules de Balincourt Study for Idol Hands 2012-2015 Oil on panel 50.8 x 40.6 cm $ 40,000.00 (ex tax) |
|
Cy Twombly Untitled 1954 Pencil on paper 8 9/16 x 11 1/4 inches21.8 x 28.5 cm (unframed) $400,000
PROVENANCE Private collection, Rome (acquired directly from the artist) |
|
Sarah Lucas Beautiness 1999 r - type print on MDF board 129 x 90 cm edition 5 of 6
SC |
|
Kerstin Brätsch Don't Shape_Shape Shift_Mund der Wahrheit 2012 – 2016 Detail glass |
|
Gillian Wearing Wallpaper 2015 wallpaper dimensions variable edition of 9, 2 APs Edition 1 of 9 10,000 GBP |
|
Sergej Jensen Mac to Black Year to be confirmed Acrylic on sewn money bags 180 x 130 cm US 100,000 plus VAT |
|
Kara Walker Stage as Mask 2015 Paper, mounted 59.5 x 74.5 x 10 cm $ 50,000.00 (ex tax) |
|
Kerstin Brätsch Poli‘ahu’s Curse: first bone chill & Poli‘ahu’s Curse: second cold into heat & Poli‘ahu’s Curse: third Shock freeze 2012 – 2016 Detail glass
|
|
|
Jules de Balincourt They Just Wanted To Look At The Moon 2015 Oil on panel 86.4 x 76.2 cm $ 55,000.00 (ex tax) |
|
N. Dash Untitled 2016 Adobe, graphite, pigment, acrylic, gesso, string, canvas, jute, wood support 192.4 x 152.4 x 3.6cm $36,000.00 |
|
Kerstin Brätsch Don't Shape_Shape Shift_Mund der Wahrheit 2012 – 2016 Detail glass |
|
Kerstin Brätsch I Nomi / Le Linee (the Lie, the Lines, in name of life) 2012 - 2016 Glass, neon and wood |
|
Cy Twombly Untitled 1957 Pencil on paper 13 5/8 x 18 3/4 inches34.6 x 47.6 cm (unframed) $450,000
PROVENANCE Private collection, Rome (acquired directly from the artist) |
|
William Kentridge Polychrome Heads 2014 Oil on bronze on wood Head 1: 27.6 x 16.1 x 8.7 cm Head 2: 30.9 x 19.5 x 17.8 cm Head 3: 26.5 x 14 x 20.1 cm Head 4: 29.2 x 18.3 x 12 cm Head 5: 27.8 x 18.7 x 12.7 cm Edition of 9 +3AP $310,000 |
|
Alighiero Boetti Marco Ambra Martino 1981 - 1982 Black ballpoint pen on paper 100 x 210 cm
|
|
Florian Meisenberg |
|
Tony Cragg First Person 2014 plywood, glazed white 89 (h) x 95 x 77 cm € 240,000.00 |
|
Thilo Heinzmann O. T. 2014 Oil, pigment on canvas behind plexiglass cover 153 x 133 x 9 cm £ 21,500.00 GBP ex VAT |
|
Donald Moffett (graphite) 2016 Oil on linen, wood panel support 53.3 x 43.2 x 5.1 cm $70,000
|
|
Thilo Heinzmann O. T. 2012 Oil, pigment on canvas behind plexiglass cover 133 x 153 x 9 cm £ 21,500.00 GBP ex VAT |
|
Ryan Gander Lost In The Complexity Of A Language Of My Own Making (ii) 2016 Wood, Marble 120 x 91 x 5 cm GBP 35,000.00 excl. taxes
During a visit to a stonemason’s workshop in Belgium Gander noticed the wooden board on which marble was cut to size. The surface is crisscrossed by vertical and horizontal saw marks of different depth and width, creating a grid of grooves. Bearing the traces of past actions, the wood is a record of the stonemason’s craft. In a self-referential nod to the board’s function, its frame is made from marble. |
|
Celia Hempton Kajsa 2015 oil on canvas 180 x 140 cm £15,000.00 |
|
Adam Mcewen Rubbermaid Step Stool 2010 Graphite 2AP from an Edition of 3 + 2APs 13 1/8 x 15 7/8 x 15 7/8 inches33.3 x 40.3 x 40.3 cm $110,000
PROVENANCE Private collection |
|
Thomas Zipp A.B.: Independence Law 2015 acrylic, oil, lacquer on canvas 160 x 130 cm
GK |
|
Cy Twombly Untitled 1961 Oil pastel, graphite, ballpoint pen, and acrylic on paper 19 1/2 x 27 1/4 inches49.5 x 69.2 cm (unframed) $1,100,000
PROVENANCE Galleria La Tartaruga, Roma Sylvio Perlstein, Antwerp Van de Weghe Fine Art, New York Private collection, New York Phillips de Pury & Company, London, Sale of Contemporary Art, June 22, 2007 Private collection, Europe |
|
Gillian Wearing Rock 'n' Roll 70 2015 framed c-type prints 131 x 192 cm Edition of 6, 2 APs Edition 3 of 6, with APs 35,000 GBP |
|
Kerstin Brätsch Don't Shape_Shape Shift_Mund der Wahrheit 2012 – 2016 Detail glass |
|
Daniel Steegmann Mangrané Systemic Grid 2015 Laser cutting on polished steel 280 x 202 cm MI |
|
|
Kerstin Brätsch Holo mai Pele, Is it you or perhaps you? (Mund der Wahrheit) & Holo mai Poli'ahu; Facefold (Dritte Dame) 2012 – 2016 Detail glass |
|
Jeff Koons Gazing Ball (Rembrandt Self-Portrait Wearing a Hat) 2015 Oil on canvas, glass, and aluminum 64 1/2 x 52 1/4 x 14 3/4 inches163.8 x 132.7 x 37.5 cm (unframed) $2,500,000
PROVENANCE Gagosian Gallery, New York |
|
Laurence Aberhart War Memorial, Berriwillock, Victoria, 4 May 2005 2005-2013 platinum print 51 x 61 cm (image),56 x 76 cm (paper) 5/5 $14,300.00 |
|
Lorna Simpson Selections from Earth & Sky series 2016 Collage on paper 27.9 x 21.6 cm each $14,000 each
New series of collages that pair 60s and ’70s advertisements in Ebony magazine with illustrations of geological and astrological forms from a 1931 textbook. |
|
Cy Twombly Virgil 1973 Oil, crayon, and pencil on card (4 panels) Each Panel: 27 1/2 x 39 3/8 inches69.9 x 100 cm (unframed) $6,000,000
PROVENANCE Galerie Karsten Greve, Cologne Sammlung Marx, Berlin Thomas Ammann Fine Art, Zurich Private collection (acquired from the above in 1995) |
|
John Baldessari Rigatoni 2013 Varnished inkjet print on canvas with acrylic paint 217.8 x 137.2 x 3.8 cm $375,000 |
|
Liu Wei Jungle No. 23 2014 canvas and wood 311x111.5x19.5cm Price on inquiry
|
|
John Armleder GLO 2016 Tecnica mista su tela / Mixed media on canvas 150 x 130 cm EUR 90,000
|
|
Anna Zahalka The Surfers from the series Bondi: Playground of the Pacific 1989 printed 2015 Type C print, signed, titled, dated and editioned in ink verso 74 x 90cm Edition of 20 $4,400 |
|
Celia Hempton James 2014 Oil on polyester 51 x 61 cm GBP £ 6,000 + VAT
Her work explores in a sometimes startling fashion contemporary questions around privacy and intimacy, what they mean in a world where traditional norms of modesty, privacy, and discretion have been provoked and adjusted to fit an age of redefined boundaries. |
|
Tatsuo Miyajima Life (Corps sans Organes) No.18 2013 L.E.D., IC, microcomputer by Ikegami program, Steel, Plastic cover, passive sensor, electric wire, LED type; Life D-R(6), Life D-BL(5), Life D-W(7), Life D-PG(7), Life G-R(8), Life G-BL(9), Life G-W(8), Life G-PG(8) MIYA130013 288.1 (266.7 + 21.4) x 434.3 x 79.5 cm install on the wall and floor USD 100,000 |
|
N. Dash Untitled 2016 Adobe, string, pigment, acrylic, linen, jute, wood support 160 x 101.6cm $32,000.00 |
|
Shilpa Gupta Untitled 2012 sound installation 5 speakers,1 audio set, 7742 microphones, cables 415 x 450 x 450 cm audio loop GC |
|
Camille Henrot Undelivered Message 2016 bronze, wood 300 x 110 x 50 cm Edition of 8 EUR 180,000 - 250,000
|
|
Daniel Steegmann Mangrané Systemic Grid XI 2014 Pencil and plaster 56 x 56 x 1.2 cm MI |
|
Kerstin Brätsch Don't Shape_Shape Shift_Mund der Wahrheit 2012 – 2016 Detail glass |
|
George Condo Untitled 2016 Acrylic, metallic paint, charcoal and pastel on linen 167.6 x 144.8 cm USD 400.000,00 |
|
Kerstin Brätsch Lacrima di PELE (naked eye planet) & Ka Wahine Ai Honua_the Earth eating woman (witchfinger) 2012-2016 & 2015 Detail glass |
|
Adam Mcewen Up & Down Elevator 2015 GraphiteAP 2 12 x 5 1/2 x 1 inches30.5 x 14 x 2.5 cm (unframed) $35,000
PROVENANCE Artist Studio |
|
Cy Twombly Untitled 1990 Acrylic on paper 30 11/16 x 22 1/16 inches78 x 56 cm (unframed) $2,000,000
PROVENANCE Thomas Ammann Fine Art, Zurich |
|
Aristide Maillol La Montagne, 1er état (petit modele) 1936 bronze 29x13x28cm Edition 4 of 6 Conceived in 1936-37 and cast by Emile Godard at a later date numbered and signed with the artist's monogram, inscribed with the foundry mark: E.Godard. Fonder Paris
Estimate $140,000-$180,000 |
|
Catherine Opie Untitled #6 2012 pigment print 111.1x161.9x5.7cm (framed size) Edition of 5 USD $40,000
|
|
Kerstin Brätsch Poli‘ahu’s Curse: first bone chill & Poli‘ahu’s Curse: second cold into heat & Poli‘ahu’s Curse: third Shock freeze 2012 – 2016 Detail glass |
|
John Baldessari Commissioned Painting: A Paining by Nancy Conger 1969 Acrylic and oil on canvas 154.9 x 120.7 x 4.1 cm (with frame) POA |
|
Anna Zahalka The Tourist from the series Bondi: Playground of the Pacific 1989 printed 2015 Type C print signed, titled, dated and editioned in ink verso 74 x 90cm Edition of 20 $4,400 |
|
Jeff Wall Listener 2015 Inkjet Print 167.2 x 240 x 6.5 cm Edition of 3+1AP $500 000 |
|
Ricky Maynard Wik Elder, Joel Series: Returning to Places that Name Us Gelatin Silver RC 95 x 122cm Edition 6 of 15 $9900
Part of the Museum of Contemporary Art Collection and from the same series of works as the ones already in your collection. |
|
Dan Colen TBT (Miracle Painting) 2012 Olio e pigmenti su tela / Oil and pigments on canvas 76 x 61 cm USD 200,000 |
|
Laurence Aberhart War Memorial, Parakai, Helensville, Kaipara, 29 June 2013, 2013 platinum print 51 x 61 cm (image),56 x 76 cm (paper) 5/6 $14,300.00 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Kerstin Brätsch
Holo mai Pele, Is it you or perhaps you? (Mund der Wahrheit) & Holo mai Poli'ahu; Facefold (Dritte Dame) 2012 – 2016 Detail glass |
|
Laurence Aberhart Conical monopole, Scott Base, Ross Island, Antarctica, 3 December 2010 2010-2014 silver gelatin, gold & selenium toned 19.4 x 24.5 cm $3,850.00
|
|
Darren Sylvester When Will I Learn 2014 lightjet print 120 x 160cm |
|
Tracey Emin Crucifixion 2014 Bronze Edition 5 of 6 25 x 17 x 7 cm GBP £ 45,000 + VAT |
|
Mark Tansey Study for Clockwork 1993-1998 Oil on canvas 40 x 30 1/8 inches101.6 x 76.5 cm (unframed) $1,000,000
PROVENANCE Curt Marcus Gallery, New York Private collection, New York (acquired from the above) |
|
Darren Sylvester If All We Have Is Eachother Then That's OK 2003 lamba print 120 x 90cm edition of 6 |
|
Kerstin Brätsch Lacrima di PELE (naked eye planet) & Ka Wahine Ai Honua_the Earth eating woman (witchfinger) 2012-2016 & 2015 Detail glass |
|
Andy Hope 1930 Monstre 2016 acrylic and acrylic lacquer on canvas 80 x 70 cm Euro 27,000 excl. VAT He is being taken on by a number of good gallereis
|
|
Christopher Wool What Time It Is 2005 Silkscreen ink on linen 104 x 78 inches264.2 x 198.1 cm (unframed) $1,800,000
PROVENANCE Gagosian Gallery, New York |
|
Tim Silver Untitled (Blow Up) 2014 video 5 minutes AP1, edition 5 + 2APs |
|
Tony Cragg Compound 2015 Stone 98 x 86 x 90 cm EUR 290,000 |
|
Anna Zahalka The Girls #2, Cronulla Beach 2007 From the series Bondi: Playground of the Pacific Type C prints signed, titled, dated and editioned in ink verso 74 x 90cm Edition of 20 $4,400 |
|
Pablo Picasso La Minotauromachie 1935 Etching and engraving, with scraper, on laid Montval paperSeventh State Plate: 19 5/8 x 27 5/16 inches (49.8 x 69.3 cm) POA
PROVENANCE Estate of the artist Marina Picasso (acquired by descent from the above) |
|
Jim Lambie Pin Number 0389 detail
SC |
|
Dan Colen TBT 2014 Oil on canvas 63.5 x 49.5 cm 75.5 x 61.5 cm framed USD $175,000
|
|
Elizabeth Peyton Mifune 2014 Watercolour on paper site size: 41 x 31 cm frame size: 48.5 x 59 cm
SC |
|
Lucas Arruda Untitled 2015 Oil on canvas 40 x 30 cm MI |
|
Shannon Ebner Traffic Control Device 2014 archival pigment print site size: 127 x 240 cm frame size: 131.3 x 236.8 x 6 cm edition 2 of 5 + 2 a/p
SC |
|
Nicole Wermers CSFX-2 2015 Vintage fur, steel tubing, upholstery, silk and velvet 90 x 65 x 60 cm 14,000 GBP |
|
Tracey Emin Selfie 17 2014 Gouache on paper 14.5 x 10 cm 40.5 x 35.5 cm (with frame) GBP £ 12,000 + VAT |
|
Cy Twombly Untitled 1954 Pencil on paper 8 9/16 x 11 1/4 inches21.8 x 28.5 cm (unframed) $400,000
PROVENANCE Private collection, Rome (acquired directly from the artist) |
|
Jim Lambie Pin Number 0389 2012 safety pins, paint, canvas 190 x 160 cm
SC |
|
Kerstin Brätsch Poli‘ahu’s Curse: first bone chill & Poli‘ahu’s Curse: second cold into heat & Poli‘ahu’s Curse: third Shock freeze 2012 – 2016 Detail glass |
|
Gabriel Orozco Unfinished 3 2015 Tempera and burnished gold leaf on linen canvas 200 x 200 cm $900,000 |
|
Tony Cragg Wild Relatives 2013 bronze, 5 orginal versions in different patina 240 (h) x 170 x 165 cm € 640,000
This piece has got an expressive patina which underlines the sensitive surface of the work. |
|
Adam McEwen Untitled 2015 Inkjet print on cellulose sponge 260 x 193 cm MI |
|
Richard Serra Ramble 4-15 2015 Litho crayon and pastel powder on paper 40 x 28 3/4 inches101.6 x 73 cm (unframed) 250,000.00 + $1,656 for framing |
|
TV Moore Difficult Pleasures 2015 UV print on linen 215.0 x 156.0 cm
$ 25,000 |
|
Edward Ruscha Woman on Fire 1990 Acrylic on canvas 36 1/8 x 48 inches 91.8 x 121.9cm (unframed) Ask MW
PROVENANCE Collection of the artist Gagosian Gallery, New York Sprüth Magers Gallery, London Private Collection (acquired from the above in 2010) Christie's, London, Sale of Post War and Contemporary Art, June 30, 2015 Private collection |
|
Julian Opie Soldier and Pilot. 1. 2015 Vinyl on wooden stretcher OPIE150018 225.2 x 190.2 cm GBP 65,000 |
|
Kerstin Brätsch Poli‘ahu’s Curse: first bone chill & Poli‘ahu’s Curse: second cold into heat & Poli‘ahu’s Curse: third Shock freeze 2012 – 2016 Detail glass |
|
Tracey Emin Good Sex 2015 acrylic on canvas 30.7 x 30.6 x 2 cm LM22595 £65,000 GBP |
|
Gary Hume Six Flags 2015 Gloss paint on canvas in artist's frame 102,7 x 77 x 3,2 cm (framed) GBP 80.000,00 |
|
Georg Baselitz Ohne Titel 2015 India ink, watercolor and ink on paper Diptych A: 66,5 x 50,2 cm Diptych B: 66,2 x 50,1 cm - Frame 94,5 x 133,5 x 2 cm |
|
Pablo Picasso Le guéridon 1920 Charcoal on paper 10 5/8 x 8 1/4 inches27 x 21 cm (unframed) $425,000
PROVENANCE Heinz Berggruen, Paris Private collection, Berlin Sotheby’s, London, Sale of Impressionist & Modern Art, October 22, 1997 Private collection Sotheby’s, London, Sale of Impressionist and Modern Art, Works on Paper, February 6, 2007 Private collection |
|
Adam Norton TV Tower Blob 2015 synthetic polymer and pigment ink on canvas 122 x 91 cm $3,500 |
|
Ryan Sullivan Untitled 2015 lacquer and synthetic polymer paint on canvas 243.8 x 213.4 x 4.5 cm
SC |
|
Thilo Heinzmann O. T. 2015 Oil, pigment on canvas behind plexiglass cover 138 x 148 x 8.5 cm £ 21,500.00 GBP ex VAT |
|
Tracey Emin Crucifixion 2014 Bronze 25 x 17 x 7 cm Edition of 6 GBP 45,000.00
|
|
Ricky Maynard Untitled (self Mutilation) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 4 of 10 $3300 |
|
Laurence Aberhart Laidley, Queensland, 25 March 2013 2013 silver gelatin, gold & selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Anna Zahalka The Women 1989 printed 2015 From the series Bondi: Playground of the Pacific Type C prints signed, titled, dated and editioned in ink verso 74 x 90cm Edition of 20 $4,400 |
|
Tim Silver Untitled (Trauma) #11 2015 cast pigmented polyurethane 16 x 24 x 70cm |
|
Ugo Rondinone sechsundzwanzigsterjulizweitausendundfunfzehn 2015 acrylic on canvas 96 x 61.5 cm unique
SC |
|
Louise Bourgeois Untitled 2008 Fabric and stainless steel 40.6 x 30.5 x 30.5 cm Stainless steel, glass and wood vitrine: 177.8 x 60.9 x 60.9 cm
HW |
|
Nicole Wermers Kusine (turquoise) 2008 painted steel and concrete 311 x 12 x 12 cm (steel sculpture) 11 x 45 x 45 cm (concrete base) 20,000 GBP |
|
Gabriel Orozco Drain 2015 Pigment print Paper: 40.6 x 50.8 cm Edition of 5 +2AP $25,000 |
|
Mark Flood Cloud Consciousness 2015 UV ink on canvas 274 x 214 cm USD 70,000 |
|
Adam McEwen George II 2014 Inkjet print on cellulose sponge 530.9 x 81.3 cm MI |
|
Gabriel Orozco Spit Plug 2015 Pigment print Paper: 0.6 x 50.8 cm Edition of 5 +2AP $25,000 |
|
Sanné Mestrom Dear Jamie (after Jamie Hall) 2015 ceramic, acrylic sheet Dimensions variable $7,000 |
|
Jacqueline Humphries :-// 2015 Oil on linen 182.9 x 193 cm $155,000.00 |
|
Julian Opie Woman with hoop earrings 2015 Vinyl on wooden stretcher 192 x 171 cm GBP 50,000 |
|
Victoria Morton Untitled 2015 Oil on canvas 51 x 56 x 2 cm MI |
|
George Condo Laughing Portrait 2015 ink on paper 76.8 x 56.5 cm signed and dated Condo Nov. 5, 2015 (upper right) $50,000 |
|
Hong Kong Harbour - Art central tents to the left |
|
Sergej Jensen Black Moneybags 2016 Acrylic on sewn money bags 250 x 180 cm US 135,000 plus VAT |
|
Urs Fischer TBD toilet 2015 porcelain toilet, glass, fruit 76.7 x 44.5 x 70.5 cm
SC |
|
Fred Tomaselli Respirator 1 Installation view Not for sale |
|
Laurence Aberhart Tikitiki, East Coast, 30 June 2013 2013 silver gelatin, gold & selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Tony Oursler Yet to be titled 2016 Aluminum, paint screen and sound 134.6 x 89 x 10.2 cm USD 100,000 |
|
Anna Zahalka The Council Workers 1989 printed 2015 From the series Bondi: Playground of the Pacific Type C prints signed, titled, dated and editioned in ink verso 74 x 90cm Edition of 20 $4,400
|
|
George Condo The Philosopher 2012 bronze 61 x 40.6 x 45.7 cm Edition 1 of 3 plus 1 AP $275,000 |
|
Tim Silver Untitled (Trauma) #10 2015 cast pigmented polyurethane 20 x 28 x 48cm |
|
Thomas Demand Daily #18 2011 Dye transfer print, framed 53,8 x 68,6 cm 61,8 x 76,6 x 5,2 cm (framed) Edition 5 of 6 EUR 35.000,00 |
|
Florian Meisenberg MW.FMG.P.002.00.00 Detail
|
|
Sam Durant Epistemologies 2015 ink on paper installation variable nine parts, each: 10 ¼ x ¾ cm
SC |
|
Ricky Maynard Untitled (Pauly) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Roni Horn Or 1 2014 Powdered pigment, graphite, charcoal, coloured pencil and varnish on paper 234.3 x 248.9 cm
HW |
|
Laurence Aberhart Antechamber, church, Knapdale, Southland, 11 September 2007
2007 silver gelatin, gold & selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Georg Baselitz La fontana va 2014 Oil on canvas 183.2 x 89.2 cm, 199.7 x 105.4 x 8 cm (framed) EUR 270,000.00 |
|
Anna Zahalka The Lifesavers 1989 printed 2015 From the series Bondi: Playground of the Pacific Type C prints signed, titled, dated and editioned in ink verso 74 x 90cm Edition of 20 $4,400 |
|
Tim Silver Untitled (Trauma) #3 2011 cast pigmented polyutethane 28 x 18 x 13cm edition of 2 |
|
Nina Beier Extension 2015 felt and human hair extensions 130.2 x 91.4 cm USD $16,000 |
|
Günther Förg Untitled 1990 Acrylic on canvas and wood 85 x 310 cm 285,000.00 Euros |
|
Scott Myles Not Yet Titled 2015 Screen print & TrueGrain on canvas 204 x 120 x 3.6 cm MI |
|
Ryan Gander Two-Way Associative Sequel # 31 (Thematic or no thematic a pattern shall emerge) 2015 Double sided framed works of two photographs. Aluminium frame can be rotated on a wall hinge to display its two faces. 125,2 x 125,2 cm, Edition 1 of 1 (+ 1 A.P.) Price 25 000 GBP VAT Excluded
|
|
Fred Tomaselli Respirator 2 Installation view Not for sale |
|
George Condo Untitled (Artist and Muse) 2015 acrylic, pigment stick, and gold paint on canvas 165.1 x 147.3 cm $400,000 |
|
Thomas Demand Daily #23 2014 Dye transfer print, framed 45,8 x 56,4 cm 53,8 x 64,4 x 5,2 cm (framed) Edition 4 of 6 EUR 35.000,00 |
|
Gunter Christmann untitled 1977 Fiberpen on paper 9x9cm (image size), 16x12.5cm (paper size) $8,000.00 (incl. GST) |
|
Adriano Costa Shark 2015 wood and steel part 1: 33 x 163 x 10 cm part 2: 25 x 148 x 10 cm
SC |
|
Ricky Maynard Untitled (First Day in gaol) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Laurence Aberhart Building, Syracuse, New York, 30 August 2010 2010-2013 silver gelatin, gold & selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Tim Silver Untitled (Trauma #9) 2014 cast pigmented polyurethane 72 x 60 x 22 cm edition 2 of 2 |
|
Ricky Maynard Untitled (First Day in gaol) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300
|
|
Helen Marten Smoke description [detail] 2015 screen printed suede, leather and PVC, hand thrown glazed ceramic, lacquered hardwood, Formica, steel, oysters, stitched fabric, tree 215 x 458 x 59.5 cm
SC |
|
Tracey Emin Strung Out 2009 Embroidered cotton 157 x 171 cm (unframed) 175 x 189 x 9.5 cm (framed) GBP 160,000.00 |
|
Olaf Breuning Thumbs Down 2015 stainless steel and chromed brass 189.1 x 91.6 cm Edition of 3
Olaf Breuning Thumbs Up 2015 stainless steel and chromed brass 182.2 x 92.9 cm Edition of 3
$50,000 each |
|
Isaac Julien Echo (Stones Against Diamonds) 2015 Premier photograph 120 x 160 cm Edition of 10, 1 AP USD$40,000
|
|
Thomas Struth Basilica of the Annunciation, Nazareth 2014 Inkjet print Image: 144 x 207.1 cm Frame: 153.9 x 215.9 x 6 cm Edition of 6 €130,000 |
|
Adrian Villar Rojas From the series 'The Most Beautiful of All Mothers' 2015 Watercolor on inkjet print Paper: 20.6 x 29.4 cm Frame: 37.46 x 44.4 x 3.4 cm $10,000 |
|
Günther Förg Untitled 1999 Acrylic on canvas 190 x 220 cm 225,000.00 Euros |
|
Rachel Whiteread Study for Garage 2005 Gouache and collage on paper 42 x 29.5 cm USD $ 35,000.00 |
|
Ryan Gander Any Vehicles (Associative Photograph #9) 2004 Color photograph framed 125,3 x 125,3 x 4,8 cm Edition 2/2 (+ 1 A.P.) Price (2/2) 16 500 GBP VAT Excluded |
|
Celia Hempton Iraq, 25th August 2014 2014 oil on panel 20 x 25 cm £4,000.00 |
|
Celia Hempton Egypt, 6th November 2013 2013 oil on canvas 30 x 35 cm £6,000.00 |
|
John Stezaker Double Shadow XXXVIII 2015 Collage 23.5 x 29.6 cm £9,000.00 + VAT |
|
Tracey Emin Yes I Think About You 2016 Embroidered calico 177 x 226 cm GBP 180,000.00 WC |
|
Florian Meisenberg MW.FMG.P.005.00.00 Detail |
|
David Noonan Untitled 2008 screen printed jute, plywood, metal stand 178 x 33 x 5.5 cm 17,500.00 USD (inc. GST) |
|
Urs Fischer yuckyhand 2013 top: Ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, urethane, Base: Steel powder-coated with polyester TGIC (RAL 3012), silicone adhesive, cork com 44.5 x 158.8 x 118.4 cm
SC |
|
Ricky Maynard Untitled (Profile with Headband) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Tracey Emin Keeping you there 2015 Embroidered calico 162 x 199 cm GBP 180,000.00
|
|
Laurence Aberhart The smudged girls, Shackleton's Hut, Cape Royds, Ross Island, Antarctica, 1 December 2010 2010-2013 silver gelatin gold & selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Isaac Julien En Passage (Stones Against Diamonds) 2015 Premier Photograph 180 x 240 cm 38,500.00 GBP (inc. GST This was from a comission he did in Venice and Basle for Roles Royce.
|
|
Tracey Emin Aware of you 2010 acrylic on canvas 60 x 80 cm (canvas) 61.8 x 81.8 x 3.2 cm (framed) titled lower left signed and dated lower right LM22593 £90,000 |
|
Ricky Maynard Untitled (Profile with Headband) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Adrian Villar Rojas From the series 'The Most Beautiful of All Mothers' 2015 Watercolor on inkjet print Paper: 20.6 x 29.4 cm Frame: 37.46 x 44.4 x 3.4 cm $10,000 |
|
Anna Zahalka Oceanworld from the series Leisureland 1998-2001 printed 2015, Type C print, signed, titled, dated and editioned in ink verso 115 x 145cm Edition of 12 plus 2 A/P’s $6,600 A medium format is available on request: 57.5 x 72.5cm in an edition of 6 plus 2 A/P’s $3,300. |
|
Tracey Emin This is it 2015 Acrylic on canvas 152.4 x 152.4 cm GBP 250,000.00 WC |
|
George Condo Young Girl with Blue Eyes 2004 Oil on canvas 30.5 x 30.5 cm sold |
|
Rachel Whiteread Study for Platform 1992 Watercolor, ink and correction fluid on graph paper 45.5 x 30.5 cm USD $ 50,000.00 |
|
Tim Silver Untitled (Mutated Echeveria Clauca) 2013 cast pigmented polyurethane 11 parts 17 x 16 x 8cm each |
|
Tracey Emin All for you 2015 Acrylic on canvas 20.3 x 20.5 cm GBP 45,000.00 WC |
|
Simon Starling Recursive Plates (Martino Gamper, Firelit, 2013 / Michael Wilkinson, Colonna, 2012) 2015 Daguerreotype on silver-plated copper (Unique) 24 x 19 cm image size 55.5 x 49 cm MI |
|
Celia Hempton Marco, Italy, Posing with Sailor Hat On, 17th June 2013 2013 acrylic on panel 26 x 31.5 cm £5,000.00 |
|
Ricky Maynard Untitled (Profile) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Tracey Emin Spending time with you 2015 Acrylic on canvas 152.5 x 152.2 cm GBP 250,000.00 WC |
|
Tracey Emin Sunday morning 2015 Acrylic on canvas 122 x 122 cm GBP 200,000.00 WC |
|
Matthew Barney Was 2014 Cast sterling silver and sulfur in bronze vitrine 106.7 x 182.9 x 76.2 cm Edition 1 of 3 GG |
|
Pascale Marthine Tayou Plastic Tree 2014 branches, plastic bags variable dimensions GC |
|
Tracey Emin More Dreaming 2016 Acrylic on canvas 30.9 x 30.6 cm GBP 60,000.00 WC |
|
Ricky Maynard Untitled (Profile) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Tracey Emin Hotter 2015 Acrylic on canvas 29.9 x 29.9 cm GBP 60,000.00 WC |
|
Laurence Aberhart War Memorial, Dorrigo, New South Wales, 11 March 2013
2012-2013 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Tracey Emin Its how it is 2015 Acrylic on canvas 152.3 x 182.8 x 3.6 cm 153.6 x 184 cm (framed) GBP 300,000.00 WC |
|
Gunter Christmann untitled 1977 pencil and coloured pencil on paper 9x9cm (image size), 16x12.5cm (paper size) $8,000.00 (incl. GST) |
|
Anna Zahalka The Boys, Murrumbidgee River from the series Leisureland Regional 2002 printed 2015 Type C print, signed, titled, dated and editioned in ink verso 115 x 145cm Edition of 12 plus 2 A/P’s $6,600 A medium format is available on request: 57.5 x 72.5cm in an edition of 6 plus 2 A/P’s $3,300. |
|
Nëil Beloufa Chutes 2015 Steel, epoxy resin, pigment, cigs 75x45
MW |
|
Ricky Maynard Untitled (Profile) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
David Noonan Untitled 2008 screen printed jute, plywood, metal stand 187 x 58 x 5.5 cm 17,500.00 USD (inc. GST) |
|
Adrian Villar Rojas From the series 'The Most Beautiful of All Mothers' 2015 Watercolor on inkjet print Paper: 20.6 x 29.4 cm Frame: 37.46 x 44.4 x 3.4 cm $10,000 |
|
Ricky Maynard Untitled (Man and mirror) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1/ of 10 $3300 |
|
Thomas Hirschhorn Easycollage 12 2014 Prints and tape on canvas 222 x 335cm SF |
|
Laurence Aberhart War Memorial, Pimpana, Queensland, 19 March 2013 2013 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Wolfgang Tillmanns Repose II 2013 Inkjet print on paper Framed: 44.1 x 34 x 2.5 cm Paper: 40.6 x 30.5 cm Edition 7 of 10 plus 1 AP Signed verso DZ |
|
Gunter Christmann untitled 1977 Biro and pen ink on paper 9x9cm (image size), 16x12.5cm (paper size) $8,000.00 (incl. GST) |
|
Anna Zahalka Cole Classic from the series Leisureland 1998-2001 printed 2015 Type C print signed, titled, dated and editioned in ink verso 57.5 x 72.5cm (medium format) Edition of 6 plus 2 A/P’s $6,600 |
|
Isaac Julien Western Union Series No.12, (Balustrade) 2007 duratran in lightbox 123 x 123 x 7.5 cm 33,000.00 GBP (inc. GST) |
|
Tim Silver Untitled (Rory Grown Up) Relic 2013 watercolour pigment |
|
Ricky Maynard Untitled (The Elder) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 2 of 10 $3300
|
|
Ricky Maynard Untitled (Man and mirror) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Laurence Aberhart War Memorial, Clive, Hawke’s Bay, 29 June 2013 2013 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00
|
|
Günther Förg Untitled 1990 Acrylic on lead laid down on panel 150 x 110 cm USD 575,000.00 |
|
Anna Zahalka Open Air Cinema from the series Leisureland 1998-2001 printed 2015 Type C print, signed, titled, dated and editioned in ink verso 115 x 220cm Edition of 12 plus 2 A/P’s $11,000 A medium format is available on request: 57.5 x 121cm in an edition of 6 plus 2 A/P’s $5,500. |
|
Tim Silver Untitled (Mixed TDK tapes) 2009 archival ink on 100% rag each individual image 18 x 27 cm |
|
Ricky Maynard Untitled (Young Men in Dormitory) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Adrian Villar Rojas From the series 'The Most Beautiful of All Mothers' 2015 Watercolor on inkjet print Paper: 20.6 x 29.4 cm Frame: 37.46 x 44.4 x 3.4 cm $10,000 |
|
Ged Quinn Cut 2015 Oil on linen 183 x 240cm SF |
|
Simon Starling A Zig-Zag Chair designed by Gerrit Rietveld in 1934 and reproduced using 45,910 year-old swamp kauri wood in 2015 2015 detail |
|
Bill Henson Untitled #19 2000 - 2001 type c colour photograph 127 x 180 cm Edition 4 of 5 plus AP 2 47,000.00 AUD (inc. GST) |
|
Gary Hume Double Exposure 2015 Gloss paint on aluminium panel 122 x 78 x 2,1 cm each part (framed) GBP 175.000,00 |
|
Josephine Meckseper Untitled 2015 Pigment prints on anodized aluminum, mannequin leg with stocking, wood, stainless steel, cast aluminum, chrome painted acrylic hand, metal wire in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 203.2 x 119.4 x 50.8 cm $110,000.00 |
|
Marlene Dumas’s work in the central pavilion was very engaging. |
|
Isaac Julien Red Chamber Dream (Ten Thousand Waves) 2010 Endura Ultra photograph 180 x 462 cm Diptych: 180 x 230cm each 55,000.00 GBP (inc. GST) |
|
Ricky Maynard Untitled (Young Men in Dormitory) Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Laurence Aberhart War Memorial, Clydevale, Otago, 6 November 2012
2012-2014 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Rashid Johnson Seven Stars 2015 White ceramic tile, black soap, wax, vinyl, spray paint 184.2 x 125.7 x 6.4 cm HW |
|
Anna Zahalka Australia, Isle of Refuge 2009 printed 2015 From the series Homeground archival pigment ink prints signed, titled, dated and editioned in ink verso 84 x 59.5cm. Edition of 7 plus 2 A/P’s $4,400 |
|
Jeff Wall Changing Room 2014 Inkjet print Image: 199.1 x 109 cm Frame: 205.1 x 114.9 x 4.8 cm Edition of 4 +1AP $500,000 |
|
Tim Silver Untitled (Chilli Flake Pentax Binoculars) 2009 archival ink on 100% cotton silver rag 18 x 27cm (each image) edition of 3 +2AP |
|
David Shrigley Gate (To be kept shut) 2014 Powder coated steel 296 x 180 x 7cm |
|
Ricky Maynard Death in exile Series: Portrait of a Distant Land gelatin silver 34 x 52cm Edition 5 of 10 $5500 |
|
Cathy Wilkes Untitled 2012 Oil on canvas 65 x 90.1 x 1.5 cm MI |
|
Cindy Sherman Untitled 2015 three dye sublimation metal prints 91.4 x 67.3 cm(left panel image dims) 91.4 x 133.7 cm(middle panel image dims) 91.4 x 61 cm (right panel image dims) Edition of 6 USD $250,000 |
|
Ryan Gander Investigation # 85 - The halo effect (second attempt) 2013 Sculptures of ca. 15 cm tall displayed on an off-white fibreglass block (like an Eames chair) of 30 x 30 cm, on a white plinth of 70 x 45 cm, dimensions installation 115 x 45 cm Unique piece Price 22 500 GBP VAT Excluded |
|
Adrian Villar Rojas From the series 'The Most Beautiful of All Mothers' 2015 Watercolor on inkjet print Paper: 20.6 x 29.4 cm Frame: 37.46 x 44.4 x 3.4 cm $10,000 |
|
Celia Hempton Corinthian (Detail), Iraq, 29th August 2013 2013 oil on canvas 25 x 30 cm |
|
Yinka Shonibare MBE Butterfly Kid (boy) II 2015 Fibreglass mannequin, Dutch wax printed cotton textile, silk, metal, globe, leather and steel baseplate 134 x 66 x 86cm |
|
Sergej Jensen £100 Midland Bank 2016 Acrylic on sewn money bags 100 x 75 cm US 55,000 plus VAT |
|
Hayley Tompkins Lookalike IV 2015 Acrylic paint on stock photograph, electrical tape, galvanised metal tray 87.5 x 59 x 2 cm MI |
|
Richard Prince Untitled (Protest Painting) 1994 acrylic, silkscreen on canvas 97.2 x 46.4 cm signed and dated R. Prince 1994 (on the reverse) $950,000 |
|
Gunter Christmann untitled 1977 Pen and ink on paper 9x9cm (image size), 16x12.5cm (paper size) $8,000.00 (incl. GST) |
|
Danie Mellor Naturata 2015 c-print on metallic photographic paper 180 x 120 cm edition of 3 + 2 artist's proofs $15,000 incl. GST There are more available in this series |
|
Sarah Sze Midnight, Beijing 2015 Silkscreen, digital print, and laser engraved paper 98.1 x 100.4 x 5.6 cm Edition 1 of 5 plus 2 APs $ 7,500.00 (ex tax) |
|
Isaac Julien Mise-en-scene (Ten Thousand Waves) 2010 Endura Ultra photograph 180 x 438 cm Diptych: 180 x 218cm (each) 55,000.00 GBP (inc. GST) |
|
Laurence Aberhart Interior, Shackleton's Hut, Cape Royds, Ross Island, Antarctica, 1 December 2010 2010-2012 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00
|
|
Laurence Aberhart Monte Carlo, Niagara Falls, New York, 26 October 2010 2010-2012 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Anna Zahalka Cronulla, Jewel of the Shire 2010 printed 2015 From the series Homeground archival pigment ink prints signed, titled, dated and editioned in ink verso 84 x 59.5cm. Edition of 7 plus 2 A/P’s $4,400 |
|
Tim Silver Untitled (monument) 3 2014 steel 49.5 x 40 x 43 cm |
|
Tim Silver Bust from Untited (Blow Up) 2014 42.5 x 36 x 22.5 cm Huon Pine dust and cellulose binder edition 5 of 5 |
|
Ricky Maynard Untitled by Ricky Maynard Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Ricky Maynard A Free country Series: Portrait of a Distant Land Gelatin Silver FB 42.5 x 41.5cm Edition 2 of 10 $5500 |
|
Mona Hatoum Electrified (variable) 2013 Kitchen utensils, furniture, transformer, electric cable and light bulb 750 x 320 x 170 cm EUR 210,000.00 |
|
John Armleder Fishes weep 2014 Mixed media on canvas 190 x 190 x 4 cm EUR 115.000,00 |
|
David Shrigley Untitled 2015 Oil on canvas 160 x 120cm |
|
Michael Wilkinson Dream a Garden 3 2015 Acrylic on linen with oil, verdigris, reflective tape, digital print, beeswax, pin badge 200.5 x 200.5 x 3 cm MI |
|
Sergej Jensen Blue Horse 2016 Acrylic on sewn money bags 100 x 75 cm US 55,000 plus VAT |
|
Florian Meisenberg MW.FMG.P.006.00.00 Detail |
|
Isaac Julien No Moon Shining (Ten Thousand Waves) 2010 Endura Ultra photograph 180 x 240 cm 38,500.00 GBP (inc. GST) |
|
Laurence Aberhart Interior, hair salon, Opunake, Taranaki, 1 June 2010
2010 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Anna Zahalka Manly, Surfing Capital 2015 From the series Homeground archival pigment ink prints signed, titled, dated and editioned in ink verso 84 x 59.5cm. Edition of 7 plus 2 A/P’s $4,400 |
|
Tim Silver Untitled (monument) 1 2014 steel 30 x 17 x 17 cm |
|
Ricky Maynard untitled Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 2 of 10 $3300 |
|
Paul McCarthy White Snow, Dopey, Black Red White, Black 2011-2015 Black Walnut, stain 152.4 x 109.2 x 111.8 cm
HW |
|
Sergej Jenson Untitled Year tbc Acrylic on sewn money bags 130 x 180 cm US 100,000 plus VAT |
|
Mona Hatoum Natura morta (vetrina inglese) 2009 Murano glass, wood and glass cabinet 114 x 55.5 x 27 cm
|
|
Raqib Shaw Centaur Duo 2016 Bronze with a classical renaissance patina finish 110 x 70 x 85 cm GBP 500,000.00 plus VAT |
|
Daniel Buren A Work in four parts for one wall 1980 Painting on linen cloth 124 x 142 cm (prior to cutting) LG |
|
John Armleder Traumatic 2014 Mixed media on canvas 140 x 90 cm EUR 70.000,00 |
|
Ed Fornieles London Has Fallen: The Good Dinosaur 2015 Cartoons on acrylic and watercolour paper mounted on dibond with aluminium frame 90 x 90 x 5 cm £ 7,000 + VAT
Funny Young artist |
|
Tomas Saraceno 16 Cyg B b /M+Mb 2015 Metal, polyester rope, fishing line, steel thread, black 131 x 142 x 108 cm (6 modules, ø 60 cm, black) EUR 75.000,– (excl. VAT) |
|
Ricky Maynard Traitor Series: Portrait of a Distant Land gelatin silver 40.5 x 52cm Edition 5 of 10 $5500 |
|
Thomas Wachholz BLUE 100/100/0/0 2015 Solvent InkJet Print, Alkohol auf Leinwand solvent inkjet print, alcohol on canvas 190 x 140 cm 11,000.00 EUR
|
|
Laurence Aberhart Kodak building from Orchard St, off Lyall Ave, Rochester, New York, 2 September 2010
2010 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Richard Wright No Title 2015 Watercolour on heliogravure print on handmade Zerkall Butten paper 37.4 x 53 cm MI |
|
Anna Zahalka Manly, South Pacific Playground From the series Homeground 2015 From the series Homeground archival pigment ink prints signed, titled, dated and editioned in ink verso 84 x 59.5cm. Edition of 7 plus 2 A/P’s $4,400 |
|
Ryan Gander Investigation # 34 - Amend Amend Amend 2008 Antique print and collage, framed 54 x 38 cm Unique piece Price 8 500 GBP VAT Excluded |
|
Michael Lindeman Saturday Night Syndrome 2015 acrylic on canvas 56.5 x 85 cm |
|
Katharina Grosse o.T. 2009 acrylic,soilon paper 101 x 67 cm 115 x 81 x 3 cm EUR 14,000.00 + VAT |
|
|
Imi Knoebel Lllila 2002 Acrylic and aluminium 304.8 x 465.5 x 10.8 cm EUR 260,000.00 |
|
Isaac Julien When the Tree Blooms 2010 Endura Ultra photograph 180 x 240 cm 38,500.00 GBP (inc. GST) |
|
Martin Boyce Dead Star (Ghost Palms) 2015 Painted steel, blackened steel, painted bronze, chain, cast bronze 2 parts 54 x 40 x 40 cm, chandelier 9,6 x 9,6 x 1 cm, light switch GBP 35.000,– (excl. VAT) |
|
Ricky Maynard Untitled Series: No More Than What You See Gelatin Silver FB 31 x 45.5cm Edition 1 of 10 $3300 |
|
Sherrie Levine After Duchamp 2: Bride 2012 Suite of 18 postcards Overall dimensions: 179.7 x 306.1 x 2.5 cm Framed, each:52.4 x 42.2 x 2.5 cm Paper, each:15.2 x 10.8 cm DZ |
|
Michael Lindeman Theoretically this should be fun 2015 acrylic on canvas 63.5 x 91.5 cm |
|
Sergej Jensen Penny Painting 2016 Acrylic and oil on sewn money bags 95 x 115 cm US 65,000 plus VAT |
|
Florian Meisenberg MW.FMG.P.013.00.00 Detail |
|
Tony Albert Brothers 2013 pigment print on aluminium, acrylic paint 210 x 280 cm installation view |
|
|
Cindy Sherman Untitled 1980 Chromogenic color print 40.6 x 61 cm (image size) 60.3 x 79.1 cm (frame size) Edition of 5 plus AP 1 of 1 MP |
|
Sylvie Fleury Crash Test 3-21 2001 Two-component paint on steel 175 x 100 x 10 cm EUR 50.000,00 |
|
Ricky Maynard Clyde Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500
|
|
Anna Zahalka Manly, Still Going Strong! 2015 From the series Homeground archival pigment ink prints signed, titled, dated and editioned in ink verso 84 x 59.5cm. Edition of 7 plus 2 A/P’s $4,400 |
|
Michael Lindeman The source of magic and problems 2015 approx. 158.5 x 870 cm (overall) |
|
Ryan Gander As is... (Statuette of a woman, 200-100 BC, Anon.) 2015 Marble resin, Plexiglas 93,5 x 51,5 x 34,2 cm GBP 35.000,– (excl. VAT) These small sculptures are envisaged as the robe or wrap - once the live model has left. |
|
Laurence Aberhart Lodge Kurow #164, Kurow, Canterbury, June 1981 1981-2002 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Sherrie Levine After Duchamp 2: Bride 2012 detail |
|
Tony Cragg Wild Relatives 2012 Bronze 104 x 78 x 79 cm Version of 6 LG |
|
Thomas Wachholz YELLOW 0/0/100/0 2015 Solvent InkJet Print, Alkohol auf Leinwand solvent inkjet print, alcohol on canvas 190 x 140 cm 11,000.00 EUR
|
|
Anna Zahalka The Couple 2015 From the series Manly: Playground of the Pacific, which consists of 25 portraits archival pigment ink prints signed, titled, dated and editioned in ink verso 40.5 x 55.8cm. Edition of 5 plus 2 A/P’s $3,300 |
|
Jeppe Hein Modified Social Bench #28 2011 powder coated aluminium 144 x 350 x 94 cm 1/3 + 2 AP EUR 50,000.00 + VAT |
|
Sylvie Fleury SF 2001/024 Crash Test 3-38 2001 Two-component paint on steel 175 x 100 x 10 cm EUR 50.000,00 |
|
Celia Hempton Corinthian (Detail), France, 29th September 2013 2013 oil on canvas 30 x 35 cm |
|
Michael Lindeman Oops! 2015 acrylic on canvas 60 x 86.5 cm |
|
Wolfgang Tillmans in flight astro, South America 2013 inkjet print mounted on Dibond in artist’s frame 211 x 145 x 6 cm 1 + 1 AP (1/1) USD 80.000,- + VAT |
|
Caroline Rothwell Wind Machine 2013 Britannia metal, PVC, thread, stainless steel 87 x 45 x 25 cm 9,000.00 AUD (inc. GST) |
|
Tracey Emin In Solitude 2015 embroidered calico (fabric) 161 x 229 cm (framed) 185 x 250 x 9 cm £180,000 GBP |
|
Imi Knoebel Kartoffelbild 15 2015 Acrylic and aluminium 177 x 251 x 11 cm EUR 140,000.00 |
|
Sherrie Levine Beach Ball after Lichtenstein 2015 Cast bronze 39.4 x 40.6 x 38.1 cm DZ |
|
Simon Denny Berlin Startup Case Mod/Canvas: GoButler Magic Clone 2015 Customised Revostage platform, Thermaltake Core P5 Design Midi-Tower, vinyl gloves, plexiglas box, laser cut plexiglas lettering, cotton gloves, customised steel components, latex print on Canvas, IdeaPaint, PC-8K paint marker Case: 163 x 100 x 100 cm Canvas: 220 x 150 cm |
|
Donald Judd Untitled 1969 Galvanized iron 5 x 40 x 9 inches 12.7 x 101.6 x 22.9 cm $1,350,000 |
|
Matthew Ritchie Home is the hangman 2014 Oil and ink on linen Framed Dimensions: 147.3 x 213.4 x 6.4 cm $150,000.00 |
|
Sergej Jensen Green Landscape Year tbc Medium tbc 130 x 180 cm USD 100,000.00 plus VAT |
|
Alicja Kwade Time Zone Asia Alternate View |
|
Gabriel Kuri Untitled (99c only) 2015 Set of 2. Hand woven wool gobelin 300 x 155 cm 305 x 155 cm $110,000.00 |
|
Ricky Maynard Jamie Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Laurence Aberhart Taranaki from Okato cemetery, Okato, Taranaki, 22 May 2010 2010 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
|
Olaf Breuning Don't Worry 2015 dye-sub metal print 101.6 x 124.5 cm Edition 1 of 3 MP |
|
Marlene Dumas Past and Present Preserved 2000 Ink and acrylic on paper 229.2 x 90.2 cm DZ |
|
Florian Meisenberg MW.FMG.P.014.00.00 Detail |
|
Laurence Aberhart Pressure ridges #10, Ross Sea, Scott Base, Antarctica, 6 December 2010 2010 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Caroline Rothwell Cave 2013 UV stable structural PVC 250 x 200 cm (approx) TBC 10,000.00 AUD (inc. GST) |
|
Anna Zahalka Untitled (Figures on Manly Beach after Nancy Kilgour) 2015 archival, pigment ink print signed, titled, dated and editioned in ink verso 76 x 115cm. Edition of 5 plus 2 A/P’s $6,600
The background of this work was taken (literally) from the painting by Nancy Kilgour (circa 1930) which depicts the south end of Manly Beach but it has all of Zahalka's trade mark style that has added a new dimension to the image with all her subtle touches like the indigenous flag colours on the pair of thongs in the foreground, the mother and child standing in the center using a mobile phone, also the young Muslim woman with surf board far left. Kilgour’s painting was in itself based on the Impressionist painting Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat in 1884. The artist, Anne Zahalka has said of this, I’m intrigued that Nancy Kilgour has reflected on Seurat’s early painting almost as an early post modern gesture…. I enjoyed thinking about the fact that Nancy had chosen this relatively modern painting to draw inspiration from…. it was a wonderful new stimulus for me.
|
|
Ricky Maynard Darrell Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Michael Lindeman Great Ideas (Self Portrait) 2015 pencil and acrylic on canvas 80 x 65cm |
|
Laurence Aberhart Taranaki #3, Whanganui, 3 July 2011 2011 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Clare Milledge Night-Weeders 2015 oil on tempered glass, bronze, 110 x 110 x 0.8cm $ 7,700.00 (incl. GST) |
|
Anna Zahalka The Dog Minder 2015 From the series Manly: Playground of the Pacific, which consists of 25 portraits archival pigment ink prints signed, titled, dated and editioned in ink verso 40.5 x 55.8cm. Edition of 5 plus 2 A/P’s $3,300 |
|
Ricky Maynard Clyde Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Michael Lindeman Not Long Now 2015 acrylic on canvas 57 x 85.5 cm |
|
Julie Mehretu Untitled (4) 2014 Graphite on paper 55.9 x 76.2 cm 68.5 x 88.5 x 4.5 cm (framed) USD 40,000.00 |
|
Clare Milledge Theoretical Headspeople 2015 oil on two sheets of tempered glass, silk, hemp rope 120 x 120 x 20 cm $ 13,500.00 (incl. GST) |
|
Neil Beloufa Untitled 2015 steel, epoxy resin 180 x 135 x 20 cm
MW |
|
Lisa Oppenheim Landscape Portraits (Poplar) (Version II) 2015 poplar print 63.5 x 66 cm each (unframed) USD 36,000 |
|
Wolfgang Tillmans Geschlechtsteile 2010 inkjet print, framed 40,6 x 30,5 x 2,4 cm 10 + 1 AP (2/10) USD 8.000,- + VAT |
|
Josiah McElheny Blue painting 2015 Glass object and box (to be confirmed) 110.2 x 110.2 x 19.1 cm
|
|
Ryan Gander I Mean to Say 2014 A framed paper script 35.4 x 44 x 3.5 cm, Script: 21 x 29.7cm (A4) Unique piece Price 5 000 GBP VAT Excluded |
|
Adrián Villar Rojas From the series "The Most Beautiful of All Mothers", 1 2015 Oil on colour print 21 x 29.5 cm 37 x 43 x 3 cm framed $25,000.00 |
|
Ryan Gander It is Positively Wanting 2014 Fifteen folded paper scripts in one frame 64 x 81.2 x 4.5 cm, Folded A4 scripts: 10.5 x 14.8cm (A6) Unique piece Price 8 000 GBP VAT Excluded |
|
Wolfgang Tillmans filament 2014 inkjet print mounted on aluminum in artist’s frame 87,7 x 64 x 3,3 cm 3 + 1 AP (1/3) USD 24.000,- + VAT |
|
Ryan Gander On display (Alchemy Box # 28) 2011 Sculpture (Alchemy box series) 18 x 32 x 7.5 cm Unique piece Price 20 000 GBP VAT Excluded |
|
Shilpa Gupta Untitled 2014 Installation Site specific 261 x 41.5 x 3 cm GC |
|
Ryan Gander View with culturally preoccupied eyes (17:31) 2014 Panoramic black and white framed photographs 2 elements 200 x 37,5 cm each Edition 1 of 1 (+ 1 A.P.) Price 25 000 GBP VAT Excluded |
|
Nathalie Djurberg & Hans Berg Rabbit 2015 Mixed media 51.5 x 44 x 43.5 cm LG |
|
Sergej Jensen Grey Rocks Year tbc Medium tbc 130 x 175 cm USD 100,000.00 plus VAT |
|
Caroline Rothwell Artificial Tree 2013 63 x 21.5 x 6 cm 9,000.00 AUD (inc. GST) |
|
David Altmejd Untitled 2011 Epoxy clay, polystyrene, expandable foam, metal, resin, assorted minerals, pigment 24.4 x 16.2 x 19.1 cm certificate of authenticity $55,000 |
|
LISSON |
|
Ricky Maynard Kerry Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Marina Abramovic Carrying the Skeleton (I) 2008 Color chromogenic print 203.2 x 180.3 cm Edition AP2 of 9 plus 2 AP LG |
|
Laurence Aberhart Hut Point, Ross Island, Antarctica, 29 November 2010 2010 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Caroline Rothwell Circles 2014 Britania metal 80 x 310 x 19 cm 16,000.00 AUD (inc. GST) |
|
Michael Lindeman Great Ideas (Portrait of artist Heath Franco) 2015 pencil and acrylic on canvas 204 x 142cm |
|
Laurence Aberhart Taranaki #2, Whanganui, 2 July 2011 2011 silver gelatin, selenium toned 19.4 x 24.5 cm $3,850.00 |
|
Ricky Maynard Darrell Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Anna Zahalka The Plein-Air Artists 2015 From the series Manly: Playground of the Pacific, which consists of 25 portraits archival pigment ink prints signed, titled, dated and editioned in ink verso 40.5 x 55.8cm. Edition of 5 plus 2 A/P’s $3,300 |
|
Julie Mehretu Untitled (5) 2014 Graphite on paper 55.9 x 76.2 cm 68.5 x 88.5 x 4.5 cm (framed) USD 40,000.00 |
|
Michael Lindeman Great Ideas (Thong on wheels) 2015 2015 pencil & acrylic on canvas 80 x 65 cm |
|
Neil Beloufa Untitled 2015 steel, epoxy resin 180 x 135 x 30 cm
MW |
|
Camille Henrot New York Skyline 2014 digital print on canvas 143 x 243 cm Éd. 3/3 EUR 24,000.00 + VAT |
|
Adrián Villar Rojas From the series "The Most Beautiful of All Mothers", 16 2015 Oil on colour print 21 x 29.5 cm 37 x 43 x 3 cm framed $25,000.00 |
|
Julie Mehretu Untitled (2) 2014 Graphite on paper 55.9 x 76.2 cm 68.5 x 88.5 x 4.5 cm (framed) USD 40,000.00 |
|
Luc Tuymans Untitled 1996 Watercolor on paper Framed:57.8 x 52.4 x 1.9 cm Paper: 19.1 x 14 cm DZ |
|
XU ZHEN Under Heaven 2014 Oil on canvas, aluminum 200 x 140 x 15 cm
JC |
|
Wolfgang Tillmans still life (photographic vegetables) 2014 inkjet print, framed 30.5 x 40.6 cm Edition 10 + 1 AP USD 8.000,- + VAT |
|
Liu Wei Jungle No.21 2013 Canvas and wood 209.5 x 209.5 x 19.5 cm WC |
|
Caroline Rothwell Figure 2013 Britannia metal, PVC, dimensions variable, metal figure 34 x 16.5 x 23 cm 9,000.00 AUD (inc. GST) |
|
Ricky Maynard Mick Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Jon Campbell Folky Post Punk Pop 2011 acrylic and enamel paint, enamel paint marker, mdf board 60 x 40 cm $4,750.00 |
|
Michael Lindeman Great Ideas (It's not much fun here.) 2015 2015 pencil & acrylic on canvas 80 x 65 cm |
|
Ricky Maynard Jamie Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Adrián Villar Rojas From the series "The Most Beautiful of All Mothers", 19 2015 Oil on colour print 21 x 29.5 cm 37 x 43 x 3 cm framed $25,000.00 |
|
Danh Vo Snowfall, Northern Sierras, 1847 2014 b&w photogravure on paper image: 17,7 x 35,8 cm paper: 41,2 x 48,5 cm Edition 10/24 + 6 AP EUR 4.000,- + VAT |
|
Tracey Emin My heart for you X 2015 Gouache on paper 28 x 38 cm GBP 22,000.00 WC |
|
Florian Meisenberg Da série: Being blonde with insufficient funds (transpirations of a virgin) Detail
|
|
Ricky Maynard Murray Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Jon Campbell Paris 2013 enamel, plywood 40 x 50 cm $4,750.00 |
|
Michael Lindeman Great Ideas (Futuristic walking stick) 2015 2015 pencil & acrylic on canvas 80 x 65 cm |
|
Magnus Plessen Untitled (19) 2015 Oil on canvas 190.5 x 150 cm EUR 115,000.00 |
|
Gabriel Orozco Untitled 2015 Set of 4. Graphite on gesso 40 x 40 cm each $550,000.00 |
|
Ernesto Neto Untitled 2010 Polyamide fabric and stocking, lavender and styrofoam beads 257 x 192 x 21,5 cm FV |
|
Tracey Emin Loving you 2015 Gouache on paper 28 x 38 cm GBP 22,000.00 WC |
|
Jorinde Voigt From Behind 2015 ink, goose feathers, oil crayon, India ink, pencil on paper 77.5 x 57.5 cm unique Euro 11,000.00 |
|
Tony Oursler Untitled (TBC) 2015 Aluminium and acrylic, with video and LCD screen Diameter 119.4cm LG |
|
Ricky Maynard Philip Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Jon Campbell Friday Night Dilemma 2013 enamel, plywood 50 x 60 cm $4,750.00 |
|
Michael Lindeman Great Ideas (Artists' disguise) 2015 pencil & acrylic on canvas 80 x 65 cm |
|
Ricky Maynard Mick Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Liu Wei Crucifixion 2014 Iron and steel 300 x 220 x 5 cm USD 115,000.00 |
|
Allora & Calzadilla Solar Catastrophe 2015 Broken solar cells on canvas 217.8 x 373.4 cm USD 250,000 |
|
Lucia Laguna Paisagem n. 87 2015 Acrylic and oil on canvas 150 x 170 cm FV |
|
Tracey Emin The Forrest 2015 Gouache on paper 28 x 38 cm GBP 22,000.00 WC |
|
Richard Lewer The Min Min Lights 2015 oil on canvas 76.5 x 76.5 cm $9,000
|
|
David Griggs Frat of the Obese 2 2011 acrylic on canvas 213 x 274 cm 20,000.00 AUD (inc. GST) |
|
Ricky Maynard Ronnie Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Jon Campbell
Crazy Horse 2013 enamel, spray paint, plywood 45 x 35 cm $4,200.00 |
|
Ricky Maynard Murray Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Liu Wei Dialogue No.1 2015 Mirror, metal and wood 90 x 110 x 70 cm USD 125,000.00 |
|
Sonia Gomes Memória 2006 stitching, bindings, different fabrics and laces on wire 50 x 36 x 23 cm
MW |
|
Cory Arcangel Shania / Lakes 2015 1920x1080 H.264/MPEG-4 Part 10 looped digital file (from 11 lossless TIF masters), media player, 70” flatscreen, armature, and various cables 200.6 x 92.7 x 28 cm USD 60,000 |
|
Lucia Laguna Paisagem n. 88 2015 Acrylic and oil on canvas 160 x 160 cm FV |
|
Mark Wallinger Self Portrait (Freehand 29) 2013 Acrylic on canvas 75 x 50 cm £22.500 excl. VAT |
|
Ricky Maynard Sean Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Jon Campbell Fuck yeah (Warhol) 2015 acrylic paint, linen 41 x 56 cm $4,750.00 |
|
Lillian O’Neil When you died 2015 collage on Kappa board, framed 185 x 95 x 6cm (estimated framed dimension) $ 9,000.00 (incl. GST) [note: this image is of Photoshopped framed not actual frame] |
|
Ricky Maynard Philip Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Sonia Gomes Nº1, from Torções Circulares series 2015 stitching, bindings, different fabrics and laces on wire 90 x 58 x 44 cm
MW |
|
Ryan Gander View with culturally preoccupied eyes (17:31) 2014 Panoramic black and white framed photographs 2 elements 200 x 150 cm and 200 x 75 cm Edition 1 of 1 (+ 1 A.P.) Price 35 000 GBP VAT Excluded |
|
Alicja Kwade Conversation in Perspective 2016 Mirror, brass 150 x 280 cm €75,000 |
|
Ryan Gander The things you make they mock you, the things you make they mimic you (It’s a hang!) 2012 84 Frames of 28,5 x 35,5 x 2,7 cm Overall dimensions 223,5 x 470 cm Edition 1 of 1 (+ 1 A.P.) Price (1/1) 37 500 GBP VAT Excluded |
|
Florian Meisenberg MW.FMG.P.012.00.00 Detail
|
|
Jon Campbell Fuck Yeah (Matisse) 2015 acrylic and enamel paint, cottonduck 41 x 56 cm $4,750.00 |
|
Katharina Grosse o.T. 2009 acrylic and soil on canvas 217 x 203 cm EUR 85,000.00 + VAT |
|
Cerith Wyn Evans Neon forms (resembling clouds...) 2014 Neon 67 x 170 x 4.5 cm Edition of 5 Price TBC |
|
Franz West Untitled 1986-88 Gypsum, gauze, and paint on artist's plinth Overall dimensions: 160.3 x 45.1 x 36.2 cm Sculpture: 50 x 45 x 30 cm Base:110.2 x 32.1 x 32.1 cm DZ |
|
William MacKinnon The party is over 2015 oil & automotive enamel on synthetic linen 150 x 200 cm $10,000 -
|
|
David Griggs Frat of the Obese 5 2011 acrylic on canvas 183 x 137 cm 10,000.00 AUD (inc. GST) |
|
Jess Johnson Flesh (Black) 2015 acrylic paint, pen on paper 76 x 56 cm (paper size) $3,000.00 (GST inclusive) |
|
Michael Riley Telphia 1990/2013 from the series Portraits by a Window pigment UltraChrome ink on Platine fibre rag 60 x 41cm (image size) 62 x 43.3cm (frame size) edition 15 + 1AP (+ exhibition set) $3,500.00 (unframed)
Telphia Joseph was a dancer with the Aboriginal Islander Dance Theatre and a former model with Lee Madden’s Promotions and Model Agency in Redfern that promoted Aboriginal models on catwalks internationaly. She now works prominently in National Indigenous Health Advocacy programs. |
|
Ricky Maynard Sean Series: Saddened Were the Hearts of Many Men silver gelatin FB 45 x 45cm Edition 7 of 10 $5500 |
|
Rodney Graham Nautical Scene with Loudhailer 2004 Chromogenic transparency, plexiglass, aluminium 68.6 x 85.7 x 13.9 cm edition 10 of 10 plus 3 APs USD 90,000 |
|
Cy Twombly Untitled (Sperlonga) 1963 Lead pencil, colored pencil, wax crayon, and acrylic on paper Paper: 55.9 x 42.5 cm Framed:80.6 x 65.4 x 4.1 cm DZ |
|
LOT 1
Tom Roberts (1856-1931) On the Beach, Port Macquarie 1896 signed and dated 'Tom Roberts 96' lower right; inscribed 'Lake Macquarie by Tom Roberts' in pencil verso oil on wood panel 19.0 x 43.0cm (7 1/2 x 16 15/16in).
AU$ 120,000 - 150,000 £65,000 - 81,000
PROVENANCE Private collection Thence by descent Private collection, Sydney
EXHIBITED probably The Society of Artists Members Autumn Exhibition, Mutual Life Association of Australasia Buildings, Sydney, March 1896, cat. 31
Along with fellow artists Albert Henry Fullwood and Gother Victor Fyers Mann, from December of 1895 through to late January of 1896, Tom Roberts enjoyed a summer yachting trip aboard Alexander Oliver's Antidote. Journeying along the Hastings River in northern New South Wales, the trip took in the quiet eddies of the river and broad, still mouth of Port Macquarie. Helen Topliss notes that whilst on the yacht, Robert's produced a number of paintings, seven of which were exhibited in the Society of Artists Autumn Exhibition of March that year.1 Considered lost, On the Beach, Port Macquarie, was one of those works, exhibited alongside 141 other works from various contemporaries at the Mutual Life Association of Australasia Buildings, then on the corner of George and Wynyard Streets in Sydney. Comprising entirely of smaller works, primarily landscapes, the exhibition was heralded as being of outstanding quality, 'One notices in a large number of them that brilliance and glow of color, which has begun to make itself felt in what one would like to call the Australian "school". An air of gladness tinges the mysteries and poetry of sea and sky. And after all, this is the tendency that one naturally looks for in a country such as ours. The sadness which once brooded over the Australian bush vanishes with each succeeding year.'2
Both Fullwood and Mann contributed works to the exhibition though it was Roberts whose paintings captured the mood of high summer on the river. Morning Light on the Hastings River, now in the collection of the Tasmanian Museum and Art Gallery, Hobart, (now known as A Morning on the Hastings River) and Sunset on the Yacht, Hastings River, are filled with colour and light as it reflects off the glassy river surface, the air still with the heat of January on the Australian coast. Resting on the sandy banks of the river, our subjects are presumably of the Antidote's party. Possibly fellow artists, the models may also be of the four other guests also on board – D.W. Roxburgh, Professor Richard Threlfall, Hugh Pollock, and W.C. Shipway. A letter on day nine of the journey described the party as very happily 'tossed, delighted, swearing, fresh, fagged, chirpy, sunsick, seasick, & perfectly well, growling, content, symposiums on the stern at evening, & upping anchor after midnight.'3
The 1890s had been a formative period for Roberts. The Hastings River trip was one of many such journeys as he sought to create work which defined a way of life which was particular to Australia. From the stations of northern New South Wales where Bailed Up, 1895, and The Golden Fleece, 1894 (both in the collection of the Art Gallery of New South Wales) were painted, Roberts sought out themes and subjects whose narratives formed a vision in counterpoint to the aestheticism of his contemporaries at the Royal Academy.
Gentle and contemplative, On the Beach, Port Macquarie, shows a quiet scene of companionable reflection with great fidelity. Painted en plein air with the wide river beyond, the subjects are loose limbed as they recline on the sand, enjoying a midday pipe. |
|
Robert Longo Untitled (Balcony) 2015 Charcoal on mounted paper 127 x 127 cm
TR |
|
Mario Garciá Torres The Strange Things My Eyes See (Postscript) n/d bronze on pedestal (unique); HD colour video Tetela (ed. 1/5) 13 x 65 x 50 cm (bronze); 125 x 70 x 70 cm (pedestal); 19 min. (video) EUR 35.000,00 + VAT if applicable |
|
David Griggs Frat of the Obese 14 2011 acrylic on canvas 110 x 119 cm 6,000.00 AUD (inc. GST) |
|
Tomma Abts Untitled #5 2014 Pencil and color pencil on paper Framed:89.5 x 64.5 cm Paper: 84.1 x 59.4 cm DZ |
|
Richard Lewer Saddle Bronc 2014 oil on epoxy coated steel 75 x 75 cm $9,000 |
|
William Yang Peter Tully, Sydney Gay and Lesbian Mardi Gras Series: Mardi Gras Gelatin Silver FB 40 x 26.5cm Edition 2 of 10 |
|
William Yang Street scene, Mardi Gras Series: Old New Borrowed Blue Inkjet Print 30 x 45cm Edition 1 of 20 $1540 |
|
Jess Johnson Flesh (Blue) 2015 acrylic paint, pen on paper 76 x 56 cm (paper size) $3,000.00 (GST inclusive) |
|
Trent Parke Tarot cards 2003 - 2015 from The Black Rose 36 pigment prints framed 20.5 x 17.5cm each edition 9 of 10 $25,000 (inc GST)
I dont think this is such a great image its just indicative.
|
|
Michael Riley Delores 1990/2013 from the series Portraits by a Window, pigment UltraChrome ink on Platine fibre rag 57.5 x 40.5cm (image size) 60.5 x 43.4cm (frame size) edition 15 + 1AP (+ exhibition set) $ 3,500.00 (unframed)
Delores Scott was a dancer with the Aboriginal Islander Dance Theatre. Her mother, Dr Evelyn Scott, is the Chairperson of the Aboriginal Council for Reconciliation.
|
|
Jess Johnson We Float 2015 acrylic paint, pen on paper 38.5 x 28 cm (paper size) $1,400.00 |
|
Richard Aldrich Flying UFO Flying 2015 Oil, wax and enamel on panel 213.4 x 147.3cm $80,000 |
|
Nicolas Guagnini Jo (Golden Shower) 2015 Vitrified glazed ceramic, book (John Wesley, P.S.1, New York [2000], ISBN: 0-9704428-0-7) Ceramic: 14 x 11 x 8 1/4 in Book: 2.5 x 31.1 x 24.1cm $16,500 |
|
Tobias Rehberger Kyllikki hat eine Idee 2008 steel, marble, wood, nylon ropes, Montana spray paint, lacquer 200 x 200 x 220 cm EUR 65.000,00 + VAT if applicable |
|
Günther Förg Untitled 2006 Acrylic on canvas 195 x 165 cm
GL
|
|
Ai Weiwei Bicycle Basket with Flowers 2014 Porcelain 34 x 37 x 28cm EUR 150,000 |
|
Richard Serra Untitled 2001 Paintstick on paper Paper:100.6 x 78.7 cm Framed:86 x 108.2 x 6.3 cm DZ |
|
Tomma Abts Untitled 2010 Pencil, felt tip pen, fineliner pen, watercolor, and collage on paper Framed:36 x 27.3 cm Paper: 29.8 x 21 cm DZ |
|
Gabriel de la Mora ‘B-164’ 2015 Textile from vintage speaker 13.2 x 18.2 cm Framed: 31.6 x 36.6 x 4.5 cm USD 10,000 |
|
Matthew Ritchie Causal Drawing 2014 Powder coated aluminum 205.7 x 358.1 x 350.5 cm Edition 1 of 1 with with 1 AP $200,000 |
|
Ben Quilty Sharri (Queen) 2015 Oil on linen 265 x 202 cm $65,000
|
|
Ryan Gander Best work EVER EVER EVER EVER EVER EVER 2010 16 mm film (done from digital video transfered on 16 mm film) with separate digital voice - over Duration 3 minutes Edition 3 Price (2/3) (last edition available) Price (2/3) 15 000 GBP VAT Excluded |
|
Michael Riley Avril and Miya 1990/2013 from the series Portraits by a Window, pigment UltraChrome ink on Platine fibre rag 49 x 41cm (image size) 51.6 x 43.2cm (frame size), edition 15 + 1AP (+ exhibition set) $ 3,500.00 (unframed)
Avril Quaill is an artist, curator and arts administrator. She was a founding member of Boomalli Aboriginal Artists Co-operative, former Artistic Director of the Cairns Indigenous Art Fair and is currently Principal Arts Development Officer for Arts Queensland.A vintage print of this image is in the collection of the National Gallery of Australia, Canberra. |
|
Tracey Emin I love you 2014 Bronze 111.8 x 25.4 x 15.2 cm Edition of 6 GBP 120,000.00 plus VAT |
|
Florian Meisenberg MW.FMG.P.004.00.00 Detail
|
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Nicolas Guagnini
International Brigade 2015 Vitrified glazed ceramic, book, (Dalì, Arnoldo Mondadori, Milan [September 1978], ISBN: 978-1555213428) Ceramic: 47 x 33 x 19.1cm Book:12.7 x 31.8 x 26cm $20,000 |
|
William Yang Darren + Linden Part 3 Series: Old New Borrowed BLue Gelatin Silver FB 27 x 40cm Edition 11 of 20 $3080 |
|
Jorge Pardo untitled 2007 extira mdf, lacquer, formica, fabric, acrylic glass, 5 electric ventilators, glass, light 205,5 x 267 x 206 cm USD 225.000,00 + VAT if applicable |
|
Jess Johnson Flesh (Red) 2015 acrylic paint, pen on paper 76 x 56 cm (paper size) $3,000.00 (GST inclusive) |
|
Robert Mapplethorpe Honey 1976 gelatin silver print 50.8 x 40.6 (paper) FN |
|
Richard Aldrich Untitled 2014-2015 Oil, wax and enamel on panel 50.8 x 38.1cm $20,000 |
|
Wolfgang Tillmans water melon still life 2012 Inkjet print on paper, clips 138 x 206 cm Edition 1 of 1, 1 AP DZ |
|
Billy Childish West St. Modeste, Pinware Bay (version) 2015 Oil and charcoal on linen 61 x 91.5 cm £ 8,200.00 GBP ex VAT |
|
Andy Goldsworthy Kelp thrown into a grey, overcast sky, Drakes Beach, California, 14 July 2013 2013 Archival inkjet print 80 x 53.33 cm
GL
|
|
Gabriel de la Mora ‘B-224’ 2015 Textile from vintage speaker 21.6 x 26.3 cm Framed: 40 x 44.7 x 4.5 cm USD 10,000 |
|
Erwin Wurm Mutter 2014 Bronze, orange patina 168 x 80 x 43 cm TR |
|
Wolfgang Tillmans Iquitos Amazon 2013 Inkjet print and clips 135 x 202.5 cm Edition 1 of 1 plus 1 AP Certificate of Authenticity $75,000 FM |
|
Ryan Gander And You Will be Changed (Centre Pompidou, Paris) 2014 Video, color, sound (French spoken, English subtitles) Duration: ca. 10 minutes Edition of 3 (+ 2 A.P.) Price (3/3) 15 000 GBP VAT Excluded |
|
Jules de Balincourt Untitled (Phi) 2013 Oil on Panel 182.9 x 121.9 cm $110,000 |
|
Matthew Ritchie Saturn Time 2015 Oil, ink, wax and varnish on canvas Framed dimensions: 253.8 x 259.1 x 6 cm Artwork dimensions: 223.5 x 251.6 x 4 cm Signed label |
|
Julie Mehretu Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin) 4 |
|
William Yang Fear of Aids Series: Old New Borrowed Blue Inkjet Print 33 x 42cm Edition 5 of 10 $1980 |
|
Adam Norton Modernist Spaceship 2015 pigment ink on card Edition of 3 plus 1 AP 10 x 15 cm $550 (framed) |
|
William Yang Ian Jopson as the Angel by William Yang Series: Old New Borrowed Blue Gelatin Silver FB 29 x 40cm Edition 4 of 10 $3080 |
|
Corplegados Installation view |
|
Jess Johnson They Float 2015 acrylic paint, pen on paper 38.5 x 28 cm (paper size) $1,400.00
|
|
Michael Riley Joe and Brenda 1990/2013 from the series Portraits by a Window pigment UltraChrome ink on Platine fibre rag 53 x 41cm (image size) 55 x 43.4cm (frame size) edition 15 + 1AP (+ exhibition set) $3,500.00 (unframed)
Joe Croft was the first Aboriginal person to study at an Australian university, Queensland University in 1944. He is father of Brenda Croft, artist and Senior Curator of Aboriginal and Torres Strait Islander Art at the National Gallery of Australia, Canberra between 2002-2009. She co-curated the Australian Indigenous Art Commission at The Musée du quai Branly, Paris. She curated Riley’s posthumous retrospective, Michael Riley: sights unseen, at the National Gallery of Australia and touring venues. She was a founding member of Boomalli Aboriginal Artists Co-operative. She is currently Senior Research Fellow at the University of New South Wales. |
|
Jutta Koether Brooklyn Boogie II 2015 Oil or acrylic on canvas or panel Each: 30.5 x 30.5cm $60,000 |
|
Günther Förg blei and blei II Detail |
|
Richard Aldrich Dealing With My Own Obsession With the Idealization of Dylan Going Electric #s 1 and 2 2005 Oil, wax and duct tape on canvas; oil and wax on linen Diptych: 121.9 x 91.4cm and 101.6 x 76.2cm $60,000 |
|
Robert Mapplethorpe Larry 1979 gelatin silver print 50.8 x 40.6 (paper) FN |
|
Peter Doig Blizzard '77 1997 Folio of eight aquatint etchings on paper 49 x 39 cm Paper size Edition 14 of 17 image IV (split set) |
|
Wolfgang Tillmans paper drop fused I 2006 Inkjet print on paper, clips 207.3 x 138.1 cm Edition 1 of 1, 1 AP DZ |
|
Rita Ackermann (b. 1968) Fire by Days XXXIX 2011 Oil, pigment and spray paint on paper 91.4 x 68.6 cm USD 35,000.00 |
|
Robert Rauschenberg Monkey Climb (Borealis) 1990 Tarnishes on brass 154,3 x 93,3 cm TR |
|
Billy Childish amongst cactus Installation view |
|
Adam Norton Ice Borg 2015 pigment ink on card Edition of 3 plus 1 AP 15 x 10 cm $550 (framed) |
|
Gerhard Richter 25 Farben [902-33] 2007 Enamel on Alu Dibond 48.5 x 48.5 cm |
|
Jesse Wine Mr Good Ideas II 2015 Glazed Ceramic 60 cm £6,000.00 |
|
Sabine Moritz 2 Peonies 2014 Oil on canvas 61 x 51 cm |
|
Ivan Morely From Don, George, and Diane 2008 Oil, wax, and KY Jelly on canvas 133.4 x 120.7cm $32,000 |
|
|
Renata Lucas quadroquadro (overall) 2015 wood, metal, glass, mirror 97 x 67 x 4,5 cm EUR 50.000,00 + VAT if applicable |
|
Max Dupain Macquarie Place 1937 silver gelatin photograph, printed later inscribed 'Macquarie Place.' lower left; signed and dated 'Max Dupain '37 - ' lower right 44.5 x 28.3 cm Estimate $2,000-4,000
Provenance Minter Ellison Collection, Sydney
As the pre-eminent photographer of Australian architecture for more than half a century, Dupain's work often explores shapes hidden within the geometry of buildings. In Macquarie Place we see the preliminary stages of his interest in line as a tool to create meaning and beauty. The photograph is particularly enthralling in its use of line, which is used to construct multiple layers of depth. |
|
Gert & Uwe Tobias Untitled 2015 woodcut on canvas 240 x 190 cm Edition 1/2 plus 1 AP CFA |
|
Günther Förg blei and blei II Detail |
|
Thomas Ruff Substrat 32 I 2007 Chromogenic print 184.8 x 284.8 x 6 cm Edition 1 of 3 DZ |
|
Max Dupain Steam at Central 1939 silver gelatin photograph, printed later inscribed 'Steam at Central' lower left; signed and dated -Max Dupain '40 - ' lower right 38.4 x 39.5 cm Estimate $3,000-5,000
Provenance Minter Ellison Collection, Sydney
As evident in his photograph Steam at Central, Dupain was heavily influenced by European and American modernist photographers. As 20th Century Industrialism blew full steam ahead around the globe, the busy, chaotic and transitory train station became symbolic of the times. This work can be aligned with seminal European modern artworks which depicted similar scenes, such as Monet's The Saint-Lazare Train Station (1877). Steam at Centralpoints toward the impact of modernism in Australia, making it a very important part of Australian art history. |
|
Robert Rauschenberg Barrier (Borealis) 1990 Tarnishes on brass 93,3 x 124,1 cm TR |
|
JOHN OLSEN Lake Alexandrina and Dirt Roads 1997-1998 oil on canvas signed and dated 'John / Olsen / 97-98' lower right; signed and inscribed 'Dirt Roads & LAKE John / Olsen' verso 199 x 183 cm
Estimate
$140,000 - $180,000
Provenance Savill Galleries, Sydney Private Collection, Melbourne, acquired from the above
Exhibited
John Olsen: Recent Work 1995-1998, Olsen Carr Art Dealers, Sydney, 7-25 April 1998, no. 13, illustrated John Olsen, Savill Galleries, Sydney, 2-26 June 1999 Australian Painting, Savill Galleries, Sydney, 16 May - 17 June 2001, no. 27, illustrated (label verso)
Literature Giles Auty, 'Grasping the Subject', The Weekend Australian, Sydney, 11-12 April 1998 Deborah Hart, John Olsen, Craftsman House, Sydney, 2000, p. 234 Jenny Zimmer and Ken McGregor, John Olsen: Journeys into the 'You Beaut Country', Macmillan, Melbourne, 2007, pp. 200-201 (illustrated), 315
|
|
Robert Motherwell Gauloises on Scarlet over Yellow No. 3 1972 Acrylic and pasted papers on canvas Framed Dimensions: 97.2 x 59.1 cm Artwork Dimensions: 76.2 x 38.1 cm Catalogue raisonné no. C333 |
|
Max Dupain York and Carrington Street - Twilight 1930 silver gelatin photograph, printed later inscribed 'York and Carrington - Twilight.' lower left; signed and dated '- Max Dupain '30' lower right 39.5 x 49.5 cm Estimate $3,000-5,000
Provenance Minter Ellison Collection, Sydney
Dupain said that modern photography must do more than entertain, it must incite thought and by its clear statements of actuality, cultivate a sympathetic understanding of men and women and the life they create and live. |
|
Max Dupain The Office Worker's Dream 1950 silver gelatin photograph, printed later 37.8 x 31.4 cm Estimate $2,000-4,000
Provenance Minter Ellison Collection, Sydney
Dupain was heavily influenced by European and American modernist photographers and this is evident here. Rather than making descriptive photographs, they were more interested in exploring abstract form. It is this move from the former to the latter that describes the move from Pictorialism to Modernism that occurred in Europe early in the 20th Century and later in Australia with the work of Max Dupain leading the way. Dupain’s beach images portray a way of life that has now become embedded in the Australian Psyche – hedonistic sun worship – the city dwellers' weekend recreation.
|
|
Fudong Yang New Women 4 2013 Black and white inkjet print Photo: 110 x 165 cm Frame: 175 x 200 cm Edition of 10 plus 2AP |
|
Adam Norton Steampunk Spaceship 2015 pigment ink on card Edition of 3 plus 1 AP 15 x 10 cm $550 (framed) |
|
Ged Quinn Narrow Roads of Geneland 2013 Oil on linen 61.5 x 50cm Framed: 97.5 x 86.5 x 22cm £35,000 |
|
Gabriel Orozco Two Grids 2012 Photography 20 x 15 cm(framed) Edition of 10 plus 1 AP USD 12 000 |
|
LOUISE LAWLER ABN AMRO Zaal 2012/2013 Laminated Fujiflex mounted on museum box 20 x 39 1/2 inches 50.8 x 100.3 cm Edition 2/5 $40,000.00 |
|
Peter Doig Blizzard '77 1997 Folio of eight aquatint etchings on paper 49 x 39 cm Paper size Edition 14 of 17 image V (split set) |
|
Subodh Gupta No Ritual, No Spiritual, Just a Form #2 Alternate View |
|
Saskia Leek Untitled 2014 oil and gesso on aluminium board 57 x 47cm $4,400.00 |
|
Martin Creed Work No. 1926 2014 Acrylic on canvas 50.7 x 40.5 cm 56.5 x 46 x 5 cm (framed) 50.000,00 USD + VAT |
|
Saskia Leek Untitled 2014 oil and gesso on aluminium board 57 x 47cm $4,400.00 |
|
Max Dupain Martin Place at Night 1939 silver gelatin photograph, printed later inscribed 'Martin Place. Twilight' lower left; signed and dated 'Max Dupain '60s -' lower right 49.5 x 39.5 cm Estimate $3,000-5,000
Provenance Minter Ellison Collection, Sydney
Dupain's focus on the expanding landscape of urban Sydney firmly places his work - such as Martin Place at Night - within Australian modernist rhetoric. Building upon European traditions of composition: balance, framing and most obviously vanishing point, ensure that Dupain's photograph is beautiful in its precision and skill. Particularly worthy of appreciation is Dupain's use of light, which illuminates his subject: the city. |
|
Max Dupain Surf Race Start 1940 silver gelatin photograph, printed later inscribed and dated 'SURF RACE 1938' lower left 36.8 x 38 cm Estimate $3,000-5,000
Provenance Minter Ellison Collection, Sydney
In contrast to the elegant aestheticism of Sunbaker, Surf Race and March Past highlight the masculinity of the subject bodies. Taut and muscular, as they surge into the surf or march in its honour, these images each portray one instant in time, a single perfect moment frozen forever. They present the stereotypical sun-bronzed surfer, healthy and strong, competing in outdoor sports at the beach. |
|
Zhang Enli Trunk 2006 Oil on canvas 130 X 240 cm USD 195,000.00
|
|
Thomas Hirschhorn Pixel-Collage n°2 2015 Paper, plastic sheet, tape 170 x 185 cm EUR 25 000 |
|
MARLO PASCUAL Untitled 2013 Digital C-print Print size: 50 x 40” / 127 x 101.6cm Edition of 2 MP2013-023 $15,000.00 |
|
Michael Riley Tracey 1986/2013 from the series NADOC '86: Aboriginal and Islander Photographers pigment UltraChrome ink on Platine fibre rag 34.5 x 72 cm (image size) 37.5 x 76cm (frame size) edition 15 + 1AP (+ exhibition set) $ 3,500.00 (unframed)
Tracey Moffatt is an internationally acclaimed artist and filmmaker. She has had solo exhibitions at the Dia Art Foundation and the Museum of Modern Art, New York. Her influential experimental film Night Cries: A Rural Tragedy was selected for offical competition at the Cannes Film Festival in 1990, four years after this portrait was taken. She was a founding member of Boomalli Aboriginal Artists Co-operative. In 2013, she was awarded the Australia Council Visual Arts Award. A vintage print of this image is in the collection of the National Gallery of Australia, Canberra.
|
|
DARREN ALMOND Fullmoon@North Atlantic 2013 c-print, mounted onto aluminium Image size: 70,9 x 70,9 in / 180 x 180 cm, 74 x 74 in / 188 x 188 cm, framed edition of 3 plus 2 AP (1/3) £ 20.000,00 (VAT not included) |
|
Michael Riley Kristina 1986/2013 from the series NADOC ’86: Aboriginal and Islander Photographers pigment UltraChrome ink on Platine fibre rag 35 x 69.5 cm (image size) 37.5 x 71.6cm (frame size) edition 15 + 1AP (+ exhibition set) $ 3,500.00 (unframed)
Kristina Nehm was a dancer with the Aboriginal Islander Dance Theatre as well as a singer and actor. She has appeared in numerous Australian films and television dramas.A vintage print of this image is in the collection of the National Gallery of Australia, Canberra.
|
|
Wolfgang Tillmans Haircut 2007 Chromogenic print Framed: 44.8 x 34.6 x 2.5 cm Paper: 40.5 x 30.5 cm Edition 4 of 10, 1 AP Signed verso $8,000 FM |
|
Wolfgang Tillmans Schneckenstilleben 2004 Chromogenic print mounted on Dibond aluminum in artist's frame 146 x 213 x 6 cm Edition 1 of 1 plus 1 AP Signed verso Reserved |
|
William Kentridge If You Have No Eye 2014 Linocut printed on a selection of non-archival dictionary pages, collaged and attached with archival tape to a backing sheet of Arches, Cover White, 300 gsm. Paper: 202 x 108 cm Edition of 24 |
|
Petra Cortright i feel u 2015 Webcam video Dimensions variable, 1 min. 46 sec. Edition of 3 with 1 AP 10,000 USD |
|
Peter Doig Black Palms 2004 Etching on paper 53 x 38 cm |
|
Michael Riley Kristina 1984/2013 from the series Koori Art '84 pigment UltraChrome ink on Platine fibre rag 41 x 60 cm (image size) 43.5 x 62cm (frame size) edition 15 + 1AP (+ exhibition set) $ 3,500.00 (unframed)
A vintage print of this image is in the collection of the National Gallery of Australia, Canberra. Kristina Nehm was a dancer with the Aboriginal Islander Dance Theatre as well as a singer and actor. She has appeared in numerous Australian films and television dramas.This is the first formal portrait that Riley exhibited. |
|
Ed Fornieles You and Me Land: The shadows of New York, The Longest Ride 2015 Cartoons on acrylic and watercolour paper mounted on dibond with aluminium frame. 90 x 90 x 5 cm $ 9,000 + VAT |
|
Ivan Morley A True Tale 2015 Thread on canvas 168.5 x 80cm $32,000 |
|
MICHAEL ZAVROS Crystal/Thistle 2013 oil on canvas 73 x 55 cm $27,000 SOLD |
|
Max Dupain Sunbaker 1937 silver gelatin photograph, printed later signed and dated '- Max Dupain '37 - ' lower right 39.2 x 43.5 cm Estimate $15,000-20,000
Provenance Minter Ellison Collection, Sydney
Sunbaker, now an iconic image, was taken while he was on holiday at Culburra, on the New South Wales South Coast, in 1937. It pictures a sunbaker, completely relaxed and at one with the landscape. He lies motionless, with his back exposed to the sun and the heat, the sweat glistening on his skin. By using a low-angle shot, Dupain has transformed the simple shapes of the man’s oval head and triangular torso into a mountain-like outcrop set against the line where the sea meets the sand. In the image, the sunbaker is the dominant shape and only figure. He is positioned in the middle of the frame, for maximum effect, and the eye, drawn initially to his head, is lead over his shoulders and down his arms to his hand, as it sits lightly on the sand. He is enjoying that moment of blissful repose after the struggle with the waves, when consciousness is all gathered into the body’s sensation of the hot sun after the cold sea. |
|
MARLO PASCUAL Untitled 2013 Digital C-print Print size: 50 x 40” / 127 x 101.6cm Edition of 2 MP2013-024 $15,000.00 |
|
Alicja Kwade Unexplained Attraction (Roof Lath/Sheet steel) Alternate View |
|
Ed Fornieles You and Me Land: The shadows of New York, Skin Trade 2015 Cartoons on acrylic and watercolour paper mounted on dibond with aluminium frame. 90 x 90 x 5 cm $ 9,000 + VAT |
|
Ivan Morley A True Tale 2015 Thread on canvas 203.2 x 121.9cm $40,000 |
|
LOT 24
Rammey Ramsey (born circa 1935) Untitled (My Country) 2007 initialled and inscribed 'RR / Jirrawun Arts / RR 11 2007 124' verso natural earth pigments and synthetic polymer paint on composition board 80.0 x 100.0cm
AU$ 4,000 - 6,000 £2,200 - 3,200
PROVENANCE Jirrawun Arts, Wyndham, Western Australia Private collection, Queensland |
|
Pae White Fool’s Errand 2015 226 mirrored glass bricks diameter 430 cm each 10,9 x 23,8 x 6,7 cm USD 125.000,00 + VAT if applicable |
|
Peter Doig Blizzard '77 1997 Folio of eight aquatint etchings on paper 49 x 39 cm Paper size Edition 14 of 17 image VI (split set) |
|
Max Dupain Maroubra Marches Past at Bondi 1950 silver gelatin photograph, printed later inscribed 'March Past. Maroubra' lower left; signed and dated 'Max Dupain '30s -' lower right 29.5 x 42.2 cm Estimate $2,000-4,000
Provenance Minter Ellison Collection, Sydney
The beach is a vital part of Australian culture and in the spirit of his words, Dupain captured its varying moods with images of waves, sunshine, sand and people, during his holidays at beaches around the country, in pictures that have become his most famous. |
|
Maria Kontis Six (from the series 'Six Letters') 2012 Pastel on velvet paper 55.5 x 75.5 cm $6,000.00 |
|
Sandra Cinto Untitled (from the series By Chance and Necessity) 2015 watercolor and china ink on hand made washi paper 111.8 x 78.1 cm (framed) 102 x 69 cm (unframed) 12,000 usd + framing |
|
BRETT WHITELEY UNTITLED RED PAINTING 1961 oil, gouache, collage of canvas on board 32.0 x 39.0 cm $15,000 – 25,000 Provenance Matthiesen Gallery, London Collection of Lex Aitken and Alfredo (Bouret) Gonzalez, Sydney Literature Sutherland, K., Brett Whiteley: A Sensual Line, 1957–67, Macmillan Art Publishing, Melbourne, 2010, p. 246 |
|
John Baldessari Exulting Figure (with Coins) and Witness 1990 Two elements: color photographs in artist`s frames 142,2 x 177,8 cm SM |
|
Ged Quinn Cyclone 2014 Oil on linen 17.2 x 91.2cm £15,000 |
|
Georg Baselitz Reflexsigmund 2000 oil on canvas 210 x 136 cm CFA |
|
Tracey Emin I Felt you 2014 Gouache on board 25.4 x 30.5 cm 26.7 x 31.8 x 3.2 cm (framed) GBP 55,000.00 |
|
Yonatan Vinitsky Maestro 2015 Hand-Laminated from Laser Profiled and Etched Medite (3mm, 6mm, 9mm and 18mm) based on a shape from a Saul Steinberg drawing, Bespoke Laser Profiled Aluminium, Brass Hinges, 12-Core A2 Stainless Steel Wire, Right Angled Wormed Gear Motor (Output Speed 4.6rpm, Torque 88N.m), Wood Sealer, Acrylic Primer and Oil-Based Satin Paint (RAL 9016, RAL 9017, RAL 8011) When Standing: 180 x 85 x 65 cm |
|
Alicja Kwade Stellar Day Installation View |
|
Angel Otero Untitled 2015 Oil paint and oil paint skins collaged on canvas 20942 214.6 x 153.7 x 6.4 cm $50,000.00
Otero is using Picasso as a reference and these have great structure. The image is from the studio, but I can tell this one is great! |
|
Agnieszka Kurant Untitled (Meme Machine) 2015 LED lights, sensors, mirrors, perspex, glass, aluminium 69.9 x 89.5 x 61 cm 24,000 usd |
|
Georg Baselitz Mehr oder weniger leise gesungen 2015 Oil on canvas 203 x 125 cm TR |
|
Urs Fischer Doodlesac 2014 Acrylic paint, silkscreen medium, paper, acid-free mat board, dry mount adhesive, poplar frame, primer, oil-based paint, wood glue, plastic spacers, museum glass 55.7 x 60 x 3.5 cm image size: 32.1 x 36.5 cm paper size: 52.4 x 56.8 cm Edition of 6 plus 3AP SCHQ |
|
Georg Baselitz Davongehen, weggehen, abgehen 2015 Oil on canvas 305 x 209 cm TR
|
|
Ged Quinn Untitled 2014 Oil on linen 47.8 x 36.9cm £15,000 |
|
Wolfgang Tillmans Silver 117 2013 C-print 171 x 228 cm 181 x 237 cm Edition of 1 plus 1 AP USD 120 000 |
|
LIAM GILLICK GROUPED DECIDED 2008 painted aluminium opaque Plexiglas 150 x 300 x 30 cm 59.1 x 118.1 x 11.8 in €62,000 |
|
Alicja Kwade Time Zone Asia Detailed View |
|
Thomas Ruff nudes dh17 2012 Chromogenic print 155 x 110 cm Edition 2 of 5 plus 2 AP Signed, titled, and dated verso $65,000 |
|
Florian Meisenberg MW.FMG.P.016.00.00 Detail
|
|
Gabriel Orozco Empty Club #1 1996 Color photograph, ink, gouache mounted on Korean note paper 17.46 x 12.7 cm |
|
Karla Black Invasive Phase Detail |
|
Wangechi Mutu FlameDrop Ink, latex paint, color pencil and collage on linoleum 91.4 x 60.6 cm $ 85,000.00 (ex. taxes) |
|
Saskia Leek Untitled 2014 oil and gesso on aluminium board 61 x 51cm $4,400.00 |
|
BILLY CHILDISH the threshold of the invisible 2012 oil and charcoal on linen 72.05 x 96.06 inches 183 x 244 cm LM17219 €40,000.00 EUR |
|
Peter Doig Blizzard '77 1997 Folio of eight aquatint etchings on paper 49 x 39 cm Paper size Edition 14 of 17 image VII (split set) |
|
Ed Fornieles Limited edition T-Shirts: $90 Limited edition thermal mugs: $50 |
|
Michael Riley Maria 1986/2013 from the series NADOC ’86: Aboriginal and Islander Photographers, pigment UltraChrome ink on Platine fibre rag 39.1 x 40.9cm (image size) 41.5 x 43.4cm (frame size) edition 15 + 1AP (+ exhibition set) $ 3,500.00 (unframed)
Polly (Maria) Cutmore was a dancer with the Aboriginal Islander Dance Theatre and is Riley’s first cousin.
|
|
Yonatan Vinitsky Maestro Action shot |
|
Heimo Zobernig Untitled 2011 Oil on canvas 200 x 200 cm EUR 90 000 |
|
DORA LONGO BAHIA Gel Poetics (Internal Conflict in Burma 1943) - on going conflicts Edition: unique Date: 2012 Technique: acrylic and enamel on used truck canvas Dimensions: 171 x 168 cm Code: 78 0309 Price: US$ 22,000.00 |
|
Nicole Wermers Kusine (turquoise) 2008 painted steel and concrete 311 x 12 x 12 cm (steel sculpture) 11 x 45 x 45 cm (concrete base) 20,000 GBP |
|
Tracey Emin Feel You 2014 Gouache on canvas 30.7 x 30.7 cm 32 x 32 x 3.2 cm (framed) GBP 60,000.00 |
|
|
Monika Baer Überlieferung verpflichtet 2014 Acrylic and oil on canvas 250 x 220 cm $85,000.00 |
|
John Baldessari Storyboard (In 4 Parts): Boxer (On Floor Of Ring) Being Pummeled By Another Boxer 2013 Varnished inkjet print on canvas with acrylic and oil paint 193 x 238,1 cm US$ 275,000 |
|
ERNESTO NETO man and woman itaota 2013 2 photographs, 2 ceramic pots with plants Diptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 28.000,00 (VAT not included) |
|
Louise Bourgeois Untitled 2005 Fabric 40.6 x 52.7 cm |
|
|
Eddie Martinez Untitled 2015 Silkscreen ink, oil, enamel and spray paint on canvas 182.9 x 152.4 cm USD 40,000 |
|
William Kentridge Aegyptus Inferior 2008 Tapestry 270 x 360 cm Edition of 6 plus 2AP |
|
Sam Durant Study for Top Ten Places for Tax Avoidance and Money Laundering (Singapore variant) 2011 Spray enamel on cut map 50.8 x 95.9 centimeters $12,000 |
|
AI YAMAGUCHI yorokobi / aki 2011 47.5 x 37 cm print (framed) AUD 1,500 |
|
AI YAMAGUCHI yama to naru (1) 2011 40 x 34 x 1.8 cm acrylic on paper on panel AUD 8,700 |
|
Similar work: Alicja Kwade Pulse 2013 Steel; 400 x 80 x 57.2 cm (Fiac Paris, Jardin des Tuileries) |
|
Peter Doig Blizzard '77 1997 Folio of eight aquatint etchings on paper 49 x 39 cm Paper size Edition 14 of 17 image VIII (split set) |
|
Adel Abdessemed go on 2010 Cement and cotton 1 pair Left: 29.2 x 16.5 x 14 cm Right: 30.5 x 17.1 x 12.7 cm Certificate of Authenticity $180,000 |
|
Saskia Leek Untitled 2014 oil and gesso on aluminium board 54 x 44cm $4,400.00 |
|
DAMIAN ORTEGA Continuous fragment 2013 26 bronze bas-reliefs Dimensions variable Each approx.: 8 11/16 x 4 3/4 in. (22 x 12 cm) Edition of 3 USD 60,000.00 |
|
Ged Quinn Free Sample 2014 Oil on linen 41 x 61cm £15,000 |
|
Angel Otero Daughters of wheat and sky Detail view |
|
Stuart Middleton Sad Sketches 2 2014 Paper mâché, cardboard, watercolour, coloured pencil, polymer clay, aluminium foil and laminated chipboard 70 x 125 x 195 cm $ 12,500 + VAT |
|
Monika Baer monochrome 2009 Oil, matches, coin, key on canvas, cut 40 x 32.5 cm $16,000.00 |
|
Michael Riley Linda and Binni 1984/2013 pigment UltraChrome ink on Platine fibre rag 41 x 51.5cm (image size) 43.3 x 54cm (frame size) edition 15 + 1AP (+ exhibition set) $3,500.00 (unframed)
Linda Burney was one of the first Aboriginal woman to graduate from an Australian University, first Aboriginal person to be elected to the New South Wales Parliament and current Deputy Leader of the New South Wales Labour Party.
|
|
LIU WEI Exotic Lands No.17 2012 Doors, wood 79 1/2 x 62 3/8 in. (201.9 x 158.5 cm) USD 82,000.00 |
|
THOMAS ZIPP A. B.: Screaming P 2013 oil and marker on canvas cm 185 x 155 Euro 40.000 + VAT |
|
Ben Quilty Self Portrait Alien 2 2014 Oil on linen, diptych two panels 140x190cm AUS 38,000 inc GST |
|
Tracey Emin Grotto 2014 Edition of 6 Bronze 50 x 30 x 21 cm GBP 75,000.00 |
|
Nicole Wermers CSFX-2 2015 Vintage fur, steel tubing, upholstery, silk and velvet 90 x 65 x 60 cm 14,000 GBP |
|
Jim Shaw Crowd, House Web 2013 Acrylic, plastic model homes and magnets on muslin 121.9 x 243.8 x 7.3 centimeters $85,000 |
|
ANDRÉ KOMATSU Sem título 3 - da série Ato de ... Edition: unique Date: 2013 Technique: wood, spaypaint, glass, foamboard, iron nails and adhesive plastic tape Dimensions: 122 x 119,5 x 7 cm Code: 1594 0255 Price: US$ 15,000.00 |
|
Urs Fischer TBD 2014 aluminum panel, aluminium honeycomb, two-component epoxy adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, spray enamel, acrylic silkscreen medium, acrylic paint 243.8 x 304.8 x 2.5 cm SOLD |
|
Alicja Kwade Waiting for the Present Kunstmuseum St.Gallen, November 22, 2014 – February 15, 2015 Installation shot |
|
Sabine Moritz Dahlien 2014 Oil on canvas 61 x 51 cm |
|
Billy Apple®
SW |
|
Robert Longo Untitled (Cold as Love) 2015 Ink and harcoal on mounted paper 116,8 x 101,6 cm TR |
|
MARLO PASCUAL Untitled 2013 Digital C-print Print size: 50 x 40” / 127 x 101.6cm Edition of 2 MP2013-025 $15,000.00 |
|
Jenny Holzer Assets and Activities 13 2013 Oil on linen 203.2 x 157.5 cm TEXT: U.S. GOVERNMENT DOCUMENT |
|
Alicja Kwade Not yet titled Detail |
|
Julie Mehretu Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin) 2014 Set of 4 multi-colored aquatint and spit bite on Hahnemuhle Museum Etching 450gsm Print: 206.4 x 115 cm Frame: 214.6 x 126 x 6 cm Edition of 30 1. |
|
Gabriel Kuri inverted lightbox SRPV02 2014 Mixed media on stainless steel and plexiglass lightbox 120 x 80 x 19.1 cm $25,000.00 |
|
Ben Quilty Self Portrait, cloaked 2015 oil on linen 190 x 140 cm $40,000
|
|
AI YAMAGUCHI yorokobi / natsu 2011 47.5 x 37 cm print (framed) AUD 1,500 |
|
Ged Quinn Spyder 2014 Oil on linen 49.5 x 61cm £15,000 |
|
Thomas Struth Steppe In Der Inneren Mongolei, Bei Hailar 2002 Chromogenic print 181.93 x 209.87 cm Edition of 10 |
|
Gabriel Orozco Water Drop 2005 Fuji crystal chromogenic archive c-print / 40.64 x 50.80 cm Edition of 5 USD 20,000 |
|
Alicia Frankovich Becoming Public: Actor 2015
and
The Female has Undergone Several Manifestations 2015
SW |
|
Saskia Leek Untitled (2) 2009 oil on board 29 x 39cm $3,300.00 |
|
ANTONY GORMLEY Meme CCCXXIII 2013 Cast iron 14 9/16 x 14 15/16 x 2 3/16 in. (37 x 38 x 5.6 cm) GBP 30,000.00 |
|
ROBERT LONGO Untitled (Bruce) 2013 Charcoal on mounted paper 70 x 116 inches (image size) 177.8 x 294.6 cm 71 x 117 inches (frame size) 180.3 x 297.2 cm (MP# D-1378) RESERVED |
|
William Kentridge Self-Portrait as a Coffee Pot 2012 Multiple run hand printed lithograph and collage 88 x 71.5 cm Edition of 35 |
|
Peter Doig Black Palms 2004 Etching on paper 53 x 38 cm |
|
Jacco Olivier Pav de Flore 2015 HD animation 3 minutes Edition 1 of 5 plus 1AP $ 25,000.00 (ex. taxes) |
|
Michael Riley Avril 1986/2013 from the series NADOC ’86: Aboriginal and Islander Photographers pigment UltraChrome ink on Platine fibre rag 40.9 x 59.5cm (image size) 43.5 x 62cm (frame size) edition 15 + 1AP (+ exhibition set) $ 3,500.00 (unframed)
Avril Quaill is an artist, curator and arts administrator. She was a founding member of Boomalli Aboriginal Artists Co-operative, former Artistic Director of the Cairns Indigenous Art Fair and is currently Principal Arts Development Officer for Arts Queensland.
|
|
GISELA MOTTA & LEANDRO LIMA Beija-Flor Edition: 2/3 Date: 2013 Technique: installation - 2 tripods, 1 single-chip DLP projector, 1 DC motor (10k rpm), propellers, video player and AC / DC transformer 3.3V. Dimensions: variable Code: 1656 0198 Price: US$ 15,000.00 |
|
Tony Albert We Come In Peace 2014 vintage playing cards, metal 110 x 82 x 5.5 cm Not available for sale |
|
Stuart Middleton Sad Sketches 1 2014 Paper mâché, cardboard, watercolour, coloured pencil, polymer clay, aluminium foil and laminated chipboard 105 x 100 x 100 cm $ 12,500 + VAT |
|
Monika Baer on hold (constant repair) 2014 Acrylic, ink, oil on mirror and canvas 180 x 140 cm MB.004 $40,000.00
|
|
Ronnie Van Hout Ray and Mike 2014 cast polyurethane, fiberglass, acrylic, clothing, wig, glass eyes, plastic 137 x 210 x 50cm (approx.) $18,500.00 |
|
Gillian Wearing Wallpaper 2015 wallpaper dimensions variable edition of 9, 2 APs Edition 1 of 9 10,000 GBP |
|
Anne Collier Negative (California) 2013 C-print 226.4 x 180.3cm unframed 229.6 x 183.5 x 4.5 cm framed Edition of 5 USD 38,000 + VAT |
|
Ged Quinn Ava Gardner Loves Our Country 2014 Oil on linen 200 x 396cm £125,000 - £140,000 |
|
Tracey Emin You are Here 2014 Gouache on board 30 x 25 cm 31.2 x 26.2 x 3.2 cm (framed) GBP 55,000.00 |
|
Rashid Johnson Off Season 2014 Mirrored tile, black soap, wax Unique 184.2 x 125.7 x 6.4 cm USD 110,000.00
See link to artist bio here. |
|
Günther Förg Untitled 1995 Gouache on paper Frame: 125.1 x 89.5 cm Paper: 119.4 x 101.6 cm signed and dated on recto $75,000.00 |
|
Robert Longo Study for X-Ray of "A Bar at the Folies-Bergere, 1882" after Manet 2015 Ink and charcoal on vellum 39,1 x 53,3 cm TR |
|
BILLY CHILDISH Rowers (version y) (Oyster Catchers, Thames Estuary 1932) 2012 oil and charcoal on linen 72.05 x 108.07 inches 183 x 274.5 cm LM17214 €45,000.00 EUR |
|
VIK MUNIZ Pictures of Magazine 2: Woman and Bicycle, after Willem de Kooning 2012 c-print digital / digital c print ed 3/6 160 x 100 cm |
|
Dominique Gonzalez-Foerster Exotourisme 2012 Neon, blue paint 20 x 102 x 9 cm wall paint (3 x 2 m) Variation of 3 €45,000 |
|
Gabriel Kuri inverted lightbox SRPV02 Detail |
|
Tony Cragg After We've Gone 2013 Bronze 90 x 46 x 41 cm |
|
Ronnie Van Hout Dad Drawing 1995/96 cotton embroidery on canvas 44 x 40 cm $3,000.00 |
|
Jenny Holzer The Living Series: You Can Make Yourself Enter Somewhere 1981 Enamel on metal, hand-painted sign: black on white 53.3 x 58.4 cm Text: Living, 1980-82 US$60,000 |
|
Alex Dordoy Dialta Cuts 4 2014 Silicone rubber, toner, oil paint 72 x 38 x 4 cm GBP 3,500 + VAT |
|
Thomas Struth Paradise 28, Rio Madre de Dios, Peru 2005 Chromogenic print 222 x 171.8 cm Edition of 10 |
|
Rita Ackermann Chalkboard Painting IV 2013 Acrylic, spray paint and chalk on canvas 198.1 x 111.8 x 4 cm USD 75,000.00 |
|
Lot 28
JEFFREY SMART Study for Supermarket Car Park II 2004 oil on canvas signed 'JEFFREY SMART' lower left frame: original, Graham Reynolds, Brisbane 60 x 77 cm
Estimate
$220,000 - $280,000
Provenance
Philip Bacon Galleries, Brisbane (label verso) Mr David Clarke AO, Sydney, acquired from the above on 20 August 2005 The Estate of the Late David Clarke AO, Sydney
Exhibited
Jeffrey Smart, Philip Bacon Galleries, Brisbane, 30 August - 1 October 2005, no. 12, illustrated
Literature
Christopher Allen, Jeffrey Smart: Unpublished Paintings 1940-2007, Australian Galleries, Melbourne, 2008, p. 54 (illustrated) |
|
Saskia Leek Untitled (6) 2009 oil on board 29 x 39cm $3,300.00 |
|
CALLUM INNES Untitled No.6 2013 oil on linen 160 x 156 cm 63 x 61.4 in £45,000 |
|
MARLO PASCUAL Untitled 2013 Digital C-print Print size: 50 x 40” / 127 x 101.6cm Edition of 2 MP2013-021 $15,000.00 |
|
Diana Thater Day for Night Four 2013 9 monitor videowall installation Overall: 173.67 x 307.34 x 9.21 cm Monitors, each: 58.1 x 102.55 x 9.21 cm HW |
|
Mamma Andersson Stays Installation View
|
|
Ronnie Van Hout Heaven and Hell 1995/96 cotton embroidery on canvas 54 x 81 cm $4,500.00 |
|
Michael Riley Darrell 1989/2013 from the series Portraits by a Window, pigment UltraChrome ink on Platine fibre rag 41.5 x 41cm (image size) 43.8 x 43.4cm (frame size), edition 15 + 1AP (+ exhibition set) $ 3,500.00 (unframed)
Darrell Sibosado was a student of the National Aboriginal and Islander Skills Dance Association. He undertook a producers cadetship at Film Australia and the ABC where Riley mentored him. He has been active in Indigenous arts management and cultural policy development. He currently works as Artist Development Manager at Koori Radio, Redfern. Sibosado features in Riley's first major conceptual photographic series, Sacrifice (1992).A vintage print of this image is in the collection of the National Gallery of Australia, Canberra |
|
CINDY SHERMAN Untitled 1996 Chromogenic color print 57 7/8 x 39 1/4 inches (image size) 147 x 99.7 cm 59 1/4 x 40 5/8 inches (frame size) 150.5 x 103.2 cm Edition 2/6 (MP# 317) $200,000.00 |
|
Ged Quinn Rose, Cherry, Iron Rust, Flamingo 2014 Oil on linen 267 x 200cm £125,000 - £140,000 |
|
John Baldessari The Artist Hitting Various Objects With a Golf Club 1972-73 Thirty color photographs Each image: 8.9 x 12.7 cm Overall: 78.4 x 84.5 x 3.2 cm
|
|
James Rosenquist Embrace III 1983 Oil on canvas 167.6 x 198.1 cm GTR |
|
Peter Doig Blizzard '77 1997 Folio of eight aquatint etchings on paper 49 x 39 cm Paper size Edition 14 of 17 image I (split set) |
|
Cecil W. Bostock A Portfolio Of Art Photographs Detail |
|
MARLO PASCUAL Untitled 2013 Digital C-print mounted on Plexiglas with sintra backing 31.75 x 25 x 2” / 80.6 x 63.5 x 5.1cm MP2013-026 $20,000.00 |
|
ELAD LASSRY Laminated Structure (For Collectable and Basket) 2013 c-print and silver gelatin print on c-print, painted frame 14.5 x 11.5 x 1.5 inches (36.8 x 29.2 x 3.8 cm) unique Inv# EL 13.036 Price: $16,000 |
|
Gabriel Kuri inverted lightbox SRPV02 Alternate View |
|
Peter Doig Black Palms 2004 Etching on paper 53 x 38 cm |
|
Ronnie Van Hout Heaven and Hell 1995/96 cotton embroidery on canvas 54 x 81.5 cm $4,500.00 |
|
Gillian Wearing Rock 'n' Roll 70 2015 framed c-type prints 131 x 192 cm Edition of 6, 2 APs Edition 3 of 6, with APs 35,000 GBP |
|
CINDY SHERMAN Untitled 2003 Chromogenic color print 45 1/4 x 31 1/8 inches (framed) 114.9 x 79.1 cm (framed) Edition 2/6 (MP# 411) $600,000.00 |
|
Chantal Joffe Striped Dress 2014 Oil on canvas 152.4 x 121.9 cm |
|
Mark Bradford Untitled 2014 Mixed media on canvas 142.2 x 109.2 x 109.2 cm USD 350,000.00 |
|
Stuart Middleton Sad Sketches 3 2014 Paper mâché, cardboard, watercolour, coloured pencil, polymer clay, aluminium foil and laminated chipboard 130 x 90 x 90 cm $ 12,500 + VAT |
|
Tomas Saraceno GSC 06214-00210/ M+W 2015 metal, polyester rope, fishing line, acrylic, steel thread 003mod 80cm metal cloud tensegrity wood 75,000 euro |
|
PAULINA OLOWSKA Mały nieznany teatr/Small unknown theatre 2013 gouache on canvas 100 x 140 cm PO2013_07 USD 45.000,- |
|
Simon Denny The Personal Effects of Kim Dotcom: Seized Property installation view |
|
Mark Bradford South View 2014 20 parts, each: 11 x 8 1/2 in. (27.9 x 21.6 cm) (unframed) 15 1/2 x 12 1/2 in. (39.4 x 31.8 cm) (framed) |
|
Trent Parke Dash 2009 from The Black Rose 150 x 120cm edition of 7 $8800
|
|
AI YAMAGUCHI yama to naru (13) 2011 40 x 34 x 1.8 cm acrylic on paper on panel AUD 8,700 |
|
Ernesto NETO dois seres de luz 2014 spices on canvas 80 x 120 cm $37,500.00 |
|
Tony Albert I Am, You Are, We Are 2014 vintage playing cards, metal 110 x 82 x 5.5 cm Not available for sale |
|
Eva Rothschild Teardrop 2014 Concrete, re-bar, metal, stones 82 x 70 x 70 cm GBP 35,000 |
|
LOT 25 PROPERTY FROM A PRIVATE COLLECTION, SYDNEY
ARTHUR STREETON (1867-1943) Auntie 1893 Oil on wood panel signed and dated 'Arthur StrEEton / 93' lower right 76 x 32.3 cm
Estimate $80,000 - $120,000
Provenance
Mr W. Hardy Wilson, Sydney Hardy Wilson Collection of Works of Art, James R. Lawson, Sydney, 3 May 1922, lot 346 Private Collection, Sydney Private Collection, Sydney, by descent
Exhibited
Studio Private View, Commercial Union Chambers, Sydney, 17-18 August 1893 Fourteenth Annual Exhibition, Art Society of New South Wales, Sydney, 1 September 1893, no. 223, GBP7.7.0 |
|
Julie Mehretu Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin) 2 |
|
Heimo Zobernig Untitled 2011 Acrylic on canvas 100 x 100 cm EUR 44,000 |
|
Jenny Holzer SECRET 5 Text: U.S. government document 2012 Oil on linen 147,3 x 111,8 x 3,8 cm 152,73 x 116,84 x 6,68 cm (framed) |
|
CADY NOLAND THE MIRROR DEVICE Lot 20 / Sale 1134 Price Realized £217,875 ($336,399) Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits. Estimate £200,000 - £300,000 ($307,200 - $460,800) Sale Information Sale 1134 Post-War and Contemporary Art Evening Auction 25 June 2013 London, King Street Lot Description Cady Noland (b. 1956) The Mirror Device chrome plated metal, steel handcuffs, flare gun and vanity mirror 22½ x 28 3/8 x 2 7/8in. (57.2 x 72.1 x 7cm.) Executed in 1987 Pre-Lot Text PROPERTY FROM THE COLLECTION OF MARCEL BRIENT Provenance Galerie Hans Meyer, Dusseldorf. Paris, Galerie 1900-2000. Private Collection, Paris. Anon. sale, Christie's New York, 10 November 1993, lot 267. Paula Cooper Gallery, New York. Acquired from the above by the present owner in 1996. Literature N. Jones, 'Anxieux Objets Made in USA', in Artstudio, Winter 1990 (illustrated, p. 119). Exhibited Dusseldorf, Galerie Hans Mayer, Works, Concepts, Processes, Situations, Information, 1988-1992 (illustrated in colour, p. 73). This exhibition later travelled to Paris, Galerie 1900-2000. Paris, Fondation Cartier pour l'art contemporain, Vraiment faux (Truly Fake), 1988-1991. This exhibition later travelled to Milan, Rotonda della Besana and Munich, Villa Stuck. Paris, Galerie 1900-2000, No, Not that one it's not a chair, 1990, no. 28 (illustrated, p.17). Lot Notes 'There is a method in my work which has taken a pathological trend. From the point at which I was making work out of objects I became interested in how, actually, under which circumstances people treat other people like objects' (C. Noland, quoted in M. Cone, 'Interview with Cady Noland', in Journal of Contemporary Art, vol. 3, no. 2, 1990, pp. 20-25).
Executed in 1987, Cady Noland's The Mirror Device is an objet trouvé forming a subversive portrait of American life. Conceived the year before her first solo exhibition at White Columns, New York, The Mirror Device is an early work from her practice, with other examples held in such prestigious museums as The Museum of Modern Art and The Guggenheim Museum, New York, and The Museum of Contemporary Art, Los Angeles. Regarded by art critic Peter Schjeldahl as the 'dark poet of the national consciousness', Noland's practice exposes the seedy underbelly of the American psyche, and its specific fascination with celebrities, violence and psychopathological behavior (P. Schjeldahl, 'Venice Anyone?', in Mirabella, September 1990, p. 93). In The Mirror Device, Noland flanks a vanity make-up mirror, with a chrome bar, defiling the glossy Hollywood associations with a pair of hand-cuffs and a fluorescent orange flare gun. For Noland, the combination of chrome and mirror draws out relative relationships: 'The coolness [of metal] might infer dissociation, but the mirror effect in some places is to draw you back in after the dissociation' (C. Noland, quoted in M. Cone, 'Interview with Cady Noland', in Journal of Contemporary Art, vol. 3, no. 2, 1990, pp. 20-25). By including the viewer's reflection as her fourth 'object', Noland implicates us in this scene casting us in this culture of celebrity, violence and falsification. In doing so, Noland deploys a quiet warning, presenting contemporary society and culture with stark and sobering clarity. This work belongs to a series of sculptures and installations that Noland began in the late 1980s examining the dark underbelly of criminality, violence and celebrity. Using found objects, images and texts, Noland transformed the discarded and often overlooked aspects of daily experience into a disturbing portrait of American life in the twentieth century. As she explained, 'There is a method in my work which has taken a pathological trend. From the point at which I was making work out of objects I became interested in how, actually, under which circumstances people treat other people like objects' (C. Noland, quoted in M. Cone, 'Interview with Cady Noland', in Journal of Contemporary Art, vol. 3, no. 2, 1990, pp. 20-25). Noland has associated this tendency with psychopathology and in her treatise, 'Towards a Metalanguage of Evil' which was included in Documenta X in 1992, the artist outlines the rules of play in a society where the successful are the psychopaths. It was here that she developed her ideas on the 'mirror device', a tool which she believes is used to 'mollify Y, and render him more pliable to X's manipulations', with X as the perpetrator and Y as the victim (C. Noland, 'Towards a Metalanguage of Evil', in Documenta X, vol. 3, New York 1991, p. 412). The Mirror Device is both rooted in its potent psychological charge as well as in art history. With an aesthetic vocabulary that integrates strategies historically associated with Pop and Post-Minimialism, Noland has developed a body of work which is distinctly separate from its abstract predecessors of the late 1960s through its host of overlapping allusions. |
|
Ronnie Van Hout Sincere Thanks 1995/96 cotton embroidery on canvas 103 x 62 cm $6,000.00 |
|
Jack Pierson Gold 2010 Folded pigment print 210.8 x 157.5 cm 3/3 |
|
Gary Simmons Strong Boy Title Fight 2015 Collage on wood 121.9 x 121.9 cm MP
|
|
Martin Creed Work No 1636 2013 Balls dimensions variable USD 85,000.00 |
|
Georg Baselitz Nänner männer acktem 2013 Oil on canvas 300 x 275 cm GTR |
|
Ronnie Van Hout Untitled 1994 cotton embroidery thread on linen 68 x 60.5cm $4,500.00 |
|
RITA ACKERMANN Chalkboard Painting IX 2013 Acrylic, spray paint and chalk on canvas 198.1 x 111.8 cm / 78 x 44 inches ACKER60541 USD 75,000.00 excl. VAT |
|
Ged Quinn Happy Unbirthday, Margarete 2014 Oil on linen 274.5 x 183cm £125,000 - £140,000 |
|
Zhang Enli The Transparent Fabric 2014 Oil on canvas 220 X 180 cm USD 235,000.00 |
|
Peter Doig Blizzard '77 1997 Folio of eight aquatint etchings on paper 49 x 39 cm Paper size Edition 14 of 17 image II (split set) |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Grayson Perry
A Map of Days (Special edition in artist's frame) 2013 Etching from four plates 111.5 x 151.5 cm Edition 5 of 6, lettered A-F plus 2 APs $ 100,000.00 (ex. taxes)
A self-portrait as a fortified town, the wall is perhaps my skin. Each day I worked on it I finished by marking the point with the date to highlight the passage of time in the production of art to reflect the forming and reforming of one’s identity. The self I think is not a single fixed thing but a life long shifting performance. In the centre is an open space, there is no pearl, no central core, our selves are but shifting layers of experience. My sense of self is a tiny man kicking a can down the road. - Grayson Perry |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Tomas Saraceno
One Module Cloud with interior net (working title) 2015 polished stainless steel, black steel cable, steel grommets 346 x 341 x 360 cm 180,000 euro |
|
KATHLEEN PETYARRE Sandhills and Engerima 2003 synthetic polymer paint on Belgian linen 186.5 x 187.5 cm Provenance: Urapunja Artists, Northern Territory Simon Turner International, New South Wales Coo-ee Aboriginal Art Gallery, Sydney Private collection, Sydney accompanied by a certificate of authenticity from Coo-ee Aboriginal Art Gallery, Sydney| Estimate: $15,000 - 18,000 |
|
SOPHEAP PICH Gold Drips on Black No. 2 2013 bamboo, rattan, wire, burlap, plastics, beeswax, damar resin, charcoal, bronze powder, copper powder 79 x 79 x 3 in. (200 x 200 x 8 cm) (Contains two images of the piece: one frontal view and one side view) USD 45,000 |
|
Sam Leach World as object Detail |
|
Peter Doig Black Palms 2004 Etching on paper 53 x 38 cm |
|
Ronnie Van Hout Untitled Embroidery 1993-2000 2000 cotton embroidery on canvas 100 x 60.5 cm $6,000.00 |
|
Astrid Klein Passage of Love 1980 Collage on cardboard 120,6 x 88 cm EUR 25,000 |
|
JESS MACNEIL Angle of Incidence (video still) 2012 high definition digital video with sound edition of 5 duration 11:07 min $15,000 |
|
Ricky Swallow Stair Principle Alternate view |
|
Sergej Jensen Untitled 2014 Acrylic on linen 279.4 x 229.9 cm $180,000.00 |
|
Yayoi Kusama DOTS-INFINITY [ATNON] 2014 Acrylic on canvas 145.5 x 112 cm Signed, titled, and dated verso Reserved |
|
Yoko Ono Revolution: Object in Three Parts (Bronze, cast of 1966 version) 1988 Bronze plate, condom, diaphragm, pill Plate length: 61 cm Edition 4 of 9 plus 2 AP Signature and edition engraved on reverse of plate |
|
Stuart Middleton Piss bottles 2014 Plastic bottles, resin, oil paint, cigarette ends $ 3,000 + VAT |
|
RICHARD PHILLIPS Ingrid II 2013 Oil on linen 60 x 78 3/4 in. (152.4 x 200.0 cm) USD 200,000.00 |
|
SIMON DENNY “Butterfly Fish Video Aquarium 2” 2010 aluminum, CRT television casing, screenprint on plexiglas and wood 75 x 100 x 20 cm SD2010_50 Euro 12.000,- |
|
Mark Bradford Bear Running From the Shotgun 2014 Mixed media on canvas 213.4 x 274.3 cm USD 800,000 |
|
Eva Rothschild Midnight Moonlight 2015 Fibreglass resin, paint, steel, oak 276.5 x 30 x 30 cm GBP 38,000 |
|
Ronnie Van Hout Untitled Embroidery 1993-2000 2000 cotton embroidery on canvas 100 x 60.5 cm $6,000.00 |
|
Peggy Preheim Ark 2015 mixed media 52.4 x 42.2 cm (framed) 8,200 + framing |
|
SOPHEAP PICH Untitled (The Night No. 2) 2012 bamboo, rattan, wire, burlap, plastics, beeswax, damar resin, earth pigment, charcoal, oil paint 78.74 x 79.13 x 3.15 in. (200 x 201 x 8 cm) USD 45,000 |
|
Tal R 13 West Indies 2013 Pigment and oil on canvas 132 x 85 cm |
|
Sam Leach World as object 2014 oil and resin on wood 28 panels, each 50 x 50 cm 200 x 350 cm overall $ 71,500 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Eva Rothschild
Teardrop Detail |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work ARTIST NAME Title of Work Year Materials Size of Work Price of Work Grayson Perry
Britain is Best 2014 Hand embroidery; silk, glass beads, sequins, cotton thread 120 x 100 cm Edition 9 of 20 plus 4 APs $ 85,000.00 (ex. taxes)
These are five loyalists from East Belfast. Four of them participated in a march I witnessed commemorating the centenary of the founding of the Ulster Volunteer Force and I was fascinated by how exotic it felt. Ironically being fervently patriotic is not a particularly British trait. Their portrait is in the form of an embroidered banner that might be carried aloft on a march. I deliberately chose a very colourful and jolly style as the murals that are everywhere in East Belfast erred heavily towards the dour and aggressive. - Grayson Perry |
|
Louise Lawler Obviously 2010/2015 Direct cibachrome mounted to plexiglass on museum box 53,3 x 42,9 cm Edition 2 of 5 plus 1AP US$ 45,000 |
|
AI YAMAGUCHI yama to naru (16) 2011 40 x 34 x 1.8 cm acrylic on paper on panel AUD 8,700 |
|
JITISH KALLAT Preamble 2013 Lenticular Photo Print 114 x 114 cm Edition 2/3 USD 20,000
In a series of works in various media, light box, photography, and video Jitish Kallat explores the formal and semantic analogies of planetary forms and food. He uses the ‘roti’, the Indian bread and a staple die, to represent the waxing and waning of the moon. In both cases food serves as a metaphor of sustenance, there one day and vanishing the next, much like the cycle of the moon that oscillates between abundance and dearth. |
|
Tracey Emin Grotto 2014 Edition of 6 Bronze 50 x 30 x 21 cm GBP 75,000.00 |
|
Lot 17
JOHN OLSEN Captain Dobbin 1973 oil and synthetic polymer paint on composition board signed and dated 'John Olsen / 73' lower left 183 x 228.5 cm
Estimate
$300,000 - $500,000
Provenance
Rudy Komon Gallery, Sydney Australian Galleries, Melbourne Mr Norman Glenn, New South Wales, acquired from the above in May 1989 Feneley Fine Art Consultants, Sydney Mr David Clarke AO, Sydney, acquired from the above on 28 June 2005 The Estate of the Late David Clarke AO, Sydney
Exhibited
First Biennale of Sydney, Sydney Opera House, Sydney, 23 November - December 1973, Sydney, no. 36 John Olsen, Atelier 72 Gallery, Adelaide, 11-30 March 1974 John Olsen, Institute of Modern Art, Brisbane, 1975, no. 3, 'Captain Bobbin'
Literature
Anthony Winterbotham (ed.), The Biennale of Sydney, Biennale of Sydney, Sydney, 1973 (n.p.) Deborah Hart, John Olsen, Craftsman House, Sydney, 1991, cat. no. 74, pp. 119, 121 (illustrated), 214 Deborah Hart, John Olsen (rev. ed.), Craftsman House, Sydney in association with G + B Arts International, 2000, pp. 119, 121 (illustrated), 253 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Petra Cortright
banksi unbrush ponitaeyel 2015 Webcam video Dimensions variable, 1 min. 8 sec. Edition of 3 with 1 AP 10,000 USD
|
|
Ronnie Van Hout Untitled Embroidery 1993-2000 2000 cotton embroidery on canvas 100 x 60.5 cm $6,000.00 |
|
SOPHEAP PICH Luminous Falls No. 1 2013 bamboo, rattan, wire, burlap, plastics, beeswax, damar resin, charcoal, bronze powder, copper powder 79 x 79 x 3 in. (200 x 200 x 8 cm) USD 45,000 |
|
Mark Bradford South View 2014 20 parts, each: 11 x 8 1/2 in. (27.9 x 21.6 cm) (unframed) 15 1/2 x 12 1/2 in. (39.4 x 31.8 cm) (framed) JJ53082 |
|
Hernan Bas Treasure Hunting in a Bog on a June Night with Nothing but an Old Map in a Book Detail |
|
Peter Doig Black Palms 2004 Etching on paper 53 x 38 cm |
|
Lara Favaretto New work, reference image FN |
|
Maria Kontis One (from the series 'Six Letters') 2012 Pastel on velvet paper 55.5 x 75.5 cm $6,000.00 |
|
CALLUM INNES Exposed Painting Cobalt Blue 2008 oil on linen 160 x 156 cm 63 x 61.4 in £45,000 |
|
Juan Uslé Title Pending 2014 Vinyl, acrylic, dispersion and dry pigment on canvas 46 x 31 cm |
|
|
Ed Fornieles You and Me Land: The shadows of New York, I’ll See You in My Dreams 2015 Cartoons on acrylic and watercolour paper mounted on dibond with live news ticker in aluminium frame. 100 x 140 x 5 cm $ 14,000 + VAT |
|
Ronnie Van Hout Untitled 1994 cotton embroidery on canvas 75.5 x 50.5 cm $4,500.00 |
|
Susan Philipsz Part File Score III 2014 Digital print and silk screen print on canvas 189 x 150 x 4.2 cm (framed) Edition of 3, 2 APs AP1 10,000 euro |
|
FRIEDRICH KUNATH Novalis’ Sunglasses 2013 (FK 1309) Acrylic, indian ink, graphite, charcoal, coloured pencil and varnish on paper; framed 138.4 x 106.1 cm sheet size 148.2 x 115.9 x 5.1 cm framed 17.500,– Euro |
|
Ged Quinn Saint Paul 2014 Oil on linen 93.5 cm x 49.5cm £35,000 |
|
Eva Rothschild Your Head In My Eyes Alternate View |
|
Marie Angeletti Catwoman 2014 Digital print on polished steel 110 x 154 cm $ 8,000 + VAT |
|
Bill Culbert Strait, Darkside 2014 fluorescent light, electrical cords, black plastic bottles (5 litre) 33 x 120 x 11 cm 18,000.00 EUR (inc. GST)
|
|
Shannon Ebner The Sun as Error 2009 chromogenic print 106.7 x 82 cm AP 1 (edition of 4 plus 2 AP) USD 15.000 + VAT |
|
GILLIAN WEARING Me As Talbot framed bromide print print: 147 x 124 cm - 57 7/8 x 48 7/8 inches edition of 6 + 2 AP 2013 (MP-WEARG-01000) GBP £35,000.00 exc VAT |
|
THOMAS STRUTH Cinema Anaheim, California 2013 C print 242 x 180 cm framed Edition of 10 [15036] |
|
Barti Kher Strange Dyad I 2014 Bindis on painted board 157.8 x 157.8 x 8.6 cm EUR 120,000.00 |
|
Monika Sosnowska Window grate 2015 Steel, paint 100 x 170 x 100 cm USD 80,000.00 excl. VAT |
|
Karen Black Making Do 2015 Oil on wood 46 x 37 cm $4,400
|
|
Ronnie Van Hout The Way Home 2014 cotton embroidery on canvas 2 panels, 110 x 80 cm each $8,500.00 |
|
WOLFGANG TILLMANS Silver 118 c-type print mounted on Dibond in artist’s frame 238 x 181 cm - 93 3/4 x 71 1/4 inches 2013 (MP-TILLW-01109) USD $90,000.00 exc VAT |
|
Tony Albert We Can Be Heroes, Forever and Ever 2014 vintage playing cards, metal 110 x 82 x 7 cm Not available for sale |
|
Lot 56
ANDREW BROWNE (born 1960) Katoomba 2004 oil on linen 153.0 x 153.0 cm signed and dated verso: A. BROWNE / 2004
Estimate $12,000 - 18,000
Provenance
Gould Galleries, Melbourne Private collection, Melbourne Kaliman Gallery, Sydney Private collection, Sydney
Exhibited
Various Places, Gould Galleries, Melbourne, 6 April – 9 May 2004 |
|
Mark Handforth New work, reference image FN |
|
Max Dupain Off Beat 1940 silver gelatin photograph, printed later inscribed 'Three Cops - Summer' lower left; signed and dated '-Max Dupain '40' lower right 39.5 x 44.7 cm Estimate $3,000-5,000
Provenance Minter Ellison Collection, Sydney
Created in the midst of World War II, Off Beat reflects Dupain's shift from the self-consciously artistic, soft-focus style of Pictorialism, which had dominated photography since the 1890s. The image instead concentrates on the social landscape, and issues absorbed within it. At a time when modernist ideals of rationality, control and progress pervaded Western civilisation, Off Beat begins to reflect on the development of mid-twentieth century society: an important photograph in his body of work. |
|
Maria Kontis Two (from the series 'Six Letters') 2012 Pastel on velvet paper 55.5 x 75.5 cm $6,000.00 |
|
MARLO PASCUAL Untitled 2013 Digital C-print Print size: 50 x 40” / 127 x 101.6cm Edition of 2 MP2013-022 $15,000.00 |
|
MICHAEL ZAVROS Prince/Zavros 4 (detail) 2012 charcoal on paper 122 x 86 cm $20,000 SOLD |
|
Monica Bonvicini Legscutout #02 2013 Collage, pigment print on paper, framed 100 x 75 cm unique EUR 15,000.00 plus VAT |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work George Shaw
Study for Landscape with Fuck All 2015 Humbrol enamel on board 43 x 53 x 5 cm £20,000 (+ Vat) |
|
Ronnie Van Hout I didn’t see it coming 2012 painted polyurethane and fiberglass 135 x 14 x 7 cm $9,000.00 |
|
Jennifer Allora & Guillermo Calzadilla Contract (UXO-16-6) 2015 Silkscreen on linen 183 x 244 cm USD 250 000 |
|
MARINA ABRAMOVIC Places of Power,Waterfall 2013 framed fine art pigment print image/paper: 63 x 83 7/8 inches (160 x 213 cm) framed: 64 x 84 7/8 inches (162.6 x 215.6 cm) edition of 7 with 2 APs work is accompanied by a signed certificate of authenticity MA-270 €80,000.00 framed |
|
Ged Quinn Peter, Paul, Mary 2014 Oil on linen 61 x 49.5cm £35,000 |
|
Tracey Emin Grotto Detail |
|
Francis Alÿs Untitled (Study for 'Railings’) 1998 Oil on canvas 26.4 x 18.4 x 1 cm Signed verso $180,000 Reserved FM |
|
Alicja Kwade Figure Detail |
|
Julie Mehretu Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin) 3 |
|
DINH Q. Lê Untitled From the Sumerian series 2013 120 x 180 cm Color print, Linen Archival tape TBA |
|
Tony Albert Mr. Bluebird On My Shoulder 2014 vintage playing cards, metal 110 x 82 x 8 cm Not available for sale |
|
James Casebere Arcade 1995 Framed Cibachrome (dye destruction) print image: 149.2 x 118.1 cm framed: 156.8 x 125.7 cm Edition of 5 plus 2 APs, mounted, framed, glazed signed by artist on label, verso $70,000 |
|
Gabriel Orozco Dark Dragon, New York, Lac Du Bourdon, 2009-2011 Gouache, acrylic, pastel on paper 182.88 x 95.89 cm |
|
Maria Kontis Three (from the series 'Six Letters') 2012 Pastel on velvet paper 55.5 x 75.5 cm $6,000.00 |
|
Ronnie Van Hout I should’ve done that ages ago 2012 painted polyurethane and fiberglass 140 x 20 x 20 cm $9,000.00 |
|
MICHAEL ZAVROS Tiger Pelt 2012 charcoal on paper 86 x 122 cm $20,000 SOLD |
|
Ghada Amer The Slightly Smaller Coloured Square Painting 2001 Acrylic, embroidery and gel medium on canvas 182.9 x 152.4 cm |
|
Louise Lawler Ash Wednesday/ Stone/ une peinture en 4 1991-93 Cibachrome 48.3 x 58.4 cm, 126.4 x 85.7 cm framed Edition 3 of 5 |
|
Subodh Gupta No Ritual, No Spiritual, Just a Form #2 2015 Brass 90 x 42 x 70 cm US$165,000.00 |
|
Max Dupain Gilmore's Bookshop, Bond Street, Sydney 1936 silver gelatin photograph, printed later inscribed and dated 'Bond St Bookstore 1936' lower left; signed and dated 'Max Dupain '36' lower right 35.2 x 49 cm Estimate $3,000-5,000
Provenance Minter Ellison Collection, Sydney
This book stall was close to Dupain's studio in Bond Street. He said We fed our spiritual selves on books and magazine articles. I can remember the excitement in the studio when a new copy of ‘Photography’ or ‘Das Deutsche’ hit the book stalls. Souls condemned to starvation, saved once more from pictorial purgatory! - Max Dupain |
|
Rivane Neuenschwander J.N.M. [Chico Buarque (Sinal Fechado; Chico Buarque Volume 3; A Arte Do Encontro; Quando o Carnaval Chegar; Meus Caros Amigos; Construcão)] 2015 6 acrylic paintings on wooden panels, 2 wood shelves, fern plant overall installation dimensions are variable; 31 x 31 cm (each panel) 4.1 x 131.4 x 7.9 cm (each shelf) 85,000 usd |
|
AARON CURRY Untitled 2013 ink, silkscreen and spray paint on wood with painted aluminum base overall: 102 1/8 x 40 x 30 3/8 inches (259.4 x 101.6 x 77.2 cm) sculpture: 88 1/2 x 40 x 28 1/4 inches (224.8 x 101.6 x 71.8 cm) base: 13 7/8 x 37 15/16 x 30 3/8 inches (35.2 x 96.4 x 77.2 cm) Inv# AC 13.057 $95,000.00 |
|
JITISH KALLAT Preamble 2013 Lenticular Photo Print 114 x 114 cm Edition 2/3 USD 20,000 Indicating change in print |
|
Henry Moore Drawing for Sculpture: Reclining Figures c. 1938 Pencil and chalk on paper 27.8 x 37.8 cm GBP 64,000.00 |
|
Peter Doig Black Palms 2004 Etching on paper 53 x 38 cm |
|
Ronnie Van Hout Learnt Happiness 2008 painted resin 26.5 x 10 x 7 cm $5,500.00 |
|
Thomas Hirschhorn Collage-Truth n°28 2012 Paper, prints, plastic sheet, tape 38 x 46 cm EUR 13 500 |
|
JAMES CASEBERE Party at Caffey’s Inlet Lifesaving Station (Dare County, NC) 2013 framed fine art pigment print paper: 46 3/4 x 60 1/16 inches (118.7 x 152.6 cm) framed: 49 3/8 x 62 11/16 inches (125.4 x 159.2 cm) edition of 5 with 2 APs signed by artist on label, verso JC-242.M $50,000.00 mounted, framed, glazed |
|
Mark Bradford South View 2014 20 parts, each: 11 x 8 1/2 in. (27.9 x 21.6 cm) (unframed) 15 1/2 x 12 1/2 in. (39.4 x 31.8 cm) (framed) JJ53082 |
|
Thomas Zipp A.B.: R 2014 Acrylic, oil, lacquer on canvas 185 x 155 x 5 cm €44,000.00 ex vat |
|
John Baldessari Sailing and Tennis 1987 Color and black and white photographs 228.6 x 243.8 cm MG |
|
Gabriel Orozco Dark Dragon, New York, Lac Du Bourdon, 2009-2011 Gouache, acrylic, pastel on paper 182.88 x 95.89 cm |
|
Ed Fornieles You and Me Land: The shadows of New York, Hot Pursuit 2015 Cartoons on acrylic and watercolour paper mounted on dibond with aluminium frame. 90 x 90 x 5 cm $ 9,000 + VAT |
|
MAGGIE WATSON NAPANGARDI Hair String and Snake Vine Dreaming 1998 synthetic polymer paint on Belgian linen 190.0 x 70.5 cm Provenance: Kimberley Art, Melbourne Coo-ee Aboriginal Art Gallery, Sydney Private collection, Sydney Exhibited: Way Out West, Coo-ee Aboriginal Art Gallery, Sydney, June 2006 accompanied by a certificate of authenticity from Coo-ee Aboriginal Art Gallery, Sydney| Estimate: $25,000 - 30,000 |
|
BILLY CHILDISH Handmade Gate (version y) 2012 oil and charcoal on linen 48.03 x 60.04 inches 122 x 152.5 cm LM17210 €21,500.00 EUR *RESERVED |
|
CLEMENT MEADMORE UNTITLED c1960 welded steel 23.0 cm height $4,000 – 6,000 Provenance Lois Hunter collection, London and Sydney Collection of Lex Aitken and Alfredo (Bouret) Gonzalez, Sydney |
|
Rudolf Stingel Untitled 2014 Oil and enamel on canvas 3 panels: each 134.6 x 104.1 cm unique SCHQ |
|
Eva Rothschild Lantern 2014 Aluminium, paint, steel rings dimensions variable GBP 50,000 |
|
|
ELMGREEN & DRAGSET He (Copper Green) 2013 Reinforced colored epoxy 180 x 120 x 100 cm / 70.9 x 47.2 x 39.4 in EUR 114.000,- (plus vat). DETAIL VIEW Unfortunately it does not go outside.. |
|
Maria Kontis Four (from the series 'Six Letters') 2012 Pastel on velvet paper 55.5 x 75.5 cm $6,000.00 |
|
Cecily Brown We think the same things at the same time 2014 Oil on canvas 109.22 x 165.1 cm EUR 357,057.84 ON HOLD |
|
Ronnie Van Hout Sad Toy 2010 archival inks on museum rag Ed. 1/10 78 x 108 cm $4,500.00 |
|
DINH Q. Lê Untitled 1 - 07 2007 180 x 120 cm Fuji Professional Color Paper AUD 60,000 |
|
JAMES WELLING Winter Corn Inkjet print (Epson 9800 print on Museo Silver Rag) image: 106.7 x 71.1 cm - 42 x 28 inches, framed: 124.6 x 89.1 cm - 49 x 35 1/8 inches edition of 5 + 2 AP 2012 (MP-WELLJ-00201) USD $22,000.00 exc VAT |
|
Ged Quinn The Book of Two Ways 2013 Oil on linen Unframed: 61.5 x 50cm Framed: 97.5 x 86.5 x 22cm £35,000 |
|
Frank Thiel Stadt 12/55 (Berlin) 2006 framed chromogenic print face mounted to Plexiglas framed: 179 x 236 x 5 cm Edition of 4 plus 2 APs titled, dated, signed and numbered on verso €32,000 framed |
|
MARINA ABRAMOVIC Places of Power, The Garden of Maitreya 2013 fine art pigment print 62.99 x 83.85 in ed 1/7 EUR70,000-80,000 |
|
Jorinde Voigt A Difference that makes a Difference + Tube + Focus 2014 Ink, gold leaves, copper foil, oil crayon, pastel, Chinese ink, pencil on paper, framed 240 x 140 cm 250.5 x 150.5 x 4.8 cm unique EUR 58,000.00 plus VAT |
|
Eva Rothschild Tir Na nÓg Detail |
|
Pipilotti Rist Iris Log Little Cherry (Iris Ruggel kleine Kirsche) 2014 Video object; wood log with an integrated monitor, covered by a glass half sphere, silent Unique 60.5 x 18.5 x 20.5 cm USD 95,000.00 |
|
BARNABY FURNAS Genesis 2013 Acrylic on linen 279.4 x 304.8 cm 110 x 120 in (BF05) $ 225,000.00 (ex tax) |
|
Günther Förg blei and blei II 1999 Acrylic on lead mounted on wood Overall: 119 x 190.1 cm Two parts, each 119 x 90 cm signed and dated on verso $325,000.00 |
|
Daniel Arsham Rose Quartz Eroded Chicago Bulls Jacket 2015 Rose quartz fragments, marble fragments, hydrostone 73,7 x 71 x 30,5 cm Unique $48,000 (46 494 €) without tax work on hold |
|
Thomas Hirschhorn Collage-Truth n°32 2012 Paper, prints, plastic sheet, tape 42.50 x 42 cm EUR 13 500 |
|
AI YAMAGUCHI tsuki wa kakureru (4 & 5) 2011-2012 #4: 95x 58 x 6cm; #5: 56 x 35 x 6 cm acrylic on cotton, blanket and panel AUD 44,300 |
|
GARDAR EIDE EINARSSON Cruising the Anime City - An Otaku guide to Neo-Tokyo (III) 2011 Acrylic, gesso and graphite on canvas 220 x 183 cm (86.61 x 72.05 in) |
|
ANTONY GORMLEY GUT XI 2013 cast iron 79 1/8 x 20 1/16 x 15 3/8 inches (201 x 51 x 39 cm) unique AG-1746 £300,000.00 INSTALLATION VIEW |
|
Rita Ackermann Fire By Days XXXII 2011 Oil and spray paper on paper 111.8 x 76.2cm USD 35,000.00 ex vat |
|
MARINA ABRAMOVIC Artist Portrait with A Candle (C) 2013 c-print 62.99 x 62.99 in ed 1/7 EUR70,000-80,000 |
|
Varda Caivano Untitled 2013 Acrylic on canvas 90 x 65 cm $ 24,000.00 (ex tax) |
|
Edith Dekyndt 14 Mars 2010 2010 Silver ink on blue paper 60 x 44 cm £ 7,000.00 GBP ex VAT |
|
Peter Doig Blizzard '77 1997 Folio of eight aquatint etchings on paper 49 x 39 cm Paper size Edition 14 of 17 image III (split set) |
|
NANDAN GHIYA The Dreamer 4 2012 73.7 x 58.4 cm acrylic on old photographs AUD 10,600 |
|
Helen Marten Gulls 2014 Welded steel, beaten aluminium, stitched fabric, wood, string, cardboard tubes, clay hand painted marbles, airbrushed steel, MDF, hand carved bone, fur, fork, ash 110 x 160 x 130 cm unique GBP 55,000.00 + VAT |
|
Rirkrit Tiravanija untitled 2013 (behold your future executioners) 2013 Mirror polished stainless steel 241.3 x 119.4 cm Edition 2 of 2 plus 1 AP USD 55,000 plus VAT if applicable |
|
Karen Black Hotel Foyer 2015 oil on canvas 67 x 116 cm $11,000
|
|
MICHAEL KREBBER MP-KREBM-00072 acrylic on linen 160 x 120 cm - 63 x 47 1/4 inches 2013 (MP-KREBM-00072) USD $60,000.00 exc VAT |
|
SARAH JONES Cabinet (drape) framed c-type print from black and white negative frame: 65.3 x 53.3 cm - 25 3/4 x 21 inches, 60 x 48 cm - 23 5/8 x 18 7/8 inches edition of 5 + 1 AP 2013 (MP-JONES-00575) GBP £7,000.00 exc VAT |
|
MAGNUS PLESSEN Diptych 2013 Oil and charcoal on canvas Right: 79 15/16 x 36 5/8 in. (203 x 93 cm) Left: 74 13/16 x 41 5/16 in. (190 x 105 cm) EUR 140,000.00 |
|
Jorinde Voigt A Difference that makes a Difference (Var. III) 2014 Ink, Chinese ink, gold, oil crayon, pencil on paper, on canvas 102 x 66 cm 107 x 71 x 5 cm unique EUR 15,000.00 + VAT |
|
MARINA ABRAMOVIC Untitled 2013 c-print 63 x 84 in EUR70,000-80,000 |
|
Noel Mckenna Horse in Grove of Trees on Hill near Canberra 2008 Oil, acrylic on plywood 52 x 66cm $8,000 |
|
Thomas Ruff Stern 17h 30m/-20° 1992 Chromogenic print 258.4 x 186.7 x 4 cm Edition 1 of 2 Signed, titled, and dated verso $140,000 |
|
|
MAAIKE SCHOOREL Lisa oil on canvas 81 x 107 cm - 31 7/8 x 42 1/8 inches 2013 (MP-SCHOM-00156) GBP £8,500.00 exc VAT |
|
ALICE NEEL Josephine Garwood 1946 Oil on canvas 45.7 x 45.7 cm 18 x 18 in (AN 32) $ 500,000.00 (ex tax) |
|
LOT 30
Rammey Ramsey (born circa 1935) Untitled (My Country) 2007 initialled 'RR' and inscribed 'Jirrawun Arts / RR 11 2007 161' verso natural earth pigments and synthetic polymer paint on linen 150.0 x 180.0cm
AU$ 6,000 - 8,000 £3,200 - 4,300
PROVENANCE Jirrawun Arts, Wyndham, Western Australia Private collection, Queensland |
|
Maria Kontis Five (from the series 'Six Letters') 2012 Pastel on velvet paper 55.5 x 75.5 cm $6,000.00 |
|
JESSE WINE Perfect Bird 2013 Glazed Ceramics H57cm x W29cm x D26cm Unique £3,500.00 (+VAT) LLJW149_13 |
|
FRIEDRICH KUNATH Transcendental Fatigue 2013 (FK 1308) Acrylic, oil, coloured pencil and varnish on paper; framed 144.8 x 106.1 cm sheet size 154.6 x 115.9 x 5.1 cm framed 17.500,– Euro |
|
John Baldessari Portrait: Various Identity Hidden with Name/Date Cards (4 MR. 74) 1974 Six black-and-white photographs Each image: 35.2 x 27.9 cm
|
|
Eva Rothschild Lantern Installation View |
|
KARL HAENDEL Wishbone 2011 Pencil on paper 213.4 x 261.6 cm (84 x 103 in) (unframed) |
|
ANTONY GORMLEY SMALL BIND IV 2013 cast iron 39.96 x 7.87 x 5.51 inches (101.5 x 20 x 14 cm) unique AG-1829 £135,000 INSTALLATION VIEW |
|
Louise Lawler Metadata 2003/2014 Digital fujiflex print mounted on aluminium on plywood 49.5 x 45.7 cm Edition of 5 plus 1 AP MP |
|
Dirk Bell No title 2013 Oil on leather 120 x 64 cm Euro 15.200 (excl. VAT) |
|
ROBIN RHODE Rocks 2011 digital animation 2:45 minutes Edition of 5 LM16409 €30,000.00 EUR |
|
Do Ho Suh Specimen Series: Corridor/ Ground Floor/Staircase 1, 348 West 22nd Street, New York, NY 10011, USA 2015 Polyester fabric and stainless steel wire 31.2 x 30.2 x 6.2 cm (framed) Edition of 3 These are quite engaging and light.
|
|
Zhang Enli The Branches (3) 2015 Oil on canvas 200 x 180 cm USD 225,000.00
|
|
Charles Long Previously Unowned Vase with One Known Unknown and One Unknown Unknown 2015 aqua-resin, stoneware 166.4 x 73.7 x 44.5 cm USD 42,000 |
|
LLOYD REES Gerringong Landscape c.1947 signed 'L Rees' lower left oil on board 44.0 x 62.0cm (17 5/16 x 24 7/16in). Estimate: AU$ 25,000 - 35,000 £15,000 - 20,000 US$ 22,000 - 31,000 Footnotes PROVENANCE Macquarie Gallery, Sydney (label attached verso) Private collection Savill Galleries, Sydney (label attached verso) Private collection, New South Wales |
|
ISABEL NOLAN as yet untitled 2013 approx. 250 x 150 cm 98.4 x 59.1 in €30,000 |
|
Atsuko Tanaka Work 1983 Enamel on canvas 227.5 x 180 cm USD 575,000.00 |
|
Rirkrit Tiravanija untitled 2013 (no no america) 2013 Mirror polished stainless steel 241.3 x 119.4 cm Edition 2 of 2 plus 1 AP USD 55,000 plus VAT if applicable |
|
GORDON WALTERS Black and white with red triangle 1972 acrylic on canvas 635 x 635mm AUD$58,000 |
|
JOHN MASON Vertical Intersection, Red 1997 ceramic sculpture: 61.75 x 16 x 16 inches (156.8 x 40.6 x 40.6 cm) base: 8 x 24 x 24 inches (20.3 x 61 x 61 cm) Inv# JM 13.033 $70,000.00 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Helen Marten
Gulls Detail |
|
Jorinde Voigt Forward Beobachtungen im Jetzt 2015 Ink, India ink, oil crayon, gold leaves, pastel, pencil on paper 220 x 140 cm 230.5 x 150.5 x 4.8 cm unique EUR 53,000.00 + VAT |
|
TIM ROLLINS and K.O.S. A MIDSUMMER NIGHT’S DREAM (after Shakespeare and Mendelssohn) ink, mustard seed, , glue, gesso, apple juice, mulberry paper, music score pages on canvas 152.4 x 182.9 cm - 60 x 72 inches 2013 (MP-K.O.T-00022) USD $60,000.00 exc VAT |
|
WOLFGANG TILLMANS London Olympics inkjet print 207.5 x 138 cm - 81 3/4 x 54 3/8 inches edition of 1 + 1 AP (1/1) 2012 (MP-TILLW-01110) USD $57,000.00 exc VAT |
|
Ugo Rondinone sechsundzwanzigsterjulizweitausendundvierzehn 2014 Acrylic on canvas 80cm diameter unique
|
|
|
JOHN MASON Blue Spear 2000 ceramic sculpture: 64 x 25 x 26 inches (162.6 x 63.5 x 66 cm) base: 8 x 32 x 32 inches (20.3 x 81.3 x 81.3 cm) Inv# JM 13.031 $80,000.00 |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #3 2013 paint on magazine paper Edition: unica 31.5 x 44.5 cm US$ 5,000.00
|
|
Robert Mapplethorpe Ken Moody 1985 (printed 2014) gelatin silver print image: 48.3 x 38.1 cm paper: 51 x 41 cm framed: 68.9 x 56.2 cm Edition of 10 plus 2 APs (AP2 of 2) estate stamped on verso $25,000 + $700 frame |
|
Eva Rothschild Tir Na nÓg 2014 Jesmonite, reinforced steel bar, resin, paint 267 x 38.5 x 38.5 cm GBP 40,000 |
|
DINH Q. Lê Untitled 4 - 07 2007 120 x 180 cm Fuji Professional Color Paper AUD 60,000 |
|
ROBIN RHODE Zig Zag 2011 digital animation 2:20 minutes Edition of 5 LM17107 €30,000.00 EUR |
|
John Baldessari Thaumatrope Series: Horse with Two Riders (Double Thaumatrope) 1975 Three black-and-white photographs Each image: 27.9 x 35.6 cm Overall: 36.2 x 120.7 x 5.1 cm
|
|
Helen Marten Gulls Detail |
|
JOHN MASON Grey Figure 1998 ceramic 59.75 x 18 x 16 inches (151.8 x 45.7 x 40.6 cm) Inv# JM 13.044 $70,000.00 |
|
WILLIAM KENTRIDGE If you have no Eye then use your Heart 2013 India ink on Crabb's Universal Technological Dictionary 1826 70 7/8 x 40 1/8 inches [14838] |
|
Tracey Emin Grotto Detail |
|
Edith Dekyndt Mud 007 2014 White natural clay on fabric 107 x 74 cm £ 8,000.00 |
|
STEPHEN PRINA Untitled / Exquisite Corpse: The Complete Paintings of Manet, 230 of 556, Claude Monet, sa Femme et son Fils au Jardin, (Claude Monet, his Wife and Son in the Garden), 1874, Private Collection, New York 2012 black cord and brass escutcheon pins left panel: 48 x 95 cm - 18 7/8 x 37 3/8 inches, right panel: 66 x 83 cm - 26 x 32 5/8 inches (MP-PRINS-00014) USD $3,770.60 exc VAT |
|
TRACEY EMIN Home 2013 gouache on board 5.91 x 7.87 inches 15 x 20 cm LM17733 |
|
Eva Rothschild Tir Na nÓg Alternate View |
|
Zhang Enli The Forest (3) 2014 Oil on canvas 250 x 250 cm USD 295,000.00 |
|
YAYOI KUSAMA HEART [HBSL] 2013 Acrylic on canvas 97 x 130.3 cm 38 1/4 x 51 1/4 in (KUSA 883) $ 250,000.00 (ex tax) |
|
ROBERT MAPPLETHORPE Orchid 1988 gelatin silver print image: 19 1/4 x 19 1/4 inches (48.9 x 48.9 cm) paper: 24 x 20 inches(61 x 50.8 cm) framed: 29 1/2 x 29 1/2 inches (74.9 x 74.9 cm) edition of 10 with 2 APs (#2/10) estate stamped on verso MAP-1933.2 $65,000.00 |
|
Camille Henrot Telepathic Lovers 2015 Chinese ink on inkjet paper 113.7 x 76.8 cm $22,000 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work ARTIST NAME Title of Work Year Materials Size of Work Price of Work ARTIST NAME Title of Work Year Materials Size of Work Price of Work ARTIST NAME Title of Work Year Materials Size of Work Price of Work Paulo Nazareth
Untitled, from Para Venda (For Sale) series 2011 photo printing on cotton paper 80 x 60 cm MW |
|
CHRIS OFILI Ovid-Stag 2012 Oil on linen 310 x 200 x 4 cm 122 1/8 x 78 3/4 x 1 5/8 in (CO 589) $ 480,000.00 (ex tax) |
|
JESSE WINE Welding Problems II 2013 Glazed Ceramics H30cm x W20cm x W19cm Unique £2,000.00 (+VAT) LLJW152_13 |
|
Tim Schultz Psyche 1993 oil on cotton 137 x 118 x 7cm (framed) $ 18,000.00 (incl. GST)
Info as above |
|
Zhang Enli Fruit Bowl with Decoration 2011 Oil on canvas 80 x 100 x 4 cm USD 100,000.00 |
|
MICHAEL ZAVROS Warhol/Richter/Zavros 2013 charcoal on canary yellow paper 59.5 x 84 cm $9,000 SOLD |
|
ELMGREEN & DRAGSET He (Copper Green) 2013 Reinforced colored epoxy 180 x 120 x 100 cm / 70.9 x 47.2 x 39.4 in EUR 114.000,- (plus vat). INSTALLATION VIEW Unfortunately it does not go outside.. |
|
John Baldessari Strobe Series/Futurist: False Bird. Path of Fight (For Balla) (Version #2) 1975 Four black-and-white photographs Each image: 20.3 x 21 cm
|
|
Daniel Arsham Pyrite Eroded Arm with Basketball 2015 Pyrite, ground black glass, hydrostone 68,6 x 33 x 28 cm Unique $35,000 (32 646 €) without tax |
|
NANDAN GHIYA The Dreamer 1 2012 47 x 58.4 cm acrylic on old photographs AUD 9,200 |
|
Thilo Heinzmann O. T. (Aicmo) 2015 Pigment and epoxy on aluminium, framed 130 x 130 x 5 cm £ 21,500.00 GBP ex VAT
|
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #9 2013 paint on magazine paper Edition: unica 31.5 x 44.5 cm US$ 5,000.00
|
|
Jakub Julian Ziolkowski Untitled 2009 Oil on canvas 114.3 x 94 x 4.4 cm EUR 25,000.00 |
|
DAVID SALLE Hannah 8 oil on canvas 76.2 x 50.8 cm - 30 x 20 inches 2013 (MP-SALLD-00120) USD $38,000.00 exc VAT |
|
Tobias Rehberger leiCht verkommen 2008 Wood, print on glass 86.3 x 126 x 6 cm framed EUR 12,500 plus VAT if applicable |
|
ROBIN RHODE See/Saw 2002 digital animation 55 seconds Edition of 5 LM18095 €30,000.00 EUR |
|
Francis Upritchard Step Off 2014 modelling material, fabric, wood, paint, steel, 101x30x34cm $26,000 SOLD |
|
JOHN WOOD AND PAUL HARRISON Bored Astronauts on the Moon 2011 Single channel HD (16:9), 20:00 min Editionof 5 plus 2 APs (CF1486) £ 15,000 (plus applicable taxes)
Bored Astronauts on the Moon (2011) sees Wood and Harrison wandering aimlessly about on what is apparently the surface of the moon. Referencing precedents such as 19th century romantic landscape painting, as well as more recent artistic endeavours in the natural environment, the work playfully critiques our ambitions to take on the world and the spaces beyond. On the moon, the artists have found a location in which the earthly parameters of time, space and gravity don't apply. Without the parameters, so rigorously tested in earlier works, it would appear that they have nothing to do. |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Paulo Nazareth
Untitled, from Notícias de América series 2010/2012 photo printing on cotton paper 90 x 67,5 cm MW |
|
MICHAEL ZAVROS Weeping Willow in Yellow 2013 charcoal on canary yellow paper 84 x 59.5 cm $9,000 RESERVED |
|
Cecily Brown Fond Phantom 2014 Oil on canvas 246.38 x 261.62 cm EUR 634,769.50 SOLD |
|
JOHN STEZAKER Untitled 1983 Silkscreen on canvas 81x104.5 cm, 31.9x41.1 ins 2 parts AP-STEZJ-00948 £30,000 GBP + VAT |
|
Takashi Murakami Portrait and DOB Sky 2015 Acrylic on canvas 100 x 100 cm Unique $400,000 (387 447 €) without tax This work will be on view upon request, not on view on the booth the first day of fair |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE 2012 Silicon mold: 52 x 141 x 12 cm each half; Composite cast: 34 x 11 x 123 cm; Timed safe: 30 x 30 x 38 cm Mixed media: silicon mold, composite cast, timed safe and two video, wooden pedestals. USD 53,500 (edition 1 of 3) |
|
Tony Cragg Hardliner 2013 Bronze 115 x 140 x 97 cm Liss |
|
EVA AND FRANCO MATTES Stolen Pieces (from Claes Oldenburg) 1995-97 Print on Somerset velvet 76.2 x 106.7 cm 30 x 42 1/8 in (CF0342) $ 6,500 (plus applicable taxes)
|
|
John Baldessari Spaces Between: Equal Time 1986 Nine black-and-white photographs individually mounted on aluminum Each panel: 243.8 x 20.3 cm Overall: 243.8 x 365.8 cm
|
|
KARLA BLACK Living Conditions 2013 aluminium tooling foil, nail varnish, petroleum jelly 90 x 19 x 19 cm 35 3/8 x 7 1/2 x 7 1/2 ins (MA-BLACK-00065) GBP 12,000 |
|
Mariko Mori Entities no. 51 2014 Mixed media paper: 55.4 x 75.4 cm signed and dated by the artist, recto $12,000 Framed |
|
DIRK STEWEN AKT AUF EINEM SOFA, Los Angeles ink, watercolour and gouache on paper 37.5 x 27.5 cm - 14 3/4 x 10 7/8 inches 2013 (MP-STEWD-00101) EURO €3,000.00 exc VAT |
|
Paulo Nazareth Untitled, from Notícias de América series 2011 photo printing on cotton paper 67,5 x 90 cm (each) MW |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #4 2013 paint on magazine paper Edition: unica 31.5 x 44.5 cm US$ 5,000.00
|
|
Carla Klein Untitled 2006 oil on canvas 180 x 400 cm $45,000.00 |
|
DANIE MELLOR Kangaroo love and a moment of comfort 2008 mixed media on paper 103.0 x 100.0 cm Provenance Caruana & Reid Fine Art, Sydney Private collection, New York, USA; purchased in 2008 |
|
Sebastian Stöhrer Ceramic 2014 Fired clay, glaze, wood 27 x 26 x 29 cm £ 3,000.00 GBP ex VAT |
|
JONATHAN MONK Back in 5 Minutes 2013 Framed photo, wooden chair and cardboard sign Photo: 163 x 116 cm Chair: 78 x 50 x 50 cm Edition of 2 (+ 1 AP) |
|
Paulo Nazareth Untitled, from Cadernos de África series 2014 37 photo printing on cotton paper variable dimensions MW |
|
EVA AND FRANCO MATTES Stolen Pieces (from Jeff Koons) 1995-97 Print on Somerset velvet 76.2 x 106.7 cm 30 x 42 1/8 in (CF0345) $ 6,500 (plus applicable taxes) |
|
Tracey Emin Just us 2014 Gouache on board 25 x 30 cm GBP 55,000 |
|
DO HO SUH Staircase 2013 thread, cotton, and methylcellulose 12.5 x 22.5 x .125 inches 31.8 x 57.2 x .3 cm 17.125 x 27.25 x 1.75 inches (framed) 43.5 x 69.2 x 4.4 cm Lower right verso LM17921 |
|
John Baldessari Commentary (with Giraffe) 1989 Black and white and color photographs, oil tint, vinyl paint Dimensions variable
|
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #10 2013 paint on magazine paper Edition: unica 31.5 x 44.5 cm US$ 5,000.00
|
|
Sebastian Stöhrer Ceramic 2014 Fired clay, glaze, wood 42 x 50 x 35 cm £ 2,500.00 GBP ex VAT |
|
JENNY HOLZER Survival 1989 Horizontal electronic LED sign with red diodes and black housings Text: Survival Animation comprises drawings such as planes 6.5 x 121.5 x 4 in (16.5 x 308.6 x 10.2 cm) Edition 1/5 + 1 AP (Inv# JEHO-0226.1) $400,000 |
|
Jon Armleder JA 2012/011 Australian Pontoon 2012 Acrylic on canvas 90 x 90 cm Unique VAT not included EUR 55.000,00
Since the early 80’s, John Armleder’s paintings have been very much related to the post-modern era by reusing well known avant-garde aesthetics. In this case he employs those aesthetic techniques visually, combining them with popular culture. With Australian Pontoon (2012), Armleder entitles his work after a casino game and the golden monochromatic range plays the counterpart to the pure formalistic composition |
|
SONIA MEHRA CHAWLA Transitory Shores & Biomorphic Daydreams 2013 183 x 259 cm (triptych) Mixed media on archival canvas TBA |
|
Paulo Nazareth San Judas 2013 video 28’13” MW |
|
TIM ROLLINS AND K.O.S On the Origin of Species (After Darwin) 2013 ink and matte acrylic on book pages mounted on wood panel 36 x 48 inches 91.4 x 121.9 cm LM18004 $30,000.00 USD |
|
Marilyn Minter Lithium 2014 C-print 101.6 x 76.2 cm Edition 1 of 5 $16,000.00 |
|
JUDY MILLAR Untitled 2013 oil and acrylic on canvas 2350 x 1750mm AUD$ |
|
John Baldessari Two Stories (Yellow and Blue) 1989 Black and white and color photographs, oil tint, vinyl paint Dimensions variable
|
|
GARDAR EIDE EINARSSON Cruising the Anime City - An Otaku guide to Neo-Tokyo (I) 2011 Acrylic, gesso and graphite on canvas 220 x 183 cm (86.61 x 72.05 in) (Inv# GAEI-0004) Reserved $33,000 |
|
Paulo Nazareth Chanson Pour Le Vodou 2013 video 02’03” MW |
|
HAMISH FULTON 21 pieces of wood. Beartooth Mountains. Montana. 1997 painted wood with wall text 69 x 134 cm - 27 1/8 x 52 3/4 inches 1997 (MP-FULTH-00078) EURO €20,000.00 exc VAT |
|
Don Brown Yoko XXII 2009 Acrylic composite, gesso, wood 108 x 47.9 x 18.1 cm Edition 6 of 6 plus 2 a/p SCHQ |
|
ANNE HARDY Extrapolation Fuji Instant print unframed: 13 x 10 cm - 5 1/8 x 3 7/8 inches, framed: 39.5 x 32 cm - 15 1/2 x 12 5/8 inches edition of 5 2013 (MP-HARDA-00280) GBP £2,800.00 exc VAT |
|
Philippe Parreno Speaking to the Penguins 2007-2009 Black and white silver print 67.8 x 93 cm (framed) Edition 1 of 10 €15 000 plus taxes |
|
DO HO SUH Bridging Home - 2 2012 pencil, colored pencil and photograph on paper 42.91 x 68.78 inches (paper) 109 x 174.7 cm 50 x 77 x 2.5 inches (framed) 127 x 195.6 x 6.4 cm LM16125 |
|
Paulo Nazareth San Judas 2012 video 13’22” MW |
|
CANDIDA HOFER Stahlhof Düsseldorf 2013 c-print 180 x 245 cm (70.87 x 96.46 in) Edition 1/6 (Inv# CAHO-0155.1) 58,000 euros |
|
LOT 35
Charles Blackman (born 1928) Two Figures with Flowers 1959 signed and dated 'Blackman '59' top left oil on board 152.0 x 136.0cm
PROVENANCE South Yarra Galleries, Melbourne Private collection, London, acquired from the above c.1965
Charles Blackman painted Two figures with flowers in 1959, a critically important time in his evolution as an artist. In January 1959, his work was included in Survey III – Figurative Painting at the National Gallery of Victoria alongside Sidney Nolan, Arthur Boyd, John Perceval and Fred Williams. In August of that year he exhibited eight major canvases in the watershed exhibition Antipodeans organized by art critic Bernard Smith and including artists such as John Brack, Arthur Boyd and Robert Dickerson. So serious were the aims of the Antipodeans that they printed 'The Antipodean Manifesto' as a preface to the catalogue for the show. The crux of the manifesto sought to apparently liberate the artist from the shackles of abstract expressionism and action painting, which they believed dominated artistic practice and criticism in the 1950s. They worried that abstractionists would 'threaten to benumb the intellect and wit of art with their bland and pretentious mysteries," thus they intended to reassert the preeminence of the figure in painting.1
Two figures with flowers shares common ground with a number of works known to have been included in the Antipodeans exhibition at the Victorian Artists' Society, such as The presentation, which shows a solitary girl holding out a bouquet of daisies. Ironically, Charles Blackman's art has always contained elegant passages of abstraction and quite possibly his strength as a figurative painter is distilled from his ability to abstract and reduce the figure to flat colour planes, which powerfully represent themes such as fear, isolation, childhood and memory. This painting also shares another characteristic of the Antipodean works by him in that the gold background, applied in rich, rough impasto, takes a leaf from the book of abstract expressionism, in spite of the manifesto's derision of the technique.
Completed two years after his defining Alice in Wonderland suite of works of 1956-57, Two figures with flowers contains several key elements of Blackman's iconography, namely women and flowers. They are the mainstay of his compositions since the earliest works of the 1950s such as The room (also known as The blue dress, National Gallery of Australia) and most notably, Golden Alice, 1956, and All on a summer's day, 1957, both in private collections. The other key Blackman trait is the obscuring of the face with shadow. In this work one figure faces away from the viewer and the other seen in profile holds flowers, perhaps in a gesture of contrition. At the time Blackman included a work titled Tryst in the Antipodean show and he worked on the subject in two other works Tryst I and II of 1958 and 1959 respectively. Painted on a significant scale, Two figures with flowers is another powerful incarnation of this key theme in the art of Charles Blackman painted during a critical period for the artist.
|
|
TAL R Walk towards Hare Hill 2013 Oil on canvas 60 x 50 cm 23 5/8 x 19 3/4 in (TR 207) EUR 18,000.00 (ex tax) |
|
Joe Bradley Frankenstein 2010 Oil and spraypaint on canvas 223 x 190 cm PP |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #8 2013 paint on magazine paper Edition: unica 31.5 x 44.5 cm US$ 5,000.00
|
|
Paulo Nazareth CA - pescador 2013 polyester pants and housing puffer 85 x 65 cm MW
|
|
PAUL DIBBLE Waiting for Godot 2013 cast bronze single edition 3680 x 1380 x 1275mm AUD$85,000 |
|
Sigmar Polke Ich will den Stall ausmisten 1999-2000 Acrylic and indian ink on paper 200.7 x 149.9 cm $1,200,000 |
|
MIRA SCHENDEL Untitled 1963 watercolor 35 x 50 cm 10283
Mira Schendel was one of Latin America’s most important and prolific post-war artists. With her contemporaries Lygia Clark and Hélio Oiticica, Schendel reinvented the language of European Modernism in Brazil. Tate Modern is currently staging the first international full-scale survey of her work. The exhibition reveals aspects of Schendel’s dialogues with a diverse range of philosophers and thinkers, as well as her engagement with universal ideas of faith, self-understanding and existence (25 September 2013 – 19 January 2014). |
|
Paulo Nazareth CA - Are you happy with this neger? 2011 photo printing on cotton paper 67,5 x 90 cm MW |
|
KARLA BLACK Living Conditions 2013 aluminium tooling foil, nail varnish, petroleum jelly 90 x 19 x 19 cm 35 3/8 x 7 1/2 x 7 1/2 ins (MA-BLACK-00065) GBP 12,000 INSTALLATION VIEW |
|
Ryan Gander The way things collide (Hantarex monitor, meet cum) 2013 38.5 x 54 x 52 cm Unique edition |
|
KARL HAENDEL Wishbone 2011 Pencil on paper 213.4 x 261.6 cm (84 x 103 in) (unframed) signed on reverse (Inv# KAHA-0047) $40,000 |
|
Pieter Vermeersch Untitled 2014 Oil on marble 42.3 x 34.7 cm £ 5,000.00 GBP ex VAT |
|
YINKA SHONIBARE MBE Flight Painting (airplanes) 2013 Acrylic on textile, toys, wire 85cm diameter GBP £17,500 |
|
Sam Leach Lioness moon 2014 oil and resin on wood 12 panels, each 50 x 50 cm 200 x 150 cm overall $ 48,000 |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #11 2013 paint on magazine paper Edition: unica 31.5 x 44.5 cm US$ 5,000.00
|
|
Pieter Vermeersch Untitled 2014 Oil on marble 39.5 x 34.7 cm £ 5,000.00 GBP ex VAT |
|
MIRA SCHENDEL Untitled 1965 oil on rice paper 47 x 23 cm 10430 |
|
Liam Gillick Split Discussion 2014 Powder coated aluminium, Plexiglas 200 x 100 x 30cm $80,000.00 |
|
DO HO SUH Specimen Series: 348 West 22nd Street, APT. New York, NY 10011, USA - Stove 2013 polyester fabric 73.66 x 36.22 x 34.8 inches 187.1 x 92 x 88.4 cm Edition of 3 LM18348 $150,000.00 USD |
|
Pieter Vermeersch Untitled 2014 Oil on canvas 150 x 111 cm £ 14,000.00 GBP ex VAT |
|
PABLO PICASSO Visage au Masque 1963 silver plate, sterling silver, 1390 grams 310mm diameter AUD$77,000 |
|
Leo Gabin Dixie Highway Shell 2014 Lacquer, spray paint, acrylic and silkscreen on canvas 205 x 150 cm $25,000 |
|
GARDAR EIDE EINARSSON Stainless Steel XIV 2011 Acrylic on canvas 183 x 220 cm (72.05 x 86.61 in) (Inv# GAEI-0003) $33,000 |
|
Doug Aitken SUN POOL 2014 Aluminum lightbox, LED lights, chromogenic transparency, acrylic 96.5 x 224.8 x 18.7 cm Edition of 4 $180,000 |
|
EVA AND FRANCO MATTES Stolen Pieces (from Jean Tinguely) 1995-97 Print on Somerset velvet 76.2 x 106.7 cm 30 x 42 1/8 in (CF0350) $ 6,500 (plus applicable taxes) |
|
Mark Flood New Idea 2013 Acrylic on canvas 182.9 x 121.9 cm |
|
KAYE DONACHIE Mirror oil on canvas 61 x 45.8 cm - 24 x 18 inches 2013 (MP-DONAK-00249) GBP £18,000.00 exc VAT |
|
Julian Schnabel Domingueros en la Plaza de la Revolucion 1998 Oil, gesso, spraypaint on tarp 243.8 x 304.8 cm EUR 357,057.84
|
|
TAL R Walk towards Hare Hill 2013 Oil on masonite 29 x 23 cm 11 3/8 x 9 1/8 in (TR 219) EUR 10,000.00 (ex tax) |
|
|
ANDREAS GURSKY Bangkok III 2011 Inkjet print 307 x 227 x 6,2 cm (framed) 120 7/8 x 89 3/8 x 2 3/8 inches (framed) Edition 5/6 MSPM AGU 19771 EUR 400.000,00 |
|
Mika Tajima To be titled 2015 Spray enamel, thermoformed acrylic 109.2 x 83.8 cm USD $30,000 |
|
MICHAEL JOAQUIN GREY Panopticon Asymptotic 2012 Generative animation LED monitor, computer, custom software Edition of 5 + 1 AP (CF0744) $ 35,000 (plus applicable taxes) |
|
Jake and Dinos Chapman Sturm und Drang 2014 Painted bronze 246 x 244 x 125 cm Edition of 3 GBP 500,000 |
|
NIR HOD Once Everything Was Much Better Event the Future 2013 Glass, Mineral Oil, Steel, Wood, 24-carat gold leaf, Globe - approx 36 inches in diameter Base approx 4 ft x 4 ft x 4 ft (base type can be customized) Retail: $250,000
Nir Hod's new sculpture Once Everything Was Much Better Even The Future consists of a moving scale model of an oil pumpjack encased within a large globe of oil. The piece alludes to the nostalgic scenes often depicted in snow globes. In Hod's globe, the viewer is presented with an idealized, isolated landscape of oil extraction - a world suspended in time, where the contradictions inherent in oil production and consumption can peacefully coexist. This calming effect is precipitated by the slow movement of the pumpjack and the swirling "snow" which is comprised of flakes of 24 carat gold, a reflection of the immense wealth generated by the oil trade. The world inside the globe is one stripped of political and ethical concerns, a world without military conflicts or environmental destruction. Once Everything Was Much Better Even The Future portrays a romanticized version of reality enclosed in glass, as fragile and precarious as the future of a world powered by oil. |
|
Mary Heilman Space 1995 Oil and collage on gessoed paper 57.8 x 76.2 cm 67.3 x 85.1 cm framed Signed, dated and titled on recto $40,000 |
|
SONIA MEHRA CHAWLA Transitory Shores & Biomorphic II 2013 182 x 204 cm (diptych) mixed media on archival canvas AUD 17,100 |
|
Georg Baselitz Zweitens, bitte schön 2014 Oil on canvas 300 x 207 x 3.7 cm (unframed) 304 x 211 x 6 cm (framed) €460,000 |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: Scenes From Future Histories 2012 30 x 30 cm (frame size: 33 x 33 x 4.7 cm) Mixed media AUD 4,000 |
|
Michael Zavros Bad Dad 2013 Oil on canvas 110 x 150cm POA |
|
DAVID SALLE Untitled mixed paper 23.5 x 29.2 cm - 9.25 x 11.5 inches 2013 (MP-SALLD-00105) USD $16,000.00 exc VAT |
|
|
KARLA BLACK Living Conditions 2013 aluminium tooling foil, nail varnish, petroleum jelly 90 x 19 x 19 cm 35 3/8 x 7 1/2 x 7 1/2 ins (MA-BLACK-00065) GBP 12,000 INSTALLATION VIEW |
|
Gail Hastings Space holder for a yellow, white and red space 2012 watercolour and lead pencil on paper, lead pencil and acrylic on wood, oil on wood 32 x 200 x 32cm (three components) $ 20,000.00 (incl. GST)
Exhibited: Direct Democracy, Monash University Museum of Art, curated by Geraldine Barlow. 2010 (Illustrated in catalogue.)
|
|
ISABEL NOLAN Reclusion 1515. Far out and fading away 2013 watercolour and waterbased oil on canvas 30 x 40 cm 11.8 x 15.7 in €5,000 |
|
Walead Beshty Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fukicolor Crystal Archive Super Type C, Em. No. 165 021, 05310) 2010 Colour photographic paper 126 x 287.5 cm $ 60,000.00 plus 20% VAT |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #13 2013 paint on magazine paper Edition: unica 31.5 x 25 cm US$ 4,000.00
|
|
Sue Williams WTC Wispiness 2013 Oil and acrylic on canvas 127 x 172.7 cm Signed on verso $90,000 |
|
YINKA SHONIBARE MBE Flight Painting (helicopter) 2013 Acrylic on textile, toys, wire 85cm diameter GBP £17,500 |
|
Walead Beshty Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MYC/Six Magnet: Los Angeles, California, April 1st 2014, Fuji Color Crystal Archive Super Type C, Em. No. 107 016, 56814), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174] 2014 Color photographic paper 304.8 x 127 cm $ 60,000.00 plus 5% Import VAT |
|
ROBIN RHODE Paper Planes 2009 digital animation 2:40 minutes Edition of 5 LM17421 €30,000.00 EUR |
|
Anish Kapoor Double Return 2014 Stainless steel 140 x 140 x 25.6 cm Liss |
|
SHANE COTTON Abstraction Painting #3 2013 250 x 250mm acrylic on canvas SC3406-01 NZD 7500 |
|
Walead Beshty Marginalis (London, United Kingdom, October 1-8, 2014) 2014 Cyanotype chemistry on canvas 300 x 180 cm $ 120,000.00 plus 20% VAT |
|
DO HO SUH Secret Garden 2012 mixed media with digital animation 55.12 x 39.37 x 62.99 inches 140 x 100 x 160 cm LM16476 |
|
Mark Whalan Room of knowledge Detail |
|
DO HO SUH Paratrooper 2013 thread, cotton, and methylcellulose 19 x 14.125 x .375 inches 48.3 x 35.9 x 1 cm 23.75 x 18.75 x 1.75 inches (framed) 60.3 x 47.6 x 4.4 cm LM17920 |
|
Steve McQueen Untitled (fingers) 2006 Photograph 29 x 20 cm Frame: 46.4 x 37.5 cm Edition AP of 6 plus 1 AP € 20,000.00 plus 20% VAT |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #2 2013 paint on magazine paper Edition: unica 31.5 x 25 cm US$ 4,000.00 |
|
Jeppe Hein Spinning Ball 50 2007 High polished stainless steel ball, motor, accumulators, magnet, white plate 50 cm diameter of ball 2 x 80 x 80 cm plate Edition of 3 €45,000 |
|
GUNTER BRUS Das Vitriolkabinett 1966 - 2012 12 Farbfotos (Fotos: Ludwig Hoffenreich) Mappe and Text, 40 x 40 cm 25/35 (Ed 35+5EA) BRU/Po 11/7 EUR 10,500.- |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Gail Hastings
Space holder for a yellow, white and red space Detail |
|
ROBIN RHODE Parabolic Bike 2010 digital animation 2:43 minutes Edition of 5 LM16946 €30,000.00 EUR |
|
Jeff Wall Daybreak 2011 Colour photograph 243 x 319 cm 248.2 x 324.1 x 5 cm (framed) Edition of 3 WC |
|
LIU WEI Exotic Lands No.13 2013 wood, doors, iron 78.74 x 74.8 x 1.97 inches 200 x 190 x 5 cm LM17127 |
|
Nathalie Djurberg Red Donut with White Cream 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone Ca. 70 x 147.5 x 157.5 cm €45,000.00 |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #14 2013 paint on magazine paper Edition: unica 31.5 x 24 cm US$ 4,000.00
|
|
|
ASHLEY BICKERTON Eyeball Painting 2 2013 mixed media 50.5 x 59 x 5.5 inches 128.3 x 149.9 x 14 cm LM18224 |
|
Richard Lewer Untitled 2014 oil on epoxy coated steel 100 x 100 cm $12,500 |
|
EVA ROTHSCHILD Hansel and Gretel 2013 steel, acrylic paint, lacquer 283 x 160 x 153 cm 111.4 x 63 x 60.2 ins (MA-ROTHE-00334) GBP 40,000 |
|
Steve McQueen Barrage 1998 Fuji long life colour photograph, plexiglass 47 x 69 cm Edition of 2 plus 1AP € 6,500.00 plus 20% VAT |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #5 2013 paint on magazine paper Edition: unica 31.5 x 44.5 cm US$ 5,000.00
|
|
Rodney Graham Cylindro-chromatic Abstraction Construction #13 2014 Gouache auf Holz 104 x 80 x 20.5 cm framed 55.000,00 USD plus VAT |
|
DEL KATHRYN BARTON GIRL #6 2004 synthetic polymer paint, gouache, watercolour and ink on polyester canvas signed, dated and inscribed 'del kathryn barton 2004' upper left; signed, dated and inscribed 'girl #6" / del Kathryn barton / 2004' verso" 124 X 90CM
Estimate: $30,000 - $50,000
Provenance Ray Hughes Gallery, Sydney Private Collection, Sydney Exhibited Del Kathryn Barton: Girl, Ray Hughes Gallery, Sydney, 6 November - 1 December 2004, no. 6 |
|
Gail Hastings Space holder for a yellow, white and red space Detail |
|
ERNESTO NETO Ready to leave 2013 photograph, ceramic pot with plant (Ficus Benjamini) 146 x 110 cm (framed) Edition of 3 (1/3) + 2 AP $ 18.000,00 (VAT not included) |
|
Steve McQueen Barrage 1998 Fuji long life colour photograph, plexiglass 47 x 69 cm Edition of 2 plus 1AP € 6,500.00 plus 20% VAT |
|
CHRIS BURDEN Tower of London Bridge 2003 BUR/S 1 Stainless steel reproduction Mysto type I Erector parts 76 x 244 x 30.5 cm 3/6 TBA |
|
Nathalie Djurberg Blue Donut with Glaze 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone ca. 75 x 153 x 146.5 cm €45,000.00 |
|
RICKY SWALLOW Drapery Form with S’s 2013 patinated bronze 72.4 x 25.4 x 10.2 cm 28 1/2 x 10 x 4 ins unique (MA-SWALR-00469) USD 30,000 INSTALLATION VIEW |
|
Nathalie Djurberg Donut with White and Purple Glaze 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone Ca. 66.5 x 166 x 166 cm €45,000.00 |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #15 2013 paint on magazine paper Edition: unica 31.5 x 24 cm US$ 4,000.00
|
|
Dario Escobar Composition No. 17 2012 Motor oil on paper 32.5 x 275 cm CT |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #16 2013 paint on magazine paper Edition: unica 31.5 x 24 cm US$ 4,000.00
|
|
Steve McQueen Portrait as an Escapologist 2006 Lambda print on photographic paper poster: 60 x 40 cm frame: 78 x 58 cm Edition 4 of 6 plus 1AP € 25,000.00 plus 20% VAT |
|
EULALIA VALLDOSERA Dust Sweepings (Series: The Navel of the World, Documentation #5) 1991-2008 B/w giclée prints on cotton paper (9 image polyptych) Each: 71.6 x 90 cm Each: 28 1/4 x 35 3/8 in Edition 2/3 + 1 AP (CF0831) € 20,000 (plus applicable taxes)
The Navel of the World series marks a turning point in Eulalia Valldosera’s career where she is the material of her work. Personal images of her body are re-created from her imagination – exposing the viewer to her vulnerability. She the artist becomes her own model. This work marks a brief return to the paintbrush Vallodosera abandoned a year before. She has drawn the images with a broom made from tree branches. The debris being swept consists of the artist’s cigarette ends and ash accumulated during her artistic production, clearing away without erasing. The Navel of the World series originated as a live performance in Galeria Antoni Estrany, Barcelona in 1991. |
|
Sam Leach Lioness with progression of colour terms Detail |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: L’art du Hue, pg. 17 2012 30 x 30 cm (frame size: 33 x 33 x 4.7 cm) Mixed media AUD 4,000 |
|
|
DO HO SUH Myselves 2013 thread, cotton, and methylcellulose 35.75 x 25 x .25 inches (paper) 90.8 x 63.5 x .6 cm LM17924 |
|
Dario Escobar Juego a 13 manos 2012 Wood and metal 240 x 200 x 160 cm CT |
|
EVA ROTHSCHILD Snowman 2013 rebar, polyurethane resin, plaster, paint 262 x 63 x 66 cm 103 1/8 x 24 3/4 x 26 ins (MA-ROTHE-00346) GBP 35,000 |
|
Sandra Cinto Untitled 2015 Acrylic on canvas 200 x 150 cm CT |
|
LIU WEI Exotic Lands No.12 2013 wood, doors, iron 78.74 x 55.12 x 1.97 inches 200 x 140 x 5 cm LM17126 |
|
Pier Paolo Calzolari Untitled 1989 Burnt salt, lead, refrigeration unit, refrigerator motor 219.7 x 264.8 x 59.7 cm €195,000 |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #7 2013 paint on magazine paper Edition: unica 31.5 x 44.5 cm US$ 5,000.00
|
|
Dario Escobar Silent Drawning #16 2010 Paper (book and pages) 120 x 80 cm each CT |
|
LEE BUL Untitled (Structure for wraparound topography - flush) 2010 acrylic, pigmented ink, color pencil on paper 60.5 x 45.5 cm (framed) 75.5 x 60.5 cm LM17472 $15,000.00 |
|
|
NOEL SKRZYPCZAK Mountain Painting #1 2013 Synthetic polymer paint on canvas 188 x 146 cm $9600 |
|
Dario Escobar Silent Drawning #17 2010 Paper (book and pages) 120 x 80 cm each CT |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #17 2013 paint on magazine paper Edition: unica 31.5 x 25 cm US$ 4,000.00
|
|
Mark Whalan I’ll meet you in the middle Detail |
|
ISABEL NOLAN The beautiful burning midday sun.1923 2013 watercolour and waterbased oil on canvas 45 x 35 cm €5,000 |
|
Dario Escobar Silent Drawning #21 2010 Paper (book and pages) 120 x 80 cm each CT |
|
SUSANNE KUHN Mushroom Hunt 2013 Acrylic on canvas 230 x 210 cm 90 1/2 x 82 5/8 in (CF1702) € 30,000 (plus applicable taxes) |
|
Pier Paolo Calzolari Untitled 1988 Salt, lead, refrigeration unit, refrigerator motor 245.1 x 259.7 x 55.2 cm €195,000 |
|
TATSUO MIYAJIMA Life (Corps Sans Organes) No.17 2013 LED, IC, microcomputer by Ikegami programme, steel, plastic, passive sensor, electric wire 241.0 x 356.3 x 136.0 cm
|
|
Rodney Graham Cylindro-chromatic Abstraction Construction #16 2014 Gouache on wood 104 x 80 x 20.5 cm framed 55.000,00 USD plus VAT |
|
DO HO SUH Flowers 2013 thread, cotton, and methylcellulose 14.5 x 11.5 x .5 inches 36.8 x 29.2 x 1.3 cm 18.75 x 16.125 x 1.75 inches (framed) 47.6 x 41 x 4.4 cm LM17916 |
|
Mona Hatoum Korb II 2014 Metal and glass 38.5 x diameter 49 cm €95,000 |
|
EVA ROTHSCHILD Snowman 2013 rebar, polyurethane resin, plaster, paint 262 x 63 x 66 cm 103 1/8 x 24 3/4 x 26 ins (MA-ROTHE-00346) GBP 35,000 DETAIL VIEW |
|
Nathalie Djurberg Green Donut with Glaze 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone Ca. 76 x 145.5 x 151.5 cm €45,000.00 |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #19 2013 paint on magazine paper Edition: unica 31.5 x 24.5 cm US$ 4,000.00
|
|
Pier Paolo Calzolari Untitled (Still life) 1985 Lead buttons, tin, paper, iron, copper 110.5 x 95.3 x 19.1 cm €300,000 |
|
MICKEY BUNGKUNI Untitled (Wanjina) c.1960 Natural earth pigments on eucalyptus bark 83.5 by 30.5 cm irregular PROVENANCE Collected c.1960 by Mr. Bruce Godwin, a missionary and administrator at Mowanjum Presbyterian Mission between 1958 and 1968. The painting was given to his sister Lois in 1962 Thence by descent Private collection, New South Wales |
|
Rodney Graham Cylindro-chromatic Abstraction Construction #17 2014 Gouache on wood 52 x 40 x 9.5 cm framed 25.000,00 USD plus VAT |
|
EULALIA VALLDOSERA Do Ut Des 2012 wooden shelf, books, mini projectorplastic bottle, glass containers, red liquid, yellow liquid, tooth 39 x 110 x 50 cm 15 3/8 x 43 1/4 x 19 3/4 in (CF0901) € 15,000 (plus applicable taxes) |
|
Damien Hirst Because I Can't Have You I Want You 1993 Melamine, glass, perspex, fish and formaldehyde solutionô€€ƒ 121.9 x 243.8 x 30.5 cm £3,850,000 |
|
TATSUO MIYAJIMA Life (Corps Sans Organes) No.11 2013 LED, IC, microcomputer by Ikegami programme, steel, plastic, passive sensor, electric wire 190.2 x 242.0 x 11.0 cm MIYA130008 |
|
Nathalie Djurberg Red Donut with White and Pink Glaze 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone Ca. 68 x 148 x 158 cm €45,000.00 |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #20 2013 paint on magazine paper Edition: unica 31.5 x 24 cm US$ 4,000.00
|
|
|
THOMAS SCHEIBITZ Georgette und Landschaft 2013 Oil, vinyl, pigment marker, varnish on canvas 240 x 270 cm 94 1/2 x 106 1/4 inches MSPM TSC 21327 SOLD |
|
Rita Ackermann (b. 1968) Fire by Days Blues XV 2013 Oil, pigment and spray paint on paper 111.8 x 76.2 cm USD 35,000.00 |
|
EVA ROTHSCHILD Snowman 2013 rebar, polyurethane resin, plaster, paint 262 x 63 x 66 cm 103 1/8 x 24 3/4 x 26 ins (MA-ROTHE-00346) GBP 35,000 DETAIL VIEW |
|
Rodney Graham Cylindro-chromatic Abstraction Construction #19 2014 Gouache on wood 52 x 40 x 9.5 cm framed 25.000,00 USD plus VAT |
|
NOEL SKRZYPCZAK Mountain Painting #2 2013 Synthetic polymer paint on canvas 188 x 146 cm $9600 |
|
Damien Hirst The Dance 2005-2006 Patinated silver 194 x 41 x 41 cm £1,5000,000 |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #22 2013 paint on magazine paper Edition: unica 31.5 x 24 cm US$ 4,000.00
|
|
Nathalie Djurberg Runny Egg 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone Ca. 71 x 155 x 105 cm €45,000.00 |
|
ADAM CULLEN (Wild Boar) bronze 75.0 cm height signed and numbered to front left leg: A.CUllEN/ 3/3 edition: 3/3 Provenance: Acquired from the artist, private collection, New South Wales Estimate: $12,000 - 15,000 |
|
THOMSON & CRAIGHEAD Decorative Newsfeeds 2004 Digital projection from online sources Edition of 3 + 2 APs (CF0042) £ 15,000 (plus applicable taxes)
Using a live feed from the web, international and up to the minute news headlines are presented as a series of visual animations. The gallery version of this work is projected onto both sides of a suspended screen so that the 'front' and 'back' of each trajectory can be viewed by a circling audience.
Edition 1 is owned by British Council. |
|
TATSUO MIYAJIMA Life (Rhizome) No. 18 2013 LED, IC, microcomputer by Ikegami programme, steel plastic, passive sensor, electric wire 68.5 x 98.5 x 4.0 cm MIYA130017 |
|
Pier Paolo Calzolari Untitled - Dalle serie "Piombi specchio" 1972-2000 (studio per camera da toilette per signora), 1994 Lead, rose petals, tin, copper wire, brass wire, iron wire, glass 202 x 126 cm $250,000 |
|
MATTHEW MONAHAN A Certain Time of You 2013 plaster, oil, steel, fiberglass reinforced polyurethane, charcoal on paper 233 x 46 x 41 cm 91 3/4 x 18 1/8 x 16 1/8 ins (MA-MONAM-00122) USD 95,000 |
|
Rodney Graham Cylindro-chromatic Abstraction Construction #18 2014 Gouache on wood 52 x 40 x 9.5 cm framed 25.000,00 USD plus VAT |
|
ASSUME VIDID ASTRO FOCUS Abusada Sao Paulo #23 2013 paint on magazine paper Edition: unica 32 x 25.5 cm US$ 4,000.00
|
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work Nathalie Djurberg
Yellow and Blue Fried Egg 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone Ca. 49 x 265 x 243 cm €45,000.00 |
|
TJUMPO TJAPANANGKA Marlboree 2000 Synthetic polymer paint on canvas Warlayirti artists catalogue number 171/00 120 by 80 cm PROVENANCE Painted at Wirrimanu (Balgo Hills) in 2000 Hogarth Galleries, Sydney Private Collection FILMOGRAPHY Painting Country, 2000, Electric Pictures, Robin Eastwood Productions, the painting features in the this film |
|
Sam Leach Trichonic Rhino 2014 oil and resin on wood 12 panels, each 50 x 50 cm 200 x 150 cm overall $ 48,000 |
|
THOMAS SCHEIBITZ Optison 2007 Oil on canvas 50 x 70 cm MSPM TSC 12399 SOLD |
|
Ricky Swallow Chair Study/Relief in Plain Weave Alternate View |
|
SHANE COTTON Blowing Smoke With Ball 'n Chain 2013 250 x 250mm acrylic on canvas SC3405-01 NZD 7500 |
|
Rodney Graham Cylindro-chromatic Abstraction Construction #20 2014 Gouache on wood 52 x 40 x 9.5 cm framed 25.000,00 USD plus VAT |
|
SHANNON EBNER Public Surface Pattern 2013 inkjet print, diasec mounted on aluminum site size: 243.8 x 14 cm / 96 x 5 ½ in frame size: 243.8 x 14 cm x 2.7 / 96 x 5 ½ x 1 1/8 in edition of 5 + 2AP HQ17-SE10003P Price: $15,000 USD |
|
Gary Hume Unicorn 1 2014 Gloss paint on aluminium 97.9 x 80.5 cm £70,000 |
|
CHARLES MEERE AND STUDIO Australian Beach Pattern c.1940 oil on wax on cardboard 73.0 x 102.5cm (28 3/4 x 40 3/8in). Estimate: AU$ 300,000 - 500,000 £180,000 - 290,000 US$ 270,000 - 450,000 Footnotes PROVENANCE Private collection, Europe Private collection, Australia Fine Australian and European Paintings, Sotheby's, Sydney, 16 August 1999, lot 39 (illus. cover) Private collection, Sydney
LITERATURE Terry Ingram, 'Price aurge at Sydney art sale', Australian Financial Review, 17 August 1999, p. 3 (illus.) Ben Holgate, '$395,000 for Boyd painting' The Australian, 17 August 1999, p. 5 Peter Cochrane, 'Art sale soars with angels', Sydney Morning Herald, Sydney, 17 August 1999, p. 3
RELATED WORK Charles Meere (1890-1961), Australian Beach Pattern 1940, oil on canvas, 91.5 x 122.0cm, In the collection of the Art Gallery of New South Wales, Sydney
Born in England in 1890, Charles Meere trained at the Royal College of the Arts as a designer and muralist before moving to Australia in 1930 looking for work as a commercial artist. He shortly set up his own business whilst juggling part time teaching at the East Sydney Technical College alongside other modernist painters including Herbert Badham, Douglas Dundas and E.A. Harvey.
By 1938 Meere had established himself and was granted the job of designing the promotional poster for the British Empire Games, now known as the Commonwealth Games, which were to be held in Sydney. That same year he won the Sulman prize with Atalanta's eclipse (now in the collection of the S.H Ervin Gallery, Sydney). Consequently Meere had brought on three apprentices to assist, one being Freda Robertshaw a graduate in commercial illustration from the National Art School. Robertshaw learnt figure painting by working alongside Meere on her own version of Australian Beach Pattern (now in the Reg Grundy AC, OBE and Joy Chambers Grundy Collection)
"After the sesquicentenary celebrations climaxed in January 1938, Charles Meere began work on Australian Beach Pattern (in the collection of the Art Gallery of New South Wales, Sydney) a major work in the iconography of the Australian Beach and now one of the most popular paintings in the collection of the Art Gallery of New South Wales. No other beach painting expresses the spirit of Australia before the Second World War as succinctly as this painting, with its combination of 'national types' and neo-classical composition.
Never has the Australian beach been portrayed with such vigour and energy. Far from the leisure and relaxation we expect in the depiction of our beach, this strenuos composition with it heroic figures is more suggestive of a renaissance battle scene." 1
Robertshaw recalled that 'Charles never went to the beach. We made up most of the figures, occasionally using one of Charles's employees as a model for the hands and feet, but never the complete figure. They were then arranged to fill in a composition until a small sketch was realised and colour indicated. It was then squared up and enlarged to the size of the painting. The outline was overlaid, pricked and then dusted with chalk. He started with a sepia base to fix the outline and then blocked in the larger areas, working slowly for about a year to complete the painting.'2
The present Australian Beach Pattern c.1940, rediscovered in Europe in the 1990's is slightly smaller than the version in the Art Gallery of New South Wales, Sydney.
1 Linda Slutzkin, 'Spartans in SSpeedos', in Daniel Thomas (ed.), Creating Australia: 200 years of art 1788-1988, International Cultural Corporation of Australia/ Art Gallery Board of South Australia, Adelaide, 1988, p.176-177. 2 Linda Slutzkin, Charles Meere 1890 – 1961, introductory catalogue essay, S.H. Irvin Gallery, Sydney, 1987, pp. 6–7, from an interview with Freda Robertshaw, 6 September, 1987. |
|
Nathalie Djurberg Brown Egg 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone Ca. 92 x 103 x 145 cm €45,000.00 |
|
NOEL SKRZYPCZAK Mountain Painting #4 2013 Synthetic polymer paint on canvas 188 x 146 cm $9600 |
|
EVA AND FRANCO MATTES Stolen Pieces (from Marcel Duchamp) 1995-97 Print on Somerset velvet 76.2 x 106.7 cm 30 x 42 1/8 in (CF0340) $ 6,500 (plus applicable taxes)
The Stolen Pieces series is a collection of artworks' fragments stolen by the artists from museums around the world including a manufacturer's label peeled from the aquarium in which Jeff Koons floated his basketballs, a short length of shoelace from a Claes Oldenburg soft sculpture, a little blob of lead from an installation by Joseph Beuys, and a tiny chip of porcelain from the urinal Fountain by Marcel Duchamp. |
|
WILL FOWLER Untitled 2013 acrylic on canvas 65 x 60 x 1.5 inches (165.1 x 152.4 x 3.8 cm) Inv# WF 13.014 $16,000 |
|
Pae White Module#32 NCS-Color S4040-R80B (cloudy) 2014 copper, epoxy filler, halogen illuminant, glass cover, stainless steel wire, cable, paint, passiflorae herba 265 x 100 x 130 cm USD 60,000.00 + VAT if applicable |
|
TRACEY EMIN Past Reflection 2012 Embroidered calico 61 13/16 x 69 5/16 in. (157 x 176 cm) (unframed) 71 1/4 x 78 3/8 x 3 9/16 in. (181 x 199 x 9 cm) (framed) GBP 160,000 |
|
Richard Lewer Thursday night training before the finals 2014 oil on epoxy coated steel 75 x 75 cm $9,000 |
|
JEFFREY SMART Skaters 1999 signed 'Jeffrey Smart' lower left oil on canvas 65.0 x 85.0cm (25 9/16 x 33 7/16in). Estimate: AU$ 300,000 - 400,000 £180,000 - 230,000 US$ 270,000 - 360,000 Footnotes PROVENANCE Australian Galleries, Sydney Private collection, Sydney Martin Brown Fine Art, Sydney Private collection, Sydney Australian + International Fine Art, Deutscher~Menzies, Sydney, 10 March 2004, lot 27 (illus.) Private collection, Sydney
EXHIBITED Jeffrey Smart Paintings 1958-1999, Including Seven New Works, Australian Galleries, Sydney, 27 August - 15 September 1999 The Australian Art and Antiques Fair, Martin Browne Fine Art, Sydney, 22-26 May 2002 (illus. cover) |
|
Ricky Swallow Chair Study/Relief in Plain Weave Detail
In his recent bronze sculptures Ricky Swallow reimagines quotidian objects and materials through a series of formal transformations. Each object starts modestly: a cardboard tube or foam plank, which Swallow economically and inventively cuts and reconfigures, adding tape or rubber bands to fasten the construction together. The resulting forms, seemingly smaller-than-life, deftly evoke domestic objects, rendered abstract and uncanny through Cubist and Surrealist strategies. Here, for instance, a chair back form recalls the compositions of Chicago Imagist Christina Ramberg, poised between irrational and rational impulses, dynamism and stasis. Casting these elegant forms in bronze and finishing them with patinas reminiscent of ceramic glazing, Swallow enacts further visual alchemy. The bronze adds literal and historic weight, as well as permanence to these studies, while the patina imbues each sculpture with graphic and painterly qualities, and a pictorial sensibility. |
|
LIONEL SMIT Disclose #2 Oil on Belgian Linen 190 x 190 cm |
|
Elad Lassry Untitled (Panel, Pink, Green, Raccoon) 2014 C-print, aluminum, carpet 167.6 x 160 x 3.8 cm $75,000.00
|
|
MARIANA PALMA Unitled 2013 oil and acrylic on canvas Edition: unica 150 x 120 cm US$ 40,000.00 |
|
Thomas Ruff nudes gi03 2011 C-Print, gerahmt - framed 155 x 110 cm Edition 5 EUR 50,000 plus VAT |
|
MARIANA PALMA Unitled 2013 oil and acrylic on canvas Edition: unica 200 x 120 cm US$ 40,000.00 |
|
Thomas Ruff nudes nd07 2011 C-Print, gerahmt - framed 152 x 110 cm Edition 5 EUR 50,000 plus VAT |
|
TRACEY EMIN Stupid Studio Girl 2011 embroidered calico 62.2 x 70.08 inches (fabric) 158 x 178 cm 68.9 x 77.17 x 3.74 inches (framed) 175 x 196 x 9.5 cm LM14702 |
|
Gary Hume Hoof 2014 Gloss paint on aluminium 91 x 51 cm £65,000 |
|
NO INFO YET |
|
Nathalie Djurberg Egg Fried Red Green 2013 canvas, foam, acrylic, silicone h = 60, Ø ca. 215 cm €45,000.00 |
|
MARY HEILMANN Green Orla 1992 Oil on canvas 76.2 x 55.9 cm / 30 x 22 inches HEILM56908 USD 190,000.00 excl. VAT |
|
Nathalie Djurberg Dark Green Egg 2013 Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone Ca. 80 x 157 x 114 cm €45,000.00 |
|
JOHANNA CALLE Lied (2) 2013 photographic drawing on analog photo, 27 x 21 cm CALL/F 2 EUR 6,000.- |
|
Clarice Beckett The single oarsman c.1931 oil on board 38 x 28.5cm $55,000 |
|
STEVIE FIELDSEND Progenies#4 2011 glass, wood 37 x 66 x 13cm $680 |
|
Exemplary of Elad Lassry’s increasingly radical and sculptural practice, his new unique pictures feature a variety of physical and conceptual interventions into, onto, and around a photographic image. These manoeuvres suggest an uncharted territory for the photograph, namely one of dimensionality and unfixed status. In each work, the frame becomes continuous with the image, and Lassry leaves it to the viewer to decide how the photographic print differs from the rest of the object. Lassry suspends the viewer of these pictures between recognition—of photographic conventions and popular histories—and alienation, critically distancing her from received ideas about the lives of images. In Untitled (Panel, Pink, Green, Raccoon), 2014, for example, Lassry sourced four sequential images of a raccoon from the discarded editorial assignment of an anonymous nature photographer. Drawn to the failure of the photographs as images— the animal isn't working for the camera—Lassry invests the pictures with an exceptional physical and tactile presence: a polished aluminum case accented by carpet forms. With this gesture, he asks whether identity is restored to the pictures’s subject, i.e. the raccoon, or newly granted to the pictures together as an independent thing. |
|
MARIANA PALMA Unitled 2013 oil and acrylic on canvas Edition: unica 110 x 200 cm US$ 40,000.00 |
|
James Casebere Monticello #3 2001 Framed Cibachrome (dye destruction) print paper: 118.1 x 147.3 cm framed: 125.7 x 154.9 cm Edition of 5 plus 2 APs signed and numbered on label, verso $70,000 mounted, framed, glazed |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: Expiration Date August 2012 2012 30 x 30 cm (frame size: 33 x 33 x 4.7 cm) Mixed media AUD 4,000 |
|
Thomas Ruff Nudes gi03 2011 C-Print, gerahmt - framed 155 x 110 cm Edition 5 EUR 50,000 + VAT |
|
CHRIS OFILI Study for Ovid-Stag 2012 Oil on paper Image size: 66 x 49.5 cm, 26 x 19 1/2 in Framed size: 84.14 x 66.83 x 3.97 cm (CO 616) £ 20,000.00 (ex tax) |
|
Elad Lassry Untitled (Panel, Pink, Green, Raccoon) Detail |
|
TRACEY EMIN More come 2013 gouache on board 5.91 x 7.87 inches 15 x 20 cm LM17738 |
|
Cerith Wyn Evans 'Witness' (after Iannis Xenakis) 2011 Chandelier (Luce Italia), independent breather unit and flash player Height: h: 180 x diameter 120 cm £150,000 |
|
THOMAS HOUSEAGO (tbc, heart shaped face) 2013 Graphite and charcoal on canvas 213.4 x 182.9 x 5.1 cm / 84 x 72 x 2 inches HOUSE60149 USD 100,000.00 excl. VAT |
|
Olafur ELIASSON Your momentum device Installation View |
|
ARTIST UNKNOWN Natural earth pigments on eucalyptus bark 86 by 50 cm irregular PROVENANCE Painted at Kalumburu, Western Australia Aboriginal Traditional Arts, Perth c.1977 The Estate of William Bowmore Private collection, Sydney |
|
Elad Lassry Untitled (Panel, Pink, Green, Raccoon) Detail |
|
JOANA VASCONCELOS Ipanema 2013 Viuva Lamego's tiles, handmade woolen crochet, ornaments, polester, MDF and iron Edition: unica 242 x 160 x 45 cm EUR 120,000.00 |
|
Jenny Holzer TOP SECRET 23 2011 Oil on canvas 147.3 x 111.8 cm $225,000 |
|
BRETT WHITELEY Another Way of Looking at Vincent Van Gogh 1888-1889 1983 etching (3) (i) 26.0 x 20.5 cm, (ii) 20.5 x 37.0 cm, (iii) 26.5 x 20.0 cm (i) Self Portrait, One of a Dozen Glimpses, numbered and signed below image (ii) The Back of the Asylum, St Rémy, numbered and signed below image (iii) Sons of the Sun, numbered and signed with artist's stamp below image edition: 51/100 Provenance: Private collection, Sydney Reference: Brett Whiteley The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, cat.72,73,74 (illus., other examples) Estimate: $7,000 - 9,000 |
|
Cory Arcangel Miley / Lakes 2014 1920x1080 H.264/MPEG-4 Part 10 looped digital file (from lossless Quicktime Animation master), media player, 70" flatscreen, armature, various cables USD 60,000 |
|
CHRIS OFILI Study for Ovid-Stag 2012 Oil on paper Image size: 65.5 x 43.5 cm, 25 3/4 x 17 1/8 in Framed size: 83.66 x 60.8 x 3.97 cm (CO 617) £ 20,000.00 (ex tax) |
|
Richard Lewer Happy Australia Day 2014 oil on epoxy coated steel 50 x 50 cm $7,000 |
|
THOMAS HOUSEAGO (tbc, cyclops head on plinth) 2013 Tuf-Cal, hemp, iron rebar, redwood Unique 193 x 59.7 x 59.7 cm / 76 x 23 1/2 x 23 1/2 inches HOUSE60153 USD 200,000.00 excl. VAT |
|
Elad Lassry Untitled (Zebrawood Bars, Thought Bubble) 2014 C-print, zebrawood 96.5 x 47 x 14 cm |
|
JOANA VASCONCELOS Curumim 2013 ceramic urinals and handmade cotton crohet Edition: unica 40 x x 58 x 30 cm EUR 48,000.00 |
|
Cory Arcangel Photoshop CS: 1200 by 1200 centimeters, 10 DPC, RGB, square pixels, default gradient "Russel's Rainbow", mousedown y=220 x=380, mouseup y=7460 x=7360 2014 Carpet Dimension Variable Dimension Variable USD 115,000.00 |
|
STEVIE FIELDSEND Progenies #7 2011 glass, wood 36 x 20 x 13cm $750 |
|
Gonkar Gyatso b. 1961 Shangri La 2014 Mixed media collage on Aluminum backed honeycomb panel 76 x 76 cm |
|
TRACEY EMIN Memory 2013 acrylic on board 6.06 x 8.11 x .12 inches 15.4 x 20.6 x .3 cm LM17760 |
|
Elad Lassry Untitled (Zebrawood Bars, Thought Bubble) Alternate View |
|
ELMGREEN & DRAGSET But I'm on the Guest List, Too! 2012 Mirror polished stainless steel 250 x 120 x 10 cm 98 3/8 x 47 1/4 x 4 in (ED 71) £ 95,000.00 (ex tax) |
|
Richard Prince Untitled (Cowboys) 1984 Ektacolor photograph 91.4 x 73.7 cm Edition AP signed, dated, numbered 'ap' and inscribed in ink (on the recto), titled in ink (on the reverse) $175,000 |
|
JOANA VASCONCELOS Overflow 2013 ceramic wash basin, handmade cotton crochet, ornaments, polyester Edition: unica 242 x 160 x 45 cm EUR 36,000.00 |
|
Jesús Rafael Soto Circulo virtual blanco con gris 1978 Paint on wood and metal 102 x 102 x 28 cm Unique 320 000 € / $413,952 without tax
|
|
SHANE COTTON Diamond with Circle Landscape 2013 250 x 250mm acrylic on canvas SC3404-01 NZD 7500 |
|
Ben Quilty Self portrait 2014 Oil on Canvas 170 x 160 cm |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: Private Little Wars Pt. 1 2012 30 x 30 cm (frame size: 33 x 33 x 4.7 cm) Mixed media AUD 4,000 |
|
Ryan Gander Memory stick containing research pictures of Q's 2014 Framed photograph and USB stick 189 x 142 cm Ed. 1 of 1 plus 1 ap GBP 40,000.00 |
|
TRACEY EMIN light space 2013 gouache on board 5.91 x 7.87 inches 15 x 20 cm LM17737 |
|
Louise Bourgeois (1911 - 2010) Untitled 2005 Fabric 60.3 x 78.7 centimeters $275,000 |
|
ELMGREEN & DRAGSET Powerless Structures, Fig. 101 2013 Sculpture: 24-carat gold plated. Plinth: wood 152 x 160 x 65 cm 59 7/8 x 63 x 25 5/8 in (ED 103) £ 150,000.00 (ex tax) |
|
|
Jesús Rafael Soto Circulo virtual blanco con gris Detail view |
|
DANIE MELLOR New World, New Order (The Visitors) 2009 mixed media on paper 139.5 x 100.0 cm Provenance Jan Murphy Gallery, Brisbane Private collection, Brisbane Exhibited Tweed River Art Gallery, 7 May - 20 June 2010 Bathurst Regional Art Gallery, 7 October - 20 November 2011 |
|
PAE WHITE Soft Wizard 2013 cotton, polyester and lurex cm 283 x 379 / in 111,5 x 150 unique edition USD 75.000 + VAT |
|
PAUL MCCARTHY White Snow, Prince and Snow White (working title) 2012-2013 Black walnut Ed. 1/5 + 2 AP 91.4 x 50.5 x 93.8 cm / 36 x 19 7/8 x 36 7/8 inches McCAR51711 USD 650,000.00 excl. VAT |
|
Beatriz Milhazes Snake Dreaming 2013 Woodblock and screenprint on Saunders 425g paper 94 x 117 cm Edition 15 of 40 JCG6782.15
$35,000 unframed
This is Milhazes newest work. Her major survey show is up at Perez Art Museum Miami now/during time of Basel fair. |
|
STEVIE FIELDSEND Progenies #13 2013 glass, wood 44 x 33 x 15cm $1,900 |
|
Jesús Rafael Soto Circulo virtual blanco con gris Detail view |
|
RASHID JOHNSON The Baptism 2013 black mirrored tile, black soap, wax 72.5 x 49.5 x 3 inches (184.2 x 125.7 x 7.6 cm) Price: $110,000.00 DETAIL VIEW |
|
Del Kathryn Barton the heart land 2013/2014 (panel 3) |
|
JONAS WOOD Clipping E3 2013 oil and acrylic on canvas 114 x 76 inches (289.6 x 193 cm) Inv# JW 13.016 $64,000 |
|
Jacqueline Humphries Untitled 2014 Oil on linen 254 x 282 cm USD 150,000 |
|
PAUL MCCARTHY She He Enis Penis Cut 2013 Acrylic and collage on canvas stretched over board 243.8 x 335.3 cm / 96 x 132 inches McCAR60212 |
|
Jesús Rafael Soto Vibración tricolor marrón, negra y azul 1990 Paint on wood and metal, nylon 102 x 102 x 17 cm Unique 287 500 € / $371,910 without tax |
|
JOHANNA CALLE Lied (11) 2013 photographic drawing on analog photo, 27 x 21 cm CALL/F 11 EUR 6,000.- |
|
Michael Zavros Rolls Royce Poodle 2014 Oil on canvas 160 x 225cm AUD$90,000 inc gst Looks like a photo, but it is a painting. |
|
TRACEY EMIN The Passion of Your Smile 2013 neon 32.8 x 74.8 inches 83.3 x 190 cm Edition of 3 LM18880 GB£70,000.00 |
|
Jesús Rafael Soto Vibración tricolor marrón, negra y azul Detail view |
|
VERNE DAWSON Straying From De Soto's Party 2013 Oil on linen 182.9 x 213.4 cm 72 x 84 in (VD 112) $ 90,000.00 (ex tax) |
|
Olafur ELIASSON Your momentum device Installation View |
|
RICKY SWALLOW Drapery Form with S’s 2013 patinated bronze 72.4 x 25.4 x 10.2 cm 28 1/2 x 10 x 4 ins unique (MA-SWALR-00469) USD 30,000 |
|
Jon Pestoni Wino 2014 Oil and mixed media on canvas 198.1 x 152.4 cm $45,000 |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: Private Little Wars Pt. 2 2012 30 x 30 cm (frame size: 33 x 33 AUD 5,800 pair with notes on energy text work |
|
WILLIAM KENTRIDGE Tango for Page Turning 2012/2013 Single channel HD video; 2 min. 48 sec. Music by Phillip Miller Edition of 9 plus 2AP No. 16449 $120,000.00 |
|
RON MUECK Woman with Shopping 2013 Mixed media Ed. 2/4 + 1 AP 113 x 46 x 30 cm / 44 1/2 x 18 1/8 x 11 3/4 inches MUECK58252 GBP 550,000.00 excl. VAT |
|
Jesús Rafael Soto Vibración tricolor marrón, negra y azul Detail view |
|
NO INFO YET |
|
Michael Zavros The Octopus 2014 Oil on canvas 180 x 180cm AUD75,000 inc gst |
|
DANIEL ARSHAM Moai 2013 Gouache on mylar, frame 30,2 x 21,5 cm / 11 3/4 x 8 1/3 inches Unique $5,000 AUD |
|
Jon Pestoni Wino 2014 Oil and mixed media on canvas 198.1 x 152.4 cm $45,000 |
|
ERNESTO NETO Me, my back and my life 2013 2 photographs, 2 ceramic pots with plants (Muehlenbeckia) Diptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 28.000,00 (VAT not included) |
|
WILLIAM & GERHARD MARX KENTRIDGE Fire Walker 2013 Rusted steel 100 x 50 x 40 cm Edition of 9 plus 2AP No. 16189 |
|
EVA ROTHSCHILD Hollywood Nights 2013 spray paint, jesmonite, mixed media, steel stand 216 x 67 x 72 cm 85 1/8 x 26 3/8 x 28 3/8 ins (MA-ROTHE-00332) GBP 35,000 |
|
Claire Healy & Sean Cordeiro Kitchenette – Dolphin 2014 Lego, Ikea shelf and plant $12,000.00
|
|
JENNY HOLZER SELECTION FROM SURVIVAL: THE FUTURE IS STUPID 2006 Danby Imperial white marble footstool 17 x 23 x 15 3/4 inches 43.2 x 58.4 x 40 centimeters (JH983.4/10) HO.18515.4 |
|
Jon Pestoni Motel 2014 Oil on canvas 198.1 x 152.4 cm $45,000 |
|
TRACEY EMIN A cloud of blood invisible mist 2013 bronze 8.5 x 15 x 5.51 inches 21.6 x 38.1 x 14 cm Edition of 5 LM17633 £45,000.00 GBP These are also undervalued as they are very beautiful as well as poignant. |
|
Andreas Gursky Ocean II 2010 Edition 4 / 6 Medium to be confirmed 341.1 x 249.4 x 6.4 cm EUR 400,000.00 |
|
BERNAR VENET 221.5" Arc x 12 2008 Corten steel H: 260 diameter: 450 cm 126cm (n.b. Overall width dimensions vary depending on installation) EURO 350,000 +GST |
|
Jon Pestoni Motel 2014 Oil on canvas 198.1 x 152.4 cm $45,000 |
|
DIANA THATER Day for Night Two 2013 9 monitor videowall installation Overall: 173.67 x 307.34 x 9.21 cm / 68 3/8 x 121 x 3 5/8 inches Monitors, each: 58.1 x 102.55 x 9.21 cm / 22 7/8 x 40 3/8 x 3 5/8 inches 173.6 x 307.3 x 9.21 cm / 68 3/8 x 121 x 3 5/8 inches THATE58674 USD 150,000.00 excl. VAT |
|
WILLIAM & GERHARD MARX KENTRIDGE Fire Walker 2013 Rusted steel 100 x 50 x 40 cm Edition of 9 plus 2AP No. 16189 |
|
STEVIE FIELDSEND Progenies #15 2012-13 glass, wood 42 x 27 x 15cm $1,900 |
|
Christian Holstad Entrance 2014 Hand-cut paper collage on MDF wood 8 panels each 203 x 104 x 6.5 cm $ 180,000.00 (excluding tax) |
|
TRACEY EMIN Before 2013 acrylic on canvas 8.07 x 8.07 x .79 inches 20.5 x 20.5 x 2 cm LM17745 £45,000.00 GBP |
|
Rita Ackermann (b. 1968) Chalkboard Painting I 2013 Acrylic, spray paint and chalk on canvas 198.1 x 111.8 cm USD 75,000.00 |
|
DANIEL ARSHAM Mataveri airport entrance 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/3 x 11 3/4 inches Unique $5,000 AUD |
|
Mark Flood Love Bruise 2013 Painting - Acrylic on canvas 238.8 x 176.5 cm PP
Mark Flood (b. 1957, USA) has been making work in Houston, Texas since the late 1970s. As a founder of the seminal punk rock band Culturcide and later presenting work in galleries and off spaces under various pseudonyms, Flood has produced a range of work over the past 40 years which undermines and subverts oneway, omnipresent forms of corporate communication. Recent and upcoming solo shows include the Contemporary Arts Museum, St. Louis and the Contemporary Arts Museum, Houston. |
|
TRACEY EMIN Another leg 2013 acrylic on board 6.06 x 8.11 x .12 inches 15.4 x 20.6 x .3 cm LM17759 |
|
Jon Pestoni Windex 2014 Oil on canvas 198.1 x 172.7 cm $45,000 |
|
MATHIEU MERCIER Untitled (Bike/primary aerosol) 2012 Bike, sublimation on Corian pedestal 150 x 185 x 70 cm 59.06 x 72.83 x 27.56 in Unique piece MM 2012/010 Certificate signed by the artist EUR 24,000.00 |
|
Lionel Bawden flipside 2011 coloured Staedtler pencils, epoxy & incralac on perspex shelf 28.0 x 33.0 x 13.0 cm $8,800 |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: Notes on Energy Continuums 2012 30 x 30 cm (frame size: 33 x 33 x 4.7 cm) Mixed media AUD 5,800 pair with Private Little Wars text work |
|
Pae White Module#535 NCS-Color S1050-G90Y (golden) 2014 copper, epoxy filler, halogen illuminant, glass cover, stainless steel wire, cable, paint, earth from Garden of the Gods 260 x 110 x 120 cm USD 60,000.00 + VAT if applicable
Part of a series of boldly colored and uniquely designed chandeliers, each of Pae White’s Modules is an illusion of materials, appearing to the eye to be cast in plaster, the structural basis of each sculpture is in fact epoxy-coated copper. No longer bearing the shining traces of metal, the lamps' branches float in the air with a subtle expanse of chalky, pastel color. As a new improvisation on the chandelier, each work integrates not only light sources but also various material elements, including fragrant earth, cocktails, bathwater, spices and crystals, which allude to the artists' own personal history and can be interchanged with other meaningful items. |
|
TRACEY EMIN Humiliated 2013 bronze 8.5 x 12.52 x 7.52 inches 21.6 x 31.8 x 19.1 cm Edition of 5 LM17820 £45,000.00 GBP |
|
Jon Pestoni Brains 2014 Oil and mixed media on canvas 198.1 x 172.7 cm $45,000 |
|
STURTEVANT Dillinger Running Series 1999 Hand-pulled Black and white photography, graphite on paper 25 x 22.2 cm (9.84 x 8.74 in) (paper) 13.1 x 11.1 cm (5.16 x 4.37 in) (image) Ed. unique ST 2071 EUR 10,000 |
|
Mark Flood THAT FUCK 2014 Painting - Archival ink on canvas 236.5 x 129.5 cm PP
|
|
PEDRO MOTTA Da série a Natureza das coisas [From the series the nature of things] 2013 Pencil on mineral ink print on cotton paper Edition: Ed. 3/3 + 1 AP + 1EC 61 x 55 cm 10242 US$3,000 - 3,500 |
|
Giulio Paolini Studio per "Villa dei Misteri" 2013 Collage on black paper 50 x 50 cm No. 16098 MGG |
|
TRACEY EMIN Lonely Chair drawing I 2012 gouache on paper 39.96 x 53.94 inches 101.5 x 137 cm 43.5 x 59.25 x 2 inches (framed) 110.5 x 150.5 x 5.1 cm LM16843 £45,000.00 GBP |
|
Jon Pestoni Windex 2014 Oil on canvas 198.1 x 172.7 cm $45,000 |
|
STURTEVANT Warhol Flowers 1964-70 S/C, acrylic 28 x 28 cm (11.02 x 11.02 in) At the back : "Warhol Flowers Sturtevant 64-70 Paris" #7 Artsit Studio ST 2037 EUR 85,000 |
|
Ettore Spalletti Ma, sì, blu di Prussia e oro 2011 Colour impasto on board, gold leaf 50 x 50 x 4 cm €35,000.00 (+VAT) |
|
EVA SCHLEGEL Ohne Titel (194) 2010 SCHLE/D 155 silkscreen on lead 35 x 53 cm ed. 2/5 EUR 5,900.- Dont konw this artist but she is specifically channleing Yves Klien and its great prictuer |
|
THOMAS STRUTH Mount Bental, Golan Heights 2011 Inkjet print Image: 125 x 158 cm Edition of 6 No. 16307 €100,000.00
|
|
ADAM CULLEN Shark 2010 oil on canvas 182.0 x 244.0 cm signed with initials lower right: AC Provenance: Acquired from the artist, private collection, Sydney Estimate: $16,000 - 20,000 |
|
Jon Pestoni Brains Detail |
|
TRACEY EMIN Always 2013 acrylic on board 6.06 x 8.11 x .12 inches 15.4 x 20.6 x .3 cm LM17748 |
|
Claire Healy & Sean Cordeiro Garage / Tool Shed - Doe 2014 Lego, Ikea trestle with shelf and plant 130 x 150 x 70cm $28,000.00
|
|
STURTEVANT Dillinger Running Series 1999 Hand-pulled Black and white photography and photocopies on paper 15.1 x 21.1 cm (5.94 x 8.31 in) Ed. unique ST 2074 EUR 10,000 |
|
Alexandra Bircken Crown 2014 Nickel silver 36 x 27x 21 cm Plinth: 95 x 40 x 40 cm Edition 1 of 3 plus 1 AP HS |
|
TRACEY EMIN Lonely Chair drawing II 2012 gouache on paper 39.96 x 53.94 inches 101.5 x 137 cm 43.5 x 59.25 x 2 inches (framed) 110.5 x 150.5 x 5.1 cm LM16844 £45,000.00 GBP |
|
Jon Pestoni Wondering Eye Detail |
|
Invisible Language Workshop, Wallspace, New York, 2009 INSTALLATION VIEW |
|
Santo Tolone Rondò 2014 Etched Engraving on Brass Plate Poplar Wood H140cm x W100cm x D4cm £11,000 Very young artist |
|
YANG SHAOBIN Blue Room 21 2010 Oil on canvas 195 x 217 cm RMB 1,000,000 |
|
Kawita Vatanajyankur The Basket 2014 Type HD colour video edition of 3, $990 |
|
COLIN McCAHON Black Diamond, White Square (No. 8, The First Gate Series) 1961 enamel on hardboard 1230 x 780 mm AUD$350,000 |
|
Alexandra Bircken Crown Alternate View |
|
STURTEVANT Dillinger Running Series 2000 Black and White photocopy collage on paper 24 x 32 cm (9.45 x 12.6 in) (paper) 21.2 x 26 cm (8.35 x 10.24 in) (image) Ed. unique ST 2080 EUR 10,000 |
|
Jon Pestoni Wondering Eye 2014 Oil and mixed media on canvas 198.1 x 172.7 cm $45,000 |
|
DANIEL ARSHAM Ahu Tongariki 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/3 x 11 3/4 inches Unique $5,000 AUD |
|
Nyapanyapa Yunupingu Djorra (paper) 3 felt tip pens, white clay, acrylic paint on discarded print proofs 228 × 224cm 76 x 56cm each AU$ 22,000.00 |
|
TRACEY EMIN Small Tears 2012 embroidered calico 24.8 x 24.8 inches 63 x 63 cm 33 x 33 x 3.75 inches (framed) 83.8 x 83.8 x 9.5 cm LM17291 £55,000.00 GBP |
|
Alexandra Bircken Crown Alternate View |
|
NADER AHRIMAN Die Fußwaschung – Heimkehr der lachenden Seeligkeit und des lachenden Gleichmuts der Götter zu den Menschen 2009 AHR/M 27 acrylic on canvas 120 x 100 cm TBA |
|
Jon Pestoni High Wall 2014 Oil and mixed media on canvas 198.1 x 152.4 cm $45,000 |
|
STURTEVANT Dillinger Running Series 2000 Hand-pulled Black and white photography 42.1 x 35.7 cm (16.57 x 14.06 in) (paper) Ed. 1/2 ST 2091 EUR 10,000 |
|
Peter Doig Paragrand Beach (eu plein air…!) 2004 Oil on paper Signed and dated on reverse 25 x 35.2 cm $ 30,000.00 (ex tax) |
|
ERNESTO NETO |
|
Rita Ackermann (b. 1968) Chalkboard Painting IV 2013 Acrylic, spray paint and chalk on canvas 198.1 x 111.8 cm USD 75,000.00 |
|
JACK STRANGE Lump Inside A Lump (kicking it) 2013 Soil, Plaster, Wire, Sculptamold, iPods, 2 x Video Files (10'00" each) 40cm Diameter Approx. Unique £4,000.00 (+VAT) LLJS293_13
A soil-encrusted lump with two video screens inserted into it. The screen show footage made from cameras being kicked along the ground. The footage stills submerged in grass for a while or stares up into the sky; a pair of legs can be seen moving slowly towards the camera and a foot comes into shot and fills the screen; a big toe or sole of a foot appear and the footage tumbles widely as ground and sky roll over each other or ground and darkness tumble together. |
|
Jon Pestoni High Wall 2014 Oil and mixed media on canvas 198.1 x 152.4 cm $45,000 |
|
ADEL ABDESSEMED L'age d'or 2013 Gold-plated brass 44 1/2 x 74 x 1 3/4 inches 113 x 188 x 4.5 cm Edition of 3, 1 AP ABDAD0479 $850,000 |
|
Stan Douglas Hogan's Alley 2014 Digital chromogenic print mounted on Dibond aluminum 157.5 x 309.9 x 7.6 cm $ 100,000.00 (ex tax) |
|
TRACEY EMIN The Super Prince is coming 2012 gouache on paper 9.84 x 9.84 inches 25 x 25 cm 20.3125 x 20.375 x 1.5 inches (framed) 51.6 x 51.8 x 3.8 cm LM17572 £15,000.00 GBP |
|
Kawita Vatanajyankur Wet Rag 2014 Type HD colour video edition of 3, $990 |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
Jon Pestoni Brains 2014 Oil and mixed media on canvas 198.1 x 172.7 cm $45,000 |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: Fragment of an Antique Phaser Rifle 01 2012 30 x 30 cm (frame size: 33 x 33 x 4.7 cm) cast paper on archival watercolor paper AUD 4,000 |
|
Pae White Perisna (ranSeed(5311), COMBO[3].loc.x*s, COMBO[3].loc.y*s) 2014 lurex, silver, cotton and polyester 290 x 410 cm USD 75.000,00 + VAT if applicable |
|
GRAYSON PERRY Role Models 1994 Glazed ceramic 23 x 24 cm diameter 9 1/8 x 9 1/2 in diameter (GP 393) £ 38,000.00 (ex tax) |
|
Michael Dean N (Working Title), analogue series (muscles) 2014 Concrete 180 x 45 x 40 cm £14,000 HS |
|
TRACEY EMIN There is nothing left but you 2013 bronze 9.02 x 15.98 x 5.98 inches 22.9 x 40.6 x 15.2 cm Edition of 5 LM17631 £45,000.00 GBP These are also undervalued as they are very beautiful as well as poignant. |
|
Jon Pestoni Blacktop 2014 Oil and mixed media on canvas 198.1 x 172.7 cm $45,000 |
|
SHIRAZEH HOUSHIARY Untitled 2008 blue pencil on black aquacryl on canvas 15.75 x 15.75 inches 40 x 40 cm LM12062 |
|
Kawita Vatanajyankur The Robes 2014 Type HD colour video edition of 3 $990
|
|
ADEL ABDESSEMED Mappemonde - olive 2011 Printed steel Diameter: 118 1/2 inches 301cm ABDAD0333A $550,000 |
|
Djordje Ozbolt tbc 2014 Acrylics on canvas 80 x 70 cm £12,000 HS |
|
Invisible Language Workshop, Wallspace, New York, 2009 INSTALLATION VIEW |
|
Jon Pestoni Blacktop 2014 Oil and mixed media on canvas 198.1 x 172.7 cm $45,000 |
|
MARTIN CREED Work No. 1293 2011 Watercolour on paper 29.7 x 21 cm / 11 3/4 x 8 1/4 inches CREED50419 USD 20,000.00 excl. VAT |
|
Yayoi Kusama INFINITY-NETSï¼»OGWA] 2014 Acrylic on canvas 130.3 x 130.3 cm $ 320,000.00 (ex tax) |
|
ROBERT KLIPPEL No. 550 1985 painted wood assemblage 74.5 cm height Provenance: Robert Klippel Estate Private collection, Sydney Menzies, Sydney, 24 March 2011, lot 5 Private collection, Melbourne Menzies, Sydney, 06 December 2012, lot 101 Corporate collection, Melbourne Estimate: $12,000 - 16,000 |
|
Claire Healy & Sean Cordeiro Kitchen / Pantry – Seal 2014 Lego, Ikea foot stool and plant 103 × 110 × 112cm AU$ 20,000.00 |
|
GRAYSON PERRY Primitive Men 1994 Glazed ceramic 42.5 x 36 cm diameter 16 3/4 x 14 1/8 in diameter (GP 395) £ 42,000.00 (ex tax) |
|
Jon Pestoni High Wall 2014 Oil and mixed media on canvas 198.1 x 152.4 cm $45,000 |
|
TOMMA ABTS Eerke 2000 Oil and acrylic on canvas 19 1/8 x 15 1/4 x 3/4 inches 48.6 x 38.7 x 1.9 cm Signed, titled, and dated verso ABTTO0028B $200,000 |
|
FM Ian Hamilton Finlay Five Finials 1999 Stone, with Peter Coates 39 x 21 x 21 cm, each approx £ 90,000.00 (ex tax) |
|
TERESITA FERNÁNDEZ Aurora Green 2012 solid graphite 2 panels, each: 16 x 20 inches 40.6 x 50.8 cm Overall: 16 x 40 inches 40.6 x 101.6 cm LM16190 $60,000.00 USD |
|
Christian Thompson Ellipse 2014 C-Type print 100 x 100 cm edition of 5 +2AP unframed $8,800.00 |
|
STEVIE FIELDSEND Progenies #16 2012-13 glass, wood 60 x 28 x 20cm $2,500 |
|
Jon Pestoni Windex 2014 Oil on canvas 198.1 x 172.7 cm $45,000 |
|
SEAN EDWARDS Untitled 2013 Framed Archival Giclee Print on Dibond H150cm x W132cm Ed 1/5 (+2AP) £4,000.00 (+VAT) LLSE178_13_1 |
|
|
Nicholas Hlobo Emgibeni 2014 Ribbon on Fabriano paper Paper size: 66 x 102cm €25 000 including frame |
|
TOMMA ABTS Untitled 2010 4 parts Drawings 1, 2, and 4: Watercolor Drawing 3: Watercolor and graphite on paper Each framed: 14 1/2 x 11 x 5/8 inches 36.8x 27.9 x 1.6 cm Each paper: 11 5/8 x 8 1/4 inches 29.5 x 21cm Each signed,titled, and dated ABTTO0105A $45,000 |
|
Pat Brassington Asphalt 2013 from In search of the marvellous 83 x 120cm edition of 8 $7700 |
|
TERESITA FERNÁNDEZ Ghost (Vines) 2013 stainless steel 92.5 x 130.5 inches 235 x 331.5 cm Edition of 3 LM18400 $425,000.00 USD |
|
Jon Pestoni Wino 2014 Oil and mixed media on canvas 198.1 x 152.4 cm $45,000 |
|
DANIEL ARSHAM Rano Kau with view of Hanga Roa 2013 Gouache on mylar, frame 21,45 x 56,1 cm / 8 1/4 x 22 inches Unique $6,000 AUD |
|
Rita Ackermann (b. 1968) Chalkboard Painting VI 2014 Acrylic, spray paint and chalk on canvas 198.1 x 111.8 x 4.1 cm USD 75,000.00 |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: Fragment of an Antique Phaser Rifle 02 2012 30 x 30 cm (frame size: 33 x 33 x 4.7 cm) cast paper on archival watercolor paper AUD 4,000 |
|
Jon Pestoni Motel 2014 Oil on canvas 198.1 x 152.4 cm $45,000 |
|
JENNY HOLZER SELECTION FROM SURVIVAL: USE WHAT IS DOMINANT... 2006 Danby Imperial white marble footstool 17 x 23 x 15 3/4 inches 43.2 x 58.4 x 40 centimeters (JH978.5/10) HO.30334.5 |
|
Olafur Eliasson The new planet Alternate View |
|
TERESITA FERNÁNDEZ Nocturnal (Magenta Rise) 2011 graphite on wood panel 4 panels, each: 12 x 36 inches 30.5 x 91.4 cm Total dimension: 12 x 144 inches 30.5 x 365.8 cm LM17929 SOLD |
|
Pat Brassington Gifted 2013 from In search of the marvellous 100 x 80cm edition of 8 $7700 |
|
SEAN EDWARDS Untitled 2013 Framed Archival Giclee Print on Dibond H150cm x W132cm Ed 1/5 (+2AP) £4,000.00 (+VAT) LLSE181_13_1 |
|
Jon Pestoni Wondering Eye 2014 Oil and mixed media on canvas 198.1 x 172.7 cm $45,000 |
|
ISA GENZKEN Guardini 1987 Concrete and steel 89 x 31 7/8 x 18 1/8 inches 226 x 81 x 46 cm Signed,titled, and dated bodom GENIS0106H $450,000 |
|
Olafur Eliasson Dew viewer 2014 213 partially silvered crystal spheres, acrylic paint (black), stainless steel, ca. ø 138 x 56,5 cm unique
EUR 250.000,00 + VAT if applicable |
|
MARCUS COATES Comma Butterfly, Polygonia c-album (larva) Self portrait, sugar 2013 Archival Giclée Print mounted on Aluminium 172.7 x 121.9 cm, 68 x 48 in edition of 5 plus 1 artist's proofs (MC0167) £ 7,500.00 + Tax (unframed) |
|
Pae White Perisna (ranSeed(4722), COMBO[17].loc.x*s, COMBO[17].loc.y*s) 2014 lurex, silver, cotton and polyester 290 x 290 cm USD 65.000,00 + VAT if applicable
In 2005, White began to create large-scale tapestry works using an elaborate process of translation and production, illustrating fleeting material constellations that range from passing smoke to momentary light reflections. Transforming the material of her motifs with fabric, White captures the plasticity of the source objects while also decontextualizing the wall tapestry genre. In her new series of tapestries, White has woven scanned images of antique Japanese fabric samples using shimmering gold, copper, silver and lurex threads in a technique specially devised for several large-scale works currently on view in her solo exhibition at the MAK Museum für Angewandte Kunst in Vienna. Playing on the tradition of the Persian tapestry, the Perisna series is an occasion for White to interprest her medium yet again anew with complex panoramas rendered in colors, forms and textures. Oscillating between the sculptural and the picturesque, these free-hanging works have an almost impenetrable presence, paradoxically conveying both a visual density as well as a delicate lightness. |
|
TERESITA FERNÁNDEZ Nocturnal (Magenta Rise) 2011 graphite on wood panel 4 panels, each: 12 x 36 inches 30.5 x 91.4 cm Total dimension: 12 x 144 inches 30.5 x 365.8 cm LM17929 DETAIL VIEW SOLD
|
|
Jon Pestoni Jukebox 2014 Oil on canvas 198.1 x 152.4 cm $45,000 |
|
ADAM CULLEN Foreign Correspondent 2002 synthetic polymer paint on canvas 182.5 x 60.5 cm signed and dated verso: Adam Cullen 2002 signed, dated and inscribed on stretcher verso: 'FOREIGN CORRESPONDENT, 2002/ ADAM CULLEN/ FOREIGN/ CORRESPONDENT
Provenance: Gift from the artist to the present owner, Sydney Estimate: $6,500 - 8,500 |
|
Pat Brassington Blush 2014 Type pigment print 80 x 72cm edition of 8 $6600 |
|
Thomas Ruff r.phg.s.02 2012 Chromogenic print 94 1/2 x 72 7/8 inches 240 x 185 cm Edition 1 of 4 Signed, dated, numbered verso RUFTH0957 $95,000 |
|
Jon Pestoni Blacktop 2014 Oil and mixed media on canvas 198.1 x 172.7 cm $45,000 |
|
JACK KAREDADA (ATTRIBUTED TO) Untitled (Wanjina) c.1971 Natural earth pigments on eucalyptus bark 145.5 by 67 cm irregular PROVENANCE Graham Cormall, Melbourne Private Collection, Sydney Sotheby’s Australia, Aboriginal Art, Melbourne, 26/07/2010, Lot No. 213 LITERATURE Graham Cornall, Wandjina Paintings of the Kimberley: A Continuing Tradition, in The Australian Antique Collector, July-December 1999, pp.37-38, p.36 (illus.) |
|
LOT 59 Brett Whiteley B.1939-1992) Preliminary Idea for Very Large Plum and Ultramarine Vase or Pot 1976 oil on paper on card 141.0 x 86.0 cm signed and dated upper left: brett whiteley 1976 inscribed upper right: preliminary idea for very large plum + ultramarine vase or pot. 48" high Provenance: Arkie Whiteley The Estate of the late Christopher Kuhn, Canada Estimate: $55,000 - 75,000 |
|
ALEX PRAGER Face in the Crowd Film Strip #1 2013 archival pigment print 48 x 23 inches 121.9 x 58.4 cm 48.94 x 23.94 x 1.75 inches (framed) 124.3 x 60.8 x 4.4 cm Edition of 6 LM18564 SOLD |
|
Pat Brassington Quiescent 2014 Type pigment print 80 x 63cm edition of 8 $6600 |
|
SEAN EDWARDS Untitled 2013 Framed Archival Giclee Print on Dibond H150cm x W132cm Ed 1/5 (+2AP) £4,000.00 (+VAT) LLSE177_13_1 |
|
Rita Ackermann (b. 1968) Chalkboard Painting XII 2014 Acrylic, spray paint and chalk on canvas 195.6 x 101.6 cm USD 75,000.00 |
|
YUTAKA SONE VENEZIA 2013 White marble 18%1/8 x 69 5/8 x 49 1/8 inches 46 x 177 x 125 cm Edition 1 of 3, 1 APs SONYU1053 $400,000 |
|
Pat Brassington Rosa 2014 Type pigment print 80 x 62cm edition of 8 $6600 |
|
DAMIEN HIRST Transportation 2008 butterflies and household gloss on canvas 1219 x 1219mm USD $750,000 +GST
|
|
David Griggs The Yum Yuck Hippy Painting #1 2014 Oil on canvas 213 x 152cm $13,000.00 |
|
DANIEL ARSHAM Horse riding on Terevaka 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/3 x 11 3/4 inches Unique $5,000 AUD |
|
Oldenburg/van Bruggen Leaning Clarinet 2006 aluminum painted with acrylic polyurethane 358.1 cm x 157.5 cm x 81.32' 8" cm Cast 1 of 3 Edition of 3 plus 1 AP $3,500,000.00 No. 37178.01 |
|
TAL R Walk towards Hare Hill 2013 Oil on cardboard 23 x 36 cm 9 1/8 x 14 1/8 in (TR 212) EUR 9,500.00 (ex tax) |
|
Alfredo Jaar Other People Think 2012 lightbox with b/w-transparency 152.4 x 152.4 x 15.2 cm 2/3 plus 1AP 35.000,00 EUR (+VAT and transport costs) |
|
JESSE WINE Culture Stick I 2013 Glazed Ceramics H54cm x W28cm x D30cm Unique £4,000.00 (+VAT) LLJW132_13 |
|
Olafur Eliasson Borders versus horizons 2014 Partially silvered crystal spheres, acrylic paint (black), ø 30 cm unique
EUR 65.000,00 + VAT if applicable
Two closely related works, Horizons versus borders andBorders versus horizons each consist of a mirrored sphere resting on an elegant, linear pedestal. Intricate, geometric patterns cover the globes’ surfaces, which have been silvered and then painted matte black, with thin lines in the silvering and paint cut away. When viewers peer into the spheres, these interstitial voids reveal a mesmerising infinitude, a complex, kaleidoscopic view into each sculpture‘s interior, its patterned surface, and what lies beyond. |
|
THE PROPELLER GROUP THE HISTORY OF THE FUTURE: Fragment of an Antique Phaser Rifle 03 2012 30 x 30 cm (frame size: 33 x 33 x 4.7 cm) cast paper on archival watercolor paper AUD 4,000 |
|
Ben Quilty Jug (Nose) 2014 Porcelain 23 x 23 x 23 cm Edition of 5 plus 2 AP AUD $15,000.00 |
|
JAMES WELLING G13QW 2012 Archival inkjet print Framed:60 3/4 x 48 3/4 x 1 1/2 inches 154.31 x 123.83 x 3.81 cm Image: 51 7/8 x 40 inches 131.8 x 101.6 cm Edition 4 of 5 WELJA1125 $25,000 |
|
Olafur Eliasson Horizons versus borders 2014 Partially silvered crystal spheres, acrylic paint (black), ø 30 cm unique
EUR 65.000,00 + VAT if applicable |
|
MATHIEU MERCIER Drum and Bass 182 2002-2013 shelf system, red folders, yellow plastic boxes, blue cash box 100 x 96 x 30 cm Unique piece MM 2013/002 Certificate signed by the artist EUR 18,000.00 |
|
Larry Bell Mirage Painting #225
1990 Mixed media on black canvas 42 11/16 x 42 11/16 in. (108.5 x 108.5 cm) USD 70000 |
|
ROBIN RHODE Arm Chair 2011 digital animation 1:20 minutes Edition of 5 LM16960 €30,000.00 EUR |
|
Ben Quilty Jug (Private Phil Butler) 2014 Porcelain 26 x 19 x 27 cm Edition of 5 plus 2 AP AUD $15,000.00 |
|
TAL R Walk towards Hare Hill 2013 Oil on cardboard 26 x 33 cm 10 1/4 x 13 in (TR 213) EUR 9,500.00 (ex tax) |
|
Rita Ackermann (b. 1968) Chalkboard Painting XIII 2014 Acrylic, spray paint and chalk on canvas 195.6 x 101.6 cm USD 75,000.00 |
|
JESSE WINE Plenty of Vessels 2013 Jesmonite H50cm x W45cm x D45cm Unique £3,000.00 (+VAT) LLJW150_13 |
|
Ben Quilty Jug (Leonardo) 2014 Porcelain 22 x 26 x 17 cm Edition of 5 plus 2 AP AUD $15,000.00 |
|
DANH VO Untitled (Flag) 2012 cardboard, gold - 395 gr. |
|
Oldenburg/van Bruggen Leaning Clarinet Alternate View |
|
ROBIN RHODE Kid Candle 2009 digital animation 1:03 minutes Edition of 5 LM16407 €30,000.00 EUR |
|
Ben Quilty Jug (Scream after Leonardo) 2014 Porcelain 18 x 20 x 17 cm Edition of 5 plus 2 AP AUD $15,000.00 |
|
ROVER THOMAS (JULAMA) Tumbi (Owl) 1989 Natural pigments and binder on canvas Bears artists name, titled Dunbi (sic) and dated 1989 on the stretcher 120 by 64 cm PROVENANCE Acquired on behalf of Mr. Stephen Muecke directly from the artist by Mr. Krim Benterrak at Warmun (Turkey Creek) in August/September 1989. John Cruthers, Art Consultant Private Collection, Perth |
|
LOT 67 Emily Kame Kngwarreye (B.c1910-1996) Wildflower Dreaming Ammatyerre language group 1995 synthetic polymer paint on Belgian linen 159.0 x 207.0 cm inscribed verso: FLG17/ DACOU/ 741 Provenance: Dacou Gallery, Adelaide (cat.DG741) Flinders Lane Gallery, Melbourne (cat.FLG17, label attached verso) Private collection, Victoria Lawson-Menzies, Sydney, 9 November 2005, lot 123 Private collection, Sydney Menzies, Sydney, 24 June 2010, lot 48 Private collection, Sydney accompanied by a photograph of the artist with the work and documentation from Flinders Lane Gallery, Melbourne Estimate: $26,000 - 36,000 |
|
TV MOORE Gonshi Beat 2013 cibachrome in unique frame 168.0 x 135.0 cm (KR5750) $ 22,000 |
|
Del Kathryn Barton the heart land 2013/2014 (panel 1) |
|
TAL R Walk towards Hare Hill 2013 Ink on paper 28 x 24 cm 11 1/8 x 9 1/2 in (TR 214) EUR 8,500.00 (ex tax) |
|
Rita Ackermann (b. 1968) Chalkboard Painting XVII 2014 Acrylic, spray paint and chalk on canvas 195.6 x 101.6 cm USD 75,000.00 |
|
STEVIE FIELDSEND Solve et Coagula #6 2013 glass, wood 43 x 33 x 13cm $1,900 |
|
Del Kathryn Barton the heart land 2013/2014 (panel 2) |
|
TAL R Walk towards Hare Hill 2013 Ink on paper 30 x 22 cm 11 3/4 x 8 5/8 in (TR 215) EUR 8,500.00 (ex tax) |
|
Oldenburg/van Bruggen Leaning Clarinet Alternate View |
|
FRANCIS UPRITCHARD Taranaki Lichen 2012 glass and bronze 20 x 43 x 10 cm £7500 +VAT |
|
Claire Healy & Sean Cordeiro Master Bedroom – Deer 2014 Lego, Ikea chairs, drawing paper roll and plant 179 × 170 × 130cm AU$ 35,000.00 |
|
DANIEL ARSHAM Ahu Tongariki 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/3 x 11 3/4 inches Unique $5,000 AUD |
|
Del Kathryn Barton the heart land 2013/2014 (panel 4) |
|
TAL R Walk towards Hare Hill 2013 Oil on cardboard 32 x 22 cm 12 5/8 x 8 5/8 in (TR 216) EUR 9,000.00 (ex tax) |
|
Teresita Fernández Nocturnal (Golden Night) 2014 graphite & metallic paint on wood panel two panels, each: 91.4 x 121.9 cm Overall: 91.4 x 243.8 cm $150,000 USD |
|
FRANCIS UPRITCHARD Hogweed 2013 modeling material, foil, wire, paint, cloth 117 x 40 x 40 cm + steel plinth £17,000 +VAT |
|
Del Kathryn Barton the heart land 2013/2014 (panel 5) |
|
AIDA TOMESCU RIRE JAUNE 2004 oil on canvas 184.0 x 154.5 cm signed, dated and inscribed verso: Aida Tomescu / ‘RIRE JAUNE’ / 2004 / ... EST $20,000 – 30,000
Provenance Martin Browne Fine Art, Sydney Private collection, Sydney Exhibited Aida Tomescu, Martin Browne Fine Art, Sydney, 12 October – 7 November 2004, cat. 4 (illus. front cover and p. 11 in accompanying exhibition catalogue) |
|
Rashid Johnson (b. 1977) Cosmic Slop "Front Row Seats" 2012 Black soap, wax Unique 246 x 307 x 5 cm USD 165,000.00 |
|
TAL R Walk towards Hare Hill 2013 Oil on cardboard 33 x 22 cm 13 x 8 5/8 in (TR 217) EUR 9,000.00 (ex tax) |
|
Oldenburg/van Bruggen Leaning Clarinet Detailed View |
|
FRANCIS UPRITCHARD Old Drinks I 2012 glass dimensions variable £6,500 +VAT |
|
Ettore Spalletti Il colore e l'oro, grigio 2010 Colour impasto on board, tapered frame, gold leaf 50 x 50 x 3 cm €35,000.00 (+VAT) |
|
SHANE COTTON Black Blood 2013 250 x 250mm acrylic on canvas SC3403-01 NZD 7500 |
|
Raqib Shaw Fall of the Jade Kingdom II 2014 Paradise Lost II Oil, acrylic, glitter, enamel and rhinestones on birchwood 91.44 x 152.4 cm GBP 300,000 |
|
TAL R Walk towards Hare Hill 2013 Ink on paper 34 x 18 cm 13 3/8 x 7 1/8 in (TR 218) EUR 8,500.00 (ex tax) |
|
Rashid Johnson (b. 1977) Shut Down 2013 Burned red oak flooring, black soap, wax, shea butter, book, gold spray enamel Unique 292.4 x 243.8 x 34.7 cm USD 165,000.00 |
|
FRANCIS UPRITCHARD Glass Cups 2012 glass green: 90 x 56 cm diameter, blue: 83 x 60 cm diameter £3,000 +VAT |
|
Oldenburg/van Bruggen Inverted Collar and Tie 1993 canvas, resin, steel, latex paint, and wood painted with polyurethane enamel 234 cm x 130.8 cm x 74.3 cm $1,500,000.00 No. 46102 |
|
SHIRAZEH HOUSHIARY Origin 2012 Blue pencil and pigments on white Aquacryl on canvas and aluminium 70 x 70 cm HOUS120021 GBP 50,000.00 |
|
Claire Healy & Sean Cordeiro Upstairs Study – Penguin 2014 Lego, Ikea chair and plant with hanger 80 × 67 × 62cm AU$ 15,000.00 |
|
ERIK SCHMIDT sold out 2012 oil on canvas 120 x 120 cm SCHM/EX 15 EUR 15,900.- |
|
AI YAMAGUCHI yama to naru (18) 2011 40 x 34 x 1.8 cm Acrylic on paper on panel AUD 8,700 |
|
FRANCIS UPRITCHARD Osaka Dancer 2012 modeling material, foil, wire, paint, fabric, human hair, 67.5 x 24 x 56 cm + steel plinth £16,500 +VAT |
|
Tracey Moffatt Plantation (Diptych No. 1) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 plus 2 A/Ps AU$ 13,000.00
There is a set of these - this is only one part. All the works are available to see on RoslynOxley9 website. |
|
IVAN SEAL twodhoodal 2013 Oil on canvas 60 x 50 cm (IS543) £ 6,000.00 GBP ex VAT |
|
Rashid Johnson (b. 1977) Curve 2014 Burned red oak flooring, black soap, wax Unique 184.2 x 125.7 x 7.6 cm USD 110,000.00 |
|
DANIEL ARSHAM Ahu Tahai 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
Tracey Moffatt Plantation (Diptych No. 2) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 plus 2 A/Ps AU$ 13,000.00 |
|
TAL R Walk towards Hare Hill 2013 Oil on masonite 32 x 23 cm 12 5/8 x 9 1/8 in (TR 220) EUR 9,000.00 (ex tax) |
|
Oldenburg/van Bruggen Inverted Collar and Tie Alternate View |
|
TRACEY EMIN 2013 Dolde Grande 7 Acrylic on canvas 10 x 12 in. (25.4 x 30.5 cm) GBP 55000 |
|
Tracey Moffatt Plantation (Diptych No. 7) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 plus 2 A/Ps AU$ 13,000.00 |
|
IVAN SEAL vavewoveffal upskirt 2013 Oil on canvas 90 x 72 cm (IS544) £ 7,500.00 GBP ex VAT |
|
MIROSLAW BALKA "6 x (138 x 47 x 10)" 2013 Glass 6 x (54 5/16 x 18 1/2 x 3 15/16 in. (138 x 47 x 10 cm)) Edition of 2 EUR 200,000.00 |
|
JACK PIERSON SAFE BET 2012 Metal, wood, plastic and neon 97 x 87 inches 246.4 x 221 centimeters PI.31233
|
|
Tracey Moffatt Plantation (Diptych No. 8) 2009 digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper 46 x 50.5 cm (each) Edition of 12 plus 2 A/Ps AU$ 13,000.00 |
|
TAL R Walk towards Hare Hill 2013 Oil on masonite 32 x 23 cm 12 5/8 x 9 1/8 in (TR 221) EUR 9,000.00 (ex tax) |
|
Oldenburg/van Bruggen Inverted Collar and Tie Alternate View |
|
ALISON RASH Reaching Acrylic, Pencil on canvas over panel 36"x36" $3600 |
|
Andreas Gursky Lehmbruck I 2013 Edition of 6 Inkjet print 249 x 357 x 6.2 cm EUR 450,000.00 |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
TV Moore Short Circuit Romantical Catastrophe 2014 cibachrome in unique frame 168 × 135cm AU$ 18,000.00 |
|
ANTONY GORMLEY MEME CCXLIII 2011 cast iron 9,5 x 9,2 x 23 cm Unique Work 30.000 GBP + vat |
|
Oldenburg/van Bruggen Inverted Collar and Tie Detailed View |
|
SAM SAMORE Murdered Brother #17 1973 gelatin silver print 32 x 38.5 inches framed; 81.3 x 97.8 cm unique + 1 AP $ 20,000 |
|
Maggie Napangardi Watson Mushroom Dreaming 1995 synthetic polymer paint on linen 140 x 200.5cm est. $60,000- $80,000 |
|
TRACEY EMIN Feeling you 2013 Gouache on paper 12 x 9 1/16 in. (30.5 x 23 cm) GBP 16000 |
|
Oldenburg/van Bruggen Collar and Bow 1:16 2005 aluminum painted with acrylic and polyurethane enamel 127 cm x 127 cm x 101.6 cm Cast 1 of 3 Edition of 3 $675,000.00 No. 37332.01 |
|
VIK MUNIZ Gordian Puzzles: Lengiz!, after Rodchenko 2007 digital C print ed PA 1/4 180 x 260 cm US$ 55.000,00 23934 |
|
Andreas Gursky Tote Hosen II 2013 Inkjet print 249.6 x 434.6 x 6.2 cm (framed) Edition of 6 EUR 500,000.00 |
|
CHARLOTTE POSENENSKE Series B Relief 1967-2013 Aluminium, convexly or concavely angled or canted, sprayed standard RAL matte in red, yellow, blue, black Variable dimensions Authorised reconstruction certified by the estate CP 2011/031 EUR 4.800,00 Each INSTALLATION VIEW Her whole history is being recouped now, its a stylish work in the right place (no where near the Hans Peter Feldman's! ). |
|
Oldenburg/van Bruggen Collar and Bow 1:16 Alternate View |
|
IVAN SEAL phonwaylyssocloutphas 2013 Oil on canvas 40 x 30 cm (IS547) £ 4,500.00 GBP ex VAT |
|
Christian Thompson Siren 2014 C-Type print 100 x 100 cm edition of 5 +2AP unframed $8,800.00 |
|
HANS OP DE BEECK Shelf (5) 2012 sculpture (synthetic gypsum, wood) approx 41 x 100 x 20 cm 25.000,00 €+ VAT |
|
Andy Warhol (1928 - 1987) Self-Portrait with Skull 1977 Acrylic and silkscreen ink on canvas 41 x 33.3 x 1.5 cm USD 4,500,000.00 |
|
STEVIE FIELDSEND Solve et Coagula #7 2010 glass, wood 66 x 13 x 15cm $2,500 |
|
Jitish Kallat Syzygy 2014 Full Installation View Available |
|
THOMAS JEPPE Schoggi Vista G 2013 oil and enamel on canvas, steel, artist frame 160 x 125cm $5,500 |
|
|
|
HEINZ MACK Licht-Relief 1959/60 Aluminum on masonite 26,2 x 34,4 cm # MACK0054
€ 66.667 |
|
Jennifer Steinkamp Garlands 1 2013 video installation dimensions variable Edition of 3 $60,000 USD |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
Jitish Kallat Syzygy 2014 plâtre pour empreintes dentaires sur banc en bois / dental plaster on a wood bench 123,2 x 61 x 94 cm EUR 60 000 Available |
|
TAL R Walk towards Hare Hill 2013 Oil on masonite 28 x 24 cm 11 1/8 x 9 1/2 in (TR 223) EUR 8,500.00 (ex tax) |
|
Michael Wilkinson Graph (grey, red or orange) TBD 2014 £15,000.00
Wilkinson's graph paintings explore how we visualize data of all kinds by subtly layering his canvases with art historical and socio-political meaning. In Graph (Grey) TBD, Wilkinson combines references to art history through Minimalism and monochrome painting with subtle experimentations in collage and representation. Placed at the top of the painting’s edge is a small photograph of a mountain in the Himalayas, the wire mimics the outline of the mountain in the small photograph below it. Wilkinson repeatedly uses imagery of mountains in his work as he finds it is a popular modern symbol of strength and freedom (as seen in advertisements). The linear quality of the mountain range, the artist finds, is visually similar to the ebbs and flows of graphs and fluctuating statistical data. |
|
HEALY & CORDEIRO, CLAIRE & SEAN Not under my roof 8/10 2009 lustre print 88.2 x 82.5 cm (unframed) $A $11,000 incl GST
First exhibited: gbk @ ART HK 09, Hong Kong, 2009 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Floor of entire farmhouse from Millmerran Queensland, wood, linoleum, 11 x 12 meters, for 'Contemporary Australia: Optimism' at The Queensland Art Gallery, Brisbane Photo: Natasha Harth, Queensland Art Gallery Artist Statement: The question of what constitutes home today is a major theme in Healy and Cordeiro's work. Inviting us to look at how we live in different ways, this work explores the domestic space in terms of its symbolism functionality, affordability, construction and decay. Enormous in both size and ambition, Not Under My Roof involved the acquisition of a Queensland farm house, which the artists then separated from its footings and sliced to retrieve the floor. The large form was then hung on a gallery wall at the Gallery of Modern Art, Queensland Art Gallery, Brisbane. |
|
Anish Kapoor Untiled (Void) 1992 Fibreglass and pigment 112 x 112 x 86.5 cm
|
|
ANTONY GORMLEY Stave II 2013 Cast iron 72 1/4 x 19 1/2 x 12 in. (183.5 x 49.5 x 30.5 cm) GBP 300,000 |
|
Jitish Kallat Syzygy 2014 plâtre pour empreintes dentaires sur banc en bois / dental plaster on a wood bench 114.8 x 58.4 x 96.5 cm EUR 60 000 Available |
|
ARMANDO ANDRADE TUDELA Lashed Joint 2013 16mm transferred to digital 1:27 sec (loop) Edition of 5 plus 2 APs (#1/5) (AT935) £ 4,500.00 GBP ex VAT |
|
Bill Hammond Boulder Bay 2000 Acrylic on canvas 83 x 200cm est. $120,000.00- $160,000.00
Lot 56 |
|
ROBIN RHODE Cap n' Coins 2007 silver plated bronze, steel and coins 39 x 39 x 4 inches 99.1 x 99.1 x 10.2 cm Edition of 3, AP 1/2 LM16731 €30,000.00 |
|
Urs Fischer sqeamishsquiggles 2013 top: Ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, urethane; Base: Steel powder-coated with polyester TGIC (RAL 1013), silicone adhesive, cork com 75.6 x 165.1 x 164.5 cm $95,000 USD |
|
FIONA RAE Best favorite 2013 oil, acrylic on canvas 61 x 49,5 cm / 24 x 19½ in € 19.000 YBA still ok |
|
Christian Thompson Ariel 2014 C-Type print 100 x 100 cm edition of 5 +2AP unframed $8,800.00
|
|
IVAN SEAL roolmer 2013 Oil on canvas 50 x 40 cm (IS549) £ 5,500.00 GBP ex VAT |
|
Thea Djordjadze 2014 wood, plaster, paint, wire 130 x 130 x 4 cm EUR 26,000.00 |
|
TRACEY EMIN Suffer Love 31 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46984 |
|
Ettore Spalletti Rosso verso l'azzurro 2010 Colour impasto on board 50 x 50 x 4 cm €35,000.00 (+VAT) |
|
CHARLIE NUMBULMOORE Untitled (Wanjinas) c.1965 Natural earth pigments on cardboard 42 by 66 cm PROVENANCE Collected by Mr C. D. Dohnt in the Kimberley in the mid 1960s Private Collection, Adelaide Sotheby’s Australia, Aboriginal, African & Oceanic Art, Sydney, 09/11/1998, Lot No. 123 Private collection, Melbourne |
|
Haroon Mirza Solar Powered LED Circuit Composition 15 2014 Solar panel, LED circuit, copper tape, solder, wire,speaker grill, turntable casing 120 x 88 x 5 cm GBP 18,000.00 |
|
DANIEL ARSHAM Anakena beach 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
Peter Fischli / David Weiss Das Sedativ 1984 Colour photograph 30 x 40 cm 37 x 47 cm (framed) EUR 55,000.00
|
|
CAROLINE ROTHWELL Urpflanze street plant #1 (Barcom Avenue, Sydney, Australia, 16.2.11) 2011 Embroidery thread on stretched canvas, 198380 stitches 100 x 80 x 2 cm Edition 2/3 AUD $8,800.00 inc GST |
|
Jitish Kallat Installation View |
|
ROVER THOMAS (JULAMA) Untitled (The Serpents – Juntarkal and Wungurr) 1987 Natural earth pigments and bush gum on canvas Bears Mary Macha catalogue number RT 1787 on the upper edge of the canvas stretcher 90 by 180 cm PROVENANCE Commissioned by Mary Macha, Perth Private Collection, Canberra Niagara Galleries, Melbourne Private Collection, Perth Cf. For two related paintings, by Rover Thomas, connected to the Kurirr-kurirrr ceremony see Wungurr is the name for that Snake, 1983, and Ngamarrin (The Snake near Turkey Creek), 1984, in the collection of the National Gallery of Australia, in R. Thomas with K. Akerman, M. Macha, W. Christensen and W. Caruana, Roads Cross: The paintings of Rover Thomas, Canberra: National Gallery of Australia, 1994, pp. 28 and 38 respectively,( illus.). |
|
Urs Fischer sqeamishsquiggles 2013 Detail view |
|
TAL R Walk towards Hare Hill 2013 Oil on masonite 31 x 18 cm 12 1/4 x 7 1/8 in (TR 224) EUR 8,000.00 (ex tax) |
|
Andreas Gursky Tote Hosen II 2013 Inkjet-Print 222.5 x 387 x 6.2 cm (framed) EUR 500,000.00 |
|
ROBIN RHODE Night Boarding 2004 6 gelatin silver prints face mounted with plexiglass on aluminum panels Each: 10.3125 x 15.5625 inches 26.2 x 39.5 cm Together: 10.3125 x 102.8125 inches 26.2 x 261.1 cm Edition 3 of 5, 1 AP LM16404 €30,000.00 |
|
PAE WHITE Soft Wizard 2013 cotton, polyester and lurex cm 283 x 379 / in 111,5 x 150 unique edition USD 75.000 + VAT DETAIL VIEW |
|
SANTIAGO SIERRA NO (Police) 2011 B&W photograph, lambda print on dibond, wooden frame and plexiglass 161 x 257 cm (framed) ed.3/3 SIER110003-3 EUR 35,000 |
|
Joyce Pensato Eyes for You 2014 Enamel paint on canvas 203.2 x 228.6 cm USD 75,000.00 |
|
IVAN SEAL bullynor 2013 Oil on canvas 90 x 72 cm (IS559) £ 7,500.00 GBP ex VAT |
|
Bill Culbert Dawn- Piha 2005 Cibachrome print 51 x 34.5cm est. $3500.00- $5000.00 Lot 87 Just a good image - normally I wouldn't recommend this artist. |
|
|
Colin McCahon Dark Landscape 1965 Synthetic polymer and sawdust on board 60 x 60cm est. $70,000.00- $100,000.00
Lot 60 |
|
TRACEY EMIN Suffer Love 32 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46985 |
|
Callum Innes Untitled Painting No. 15 2013 oil on linen 125 x 123 cm signed by the artist, verso £40,000.00 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
|
LOTHAR HEMPEL Die Blinde Sängerin 2012 acrylic, oil, crayon, ink, silver paint, red sand on aluminium, steel frame 61.5 x 59.5 cm 24 1/4 x 23 3/8 ins EUR 20,000 |
|
Isaac Julien The Maid/ Reflections (Playtime) 2013 Endura Ultra photograph 160 × 240cm Edition of 6 + 1 A/P GBP £38,500.00 |
|
DAMIAN ORTEGA Mythic language organ. Object / organ 2013 5 individual pieces, concrete and pigment 12 3/16 x 10 5/8 x 10 5/8 in. (31 x 27 x 27 cm) USD 80000 |
|
David Noonan untitled 2014 silkscreen on paper, framed 149 x 113 cm 58 5/8 x 44 1/2 ins Edition 1 of 3, 2 AP’s (MA-NOOND-00678) GBP 5,500 |
|
ARMANDO ANDRADE TUDELA Marcahuasi 2009 16 mm film transferred to DVD 10 minutes 37 seconds Edition 3 of 5 Plus 2 APs (AT652.3) £ 9,000.00 GBP ex VAT |
|
Alicja Kwade Freitag, 21 Juni 2013, 15:30:11 Uhr 2014 Gold, silver, tin, nickel, copper, lead, zinc, aluminium Installation size 35,2 x 202 x 35 cm EUR 33,000.00
The size of each element is determined by the market value of each element, starting with gold, of the specific time indicated in the title. |
|
VIK MUNIZ Gordian Puzzles: The School of Athens, after Raphael 2008 Digital C print ed PA 1/4 139 x 200 cm US$ 65.000,00 24207 |
|
Damien Hirst Denial 1994 Glass, stainless steel and surgical instruments 70 7/8 x 35 7/16 x 14 3/16 in. (180 x 90 x 36 cm) GBP 1,500,000.00 |
|
HAIM STEINBACH dancer with raised right foot 2011 Wood, plastic laminate and glass box; wood stool; painted bonded bronze Degas statuette 52 x 56 x 25 5/8 inches; 132.1 x 142.2 x 65.1 cm signed on shelf verso (TBG 13209) USD $65,000 DETAIL VIEW |
|
Rosemarie Trockel Untitled (The Face) 1998 Baking varnish on aluminium, enamel on steel sheet, silkscreen print, metal 260 x 210 x 4.5 cm EUR 300,000.00 |
|
EDUARDO STUPIA 100cm x 100cm Mixed media on canvas US$ 35,000.00
|
|
IVAN SEAL berpon 2013 Oil on canvas 90 x 72 cm (IS568) £ 7,500.00 GBP ex VAT |
|
MOSHEKWA LANGA Mokwena meets Mujaji 2013 Mixed media on paper 204 x 171,5 cm $ 25,000.00 |
|
Mamma Andersson Huggermugger 2013 Oil on panel 82 x 170cm |
|
CHARLOTTE POSENENSKE Series B Relief 1967-2013 Aluminium, convexly or concavely angled or canted, sprayed standard RAL matte in red, yellow, blue, black Variable dimensions Authorised reconstruction certified by the estate CP 2011/031 EUR 4.800,00 Each |
|
|
SHANNON EBNER XIS 2011 chromogenic print 160 x 122.5 cm |
|
Mamma Andersson Glade 2008 Mixed media on paper Framed: 57.5 x 70.5cm |
|
LIZA LOU Untitled, #18 2012 Cotton and glass beads 71 7/8 x 72 1/4 in. (182.5 x 183.5 cm) USD 195,000.00
|
|
Owen Yalandja Yawk Yawk 2007 natural earth pigments on carved and shaped hardwood 274cm est. $15,000- $20,000 |
|
THOMAS JEPPE Schoggi Vista B 2013 oil and enamel on canvas, steel, artist frame 160 x 125cm $5,500 |
|
Tom Friedman Untitled (Snowflake Cube) 2014 Styrofoam and paint 18.4 x 18.4 x 17.8cm |
|
DAVID HARRISON The Fairy (Flowers of Evil) 2013 Oil on wood 100 x 75 cm 39 3/8 x 29 1/2 in (DH 266) £ 8,500.00 (ex tax) |
|
Alicja Kwade 72 hours 2014 Stainless steel (pocket watch hands) on cardboard 232 x 35.4 cm framed EUR 12,000.00
Hands from pocket watches are placed vertically on a piece of cardboard, with each hand representing an hour to complete the 72 hours. |
|
KENDELL GEERS Bladerunner XVII 2012 Mild steel and razor mesh 120 x 51 x 51cm $ 30,000.00 |
|
Milan Mrkusich Painting II (Blue) 1972 Acrylic on canvas 172.5 x 172.5cm est. $70,000.00- $100,000.00
Lot 55 |
|
ROVER THOMAS (JULAMA) Tjadarung (Rainbow) 1985 Natural earth pigments and bush gum on composition board Bears artist’s name, MM9-4 and ‘1985’ on the reverse 60 by 120 cm PROVENANCE Commissioned by Mary Macha, Perth, catalogue Number M9-4 Private collection Sotheby’s Tribal Art, Melbourne, 21 April 1991, Lot 20 Louise Smith collection, Adelaide Kimberley Art, Melbourne Sotheby’s, Important Aboriginal Art, Melbourne, 24/06/2002, Lot No. 101 Private collection, Sydney Private collection, Melbourne |
|
Tom Friedman Untitled (sun) 2012 Wood, styrofoam, and paint 81.3 x 81.3 x 81.3cm |
|
DANIEL ARSHAM Kids playing football 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
Alicja Kwade Zeitpfeil (Time’s arrow) I 2014 Acrylic block with broken vase, vase on acrylic pedestal, acrylic pedestal with broken vase Dimensions variable Acrylic pedestal with broken vase: 110.7 x 13.5 x 13.5 cm Vase on acrylic pedestal: 124.3 x 13.5 x 13.5 cm Acrylic block with broken vase: 34 x 24.5 x 24.5 cm EUR 35,000.00
An identical vase is shown in three different forms—one atop an acrylic pedestal, one encased intact in the pedestal, and then one broken with its pieces dispersed within the acrylic pedestal, as if we are being shown the same object in three different moments in time. |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
PAE WHITE Soft Wizard 2013 cotton, polyester and lurex cm 283 x 379 / in 111,5 x 150 unique edition USD 75.000 + VAT DETAIL VIEW |
|
MAGNUS PLESSEN Untitled 2013 Oil and charcoal on canvas (to be confirmed) 52 3/8 x 48 1/16 in. (133 x 122 cm) EUR 90000 |
|
Kendell Geers LDF 7479 2014 Acrylic on canvas 123 x 83cm |
|
ROBIN RHODE Open Court 2012 digital animation variable dimensions Edition 5 of 5 LM16410 €25,000.00 |
|
Alicja Kwade Zeitpfeil (Time’s arrow) I Detail View |
|
CANDICE BREITZ Extra #32 2011 Chromogenic print 28 x 42 cm $ 6,400.00 |
|
|
INCI FURNI Untitled 2010 Watercolor on paper 38 x 40cm FUR/P 8 EUR 1,700.- |
|
Kendell Geers LDF 7487 2014 Acrylic on canvas 163 x 123cm |
|
SEHER SHAH Capitol Complex – Courtyard 2012 Collage on Paper 28 x 36 cms Euro 950 / AUD 1500 |
|
Alicja Kwade Zeitpfeil (Time’s arrow) I Detail View |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
CORY ARCANGEL Diddy/Lakes 2013 digital video dimensions variable unique $ 32,000 |
|
FRIEDRICH KUNATH Only a fool breaks his own heart 2013 Oil, acrylic, charcoal and watercolour on muslin (to be confirmed) 55 1/8 x 48 1/16 in. (140 x 122 cm) USD 45000 |
|
Jim Hodges A Model of Delicacy 1992 White brass chain, silk, and wire 142.2 x 162.5 x 43.2cm |
|
CI C 83 2011 Exposed Painting Ivory Black Oil on Linen 160 x 156 GBP45,000.00 |
|
Alicja Kwade Zeitpfeil (Time’s arrow) II 2014 Vase on acrylic pedestal, acrylic pedestal with broken vase Dimensions variable Vase on acrylic pedestal: 124.3 x 13.5 x 13.5 cm Acrylic block with broken vase: 34 x 24.5 x 24.5 cm EUR 25,000.00
An identical vase is shown in two different forms—one atop an acrylic pedestal, and one broken with its pieces dispersed within the acrylic pedestal, as if we are being shown the same object in two different moments in time. |
|
LEE BUL Shade of Maehwa 2011 india ink, acrylic on paper 17.91 x 12.01 inches 45.5 x 30.5 cm 24.02 x 18.11 inches (framed) 61 x 46 cm LM17465 $10,000.00 |
|
|
KENDELL GEERS Bladerunner XIV 2012 Mild steel and razor mesh 120 x 51 x 51cm $ 30,000.00 |
|
Jim Hodges Here and Now 1992 Cardboard box and paper with white brass chain 27 x 41 x 34cm |
|
CATHERINE STORY Calvero 2013 Oil on wood (framed) 17 x 14 cm (approx unframed dimensions) (CS293) £ 3,500.00 GBP ex VAT |
|
Alicja Kwade Zeitpfeil (Time’s arrow) II Detail View |
|
DAVID HARRISON Blue Hare 2013 Oil on wood 100 x 75 cm 39 3/8 x 29 1/2 in (DH 267) £ 8,500.00 (ex tax) |
|
MICHAEL ZAVROS Medusa 2013 oil on canvas 130 x 105 cm $36,000 SOLD |
|
BILLY CHILDISH man stood by tomb (Flinders Petrie) (version x) 2013 2013 Oil and charcoal on linen 152.5 x 122 cm (BC021) £ 18,800.00 GBP ex VAT |
|
Jim Hodges Scratched Sky/Horizontal III 2012 Scratched and incised archival pigment print 153.6 x 229.6 x 5cm |
|
TRACEY EMIN Suffer Love 30 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46986 |
|
Alicja Kwade Option (option) 2014 Wood, bronze 142,4 x 13 x 5 cm EUR 14,000.00
Two nearly identical pieces of cut wood are placed side by side, one in wood, the other, slightly smaller, in bronze. The relationship between the two is left deliberately ambiguous. |
|
GARY WEBB Out and About (detail) 2013 Aluminium and glass 300x130x130 cm, 118.1x51.2x51.2 ins AP-WEBBG-00200 £25,000 GBP + VAT |
|
MONA HATOUM Reflection 2013 Print on three layers of tulle on aluminium 55 1/8 x 81 7/8 x 3 11/16 in. (140 x 208 x 9.4 cm) Edition of 6 EUR 85,000.00 |
|
CANDICE BREITZ Extra #33 2011 Chromogenic print 28 x 42 cm $ 6,400.00 |
|
Jim Hodges Untitled (When we collide) 2001 Ceramic light sockets and light bulbs mounted on wood and metal panel, in two parts 2 parts, overall 91.4 x 114.3 x 23.5cm |
|
RASHID JOHNSON Waterfall 2013 Black mirrored tile, black soap, wax Unique 184.2 x 125.7 x 7.6 cm / 72 1/2 x 49 1/2 x 3 inches JOHNR58976 USD 90,000.00 excl. VAT |
|
AI YAMAGUCHI yorokobi / haru 2011 47.5 x 37 cm print (framed) AUD 1,500 |
|
ANGEL OTERO Untitled (SK-LK) 2013 oil paint and oil paint skins collaged on canvas 85 x 60.5 x 4 inches 215.9 x 153.7 x 10.2 cm LM17993 $35,000.00 USD |
|
Jim Shaw The One-Eyed Man Is King 2014 Acrylic on canvas 122 x 244 cm |
|
KATHARINA FRITSCH 4. Stillleben / 4. Still Life 2012 Fastcast resin, polyester, plaster and paint (to be confirmed) 11 x 13 3/4 x 14 3/16 in. (28 x 35 x 36 cm) Edition of 6 EUR 50000 |
|
Jim Hodges Between Them 2002 Ceramic light sockets and light bulbs mounted on wood and metal panels, in 2 parts Each panel 57.2 x 57.2 x 29.8cm |
|
MADELN COMPANY Light Source – Venus Standing in a Landscape 2012 Oil on canvas 220 x 145 cm RMB315,000.00 |
|
Alicja Kwade Unbestimmter Tausch (indefinite exchange) Alternate View |
|
CARLA BUSUTTIL The First Movers 2012 Oil on canvas 180 x 300 cm $ 22,000.00 |
|
PAE WHITE Venusia 2012 clay and ink on wood cm 45 x 45 x 5 USD 15.000 + VAT |
|
MARK DION Marine Encrustations 2012 colored pencil on paper in seven parts 11 x 8 1/2 inches; 27.9 x 21.6 cm (unframed) 12 1/8 x 10 3/8 inches; 30.8 x 26.4 cm (framed) (TBG 14613) USD $12,000 (plus $1,575 framing) DETAIL VIEW |
|
Yoshitomo Nara and David Shrigley Untitled (William Tell with Shield) 2002 Mixed media on paper 26.5 x 23.2cm |
|
SARAH SZE Duped 2010 mixed media, stools, wood, Windex, chain, stool, LEDs, extension cord 191 x 251 x 67 inches; 485.1 x 637.5 x 170.2 cm (TBG 12450) USD $32,000 |
|
Alicja Kwade Unbestimmter Tausch (indefinite exchange) 2014 Wood,iron, 2 parts Dimensions variable 366 x 115 x 48 cm EUR 35,000.00
A branch is mirrored and made in iron, creating a second similar, yet different version of the first. |
|
CHARLES BLACKMAN TWO SCHOOLGIRLS 1953 oil on board 63.5 x 76.0 cm signed and dated lower right: 3 July 1953 Blackman $60,000 – 80,000 Provenance Private collection Savill Galleries, Sydney (label attached verso) Private collection, Sydney Essay Charles Blackman’s acclaimed schoolgirl series of paintings and drawings had its public debut in Melbourne in 1953, the same year in which Two Schoolgirls was painted. Exhibited at the Peter Bray Gallery, it was Blackman’s first solo show, the source of Blackman’s inspiration, Shaw Neilson’s lines from Schoolgirls Hastening, appearing in the catalogue:
Fear it has faded in the night. The bells all peal the hour of nine. Schoolgirls hastening through the light Touch the unknowable divine.
Since those many years ago, these young faces have found a place among the iconic works of Australian art. Celebrated, they are legendary for their understanding of children through Blackman’s ability to enter their minds and imagination, then paint what he sees. For he sees the world through the eyes of a child, and feels her fears, especially isolation and loneliness, so movingly expressed in Two Schoolgirls. They are alone in an environment that threatens through its darkness, empty of protection, yet full of the unknown. Even the two buildings project rejection by their angularity, closed to their needs. They embrace for protection and mutual support, their inner fears stamped in face and profile. The emptiness of the streets is palpable, voluminous of atmosphere in which stalk the latch-key kids’ ongoing nightmares. Yet, there is a lyricism in the colours, which tell of happier dreams, of blue as a sanctuary, the colour long associated with goodness and the maternal. It is through these means of form and colour that Blackman gives visibility to emotions and re-introduces the viewer to his or her childhood with an innocence that is disarmingly irresistible.
Blackman’s schoolgirl paintings are so telling because he drew deeply on personal experience for their creation. ‘The Schoolgirl pictures had a lot to do with fear, I think. A lot to do with my isolation as a person and my quite paranoid fears of loneliness and stuff like that; and indeed you could almost say why I painted them.’
From the beginning, the schoolgirl paintings and drawings were recognised by the perceptive as something special. Art critic for the Melbourne Herald, Alan McCulloch, acknowledged their ‘undeniable power and artistry’. ‘In Blackman’s hands’, he continued with presience, ‘Neilson’s schoolgirl becomes a creature of endless aesthetic possibilities.’ And so it proved to be, as seen in this and other paintings – Prone Figure, 1953 (Heide Museum of Modern Art, Melbourne), Floating Schoolgirl, 1954 (National Gallery of Australia, Canberra), and The Cigarette Shop (Running Home), 1954 (National Gallery of Victoria, Melbourne). |
|
Nathan Coley Choir 2012 steel, 5 powder-coated steel elements and cardboard 164 x 93 x 75 cm Group of 5: SGD 20,000 (incl.GST) Individual: SGD 4,000 (incl.GST) With New York, Tuesday, October 18, 2011: SGD 27,500 (incl.GST)
|
|
LIU WEI Exotic Lands No.20 2012 Doors, wood 91 7/8 x 54 1/4 in. (233.4 x 137.8 cm) USD 81698 |
|
Yoshitomo Nara and David Shrigley Untitled (L Nimrod R) 2002 Mixed media on paper 43.4 x 35.6cm |
|
HEINZ MACK Light-Relief 1966-67 Aluminum, wood, plexiglas framed 84,5 x 84,5 x 8,5 cm # MACK0056
€ 244.444 |
|
Alicja Kwade Unbestimmter Tausch (indefinite exchange) Alternate View |
|
MOSHEKWA LANGA Magic 2000 Mixed media on paper 140 x 100 cm $ 16,000.00 |
|
Mona Hatoum Untitled (rack) 2011 Mild steel, aluminum, vinyl and carbon transfer􀀃 61 x 84 x 23 cm Edition of 3 EUR 95,000.00 |
|
JACKSON SLATTERY Untitled (window) 2013 watercolour on paper size 52 x 35cm $6,000 |
|
Rivane Neuenschwander Reticências [Omission Points] 2013 Caderno Japonês perfurado com incenso/ Japanese notebook perforated with incense Opened in 4 parts: 28 x 20 x 2.2cm (closed) |
|
JONATHAN MONK Senza Titolo I 2012 Jesmonite bust with nose broken by John Baldessari Bust: 45.5 x 21 x 26 cm Base: 150 x 50 x 50 cm MONK120004 EUR 55,000 |
|
MICHAEL RAEDECKER plot 2013 acrylic and thread on canvas 70,9 x 58,3 in / 180 x 148 cm £ 100.000,00 (VAT not included) |
|
ANGELA DE LA CRUZ Clutter Bag (cracked white) II, 2004 2004 oil and canvas, wood 172 x 78 x 36 cm AUD46,000 Schwartz |
|
SHANNON EBNER Los Angeles Series No 2 2009 Chromogenic print 77 x 51.8 cm / 30 ⅛ x 20 ⅜ in edition two of four + 2 a/p
In Ebner’s Los Angeles Series (2009), which fragments of the urban landscape are captured in black and white. Their cryptic content and monochromatic tone form a contrast to the usually colour-saturated imagery of Los Angeles. Often tantalisingly ambiguous – Ebner has commented that the camera “misunderstands what it is seeing” – these photographs disguise the boundary between objects and their imitations (whether as shadows, reflections or pictures).
Illustrated (all works from Los Angeles series): Shannon Ebner, The Sun as Error, in collaboration with Dexter Sinister, in edition of 1000 (Los Angeles: 2009) |
|
BILLY CHILDISH father and son 2013 Oil and charcoal on linen 244 x 183 cm (BC003) £ 35,000.00 GBP ex VAT |
|
ROBERT IRWIN Orange 2010-2012 Honeycombed aluminium panel with lacquer and polyurethane paint 77 x 96 1/2 in. (195.6 x 245.1 cm) USD 500,000.00 |
|
CAROLINE ROTHWELL Urpflanze street plant #4 (Pilgrim's Way, Guildford, England, 19.4.11) 2011 Embroidery thread on stretched canvas, 195063 stitches 100 x 80 x 2cm Edition 1/3 AUD $8,800 inc GST |
|
Ged Quinn Free Sample 2014 Oil on linen 41 x 61cm |
|
TIM ROLLINS AND K.O.S. Adventures of Huckleberry Finn - On the Raft (after Mark Twain) 2011 matte acrylic, book pages on canvas 96 x 72 x 1.5 inches 243.8 x 182.9 x 3.8 cm LM14598 $70,000.00 |
|
Alicja Kwade Indefinite Heremeticism (II) 2014 Mirror, bronze Installation size approx. 209 x 80 x 170 cm Unique |
|
|
Gary Hume Unicorn 1 2014 Gloss paint on aluminium 97.9 x 80.5 cm GBP 80,000.00 |
|
THOMAS JEPPE Postbox (Gentle Decline Reach Around: Right) 2013 enamel on steel, wall painting, 15 x 15cm x 34cm, wall painting dimensions variable $1,800, wall painting POA |
|
Ged Quinn Peter, Paul, Mary 2014 Oil on linen 61 x 49.5cm |
|
DANIEL ARSHAM Sooty tern 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
Alicja Kwade Ein Tisch ist ein Tisch (A table is a table) 2014 Wood, mirror 100 x 127 x 127 cm EUR 18,000.00
A table is divided into eight sections, with each containing a triangular shaped mirror, allowing for gaps in between, creating 16 dimensions. |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
MICHAEL ZAVROS The Crystal Palace 2013 oil on canvas 120 x 90 cm $33,000 SOLD |
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN Future Remnant 2011 dinosaur fossil replica, cable binding, IKEA items 285cm x 180cm x 485cm (irregular) $A $70,000 incl GST
Exhibited: Future Furnishings, Nature Morte Berlin, 2011 Art 42 Basel, Basel, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: In Future Remnant a strategically composed stack of partially-assembled IKEA furniture and accessories props up a life- sized replica of a Monolophosaurus dinosaur skeleton. The sculpture is held together with bright orange strapping, a utilitarian packing material that in many of Healy & Cordeiro's works. In this work, the mighty dinosaur highlights the contemporary disposable, massproduced against an historical artefact: the uncertain present and future versus the known past. The work juxtaposes our keen understanding of where we fit into the past and our myopic vision of where we want to be in the future. |
|
William Eggleston Untitled (Memohis, Tennessee) 1971 Dye-transfer print 61 x 50.8 cm |
|
TRACEY EMIN Suffer Love XVII 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ34961 |
|
ERNESTO NETO caring time 2013 30 mm corten steel, 2 ceramic pots with plants (Nephrolepis Green Lady and Vrisea arden) 51,2 x 38,6 x 64,2 in / 130 x 98 x 163 cm Edition of 3 + 1 AP (1/3) $ 100.000,00 (VAT not included) |
|
DANIEL TURNER Untitled 5150 5.6.13 bitumen emulsion, transparent vinyl, wood 17 x 15 inches unique $ 12,000 |
|
Fudong Yang International Hotel 8 2010 Black and white ink jet print 120 x 180 cm Edition of 10 €25,000 (includes frame) |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
Ged Quinn Everything Sucks 2014 Oil on linen 25.8 x 41.5cm £15,000 |
|
SEHER SHAH Capitol Complex – Façade Object 2012 Collage on Paper 28 x 36 cms Euro 950 / AUD 1500 |
|
PAE WHITE Fruity Stars 2012 clay and ink on wood cm 45 x 45 x 5 USD 15.000 + VAT |
|
BILLY CHILDISH father and son 2013 Oil and charcoal on linen 244 x 183 cm (BC003) £ 35,000.00 GBP ex VAT |
|
Louise Fishman Saga 2010 Oil on jute 129.5 x 76.2 cm |
|
ROBIN RHODE Soap & Water 2007 sculpture - soap, steel, bronze and water bike: 74.02 x 44.88 x 25.2 inches 188 x 114 x 64 cm bucket: 11.81 x 12.99 x 11.81 inches 30 x 33 x 30 cm Edition of 3, 2 AP LM16379 €75,000.00 |
|
Laurent Grasso Anechoic Wall (A) Copper / Cuivre 101,6 x 161,3 x 19,7 cm edition of 4 plus 1AP 60 000 € + taxes if applicable |
|
STEVEN CLAYDON Convolute 2012 formica, resin, bamboo fungus, ceramic, acrylic, brass, powder coated steel 169 x 40 x 40 cm / 66 ½ x 15 ¾ x 15 ¾ in unique HQ15-SC8850S Price: £25,000 GBP |
|
Ged Quinn Untitled 2014 Oil on linen 21.7 x 41.2cm £15,000 |
|
CARLA BUSUTTIL Mojito Punch 2012 Oil on board 18 x 13 cm $ 2,500.00 |
|
MARLO PASCUAL Untitled 2013 Digital C-print mounted on Plexiglas with sintra backing 42 x 64.5 x .5” / 106.7 x 163.8 x 1.3cm MP2013-027 $28,000.00 |
|
FIONA RAE Gloomy feelings 2013 oil, acrylic on canvas 61 x 49,5 cm / 24 x 19½ in € 19.000 |
|
Christian Marclay Actions: Sploosh Whooosh Blub Blub Blub Blub (No.4) 2013 Screen print and acrylic on canvas 188.4 x 241.3 cm USD 375,000.00 |
|
MAT COLLISHAW Sordid Earth 2 2011 C-Type Print 65 x 52cm, ed 2/5 £7,000 / Approx $11,000 (framed) |
|
Bharti Kher Portrait: Sonia Alternate view |
|
ALEC MINGELMANGANU Untitled (Wanjina) 1980 Natural earth pigments and natural binders on canvas 120.5 by 65.5 cm PROVENANCE Aboriginal Traditional Arts, Perth Private collection, Western Australia, acquired from the above in 1980 EXHIBITED Images of Power, Aboriginal Art of the Kimberley, National Gallery of Victoria, 12 February to 5 May 1993, label on the reverse |
|
Ged Quinn Elpenor Unburied 2014 Oil on linen 36.7 x 71.2cm £15,000 |
|
WILLEM BOSHOFF SAU AUS USA 2011 Cut-out block letters in wood. Variable $ 12,000.00 |
|
STEPHEN BUSH UNTITLED IN GREEN AND GOLD 1987 oil on linen 122.0 x 142.5 cm signed, dated and inscribed verso on stretcher: “UNTITLED IN GREEN AND GOLD” Stephen Bush 13/11/87 – 27/11/87 EST: $20,000 - 25,000
Provenance Powell Street Gallery, Melbourne (label attached verso) The John L. Stewart Collection, New York Exhibited Claiming: An Installation of Paintings by Stephen Bush, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 1991 – January 1992 Essay ‘It’s a bicentennial picture, a bit like a joke. It’s a theatre diorama with curtains on both sides. A fake architectural setting with a view opening out on to a Western District landscape. In the diorama there are three kangaroos standing, one of which is a fighting kangaroo. It looks a bit like something you might find on a bank note as a crest. It’s playing with the idea of “Australiana”. It depicts something which is supposedly ‘uniquely’ Australian – but they’re stuffed – standing on a carpet square.’ Abounding with theatricality, Untitled in Green and Gold is a tongue in cheek satire of the nationalistic themes and romantic agricultural myths that permeated journalism, photography and landscape painting throughout Australia and America during the 19th century. Stilted and overly dramatic, there is a tangible awkwardness to this picture, falling short of grandeur. The stuffed kangaroos are carefully positioned on a stage with gilded curtains, separated from the natural landscape behind them. In an otherwise monochromatic painting, Bush employs two characteristically Australian colours – green and gold – further emphasising the ridiculousness of this patriotic scene. ‘The dioramas are something I’ve been led into by looking at those photographs where historical figures stand in front of representations of reality. I am really playing up the fact – that the pictures aren’t “real” – by emphasising the awkwardness.’ Born in a small rural town outside Colac, Victoria, Stephen Bush has gone on to achieve significant acclaim throughout Australia and America, dividing his time between these two countries. Bush has exhibited prolifically in major public galleries and art fairs, including VOLTA Art Fair, New York, Australian Centre for Contemporary Art, Melbourne, The National Gallery of Victoria, Art Gallery of New South Wales, The Gallery of Modern Art, Brisbane, and the Aldrich Museum of Contemporary Art, Ridgefield, USA. He has received numerous awards including the Arthur Guy Memorial Painting Prize, Bendigo Art Gallery 2007, and in 2012 he was the recipient of the Australia Council’s New York Green Street Residency. Bush’s work is represented in major public collections including Art Gallery of New South Wales, National Gallery of Australia, and National Gallery of Victoria, Melbourne, in addition to multiple private collections throughout Australia, Europe and the United States of America. |
|
ELAD LASSRY Untitled (Panel, Yellow) 2013 Zebrawood, silver gelatin prints, varnish and paint 63 x 66 x 1 1/2 in. (160 x 167.6 x 3.8 cm) USD 75,000 |
|
CALLUM INNES Exposed Painting Dioxazine Violet 2012 oil on linen 180 x 175 cm £50,000 |
|
ISAAC JULIEN Yishan Island, Voyage (Ten Thousand Waves) 2011 fotografia em papel Endura Ultra ed 8/10 + 2 PAs 120 x 160 cm R$ 81.000,00 |
|
SHANE COTTON Smoke - In Clouds 2013 250 x 250mm acrylic on canvas SC3402-01 NZD 7500 |
|
ANTONY GORMLEY Lift II 2011 6mm square section mild steel bar Dimensions variable GBP 300,000.00 |
|
BRENDAN VAN HEK Black Composition #1 2009 found neon, neon blockout paint, metal hooks 260 x 145 cm $15,000 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
CANDICE BREITZ Extra #35 2011 Chromogenic print 28 x 42 cm $ 6,400.00 |
|
CARLA BUSUTTIL The ghost of spare time past 2012 Oil on canvas 30 x 20 cm $ 4,500.00 |
|
JUAN FORD Disobey Yourself 2013 oil on linen 91 x 71cm AUD $20,700 |
|
DANIEL ARSHAM Rano Raraku from entrance road 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
ALLORA & CALZADILLA Shape Shifter 2012 Sandpaper on canvas 254 x 187.3 cm 100 x 73.7 in A&C120016 |
|
TRACEY EMIN Suffer Love 35 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46987 |
|
MATTHEW MONAHAN A Certain Time of You 2013 plaster, oil, steel, fiberglass reinforced polyurethane, charcoal on paper 182 x 45 x 45 cm 72 x 18 x 18 ins USD 95,000 DETAIL VIEW |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
SHANNON EBNER DELAY 2011 Chromogenic prints 5 parts : 80 x 53.3 cm / 31.5 x 24 in (each) edition of 5 |
|
HAYDEN FOWLER New World Order 2013 HD video, colour, sound edition of 10 15:17min duration Editions 1-5 (sold) / $5,000 (ed 6) / $5,500 (ed 7) / $6,000 (ed 8) / $6,500 (ed 9) / $7,000 (ed 10) To preview a short extract from this work click here
|
|
ERNESTO NETO bronze stone you and me 2013 2 plexiglass panels with 2 photos each, ceramic pot with plate and plant (Asplenium Osaka XXL) photo each 146 x 110 cm Edition of 3 (1/3) + 1 AP $ 48.000,00 (VAT not included) DETAILS VIEW |
|
DAMIEN HIRST What Goes Up Must Come Down 1994 Ping-pong ball, hairdryer and plexiglas 12 x 12 x 12 in. (30.5 x 30.5 x 30.5 cm) Edition of 15 GBP 35000 |
|
TIM ROLLINS AND K.O.S. A Midsummer Night's Dream (After Shakespeare and Mendelssohn) 2012 thai mulberry paper, watercolor, acrylic and india inks, collage, mustard seed, offset lithography on paper and canvas 60 x 72 inches 152.4 x 182.9 cm LM16696 $55,000.00 |
|
CARLA BUSUTTIL The Prescription Overdose 2012 Oil on board 15 x 18cm $ 2,500.00 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
SEHER SHAH Capitol Complex – Minor 2012 Collage on Paper 28 x 36 cms Euro 950 / AUD 1500 |
|
TIM ROLLINS AND K.O.S. Invisible Man (after Ralph Ellison) 2012 india ink and pencil on book page 12 x 12 inches 30.5 x 30.5 cm LM16249 $7,500.00 |
|
MIKHAEL SUBOTZKY CCTV SIngle-channel video 2011 00:15:39 $ 30,000.00 |
|
TONY CRAGG Versus 2011 Bronze 17 3/4 x 19 1/4 x 6 3/4 in. (45 x 49 x 17 cm) [14121] € 80,000.00 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
THOMAS JEPPE Social Realism 2013 oil and enamel on canvas, artist frame 217 x 104.5 $6,000 |
|
EDITH DEKYNDT 2 Mars 2013 2013 Black ball point drawing on paper (framed) 20 x 26 cm (paper dimensions) (ED037) £ 4,000.00 GBP ex VAT |
|
KUDZANAI CHIURAI The Most Beautiful Boogie man 2013 Charcoal and pastel on paper 163 x 125 cm $ 13,000.00 |
|
CARLA BUSUTTIL Spend hours looking south, finding only north 2012 Oil on canvas 50 x 60 cm $ 8,000.00 |
|
CANDICE BREITZ Extra #27 2011 Chromogenic print 28 x 41 cm $ 6,400.00 |
|
THOMAS DEMAND Tribute 2011 Chromogenic print on photographic paper and Diasec 166 x 125 cm (unframed) 65 3/8 x 49 1/8 inches (unframed) Edition 6/6 MSPM TDE 17562 EUR 85.000,00 ditto |
|
MATTHEW MONAHAN A Certain Time of You 2013 plaster, oil, steel, fiberglass reinforced polyurethane, charcoal on paper 182 x 45 x 45 cm 72 x 18 x 18 ins USD 95,000 DETAIL VIEW |
|
BILLY CHILDISH clamming on maud (version y) 2013 Oil and charcoal on linen 61 x 91.5 cm (BC009) £ 8,800.00 GBP ex VAT |
|
TRACEY EMIN Suffer Love VII 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ34954 |
|
HAYDEN FOWLER new world order production still xi 2013 colour pigment print on cotton rag art paper unique edition 75 x 54cm $750 unframed |
|
ANALIA SABAN Slingshot (Plant) #2 2012 Oil stick on gelatin silver print on resin coated paper and canvas 20 x 32 inches; 50.8 x 81.3 cm (TBG 14171) USD $10,000 |
|
JONAS MEKAS To Petrarca series 2009 print on aluminium 36 x 29 x 3 cm Ed. 1/25 MEK/F 35 EUR 1,900.- |
|
ANGELIKA KRINZINGER Ambras # 6 2013 c-print on aluminium 25 x 35cm KRI/F 171 EUR 1,500.- |
|
SHANNON EBNER Y 2007-12 wood, steel, paint 233.7 x 119.4 x 18.4 cm / 92 x 47 x 7 ¼ in unique
Ebner’s sculpture Y (2007 – 2012) is a large letter ‘Y’ held in place by one pin and two hinges. This piece was first conceived of in 2007 and sat in the artist’s studio as a prototype for five years –unable to be exhibited and unable to be put away. It was only recently that the piece was completed through the addition of a ‘thought bubble’. Y is similar to monumental ampersands Ebner has previously exhibited in that its presence in the world asks a rhetorical question of itself and the environment that it is placed within. |
|
HEINZ MACK Untitled 1959 Resin on burlap on wood 33 x 43 x 2 cm # MACK0055
€ 133.333 |
|
LOT 36 WILLIAM ROBINSON Morning Tallanbanna 1998 signed and dated 'William Robinson 98' lower left oil on linen 138 x 183cm (54 5/16 x 72 1/16in). Estimate:
AU$ 190,000 - 260,000 £120,000 - 170,000 US$ 200,000 - 270,000
Footnotes PROVENANCE: Purchased from the artist in December 1998
LITERATURE: Lou Klepac, William Robinson - Paintings 1987-2000, The Beagle Press, Sydney, 2001, pp.132-133 (illus.)
In 1984 the Robinsons moved to a property in Beechmont in the Gold Coast hinterland, approximately 100 kms south of Brisbane. Part of the attraction was the close proximity of the Springbrook and Lamington National Parks, two sanctuaries of unspoiled natural beauty where the artist could explore his growing fascination with the rainforest.
From the late 1980s onwards it had become clear that Robinson was charting new territory in these rainforest paintings, which showed an Australia that was more than just a dry, dusty outback. It wasn't only the subject that was new - Robinson invented an entirely new way of seeing the landscape that captured the vertiginous feeling of walking among the trees. In these pictures one could look up and down simultaneously, experiencing day and night on the one canvas.
Tallanbanna is a part of the Springbrook National Park where the rainforest meetsthe eucalypt forest. In this painting the threads that connect these different environments are drawn with light, with the rays of the morning sunfiltering across a deep valley still bathed in the darkness of evening. As the light hits the trees, illuminating the old growth and the new, we feel the drama of this diurnal resurrection. The forest wakes from its slumbers and the world is made afresh.
John McDonald |
|
CARLA BUSUTTIL The Day Electricy Ended 2012 Oil on canvas 10 x 16 cm $ 2,400.00 |
|
SHANNON EBNER Image Enjambment 2013 inkjet print site size: 132.1 x 182.1 cm / 52 x 71.67 in frame size: 135 x 185 x 6 cm / 51 â… x 72 ¾ x 2 â…œ in edition of 5 + 2AP HQ17-SE9995P 15,000 USD |
|
SHANNON EBNER Los Angeles Series No 4 2009 chromogenic print 77 x 51.8 cm/ 30 ⅛ x 20 ⅜ in edition of 4 + 2 a/p |
|
CATHERINE STORY Magnolia 2013 Oil and sand on wood 51 x 40.5 cm (CS292) £ 6,000.00 GBP ex VAT |
|
SUSAN NORRIE 'Untitled' from 'Tall Tales and True' 1986 oil on plywood 91.5 x 91.5 cm signed ‘Susan Norrie’ (lower left) and Susan No /‘86’ (lower right) $70,000 |
|
MARK BRADFORD Soccer Ball Bag 456 2012 Mixed media 36 x 32 x 30 in. (91.4 x 81.3 x 76.2 cm) USD 175,000.00
|
|
VIK MUNIZ Monadic Works: Largo de São Francisco, after Militão Augusto de Azevedo (Militão 1) 2003 dye destruction 100 x 130 cm US$ 39.000,00 24255 |
|
KATE MITCHELL Getting Through It 2012 Single-channel High Definition digital video, 16:9 colour, silent Duration: 28 mins 1 sec Edition of 3 + 2 AP Price (including GST): $3000 All prices are in $AUD |
|
JASON MARTIN Salazar 2012 Copper 60 x 45 x 5 cm MART120021 GBP 70,000 |
|
DANIEL ARSHAM Headdresses 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
ANDY WARHOL Self Portrait 1977 Polaroid photograph 10.8 x 8.26 cm 30.000 USD |
|
LOT 63 IVAN NAMIRRKKI Ngalyod Rainbow Serpent 2002 bears Maningrida Arts & Culture catalogue number 3055-02 on a label on the reverse natural earth pigments and synthetic binder on eucalyptus bark 246 x 66cm (96 7/8 x 26in). Estimate:
AU$ 5,000 - 8,000 £3,300 - 5,200 US$ 5,200 - 8,200
Footnotes PROVENANCE: Painted at Marrkolidjban, Northern Territory Purchased from Maningrida Arts & Culture, Maningrida, Northern Territory in June 2002 The Laverty Collection, Sydney
This painting is sold with accompanying Maningrida Arts & Culture documentation. |
|
CANDICE BREITZ Extra #26 2011 Chromogenic print 28 x 42 cm $ 6,400.00 |
|
MOSHEKWA LANGA Untitled (Landscape, orange & yellow at the top) 2008 Mixed media on Paper 140 x 100 cm $ 15,000.00 |
|
SHANNON EBNER GL*R/A 2010 Chromogenic prints 6 parts: 160 x 140 cm / 63 x 48 in each edition of 5 |
|
SEHER SHAH Study for a totem I 2012 graphite on paper set of 4 drawings 168 x 152.5 cms Euro 12000 / AUD 18000 |
|
TIM ROLLINS AND K.O.S. Invisible Man (after Ralph Ellison) 2012 matte acrylic and book pages on canvas 24 x 24 inches 61 x 61 cm LM16804 $18,000.00 |
|
CANDICE BREITZ Extra #28 2011 Chromogenic print 28 x 42 cm $ 6,400.00 |
|
BENJAMIN ARMSTRONG Madame 2013 Plaster, wood, aluminium and ink 86 x 57 x 60 cm AUD $8,800.00 inc GST Back view (Not exhibited) |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
FERNANDA GOMES Untitled 1995 matchboxes and various contents 24,3 x 1,7 x 6 cm 9176 US$ 8,000 - US$ 50,000 |
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN Sameday Service or Sooner 2008 mdf, cardboard, perspex, acrylic, tie-down ratchets 220 x 138 x 130 cm (irregular) $A $25,000 incl GST Provenance/ Story/ Additional Notes Exhibited: Disruptive Colouration, gbk 2008 Art Month Sydney, Starcom Mediavest, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: Dr Who travels inside a space ship named the TARDIS which stands for Time And Relative Dimensions In Space. This machine makes it possible for him to travel to any place within any time period. We have flat packed the TARDIS to make it more transport-friendly. This is a sculptural example of an outcome when one particular system is grafted on to another system in the hope of greater productivity. Through lack of understanding between the original system and the new one, the end resultant system is one that fails. |
|
STEVEN CLAYDON Picture Element, Hermaline, Eye 2012 oil, Indian and squid ink, Optrex on canvas, laminated plywood 81 x 68.7 x 10 cm / 31 â…ž x 27 x 3 â…ž in unique HQ16-SC9505P Price: £14,000 GBP |
|
TRACEY EMIN Suffer Love XI 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ34949 |
|
THOMAS JEPPE Postbox (High Pitch Reach Around: Right) 2013 enamel on steel, wall painting, 15 x 15cm x 48cm, wall painting dimensions variable $1,800 wall painting POA |
|
JON PESTONI Untitled 2013 oil on canvas 78 x 60 inches (198.1 x 152.4 cm) Inv# JPE 13.071 $40,000 |
|
EDITH DEKYNDT 10 Novembre 2012 (Blue) 2012 Blue ball point drawing on paper (framed) 50 x 36 cm (framed dimensions) 41 x 29 cm (paper dimensions) (ED036) £ 4,000.00 GBP ex VAT |
|
TRACEY EMIN Suffer Love 37 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46989 |
|
VIK MUNIZ Paisagem (Landscape) 2012 Digital C print ed 8/10 100 x 130 cm US$ 39.000,00 24167 |
|
ANDY WARHOL Self Portrait 1977 Polaroid photograph 10.8 x 8.26 cm 30.000 USD |
|
KUDZANAI CHIURAI Safari Club 2013 Charcoal and pastel on paper 163 x 125 cm $ 13,000.00 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
PETER FISCHLI / DAVID WEISS Grosse Röhre aus Ton, stehend 2012 Unfired clay Sculpture: 91 x 70 x 70 cm 35 7/8 x 27 5/8 x 27 5/8 inches Plinth: 20 x 80 x 80 cm 7 7/8 x 31 1/2 x 31 1/2 inches Edition unique MSPM FWE 19531 |
|
MAT COLLISHAW Pearls of the abyss 1 2011 3D lenticular print 100 x 67.5cm, ed 2/3 £25,000/Approx $40,000 (framed) |
|
DAMIEN HIRST Happy Happy 1993 Oil on canvas Diptych, each: 20 x 15 15/16 in. (50.8 x 40.5 cm) / 24 3/16 x 20 1/16 x 3 1/8 in. (61.5 x 51 x 8 cm) (framed) GBP 550,000.00
|
|
MATTHEW MONAHAN Body Electric (promenade) 2012 oil on paper, framed 228 x 113 cm 89 3/4 x 44 1/2 ins USD 42,000 |
|
JULIAN MEAGHER Distillation II 2013 Oil on linen 81 x 61 cm Price (including GST): $3,300 All prices are in $AUD |
|
GERWALD ROCKENSCHAUB GR08SC01 Square alumnium tubing, satin matt finish, screws 2008 300 x 225 x 125 cm Unique piece Certificate signed by the artist EUR 52,000.00 |
|
BILLY CHILDISH girl stood with flowers 2013 Oil and charcoal on linen 152.5 x 107 cm (BC005) £ 15,800.00 GBP ex VAT |
|
CAROLINE ROTHWELL Urpflanze street plant #5 (The Street, Compton, England, 10.4.11) 2011 Embroidery thread on stretched canvas 100 x 80 x 2cm Edition 1/3 AUD $8,800 inc GST |
|
JUERGEN TELLER Cerith, Suffolk 2011 2011 c-print 24 x 20 inches (image) 61 x 50.8 cm 25.79 x 21.65 x 1.26 inches (frame) 65.5 x 55 x 3.2 cm Edition 1 of 5 LM15846 £10,000.00 |
|
TRACEY EMIN Suffer Love 38 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46988 |
|
SARAH SZE Vices and Various Defects (Liquid to Solid) 2010 plaster in 46 pieces on floor 52 x 122 x 12 inches; 132.1 x 309.9 x 30.5 cm (TBG 12452) USD $16,000 |
|
DANIEL ARSHAM Kanahau restaurant 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
CHRISTIAN MARCLAY Skrakk Pigment print on Arches paper 60 3/16 x 41 5/16 in. (152.8 x 105 cm) 2006-2013 Edition of 5 GBP 50000 |
|
|
|
TV MOORE Gummo 2013 cibachrome in unique frame 168.0 x 135.0 cm (KR5751) $ 22,000 |
|
ERNESTO NETO bronze stone you and me 2013 2 plexiglass panels with 2 photos each, ceramic pot with plate and plant (Asplenium Osaka XXL) photo each 146 x 110 cm Edition of 3 (1/3) + 1 AP $ 48.000,00 (VAT not included) DETAILS VIEW |
|
NICHOLAS HLOBO Unganya Kum 2013 Ribbon and aluminium on canvas 100 x 102 x 21cm 48 000 Euros |
|
CANDICE BREITZ Extra #29 2011 Chromogenic print 28 x 42 cm $ 6,400.00 |
|
A Language of Exposures, Wallspace, New York, 15 February – 23 March, 2013 INSTALLTION VIEW |
|
CARLA BUSUTTIL Starman 2012 Oil on canvas 30 x 30 cm $ 4,800.00 |
|
MARK DION Marine Encrustations 2012 colored pencil on paper in seven parts 11 x 8 1/2 inches; 27.9 x 21.6 cm (unframed) 12 1/8 x 10 3/8 inches; 30.8 x 26.4 cm (framed) (TBG 14613) USD $12,000 (plus $1,575 framing) |
|
SEHER SHAH Capitol Complex – Blue Façade 2012 Collage on Paper 28 x 36 cms Euro 950 / AUD 1500 |
|
SEHER SHAH Unit object (Plan perspective) 2012 Graphite and gouache on paper 65 x 85.5 cms Euro 5000 / AUD 9000 |
|
CATHERINE STORY As Yet Untitled 2013 Oil on wood (framed) 17 x 14 cm (approx unframed dimensions) (CS294) £ 3,500.00 GBP ex VAT |
|
JONATHAN MONK Some Bottles For Red Painted To Look White And Some For White Painted to Look Red 2013 Spray paint on canvas 150 x 160 cm EUR 40.000 |
|
MARTIN BELL UFO BUSTER! 9 2012 Modeling clay on wooden board in acrylic box 30 x 20 x 5 cm $1,800.00 |
|
HAYDEN FOWLER antler ii 2013 cement,gypsum,sand unique version 76 x 33cm $1,000 |
|
HEALY & CORDEIRO, CLAIRE & SEAN T+100_yellow 2011 LEGO 160 x 71 x 4 cm Available Yes Price $A $20,000 incl GST
Exhibited: Un-Built, Gallery Reis, Singapore, 2011 Are We There Yet?, Corcoran Gallery of Art, 2011
Available to see at Gallery Barry Keldoulis 285 Young Street Waterloo NSW 2017
+61 414 864 445
285 Young Street
Waterloo NSW 2017
|
|
BILLY CHILDISH astrakhan hat and flower bonnet (version x) 2013 Oil and charcoal on linen 61 x 46 cm (BC012) £ 6,200.00 GBP ex VAT |
|
TIM ROLLINS AND K.O.S. A Midsummer Night's Dream (After Shakespeare and Mendelssohn) 2012 thai mulberry paper, watercolor, acrylic and india inks, collage, mustard seed, offset lithography on panel 36 x 48 inches 91.4 x 121.9 cm LM16697 $35,000.00 |
|
EDITH DEKYNDT Untitled (Pink duvet and silver fold) 2012 Pink blanket and silver leaf 70 x 110 cm (ED041) £ 12,500.00 GBP ex VAT |
|
ERNESTO NETO |
|
ALAN MICHAEL The Prisoner 2013 oil on canvas 49.61 x 35.43 x 1.18 inches (126 x 90 x 3 cm) Inv# AM 13.002 $16,000 On Hold |
|
Lot 42 ARISTIDE MAILLOL La montagne, 1er état (petit modèle) bronze 29.0 x 13.0 x 28.0 cm conceived in 1936-37 and cast by Emile Godard at a later date inscribed with the artist's monogram and numbered 4/6 inscribed with the foundry mark: E. GODARD. Fondeur Paris
edition: 4/6
Provenance: Galerie Dina Vierny, Paris Australian Collectibles Trading Pty Ltd., Melbourne Menzies, Sydney, 8 December 2011, lot 34 Private collection, Melbourne
Reference: Rewald, J., Aristide Maillol, London, Paris & New York, 1950, pl.120 (illus. of the terracotta) Maillol, A., Exposition - Hommage du Centenaire de sa naissance, Galerie Daber, Paris, 1961, pl.15 (illus. of the terracotta, exhibition catalogue) Aristide Maillol, Perls Galleries, New York, 1970, no.58, p.40 (illus. exhibition catalogue, another example) Maillol au Palais des Rois de Majorque, Musée Hyacinthe Rigaud, Perpignan, 1979, p.110 (illus. exhibition catalogue, another example) Aristide Maillol, Palais des Congrès, Perpignan, 2000, pl. 85 (illus. exhibition catalogue, another example)
Estimate: $180,000 - 240,000
The human form holds a perennial fascination for artists. The famous French sculptor Aristide Maillol was one of its masters. He was responsible for keeping the human subject alive as a viable theme in valid sculpture and rescuing it from the confines of mere statuary. Maillol’s sculpture is born of the studio rather than the workshop and his work is always artistic in origin and never decorative in intent.
We all inhere in a body – we therefore relate to bodies. These two intrinsic factors say much about depictions of the human body and their ability to artistically express a wide range of emotions, attributes and attitudes. All good artists know these often forgotten interconnections and Maillol used such knowledge to narrow his artistic attention to the human body. A similar narrowed focus may also be found in the works of Paul Cézanne, with his almost sole restriction to tabletops and landscapes, and Pablo Picasso with his still-lifes and figures. The reasons are simple. There was enough content there to satisfy the artist and likewise there is enough there to satisfy the most discerning of viewers. For Maillol, simple ‘embodiment’ was the essence of sculptural form.
Maillol’s sculpture La Montagne is one of his most famous works. The modelling of the original sculpture was first commenced in 1935 in four different versions, all based upon studio poses by his model and later during World War II member of the French Resistance, Dina Vierny, and completed in 1937.1 Like many of his sculptures these early versions were later cast in bronze, lead and terracotta – in this case each in editions of six.
After completing the four early studies Maillol started working on a larger version of the sculpture, first in clay and later in plaster so that the work could be scaled up and re-created in stone – usually by his studio assistant Jean Van Dongen, the brother of the artist Kees Van Dongen. This larger sculpture was commissioned by the Musée National d’art Moderne in Paris and carved in Van Dongen’s studio in Montval near Versailles after being transported from Maillol’s studio in Marly-le-Roi, eighteen kilometres from Paris.
The fact that La Montagne could accommodate being scaled up into a much larger work points to an important attribute. Very few sculptures look ‘right’ when created out of scale, as they are usually conceived as self-contained and self-scaled entities. They do not tolerate visual ‘zooming’ well as volumes lose their conviction, details are lost in space, surfaces become coarse and scale is disrupted.
Significantly, this is never the case with Maillol – all his sculptures look potentially ‘monumental’ when small and potentially ‘small’ when monumental – his sculptures have the knack of looking ‘right’ downsized on a brooch or upsized on a building.
This rare ability is no happy accident. Maillol had a secret: most of his best sculptures were designed to be visually contained within certain geometrical structures – a square, rectangle, triangle, circle, rhomboid or parallelogram was often used to set out a planned format. For example, the present work, is formed within a square that takes in the top edge of the figure’s hair, the left toe and the tips of the right hand. The right arm, the only section that exists outside the square format, adds a visual balance that is contained within a rectangle that is exactly one-fifth the length of the side of the square. Additionally, this rectangle is used to divide off horizontal sections of the figure; that is, the top edge of the right thigh, the line of the right nipple and the line of the right eye. These hidden geometric structures give La Montagne a visual denseness and packed solidity, that seem to heighten its sense of compacted compositional energy – an implanted energy that is palpable regardless of size.
There is also something of the Art Deco style in many of Maillol’s compositions – especially in the present work La Montagne. Art Deco was famously designed to convey visual glamour and part of its appeal was its elegance of form and the type of volumetric shapes that flood the paintings of Tamara de Lempicka and others. However, Maillol’s work is not ornamental in the Art Deco manner and belongs to the studio proper, rather than to the design office or the fashion boutique.
The pose of Maillol’s La Montagne is redolent of history. The figure’s position is closely linked to the composition of Michelangelo’s sculpture Night completed in 1534 as part of Giuliano de Medici’s tomb in the Chapel of San Lorenzo in Florence. It also bears close similarities to Michelangelo’s Ignudi figures that populate the surrounds of his famous Sistine Chapel ceiling and to some of Bernini’s fountain Naiads. Additionally, Maillol’s posed figure may be found in many late Art Nouveau bookplates, brooches and friezes. All this is not to say that Maillol somehow ‘borrowed’ or derived his sculpture from others. The point is that he has managed to bring them all together to give a historically established pose with a new Modernist inflection – in much the same way that Auguste Rodin and Edgar Degas did. These artists, like Maillol, moved away from strict naturalism to emphasize a more fluid and plastic rendition of the human figure. In their sculptures anatomical details are not fully finished, muscles do not sag, breasts do not droop and bodily proportions often look askew. What is important in their works are nuanced handling of material, flow of shapes, a type of blurring of shapes in ways that use plays of light as to almost dissolve form. Sculptural lines are accentuated, parts are related to wholes and a new visual grammar governs all.
What Maillol has done is to render all this – that is, to put it all together and give it back with a new Modernist visual density.
It is now generally agreed that Maillol’s almost sole emphasis upon the naked female form paved the way for its later acceptance as a continuing subject by two of Modernism’s greatest sculptors: Alberto Giacometti and Henry Moore. Together with Rodin, Maillol kept figurative form alive and almost single-handedly transformed the sculptured figure in the landscape from the state of being an ornamental statue to becoming an artistic sculpture.
There is a marked difference between the two categories as one, statues, tends to look back to emulate classical Greece and the other, sculpture, looks forward to respond to a new Modern world and to evolve more appropriate ways to embody its different aesthetic needs. Consequently, Maillol is considered to be one of the masters of figurative sculpture in the Twentieth Century.
Maillol was educated in Paris by two of the great classicists of French painting: Jean-Léon Gérôme and Alexandre Cabanel. Both of these academic painters were immensely popular in their own time and their work was very eagerly collected all over Europe. All of their many students did extremely well and some became quite famous – that is, artists such as Jules Bastien Lepage, Odilon Redon and the American Thomas Eakins. However, Maillol became the most famous and the most successful.
A distinct line runs through Maillol’s work that links his work to the ages-old tradition of modelling. Maillol’s sculpture is not constructed, collaged, carved, chipped or welded – it is modelled – whether this is in clay, wax or plaster. Most modelling needs an internal armature to hold it upright during the making of a model. Armature built structural forms run through Maillol sculptures and the hand of the artist is always evident. Maillol’s materials are humble and time tested and purposely restricted to the materials of bronze, lead and iron. Often, his use of these traditional materials leads to striking early Modernist compositions where long established techniques are made to express new harmonies. This can be most obviously seen in his three sculptures, Summer, Venus without Arms and Kneeling Woman: Monument to Debussy, on the central staircase of the Metropolitan Opera House in New York and his lead sculpture The River, in the garden of the Museum of Modern Art in New York. In both these locations Maillol’s work looks completely in place and adds to an ambience of calm and reserved airy grace – this is especially the case in his work at MoMA where the naked female figure, based upon one of William Blake’s Fallen Angels, suspended over the still water of a garden pond, presents a harmonious and perfectly balanced visual whole. This is transitional Modernism at its best.
Maillol was born into a long artistic tradition, but he was not defined by it. His art in sculpture, painting, drawing and etching was not limited by his training and he rose above it to be one of the most significant French sculptors to straddle the Nineteenth and the Twentieth Century. John Rewald, the great German/American expert on the art of the Nineteenth Century summed up part of Maillol’s achievements:
To celebrate the human body, particularly the feminine body, seems to have been Maillol’s only aim. He did this in a style from which all grandiloquence is absent, a style almost earthbound and grave … The absence of movement is, however, compensated by a tenderness and charm distinctively his own.2 |
|
LAUREN BRINCAT You’ve Got a Good Eye (Left) 2013 Bermuda sail, silk, cotton Dimensions variable $10,000 |
|
CARLA BUSUTTIL Nakh Nakh 2011 Oil on board 25 x 14 cm $ 3,200.00 |
|
CATHERINE STORY Elephant 2013 Oil on wood (framed) 14 x 17 cm (approx unframed dimensions) (CS295) £ 3,500.00 GBP ex VAT |
|
Roslyn Oxley9 Gallery
8 Soudan Lane (off Hampden Street), Paddington 2021. (02) 9331-1919. Fax 9331-5609. oxley9@roslynoxley9.com.au www.roslynoxley9.com.au Director: Roslyn Oxley (member of ACGA). Tues-Fri 10.00 to 6.00, Sat 11.00 to 6.00.
To Nov 10 Imants Tillers – Tabula Rasa. Nov 15 to Dec 8 (opening Thurs Nov 15, 6-8pm) Lindy Lee.
LINDY LEE [as yet untitled] 2012 plasma cut steel 210 x 100 cm $ 20,000.00 |
|
ISAAC JULIEN Yishan Island, Long March (Ten Thousand Waves) 2010 Endura Ultra Photograph ed 4/6 180 x 240 cm US$ 60.000,00 24471 |
|
|
LOCUST JONES Unplug 2012 dry glazed ceramic 25 x 22 x 22 cm $1,500 |
|
CANDICE BREITZ Extra #30 2011 Chromogenic print $ 6,400.00 |
|
GARDAR EIDE EINARSSON Fluorescent Pink X 2013 Acrylic paint on primed canvas / wooden stretcher 220 x 183 x 4 cm / 86 2/3 x 72 x 1 1/2 in Unique / SOGEE/P 2013-007 PRICE: USD 33,000.00 / RESERVED |
|
ABDULNASSER GHAREM The Stamp (Amen) 2012 GHA/D 1/1 silkscreen on paper 149.9 x 119.4 cm 17/25 TBA |
|
TRACEY EMIN Suffer Love 34 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46990 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
TRACEY EMIN I left you on the kitchen table I 2012 Gouache on paper 9 13/16 x 9 13/16 in. (25 x 25 cm) JJ46957 |
|
CARLA BUSUTTIL Slouching Man. Look Forward 2012 Oil on board 13 x 18 cm $ 2,600.00 |
|
ADEL ABDESSEMED Nuit de Noces 1997 cotton curtain 275x110cm 40,000US$ |
|
TOM FRIEDMAN Untitled (sun) 2012 Wood, Styrofoam and paint Approximately 3,650 12-inch wooden dowels, painted yellow, were stuck and glued into a 12-inch Styrofoam ball, at varying angles. 32 x 32 x 32 inches (81.3 x 81.3 x 81.3 cm) C21652 $ 225,000.00
|
|
MATTHEW MONAHAN Body Electric (cape slip) 2012 oil on paper, framed 206.5 x 113 cm 81 1/4 x 44 1/2 ins USD 42,000 |
|
SHANNON EBNER Los Angeles Series No 9 2009 Chromogenic print 77 x 51.8 cm / 30 ⅛ x 20 ⅜ in edition of four + 2 a/p |
|
RACHEL HARRISON Sculpture with Raincoat 2012 Wood, styrofoam, cement, acrylic, hanger, The Economist, and Gherardini rain coat 68 x 27 x 20 1/2 inches 172.7 x 68.6 x 52.1 cm RH.1120 $145,000.00- On Reserve Detail View |
|
SHANNON EBNER Los Angeles Series No 5 2009 Chromogenic print 51.8 x 77 cm / 20 ⅜ x 30 ⅛ in edition of 4 + 2 a/p |
|
STEVIE FIELDSEND Solve et Coagula #8 2012 glass, wood 97 x 17 x 17cm $2,900 |
|
SEHER SHAH The Expansion of the First Great Ornamental Age: Hierarchy 2009 Archival Giclee Print 76 x 51 cms edition 5/10. Euro 2000 / AUD 3000 |
|
JOSIAH McELHENY The Architectural Body (after Cardin) 2012 Hand blown and carved dense white moiré glass, wood, low iron glass and steel 64 3/4 x 32 1/2 x 20 1/2 in. (164.5 x 82.6 x 52.1 cm) USD 90,000.00 On hold |
|
RAQIB SHAW [Title to be confirmed - Whimsy I] Bronze 9 13/16 x 6 5/16 x 9 7/16 in. (25 x 16 x 24 cm) GBP 45000 |
|
LUKE FOWLER
Turner Prize 2012, Tate Britain, London Installation View
Luke has been nominated for the Turner Prize this year. The winner will be announced in a ceremony on 3 December. An exhibition of work by the nominated artists is on show at Tate Britain until 6 January. Luke’s presentation includes his film All Divided Selves, which focuses on archival representations of maveric psychiatrist RD Laing and his colleagues as they struggled to acknowledge the importance of considering social environment as significant factors in human distress and suffering. In 2013 Luke’s new film The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott will tour to the Wolverhampton Art Gallery. The film explores the role played by left wing intellectuals in the working class communities of post-war Yorkshire. At night schools organised by the Workers’ Educational Association, adults with no other access to further education were taught by progressive thinkers such as Raymond Williams, Richard Hoggart and EP Thompson. The soundtrack features the lilting voice of artist Ceryth Wyn Evans reading Thompson’s class reports. |
|
CANDICE BREITZ Extra #31 2011 Chromogenic print 28 x 42 cm $ 6,400.00 |
|
JUERGEN TELLER The Keys to the House No. 18, Suffolk 2010 2010 c-print 20 x 24 inches (image) 50.8 x 61 cm 21.65 x 25.59 x 1.26 inches (frame) 55 x 65 x 3.2 cm Edition 2 of 5 LM15830 £10,000.00 |
|
VIK MUNIZ Pictures of Earthworks: Outlet (Fabrica, Iron Mine) 2005 digital C print ed 2/10 127 x 102 cm US$ 25.000,00 24321 |
|
TRACEY EMIN
Your heart is like the wind / Throw Yourself At Anyone / I Loved you like the sky 2009 Embroidered calico Left panel: 68 1/2 x 33 7/16 in. (174 x 85 cm) (framed), Centre panel: 68 1/2 x 79 1/2 in. (174 x 202 cm) (framed), Right Panel: 68 1/2 x 33 7/16 in. (174 x 85 cm) (framed) GBP 235,000.00 INSTALLATION SHOT |
|
FERNANDA GOMES Sem Título 2013 papel, fio de nylon 47 x 10 cm 10247 US$ 8,000 - US$ 50,000 |
|
VIK MUNIZ Pictures of Junk: The Birth of Venus, after Botticelli (Triptych) 2008 Digital C print ed 5/6 235 x 390 cm (tríptico) US$ 149.000,00 23897 |
|
JULIAN MEAGHER Blue 2013 Oil on linen 120 x 90 cm Price (including GST): $5,500 All prices are in $AUD |
|
SEAN SCULLY WALL OF LIGHT PINK ORANGE 2012 Oil on aluminum 85 x 75 inches 215.9 x 190.5 centimeters (SS2151) SY.31738 |
|
CALEB SHEA Untitled (stainless to yellow) 2013 polyeurethane on stainless steel 160 x 90 x 80cm $7,500 |
|
LOT 93 RICHARD LARTER Inner 1988 signed with initials and dated 'R.L. / 6.3.1988' lower left; signed and inscribed 'Richard Larter' / "Inner" / 6th March 1988 / Yass' verso synthetic polymer paint on canvas 176.5 x 70cm (69 1/2 x 27 9/16in). Estimate:
AU$ 3,000 - 5,000 £2,000 - 3,300 US$ 3,100 - 5,200
Footnotes PROVENANCE: Purchased from Watters Gallery, Sydney in July 1988
EXHIBITED: The Work of Richard Larter, Watters Gallery, Sydney, 6-23 July 1988, cat. no. 32
LITERATURE: The Work of Richard Larter, exh. cat., Watters Gallery, Sydney, 1988, cat. no. 32, p.13 (illus.) Elwyn Lynn, 'Sustaining craft for art's sake', The Weekend Australian, Magazine 13, 16-17 July 1988
After deciding to change tack from his distinctive 1970s approach to the figure, Larter intensified his concentration on non-figurative work in the 1980s. He notes that phenomenal changes in thinking around physics and maths have provided him with a ballast of ideas to work with in his paintings. 'The abstract paintings very often were to do with me mapping out what very abstract ideas in physics were about'. In numerous series, he worked with passion on a particular approach and set of ideas from one painting to the next... His rigorous self-imposed discipline to work every day and learn as much as he could around a particular idea has resulted in an extraordinary outpouring of work.
Deborah Hart, "A way of life: in pursuit of learning", in Richard Larter, National Gallery of Australia, Canberra, 2008, pp 15-16; 23; 37; 111; 146 (published on the occasion of the exhibition Richard Larter: a retrospective 20 June – 14 September 2008, National Gallery of Australia, Canberra). |
|
THILO HEINZMANN O. T. 2013 Oil, pigment on canvas behind Plexiglas cover 83 x 73 x 9 cm (TH170) £ 11,500.00 GBP ex VAT |
|
ROSALIE GASCOIGNE Thirty Two 1987 Sawn soft drink crates on plywood 131.0 x 111.0 cm Signed, dates and inscribed verso: THIRTY TWO 1987/ Rosalie Gascoigne Around AU$255,000 |
|
CARLA BUSUTTIL She's big on the plastic scene reworked 2012 Oil on board 20 x 15 cm $ 2,600.00 |
|
INSTALLATION SHOT |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work ARTHUR BOYD
Narcissus and three clouds signed 'arthur boyd' lower right oil on canvas 107.0 x 91.7cm (42 1/8 x 36 1/8in). Estimate: AU$ 50,000 - 60,000 £29,000 - 35,000 US$ 45,000 - 54,000 Footnotes PROVENANCE Savill Galleries, Sydney Private collection, New South Wales |
|
TOM FRIEDMAN Untitled (sun) 2012 Wood, Styrofoam and paint Approximately 3,650 12-inch wooden dowels, painted yellow, were stuck and glued into a 12-inch Styrofoam ball, at varying angles. 32 x 32 x 32 inches (81.3 x 81.3 x 81.3 cm) C21652 $ 225,000.00 Detail View |
|
SEHER SHAH The Expansion of the First Great Ornamental Age: 3 distances 2009 Archival Giclee Print 76 x 56 cms edition 6/10. Euro 2000 / AUD 3000 |
|
MAT COLLISHAW Pearls of the abyss 2 2011 3D lenticular print 100 x 67.5cm, ed 2/3 £25,000/Approx $40,000 (framed) |
|
INSTALLATION SHOT |
|
VIK MUNIZ Earthworks: Pipe (the sarzedo drawings) 2002 gelatin silver print ed 7/10 + 5 PAs 100 x 130 cm US$ 25.000,00 23902 |
|
DIRK BELL Untitled 2012 chalk and charcoal on paper 56 x 82.2 x 4 cm / 22 x 32 â…œ x 1 â… in unique HQ15-DB9055D Price: €5,000 EUR |
|
TATSUO MIYAJIMA Life (Rhizome) No. 3 2012 280 LEDs, IC, electric wire, stainless steel unique work 203 x 293 cm / 80 x 115 in |
|
EDITH DEKYNDT Drawing 012 2009 Ink on aluminium (framed) 45 x 59 cm (ED042) £ 5,800.00 GBP ex VAT |
|
MARINA ABRAMOVIC Portrait with white lamb 2010 Black and white photographic print 125 x 125 cm 159 x 159 cm (inc 17 cm border) 49.2 x 49.2 in ed.1/9+2 ap ABRA100009-1 |
|
LUKE FOWLER Red, Green, Gold (flare) 2011 C-Type Print 67.3 x 67.3 x 3.3 cm framed edition of 6+2 ap TMI-FOWLL-30512-1 |
|
HEINZ MACK Black & White 1958 Resin on canvas 133,5 x 205,5 cm # MACK0038
Price upon request |
|
SAâDANE AFIF Et l'Eternité 2013 Paint on canvas, digital print on plexiglass 215 x 138 x 10 cm Unique piece SA 2013/003 Certificate signed by the artist EUR 40,000.00 |
|
YAYOI KUSAMA UNIVERSE [ABVR] 2013 Acrylic on canvas 162 x 162 cm, 63 3/4 x 63 3/4 in (KUSA 884) $ 345,000.00 (excluding tax) |
|
ALEC MINGELMANGANU Untitled (Wanjinas and Birds) c.1978 Natural earth pigments on wood, engraved Inscribed on the reverse Idelphonsus 52 by 18cm |
|
FRED WILLIAMS Rocks at the You Yangs I 1978 Oil on canvas, 76.2 x 81.2cm Unsigned, estate stamp verso Provenance: Estate of the Artist (LW 699) $300,000 (no GST) |
|
JUERGEN TELLER The Keys to the House No. 19 2011 c-print 12 x 16 inches (image) 30.5 x 40.6 cm 13.78 x 17.72 x 1.26 inches (frame) 35 x 45 x 3.2 cm Edition 1 of 5 LM15828 £7,000.00 |
|
KATY MORAN Country House 2012 acrylic and collage on canvas and board 44 x 52.5 cm 17 3/8 x 20 5/8 ins GBP 22,000 |
|
SIMON STARLING The Inaccessible Poem (After James Nasmyth & James Carpenter, An Ideal Sketch of "Pico" an isolated lunar mountain 8000 feet high as it would probably appear if seen by a spectator located on the moon, 1874) 2013 C-type 70.9 x 92.6" / 180 x 235.2cm Framed: 74.4 x 96.1" / 189 x 244.2cm SS2013-001 $72,000.00 |
|
STERLING RUBY SPCE (4034) 2012 Collage, paint and urethane on cardboard 304.8 x 243.8 cm / 120 x 96 inches RUBYS56865 USD 115,000.00 excl. VAT |
|
DANIEL ARSHAM View of Mataveri airport 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
MARTIN BELL UFO BUSTER! 10 2012 Modeling clay on wooden board in acrylic box 30 x 20 x 5 cm $1,800.00 |
|
RYAN GANDER The whole world rises up, 1977 by Spencer Anthony 2011 Black & white photograph, red oil paint 203 x 203 x 7 cm 79.9 x 79.9 x 2.8 in ed.unique GAND110033 |
|
ERNESTO NETO |
|
SARAH SZE Lifted 2010 bike chain, lock, silver plating 3 x 204 x 12 inches; 7.6 x 518.2 x 30.5 cm (TBG 12453) USD $12,000 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
SEHER SHAH The Expansion of the First Great Ornamental Age: Vector Connections 2009 Archival Giclee Print 76 x 51 cms edition 5/10. Euro 2000 / AUD 3000 |
|
MICKALENE THOMAS Qusuquzah, Une Trés Belle Négresse 2 2012 c-print 60 x 50 inches 152.4 x 127 cm 62 x 52 x 3 inches (framed) 157.5 x 132.1 x 7.6 cm Edition 1 of 3, 2 AP LM16540 $17,000.00 |
|
LUKE FOWLER Vocal Transitions (Cara) 2011 C-Type Print 64.6 x 64.6 cm unframed, 67.3 x 67.3 x 3.3 cm framed edition of 6+2 ap TMI-FOWLL-30959 |
|
ERNESTO NETO |
|
GREGORY & WATTS Champagne Cocktail Observatory Hill 2012 HD Digital video Duration: 3 mins 38 secs Edition of 5 Price (including GST): $2,200 All prices are in $AUD |
|
KAMEN STOYANOV Future Idea 2013 video 1/5 (Ed 5+1AP) STO/V 2/1 EUR 4,500.- Prints EUR 350,- |
|
JOHN MCALLISTER venerable articulate complete 2013 Oil on canvas 53 x 43 cm (JM15) £ 7,800.00 GBP ex VAT |
|
FRANCIS UPRITCHARD Twice Majic 2012 modelling material, wire, paint, fabric, synthetic hair 118 x 43 x 30cm £18,500 + VAT (with plinth) |
|
SUSAN HILLER Shipping Out 2008/2012 25 colour dry prints Each: 4 x 6 in. / 10 x 15 cm Overall: 22 1/4 x 31 5/8 in. / 56.5 x 80.5 cm T008672 GBP 16,000.00 VAT Exclusive |
|
|
SEHER SHAH The Expansion of the First Great Ornamental Age: Division 2009 Archival Giclee Print 76 x 56 cms edition 6/10. Euro 2000 / AUD 3000 |
|
WILLIAM KENTRIDGE Learning the Flute 2003 35mm film transferred to video, blackboard, easel, duration 8 min, 2 sec. blackboard: 63 x 51-1/4 in. (1m 60 x 1m 30) easel: 74-7/8 x 27-1/2 in. (1m 90 x 70 cm) Edition of 8 [S/9002] $ 325,000.00 |
|
JONATHAN MONK One Hundred Red Bottles Painted White And One Hundred White Bottles Painted Green 2013 Spray paint on canvas 150 x 160 cm EUR 20.000 |
|
GARDAR EIDE EINARSSON ARROW PAINTING 2011 acrylic on canvas 182.9 x 213.4 cm (72 x 84 in) (Inv# GAEI-0001) $33,000(without tax) |
|
TRACEY EMIN I left you on the kitchen table II 2012 Gouache on paper 9 13/16 x 9 13/16 in. (25 x 25 cm) JJ46958 |
|
PAUL LEE Untitled (triple negative) 2011 cut hand dyed cotton towel 182.9 x 106.7 cm 72 1/8 x 42 1/8 ins USD 12,000 |
|
GHADA AMER BLACK - RFGA 2013 Acrylic, embroidery and gel medium on canvas 65 x 78 inches 165.1 x 198.1 centimeters GA.32117 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
EDITH DEKYNDT Drawing 011 2009 Black ink on aluminium paper (framed) 41 x 54 cm (ED043) £ 5,800.00 GBP ex VAT |
|
FIONA LOWRY Nuytsia floribunda 2012 acrylic on canvas 56.0 x 51.0 cm $4,500 |
|
NARI WARD Medicine Bats 2011 glass, cotton 7 parts, each approximately: 32 x 3 x 3 inches 81.3 x 7.6 x 7.6 cm LM15270 $35,000.00 |
|
LAWRENCE WEINER WHERE IT SEEMS AS IT IS WHERESOEVER HOWSOEVER WHATSOEVER PENDING 2012 Ink, pencil and pastel on paper Approx. 101 x 81 cm WEIN120006 USD 30,000.00 |
|
LEE BUL Indication No. 3 2008 acrylic paint, india ink and pigmented ink on paper 16.54 x 22.05 inches 42 x 56 cm 23.23 x 28.74 inches (framed) 59 x 73 cm LM17469 $15,000.00 |
|
THOMAS DEMAND Beyer #34 2011 Framed Pigment Print 106,3 x 159,6 cm (unframed) 41 7/8 x 62 7/8 inches (unframed) 123,8 x 177,1 x 6 cm (framed) 48 3/4 x 69 3/4 x 2 3/8 inches (framed) Edition 1/2 MSPM TDE 20638 EUR 35.000,00 |
|
HANNAH STARKEY Untitled, January 2013 2013 C-print 48 x 64 1/2 inches; 122.4 x 163.6 cm (unframed) 49 x 65 1/8 inches; 124.5 x 165.4 cm (framed) Edition of 5; 2 AP (TBG 14940) GBP £12,000 |
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN Drunken Clarity 2011 broken beer bottles, putty, 23 carat gold, arabic gum dimensions variable $A $50,000 incl GST
Exhibited: Drunken Clarity, gbk, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: It is said that the origins of Kintsugi lie in the dissatisfaction of a 15th century shogun when an important piece of his porcelain returned from repair in China held together by ugly staples. Local craftsmen then repaired the tea bowl a second time, using lacquer and powered gold, returning it to functionality and adding aesthetic value to the object. Purposely smashing something in the hope of discovering something new and beautiful is also an act endlessly carried out in countless parties across the world. In English, the terms like wasted,smashed, wrecked, shattered, obliterated and trashed are often used to describe altered states of consciousness brought on by the imbibing of alcoholic beverages. The temporary destruction of the self is carried out in the hope that fun or adventures may be had that would not be possible sober. The hangover after the consumption of large quantities of alcohol can sometimes result in moments of clarity, even inspiration. The ebbing of serotonin in the body’s system and general physical lethargy can create a state of reverie that brings forth thoughts and ideas that may not otherwise come to mind. Drunken Clarity is a celebration and commemoration of the by-products of the shattering of our ordered, constrained mind. |
|
THOMAS HOUSEAGO Arm Studies 2011 Tuf-Cal, hemp, iron rebar white arm: 27.9 x 132.1 x 12.7 cm large arm: 35.6 x 167.6 x 25.4 cm TMI-HOUST-28902 |
|
HEINZ MACK Kleine Wüste 1964 Sand, wood 82 x 92 x 8 cm # MACK0017
€ 155.556 |
|
CALEB SHEA Untitled (stainless to white) 2013 polyeurethane on stainless steel 125 x 70 x 50cm $5,500 |
|
ADEL ABDESSEMED Nuit de Noces 2013 oil and chalk on paper 16x30.5cm 25,000US$ |
|
HAIM STEINBACH LP (a) 9/23/2013 2013 Linoleum, aluminium-faced honeycomb board 23 1/4 x 23 1/4 x 1 2/8 in. (59 x 59 x 2.7 cm) USD 17500 |
|
INSTALLATION SHOT |
|
VIK MUNIZ Pictures of Paper (Color): Northeaster, after Winslow Homer 2010 Digital C Print ed 3/6 180 x 265 cm US$ 58.000,00 24391
|
|
TOM FRIEDMAN Untitled (Hostess treats) 2013 Styrofoam and paint 15 ½ x 61 x 61 inches (39.4 x 155 x 155 cm) C23650 $ 135,000.00 Detail View |
|
RUDOLF SCHWARZKOGLER 4. Aktion 1965 silver gelatine (Franziska Cibulka) 49 x 59 cm Orginal SCHWAR/F 107 EUR 32,000.- |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
THUKRAL & TAGRA Wonder Woman III (Flying Girl) 2011 Acrylic, oil on canvas 72” x 48” (183 x 122 cms) Euro 20000 / AUD 30000 |
|
MAT COLLISHAW Sordid Earth 3 2011 C-Type Print 65 x 52cm, ed 2/5 £7,000 / Approx $11,000 (framed) |
|
FRANCIS UPRITCHARD David 2012 modelling material, wire, paint 87 x 64 x 24cm £18,500 + VAT (with plinth)
|
|
PAUL LEE Untitled 2010 bath towels, cotton thread, ink 126 x 155 cm 49 5/8 x 61 1/8 ins USD 12,000 |
|
HAIM STEINBACH dancer with raised right foot 2011 Wood, plastic laminate and glass box; wood stool; painted bonded bronze Degas statuette 52 x 56 x 25 5/8 inches; 132.1 x 142.2 x 65.1 cm signed on shelf verso (TBG 13209) USD $65,000 |
|
DANIEL ARSHAM Rano Raraku 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
JOHN MCALLISTER exalts airy well 2013 Oil on canvas 94 x 76 cm (JM16) £ 10,500.00 GBP ex VAT |
|
MARY CORSE Black Square Glitter 1977 Metallic squares on canvas 84 x 84 in. (213.4 x 213.4 cm) USD 225,000.00 |
|
JAMES CASEBERE Store Front 1992 Selenium toned silver print 72 x 95 cm 28.3 x 37.4 in ed.3/7 CASE920002 |
|
RICHARD HUGHES Where it all happened once, Tramway, Glasgow, 2012 INSTALLATION VIEW
As with all of Richard’s work, the familiar abandoned objects are painstakingly re-made and transformed - recontextualising them to make something uncanny and spectacular. His solo exhibition at Tramway in Glasgow opened at the end of October. The focal piece of the main space is a scale replica of a run-down community centre. The building has been modeled on an existing space built in the early 80s which serves the community of a social housing scheme. Its absurd counter pose suggests that it has been thrown directly into the space. In the corner of the gallery a series of apparently rusty drainpipes reach vine-like across two walls spelling out in sprawling bold negative shapes the phrase ‘nowhere’. |
|
JULIAN OPIE Maria 1. 2011 Inkjet on canvas on wooden stretcher 192 x 119.6 cm OPIE110065 GBP 40,000 |
|
HAYDEN FOWLER antler iv 2013 cement,gypsum,sand unique version 58 x 24cm $650 |
|
SEHER SHAH The Expansion of the First Great Ornamental Age: Fragmented Landscapes 2009 Archival Giclee Print 76 x 56 cms edition 5/10 and 6/10. Euro 2000 / AUD 3000 |
|
DIRK BELL Gate 2010 Steel 238 x 120 x 2cm edition of 2 TMI-BELLD-28082
The piece, which is made from tesselations of the chracteristic ‘love’ motif, was originally shown in his exhibition MADE IN GERMANY at the Baltic Centre for Contemporary Art, Gateshead. |
|
LOT 128 PATRICIA PICCININI Team WAF (Precautions) 2003 fibreglass, PET and autmotive paint 32 x 28 x 32cm (12 5/8 x 11 x 12 5/8in). Estimate:
AU$ 10,000 - 15,000 £6,600 - 9,800 US$ 10,000 - 15,000
Footnotes PROVENANCE: Purchased from Roslyn Oxley9 Gallery, Sydney in July 2003
EXHIBITED: Patricia Piccinini: We are Family, Venice Biennale, Venice, Italy, 15 June - 2 November 2003 Patricia Piccinini: We are Family, Bendigo Art Gallery, Bendigo, 17 April - 27 June 2004 Patricia Piccinini: We are Family, Hara Museum Tokyo, Japan 6 December 2003 - 1 February 2004 Patricia Piccinini: Hold Me Close to Your Heart, ARTER, Istanbul, Turkey, 22 June - 21 August 2011
What strangely evolved creatures wear these adornments? Speed, clearly, is like oxygen to them. Movement, presumably, on sleek and murderous machines that test the boundaries of the body is a clear requirement. But Patricia Piccinini has always done that; seeking out the borderline between human and alien, works that question the very nature of our biology. While science intrigues her – from genetic manipulation to cloning – it is in fact what it does and can do to the human. Team WAF (Precautions) was a part of Piccinini's exhibition, We Are Family, which delighted, confused, chilled and inspired audiences when she represented Australia at the 2003 Venice Biennale. That same year the show travelled to the Hara Museum in Tokyo. In a talk she gave to theTokyo National University of Fine Arts and Music
that year she described the work: "The first thing that you saw as you entered the exhibition was this row of helmets for the work Team WAF (Precautions). And this is the first family that you find in the show, a family of helmets for inhabitants with very strange heads. They indicate that the inhabitants of the house need these beautiful helmets - not because they are different, but because they ride motorcycles very fast. With these helmets, you get a very familiar feeling, because helmets are familiar to us, but a strangeness as well."1
Ashley Crawford
1 Patricia Piccinini, artists talk, Tokyo National University of Fine Arts and Music, Tokyo, 2003 |
|
HEINZ MACK Prism Whirl 1960 Aluminum, glas, wood, motor 48 x 29 x 22,5 cm # MACK0035
€ 177.778 |
|
LOUISE BOURGEOIS UNTITLED 2007 Fabric 22 1/2 x 16 1/2 inches 57.2 x 41.9 centimeters (BOUR-15715) BO.32288 |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
EDITH DEKYNDT Cold Drawing 018 2012 Inkjet on rag paper (framed) 41 x 30 cm (ED039) £ 3,500.00 GBP ex VAT |
|
CHRISTIAN CAPURRO Young man against the white curtain 2011 partially erased magazine page, erasings pile, tabletop and tripod 90 x 80 x 140 cm $18,000 |
|
PETER LIVERSIDGE Hello 2012 54 low energy bulbs, powder coated steel, motion activated sensor 200 x 40 x 18cm £20,000
There will be 3 versions made, one bigger than this and another smaller, each unique at their size. The piece is motion activated (it turns on when someone walks towards it). There is a lot of flexibility regarding the timings and the positioning of the motion sensor: It can be lit up for anything from 2 seconds to 1/2 an hour once activated, so can be adjusted according to preference.
Peter has been invited to contribute a sculpture for the Frieze Sculpture Park, and has made another bulb sign, EVERYTHING IS CONNECTED, which will be on view there. I can send further details/images of this if desired. |
|
TOM FRIEDMAN Untitled (Hostess treats) 2013 Styrofoam and paint 15 ½ x 61 x 61 inches (39.4 x 155 x 155 cm) C23650 $ 135,000.00 Detail View |
|
YAYOI KUSAMA THE END OF THE UNIVERSE 2012 Acrylic on canvas 130.3 x 162 cm, 51 1/4 x 63 3/4 in (KUSA 756) $ 285,000.00 (excluding tax) |
|
JUAN FORD The Reorientalist 2013 oil on linen 122 x 183cm SOLD |
|
JAMES ORAM Wallpaper 2012 HD Digital video Duration 9 mins 13 secs Edition of 5 Price (including GST): $3,000 All prices are in $AUD |
|
EX DE MEDICI I and I 2011 watercolour and gold leaf on paper 114 x 136 cm $ 35,300 AUD (inc. gst) |
|
|
DIRK BELL Untitled 2011 Watercolour, pastel on newsprint 79.5 x 56.7 cm unframed, 88.9 x 67.3 cm framed TMI-BELLD-28796 |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work MARCUS COATES
Leopard Slug (Great Slug), Limax maximus, Self portrait, cotton wool 2013 Archival Giclée Print mounted on Aluminium 76.2 x 66 cm, 30 x 26 in edition of 5 plus 1 artist's proofs (MC0169) £ 3,000.00 + Tax (unframed) |
|
THOMAS DEMAND Vault 2012 Chromogenic print on photographic paper and Diasec 220 x 277 cm (unframed) 86 5/8 x 109 inches (unframed) Edition 4/6 MSPM TDE 19325 EUR |
|
SHANNON EBNER EKSIZ 2011 type C print 160 x 106.7 cm / 63 x 42 in |
|
HOSSEIN VALAMANESH Internal Travel 1998 cibachrome print 76.5 x 105.70cm edition of 1 $9,000 (framed) |
|
VIK MUNIZ Pictures of Diamonds: Louise Brookes 2005 digital C print ed 10/10 152 x 122 cm US$ 110.000,00 24320 |
|
ERNESTO NETO |
|
SHANNON EBNER Los Angeles Series No 8 2009 chromogenic print 51.8 x 77 cm / 20 ⅜ x 30 ⅛ in edition of 4 + 2 a/p |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
JOHN MCALLISTER everywhere quiet clamor 2013 Oil on canvas 145 x 125 cm (JM17) £ 15,500.00 GBP ex VAT |
|
MAT COLLISHAW Sordid Earth 1 2011 C-Type Print 65 x 52cm, ed 2/5 £7,000 / Approx $11,000 (framed) |
|
CARMEN HERRERA Stanzas 2012 Acrylic on canvas 91.4 x 91.4 x 6.4 cm 36 x 36 x 2.5 in HERR120007 |
|
ROSALIE GASCOIGNE Imperial Measure 1993/94 retro-reflective sign, sawn soft drink crates on craftboard 82 × 60cm $120,000. |
|
ARTIST NAME Title of Work Year Materials Size of Work Price of Work THOMAS DEMAND
Wood #89 2011 Framed Pigment Print 106,3 x 159,6 cm (unframed) 41 7/8 x 62 7/8 inches (unframed) 123,8 x 177,1 x 6 cm (framed) 48 3/4 x 69 3/4 x 2 3/8 inches (framed) Edition 1/2 MSPM TDE 20647 EUR 35.000,00 |
|
A Language of Exposures, Wallspace, New York, 15 February – 23 March, 2013 INSTALLTION VIEW |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
ANTONY GORMLEY CORNER 300.000,00 GBP + vat
2011 Ghisa 79 x 45 x 65 cm
2011 Cast iron 79 x 45 x 65 cm |
|
ANDREW KERR Frieze Art Fair, London 2012 INSTALLATION VIEW
Andrews' paintings are rarely direct observational studies. Some are loosely based on small interior scenes, either arranged or as they were found, others are remembered events. Working on blank pieces of paper, acrylic paint is put down in short, tentative strokes. From this field of shifting colour, shapes, tones and gaps are embroidered, leading toward definition. The resultant mash of sparse outlines, dappled zones of colour, dull brown smears, milky films and luminous scatterings is composed in order to prompt recognitions - perhapsutensils of indeterminate size, up-ended boxes spilling their contents, hillsides, table tops or the edges of flower beds. |
|
TOM FRIEDMAN Untitled (Hostess treats) 2013 Styrofoam and paint 15 ½ x 61 x 61 inches (39.4 x 155 x 155 cm) C23650 $ 135,000.00 Detail View |
|
SEHER SHAH The Expansion of the First Great Ornamental Age: Horned God 2009 Archival Giclee Print 76 x 56 cms edition 6/10. Euro 2000 / AUD 3000 |
|
GüCLü ÖZTEKIN Nameless 13 2012 acrylic on Kraft paper 99 x 90 cm ÖZT/P 13 EUR 9,000.- |
|
LOUISE LAWLER Full Frame 2002 Cibachrome on museum mounted 75,6 x 61 cm 29 3/4 x 24 inches Edition 3/5 MSPM LLA 22000 |
|
HOSSEIN VALAMANESH Something from Nothing 2009 Black paper, 79 x 79cm $8,000 |
|
LIZA LOU Untitled, Black & White 2011-2012 Glass beads and cotton 63 3/8 x 64 9/16 in. (161 x 164 cm) USD 185,000.00 |
|
DIRK BELL Untitled 2011 Watercolour, pastel on newsprint 79.5 x 56.7 cm unframed, 88.9 x 67.3 cm framed TMI-BELLD-28800 |
|
SHANNON EBNER Los Angeles Series No 12 2010 chromogenic print 51.8 x 77 cm / 20 ⅜ x 30 ⅛ in edition 1 of 4 + 2 a/p |
|
REBECCA BAUMANN NZD12,500 |
|
EDITH DEKYNDT Cold Drawing 023 2012 Inkjet on rag paper (framed) 41 x 30 cm (ED040) £ 3,500.00 GBP ex VAT |
|
CHRISTIAN CAPURRO Young man against the white curtain 2011 partially erased magazine page, erasings pile, tabletop and tripod 90 x 80 x 140 cm $18,000 Detail View |
|
ANDREW KERR Untitled 2012 Acrylic on paper 42 x 29.6 cm TMI-KERRA-32647 |
|
ISAAC JULIEN Green Screen Goddess, Triptych (Ten Thousand Waves) 2010 Endura Ultra photograph ed 2/6 180 x 240 x 4.5 cm cada US$ 159.000,00 24486 |
|
MARY RAMSDEN Untitled 2013 Oil, acrylic on canvas 170 x 130 cm (PC23221)
GBP 7,000.00 + VAT |
|
STANLEY WHITNEY 11-1998 1998 graphite on paper 25 x 33 inches framed (approx.) $ 4,500 + frame |
|
JOHN A DOUGLAS The Visceral Garden 2013 Single channel HD 1080p video with sound by Heath Franco and Naomi Oliver Collaborative performance with Naomi Oliver Duration: 16 mins 47 secs Edition of 3 Price (including GST): $1,750 All prices are in $AUD Also available as four channel installation version for museum installation POA |
|
LOT 393 BRETT WHITELEY Change 1971 Oil on board With artist’s studio stamp upper right Signed, titled and dated 1971 on reverse 134 x 122cm
Provenance Sotheby’s Australia, Important Australian Art, Melbourne, 11/04/2006, Lot No. 50; Private Collection, Sydney; Deutscher~Menzies, Australian and International Art, Sydney, 10/12/2008, Lot No. 28; Bay East Auctions, Bay East Art, Sydney, 21/03/2010, Lot No. 169; Private Collection, Sydney. © Wendy Whiteley
$100,000–150,000 |
|
TRACEY EMIN I left you on the kitchen table III 2012 Gouache on paper 9 13/16 x 9 13/16 in. (25 x 25 cm) JJ46959 |
|
FIONA TAN Cloud Study I 2010 Black and white, pigment print on archival paper 295 x 90 cm Edition of 4 EUR 14,000.00
Fiona Tan b. 1966, Pekan Baru, Indonesia Printed as a negative image, Cloud Study I is a black and white print shot from an airplane during the filming of Cloud Island in 2010 over the tiny island of Inujima in Japan. Inujima is in many ways exemplary of the country's last 400 years of industrialization. Once an island of fishermen and farmers, Inujima then became a place of granite quarries and copper refineries. Now all the works stand empty; the quarries filled with water, factory chimneys crumbling. The island’s aged population has dwindled to around fifty people who continue their day-to-day lives in this evocative and rather neglected place where clipped trees and well tended allotments stand next to abandoned homes.
|
|
THUKRAL & TAGRA Splendidly Sad (c ) 2009 Lithography, screen print collage, hand cut, hand paint, air brush thread constructed on laminated STPI stencil shaped paper, cast paper and pigmented pulp 134 x 107 x 2 cms Euro 15000 / AUD 22000 |
|
MARK DION Marine Encrustations 2012 colored pencil on paper in seven parts 11 x 8 1/2 inches; 27.9 x 21.6 cm (unframed) 12 1/8 x 10 3/8 inches; 30.8 x 26.4 cm (framed) (TBG 14613) USD $12,000 (plus $1,575 framing) DETAIL VIEW |
|
CINDY SHERMAN Untitled #548 2010/2012 Color photograph 179,1 x 353,1 cm 70 1/2 x 139 inches 181,6 x 354,3 cm (framed) 71 1/2 x 139 1/2 inches (framed) Edition 1/6 MSPM CSH 19898 |
|
BILLY CHILDISH Helmet Diver (Leaping) 2011 oil and charcoal on linen 120.08 x 72.05 inches 305 x 183 cm LM16718 €40,000.00 EUR *Hoxton pop-up
|
|
DIRK BELL Untitled 2011 Watercolour, pastel on newsprint 79.5 x 56.5 cm unframed, 88.9 x 67.3 cm framed TMI-BELLD-29511 |
|
MUSEUM OF CONTEMPORARY ART HEALY & CORDEIRO, CLAIRE & SEAN
Par Avion 2011 70 cut pieces from a Cessna 172 airplane, gaffa tape $A $77,000 incl GST
Exhibited: Par Avion, Frey Norris Contemporary and Modern, San Francisco, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: Claire Healy & Sean Cordeiro acquired a small Cesna airplane from a scrap airplane merchant in Roma, Australia, and then deconstructed the entire body by cutting it into small pieces and applying postage stamps directly to the surface of each article. These parcels were then sent by air freight to Gallery Frey Norris, San Francisco, before being relabelled and returned to Australia for their survey exhibition at the Museum of Contemporary Art Australia, Sydney.
Par Avion, or Airmail, is French and the phrase often appears on a sticker or label indicating a letter should be sent by air. Healy & Cordeiro think that it is apt that such postal etiquette should be placed upon the small parcels that once comprised a vehicle of air travel. The wreckage of the plane that no longer has the capability of flying has been given new means of movement. The speed, maneuverability and size were once the distinguishing features of the aircraft but these have now been stripped away, and the object of these qualities arranged as isolated components. The method of delivery may bring some order out of disorder or lay to rest some of the intrinsic purposes of the original airborne machine. |
|
SARAH SZE Lifted 2010 bike chain, lock, silver plating 3 x 204 x 12 inches; 7.6 x 518.2 x 30.5 cm (TBG 12453) USD $12,000 DETAIL VIEW |
|
MAHA MALLUH Man About Town 2010 c-print, 80 x 100 cm 1/3 MALL/F 1/1 EUR 4,300.- |
|
IVAN SEAL izibleawovi 2013 Oil on canvas 120 x 110 cm (IS534) £ 9,000.00 GBP ex VAT |
|
RACHEL HARRISON Sculpture with Raincoat 2012 Wood, styrofoam, cement, acrylic, hanger, The Economist, and Gherardini rain coat 68 x 27 x 20 1/2 inches 172.7 x 68.6 x 52.1 cm RH.1120 $145,000.00- On Reserve |
|
ANDREW KERR Our Litre 2011 Acrylic on paper 20.8 x 29.5 cm TMI-KERRA-29160 |
|
VIK MUNIZ Hume / Bologna 1998 polaroid ed unique 59,5 x 53 cm US$ 23.000,00 11337 |
|
STEVEN SHEARER Bunching & Shading 2012 inkjet print on aluminium, framed 147 x 109 cm 57 7/8 x 42 7/8 ins edition 2 of 3 + 1 AP EUR 45,000 |
|
HEINZ MACK Ohne Titel 1958 Polymer on wood 43,3 x 43,3 x 2,7 cm # MACK0022
€ 155.556 |
|
CALEB SHEA Untitled (orange to red) 2013 polyeurethane on steel 125 x 135 x 70cm $6,500 |
|
ANGELA DE LA CRUZ Tight (Red/Orange) 2012 Oil on canvas 66.5 x 48.5 x 8.5 cm 26.2 x 19.1 x 3.3 in CRUZ120003 |
|
VIK MUNIZ Pictures of Paper (Color): The Great Turf, after Durer 2010 Digital C print ed PA 1/5 135 x 100 cm US$ 44.000,00 24222 |
|
DAVID HARRISON Four Portraits of a Gambler 2012 Oil on canvas 45.5 x 61 x 2 cm, 17 7/8 x 24 1/8 x 3/4 in (DH 178)
£ 6,000.00 (ex tax) |
|
BHARTI KHER Landscape 2007 Triptych: Bindis on wooden panels.Signed and dated "Bharti Kher 2007" on the reverse of each panel. 74 1/4 x 74 1/4 inches / 188.6 x 188.6 cm (each) $550.000 USD
|
|
THOMAS DEMAND Landscape 2013 C-Print / Diasec 200 x 325 cm 78 3/4 x 128 inches Edition 2/6 MSPM TDE 21105 EUR 140.000,00 |
|
SHANNON EBNER Y 2007-12 wood, steel, paint 233.7 x 119.4 x 18.4 cm / 92 x 47 x 7 ¼ in unique INSTALLATION VIEW |
|
JUAN FORD Entwine & Implode 2013 oil on linen 91 x 71cm SOLD |
|
JOHN BALDESSARI The intersection series: Four Persons at Meeting/High Rise Building 2002 Digital photographic prints with acrylic on sintra board 215,3 x 136,2 cm 84 3/4 x 53 5/8 inches MSPM JBA 20691 US$400,000.00 |
|
NICOLAS PARTY Landscapes 2012 Watercolour on paper TMI-PARTN-32553 48 x 48 x 2 cm framed |
|
SEHER SHAH The Expansion of the First Great Ornamental Age: Separation 2009 Archival Giclee Print 76 x 56 cms edition 6/10. Euro 2000 / AUD 3000 |
|
EX DE MEDICI You can tell from the smell, that there's nothing going on around here. 2011 watercolour and gold leaf on paper 114 x 131 cm $88,000 AUd (inc. gst) |
|
DANIEL ARSHAM Rano Kau crater 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
CHRISTIAN CAPURRO Young man against the white curtain 2011 partially erased magazine page, erasings pile, tabletop and tripod 90 x 80 x 140 cm $18,000 Detail View |
|
HEALY & CORDEIRO, CLAIRE & SEAN Sameday Service or Sooner 2008 mdf, cardboard, perspex, acrylic, tie-down ratchets 220 x 138 x 130 cm (irregular) $A $25,000 incl GST Provenance/ Story/ Additional Notes Exhibited: Disruptive Colouration, gbk 2008 Art Month Sydney, Starcom Mediavest, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: Dr Who travels inside a space ship named the TARDIS which stands for Time And Relative Dimensions In Space. This machine makes it possible for him to travel to any place within any time period. We have flat packed the TARDIS to make it more transport-friendly. This is a sculptural example of an outcome when one particular system is grafted on to another system in the hope of greater productivity. Through lack of understanding between the original system and the new one, the end resultant system is one that fails. |
|
HANS OP DE BEECK Vanitas (1) (photo) 2011 Lambda print mounted on Dibond back in wooden frame 163,1 x 108,1 cm 15.000,00 € + VAT |
|
SHANNON EBNER The Ecstaticalphabet 2009 single Channel Projection 2:41 minutes;
SHANNON EBNER Paging Walter 2009 chromogenic print 10.7 x 8.127 inches |
|
WILLIAM MACKINNON Landscape as self-portrait III 2012 acrylic, oil and enamel on lenticular print, framed 47 x 63cm $3,500 AUD / $4,520 SGD |
|
bronze wood, 2013 2 photographs, ceramic pots with plants (Haworthia fasciata and Hedera helix) Diptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 28.000,00 (VAT not included) |
|
UGO RONDINONE lax low lullaby 2010 wood, fittings, varnish 320 x 260 x 25 cm / 126 x 102 ⅜ x 9 ⅞ in unique HQ13-UR7644S Price: 350,000 CHF |
|
JOAN BELMAR Chicago mixed media framed 32"x30" $3000 |
|
ALI TAPTIK Untitled (from Serie: Nothing Surprising) 2008 - 2010 Lambdaprint 90 x 90 cm Ed. 5 (AP 90x90) +1 AP TAP/F 8/1 EUR 2,200.- |
|
THILO HEINZMANN O. T. 2013 Styrofoam, nail varnish, wood behind plexiglass cover 193.5 x 154.5 x 12 cm (TH172) £ 24,500.00 GBP ex VAT |
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN Dust to dust 2008 pulverised IKEA LACK table, wood vitrine 50 x 50 x 120 cm, (each part, 3 parts) $A $21,000 incl GST
Exhibited: Manual, Galerie Gitte Weise, Berlin, 2008 Future Furnishings, Nature Morte Berlin, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: IKEA is a recurring presence in Claire Healy & Sean Cordeiro's work; the artists use its standardised forms not only as sculptural devices but also to highlight the increasing sameness of global society and the growing consumption of cheaply-made material goods. To create Dust to Dust the artists pulverised three coffee tables from a low-priced IKEA furniture range in their Berlin living room. While the tables are completely unrecognisable, on close inspection tiny flecks of colour, the remains of their formally smooth MDF surfaces, can be seen in the circular mounds of sawdust. By presenting the destroyed tables as pseudo-historical artefacts the artists invite us to imagine our enduring legacy on the planet. |
|
Hammer Museum, Los Angeles, 15 July – 09 October 2011 INSTALLATION VIEW
|
|
MAT COLLISHAW Sordid Earth 2012 C-Type print 65 x 52cm, Ed 5 £4,000 / Approx $6,600 (framed) |
|
WILLIAM MACKINNON Landscape as self-portrait II 2012 acrylic, oil and enamel on lenticular print, framed 47 x 63cm $3,500 AUD / $4,520 SGD |
|
VARDA CAIVANO Untitled 2012 Oil on canvas 40 x 30 cm, 15 3/4 x 11 3/4 in (VC 196)
£ 7,000.00 (ex tax) |
|
JOHN BRACK PINOCCHIO ON THE HANDS 1992 watercolour, pen and ink on paper 65.0 x 50.0 cm signed and dated lower right: John Brack 92 EST $60,000 – 80,000
Provenance Private collection, Melbourne Exhibited Deutscher Fine Art, Melbourne, 20 May – 11 June 1994, cat. 11 Essay The Pinocchio paintings were among the last works John Brack was to paint. The motif of the wooden puppet enshrined in childhood literature became his final reflection on the cycle of life and the theatre in which our lives play out. It was the next inevitable evocation of humanity after Brack’s decade long fascination with pencils and ink pens as a metaphor for the human condition. While the pencils tended to express a sense of the individual drowning in the homogenous crowd and thus relinquishing his or her personal characteristics, private thoughts or ambitions, the Pinocchio manikins suggested an ironic Brackian return to the human being. One interpretation suggests that ‘The Pinocchio pictures celebrate the playful purity of the male self, before it has graduated to more dangerous adult games.’1 At play in these final paintings and drawings is a teetering sense of a destabilising threat to order. Pinocchio on the Hands, 1992 epitomises this quality with its straight row of six painted figures standing improbably on a ply panel held up only by the index figure of four wooden model hands. In a candid interview in 1991 he commented, ‘I see the 20th-century world as being in a state of precarious balance. Things are on the verge of toppling, but they haven’t quite yet.’2 Sometimes Brack would place the dolls on artist’s manikins such as observed in On Stage, 1992 (private collection) and in more playful guises tumbling across the round marble table top in Seven on the Table, 1990 (private collection). Helen Brack observed of these last works, ‘... he embarked upon a very tender and optimistic coda, using the marble oval with the full value of its preceding connotations, but using the manikins as a stylisation of people – and the hand, in a gesture of authority, the hand of God, God who is not God but is the Master, The Father, The Protector, the Prophet and Teacher from our ancient past. These he bound into the continuous and continuing family unit, the Mother connected to the stem of the table, the underneath of the stage on which we perform our lives.’ |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
MARCH, group exhibition, Sadie Coles HQ, London, 14 March – 21 April 2012 INSTALLATION VIEW |
|
NAT THOMAS bust after Arcimboldo 54cm (height) x 19cm (width) x 19cm (depth) shell vase, plastic head, shells and adhesive 2011 $1600 |
|
DANIEL ARSHAM Can 2013 Gouache on mylar, frame 30,2 x 21,5 cm / 11 3/4 x 8 1/2 inches Unique $5,000 AUD |
|
ALEX HARTLEY If only it could be this way 2011 Constructed mixed media on C-type photograph 100 x 125 cm, 39 3/8 x 49 1/4 in (AH 157)
£ 17,200.00 (ex tax) |
|
DANIEL ARSHAM Tattoo parlor 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
INSTALLATION SHOT |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
VICTORIA MORTON Afternoon Session 2012 Oil on canvas 18 x 24 x 2 cm TMI-MORTV-32715 |
|
Hammer Museum, Los Angeles, 15 July – 09 October 2011 INSTALLATION VIEW |
|
MADELN COMPANY The Butterfly Nightmare 2012 Mixed media on canvas 180 x 253 cm |
|
LEE BUL Indication No. 1 2008 acrylic paint, india ink and pigmented ink on paper 22.05 x 16.54 inches 56 x 42 cm 28.74 x 23.23 inches (framed) 73 x 59 cm LM17467 $15,000.00 |
|
INSTALLATION SHOT |
|
DAMIEN HIRST Capaneus 2012 Insects and household gloss on canvas 60 x 48 in. (152.4 x 121.9 cm) GBP 600,000.00
|
|
VIK MUNIZ Gordian Puzzles: Garden of Earthly Delights, after H. Bosch (Triptych) 2008 digital C print ed 6/6 195 x 342 cm
24485 |
|
DIRK BELL Untitled 2012 chalk and charcoal on paper 82.5 x 57 x 2.8 cm / 32 ½ x 22 ½ x 1 â…› in unique HQ15-DB9071D Price: €5,000 EUR |
|
LOCUST JONES Headline junket dry glazed ceramic 30 diameter cm $3,500 |
|
VIK MUNIZ Pictures of Magazine 2: Study of Ostrich, After Nicasius Bernaerts 2013 c-print digital ed 1/6 125 x 100 cm US$ 39.000,00 |
|
JEREMY DELLER Quotations 2005 Six xerox prints on paper 84.1 x 59.4 cm each Edition of 6+2 ap TMI-DELLJ-00052
Installation at Joy in People, Weils, Brussels, 2012
Jeremy will be showing a piece from his major retrospective, Joy in People. Entitled Quotations, the piece takes song lyrics from the 80s and 90s and re-presents them as scripture posters. Through this simple action he recontextualises the songwriters as the profits of today. Images of this work installed at Weils in Brussels can be seen below. Joy in People is currently on show at the Institute of Contemporary Art in Philadelphia. His major public art work, Sacrilege, toured to Paris during FIAC in October. Next year the 1:1 inflatable Stone Henge will be embark on a world tour. We are pleased to announce that Jeremy has been selected to represent Britain at the 55th Venice Biennale next year. |
|
SHANNON EBNER Blank Field 2009 chromogenic print 63 x 48 inches |
|
ANTONY GORMLEY PUSH IV 2012 Cast iron 164 x 46 x 45 cm Unqiue Work 300.000 GBP + vat |
|
HAIM STEINBACH dancer with raised right foot 2011 Wood, plastic laminate and glass box; wood stool; painted bonded bronze Degas statuette 52 x 56 x 25 5/8 inches; 132.1 x 142.2 x 65.1 cm signed on shelf verso (TBG 13209) USD $65,000 DETAIL VIEW |
|
VIK MUNIZ Pictures of paper: White brazilian orchid, after Martin Johnson Heade 2010 digital c-print ed 3/6 305 x 180 cm 24513 |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
ROSEMARIE TROCKEL As the weird woman promised 2005 Ceramics, glazed, plastic 26 x 21 x 13,5 cm ca. 8 kg 10 1/4 x 8 1/4 x 5 1/4 inches Edition 3/12 (+ 2 AP) in seven different colours MSPM RTR 20833 EUR 30.000,00 |
|
DANIEL ARSHAM Dancer in traditional Rapa Nui dress 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
ANDREW KERR Dashing From Life Is Also Important 2011 Acrylic on paper 29.5 x 42 cm TMI-KERRA-29174 |
|
YAYOI KUSAMA HEART [HBSL] 2013 Acrylic on canvas 97 x 130.3 cm, 38 1/4 x 51 1/4 in (KUSA 883) $ 245,000.00 (excluding tax) |
|
NICOLAS PARTY Landscapes 2012 Watercolour on paper TMI-PARTN-32556 48 x 48 x 2 cm framed |
|
DANIEL ARSHAM Ahu Nau Nau at Anakena 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
LYNETTE DIADEM-BOAKYE Clarity in Waiting 2012 Oil on canvas 200 x 120 cm, LYB12-2 £19,000 + vat |
|
ANDREW LIVERSIDGE ALL THAT FALL (red yellow blue) - PRODUCTION SHOT ONLY, mid set building 15/09/13 a new video work Edition of 5 + 2AP, $ 5,000.00 (incl. GST). |
|
VICTORIA MORTON Untitled 2012 Oil on canvas 28 x 36 x 2 cm TMI-MORTV-32474 |
|
YASMIN SMITH Apprentice Welder 2013 white earthenware paper clay, satin matt base glaze with copper carbonate, cobalt carbonate and chromium oxide IMAGE OF MARQUETTE ONLY 5 large scale ceramic scultpures (can go outside) Largest object approx. 120 x 90 x 90cm Prices to be determined but approx. $ 3,500 - $ 5,000.00. |
|
HANS OP DE BEECK Location (7) (photo) 2012 OPD/F 19/1 Lambdaprint on Dibond 115.7 x 187.2 x 4.2 cm Ed5+2AP 16.500 Euros |
|
ADAM FUSS UNTITLED 2001 Unique cibachrome photogram 62 x 49 1/2 inches 157.5 x 125.7 centimeters (AF# 2087) FU.5749 Unique |
|
CHANTAL JOFFE Anna 2009 Oil on linen 41.3 x 33.2 x 2.2 cms, 16.27 x 13.08 x 0.87 inches (CJ 569)
£ 12,000.00 (ex tax)
|
|
TOM FRIEDMAN Untitled (pea) 2013 Styrofoam and paint Lifesize; diameter: 3/8 inch (8.6 cm) C23653 $ 35,000.00 |
|
HEINZ MACK Untitled, 1957 Ink on paper 62,5 x 48 cm # MACK0042
€ 24.444 |
|
CHRIS TRUEMAN HQ 62"x56" acrylic and acrylic spray $9000 |
|
VICTORIA MORTON Untitled 2012 Oil on canvas (with cut outs) 97 x 102 x 2 cm TMI-MORTV-32712 |
|
DANIEL ARSHAM Crystal Eroded Table Phone 2013 Crystal, shattered glass, hydrostone 12,5 x 12,5 x 21,5 cm / 5 x 5 x 8 1/2 inches Unique $10,800 AUD |
|
GRANT STEVENS Love is the Drug lenticular print, 30 x 50 cm edition of 5 $2,700 |
|
DAVID KORTY Study for Nocturnal Composition #1 2012 paper on canvas with collage, ink and pencil 144.8 x 106.7 x 3.5 cm / 57 x 42 x 1 ⅜ in unique HQ16-DK9465P Price: $12,000 USD |
|
JUAN FORD Paradox Lost 2013 oil on linen 91 x 71cm SOLD |
|
GREGOR KREGAR Cultural Nature, 4 1.9x1.6x1.35m stainless steel and chameleon paint
Gregor Kregar is one of our wonderful artists from Auckland, New Zealand. He has just been the recipient of the Southern Highway Mc Clelland Sculpture Commission here in Victoria. |
|
FRANCIS UPRITCHARD Tree 2012 modelling material, foil, wire, paint, cloth 102 x 92 x 25 cm £18,500 + VAT |
|
IVAN SEAL corvorkfeak 2013 Oil on canvas 120 x 100 cm (IS535) £ 9,000.00 GBP ex VAT |
|
ANISH KAPOOR Copper Sky 2012 Powdered copper on canvas 213 x 152 x 3.5 cm 83.9 x 59.8 x 1.4 in KAPO120056 |
|
LEE BUL Phantom 2 2011 acrylic on paper 17.91 x 12.01 inches 45.5 x 30.5 cm 24.02 x 18.11 inches (framed) 61 x 46 cm LM17464 $10,000.00 |
|
CHRIS TRUEMAN C0 55"x44" Acrylic and Acrylic spray $7500 |
|
MARCUS COATES Common Slug, Arion hortensis, Self portrait, cotton wool 2013 Archival Giclée Print mounted on Aluminium 76.2 x 66 cm, 30 x 26 in edition of 5 plus 1 artist's proofs (MC0168) £ 3,000.00 + Tax (unframed) |
|
FRANCIS UPRITCHARD Balata Sitting Point Black 2006 black bronze 27.5 x 50 x 14.5 cm 2/2 £12,000 & VAT
The figures in bronze are edition 2/2 but never in the same colour, so in a way each is unique, but 2 were cast from each mould. The snap shots might give you more sense of the material than the professional images. Francis can also suggest outdoor plinths for these works if necessary, she has worked with dyed concrete in the past.
BACKGROUND to the bronze figures: These are the first figures that Francis made. The latest figures have much more detail and are modeled in plastic and painted often in bright colours but they still originate from these early works. She was doing a residency in the north of Brazil in 2005 when she found a local material - a rubber called balata that had to be sculpted under water. She loved the forms that the limitations produced. The original works in balata - which was not archival - have been cast in bronze. |
|
SHANNON EBNER Incendiary Distress Signals 2011 type “C” prints each: 80 cm x 61 cm/ 31 ½ x 24 in |
|
HANS OP DE BEECK Blossom Branch 2012 OPD/S 13 synthetic gypsum, wood, MDF, yarn, copper, plaster, concrete paste 53 x 110 x 19 cm 25.000 Euros |
|
SAâDANE AFIF Et l'Eternité 2013 Paint on canvas, digital print on plexiglass 215 x 138 x 10 cm Unique piece SA 2013/001 Certificate signed by the artist EUR 40,000.00 |
|
GERWALD ROCKENSCHAUB Acrylic glass inlay 2013 Acrylic glass, wooden frame 110 x 90 x 5 cm 43.3 x 35.4 x 1.9 in Unique piece Signed verso: Gerwald Rockenschaub 2013 GR13OB01 EUR 18,500.00 |
|
ANTONY GORMLEY Slump 2012 Cast iron 58 7/8 x 22 5/8 x 28 15/16 in. (149.5 x 57.5 x 73.5 cm) GBP 300,000.00 plus VAT INSTALLATION VIEW |
|
JASON MARTIN Zurbarán 2011 Oil on aluminium 176 x 156 cm 69.3 x 61.4 in MART110008 |
|
HEINZ MACK Untitled 1960 Graphite on paper 48,5 x 63 cm # MACK0044
€ 24.444 |
|
WAQAS KHAN Ohne Titel 2013 ink on paper 56 x 76 cm KHA/P 11 EUR 5,700.- |
|
STEVIE FIELDSEND Solve et Coagula #9 2013 glass, wood 100 x 21 x 16cm $2,900 |
|
JIM LAMBIE Shaved Ice 2012 Wooden ladders, mirrors, household fluorescent paint Dimensions variable TMI-LAMBJ-32804 Installation at The Modern Institute, Aird’s Lane, Glasgow (Solo, 23/11/2012—19/01/2013)
In Miami we will be showing a new safety pin painting by Jim. The large white canvas, entitled Pin Number 1260, is bisected by lines of multicoloured fastenings, recalling both the punk aesthetic. An image can be seen in the following pages. We have also included a selection of other available works, a mirror collage and a metal box, which will not be at the fair. Shaved Ice, Jim’s solo exhibition at Aird’s Lane in Glasgow, opened on Friday 23 November. Using the height of the old glass works, he has made a major new installation that takes the form of a forest of brightly luminously coloured ladders. With mirrored inserts between the steps these ladders are devoid of function; instead they forever reflect the architectural properties of the space, staging an environment that could belong to another sensory dimension. Images of the installation can be seen below and on the following page. He is currently working on a monograph with Rizzoli, which will be available later this year. |
|
NICOLAS PARTY Landscapes 2012 Watercolour on paper TMI-PARTN-32558 48 x 48 x 2 cm framed
|
|
HAYDEN FOWLER antler v 2013 cement,gypsum,sand unique version 57 x 26cm $650 |
|
LOUISE BOURGEOIS SLEEPING FIGURE 2004 Fabric and aluminum 10 1/2 x 23 1/2 x 16 1/4 inches 26.7 x 59.7 x 41.3 centimeters Stainless steel, glass and wood vitrine: 70 x 32 x 24 inches Stainless steel, glass and wood vitrine: 188 x 81.2 x
|
|
JITISH KALLAT Traumanama (The Cry of the Gland) 2011 Mixed media on Indian handmade paper 134,6 x 94 cm | 52.99 x 37.01 in AU$ 28,000.00 |
|
FRANCIS UPRITCHARD Balata Kneeling Black 2006 bronze 33.5 x 24 x 17 cm 2/2 £12,000 & VAT DETAILS VIEW |
|
ALISON RASH Down to Three Oil/Flashe on canvas over panel 36"x36" $3,600.00 |
|
JUAN FORD Chlorophiliac 2013 oil on linen 91 x 71cm SOLD |
|
NICOLA TYSON Vase of Flowers 2012 oil on linen 86.4 x 66 cm / 34 x 26 in unique Price: $20,000 USD(20% VAT where applicable ) |
|
JOHN BALDESSARI The intersection series: Four Persons at Meeting/High Rise Building 2002 Digital photographic prints with acrylic on sintra board 215,3 x 136,2 cm 84 3/4 x 53 5/8 inches MSPM JBA 20691 US$400,000.00 |
|
ANTONY GORMLEY Slump 2012 Cast iron 58 7/8 x 22 5/8 x 28 15/16 in. (149.5 x 57.5 x 73.5 cm) GBP 300,000.00 plus VAT |
|
UTA UTA TJANGALA (ATTRIBUTED TO) Untitled (Yumari) 1972 Synthetic polymer paint on composition board 48.4 by 36cm PROVENANCE Deutscher and Hackett, Aboriginal Art Auction, Melbourne, 25/03/2009, Lot No. 89 Private Collection |
|
MAT COLLISHAW Pearls of the abyss 3 2011 3D lenticular print 144 x 93cm, ed 2/3 £35,000 / Approx $55,000 (framed) |
|
CHANTAL JOFFE Untitled (Double sided) 2011 40.5 x 30.4 cm, 16 x 12 in (CJ 765)
£ 12,000.00 (ex tax) |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
ROBERT MANGOLD Ring Image Study 2009 Pastel and pencil on paper 66 x 57.2 cm 26 x 22.5 in MANG090008 |
|
NICOLAS PARTY Landscapes 2012 Watercolour on paper TMI-PARTN-32554 48 x 48 x 2 cm framed |
|
THOMAS DEMAND Pacific Sun 2012 Single channel 4K video projection with stereo sound 2,02 Minuten (2944 frames) 2.02 minutes (2944 frames) Edition 3/4 MSPM TDE 19398 EUR220,000.00 |
|
SHANNON EBNER Not Equal 2009 plywood, wood glue and enamel paint 13.1 x 17.75 inches |
|
VIK MUNIZ Pictures of pigment: Cloud study (31 september 1822), after John Constable 2007 chromogenic print ed 1/6 180 x 218 cm US$ 55.000,00 23698 |
|
CHRIS TRUEMAN NR 36"x36" Acrylic and Acrylic spray $3500 |
|
SHANNON EBNER Dismantled Peace Sign 2004 chromogenic print 103 x 81.5 / 40 â…ž x 32 â…› in edition of 4 + 2a/p |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
DANIELLE HAKIM Drawing with light, drawing without light DVD 1.05 looped 16:9 HD 2010 $750 edition of 3 |
|
JIM LAMBIE Shaved Ice 2012 Wooden ladders, mirrors, household fluorescent paint Dimensions variable TMI-LAMBJ-32804 Installation at The Modern Institute, Aird’s Lane, Glasgow (Solo, 23/11/2012—19/01/2013) |
|
Hammer Museum, Los Angeles, 15 July – 09 October 2011 INSTALLATION VIEW |
|
DANIEL ARSHAM Crystal Eroded Reel to Reel 2013 Crystal, shattered glass, hydrostone 48,5 x 44,5 x 24 cm / 19 1/8 x 17 1/2 x 9 1/2 inches Unique $26,500 AUD |
|
CHIEH JEN CHEN Empire’s Borders I 2008-2009 35mm transferred to DVD, color and black and white, sound, 27 minutes, single channel video, continuous loop 26 min 50 sec Edition of 5 + 2 AP RMB460,000.00 |
|
SCOTT MYLES DUST (DRAW) 2009 Unique screenprint on aluminium 100 x 141 x 5 cm TMI-MYLES-26648
At Art Basel Miami beach Scott will be showing one of his screenprints on aluminium. The work superimposes the words ‘draw’ and ‘dust’ over over one another. By doing this he obscures their meaning and turns them into abstract blocks of colour. Images of This Production, Scott’s recent solo show at the DCA in Dundee, can be seen on the following. It shows two major new works that he made for the show - the mirrored bus-shelter Analysis (Mirror) and his brick construction Displaced Façade (For DCA). |
|
LOT 76 JOHN MAWURNDJUL Mardayin design 2004 bears artist's name, title, language group, dimensions, medium and Maningrida Arts & Culture catalogue number 537-04 on the reverse natural earth pigments on eucalyptus bark 174 x 58 cm (68 1/2 x 22 13/16in). Estimate:
AU$ 30,000 - 40,000 £20,000 - 26,000 US$ 31,000 - 41,000
Footnotes PROVENANCE: Painted at Milmilngkan, Northern Territory Purchased from Maningrida Arts & Culture, Maningrida, Northern Territory in April 2004 The Laverty Collection, Sydney
EXHIBITED: The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Exhibition, Victoria, 17 July - 26 September 2004; Ballarat Fine Art Gallery, Ballarat, 4 March - 25 April 2005
This painting is sold with accompanying Maningrida Arts and Culture documentation. |
|
DANIEL ARSHAM Dancer in traditional Rapa Nui dress 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
VARDA CAIVANO Untitled 2012 Acrylic on canvas 100 x 70 cm, 39 3/8 x 27 1/2 in (VC 199)
£ 15,000.00 (ex tax) |
|
LEE BUL Indication No. 2 2008 acrylic paint, india ink and pigmented ink on paper 16.54 x 22.05 inches 42 x 56 cm 23.23 x 28.74 inches (framed) 59 x 73 cm LM17468 $15,000.00 |
|
GARDAR EIDE EINARSSON Fluorescent Pink IX 2013 Acrylic paint on primed canvas / wooden stretcher 220 x 183 x 4 cm / 86 2/3 x 72 x 1 1/2 in Unique / SOGEE/P 2013-003 PRICE: USD 33,000.00 / RESERVED |
|
CALEB SHEA Untitled (Concrete) 2013 concrete 66 x 77 x 15cm $3,000 |
|
CHANTAL JOFFE Self-Portrait with Esme in St Leonards 2012 Oil on canvas 244 x 183.5 x 3.5 cm, 96 1/8 x 72 1/4 x 1 3/8 in (CJ 804)
£ 50,000.00 (ex tax) |
|
HEALY & CORDEIRO, CLAIRE & SEAN Drunken Clarity 2011 broken beer bottles, putty, 23 carat gold, arabic gum dimensions variable $A $50,000 incl GST
Exhibited: Drunken Clarity, gbk, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: It is said that the origins of Kintsugi lie in the dissatisfaction of a 15th century shogun when an important piece of his porcelain returned from repair in China held together by ugly staples. Local craftsmen then repaired the tea bowl a second time, using lacquer and powered gold, returning it to functionality and adding aesthetic value to the object. Purposely smashing something in the hope of discovering something new and beautiful is also an act endlessly carried out in countless parties across the world. In English, the terms like wasted,smashed, wrecked, shattered, obliterated and trashed are often used to describe altered states of consciousness brought on by the imbibing of alcoholic beverages. The temporary destruction of the self is carried out in the hope that fun or adventures may be had that would not be possible sober. The hangover after the consumption of large quantities of alcohol can sometimes result in moments of clarity, even inspiration. The ebbing of serotonin in the body’s system and general physical lethargy can create a state of reverie that brings forth thoughts and ideas that may not otherwise come to mind. Drunken Clarity is a celebration and commemoration of the by-products of the shattering of our ordered, constrained mind |
|
JOHN ARMLEDER UIUEUUE (Furniture Sculpture) 2006 Lacquer on MDF, steel 140 x 140 x 40 cm 55.12 x 55.12 x 15.75 in Unique piece JA 2006/005 Certificate signed by the artist EUR 90,000.00 |
|
KENDELL GEERS Country of my skull 2010 Ink on found object 12 x 12.5 x 22 cm £ 45,000.00 |
|
AIDA TOMESCU Diacritical 2012 mixed media on linen 184 x 145cm $50000
Argint 2012 mixed media on linen 183 x 153cm $50000
|
|
TOBY PATERSON Remnant, Glasgow Print Studio, Glasgow (15/09—28/10/2012) Installation view
In Miami we will be showing a selection of Toby’s small paintings on aluminium. These draw their imagery from the designs of the modernist and brutalist buildings that Paterson has studied for many years. Abstracting them often to the point of ambiguity, he returns these icons of design to the coloured shapes and edges from which they were built. An example of these works can be seen on the following page. An image of one of Toby’s works from Remnant, his recent solo show at Glasgow Print Studios, can be seen below. The exhibition is made up of prints of surfaces and details of the city environment. Through the processes of printmaking and painting Paterson looks again at the textures we come into contact with; surfaces that were nuanced, technical, morally and politically charged at their inception but have now disappeared in plain sight. |
|
TRACEY EMIN I left you on the kitchen table IV 2012 Gouache on paper 9 13/16 x 9 13/16 in. (25 x 25 cm) JJ46960 |
|
TONY CRAGG Versus 2011 Bronze 17 3/4 x 19 1/4 x 6 3/4 in 45 x 49 x 17 cm 14121 EUR 165,000.00 |
|
MARK HISLOP Untitled 2012 18 x 14 cm graphite on mylar framed $550 |
|
LUCIO FONTANA 18 Concetto Spaziale 1960 Linen 92,4 x 73 cm | 36.38 x 28.74 in # FONT0001
US$ 1.222.222,00
Provenance: Collection Europa, Perugia Private Collection, Florence Private Collection, NY
|
|
TATSUO MIYAJIMA Life (Rhizome) No. 3 2012 280 LEDs, IC, electric wire, stainless steel unique work 203 x 293 cm / 80 x 115 in DETAIL VIEW |
|
DANIEL ARSHAM Crystal Eroded Film Reel (large) 2013 Crystal, shattered glass, hydrostone 35,5 x 35,5 x 2,5 cm / 14 x 14 x 1 inches Unique $10,800 AUD |
|
BILLY CHILDISH Frozen Estuary - River Roach, 1947 2012 oil and charcoal on linen 17.72 x 24.02 inches 45 x 61 cm LM16722 €6,000.00 EUR *Hoxton Pop-up |
|
PETER DOIG Untitled 1999 Oil on paper/paper on paper collage 59.5 x 42 cm, 23 3/8 x 16 1/2 in (PD 408)
$ 110,000.00 (ex tax) |
|
CLAIRE FONTAINE Please Come Back 2011 neon 12x140cm edition of 3+2AP 30,000US$ |
|
MARK DION MMXII Western Hemlock, Tsuga Hetereophylla, Seattle 2011 wood, hemlock, glue 2 1/4 x 6 1/4 x 6 7/8 inches; 5.7 x 15.9 x 17.5 cm (TBG 13185) USD $18,000 |
|
NAOMI ELLER The flight of man Ceramic 250 x 300 x 130 $2,500 |
|
ISAAC JULIEN Yishan Island, Voyage (Ten Thousand Waves) 2011 Endura Ultra photograph 120 x 160 cm, 47 1/4 x 63 in Edition of 10 plus 2 APs (#2/10) (IJ 167)
£ 20,000.00 (ex tax) |
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN Takadanobaba 8/10 2005 lambda print 147 x 119 cm, unframed $A $10,000 incl GST
Installation Materials: entire found objects of artists’ residency in Tokyo Exhibited: ‘Custom Living’, gbk, 2006 ‘Melbourne Art Fair’, 2006 Finalist, ‘ABN AMRO Emerging Artist Award’, 2006 ‘The Year in Art’, S. H. Ervin Gallery, Sydney, 2006 ‘The Best of Discovery’, SH Contemporary, Shanghai, 2008 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Collections: Artbank Artist Statement: Takadanobaba is the display of the entire contents of a cramped artist residency in the Tokyo precinct of the same name. This mass is the result of individuals caught up within the initial heady excitement of Tokyo's hyper-consumer society. Due to the steady cycle of each individual's short-term habitation of the space, the unwanted mementos just keep accumulating within the studio living space. Claire & Sean stacked the material dispossessions in some kind of order, creating space within the confinement. The question of whether these left behind items are of practical use for future residents remains: sword made of wood, a guitar left unstrung, old pornographic comics in Japanese, unused language books, things that did not make it to souvenir status became the detritus of a shifting space. Within the assorted trash lay more personalised objects: a Christmas tree, a baby's pillow, a broken answering machine with a stranger's messages, un-erasable. In the end, all these objects were turned into nothing more than a wall, a barricade, demarking a world created by forgotten objects. The detritus of habitation, part tourist, part nester. |
|
STEVEN CLAYDON Convolute 2012 formica, resin, bamboo fungus, ceramic, acrylic, brass, powder coated steel 169 x 40 x 40 cm / 66 ½ x 15 ¾ x 15 ¾ in unique HQ15-SC8850S Price: £25,000 GBP DETAIL VIEW |
|
HAROON MIRZA Cordova_UFO 2012 LED drivers, LEDs, active speaker, speaker stand, turntable amplifier,corrugated plastic, wire, bulldog clip 95 x 61 x 126 cm (Install dims); Component dims: stand: 107 x 9 cm; amp: 21 x 22 x 43 cm, speaker: 21 x 15 x 15 cm, corrugated plastic: 39 x 39 x 0.5 cm 37.4 x 24 x 49.6 in cm ed.unique MIRZ120019 |
|
PHILIPE DECRAUZAT BSBTE (Black Should Bleed To Edge) 2012 Acrylic on canvas 222 x 192 cm 87.4 x 75.6 in Unique piece PD12P24 Certificate signed by the artist EUR 21,000.00 |
|
IDRIS KHAN You and Only You 2012 White gesso and oil based ink on aluminum 237 x 200 cm, 93 1/4 x 78 3/4 in (IK 87)
£ 70,000.00 (ex tax) |
|
CLAIRE FONTAINE Foreigners everywhere (in hebrew and arabic) 2011 superposed neons 29x150cm edition of 5+2AP 30,000US$ |
|
MARY RAMSDEN Untitled 2013 Oil, acrylic on canvas 130 x 170 (PC23222)
GBP 7,000.00 + VAT
Mary Ramsden (Born in Yorkshire in 1984) practice is unapologetically painterly. Strategically refusing referential readings, she makes painted objects whose compositional unity belies the complexity of their making. In Ramsden’s work even the most subtle adjustment is generative. Each shift in palette, variation in scale, or nuance of mark effects an incremental development within a broader scheme of experimentation. Ramsden belongs to a group of young artists who over the last few years have come to prominence and share an aesthetic guided by the questioning of materials and the way in which painting and contemporary art describes its self to the audience.
Ramsden has been placed within several large collections of international repute including Saatchi, Zabludowicz ( both London) and Susan and Michael Hort collection, (New York). |
|
LUCA TREVISANI Dans une bouche où sa forme se meurt 2013 UV print on window insulation film 170 x 160 x 9 cm Unique piece Certificate signed by the artist LT 2013/009 EUR 9,000.00 |
|
THOMAS DEMAND Concannon #37 2011 Framed Pigment Print 106,3 x 159,6 cm 41 7/8 x 62 7/8 inches 123,8 x 177,1 cm (framed) 48 3/4 x 69 3/4 inches (framed) Edition 2/2 MSPM TDE 19677 EUR35,000.00 |
|
ANTONY GORMLEY Slump 2012 Cast iron 58 7/8 x 22 5/8 x 28 15/16 in. (149.5 x 57.5 x 73.5 cm) GBP 300,000.00 plus VAT DETAIL |
|
JIM LAMBIE Pin Number 1260 2012 White Acrylic on canvas, safety pins 191 x 160 x 3.8 cm TMI-LAMBJ-32711 |
|
PEDRO REYES Disarm (Xylophone V) 2013 Metal Approx dims. 45 x 35 x 30 cm REYE130050 USD 25,000 |
|
FRANCIS UPRITCHARD Balata Kneeling Black 2006 bronze 33.5 x 24 x 17 cm 2/2 £12,000 & VAT |
|
TOBY PATERSON Site of Resistance 2012 Acrylic on aluminium 100 x 100 x 2.3cm TMI-PATET-32673 |
|
VIK MUNIZ View of Rio de Janeiro from Niterói, after Marc Ferrez, from the series Pictures of Paper 2009 digital gelatin silver print (Silver Gelatin LE) ed 5/6 180 x 260 cm 24388 |
|
SHANNON EBNER RAW WAR 2004 chromogenic development print framed: 20 1/2 x 23 1/2 x 1 1/2 in |
|
GORAN PETERCOL Parallels 2013 graphite on paper 70 x 100 cm PETER/P 12 EUR 7,700.- |
|
SARAH LUCAS Sheela na gig 2012 concrete toilet, tights, fluff, wire, adobe bricks sculpture: 48 x 46 x 35.5 cm / 18.9 x 18.1 x 13.9 in unique HQ15-SL9035S / SL7140 120,000 GBP |
|
DANIEL SINSEL Untitled 2012 oil on linen, lead-crystal glass, nutshells 47.7 x 40.2 x 4 cm / 18 ¾ x 15 â…ž x 1 â… in unique HQ16-DS9229P TBA |
|
SHANNON EBNER Erratum cum Laude 2009 chromogenic print 24 x 19 inches |
|
IAN HAMILTON FINLAY Terror and Virtue c. 1985 Glazed ceramic Terror - 34.3 x 8.8 x 8.8 cm, 13 1/2 x 3 1/2 x 3 1/2 in, Virtue - 34.3 x 8.8 x 8.8 cm, 13 1/2 x 3 1/2 x 3 1/2 in (IHF 212)
£ 25,000.00 (ex tax) |
|
NICOLAS PARTY Landscape 2012 Hand-tufted rug 172 x 254 cm edition of 8 + 1 ap TMI-PARTN-32803
Nicolas has recently completed his second meal performance, Dinner for 24 Dogs, in New York. The project started last September as Dinner for 24 Elephants at the Modern Institute. He decorated plates and tables with his characteristic gestural patterns and made 24 stools for the guests to sit on - each one decorated to resemble an elephant. Working closely with a chef, he devised a menu of edible still lifes remeniscent of those that he depicts in his pencil drawings. In Miami we will be showing a selection of his framed watercolour lanscapes. Similar in size to his monochrome still lives, these new works were made by Nicolas when he returned home to Switzerland last summer. Images of these works can be seen on the following page. He has also recently worked with design curators Panel and the Edinburgh Dovecot weaving studios to create a bespoke hand-tufted rug. Through a close dialogue with the weaver he created a colourful landscape rendered in wool. Images of the piece can be provided on request. |
|
EVA ROTHSCHILD Sightings, Nasher Sculpture Center, Dallas, 20/10/2012—20/01/2013 INSTALLATION VIEW
In Miami Eva will be showing Good Times (Ghost), a wall-mounted tube piece in aluminium. Decorated in bands of muted colour, this body of work references the markings of snakes and the warnings they hold. Her solo exhibition Sightings opened at the Nasher Sculpture Center in Dallas in October. The major one-piece structure is made of the same striped aluminium tubing as Good Times (Ghost). In this incarnation the snake winds itself around the museums expansive foyer space, sliding over desks and between floors. As it continues its colours gradually shift through the spectrum, with the black stripe as the only constant. |
|
SAâDANE AFIF Et l'Eternité 2013 Paint on canvas, digital print on plexiglass 215 x 138 x 10 cm 84.65 x 54.33 x 3.94 in Unique piece SA 2013/002 Certificate signed by the artist EUR 40,000.00 |
|
JOAN BELMAR Corona mixed media framed 32"x30" $3000 |
|
JOHN A DOUGLAS Body Fluid II (redux) 2013 Handmade archival box set comprising 5 B&W fibre prints & 5 C-type prints Video documentation of live performance and video installation files in HD 1080p with sound Collaboraitve performance with David Capra Box: 43 x 43 x 8 cm Edition of 3 Price (including GST): $2,800 All prices are in $AUD INSTALLATION VIEW |
|
VIK MUNIZ Evening in the Woods, after Grandma Moses, from the series Pictures of pigment 2006 chromogenic print ed PA 3/4 127 x 100 cm US$ 39.000,00 24261 |
|
CLAIRE FONTAINE Foreigners everywhere (in hebrew and arabic) 2011 superposed neons 29x150cm edition of 5+2AP 30,000US$ DETAIL VIEW |
|
THOMAS DEMAND Hope #98 2011 Framed Pigment Print 106,3 x 159,6 cm 41 7/8 x 62 7/8 inches 123,8 x 177,1 cm (framed) 48 3/4 x 69 3/4 inches (framed) Edition 2/2 MSPM TDE 19680 EUR35,000.00 |
|
CHARLIE NUMBULMOORE Untitled (Wanjinas) c.1970 Natural earth pigments on cardboard 59 by 91 cm PROVENANCE Collected by Tom McCourt at Gibb River Station in the West Kimberley in 1970 Thence by descent Private collection, South Australia Deutscher and Hackett, Aboriginal + Oceanic Art, Melbourne, 14/10/2009, Lot No. 9 Private Collection LITERATURE McCourt, T., Aboriginal Artefacts, Rigby Press Australia, Adelaide, 1975, p. 48 (illus.) |
|
JITISH KALLAT Traumanama (The Cry of the Wild) 2011/2012 Mixed media on Indian handmade paper 134,6 x 94 cm | 52.99 x 37.01 in AU$ 28,000.00 |
|
LYNETTE DIADEM-BOAKYE Oyster 2012 Oil on canvas 180 x 100 cm, LYB12-21 £18,000 + vat |
|
VIK MUNIZ Pictures of Pigment: Achrome, after Piero Manzoni 2007 Chromogenic print ed 2/6 264 x 180 cm US$ 55.000,00 24327 |
|
A Language of Exposures, Wallspace, New York, 15 February – 23 March, 2013 INSTALLTION VIEW |
|
IMANTS TILLERS Trees in the studio garden 2012 acrylic, gouache on 54 canvasboards, no.91050 - 91103 228.6 × 213.4cm AU$ 75,000.00 |
|
MARCUS COATES Mayfly, Ephemeroptera (Subimago stage) Self Portrait, flour and water 2013 Archival Giclée Print mounted on Aluminium 172.7 x 121.9 cm, 68 x 48 in edition of 5 plus 1 artist's proofs (MC0166) £ 7,500.00 + Tax (unframed)
|
|
Hammer Museum, Los Angeles, 15 July – 09 October 2011 INSTALLATION VIEW |
|
THOMAS JEPPE Schoggi Vista R 2013 oil and enamel on canvas, steel, artist frame 160 x 125cm $5,500 |
|
NAOMI ELLER The Fates: Nona Ceramic 210 x 250 x 280 $2,500 |
|
YAYOI KUSAMA COSMIC SPACE HPPX 2010 Acrylic on Canvas 162 x 162 cm, 63 3/4 x 63 3/4 in (KUSA 645)
$ 300,000.00 (ex tax) |
|
DANIEL ARSHAM Seated moai outside of Rano Raraku quarry 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
GAIL HASTINGS Measuring the Missing 2013 (detail) watercolour and lead pencil on paper framed etc. 5 new works Prices to be determined but approx. $ 8,000.00 - $ 18,000.00
|
|
|
MONA HATOUM Shift 2012 Edition of 6 Wool 59 1/16 x 102 3/8 in. (150 x 260 cm) EUR 50,000.00 |
|
CLAIRE FONTAINE Tactical Entry: Regular Square/Rectangle Room with Two Entrances (#3.) 2012 acrylic and pencil on canvas 200x142x3cm 30,000US$ |
|
BHARTI KHER The Whale 2013 Bindis on painted board 115.5 x 115.5 x 7 cm / 45 1/2 x 45 1/2 x 2 3/4 inches each, 4 parts KHER 58843 EUR 240,000.00 excl. VAT |
|
PHILIP WOLFHAGEN Preparation for First Exaltation 2012 120 x 129 cm $28,000 |
|
VARDA CAIVANO Untitled 2011-2012 Oil and ink on canvas. 78 x 66 cm, 30 3/4 x 26 in (VC 192)
£ 14,500.00 (ex tax) |
|
LOT 135 BILLY THOMAS JOONGOORRA Gadabaliji Country 1997 synthetic polymer paint on canvas 48 x 36cm (18 7/8 x 14 3/16in). Estimate:
AU$ 1,500 - 2,500 £980 - 1,600 US$ 1,500 - 2,600
Footnotes PROVENANCE: Waringarri Aboriginal Arts, Kununurra, Western Australia Purchased from Framed Gallery, Darwin in July 1997 The Laverty Collection, Sydney
This painting is sold with accompanying Waringarri Aboriginal Arts documentation.
|
|
MARTIN BOYCE Untitled 2013 Jesmonite, steel, plywood and acrylic paint 24 x 18 x 2.76 inches; 61 x 45.7 x 7 cm (TBG 14988) GBP £12,000 **Text reads: "Strange Leaves" |
|
PETER DOIG Untitled 1999 Oil on paper Framed: 49.4 x 66.9 x 1.4 cm, 42 x 59.5 cm, 16 1/2 x 23 3/8 in (PD 409)
$ 110,000.00 (ex tax) |
|
JOHN A DOUGLAS Body Fluid II (redux) 2013 Handmade archival box set comprising 5 B&W fibre prints & 5 C-type prints Video documentation of live performance and video installation files in HD 1080p with sound Collaboraitve performance with David Capra Box: 43 x 43 x 8 cm Edition of 3 Price (including GST): $2,800 All prices are in $AUD |
|
MARK DION MMXII Western Hemlock, Tsuga Hetereophylla, Seattle 2011 wood, hemlock, glue 2 1/4 x 6 1/4 x 6 7/8 inches; 5.7 x 15.9 x 17.5 cm (TBG 13185) USD $18,000 DETAIL VIEW |
|
IVAN SEAL tinphee 2013 Oil on canvas 120 x 110 cm (IS541) £ 9,000.00 GBP ex VAT |
|
BILLY CHILDISH Man with Shadow 2012 oil and charcoal on linen 72.05 x 108.07 inches 183 x 274.5 cm LM16725 €37,500.00 EUR *Hoxton Pop-up |
|
YAYOI KUSAMA A Talk About Boundless Love, and All About Love 2009 Acrylic on canvas 162 x 162 cm, 63 3/4 x 63 3/4 in (KUSA 712)
$ 345,000.00 (ex tax) |
|
DANIEL ARSHAM Crystal Eroded Rollei ex Camera 2013 Crystal, shattered glass, hydrostone 15 x 11 x 11 cm / 6 x 4 1/4 x 4 1/4 inches Unique $8,500 AUD |
|
JULIAN OPIE At the studio with Ika 3. 2011 Inkjet on canvas with brass frame 250.3 x 136.5 cm 98.5 x 53.7 in ed.unique OPIE110059 |
|
ROSEMARIE TROCKEL As the weird woman promised 2005 Ceramics, glazed, plastic 26 x 21 x 13,5 cm ca. 8 kg 10 1/4 x 8 1/4 x 5 1/4 inches Edition 1/12 (+ 2 AP) in seven different colours MSPM RTR 20834 EUR 30.000,00 |
|
MONIKA SOSNOWSKA
Monika’s new sculpture Fir Tree has recently been unveiled in New York. The major Public Art Fund commission has been installed in Doris C Freedman Plaza on the edge of Central Park. The inverted 40-foot-tall steel stairway has been manipulated using heavy machinery into an approximation of an evergreen fir. At the edge of the park it marks the threshold between the built environment of midtown Manhattan and the natural landscape of Central Park. Images and details can be seen below and on the following . Monika’s solo exhibition will be the next to open in our Osborne St gallery. She has made four large new works for the show. |
|
JENNY HOLZER SELECTION FROM SURVIVAL: MEN DON'T PROTECT... 2006 Danby Imperial white marble footstool 17 x 23 x 15 3/4 inches 43.2 x 58.4 x 40 centimeters (JH974.5/10) HO.29796.5 |
|
BILLY CHILDISH Handmade Gate 2012 oil and charcoal on linen 72.05 x 108.07 inches 183 x 274.5 cm LM16658 €40,000.00 EUR *Frieze 2012 |
|
EUBENA NAMPITJIN Kunawarritji 2002 bears artist's name, dimensions, Warlayirti Artists catalogue number 204/02 and Alcaston Gallery catalogue number AK7716 verso synthetic polymer paint on canvas 120.5 x 81.0cm (47 7/16 x 31 7/8in). Estimate: AU$ 8,000 - 12,000 £4,700 - 7,000 US$ 7,200 - 11,000 Footnotes PROVENANCE Warlayirti Artists, Wirrimanu (Balgo Hills), Western Australia Alcaston Gallery, Melbourne Private collection
This painting is sold with accompanying Warlayirti Artists documentation that describes the area as the middle and upper stretches of the Canning Stock Route. Sandunes (tali) surround three rockholes (wilpa), Mitjil, Mintiguy and Mirrilin, in the centre of the painting. These rockholes were vital in supporting hunters as they traveled through this area and, as Eubena recalled, it was important practice to sing at the rockholes to ensure that the goannas kept returning for the next hunt. The white area in the bottom right hand corner of the painting represents a hill where the aerodrome of Kunawarritji is located. |
|
ELMGREEN & DRAGSET Civilised 2012 Bronze 195 x 160 x 70 cm, 76 3/4 x 63 x 27 1/2 in (ED 92)
£ 95,000.00 (ex tax) |
|
A Language of Exposures, Wallspace, New York, 15 February – 23 March, 2013 INSTALLTION VIEW |
|
YAYOI KUSAMA Night-Waves 2011 Acrylic on canvas 162 x 130 cm, 63 3/4 x 51 1/8 in (KUSA 748)
$ 285,000.00 (ex tax) |
|
JOAN JONAS Volcano Saga II, Performance Drawing 1987 Oil stick on paper 65 x 93.2 cm £12,500 / $18,500 USD + Vat WG/JJON00239 |
|
THOMAS DEMAND Beyer #34 2011 Framed Pigment Print 106,3 x 159,6 cm 41 7/8 x 62 7/8 inches 123,8 x 177,1 cm (framed) 48 3/4 x 69 3/4 inches (framed) Edition 2/2 MSPM TDE 19678 EUR35,000.00 |
|
TATE INSTALLATION VIEW |
|
MONIKA SOSNOWSKA Fir Tree 2012 TMI-SOSNM-29490 DETAIL |
|
HEALY & CORDEIRO, CLAIRE & SEAN Dust to dust 2008 pulverised IKEA LACK table, wood vitrine 50 x 50 x 120 cm, (each part, 3 parts) $A $21,000 incl GST
Exhibited: Manual, Galerie Gitte Weise, Berlin, 2008 Future Furnishings, Nature Morte Berlin, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: IKEA is a recurring presence in Claire Healy & Sean Cordeiro's work; the artists use its standardised forms not only as sculptural devices but also to highlight the increasing sameness of global society and the growing consumption of cheaply-made material goods. To create Dust to Dust the artists pulverised three coffee tables from a low-priced IKEA furniture range in their Berlin living room. While the tables are completely unrecognisable, on close inspection tiny flecks of colour, the remains of their formally smooth MDF surfaces, can be seen in the circular mounds of sawdust. By presenting the destroyed tables as pseudo-historical artefacts the artists invite us to imagine our enduring legacy on the planet. |
|
KEN WHISSON Ganderland Rome 2000 crayon on paper 32.0 x 44.5 cm inscribed and dated verso: Ganderland Rome 30\8\00/ staedler crayons Provenance: Niagara Galleries, Melbourne (label attached verso) Private collection, Melbourne Estimate: $1,600 - 2,400 |
|
TRACEY EMIN Its Over 2012 Gouache on paper 9 13/16 x 9 13/16 in. (25 x 25 cm) JJ47028 GBP 14,000.00 |
|
TRACEY EMIN Suffer Love 25 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46976 GBP 10,000.00 |
|
BENJAMIN ARMSTRONG Janus 2013 Plaster, wood, aluminium and encaustic 82 x 50.5 x 44 cm AUD $8,800.00 inc GST Front view (Not exhibited) |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
Stieg Persson More joyous 2012 51 x 46 cm, oil on linen
|
|
ANALIA SABAN Kitchen Sink 2012 White glass on linen 26 x 52" (TBG 14442) Price: $22,000 |
|
TRACEY EMIN Suffer Love 36 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46980 |
|
THOMAS DEMAND Wood #12, Wood #15 2011 Set of 2 Framed Pigment Prints je 135 x 90 cm 53 1/8 x 35 3/8 inches each je 151 x 106,1 x 6 cm (framed) 59 1/2 x 41 3/4 x 2 3/8 inches each (framed) Edition 2/2 MSPM TDE 19695 EUR50,000.00 |
|
JOHN KORNER Morten 2008 Acrylic on canvas 150 x 120 cm, 59 1/8 x 47 1/4 in (JK 60)
£ 15,000.00 (ex tax) |
|
TRACEY EMIN Like it should Feel Good 2012 Embroidered cotton 57 7/8 x 81 7/8 in. (147 x 208 cm) JJ34922 GBP 120,000.00 |
|
THOMAS SCHEIBITZ Radio Vase 2013 Pappe, epoxy, montiert 165 x 206 x 11 cm 65 x 81 x 4 1/4 inches MSPM TSC 21257 EUR45,000.00 |
|
Hammer Museum, Los Angeles, 15 July – 09 October 2011 INSTALLATION VIEW |
|
RACHEL WHITEREAD Untitled 2005 Collage and gouache on watercolour paper 15.2 x 10.5 cm / 6 x 4.1 inches (R001530) |
|
MONIKA SOSNOWSKA Balustrade 2012 Painted steel 300 x 210 x 130cm TMI-SOSNM-31866 |
|
JR Inside Out Sculpture #1 2012 Aluminium, paint / Aluminium, peinture 47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm Unique (#23460 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
DANIEL ARSHAM Hanga Roa’s main street 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
VIK MUNIZ Pictures of Pigment: Green Target, after Jasper Johns 2008 chromogenic print ed 4/6 105 x 100 cm US$ 39.000,00 24256 |
|
LORIS CHECCHINI Sinapsis paradigms and Micrologies I 2012 self-producted welded steel modules 90 x 60 x 45 cm 15.000 € + VAT |
|
ANDY WARHOL Self Portrait 1977 Polaroid photograph 10.8 x 8.26 cm 30.000 USD |
|
JULIAN MEAGHER Gin Act 1751 2013 Oil on linen 137 x 182 cm Price (including GST): $11,000 All prices are in $AUD |
|
PHILIP WOLFHAGEN Preparation for Fifth Exaltation 2012 120 x 129 cm $28,000
|
|
DETAILS VIEW |
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN Par Avion 2011 70 cut pieces from a Cessna 172 airplane, gaffa tape $A $77,000 incl GST
Exhibited: Par Avion, Frey Norris Contemporary and Modern, San Francisco, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: Claire Healy & Sean Cordeiro acquired a small Cesna airplane from a scrap airplane merchant in Roma, Australia, and then deconstructed the entire body by cutting it into small pieces and applying postage stamps directly to the surface of each article. These parcels were then sent by air freight to Gallery Frey Norris, San Francisco, before being relabelled and returned to Australia for their survey exhibition at the Museum of Contemporary Art Australia, Sydney. Par Avion, or Airmail, is French and the phrase often appears on a sticker or label indicating a letter should be sent by air. Healy & Cordeiro think that it is apt that such postal etiquette should be placed upon the small parcels that once comprised a vehicle of air travel. The wreckage of the plane that no longer has the capability of flying has been given new means of movement. The speed, maneuverability and size were once the distinguishing features of the aircraft but these have now been stripped away, and the object of these qualities arranged as isolated components. The method of delivery may bring some order out of disorder or lay to rest some of the intrinsic purposes of the original airborne machine. |
|
LOT 50 JOHN MAWURNDJUL Mardayin Ceremony 1999 bears artist's name, Maningrida Arts & Culture catalogue number 19951999BP, title and a description of the story depicted on Maningrida Arts & Culture certificate and similar information on a Maningrida Arts & Culture label and on an Annandale Galleries label on the reverse natural earth pigments on eucalyptus bark 153 x 88cm (60 1/4 x 34 5/8in). Estimate:
AU$ 50,000 - 70,000 £33,000 - 46,000 US$ 52,000 - 72,000
Footnotes PROVENANCE: Maningrida Arts & Culture, Maningrida, Northern Territory Purchased from Annandale Galleries, Sydney in September 1999 The Laverty Collection, Sydney
EXHIBITED: John Mawurndjul, Annandale Galleries, Sydney, 10 August - 4 September, 1999 12th Biennale of Sydney 2000, Museum of Contemporary Art, Sydney, 26 May - 30 July 2000 Ngurra Kutu: Going Home, Yiribana Gallery at the Art Gallery of New South Wales, Sydney, September 2001 - June 2002 rarrk - John Mawurndul : Journey Through Time in Northern Australia, Museum Tinguely, Basel, Switzerland, 21 September 2005 - 29 January 2006; Sprengel Museum, Hannover, Germany, 19 February - 5 June 2006 Mumeka to Milmilngkan - Innovation in Kurulk Art, Drill Hall Gallery, Australian National University, Canberra, 2 November - 17 December 2006, cat. no. 30 John Mawurndjul Survey 1979 - 2009, Drill Hall Gallery, Australian National University, Canberra, 16 April - 24 May 2009, cat. no. 16
LITERATURE: Ewen McDonald (ed.), 12th Biennale of Sydney 2000, exh. cat. Sydney: Biennale of Sydney, 2000, p.77 (illus.), p.221 Benjamin Genocchio, 'Greatest hits earns modern merit', Arts Review, The Weekend Australian, 10 - 11 June 2000, p.23 (illus.) Art Monthly Australia, August 2000, p.40 (illus.) Ron Ramsey and Deborah Hart, 'The Laverty Collection - an interview with Colin & Liz Laverty', Artonview, National Gallery of Australia magazine, summer 2003 - 2004, illustrated p.43 (illus.) Howard Morphy, Becoming Art: Exploring Cross-Cultural Categories, Oxford; New York: Berg, 2007, p.165 (illus.) Christian Kaufmann et al., rarrk - John Mawurndul: Journey Through Time in Northern Australia, exh. cat. Belair, South Australia: Crawford House Publishing Australia, 2005, p.135 (illus.), p.228 Jon C. Altman and Apolline Kohen, Mumeka to Milmilngkan - Innovation in Kurulk Art, exh. cat. Canberra: Drill Hall Gallery, 2006, cat. no. 30, pl.11, p.39 (illus.), p.62 Colin Laverty and Elizabeth Laverty et al., Beyond Sacred: Recent Painting from Australia's Remote Aboriginal Communities - the collection of Colin and Elizabeth Laverty, Melbourne: Hardie Grant Books, 2008, pp.278-279 & p.280 (illus.) Art Monthly, May 2009, (image rotated horizontally, incorectly titled and incorrectly attributed to the collection of Bill and Ann Gregory; corrected in June issue, p.80). Apolline Kohen, John Mawurndjul Survey 1979 - 2009, exh. cat. Canberra: ANU Drill Hall Gallery, 2009, pl.10, cat. no. 16, cat. cover [illus. (detail)] and p.18 (illus.) Claus Volkenandt and Christian Kaufmann (eds.), Between Indigenous Australia and Europe-John Mawurndjul, Canberra: Aboriginal Studies Press, 2009, p.99 (illus.) and plate XIX, page not numbered (illus.) 'Maningrida on Show', Australian Aboriginal Art magazine, issue 2, June/July/August 2009, p.144 (illus.) Colin Laverty and Elizabeth Laverty et al., Beyond Sacred: Australian Aboriginal Art - the collection of Colin and Elizabeth Laverty, Edition II, Melbourne: Kleimeyer Industries, 2011, p.313 (illus.)
This work is a masterful representation of the Mardayin themes that Mawurndjul started to depict in the late 1990s. The powerful and dynamic composition, the fine execution of intricate rarrk (crosshatching) and the fact that this painting was created in 1999 at a pivotal time in Mawurndjul's career in terms of creativity and public recognition explain why this particular work has been widely exhibited and illustrated in many catalogues.
Apolline Kohen |
|
ALICE NEEL Richard Gibbs 1965 Oil on canvas 96.5 x 86.4 cm, 38 x 34 in (AN 80)
$ 400,000.00 (ex tax) |
|
RODNEY GRAHAM Gary Oak, Galiano Island 2012 Transmounted C-print Edition of 3 + AP 190.5 x 238.8 cm / 75 x 94 inches GRAHR56037 USD 180,000.00 (excl. VAT) |
|
DAMIEN HIRST Triazolam 1995 Gloss household paint on canvas 39 x 19 1/2 in. (99 x 49.5 cm) (1 in. spots) 375,000.00 GBP
|
|
DANIEL ARSHAM Crystal Eroded Microphone 2013 Crystal, shattered glass, hydrostone 28 x 15 x 15 cm / 11 x 6 x 6 inches Unique $10,800 AUD |
|
KATJA STRUNZ Zeittraum # 10 2003-2012 Wood, metal, paint Dimensions variable TMI-STRUK-32434
Installation at The Imminence of Poetics, 30th São Paulo Biennial (Group, 07/09–09/12/2012) In Miami we will be showing a series of Katja’s collages originally presented in her third solo exhibition at The Modern Institute in July this year, Dynamic Fatigue Test. Images of these works and others from the show can be seen below. Katja is currently showing a series of works in the 30th Sao Paulo Bienal, The Imminence of Poetics. Her piece Zeittraum # 10, which is made of 40 of her characteristic angular constructions collected from over 10 years of practice, is installed directly at the bottom of the main ramp in the Neimayer-designed Bienal building. She is also showing Sound of the Pregeomatic Age - a selection of haphazard instruments that was originally shown in her solo exhibition at the Whitechapel gallery. |
|
UTA BARTH Field # 18 1996 Color photograph on panel 23 x 28 3/4 inches; 58.4 x 73 cm Edition of 8 Edition 8 of 8 (TBG 13377.8) $20,000 |
|
JR Inside Out Sculpture #1 2012 Aluminium, paint / Aluminium, peinture 47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm Unique (#23460 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
ERNESTO NETO |
|
YAYOI KUSAMA INFINITY-NETS [HPWSB] 2012 Acrylic on canvas 162 x 130.3 cm, 63 3/4 x 51 1/4 in (KUSA 877) $ 285,000.00 (excluding tax)
|
|
MARTIN BOYCE The After and the Always 2012 Painted steel, rust and clear lacquer 159 x 70 x 70cm (TBG 14436) GBP £35,000 |
|
DANIEL ARSHAM Fire station 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
BILLY CHILDISH Frozen Estuary - Oyster Smack, Caroline, 1947 2012 oil and charcoal on linen 48.03 x 31.89 inches 122 x 81 cm LM16712 €14,000.00 EUR *Hoxton Pop-up
|
|
WILLIAM MACKINNON Studio days I 2012-13 oil on linen 37 x 43cm $2,500 AUD / $3,250 SGD |
|
JEFF WALL Hillside near Ragusa 2007 Colour photograph, Edition 2 of 3 234 x 306 x 5 cm (R001637) |
|
JOAN MITCHELL Untitled 1980 Pastel on paper 45.7 x 30.5 cm / 18 x 12 inches MITCH40498 USD 150,000.00 |
|
TRACEY EMIN Suffer love 40 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46977 GBP 10,000.00 |
|
TRACEY EMIN It Happened to Me Again 2007 Embroidered cotton 71 7/8 x 55 7/8 in. (182.5 x 141.9 cm) JJ29555 GBP 120,000.00 |
|
TOM FRIEDMAN Untitled (Looking Up) 2012 Stainless steel and paper 85 x 19 x 15.2cm (33 1/2 x 7 1/2 x 6in) Edition 1 of 3 + 2 APs FRIE 218 $95,000 DETAIL VIEW |
|
SANDRA CINTO Untitled 2013 acrylic on canvas 24 x 20 inches; 61 x 50.8 cm signed and dated verso (TBG 14639) USD $18,000 |
|
ANGELIKA KRINZINGER Ambras # 5 2013 c-print on aluminium 25 x 35cm KRI/F 170 EUR 1,500.- |
|
GRAYSON PERRY The Adoration of the Cage Fighters 2012 Wool, cotton, acrylic, polyester and silk tapestry 200 x 400 cm, 78 3/4 x 157 1/2 in Edition of 6 plus 2 APs (#2/6) (GP 358)
£ 55,000.00 (ex tax) |
|
TRACEY EMIN Suffer Love 28 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46981 |
|
LEE BUL Sleeplessness 2011 india ink, acrylic on paper 17.91 x 12.01 inches 45.5 x 30.5 cm 24.02 x 18.11 inches (framed) 61 x 46 cm LM17466 $10,000.00 |
|
J. Ariadhitya PRAMUHENDRA The Four Thinkers 2012 Charcoal on canvas / Fusain sur toile 6.2 x 9.10 feet / 190 x 300 cm Unique (#23537 Location: Singapour) $28,000 (20 265 €) Tax included |
|
animal nature, 2013 25 mm corten steel 216 x 348 x 216 cm Edition of 3 (1/3) + 1 AP $ 200.000,00 (VAT not included) |
|
CLAIRE FONTAINE Tactical Entry: Regular Square/Rectangle Room with Two Entrances (#9.) 2012 acrylic and pencil on canvas 200x142x3cm 30,000US$ |
|
TOM FRIEDMAN Untitled (Green Balloon with Skeleton) 2012 Styrofoam, paint and string 322.6 x 64.8 x 118.1cm (127 x 25 1/2 x 46 1/2in) FRIE 208 $200,000 DETAIL VIEW |
|
TRACEY EMIN Sex 27 25-11-07 Sydney 2007 watercolor on paper 8.27 x 11.69 inches 21 x 29.7 cm LM16157 £14,000.00 |
|
btw us, 2012 2 photographs, 2 ceramic pots with plants (Kalanchoe tomentosa and Aloe variegata) Diptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 28.000,00 (VAT not included) |
|
VIK MUNIZ Rebus: Death of Loyalist Militiaman Frederico Borrell Garcia, After Robert Capa 2004 dye destruction ed 5/6 100 x 135 cm US$ 39.000,00 23848 |
|
CARO NIEDERER Untitled 1987 Oil on canvas 140 x 100 cm / 55 1/8 x 39 3/8 inches NIEDE40558 USD 35,000.00 |
|
GORAN PETERCOL Symmetries 2013 graphite on paper 70 x 100 cm PETER/P 13 EUR 7,700.- |
|
JOHN NIXON Silver Monochrome 2006 enamel and wood on MDF 60 x 91 cm $9,000 |
|
KATJA STRUNZ Zeittraum # 10 2003-2012 Wood, metal, paint Dimensions variable TMI-STRUK-32434 |
|
SHILPA GUPTA Untitled (Thread) 2012 Single channel video projection 3min 42 sec loop 47 x 26 cm 13,000US$ |
|
JR Inside Out Sculpture #1 2012 Aluminium, paint / Aluminium, peinture 47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm Unique (#23460 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
LORIS CHECCHINI Sinapsis paradigms and Micrologies II 2012 self-producted welded steel modules 120 x 70 x 45 cm 18.000 € + VAT |
|
JOHN A DOUGLAS Body Fluid II (redux) 2013 Handmade archival box set comprising 5 B&W fibre prints & 5 C-type prints Video documentation of live performance and video installation files in HD 1080p with sound Collaboraitve performance with David Capra Box: 43 x 43 x 8 cm Edition of 3 Price (including GST): $2,800 All prices are in $AUD INSTALLATION VIEW |
|
NAT THOMAS Puppy 50cm (length) x 25cm (depth) x 39cm (height) plaster, shells, adhesive 2012 $2800 |
|
EDDIE PEAKE Grrrl 2012 Paint on polished stainless steel 100 x 70 cm / 39.4 x 27.6 inches (R002002) |
|
my hand my ear my time, 2013 2 photographs, ceramic pot with plant (Adiantum Fritz Luthi) Diptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 28.000,00 (VAT not included) |
|
TRACEY EMIN You Loved Me Like a Distant Star 2012 neon 58 x 65 inches 147.3 x 165.1 cm Edition 1 of 3, 2 AP LM16899 £65,000.00 |
|
KADER ATTIA Repaired broken mirror #4 2013 mirror 120 x 80 cm EUR60,000 |
|
THOMAS ZIPP A.B.: Boiling 2013 acrylic and oil on canvas 185 x 155 x 3.5 cm ZIP/M 26 EUR 46,000.- |
|
JOHN NIXON Silver Monochrome 2005 enamel and large wooden blocks on MDF 60 x 47 cm $9,000 |
|
GRAYSON PERRY The Gardens of East Dean 2002-2012 Glazed ceramic Height: 49cm, Diameter: 28cm (GP 371)
£ 70,000.00 (ex tax) |
|
CARLOS BUNGA Fragmento #4 2011 Cartón, pintura, madera / Cardboard, paint, wood 15 x 33 x 33 cm 10.500,00 € (IVA no incluido / Taxes not included) |
|
EDDIE PEAKE Widow 9 2012 Spray painting on canvas 200 x 200 cm / 78.7 x 78.7 inches (R002100) |
|
HENRY MOORE Drawing for Sculpture: Reclining Figures c. 1938 Pencil and chalk on paper 27.8 x 37.8 cm / 11 x 14 7/8 inches MOORE43559 USD 98,000.00 |
|
Hammer Museum, Los Angeles, 15 July – 09 October 2011 INSTALLATION VIEW |
|
FLORIAN PUMHOSL Relief (Sutnar) 2010 Wall vitrine, edition of Daumier mluví knám Statni graficka skola Praha 1935. Soukrome tisky Statni graficke skoly no.3, cover and typo by Ladislav Sutnar text by Jaromir Pecirka. 23 pp., orig. wrappers 4° and Nohejl Miloslav SvÄ›t nic neví Druzstevni prace DP Praha1934 typo, binding and photomontage by Ladislav Sutnar 280 pp., orig.all-cloth binding 8° 120 x 90 x 10 cm 47.2 x 35.4 x 3.9 in PUMH100002 |
|
JAKE AND DINOS CHAPMAN One Day You Will No Longer Be Loved (that it should come to this...) II 2010 Oil on canvas 24 x 20 1/16 x 0 13/16 in. (61 x 51 x 2 cm) 70,000.00 GBP
|
|
MARC QUINN silver 87 x 51 x23 cm ed 7 £ 180,000
|
|
DANIEL ARSHAM Rapa Nui dancers 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
JOHN NIXON Silver Monochrome 2005 enamel and ceramic tiles on MDF 46 x 61 cm $9,000 |
|
KATJA STRUNZ Bending Moment 2012 Clock hand, clock face Clockhand 3 parts, 113 x 9.3 x 2.4 cm, 152 x 9.3 x 2.4 cm, 112 x 9.3 x 2.4 cm, Clock face 88 x 143 x 33 cm TMI-STRUK-32190 |
|
PEGGY PREHEIM Our Glass 2011 pencil and banknote fragments on paper 27 1/4 x 35 inches; 69.2 x 89 cm (framed) 22 x 30 inches; 55.9 x 76.2 cm (unframed) (TBG 13741) $8,200 plus framing |
|
CARLOS BUNGA Dos fragmentos suspendidos 2013 Cartón maché, pintura, cuerda / Mache cardboard, paint, cord 21,5 x 16 x 16 / 27 x 10 x 4 10.500,00 US$ (IVA no incluido / Taxes not included)
|
|
STEPHEN WILLATS Democratic Grid No. 12 February 1992 Poster paint, pencil, Letraset text on paper 84 x 114 cm, 33 1/8 x 44 7/8 in (SW 38)
£ 12,000.00 (ex tax) |
|
ERNESTO NETO |
|
LUCA TREVISANI You gotta yell in the woods to hear its echo 2013 hand-colored MDF, 100 pieces variable Dimensions Unique piece Certificate signed by the artist LT 2013/010 EUR 10,000.00 |
|
DANIEL ARSHAM SNARKITECTURE Shelf 2012 Lacquered wood, berglass, steel clip 30,5 x 121,9 cm / 12 x 48 inches - $2,500 AUD 30,5 x 91,4 cm / 9 x 36 inches - $1,500 AUD 22,9 x 60,9 cm / 6 x 24 inches - $900 AUD 20,3 x 60,9 cm / 9 x 24 inches - $800 AUD |
|
PIETRO RUFFO U.K. Spring 2012 Gesso, acrylic and cutouts on paper 82.5 x 63 x 10 cm / 32.5 x 24.8 x 3.9 inches (R002100) |
|
TONY SWAIN Untitled 2012 Acrylic on pieced newspaper 68 x 61 cm unframed, 88 x 81 x 3.5 cm framed TMI-SWAIT-31739
In Miami this year we will be showing a series of Tony’s paintings on newspaper. Using the images and graphics found on the sheets to provide him with the starting point for each painting, these elements are ultimately incorporated, adapted or obliterated by their inclusion in Swain’s imagined landscapes and abstracts. Images of these works can be seen on the following pages. A monograph of Tony’s exhibition at the Fruitmarket gallery in Edinburgh, Drowned Dust, Sudden Word will be available at the fair. |
|
ANGEL OTERO Trophies 2010 trophies, oil skins, wood, spray paint 55 x 47.5 x 9 inches 139.7 x 120.7 x 22.9 cm LM13917 $25,000.00 |
|
DANIEL ARSHAM Crystal Eroded Film Reel 2013 Crystal, shattered glass, hydrostone 25,5 x 25,5 x 2,5 cm / 10 x 10 x 1 inches Unique $7,500 AUD |
|
VIK MUNIZ Pictures of pigment: Mist, after Caspar David Friedrich 2007 chromogenic print ed 2/6 102 x 160 cm US$ 39.000,00 23702 |
|
SHILPA GUPTA 1:129.4 2012 Thread wound on two nails 127x3.8 cm etched brass plate 2.5x14 cm Edition of 3 20,000US$ |
|
GABRIEL OROZCO Monet's Waterlilies 2011 Pigment ink and acrylic on canvas 34 1/2 x 36 1/2 in. (87.63 x 92.71 cm) [13471] $ 350,000.00 |
|
JOSIAH MCELHENY The Geometric Body (after Cardin) 2012 Steel, wood, low iron glass, hand blown and carved glass 64 3/4 x 32 1/2 x 20 1/2 in. (164.5 x 82.6 x 52.1 cm) 90,000.00 USD
|
|
STEPHEN WILLATS An Endless Sequence of Perceptual Frameworks 2008 Ink, water colour, Letraset text on paper 137 x 67 cm, 54 x 26 3/8 in (SW 185)
£ 18,000.00 (ex tax) |
|
MARY HEILMANN Matisse 1989 Oil on canvas 137.2 x 137.2 cm / 54 x 54 inches HEILM51691 USD 180,000.00 (excl. VAT) |
|
TRACEY EMIN Suffer Love 39 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46978 |
|
JOSEPH KOSUTH ‚Titled [Art as Idea (as Idea)]‘ [Language] 1966 Photographic enlargement of dictionary definition (English) 120 x 120 cm MSPM JKO 03036 EUR140,000.00 |
|
TONY SWAIN Tariff of fir 2012 Acrylic on pieced newspaper 46 x 23 cm unframed, 64.5 x 41 x 3.5 cm framed TMI-SWAIT-31684 |
|
THOMAS STRUTH Paradise 14 Yakushima/Japan 1999 Chromogenic print 72 1/8 x 87 in. (183.2 x 221 cm) Edition of 10 [S/6691] € 80,000.00 |
|
MICHAEL RAEDECKER supply 2011 Acrylic and thread on canvas 118 x 102 cm / 46 1/2 x 40 1/8 inches RAEDE51155 USD 100,000.00 |
|
ALEC MINGELMANGANU Untitled (Wanjina) Natural earth pigments and natural binders on bark 66.5 by 35.2cm irregular PROVENANCE Stanley & Co., Fine Australian, Aboriginal & International Art, Sydney, 24/10/2004, Lot No. 79 Private collection, Sydney |
|
BRENDAN VAN HEK Untitled (#7 tangerine) 2011 Neon, steel Two parts, each 110 x 103 x 49 cm $10,000 |
|
OTTO PIENE Struwwelpeter 2 1990/1991 Oil on canvas 200 x 200 cm | 78.74 x 78.74 in # PIEN0005
€ 300.000,00
The ZERO Group, celebrated worldwide in museums and collections with planned shows at Grand Palais Paris, Solomon R. Guggenheim Museum NYC, and Stedelijk Museum in Amsterdam from spring 2013 to 2015, has been founded by Otto Piene and Heinz Mack (and Günther Uecker) in 1958, with the goal of revolutionising post-war art, leaving received principles of art behind. From now, light and movement was the central point of their art. What had begun in Düsseldorf, Germany, would develop in less than a decade into one of the most significant avant-garde movements of the 20th century. When ZERO disbanded in 1966, the group had collaborated with a wide range of artist – such as Lucio Fontana, Yves Klein, Piero Manzoni, Jean Tinguely and Yayoi Kusama. After more than half a century of ZERO, the group is once again becoming a centre of public attention; therefore it was only a matter of time that the three exceptional artists Otto Piene, Heinz Mack and Günther Uecker would equalise with the wider circle of ZERO members on the international art landscape and market. |
|
PEGGY PREHEIM Our Glass 2011 pencil and banknote fragments on paper 27 1/4 x 35 inches; 69.2 x 89 cm (framed) 22 x 30 inches; 55.9 x 76.2 cm (unframed) (TBG 13741) $8,200 plus framing
DETAILS VIEW |
|
|
FRANCESCA WOODMAN From Angel Series, Rome 1977-1978 (I.171) Gelatin silver estate print 25.4 x 20.3 cm, 10 x 8 in Edition 6/40 (FW 82)
$ 4,500.00 (ex tax) |
|
TRACEY EMIN Suffer Love 33 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46982 |
|
THOMAS SCHEIBITZ Verstärker 2013 Oil, vinyl, pigment marker on canvas 290 x 195 cm 114 1/8 x 76 3/4 inches MSPM TSC 21254 EUR80,000.00 |
|
BENJAMIN ARMSTRONG Couple 2013 Plaster, wood, aluminium and encaustic 87.5 x 50.5 x 45.5 cm 87 x 50.5 x 48 cm AUD $18,000.00 inc GST Front view |
|
PIETRO RUFFO Small World Spring 2012 Gesso, acrylic and cutouts on paper 85 x 110 x 10 cm / 33.5 x 43.3 x 3.9 inches (R002101) |
|
HEALY & CORDEIRO, CLAIRE & SEAN Takadanobaba 8/10 2005 lambda print 147 x 119 cm, unframed $A $10,000 incl GST
Provenance/ Story/ Additional Notes
Installation Materials: entire found objects of artists’ residency in Tokyo Exhibited: ‘Custom Living’, gbk, 2006 ‘Melbourne Art Fair’, 2006 Finalist, ‘ABN AMRO Emerging Artist Award’, 2006 ‘The Year in Art’, S. H. Ervin Gallery, Sydney, 2006 ‘The Best of Discovery’, SH Contemporary, Shanghai, 2008 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Collections: Artbank Artist Statement: Takadanobaba is the display of the entire contents of a cramped artist residency in the Tokyo precinct of the same name. This mass is the result of individuals caught up within the initial heady excitement of Tokyo's hyper-consumer society. Due to the steady cycle of each individual's short-term habitation of the space, the unwanted mementos just keep accumulating within the studio living space. Claire & Sean stacked the material dispossessions in some kind of order, creating space within the confinement. The question of whether these left behind items are of practical use for future residents remains: sword made of wood, a guitar left unstrung, old pornographic comics in Japanese, unused language books, things that did not make it to souvenir status became the detritus of a shifting space. Within the assorted trash lay more personalised objects: a Christmas tree, a baby's pillow, a broken answering machine with a stranger's messages, un-erasable. In the end, all these objects were turned into nothing more than a wall, a barricade, demarking a world created by forgotten objects. The detritus of habitation, part tourist, part nester. |
|
JR Inside Out Sculpture #1 2012 Aluminium, paint / Aluminium, peinture 47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm Unique (#23460 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
HAYLEY TOMPKINS Spoon II 2012 Found object, watercolour 2 x 14.4 x 3.1 cm TMI-TOMPH-32389
In Miami Hayley will be presenting a devised room of her works. These include a selection of sculptural collages and her painted plastic trays. There will also be a number of furniture pieces. Many of these works were shown in her recent solo exhibition at Cairn projects in Fife. She is currently showing in the the 30th Sao Paulo Bienal, The Imminence of Poetics. We are pleased to announce that Hayley will be representing Scotland at the Venice Biennale in 2013. |
|
MAGNUS PLESSEN Ohne Titel (Kerze) (Untitled [Candle]) 2012 Oil and charcoal on canvas 70 7/8 x 55 1/8 in. (180 x 140 cm) 105,000.00 EUR
|
|
PETER LIVERSIDGE Hello 2012 58 light bulbs, powder coated steel, motion sensor 53.5 x 267.9 x 18 cm £27,000 |
|
SHANNON EBNER The Man in the White Hat Dropped It 2013 18 framed Epson prints each print: 76.2 x 109.2 cm / 30 x 43 in edition of 5 + 2 AP DETAIL VIEW |
|
FRANCESCA WOODMAN Depth of Field, Providence, Rhode Island 1975-1978 (P.80) Gelatin silver estate print 25.4 x 20.3 cm, 10 x 8 in (FW 115)
$ 4,500.00 (ex tax) |
|
TOM FRIEDMAN Untitled (Black Ball) 2012 Styrofoam and flock 15.2 x 15.2 x 15.2cm (6 x 6 x 6in) FRIE 219 $95,000
|
|
PEGGY PREHEIM Our Glass 2011 pencil and banknote fragments on paper 27 1/4 x 35 inches; 69.2 x 89 cm (framed) 22 x 30 inches; 55.9 x 76.2 cm (unframed) (TBG 13741) $8,200 plus framing
DETAILS VIEW |
|
DANIEL ARSHAM St. Peter protecting the fishermen 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
LAWRENCE WEINER Logs Bound Together 1991 Language & the materials referred to Dimensions variable WEIN910001 |
|
HEINZ MACK Untitled 1966 Light relief with large and small wing Aluminum, wood, stainless steel, plexi glass 163 x 103 x 12 cm # MACK0025
€ 288.889 |
|
ERNESTO NETO |
|
MARC QUINN silver wcube 87 x 51 x23 cm ed 7 £ 180,000 INSTALLATION VIEW |
|
ANTONY GORMLEY MEME CCIV 2011 cast iron 9 x 8.5 x 16,7 cm Unqiue Work 30.000 GBP + vat
|
|
HAYLEY TOMPKINS No Title 2012 Glass bottle, coloured liquid, rainbow fabric, light bulb, postcard and wooden shelf 38 x 12.5 x 17.5 cm TMI-TOMPH-32395 |
|
J. Ariadhitya PRAMUHENDRA Theater of God 2012 Charcoal on canvas / Fusain sur toile 6.2 feet x 26.2 feet x 2 inches / 190 x 800 x 5cm Unique (#23589 Location: Singapour) $82,500 (59 709 €) Tax included
" Theater of God "
Discussion and debates on science and religion often occurs along with the development of human civilization. In this series I want to express and question that based on my daily experiences and my understanding on the subject.
What is the right science? What is the right religion?
In "Theater of God" I want to imagine the atmosphere of Mass at the church -with the main focus at the altar- that is symbolized into the form of scie nce. I put an operating room in the middle, like what doctors and scientists do when they want to explore and learn about things happen inside human body through dissection. This practice used to be done in amphitheaters.
In this current work, the role of doctors and nurses are changed into priests and nuns who seem as if they're praying to a figure who is been dissected or operated. Like a doctor who wants to find out the cause of illness in a patient's body through dissecting it, so does a priest who searches faith or even God inside the human body itself.
In this work, there are 7 people ( 3 priests and 4 nuns). This refers to catholic dogma on certain contexts where church uses the number 7, such as 7 sacraments and 7 sins of mankind. Similarly with this work I take the context of : "Seven Deadly Sins". The currently recognized version of these sins are wrath, greed, gluttony, sloth, pride, envy and lust.
This is an illustration on sinners who ar e trying to find their God through science.
"Christ is within us" , "God is within us" , "God is us". There are lots of terms which say that God is inside us. Symbolically, I want to reveal those searches as how science try to find illness inside the human body through dissection.
The presence of the intelligent people surrounding the priests and the nuns seem as if they are watching and questioning the validity of the actions of the perpetrators of the ritual.
" Science without religion is lame. Religion without science is blind " - Einstein
Thus the explanation of the concept of the work which is the headline of this exhibition. I hope this can enlighten you on understanding my work. |
|
MARK DION MMXII Western Hemlock, Tsuga Hetereophylla, Seattle 2011 wood, hemlock, glue 2 1/4 x 6 1/4 x 6 7/8 inches; 5.7 x 15.9 x 17.5 cm (TBG 13185) USD $18,000 DETAIL VIEW |
|
FRANCESCA WOODMAN Splatter Paint, Rome 1977-1978 (I.136) Gelatin silver estate print 25.4 x 20.3 cm, 10 x 8 in (FW 124)
$ 4,500.00 (ex tax) |
|
MARC QUINN Flesh Painting (On Sensualism) 2012 Oil on canvas 66 9/16 x 100 3/16 in. (169 x 254.5 cm) 140,000.00 GBP
|
|
HANS-PEPTER FELDMANN One Pound Strawberries 2007 34 c-prints each 10x10cm 13,000US$ |
|
JULIAN MEAGHER Ronald Deeman 2013 Oil on linen 56 x 46 cm Price (including GST): $2,800 All prices are in $AUD |
|
PREM SAHIB City Living I 2012 MDF, polished steel 115 x 45 x 45 cm / 45.3 x 17.7 x 17.7 inches |
|
CATHY WILKES Untitled 2012 Mixed media installation: antique fabric, wire line, textile samplers, canvas and linen books, pebbles, broken ceramic, paper, figures (metal armature, stocking net fabric, wool stuffing, wire, clay and paper, papier-mâché heads, mohair, acrylic paint, clothes) Dimensions variable
Cathy has created a new installation for the booth in Miami. This will contain a new painting and a new figure piece, which relate directly to her recent exhibition in our Osborne St gallery. Images and details of the show can be seen below and on the following pages. In a silent encounter between associative objects, signs and ideas, each work implying the next, Wilkes draws upon recurring motifs, and the real, brute elements of life. She offers the viewer a glimpse into a kind of cosmic measuring within the broader themes of life and death, object and meaning. Her installations also draw heavily on the absence of things, the lost associations between objects, and the separation one can feel from ones own self. Demonstrated in a specific time and space, Wilkes’ practice is underpinned by the most intimate of personal experiences together with a poetic visual language. In 2013 Cathy will be exhibiting in Love is Colder than Capital: An Exhibition about the value of feelings at Kunsthaus Bregenz. |
|
JONATHAN HOROWITZ Eternity Plant on Sheaf of Wheat Table 2012 interior wall paint on linen 134.9 x 112 x 4.1 cm / 53 â…› x 44 â…› x 1 â… in unique HQ15-JH9094P Price: $65,000 USD (subject to prior sale and 20% VAT) |
|
MARTIN WALDE Untitled (Fliege) 2011 glass, ink, human hair, Elastosilikon 79 x 114 cm WAL/S 58 EUR 24,000.- |
|
TRACEY EMIN Stupid Studio Girl 2011 embroidered calico 62.2 x 70.08 inches (fabric) 158 x 178 cm 68.9 x 77.17 x 3.74 inches (framed) 175 x 196 x 9.5 cm LM14702 £95,000.00 |
|
VIK MUNIZ Pictures of Pigment: Oxidation Painting, after Warhol (Diptych) 2007 Chromogenic print ed 5/6 132 x 204 cm cada US$ 60.000,00 24329 |
|
CARLOS BUNGA Fragmento #13 2011 Cartón maché, pintura, madera / Maché cardboard, paint, wood 15 x 23 x 23 cm 10.500,00 € (IVA no incluido / Taxes not included) |
|
JEAN-LUC MYLAYNE No 435, Décembre 2007 – Janvier 2008 Chromogenic print 153 x 123 cm (framed) 60 1/4 x 48 3/8 inches (framed) Edition unique MSPM JMY 17740 EUR46,000.00 |
|
FRANCESCA WOODMAN Untitled, New York 1979-1980 (N.303) Gelatin silver estate print 25.4 x 20.3 cm, 10 x 8 in (FW 126)
$ 4,500.00 (ex tax) |
|
Dadang Christanto | They give evidence
15 Sep 2012 – 17 Mar 2013
Upper Asian gallery AGNSW
A reprise of the confronting and moving, larger-than-life sculptures of human suffering by Dadang Christanto, first seen here at the launch of the new Asian galleries in 2003 and again in 2005 and 2010.
Christanto’s works speak eloquently for the victims of oppression and social injustice. The 16 male and female figures in this installation represent displaced victims, mutely carrying the bodies of innocent men, women and children who have been killed – testament to the inhumanity of man, a silent monument to communal grief.
Born in Indonesia and based in Australia since 1999, Christanto has a significant reputation internationally. His artistic oeuvre includes painting, drawing, performance, sculpture and installations. |
|
TRACEY EMIN Suffer Love 26 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46983 |
|
JOHN A DOUGLAS Body Fluid II (redux) 2013 Handmade archival box set comprising 5 B&W fibre prints & 5 C-type prints Video documentation of live performance and video installation files in HD 1080p with sound Collaboraitve performance with David Capra Box: 43 x 43 x 8 cm Edition of 3 Price (including GST): $2,800 All prices are in $AUD INSTALLATION VIEW |
|
CATHY WILKES Untitled 2012 TMI-WILKC-32702 DETAILS |
|
ISAAC JULIEN True North Series 2004 Digital prints on gloss paper ed 5/6 100 x 100 cm each / cada (triptych / tríptico) US$ 44.000,00 24474 |
|
JACK PIERSON "A TRIUMPH!" 2012 Metal, wood, and light bulbs 37 1/4 x 129 3/4 x 8 1/4 inches (94.6 x 329.6 x 21 cm) JP 365 $225,000 INSTALLATION VIEW |
|
DANIEL ARSHAM SNARKITECTURE Shelf 2012 Lacquered wood, berglass, steel clip 30,5 x 121,9 cm / 12 x 48 inches - $2,500 AUD 30,5 x 91,4 cm / 9 x 36 inches - $1,500 AUD 22,9 x 60,9 cm / 6 x 24 inches - $900 AUD 20,3 x 60,9 cm / 9 x 24 inches - $800 AUD INSTALLATION VIEW |
|
HARLAND MILLER Health and Safety is Killing Bondgage 2012 Oil on canvas 93 x 61 5/8 x 2 1/16 in. (236.2 x 156.5 x 5.2 cm) GBP 35,000.00 |
|
WILLIAM MACKINNON Studio days I 2012-13 oil on linen 38 x 42cm $2,500 AUD / $3,250 SGD
|
|
UTA BARTH Deep Blue Day (Untitled 12.10) 2012 inkjet print face-mounted against matte acrylic, framed in painted aluminum frame 37 5/8 x 40 3/8 inches; 95.6 x 102.5 cm (framed) Edition of 6; 2 APs Edition 1 of 6 signature label on frame verso (TBG 14018.1) $26,000 |
|
DANIEL ARSHAM Dancer in traditional Rapa Nui dress 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
ROMAN ONDAK Outdoors 1999 Turgriff - door knob 8.7 x 1.4 x 1.6 inch 20,000.00 EUR + VAT |
|
JEFF WALL Authentication. Claus Jahnke, costume historian, examining a document relating to an item in his collection 2010 Edition of 5 Four inkjet prints Dimensions variable USD 350,000.00 |
|
HAYDEN FOWLER new world order production still ix 2013 colour pigment print on cotton rag art paper unique edition 75 x 54cm $750 unframed |
|
THOMAS STRUTH Huang Shan, Huang Shan 2002 Chromogenic print 72 x 87 1/2 x 2 3/8 in. (182.88 x 222.25 x 6.03 cm) Edition of 10 [8456] € 68,000.00 |
|
PREM SAHIB Realness 2010 Steel, paint 95 x 35 x 18 cm / 37.4 x 13.8 x 7.1 inches |
|
MICHAEL WILKINSON Never work 5 2012 Acrylic on linen with oil, verdigris, string, 2 inch tape, wood dowel, leather, blackboard paint, digital print, card and cellophane 190 x 175 x 3 cm TMI-WILKM-31498
In Miami Michael will be showing one of his characteristic red paintings on canvas, which is created by pushing the paint through the material from the backside. The face is adorned with strips of recording tape, string and an inverted photograph of Guy Debord’s 1953 piece Ne Travaillez Jamias. It is from this title that the suite of works take their name - Never Works. An image can be seen below. We will also be showing a selection of his mirrored catalogue pages, which re-contectualise images of historical mirrored works of art such as works by Smithson and Fabro. Images can be seen on the next page. |
|
TRACEY EMIN Suffer Love 29 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46979 |
|
CARLOS BUNGA Dos fragmentos suspendidos 2013 Cartón maché, pintura, cuerda / Mache cardboard, paint, cord 21,5 x 16 x 16 / 27 x 10 x 4 INSTALLATION SHOT 10.500,00 US$ (IVA no incluido / Taxes not included)
|
|
HEINZ MACK Untitled 1959 Resin on burlap on wood 33 x 43 x 2 cm | 12.99 x 16.93 x 0.79 in # MACK0055
€ 133,333 |
|
TRACEY MOFFATT Pioneer Dreaming (No. 1) 2013 digital print on handmade paper, hand coloured in ocher 26.5 x 57.5cm (framed) Edition of 10 US$ 10,000.00 |
|
MARC QUINN Flesh Painting (On Desire) 2012 Oil on canvas 66 9/16 x 100 3/8 in. (169 x 255 cm) GBP 140,000.00 |
|
JAMES CASEBERE Big Sur 2013 framed fine art pigment print mounted to Dibond paper: 46 3/4 x 62 3/8 inches (118.7 x 158.4 cm) framed: 50 7/8 x 66 1/2 x 2 inches(129.2 x 168.9 x 5.1 cm) edition of 5 with 2 APs signed by artist on label, verso JC-239 |
|
THOMAS RUFF ma.r.s05_II 2012 C-Print, gerahmt - framed 255 x 185 cm - 101 x 73 in. Edition 3 70,000.00 EUR + VAT |
|
ERNESTO NETO Untitled 2011 clove and tumeric on guarro paper on two sheets each 48.03 x 59.84 inches, each 122 x 152 cm (TBG 14389) $25,000 |
|
JR Inside Out Sculpture #1 2012 Aluminium, paint / Aluminium, peinture 47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm Unique (#23460 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
ALEX BAG Harriet Craig 1998 black & white polaroid 4 x 3.25 inches; 10 x 8 inches framed 10.2 x 8.3 cm; 25.4 x 20.3 cm framed unique $ 5,000 |
|
ANTONY GORMLEY POLE II 2012 Ghisa 194 x 46 x 32 cm 300.000,00 GBP + vat |
|
me and myself, 2013 2 photographs, 1 ceramic pot with plate and plant (Bromelien Mini Mix) Diptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 28.000,00 (VAT not included) |
|
STEVEN CLAYDON Orion (prepared spinet) 2012 laminated plywood, inlaid composite, bamboo, barley straw, powder coated aluminium, polyurethane foam, powder coated steel 155 x 158 x 79 cm / 61 x 62 ¼ x 31 â…› in unique HQ16-SC9500S Price: £25,000 GBP |
|
STERLING RUBY Benactyzine Gate Mouth 2012 Ceramic 58,4 x 74,9 x 65,4 cm 23 x 29 1/2 x 25 3/4 inches MSPM SRU 21185 US125,000.00 |
|
HEALY & CORDEIRO, CLAIRE & SEAN Future Remnant 2011 dinosaur fossil replica, cable binding, IKEA items 285cm x 180cm x 485cm (irregular) $A $70,000 incl GST
Exhibited: Future Furnishings, Nature Morte Berlin, 2011 Art 42 Basel, Basel, 2011 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Artist Statement: In Future Remnant a strategically composed stack of partially-assembled IKEA furniture and accessories props up a life- sized replica of a Monolophosaurus dinosaur skeleton. The sculpture is held together with bright orange strapping, a utilitarian packing material that in many of Healy & Cordeiro's works. In this work, the mighty dinosaur highlights the contemporary disposable, massproduced against an historical artefact: the uncertain present and future versus the known past. The work juxtaposes our keen understanding of where we fit into the past and our myopic vision of where we want to be in the future. |
|
VIK MUNIZ Rebus: Odalisque, after Gustave Le Gray 2010 Digital C print ed 1/6 180 x 230 cm US$ 55.000,00 23850 |
|
MICHAEL WILKINSON After Smithson 6 2012 43 x 50 x 3.5 cm framed TMI-WILKM-32507 Catalogue pages, etched mirror |
|
TRACEY MOFFATT Pioneer Dreaming (No. 2) 2013 digital print on handmade paper, hand coloured in ocher 26.5 x 57.5cm (framed) Edition of 10 US$ 10,000.00 |
|
ERNESTO NETO |
|
CARLOS BUNGA Sin título / Untitled #8 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
DARREN ALMOND At Times There Are No Words 2012 Aluminum and paint 20 x 320 cm Edition of 3 + 2 AP (1/3)
£ 28.000,00 (VAT not included) |
|
VALERY KOSHLYAKOV Tower 2 2010 acrylic and collage on canvas, 200 x 150 cm KOS/EX 12 EUR 49,000.- |
|
RYAN GANDER Born of Babble (A failed essay on how the contemporary still life returns the contemporary gaze) 2012 framed - gerahmt je 100 x 66 cm - 39.4 x 26 in. each 25,000.00 GBP + VAT |
|
PREM SAHIB Work 2008 Steel and neon, paint |
|
TRACEY EMIN I Didn't Say 2011 Gouache on paper 10 x 14 in. (25.4 x 35.5 cm) (unframed) 13 9/16 x 16 3/4 x 1 9/16 in. (34.5 x 42.5 x 4 cm) (framed) JJ44723 |
|
TRACEY MOFFATT Pioneer Dreaming (No. 3) 2013 digital print on handmade paper, hand coloured in ocher 26.5 x 57.5cm (framed) Edition of 10 US$ 10,000.00 |
|
TRACEY EMIN Strung out 2009 Embroidered cotton 61 13/16 x 67 5/16 in. (157 x 171 cm) JJ34923 GBP 120,000.00 |
|
ISAAC JULIEN True North 2012 neon ed 1/6 200 cm US$ 49.750,00 24530 |
|
JACK PIERSON SAD 2012 Copper and aluminum 13 1/4 x 23 1/2 x 3/4 inches (33.7 x 59.7 x 1.9 cm) JP 364 $75,000 INSTALLATION VIEW |
|
JENNY HOLZER TRUISMS: ALL THINGS ARE DELICATELY INTERCONNECTED... 1987 Danby Royal marble bench 17 x 54 x 25 inches 43.2 x 137.2 x 63.5 centimeters HO.14920 Edition of 3 AP $750,000 INSTALLATION VIEW |
|
TOM FRIEDMAN Untitled (Green Balloon with Skeleton) 2012 Styrofoam, paint and string 322.6 x 64.8 x 118.1cm (127 x 25 1/2 x 46 1/2in) FRIE 208 $200,000 |
|
MICHAEL WILKINSON After Smithson 5 2012 43 x 50 x 3.5 cm framed TMI-WILKM-32505 Catalogue pages, etched mirror |
|
JR Inside Out Sculpture #2 2012 Aluminium, paint / Aluminium, peinture 49 1/4 x 33 x 7 inches / 125 x 84 x 18 cm Unique (#23462 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
TRACEY MOFFATT Pioneer Dreaming (No. 4) 2013 digital print on handmade paper, hand coloured in ocher 26.5 x 57.5cm (framed) Edition of 10 US$ 10,000.00 |
|
ERNESTO NETO |
|
CARLOS BUNGA Sin título / Untitled #9 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included)
|
|
DANIEL ARSHAM Untitled 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
DANIEL ARSHAM Pixel Cloud 2011 High desnisty polyethylene balls, steel 116 x 142 x 91 cm / 46 x 56 x 36 inches Unique piece $18,000 AUD |
|
CHRISTIAN MARCLAY title to be confirmed 2012 Acrylic and silkscreen on watercolour paper 49 x 35 in. (124.5 x 88.9 cm) Price tbc |
|
DAMIEN HIRST Triazolam 1995 Gloss household paint on canvas 39 x 19 1/2 in. (99 x 49.5 cm) (1 in. spots) GBP 375,000.00
|
|
TRACEY EMIN Leaning back 2012 Gouache on paper 11 5/8 x 16 9/16 in. (29.5 x 42 cm) JJ47025 GBP 18,000.00 |
|
ERNESTO NETO bronze stone you and me 2013 2 plexiglass panels with 2 photos each, ceramic pot with plate and plant (Asplenium Osaka XXL) photo each 146 x 110 cm Edition of 3 (1/3) + 1 AP $ 48.000,00 (VAT not included) |
|
ERNESTO NETO Uma Janelina Entre Nose 2012 Crocheted polypropylene rope and plastic balls 193 x 75 x 99 inches; 490 x 190 x 250 cm (TBG 14423) $150,000
|
|
ANTONY GORMLEY Hinge Model VI 2012 Cast iron 14 9/16 x 10 13/16 x 11 1/4 in. (37 x 27.5 x 28.5 cm) GBP 45,000.00
|
|
ISAAC JULIEN Yishan Island, The Bridge (Ten Thousand Waves) 2010 Endura Ultra Photograph ed 7/10 + 2 PA 120 x 160 cm US$ 40.500,00 24591 |
|
HAYDEN FOWLER antler vi 2013 cement,gypsum,sand unique version 56 x 28cm $650 |
|
HANS-PETER FELDMANN 2 Telefone 23,000.00 EUR + VAT |
|
LYNDA BENGLIS Oriental Cuckold 1993 ceramic 45.7 x 48.3 x 38.1 cm. / 18 x 19 1/8 x 15 in. $60,000 |
|
MUSEUM OF CONTEMPORARY ART KEN WHISSON: AS IF |
|
HANY ARMANIOUS Weeping Woman 2012 cast pigmented polyurethane resin 318 × 71.5 × 86cm US$ 70,000.00 |
|
HEINZ MACK Ohne Titel (Dynamische Struktur) 1958 Resin on canvas 64 x 86,5 cm # MACK0015
€ 177.777
Heinz Mack studied Art and Work Education at the National Academy of Arts, Düsseldorf, as well as Philosophy at the University of Cologne. In 1956 Heinz Mack und Otto Piene found the artist group ZERO. 1968 he was appointed as a member of the Academy of Arts, Berlin, later he became rofessor in Osaka, Japan. Together with Thomas Lenk, Georg Karl Pfahler and Günther Uecker, he represented Germany at the Venice Biennial in 1970. In 1991 the City Museum of Art in Düsseldorf purchased the ZERO-Raum from the documenta III in Kassel from 1964 with works by Mack, Piene and Uecker. 2004 Mack receives the Große Bundesverdienstkreuz der Bundesrepublik Deutschland (First time awarded) in recognition of his works and his commitment as a cultural representative. In 2006/07 a large exhibition was dedicated to his work at the Pergamonmuseum in Berlin with the title 'Transit zwischen Okzident und Orient, working aspects 1950-2006'. |
|
RYAN GANDER Note to self. Rethink everything 2012 Porcelain Tbc ed.1/1+1 ap GAND120022-1 GBP 60,000.00 |
|
SYLVIE FLEURY Color Lab - Free study with white peacock 2012 Taxidermy peacock (pavo cristatus), black tire, white pedestal 195 x 160 x 100 cm 76.78 x 63 x 39.37 in Unique piece Certificate signed by the artist SF 2012/007 EUR 38,000.00
JO |
|
Billy Apple NZD100,000 |
|
BILLY CHILDISH Erupting Volcano, Iceland (Study) 2011 oil and charcoal on linen 17.91 x 24.02 inches 45.5 x 61 cm LM15322 €6,000.00 |
|
ERNESTO NETO Uma Janelina Entre Nose 2012 Crocheted polypropylene rope and plastic balls 193 x 75 x 99 inches; 490 x 190 x 250 cm (TBG 14423) $150,000
INSTALLATION VIEW |
|
MICHAEL WILKINSON After Smithson 6 2012 43 x 50 x 3.5 cm framed TMI-WILKM-32507 Catalogue pages, etched mirror |
|
HANY ARMANIOUS Limerick 2012 cast pigmented polyurethane foam and resin 191 × 50.5 × 50.5cm US$ 37,000.00 |
|
who am i, 2013 3 photographs, 3 ceramic pots with plants (Chamaedorea elegans) Triptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 38.000,00 (VAT not included) |
|
CARLOS BUNGA Sin título / Untitled #10 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
JOHN STEZAKER Mask CXLIII 2013 Collage 25.4x20.7 cm, 10x8.1 ins AP-STEZJ-01812 £8,000 GBP + VAT |
|
ED RUSCHA 1516 Sargent Place 1965/2003 Gelatin silver print 18,7 x 18,7cm 7 3/8 x 7 3/8 inches 33,7 x 36 x 2,8 cm (framed) 13 1/4 x 14 1/8 x 1 inches (framed) Edition 2/8 MSPM ERU 16102 US$7,500 |
|
TRACEY EMIN Deep Blue VII 2011 Gouache and pencil on paper 39 3/8 x 55 1/8 in. (100 x 140 cm) JJ44742 GBP 40,000.00 |
|
TRACEY EMIN Full Love 6, 8 and 10 2011 Gouache on paper Triptych: 6 1/8 x 8 1/8 in. (15.6 x 20.7 cm), 6 x 8 1/8 in. (15.2 x 20.7 cm) and 6 x 8 1/8 in. (15.2 x 20.7 cm) Framed, each: 9 5/16 x 11 1/2 x 1 15/16 in. (23.6 x 29.2 x 5 cm) JJ44729 |
|
VIK MUNIZ The Icebergs, after Frederic E. Church, from the series Pictures of pigment 2007 chromogenic print ed 1/6 171.5 x 301.5 cm US$ 55.000,00 23700 |
|
HEINZ MACK Licht, Fläche + Raum 1965 Aluminum, embossed and polished in plexi case 100 x 80 x 13 cm # MACK0026
€ 244.444 |
|
bronze stone you and me, 2013 2 plexiglass panels with 2 photos each, ceramic pot with plate and plant (Asplenium Osaka XXL) photo each 146 x 110 cm Edition of 3 (1/3) + 1 AP $ 48.000,00 (VAT not included) |
|
TONY CLARK Sections from Clark’s Myriorama 2013 acrylic and permanent marker ink on canvas 73 x 53cm (framed) US$ 9,000.00 |
|
DARREN ALMOND Hold 2012 bronze and paint 51 x 40 x 6,5 cm Edition of 3 plus 2 AP (3/3)
£ 16.000,00 (VAT not included) |
|
BENJAMIN ARMSTRONG Couple 2013 Plaster, wood, aluminium and encaustic 87.5 x 50.5 x 45.5 cm 87 x 50.5 x 48 cm AUD $18,000.00 inc GST Back view |
|
WOLFGANG TILLMANS Market I 2012 C-Print mounted on Dibond in artist’s frame 145 x 211 x 6 cm Ed. 1 + 1 AP (1/1) USD 57.000,- + VAT
|
|
LYNDA BENGLIS Untitled (Mean Green) 1992-94 ceramic 27.9 x 38.1 x 35.6 cm. / 11 x 15 x 14 1/8 in. $50,000
|
|
JR Inside Out Sculpture #2 2012 Aluminium, paint / Aluminium, peinture 49 1/4 x 33 x 7 inches / 125 x 84 x 18 cm Unique (#23462 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
MATTHEW MONAHAN A Certain Time of You 2013 plaster, oil, steel, fiberglass reinforced polyurethane, charcoal on paper 182 x 45 x 45 cm 72 x 18 x 18 ins USD 95,000 |
|
ERNESTO NETO |
|
CARLOS BUNGA Construcción pictórica #11 2013 Cartón, pintura y madera / Cardboard, paint and wood 115 x 115 x 13 cm 12.000,00 US$ (IVA no incluido / Taxes not included) |
|
DOUGLAS GORDON Self-Portrait of You + Me (4 piece Marilyn wax) 2008 Smoke and Mirror 131 x 131 x 5 cm 180,000$ |
|
THOMAS HOUSEAGO Face Panel (Landscape) 2012 Tuf-Cal, hemp, iron rebar 247 x 132.1 x 31.8 cm / 97 1/4 x 52 x 12 1/2 inches HOUSE52760 USD 175,000.00 |
|
TOM FRIEDMAN Untitled (Charred Wood Wall Installation) 2012 Wood 298.4 x 439.4 x 3.8cm (117 1/2 x 173 x 1 1/2in) FRIE 210 $185,000 DETAIL VIEW |
|
DIRK STEWEN untitled, Hamburg 2012 laser copy, vinyl paper, paper and threads on inkjet Prints 35 x 49.5 in; 89 x 126 cm (TBG 14435) euro €9,000
|
|
MICHAEL WILKINSON After Fabro 2012 43 x 50 x 3.5 cm framed TMI-WILKM-32506 Catalogue pages, etched mirror |
|
MARK MANDERS Shadow Study 2010-2011 iron, painted porcelain, and painted wood 59 x 27 x 23 inches; 150 x 68.6 x 58.4 cm (TBG 12751) EUR €45,000 |
|
VIK MUNIZ Object: Nail Fetish 2010 mixed media object ed 3/5 70 x 33 x 30 cm US$ 105.000,00 24036 |
|
HAYDEN FOWLER antler ix 2013 cement,gypsum,sand unique version 51 x 23cm $650
|
|
JACK PIERSON $250,000 |
|
JULIAN MEAGHER Gin Act 1736 2013 Oil on linen 137 x 182 cm Price (including GST): $11,000 All prices are in $AUD |
|
JEAN-LUC MOULENE Knot 6³â‚‚ V01 2012 25 x 27 x 32 cm., 9 7/8 x 10 5/8 x 12 5/8 in. Price TBC |
|
TRACEY EMIN Full Love 6, 8 and 10 2011 Gouache on paper Triptych: 6 1/8 x 8 1/8 in. (15.6 x 20.7 cm), 6 x 8 1/8 in. (15.2 x 20.7 cm) and 6 x 8 1/8 in. (15.2 x 20.7 cm) Framed, each: 9 5/16 x 11 1/2 x 1 15/16 in. (23.6 x 29.2 x 5 cm) JJ44729 |
|
INSTALLATION SHOT |
|
BENJAMIN ARMSTRONG Janus 2013 Plaster, wood, aluminium and encaustic 82 x 50.5 x 44 cm AUD $8,800.00 inc GST Back view (Not exhibited) |
|
|
HEINZ MACK Licht-Relief 1958 Aluminum on wood framed 55 x 60 x 8 cm # MACK0024
€ 133.333 |
|
CARLOS BUNGA Sin título / Untitled #1 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
VIK MUNIZ Pictures of Magazine 2: Vase of Flowers, after Claude Monet 2013 c-print digital ed 2/6 240 x 180 cm US$ 55.000,00 |
|
SIMON DENNY “Analogue/Digital Transmission Switchover: Modelli a Confronto” 2012 Samsung UE40ES6300 Television, metal, prints on plexiglas 68 x 120 x 10 cm SD2012_08 Euro 10.000,-
|
|
SARAH SZE Untitled 2012 approximately 25 x 25 x 25 inches (TBG 14437) $28,000 |
|
JR Inside Out Sculpture #2 2012 Aluminium, paint / Aluminium, peinture 49 1/4 x 33 x 7 inches / 125 x 84 x 18 cm Unique (#23462 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
DANIEL ARSHAM Cast Light 2011 LED light bulb, white gypsum cement 12.7 x 12.7 x 12.7 cm / 5 x 5 x 5 inches Unique piece $500 AUD |
|
JEAN-LUC MOULENE bic 2012 4 panels (each individual works) ink on gessoed and oiled panel 146 x 114 x 5cm. Each: €50,000 |
|
GEORGE SHAW I Woz Ere No. 1 2011 Watercolour on paper 30.5 x 40.5 cm £4,250 + Vat incl frame WG/GSHA00584 |
|
GABRIEL OROZCO Echoes Headaches, New York 2009, Lac Du Bourdon 2009, New York 2010 Gouache, acrylic, charcoal, graphite, photo collage, newsprint on paper 72 7/8 x 38 7/8 in. (185.1 x 98.74 cm) [13428] $ 350,000.00 |
|
DANIEL ARSHAM Sign for Ko Vai Te Mihi 2013 Gouache on mylar, frame 21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches Unique $5,000 AUD |
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN T+64_red 2011 LEGO 130.5 x 111 x 4 cm Available Yes Price $A $24,000 incl GST
Exhibited: Un-Built, Gallery Reis, Singapore, 2011 Are We There Yet?, Corcoran Gallery of Art, 2011 |
|
SANDRA CINTO Untitled 2012 permanent pen and acrylic on canvas 47.25 x 63 in; 120 x 160 cm (TBG 14439) $48,000
|
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN Not under my roof 8/10 2009 lustre print 88.2 x 82.5 cm (unframed) $A $11,000 incl GST
First exhibited: gbk @ ART HK 09, Hong Kong, 2009 Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012 Floor of entire farmhouse from Millmerran Queensland, wood, linoleum, 11 x 12 meters, for 'Contemporary Australia: Optimism' at The Queensland Art Gallery, Brisbane Photo: Natasha Harth, Queensland Art Gallery Artist Statement: The question of what constitutes home today is a major theme in Healy and Cordeiro's work. Inviting us to look at how we live in different ways, this work explores the domestic space in terms of its symbolism functionality, affordability, construction and decay. Enormous in both size and ambition, Not Under My Roof involved the acquisition of a Queensland farm house, which the artists then separated from its footings and sliced to retrieve the floor. The large form was then hung on a gallery wall at the Gallery of Modern Art, Queensland Art Gallery, Brisbane.
|
|
THOMAS STRUTH Pond, Anaheim, California 2013 2013 pigment print 138 x 196,1 cm 149 x 207 cm, framed edition of 10 (1/10)
€ 90.000,00 (VAT not included) |
|
TRACEY EMIN Deep Blue IV 2011 Gouache on paper 39 3/8 x 55 1/8 in. (100 x 140 cm) JJ44705 GBP 40,000.00 |
|
LEE BUL Untitled (A waterfall structure) 2009 pencil, acrylic, pigmented ink, collage on paper 31.5 x 23.62 inches 80 x 60 cm 37.8 x 30.24 inches (framed) 96 x 76.8 cm LM17197 $24,000.00 |
|
ERNESTO NETO A head and a breast 2013 2 photographs, 2 ceramic pots with plants (Hedera helix) Diptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 28.000,00 (VAT not included)
|
|
YAYOI KUSAMA INFINITY-NETS [NOLM] 2013 Acrylic on canvas 162 x 130.3 cm, 63 3/4 x 51 1/4 in (KUSA 880) $ 285,000.00 (excluding tax)
|
|
JEAN-LUC MOULENE bic 2012 4 panels (each individual works) ink on gessoed and oiled panel 146 x 114 x 5cm. Each: €50,000 DETAIL VIEW |
|
BILLY CHILDISH Lt. Sydney A. Cloman, First Infantry, on His Horse on the Wounded Knee Battleground 2010 oil and charcoal on linen 24.02 x 17.72 inches 61 x 45 cm LM15302 €6,000.00 |
|
GREGOR WRIGHT Untitled 2012 Pencil, pastel, oil bar and spray-paint on paper 41.8 x 59.2 cm unframed, 61.5 x 78.5 x 3 cm framed TMI-WRIGG-32540
In Miami we will be showing new framed drawings by Gregor. Built using a canon of motifs and references, they have been described as combining a “strange synthesis [of] oppositions and sophisticated improvisations whose naivety is beautifully academic.” Equally they hover between representation and abstraction, fusing drawn elements that are diagrammatic and almost familiar, to build a sense of space and depth within the picture plane. Works seem to record a moment of near destruction. Chaotic and fractured planes appear to be at odds with each other, the work gives a sense of functioning close to the point of it’s own collapse. |
|
STERLING RUBY STOVE 1 2012 Bronze, paint 154 x 33 x 51.4 cm Edition 2 of 3 + 1 AP RUBY-368-2012 $85,000 |
|
THOMAS SCHEIBITZ Portrait Otto Feige 2012 Resin, mdf, fabric, acrylic glass, mounted 54 x 53 x 9.5 in; 137 x 134 x 24 cm (TBG 14440) euro €35,000 |
|
GEORGE SHAW I Woz Ere No. 2 2011 Watercolour on paper 30.5 x 40.5 cm £4,250 + Vat incl frame WG/GSHA00585 |
|
CALLUM INNES Untitled No. 5, 2013 oil on linen 49 1/4 x 48 7/16 inches(125x123 cm) signed by the artist, verso CI-07.13 |
|
TONY CRAGG Runner 2013 Bronze 72 x 52 x 30 cm Version 1 TC 1108 |
|
MADELN COMPANY Paradise 2012 Mixed media on canvas 147 x 220 cm RMB300,000.00 |
|
VIK MUNIZ Graphic entomology 2010 wood, paper and glass ed state 1/6 + 3 PAs 117 x 215 x 8 cm US$ 90.000,00 23910 |
|
TRACEY EMIN Full Love 6, 8 and 10 2011 Gouache on paper Triptych: 6 1/8 x 8 1/8 in. (15.6 x 20.7 cm), 6 x 8 1/8 in. (15.2 x 20.7 cm) and 6 x 8 1/8 in. (15.2 x 20.7 cm) Framed, each: 9 5/16 x 11 1/2 x 1 15/16 in. (23.6 x 29.2 x 5 cm) JJ44729 |
|
JULIAN MEAGHER Distillation I 2013 Oil on linen 81 x 61 cm Price (including GST): $3,300 All prices are in $AUD |
|
JESS FLOOD-PADDOCK Harvest, Maurice
2012
Leather, steel, jesmonite
100 x 55 x 50 cm (approx.)
£4,500 GBP ex VAT
Image guide: dark brown saddle
|
|
PAUL LEE Untitled (Yellow) 2012 towels, thread, steel, dye 230 x 310 x 31 cm 90 1/2 x 122 1/8 x 12 1/4 ins (MA-LEEPA-00261) USD 18,000
New works by the British artist Paul Lee are a series of wall based sculptures made from household towels that have been cut up, dyed and sewn together by the artist into dynamic yet simple wall based sculptures. |
|
RICHARD JACKSON The Men's Room / The Trophy Room 2004 2 parts, acrylic on mylar 107 x 107 cm / 42 1/8 x 42 1/8 inches each JACKS36983 USD 50,000.00 |
|
STERLING RUBY STOVE 1 2012 Bronze, paint 154 x 33 x 51.4 cm Edition 2 of 3 + 1 AP RUBY-368-2012 $85,000 |
|
HEALY & CORDEIRO, CLAIRE & SEAN T+64_red 2011 LEGO 130.5 x 111 x 4 cm Available Yes Price $A $24,000 incl GST
Exhibited: Un-Built, Gallery Reis, Singapore, 2011 Are We There Yet?, Corcoran Gallery of Art, 2011
Available to see at Gallery Barry Keldoulis 285 Young Street Waterloo NSW 2017
+61 414 864 445
285 Young Street
Waterloo NSW 2017
|
|
HAIM STEINBACH mandarin red 2 2008/2012 plastic laminated wood shelf, plastic cauldron, metal and wood cart core, 5 rubber dog chews 46 1/4 x 86 1/2 x 17 inches 117.5 x 219.7 x 43.2 cm (TBG 14444) $90,000. |
|
RICHARD WRIGHT No Title 2012 TMI-WRIGR-31953 Installation view at the Rijksmuseum, Amsterdam 2012
Richard has recently completed a major comission for the newly refurbished Reijksmuseum in Amsterdam. He has made two large paintings on the ceiling of the Nachtwachtzaal (Night Watch room). In Miami there will be showing a new painting on paper. |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints INSTALLATION VIEW |
|
JR Inside Out Project - Oeil Trame #7 2012 Ink, wood / Encre, bois 61 3/4 x 59 3/4 inches / 157 x 152 cm Unique (#23514 Location: Singapour) 41 800 € ($57,755) Tax included DETAILS VIEW |
|
JR Inside Out Sculpture #2 2012 Aluminium, paint / Aluminium, peinture 49 1/4 x 33 x 7 inches / 125 x 84 x 18 cm Unique (#23462 Location: Singapour) 55 000 € ($75,994) Tax included DETAILS VIEW |
|
LEE BUL Phantom 1 2011 acrylic on paper 17.91 x 12.01 inches 45.5 x 30.5 cm 24.02 x 18.11 inches (framed) 61 x 46 cm LM17463 $10,000.00 |
|
Ollaffur Elliason |
|
EX DE MEDICI Scorpions in a jar (Kerman) 2012 watercolour and gold leaf on paper 114 x 145 cm $ 77,000 AUD (inc. gst) |
|
PAUL LEE Untitled (Green) 2012 towels, thread, steel, dye 276 x 168 x 31 cm 108 5/8 x 66 1/8 x 12 1/4 ins (MA-LEEPA-00260) USD 18,000 |
|
CECILY BROWN Untitled 2012 Monotype in watercolor and pencil on Lanaquarelle paper 83.2 x 64.1 cm Signed ‘Cecily Brown, 2012’ in graphite on the verso Price: $26,000 |
|
TRACEY EMIN Laying on Blue 2011 Gouache on paper 10 x 14 in. (25.4 x 35.5 cm) (unframed) 13 5/16 x 17 3/8 x 1 15/16 in. (33.8 x 44.1 x 5 cm) (framed) JJ44715 GBP 14,000.00 |
|
ALESSANDRO PESSOLI Tamburino 2013 painted majolica with cast bronze, gold wire 16 3/16 x 9 1/8 x 22 5/16 in. 42 x 24 x 58 cm PESS-051-2013 $25,000 |
|
JOAN MIRO Sobreteixim - Sac 10 1973 Acrylic, steel, wool and felt sewn on a sack 140 x 80 cm / 55 1/8 x 31 1/2 inches Mounted on board: 160 x 100 cm / 63 x 39 3/8 inches MIRÓ 52846 |
|
RICHARD WRIGHT No Title 2012 TMI-WRIGR-31953 Installation view at the Rijksmuseum, Amsterdam 2012
|
|
CARLOS BUNGA Sin título / Untitled #4 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
MARK MANDERS Shadow Study 2010-2011 iron, painted porcelain, and painted wood 59 x 27 x 23 inches; 150 x 68.6 x 58.4 cm (TBG 12751) EUR €45,000 DETAIL VIEW |
|
JENNY HOLZER Ritual between us... 2006 Black and white pigment print 139.7 x 111.1 cm Text: "Blur" from Middle Earth by Henri Cole Edition 8/10 Price: $37,000 |
|
|
TERENCE KOH The Road to The Winterland of My Discontent, I Know Not Where I Lead, 2007 twelve bronze arms with black patina, wax, oil overall dimensions vary with installation 4 x 6 x 15 3/4 inches (10 x 15 x 40 cm) each arm edition of 1 with 1 AP work is accompanied by a signed certificate of authenticity TK-29 |
|
SEHER SHAH Mammoth- Aerial Landscapes Proposals 2012 Archival digital prints Set of 21 works edition 1/5 33 x 44.5 cms Euro 15000/AUD 24000 for set of 21 framed Euro 900 / AUD 1200 for each framed print Euro 800 / AUD 1150 each for 2 to 5 prints Euro 750/ AUD 1000 each for more than 5 prints |
|
OSCAR MURILLO work! #9 2012 oil, oil stick, concrete dye, spray paint, dirt on canvas and linen 255 x 325 cm 100 3/8 x 128 ins (MA-MURIO-00228) GBP 18,000
We are also showing a new painting by the young Colombian artist Oscar Murillo – a canvas that is collaged together through fragments of used and discarded canvas from the artists studio. This patchwork of canvas is treated with a variety of materials including concrete dye, oil stick and dirt. There is a feel of an artwork that has been lived with over some period of time. |
|
TRACEY EMIN Blue Figure I Relax 2011 Gouache on paper 21 7/8 x 29 5/16 in. (55.5 x 74.5 cm) (unframed) 25 x 32 1/2 x 2 3/8 in. (63.5 x 82.5 x 6 cm) (framed) JJ44743 GBP 18,000.00 |
|
GEORGE SHAW I Woz Ere No. 5 2011 Watercolour on paper 30.5 x 40.5 cm £4,250 + Vat incl frame WG/GSHA00589 |
|
ANGUSTE RODIN Iris, messagere des Dieux, grand modele Original plaster with waxed paint 84 x 86.5 cm Conceived in 1890-91 and cast before 1940 by Eugbre Ruder Foundy $2,200,000 |
|
MICHAEL JOO Heritage 2012 Borosilicate glass, lacquer, epoxy, aluminum 61 x 66 x 25 2/5 cm Edition 2/5 Price: $40,000 |
|
TONY CLARK Sections from Clark’s Myriorama 2013 acrylic and permanent marker ink on canvas 73 x 53cm (framed) US$ 9,000.00 |
|
LAWRENCE WEINER WITH EACH SHIFT: A COLLISION WITH EACH COLLISION ANOTHER CONCURRENCY BE THAT AS IT MAY (TBC) 2012 Ink, pencil and pastel on paper Approx. 101 x 81 cm WEIN120007 USD 30,000.00 |
|
GEORGE SHAW I Woz Ere No. 7 2011 Watercolour on paper 30.5 x 40.5 cm £4,250 + Vat incl frame WG/GSHA00591 |
|
VIK MUNIZ Two Cows 1997 Toned Gelatin Silver Print ed PA 1/5 35,5 x 28 cm US$ 30.000,00 24315 |
|
CALLUM INNES Exposed Painting Green Lake 2013 oil on linen 49 1/4 x 47 5/8 inches (125 x 121 cm) signed by the artist, verso CI-19.13 |
|
TONY CLARK Sections from Clark’s Myriorama 2013 acrylic and permanent marker ink on canvas 73 x 53cm (framed) US$ 9,000.00 |
|
ED RUSCHA Palm Tree # 2 1971/2003 Gelatin silver print 25,4 x 25,4 cm 10 x 10 inches 44,1 x 42,9 x 2,6 cm (framed) 17 3/8 x 17 x 1 inches (framed) Edition 4/8 MSPM ERU 18462 US$10,000.00 |
|
JOHN NIXON Silver Monochrome 2005 enamel and large wooden blocks on MDF 60 x 47 cm $6,000 |
|
MADELN COMPANY Light Source – Portrait presume de Gabrielle d'Estrees et de sa soeur la duchesse de Villars 2012 Oil on canvas 130 x 170 cm RMB288,000.00 |
|
WAYNE GONZALES Untitled 2013 Acrylic on canvas 213.4 x 213.4cm (84 x 84in) GONZ 84 USD$ 100,000 |
|
TONY CRAGG Runner 2013 Bronze 72 x 52 x 30 cm (28.35 x 20.47 x 11.81 in) TC 1108 €140.000,00 |
|
PAUL LEE Untitled (Purple) 2012 towels, thread, steel, dye 65 x 570 x 31 cm 25 5/8 x 224 3/8 x 12 1/4 ins (MA-LEEPA-00262) USD 18,000 |
|
CHRISTOPHER ORR Take it, Take it 2008 Oil on linen 18.4 x 15.9 cm / 7 1/4 x 6 1/4 inches ORR C45957 GBP 15,000.00 (excl. VAT) |
|
TRACEY EMIN Deep Blue I 2011 Gouache on paper 39 3/8 x 55 1/8 in. (100 x 140 cm) JJ44737 GBP 40,000.00 |
|
CARLOS BUNGA Sin título / Untitled #5 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
JESS FLOOD-PADDOCK Harvest, Phoebe 2012 Leather, steel, jesmonite 100 x 55 x 50 cm (approx.) £4,500 GBP ex VAT each Image guide: light brown saddle |
|
TRACEY EMIN Blue Figure III 2011 Gouache on paper 21 7/8 x 29 5/16 in. (55.5 x 74.5 cm) (unframed) 25 x 32 1/2 x 2 3/8 in. (63.5 x 82.5 x 6 cm) (framed) JJ44745 GBP 18,000.00 |
|
TRACEY EMIN Suffer Love 27 2009 Monoprint on paper 8 1/4 x 11 5/8 in. (21 x 29.6 cm) JJ46975 GBP 10,000.00 |
|
ZHANG HUAN Sea No. 14 2012 Ash on Linen 59 1/16 x 110 1/4 in. (150 x 280 cm) 290,000.00 USD
|
|
VIK MUNIZ Carcere III, The Round Tower, after Piranesi, Piranes 2002 dye destruction ed 7/10 102 x 76 cm US$ 30.000,00 23620 |
|
VIK MUNIZ Verso: Gioconda, after Leonardo da Vinci 2012 mixed media object ed 4/5 100 x 75 x 10 cm US$ 120.000,00 24259 |
|
HANS JOSEPHSOHN Untitled (Angela) 2000 Brass Ed. 2/6 + 2 AP 63 x 34 x 25 cm / 24 3/4 x 13 3/8 x 9 7/8 inches JOSEP52139 USD 60,000.00 |
|
BENJAMIN ARMSTRONG Madame 2013 Plaster, wood, aluminium and ink 86 x 57 x 60 cm AUD $8,800.00 inc GST Front view (Not exhibited) |
|
LEE LOZANO No title 1962 Ink, crayon and graphite on paper 30 x 22.2 cm / 11 3/4 x 8 3/4 inches LOZAN30739 USD 65,000.00 (excl. VAT) |
|
JR Inside Out Project - Oeil Trame #3 2012 Ink, wood / Encre, bois 37 x 34 3/4 / 96 x 88 cm Unique (#23483 Location: Singapour) 24 200 € ($33,437) Tax included DETAILS VIEW |
|
body and skin, 2013 photograph 146 x 110 cm (framed) Edition of 3 (1/3) + 2 AP $ 18.000,00 (VAT not included) |
|
Billy Apple NZD100,000 DETAIL VIEW |
|
|
EX DE MEDICI Addict #2 2011 watercolour on paper 119 x 114 cm $ 27,500 (inc. gst) |
|
LOT 457 SALLY GABORI Ninjilki (main base outstation) Waterhole 2005 acrylic on canvas Artist name, title and catalogue details to reverse. 183 x 122cm Catalogue number 329/C/SG/07/05
Provenance Mornington Island Art & Craft Centre
$5,000–8,000 |
|
as soon i hear my name i feel my body fragmented in many parts, 2013 11 photographs, collage, ceramic pot with plant (Hedera helix) 73 x 55 cm each (framed) Edition of 3 (1/3) + 2 AP $ 38.000,00 (VAT not included) |
|
CARLOS BUNGA Sin título / Untitled #6 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
DJORDJE OZBOLT Mc Saint 2012 Acrylic on icon board 70 x 60 x 5.5 cm / 27 1/2 x 23 5/8 x 2 1/8 inches OZBOL53682 GBP 9,000.00 (excl. VAT) |
|
ERNESTO NETO |
|
CARLOS BUNGA Sin título / Untitled #2 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
RITA ACKERMANN Fire by Days Blues IV 2012 Oil and spray paint on paper 111.8 x 76.2 cm / 44 x 30 inches ACKER52939 USD 35,000.00 |
|
TRACEY EMIN Thankyou 2011 Gouache on paper 10 x 14 in. (25.4 x 35.5 cm) (unframed) 13 5/16 x 17 3/8 x 1 15/16 in. (33.8 x 44.1 x 5 cm) (framed) JJ44725 |
|
GEORG BASELITZ Monogramm 2010 Oil on canvas 118 1/8 x 98 7/16 in. (300 x 250 cm) (unframed) 120 1/4 x 100 9/16 x 2 3/8 in. (305.5 x 255.5 x 6 cm) (framed) 500,000.00 EUR
|
|
man and woman itaota, 2013 2 photographs, 2 ceramic pots with plants Diptych: 146 x 110 cm each (framed) Edition of 3 (1/3) + 2 AP $ 28.000,00 (VAT not included) |
|
AUGUSTE RODIN La Femme accroupie, grand modèle avec une terrasse plus haute bronze 95.0 cm height inscribed: A. Rodin inscribed with the foundry mark: Musée Rodin 2010, Fonderie de Coubertin France numbered: IV/ IV edition: 4/4 conceived in 1881-82, cast in 2010 Provenance: Musèe Rodin, Paris Australian Collectibles Trading Pty Ltd Menzies, Melbourne, 14 September 2011, lot 42 Property of an investment partnership, Melbourne Reference: Grappe, G., Musée Rodin Catalogue, Musée Rodin, Paris, 1927, no.54, p.38 (illus., another example) Charbonneaux, J., Les Sculptures de Rodin, F. Ilazan, Paris, 1949, pl.25 (illus., another example) Auguste Rodin, Leicester, 1951, pl.26 (illus., another example) Elsen, A., Rodin, Museum of Modern Art, New York, 1963, p.59 (illus., another example) Auguste Rodin, Galerie Claude Bernard, Paris, 1963, pl.14 (illus., another example) Sutton, D., Triumphant Satyr, The World of Auguste Rodin, Hawthorn Books, London, 1966, fig. 20 (illus., another example) Homage to Rodin, Collection of B. Gerald Cantor, Los Angeles County Museum of Art, Los Angeles; The Museum of Fine Arts, Houston; The Brooklyn Museum, New York; Virginia Museum of Fine Arts, Richmond; California Palace of the Legion of Honor, San Francisco, 1968-69, pl.14 (illus., another example) Tacha Spear, A., Rodin Sculpture in the Cleveland Museum of Art, Cleveland Museum of Art, Cleveland, 1967, pl.110S (illus., another example) Descharnes, R. and Chabrun, J., Auguste Rodin, Chartwell Books, New Jersey, 1967, p.93 (illus., another example) Jianou, I. and Goldscheider, C., Rodin, Arted, Paris, 1967, pl.22 (illus., another example) Rodin: Sculpture and Drawings, The Hayward Gallery, London, 1970, cat.16, p.30 (illus., another example) Steinberg, L., Rodin in Other Criteria: Confrontations with Twentieth-Century Art, Oxford University Press, New York, 1972, pl.221,246 (illus., other examples) Elsen, A., Rodin, London, 1974, pp.58-59 (illus., other examples) Tancock, J., The Sculpture of Auguste Rodin, New York, 1976, no.6-1, pp.136-40 (illus., other examples) Hazlitt, G., and F., Selected Works from the Andrew Gow Bequest, London, 1978, p.23, pl.63 (illus., another example) Rodin Rediscovered, National Gallery of Art, Washington, 1981 - 82, no.9.63, p.241 (illus., another example) Elsen, A., The Gates of Hell: by Auguste Rodin, Stanford, 1985, fig. 76, p.84 (illus., another example) Pinet, H., Rodin sculpteur et les photographes de son temps, Paris, 1985, no.80, p.95 (illus., another example) Rodin: Sculpture and Drawings, The Hayward Gallery, London, 1986, pp.57-60 (illus., other examples) Miller, J. and Marotta, G., Rodin, The Gerald B. Cantor Collection, Metropolitan Museum of Art, New York, 1986, no.11, p.29 (illus., another example) Levkoff, M. Rodin in His Time, Los Angeles County Museum of Art, Los Angeles, 1994, nos.15-16, pp.68-71 (illus., another example) Masson, R. and Mattiussi, V., Rodin, Flammarion Édition de Musèe Rodin, Paris, 2004, p.45 (illus., another example) Le Normand-Romain, A., The bronzes of Rodin: catalogue of works in the Musée Rodin, vol.1, Paris, 2007, no.S.1156, pp.360-363 (illus., other examples) WE, The Moderns: Gaudier-Brzeska and the Birth of Modern Sculpture, Kettles Yard, University of Cambridge, Cambridge, 2007, pp.21,103 (illus., another example) Estimate: $900,000 - 1,200,000
ESSAY Rodin is the world’s best-known Twentieth Century sculptor. In fact, he is almost history’s best-known sculptor, falling somewhere behind the incomparable Michelangelo in the public mind. This is something that Rodin would certainly have accepted since Michelangelo was the sculptor who he admired above all others. These introductory comments are quite pertinent since the present work La Femme accroupie, grand modèle avec une terasse plus haute, owes part of its compositional structure and form to Michelangelo. More specifically, to the only sculpture by Michelangelo in the famous Hermitage Museum in St. Petersburg. The work is his Crouching Boy of 1530-1534, a white marble work that shows a youth hunched on the ground with his knees almost at shoulder level. His head is bowed down and both hands clench his right foot. The sculpture has a compacted energy and its resting posture contains the force of a compressed spring – this is the inner source of its sculptural impact. Interestingly, the face of the young figure seems focussed upon its foot, as though examining a cut. Everything comes from somewhere and there seems little doubt that in this charming work Michelangelo distantly echoed the well-known and justly famous Hellenistic Greek sculpture Spinario showing a boy removing a thorn from his foot, from the fifth century BC and now in Rome’s historic Capitoline Museum. This ancient Greek sculpture was immensely popular in the Nineteenth Century and every art lover and artist of any note knew it well. However, Rodin did not actually see Michelangelo’s sculpture in the Hermitage but it is virtually certain that he possessed or at least saw a black and white photograph or postcard of it. In this way Rodin’s La Femme accroupie may be seen as a refinement of this ages-old crouching figure theme – indeed, it may well be a culmination of the theme since, sometime after Matisse, the theme dropped off into disuse. All this goes some way toward explaining why Rodin’s La Femme accroupie has been so admired and commented upon. Rodin’s domestic sized bronze sculpture is a compacted composition that owes its visual power to a historically transmitted thematic concept that runs back through Michelangelo to Hellenistic times – that is, the idea of making a sculpture based upon the capture of a momentary gesture or movement. Rodin takes this a little further and centres upon the capture of an emotional state. Rodin’s sculptures almost always capture rest, repose and ease – as though, in his sculptures, we witness the after-effects of effort. For example, a good Baroque sculpture looks as though it is frozen in time; a good Rodin looks as though it is melting after the time. The hidden power of Rodin’s incorporation of this idea rests upon the seemingly impossible task of making a hard and intractable material such as marble or bronze look as though it is in transition to becoming soft and flexible. In this sense, as the present work amply shows, Rodin ably captures such seeming transition best of all. In Rodin, hard material seems to become soft, stone and metal seem to become flesh and the whole effect is rounded off by an aesthetic of transmutation. Before Rodin, only the magnificent Michelangelo achieved this. It is winds its way through his superlative Dying Slave marble in the Louvre in Paris – little wonder that this Renaissance masterpiece was Rodin’s favourite sculpture. Most serious collectors, sculptors and curators have responded to the hidden power and subliminal eroticism of Rodin’s sculpture including the present work. This work has been discussed by great art historians such as Leo Steinberg and Albert Elsen and described by writers as diverse as the Symbolist Gustave Flaubert and the Occultist Aleister Crowley. The American academic and commentator Leo Steinberg wrote that looking at a Rodin is like seeing a ‘congealed reflection of what a departed mirror has left behind’. This wonderfully apt simile captures the sense of seeing something private, personal and hidden. Rodin is the undoubted master of the vignette – decidedly not a peepshow where we are invited to peer, but rather a window that opens onto a diorama that displays only that most evanescent of things: moods, emotions, feelings and subjective states both fabricate and furnish Rodin’s sculptures. Since we all possess these inner states we all respond to the hidden pulse of Rodin’s captivating creations. Rodin had a secret. The way that he achieved this hidden pulse was through what he called le modelé. He explained it in private to the inimitable German poet Rainer Maria Rilke, who relayed it in a letter to his wife the sculptor Clara Westhoff in 1902 ‘Le modelé … I know what that means … it is the science of planes as distinct from contour, that which fills out contours. It is a law governing the relationship between these planes. You see, for him there is only the modelé’. Rodin is more expansive when talking to the interviewer Paul Gsell: ‘I am going to tell you a great secret. The impression of real life … do you know what it is that gives this impression? It is la science du modelé. These words will strike you as commonplace but you will soon judge their full import. This science du modelé was taught to me by a certain Constant who worked in the decorative sculpture shop where I first started out as a sculptor. One day, seeing me model a Corinthian capital in clay, he said. “Rodin, you are going about it badly. All your leaves appear flat. That’s why they don’t look real. Make them so that they shoot their points towards you”. I followed his advice and was amazed at the result I obtained. “Remember well what I am telling you”, Constant continued, “from now on when you model, never look at your forms in extension, but always in depth. Never regard a surface as anything but the outermost point of a volume, as the broader or narrower summit, which it directs towards you. That’s how you will acquire la science du modelé”’. Such great works from such simple advice! The point is clear: Rodin’s sculptures are shaped by imagined inner energies that form outer surfaces. This is quite different from Michelangelo’s famous view that his works were conceived as figures trying to break free and be released from stone by his chisel. In Rodin, something more organic occurs – his forms are shaped by internal forces that are almost embryonic in their imagined growth. This has led to sculptures that are touchingly rudimentary in the sense that they are unfinished or seem to be expelled in an incomplete state. There is something modern and evocative about this characteristically unresolved state and it stands in stark contrast against the bold completeness of most of Michelangelo’s works. Michelangelo is complete and finished; Rodin is finished but incomplete. Both are magnificent but each artist, similar in so many ways, reflected and responded to different views of the desired effects of sculpture. All these above observations bear upon and underline the significance of the present work. Rodin’s La Femme accroupie shows a female figure crouching on a large rock-like plinth. The figure’s head turns to its right and such is its coiled energy at rest that it seems ready to make a panther-like leap. At the time, its rawness of posture and its animalistic aura would have seemed uncouth in that it lacks drawing room refinement. In fact, at the time some thought it reflected the shock of Charles Dickens’s book On the Origin of Species, which was published in 1859 some twenty-three years before Rodin’s creation. Today, none of this seems to matter and it illustrates how far Rodin reached beyond his own time and into our own. His was the world of Henri Bergson’s Vitalism, Nijinsky’s verve and Isadora Duncan’s idea of the free spirit. Rodin’s bronze sculpture La Femme accroupie bears all the hallmarks of that spirited age – that is why it holds pride of place in the collections of the Hirshhorn Museum in Washington, the Kröller-Müller Museum in Otterlo and the Fitzwilliam Museum at Cambridge University. |
|
TRACEY EMIN Sex 16 25-11-07 Sydney 2007 watercolor on paper 8.27 x 11.69 inches 21 x 29.7 cm LM16153 £14,000.00 |
|
JR Inside Out Project - Oeil Trame #3 2012 Ink, wood / Encre, bois 37 x 34 3/4 / 96 x 88 cm Unique (#23483 Location: Singapour) 24 200 € ($33,437) Tax included DETAILS VIEW |
|
ART & LANGUAGE Hostage XLIX 1990-2011 Glass, oil on canvas on wood 183.3 x 122.3 x 6.0 cm A&L120001 GBP 75,000.00 |
|
DANIEL ARSHAM View inland from Rano Raraku 2013 Gouache on mylar, frame 21,3 x 30,8 cm / 8 1/3 x 12 inches Unique $5,000 AUD |
|
TATE INSTALLATION VIEW |
|
TOM FRIEDMAN Untitled (Charred Wood Wall Installation) 2012 Wood 298.4 x 439.4 x 3.8cm (117 1/2 x 173 x 1 1/2in) FRIE 210 $185,000
|
|
TOMAS SARACENO Solar Bell edition of 3 (TBG 14443) euro 22,000
Saraceno will contribute a remarkable new project entitled Solar Bell. Like much of the artist’s experimental work related to his ongoing Air-Port-City / Cloud-City project, this sculpture demonstrates a functional model of sustainability through interdependency: a series of small, interconnected solar panels work to absorb enough energy to power a battery or small electronic device. Echoing his nearby networks of aluminum cloud modules, Solar Bell also doubles as a kite, further exploring notions of an airborne existence. |
|
CARLOS BUNGA Sin título / Untitled #7 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
ART & LANGUAGE Hostage LXXIX 1991 Glass, oil on canvas on wood 214 x 142.5 cm A&L9100079 GBP 100,000.00 |
|
ATSUKO TANAKA 77R-'84 1977-84 Vinyl paint on canvas 130.3 x 97 cm / 51 1/4 x 38 1/4 inches TANAK52893 USD 375,000.00 (excl. VAT) |
|
TOM FRIEDMAN Untitled (Genealogies) 2012 Coloured pencil on paper 48.3 x 61cm (19 x 24in) Framed: 57.5 x 69.5 x 3.5cm (22 5/8 x 27 3/8 x 1 3/8in) FRIE 217 $125,000 |
|
HAYDEN FOWLER antler viii 2013 cement,gypsum,sand unique version 55 x 27cm $650 |
|
TRACEY EMIN I wanted to be carried by you 2011 Gouache on paper 10 x 14 in. (25.4 x 35.5 cm) (unframed) 13 3/8 x 17 5/16 x 1 15/16 in. (34 x 44 x 5 cm) (framed) JJ44724 GBP 14,000.00 |
|
for ever, 2013 photograph, ceramic pot with plant (Crassula arborescens) 150 x 200 cm (framed) Edition of 3 (1/3) + 2 AP $ 18.000,00 (VAT not included) |
|
LAWRENCE WEINER SOME LIMESTONE SOME SANDSTONE ENCLOSED FOR SOME REASON SOME LIMESTONE SOME SANDSTONE INCLOSED FOR SOME REASON 1992 Language & the materials referred to Dimensions variable WEIN120001 USD 325,000.00 |
|
CORY ARCANGEL Gerber 2013 Triptych Pen on paper (produced with Mutoh XP-300 Series printer) Approx. 105 x 25.4 cm (TBC) 34.6 x 25.4 cm each ARCA130009 TBC |
|
HAYDEN FOWLER antler xii 2013 cement,gypsum,sand unique version 48 x 18cm $650 |
|
SHILPA GUPTA 24:00:01 2012 mechanical flap board 177 x 27.6 x 25 circa 20 minutes 70,000US$ |
|
JIM LAMBIE Pin Painting 1402 2013 acrylic on canvas, safety pins unique HQ16-JL9794P GBP £ 55,000 (excluding VAT) |
|
PAUL MCCARTHY Untitled 1984 Charcoal on paper 77 x 55.9 cm / 30 3/8 x 22 inches McCAR39828 USD 95,000.00 (excl. VAT) |
|
TRACEY EMIN Sex 26 25-11-07 Sydney 2007 watercolor on paper 8.27 x 11.69 inches 21 x 29.7 cm LM16156 £14,000.00 |
|
YVES KLEIN Eponge c. 1961 Pigment and resin on sponge 6,5 x 6,5 x 5,5 cm | 2.56 x 2.56 x 2.17 in # KLEI0001
€ 105.556
Provenance: Galerie J., Paris Jeanine Restany Collection, Paris Juliette Hugounenc, Paris (gift from the above c.1965) Acquired directly from the family of the above
The ZERO Group, celebrated worldwide in museums and collections with planned shows at Grand Palais Paris, Solomon R. Guggenheim Museum NYC, and Stedelijk Museum in Amsterdam from spring 2013 to 2015, has been founded by Otto Piene and Heinz Mack (and Günther Uecker) in 1958, with the goal of revolutionising post-war art, leaving received principles of art behind. From now, light and movement was the central point of their art. What had begun in Düsseldorf, Germany, would develop in less than a decade into one of the most significant avant-garde movements of the 20th century. When ZERO disbanded in 1966, the group had collaborated with a wide range of artist – such as Lucio Fontana, Yves Klein, Piero Manzoni, Jean Tinguely and Yayoi Kusama. After more than half a century of ZERO, the group is once again becoming a centre of public attention; therefore it was only a matter of time that the three exceptional artists Otto Piene, Heinz Mack and Günther Uecker would equalise with the wider circle of ZERO members on the international art landscape and market. |
|
TONY CLARK Sections from Clark’s Myriorama 2013 acrylic and permanent marker ink on canvas 73 x 53cm (framed) US$ 9,000.00 |
|
GERARD BYRNE As yet untitled work (Three connected sites) 2001- ongoing 3 silver gelatin prints framed in stainless steel, oak, and stainless steel 52 x 62 cm each (prints) (far left) 61 x 73.9 h cm (centre) 57.2 x 67.4 cm (far right) 65.3 x 83.5 cm (framed) ed.1/3+1 ap BYRN110009-3 TBC |
|
MICHELANGELO PISTOLETTO Vortice-dittico 2013 black and silver mirror, gilded wood diptych: 203 x 143 cm 320.000 € + VAT |
|
CARLOS BUNGA Sin título / Untitled #3 2013 Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil 21 x 30 cm 4.500,00 US$ (IVA no incluido / Taxes not included) |
|
GEROLD MILLER set 137 2013 Stainless steel, lacquered 140 x 112 x 7 cm 55.12 x 44.09 x 2.76 in Unique piece Signed verso GM 2013/002 EUR 28,000.00 |
|
EX DE MEDICI While you talked shit on Facebook they blew up the world 2012 watercolour on paper 114 x 138 cm $35,300 AUD (inc. gst) |
|
TRACEY EMIN Blue Figure II Im telling you it hurt 2011 Gouache on paper 21 7/8 x 29 5/16 in. (55.5 x 74.5 cm) JJ44744 GBP 18,000.00 |
|
DANIEL CROOKS Pan No.9 (dopplegänger) 2012 3-channel High Definition video 16:9, colour, stereo 7 minutes 43 seconds Edition of 3, AP1 and AP2 $35,000 |
|
MONA HATOUM Still Life 2008-09 Edition of 3 Glazed ceramics, wood and painted steel 34 7/16 x 70 7/8 x 35 7/16 in. (87.5 x 180 x 90 cm) 175,000.00 EUR
|
|
RODNEY GRAHAM Canadian Humourist 2012 Painted aluminum lightbox with transmounted chromogenic transparency 232.7 x 181.9 x 17.8 cm ed.2/5+1 ap GRAR120001-2 USD 250,000.00 |
|
CARLOS BUNGA Sin título / Untitled 2013 Cartón, pintura / Cardboard, paint Medidas variables / Variable dimensions
45 x 35 cm each Ed.única/unique 8.000,00 USD each (IVA no incluido / Taxes not included) |
|
HAYDEN FOWLER antler x 2013 cement,gypsum,sand unique version 51 x 23cm $650 |
|
Gallery Barry Keldoulis
285 Young Street, Waterloo, Sydney, NSW 2017. (02) 8399 1240 gallery@gbk.com.au www.gbk.com.au Open Tuesday to Saturday 11am to 6pm Sean Cordeiro & Claire Healy, Ignition
HEALY & CORDEIRO, CLAIRE & SEAN T+100_yellow 2011 LEGO 160 x 71 x 4 cm Available Yes Price $A $20,000 incl GST
Exhibited: Un-Built, Gallery Reis, Singapore, 2011 Are We There Yet?, Corcoran Gallery of Art, 2011 |
|
DOUGLAS GORDON Self-Portrait of You + Me (Jackie smiling 3) 2008 Smoke and Mirror 115.4x93.5 cm 150,000US$ |
|
Please notify us by email (amanda@loveart.com) or text (+61 418164462) or phone (+61 2 93277538) depending on the urgency if you are interested in purchasing a work or require more information. Please remember that this information is provided only to you, the intended recipient, and must not to be passed on to third parties. It is provided on the basis that when acquiring a work on our advice, you deal with galleries and other art institutions through us or notify them of LoveArt's role as your advisor. Following this protocol ensures that your acquisitions are invoiced through LoveArt which in turn facilitates their acurate inclusion in your online catalogue - clients.LoveArt.com - and the negotiation of our fee from the purchase price of the work. This means that, subject to the retainer, our advice is cost neutral to you. |
