ARCHIVE

| | 13 SEP 2012

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EX DE MEDICI

Addict #2

2011

watercolour on paper

119 x 114 cm

$ 27,500 (inc. gst)

Botanical Residues (after the Great Glasshouse)

2005

Duraclear photographs and paint on acrylic, three panels, 100 x 150 cm overall

 

AUD38,000

ALICJA KWADE
Dark Matter
2021

Marble, slate, glass bottles
135 x 40 x 40 cm with plinth

 

EUR 80,000

WOLFGANG TILLMANS

Silver 71

2008

C-type print on paper in artist’s frame

45.5 x 33 x 2.5 cm

Unique

 

USD 40,000

PETRIT HALILAJ

Abetare (Martin Wong)

2024
Steel
130 x 165 x 5 cm

 

EUR 50,000

 

 

CAMILLE HENROT
Dos and Don’ts - Don’t Say God (as if it Was Written Dog)
2023

Digital collage serigraph print with watercolor, ink, acrylic and oil on prepared canvas
100 x 160 cm

 

EURO 140,000

LEE UFAN
With Winds
1989

Pigments on canvas
193.7 x 130 cm

 

Price upon request

MAAIKE SCHOOREL

dancing couple

2023

Oil on linen in two parts with powder pigment

150 x 180 cm

 

EUR 50,000

ANDREA BÜTTNER
Erntende

2021
Woodcut on Japanese paper

188 x 113 cm
202.5 x 127 x 4.5 cm framed

Unique


USD 25,500

 

Andrea Bu?ttner’s work alternates between forms like the woodcut, which privileges the use of the hand and the rough interaction of materials, and research-based projects that delineate the broader contexts in which her ideas circulate. Erntende (2021) emerges from an ongoing engagement with people and things that are humble, low to the ground, and suffused with earthiness. It depicts a figure bending down, as if to glean fallen crops that would otherwise have gone unharvested. Gleaners have long appeared in art historical contexts, but Bu?ttner adds to—and modifies—this discourse by entering it with the quick lines and improvised immediacy of her chosen medium. The result is as personal and touching, in all senses of the word, as it is notable for its graphic power. Also of note is the density of the rich hue she achieves, which has its own immersive qualities and radiant energy.

Bridge bath

2020

Oil, acrylic, and collage on canvas

121.9 x 121.9 cm

 

SOLD

ED RUSCHA
Three Sheets with Raisin Stains
1973

Gunpowder and raisin stains on paper

37.5 x 59 cm framed

36.8 x 58.4 cm unframed

 

Price upon request

PETRIT HALILAJ
Abetare (All I want is you)
2024

Bronze with patina
65 x 150 x 3 cm

EUR 40,000

NAIRY BAGHRAMIAN

B 75, BH, Mod. NB, Re f. CO, MM

2012
Stainless steel, concrete, plaster, cotton thread, rubber
165 x 49 x 12 cm

EUR 150,000

CAMILLE HENROT
Broke (Minor Concerns)
2015

Watercolor on paper mounted on Dibond
153 x 93 cm

 

Price upon request

DONALD MOFFETT

Lot 030424 (cliff swallows, 1)

2024

Oil on linen and wood panel support

52.1 x 41.9 x 5.7 cm

 

USD 80,000

ALICJA KWADE

Causal Emergence (November 2023)

2020

Galvanized gold on cardboard

81 x 81 x 4.7 cm framed

 

EUR30,000

GABRIEL OROZCO

Halo

2023-2024
Tempera and gold leaf on linen canvas
200 x 200 x 4 cm

 

USD 1,100,000

PAUL MCCARTHY

Henry Moore Bound to Fail Maquette

2005

carbon fibre (brown)

96 x 63 x 45 cm

 

USD500,000

TORBJØRN RØDLAND
The Blondes

2018-2020
Chromogenic print

140 x 140 cm

142.6 x 112.7 x 5.1 framed

Edition of 3 + 1 AP


USD 32,000

 

Torbjørn Rødland makes photographic images that pointedly address their viewers, evoking a wide range of emotional and intellectual states. Curiosity, humour, criticality, artifice, reverence for the natural world, and romanticism appear throughout his work and often in the same image. Rødland also emphasises the formal attributes of his photographs and forges links between twentieth-century photography and twenty-first-century approaches to image making common to advertising and social media. In The Blondes (2018–2020), Rødland showcases his penchant for humour by depicting a shirtless model-like figure on a sports bike holding an oversized fabric doll. Here too, we see common themes present throughout Rødland’s work, such as the incorporation of props used during childhood play, the interaction of two figures—whether real or otherwise—and the analogue darkroom processes he employs, pushing the medium toward modes of visual expression more commonly associated with painting.

ATONG ATEM

Our Neighbour was a Witch

2022

Ilford Smooth Pearl print

100 x 150 cm

edition 2 of 3 + 2AP

or

60 x 90 cm

edition 2 of 10 + 2AP

MARY WEATHERFORD
Sakura

2024
Flashe on linen

167.6 x 152.4 cm

 

USD 300,000

 

Mary Weatherford has become increasingly recognized as one of the leading painters of her generation, as well as one of the most astute and daring practitioners taking on the legacies of American abstraction. Over the course of her career, Weatherford has continually repositioned the boundaries of painting, investigating natural, built, and social environments through expressive colour and bold gesture, and by her innovative incorporation of three-dimensional elements into her canvases, including the neon tubes that have appeared in her work since 2012. In her large Flashe painting on view, Sakura (2024), black, white, and rose-colored plumes pool, bleed, overlap, and give way to deeper hues in a composition that recalls the boggling formation of organic matter. Weatherford’s title is a nod to the cherry blossom trees that bloom each spring in Japan, which the artist encountered on a recent visit. In this new work, Weatherford uses expressive gestures and sublime atmospherics to evoke the power and mystery of the natural world and to locate the colors and surfaces vital to her singular depictions of natural phenomena.

Kajsa

2017

oil on polyester

40 x 35 cm

 

GBP11,000

ALEX PRAGER

Twilight

2021

Archival pigment print

121.9 x 105.4 cm (print)

124.46 x 107.95 x 5.08 cm (framed)

Edition of 6

 

USD35,000

JOHN BALDESSARI

Hitchhiker (Splattered Blue)

1995
Maquette; color photograph, acrylic

40.6 x 50.8 cm
59.7 x 69.8 x 3.8 cm framed

BENDT EYCKERMANS

Bound
2024
Oil on paper
49.3 x 41.3 x 2.5 cm
 
USD 7,000

 

Bendt Eyckermans' enigmatic paintings suggest glimpses into hidden psychological spaces. The tense, unstable narratives Eyckermans constructs through cryptic symbols and spliced, ambiguous scenes create emotionally charged, complex and impenetrable internal worlds. The paintings depict people and places that surround the artist and are composed from life or from the artist’s own drawings, attempting to describe fragmented memories and moments. Statues often appear in these paintings, often as a looming presence or as statue-like bodies. Eyckermans is a painter born into five generations of sculptors and reveals through his compositions a complicated personal lineage in relation to these objects, as well as the complex genealogy of these objects themselves, weighted by European and colonial art histories. In a recent interview, the artist states: “I wanted my work to be influenced by the Belgian cultural heritage and to be as Belgian as possible” (Kaleidoscope, 2019).

His first major solo museum show was recently held at S.M.A.K Ghent; and TANK Shanghai recently hosted the first solo museum presentation of his work in Asia. Eyckermans' work is held in the collections of The Museum of Modern Art (MHKA), Antwerp, Belgium and TANK, Shanghai, China.

CHANTAL JOFFE

Alba

2019

Oil on canvas

305 x 152 cm

 

GBP85,000

NAIRY BAGHRAMIAN

S'eloignant (chamois, pe?che, rougie, vert mousse, bleu nuit)

2022
5 elements; cast lead, wax, walnut wood

Frame: 39 x 37 x 12 cm each
Overall: 39 x 331.5 x 12 cm

EUR 280,000

BENDT EYCKERMANS

Bound

2024

Oil on paper

49.3 x 41.3 x 2.5 cm

 

USD 7,000

Installation view

GUISEPPE PENONE

Impronte di luce

2022
Oil on canvas
183 x 183 cm

 

EUR 400,000

MIRIAM CAHN

o.t.,15.1.22

2022

oil on canvas

30 x 48 cm

 

EUR 25,000

Reserved

YAYOI KUSAMA

PUMPKIN

2018

Painted bronze
145 x 150 x 150 cm

USD 7,000,000

LIA D CASTRO

O Mar

2024

Oil on canvas

40 x 50 cm

 

EUR 10,000

 

In this body of work, Lia paints moments of rest and solitude, often capturing a delicate balance between tranquillity and loneliness. These works portray quiet, introspective scenes of unremarkable moments — Castro lying in a double bed, absorbed in a book in an empty room, shaving in the bath, or quietly observing a vase of flowers.

These tender paintings depicting ordinary experiences in Castro’s day-to-day reject skewed representations of Black and trans people that lean heavily towards fetishized portrayals that highlight pain, struggle, or sensationalized trauma. The moments of rest depicted in these paintings are also moments of repose from the emotional exhaustion of stereotyped portrayal and its ability to dehumanise, reinforce prejudices, and influence how society views Black and trans people and how Black and trans individuals see themselves. Being able to see life reflected in all its complexity and normalcy, adding nuance to the full spectrum of human experience, these works expose the one-dimensionality of stereotyped representations.

Alongside the serenity of these images, the solitary figures, surrounded by empty spaces or immersed in their thoughts, can evoke a poignant sense of isolation. This duality is what makes these paintings so powerful and evocative—they capture the beauty of peaceful solitude while also hinting at the deeper, sometimes melancholic aspects. In Castro’s paintings, vulnerability and fragility coexist with a delicate strength that perseveres. The result is a deeply human portrayal that resonates with viewers, reflecting the complexities of identity and solitude in its most tender and intimate forms.

Later this year, MASP São Paulo will host Castro's first institutional solo exhibition. Her work is held in institutional collections including S.M.A.K. Ghent among others.

OLIVER LEE JACKSON

No. 1, 2016 (1.2.16)

2016

Oil paints, oil enamel on wood panel

246.4 x 188 cm

 

USD 120,000

Tarkine

2017

dye-sublimation print on aluminium, photograph on acrylic

100 x 120cm

edition of 3 + 1AP

 

AUD18,000

TACITA DEAN

Bolt

2024
Carbon paper drawing mounted on paper

160 x 160 cm
170 x 170 x 5 cm framed

EUR 150,000

YAYOI KUSAMA

Soul

2013

Acrylic on canvas

194 x 194 cm

USD 2,200,000

HAYV KAHRAMAN

Bend Drawing 9

2020

Watercolour on paper

19 x 15 cm

 

USD 11,000

LIA D CASTRO

O Ateliê

2024

Oil on canvas

50 x 40 cm

 

EUR 10,000

WALTER PRICE

Beware of the Squares

2022-24

Acrylic, gesso, pvc glue, photo collage, screws, plexi glass on wood

55.9 x 76.2 cm

 

USD 40,000

 

Beware of the Squares is a series of scenes within a scene, pictures inside a picture. A bright yellow section of underpainting has been worked over in darker red-blacks and blue. Some elements are screwed into the work and in one bright section a crowd is shown avidly watching a TV atop a chest of drawers. The various delineated sections, disparate approaches contained in the piece convey a sense of the competing narratives we encounter in the mass media.

 

 

RODNEY GRAHAM

Refraction Study after Jerry Lewis (Artists and Models, 1955)

2020

Painted aluminum lightbox with transmounted chromogenic transparency

182.9 x 152.4 x 17.8 cm

Ed. 2 of 5 + 1 AP

 

USD 250,000

GÜNTHER FÖRG

Untitled

2005

acrylic on canvas on wood

60 x 90 cm

 

EUR125,000

TONY OURSLER

noom

2024

Computer screen, plexiglass lens, acrylic paint, camera lens, led lights, cloth, foamcore, aqua-resin, plywood, steel, digital media player, volume-controlled sound

178.4 x 43.2 x 31.8 cm

 

USD 100,000

MAI-THU PERRET

Detestable, to dream with the eyes open

2020

glazed ceramic

74.9 x 74.9 x 10.2 cm

 

USD45,000

ROBERT MAPPLETHORPE

Ken and Lydia and Tyler

1985

Silver gelatin print
40.6 × 50.8 cm

Ed. of 10

USD 100,000

 

In Ken and Lydia and Tyler, Robert Mapplethorpe rehearses the art-historical trope of the Three Graces, subverting the genre by supplanting the three goddesses with exceptionally muscular, headless male and female bodies thus consecrating the beauty of both genders – the exploration of which was a con- stant throughout his practice. Mapplethorpe dramatically orchestrates light and shade to give the three interlinked bodies the lustre of a classical bronze statue, crystallising his enduring investigation of sculptural beauty in the human form.

Robert Mapplethorpe’s works are currently presented in dialogue with Filippo de Pisis’s paintings at the Currier Museum of Art, Manchester, NH, until Sep- tember 2024.

HAYV KAHRAMAN

Bend Drawing 5

2020

Watercolour on paper

16 x 18 cm

 

USD 11,000

HUGH HAYDEN

Zelig

2024

Sharp-tailed grouse feathers on cardboard tubes

25.4 x 33 x 34.3 cm

 

USD 100,000

WALTER PRICE

Savvy yawn blanc

2022

Acrylic, gesso on wood

55.9 x 76.2 cm

 

USD 40,000

 

Savvy Yawn Blanc has an uneasy feel – hues of black and green dominate, cut through with sections of blood red. The title puns on the famous grape varietal used in the production of wine – speaking to the composition’s woozy quality. The ambiguous interior is shot through with various motifs: books, two armchairs, a goblet of wine, a head in profile, and along the top of the work there are more exterior elements – a bright blue horizon and gates. 

 

 

OLGA DE AMARAL

Soles A

2014

Linen, gesso, acrylic, Japanese paper and gold leaf

75.2 x 76.2 x 5.1 cm

 

USD 200,000

GIANNI POLITI

Lamento di cane

2023

Oil and acrylic on canvas

170 x 140 cm

 

EUR 30,000

 

Legendary art critic Roberta Smith described recently in the New York Times GIANNI POLITI’s paintings as works whose presence and meanings expand as you look at them [...] the brushstrokes conjure everything from Abstract Expressionism to Tiepolo-like sunsets.

 

Politi's powerful and vivid canvases are made layering and combining into complex abstract compositions strips and whole parts of other oil paintings. Politi rediscovers the idea of a “combine”, an hybrid work that associate painting with collage and assemblage and a wide range of techniques and reference materials taken from life. Neither paintings nor sculptures, but both at once.

 

Their chromatic brilliance is inspired by Veronese and other Venetian painters, the slashing by Fontana, and their sweeping scale by grand history painting which celebrates specific historical events.

JOYCE PENSATO

The Mask

2010

Enamel on linen

228.6 x 183.2 x 4.1 cm 

 

USD 240,000

GIANNI POLITI

Piangoforeverperteamore

2023

Oil and acrylic on canvas

170 x 140 cm

 

EUR 30,000

GÜNTHER FÖRG

Aller Retour

2008

Pastel on handmade paper

72.1 x 93.5 cm

82.5 x 103.6 x 4 cm framed

 

EUR85,000

IDRIS KHAN

After The Breakfast

2024

Watercolour mounted on aluminium

256.3 x 234.3 cm

GBP 180,000

THOMAS SCHEIBITZ
Window

2024
Oil, vinyl and pigment marker on canvas

180 x 160 cm

 

EUR 68,000

 

Though his conceptual practice often draws on an archive of found images and art historical references, Scheibitz explores the boundaries of universality and invention, creating works that are defined by their visual ambiguity. Informed by the codes and systems that structure both the world and our understanding of it, the artist has developed a distinct and singular visual language at constant play between figuration and abstraction. He combines highly varied imagery according to formal and associative similarity. In a process that reduces and reformulates legible figuration until it obtains the character of an abstraction, each element becomes autonomous and self-contained. His latest work Window (2024) displays painterly fluorescent areas next to black slopes and peaks rendered with graphic precision, emphasizing the idea that we are dealing with a surrogate of nature. Scheibitz’s title, together with the work’s composition, offer a striking example of his investigations into the reciprocal relationship between visual and linguistic information.

HÉLIO OITICICA

Untitled

1955

Gouache on cardboard

62.9 x 70.5 x 2.9 cm

 

USD 350,000

 

Hélio Oiticica began experimenting with geometric forms at the age of sixteen while studying under the artist Ivan Serpa. In 1954, Oiticica became a key member of Serpa’s Rio de Janeiro-based Grupo Frente alongside artists such as Aluisio Carvão, Lygia Clark, and Lygia Pape, who rejected the figuration and nationalism of the predominant modernist Brazilian painting style. During this time Oiticica was highly influenced by European modernism, particularly Paul Klee, Kazimir Malevich, and Piet Mondrian. Oiticica had been exposed to Klee and others at an early age at the São Paulo Bienal in 1953-54 as well as in the National Gallery of Art while his family briefly lived in Washington DC. Oiticica combined his interest in Modernism with Serpa’s Concretist ideas of non-representation to begin making abstract gouaches on cardboard and oils in 1955. His radical play with geometric forms and vibrant colours embodied in these early works demonstrates an intuitive understanding of colour and sensitivity to rhythm that he would later translate into physical space.

MATVEY LEVENSTEIN

Painting of the Rain

2022

Oil on linen
76 x 101.5 cm

 

USD 45,000

 

Matvey Levenstein is known for his mastery at rendering soft light and his use of colour through subtle tonal values. Growing up under Leonid Brezhnev’s regime, Levenstein left the USSR in 1980 and lived in Vienna and Rome, before moving to Chicago.

 

Since leaving Russia, Levenstein has returned to painting as a primary medium. He holds a BFA from the School of the Art Institute of Chicago and received his MFA degree at Yale University. The artist’s subjects, still lifes and landscapes, are among the classical genres in figurative painting. Levenstein’s works trace back to the European tradition of painting, from Italian Old Masters, Giorgio De Chirico and Pittura Metafisica, to the meditative scenes of Caspar David Friedrich and the haunting interiors of Vilhelm Hammershøi. Levenstein is known for his unique ability to render soft light and to use color mastering tonal values.

 

Levenstein has exhibited in solo and group exhibitions in several international museums, including the Modern Art Museum of Fort Worth, the Dallas Museum of Art, the Miami Museum of Contemporary Art, the Drawing Center and White Columns, New York. He has received numerous grants including the Louis Comfort Tiffany Foundation Biennial Award (2022), the Rome Prize (2003), and the Penny McCall Foundation Award (2002).

 

As many of Levenstein’s well-known contemporaries who paint choosing representation, he came out of Yale at the same moment (John Currin is a very close friend, and Lisa Yuskavage his wife). Levenstein shares with them the deepest knowledge and interest in painting techniques, and among them has chosen a distinctive calm, reflective approach. These paintings are quiet meditations pervaded with literary sensibility.

 

Thyrza Nihols Goodeve describes Levenstein as "a painter of exquisite quiet where interiority seems to emanate from every brushstroke”

TUNJI ADENIYI-JONES

Untitled (Cascades Study)

2022

Oil on canvas

182.9 ×x132.1 cm

 

USD80,000

LIU XIAODONG

????, Huazi Catching a Goose

2024

Oil on canvas

150 x 140 cm

 

USD 350,000

MATVEY LEVENSTEIN

Orient Interior

2023

Oil on linen
122 x 152.5 cm

 

USD 60,000

MATTHEW BARNEY

Bivouac: States one and four

2018

Two electroplated copper plates in copper frames

Framed Dimensions, each: 27.9 x 35.6 x 4.4 cm

Overall Dimensions: 27.9 x 86.4 x 4.4 cm

 

USD250,000

ANISH KAPOOR

Black

2023

Fiberglass, paint

186 x 186 x 37 cm

 

GBP 950,000

URS FISCHER

Lovelock

2024
Cast bronze, primer, water mixable oil paint, wax
64 x 33 x 39.7 cm
Edition 2 + 2AP

USD 50,000

HIROSHI SUGIMOTO

Palace Theater, Gary

2015

Gelatin-silver print

119.4 x 149.2 cm

Ed. 2 of 5

 

USD 200,000

ANISH KAPOOR

Untitled

2021

Oil on canvas

244 x 183 cm

 

GBP 750,000

SANYA KANTAROVSKY

Blue Steel

2018

monotype

55.9 x 45.4 cm

58.5 x 48 cm framed

 

USD10,000

TOM WESSELMANN

Great American Nude #81

1966
Acrylic on canvas
134.6 x 167.6 cm

 

USD 1,900,000

 

Tom Wesselmann’s iconic Great American Nudes stand as seminal manifestations of the Pop Art sensibility. Great American Nude #81, 1966, with its vibrant palette and suggestive curves, exemplifies the artist’s significant role in the visual culture of the latter half of the 20th century. Art historian Sam Hunter notes that the title for The Great American Nude series was an outgrowth of Wesselmann's "gag-humor days when standard topics of parody were The Great American NovelandThe Great American Dream. But the theme also captured something of the collective spirit of satire at a time of a newly dissenting avant-garde, and it connects the banal imagery of Pop Art to the empty, inflated Minimalist forms in that turbulent sixties era.” (Sam Hunter, Tom Wesselmann, New York, 1994, p. 18).

 

The present work depicts a nude woman reclining, with portions of her body isolated and cropped for a focused presentation of her form. Its use of lines and color speaks to Wesselmann’s significant impact on the crucial period when Pop artists rejected the visual modes of Abstract Expressionism while employing imagery redolent of American identity. Acknowledging commercial graphics and technological innovation allowed Wesselmann and his contemporaries to manifest a new type of American art. There is an idealized ambition to Wesselmann’s style and a truly innovative mastery in his symbolic appropriation of the nude.

 

Great American Nude #81 portrays a carefully composed, anonymous female form, stripped down in its simplicity, curves, and visual boundaries. The composition itself consists of very few elements: the smooth, flat surface of the figure, a limited color palette that allows for a delineated representation of her skin, hair, and smile, and an abstract series of curves and shapes that focus deliberately on her form. The absence of detailed facial features and the focus on her anatomy strip the subject down to the essential parts of a classical nude and imbue it with electric sensuality. The subject of Great American Nude #81, like many works from the series, which ran from the early 1960s to the early 1970s, was the artist’s wife, Claire Wesselmann. This association lends the work an added sense of familiarity and adoration that comes from the dialogue between artist and subject in what is a distinctly modern, sensuous, and joyful work of art.

JESSE WINE

To be titled

2024
Ceramic, steel reinforcement, copper, paint
185.4 x 58.4 x 58.4 cm

USD 40,000

 

Jesse Wine has developed a uniquely lyrical and surreal body of sculptural work over the last decade. He is concerned with exploring the relationship between the physical and psychological as they manifest in terms of weight, gravity and pose. His individual sculptures have a playful archetypal quality, depicting anthropomorphic elements, geometric shapes, and houses, amongst other things.

 

This new suite of bronze sculptures, produced at the Fonderia Battaglia, Milan, were inspired by the artist’s late father. For Wine, they function as distinct sculptures but also odes to his father – their production a cathartic act. Each one accommodates an orange peel or stack of mandarins in their various dream-like stage sets. This is a reference to his father’s habit of drying out and stacking oranges in strange totems – not with a view to making art but just as a practice. Wine has kept all his dad’s oranges and in one of the sculptures there is a little stack – a direct cast of one of the totems. In 2015, Wine did one project based exclusively on the oranges, producing a gigantic ceramic work, ‘Let Me Entertain You’, 2015, covered in iron filings to create a rust effect.

 

As with Surrealism, Wine’s pieces assert the primacy of the unconscious – its capacity to invert and reconfigure reality. A curtain flutters on a phantom breeze and strange branches sit within the works alongside various body parts – fingers, ears, feet. All four bronzes reference other artists too. There are nods to Italian sculptor Fausto Melotti’s moons, Alberto Giacometti works and in ‘Reality Tinkerer’ the peels of two oranges come to resemble the f-holes found in Man Ray’s ‘Le Violon d’Ingres’, 1924. In this way, Wine’s personal history becomes embroiled with art history. These concerns manifest themselves in more subtle ways too – particularly as regards Wine’s concern with the play of soft and hard. Gian Lorenzo Bernini (1598-1680) is of great interest to Wine and his influence is found in Wine’s fascination with depicting soft, malleable materials (such as cardboard, fabric, leaves, orange peel, flesh) using material that is hard and fixed. There is always an attempt to trick the viewer – to produce a moment of amazement or disbelief.

OTOBONG NKANGA

Tides and Glitches

2023

Woven textile on aluminium frame

Diptych: 150 x 50 x 3.5 cm

Installed: 150 x 100 x 3.5 cm

 

EUR70,000

WOODY DE OTHELLO

for those who return

2024

Glazed ceramic and wood

134.62 × 44.78 × 40.64 cm

 

USD 85,000

 

 

KENNETH V. YOUNG

Untitled

1970
Acrylic on canvas
101.6 x99.1 cm

 

USD 135,000

CATHY WILKES

Untitled

2024
Pigment and paper on linen
41 x 36 x 2 cm

GBP 49,000

 

Cathy Wilkes will open an institutional solo exhibition at Hunterian Art Gallery on 7th June, as part of Glasgow International Festival of Contemporary Art. The exhibition is influenced by Cathy’s childhood in Northern Ireland, and by histories and experiences of violence not usually given expression within official representations of war.

 

Wilkes’ new paintings on silk and linen panels are primed with gum arabic and painted with pigments. They show subtly constructed landscapes and compositions of hypostatic objects. Rather than focusing on the visual, their creation is iterative and conceptually led. Wilkes finds a correlative to the interior relationships of her installations, with their careful negotiations of space and placement, on the painted surface.

 

The paintings are made and repeated till they’re finished. After a while I know what should be there: I start again over and over. I can feel the speed of each action, which is fast and has no real duration – just the briefest moment compared to long periods of waiting and looking. It doesn’t feel like production, production is too aggressive – it feels like continuous preparation, and then eventually recognition when I see it.

– Cathy Wilkes

 

The paintings harbour forms which exist at the edge of legibility and their combination of celestial sparsity with depictions of land conjures associations with loss and the wilderness – the pursuit of philosophical or religious meaning.

TALA MADANI

Shit Mom (Zed)

2021

Oil on linen

40.6 x 38.1 x 2.5 cm

 

USD 35,000

ELLSWORTH KELLY

Siberian Iris

1989

Ink on paper

77 x 57 cm

 

USD 250,000

 

Ellsworth Kelly’s Siberian Iris, 1989, is a stunning example of the artist’s renowned drawings featuring plants and flowers. Kelly began making drawings of natural imagery in the late 1940s, and they played a central role in his oeuvre, reflecting seminal formal ideas that resonated with his paintings and sculptures. “The drawings from plant life seem to be the bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work,” Kelly wrote.

 

Kelly made each drawing from life, reflecting a career-long enthusiasm for found compositions. Siberian Iris depicts the flower’s distilled, abstract form through elegant contours and stark contrast, exemplifying the artist’s focus on direct visual impression. “They are exact observations of the form of the leaf or flower or fruit seen,” Kelly has said, “Nothing is changed or added.”

 

Kelly’s plant drawings were the subject of a one-person exhibition at the Metropolitan Museum of Art in New York in 2012.

CATHY WILKES

Untitled

2024

Pigment on linen
41 x 36 x 2 cm

 

GBP 46,000

MAJA RUZNIC

The World Doesn’t End II

2023-2024

Oil on linen

229.24 × 178.13 cm

 

USD 90,000 

 

Maja Ruznic (b. Bosnia and Herzegovina, 1983) fuses personal narrative, psychoanalysis, mythology, and esoteric thought into vivid paintings that hybridize #guration and abstraction. Painting variably with oils and gouache on immense and small scales alike, she extracts order from layers of diluted pigment. Ruznic’s practice is informed by her studies, from Slavic shamanism and alchemy to Jungian psychoanalysis and sacred geometry. Imbued with a discordant beauty, her compositions emerge without a premeditated outcome. Ruznic’s introspective, mystical approach places her into a lineage of visionary painters including Paul Klee and Hilma af Klint.

RENE MARGRITTE

L'accord Parfait

1947 - 1948

Oil on canvas
60.3 x50.5 cm

 

USD 4,200,000

 

L’Accord Parfait (Perfect Harmony), 1947-1948, is an exquisite example of René Magritte’s singular oeuvre. Enigmatic and compelling, the painting is a provocation of incongruously strong visual poetry; a room, a window, - a young woman, a stone, and a leaf. The individual elements of the painting are familiar motifs of Magritte’s art, imbued with totemic power and symbolic resonance.

 

The citation for L’Accord Parfait, 1947-1948, in the René Magritte Catalogue Raisonné: Volume II Oil paintings and Objects, 1931-1948 references a letter Magritte wrote to the Belgian poet Paul Nogué describing the multiplicity of associations within the painting. “One idea is the stone is bound by an ‘attachment’ to the earth, it does not lift itself up on its own, its kind of fidelity to terrestrial attachment can be counted on. One may think the same true of the woman.

 

From another point of view, the hard, well-defined existence of the stone – ‘a hard feeling’ and the physical and mental system of a human being are not unconnected.” Dating from the threshold of Magritte’s mature period, L’Accord Parfait was conceived in a decisive moment in Magritte’s development. A time when Magritte intellectually distanced himself from the influence of Parisian Surrealism, from the chance operations, automatism, and intuitive strategies for liberating the unconscious championed by André Breton in favour of refining his own cooly rational, analytic course. A path famously set in motion decades earlier by a 1923 encounter with Giorgio De Chirico’s disquieting painting Le Chant D’amour (The Song of Love), 1914. An uncanny composition featuring discordant elements; a marble bust, a ball, and a surgeon’s plastic glove theatrically staged in a moody, dream-like cityscape. Magritte wrote of the strange alchemy of this painting: “This triumphant poetry replaced the stereotyped effects of traditional painting. It represented a complete break with the mental habits peculiar to artists who are prisoners of talent, virtuosity and all the little aesthetic specialties. It was a new vision through which the spectator might recognize his own isolation and hear the silence of the world” (Sylvester, David, Magritte, Brussels, 2009, p. 71).

LIZ LARNER

ii (calefaction)

2014–2015

ceramic, glaze, stones and minerals

50.2 x 87.6 x 15.9 cm

 

USD100,000

FRANÇOIS-XAVIER LALANNE

Fontaine aux Oiseaux de Williamsburg

1994

Patinated bronze and carved stone
66 x64.5 x62.5 cm

 

USD 1,200,000

 

Franc?ois-Xavier Lalanne’s Fontaine aux Oiseaux de Williamsburg, 1994 is a superb exemplar of the artist’s later work. Behind the elegant and refined contours of the work’s three birds lay the unique visual grammar of Franc?ois-Xavier Lalanne, a self- taught, pioneering artist who forged a path against the artistic trends of his time. 

 

Franc?ois Xavier Lalanne was a French sculptor and installation artist who frequently worked with his wife Claude under the sobriquet Les Lelanne. He incorporated animal and mythological imagery into his sculptures and furniture pieces. He invented a bestiary composed of monkeys, rhinos, birds, camels, toads, hippos and cats, among others. His fascination with bringing figurative depictions of wildlife into domestic spaces while blurring the lines between sculpture and design desacralizes the medium of sculpture to give it a familiar dimension.

 

Before Lalanne began his sculptural practice, He worked as a guard at the Louvre Museum. His time there, particularly in the Oriental Antiquities departments, deeply influenced his art. The reliefs he studied, with their shapes, curves, and religious iconography sparked his fascination with the stylization of symbols and naturalistic representations of animals in Egyptian and Assyrian civilizations. This, combined with the influence of his friend and neighbor Constantin Brancusi, led Lalanne to emphasize smoothness and fullness of form in his animal sculptures, breathing new life into the medium.

 

Lalanne's relentless focus on animals in his artistic practice was a deliberate subversion of the Western concept of traditional statuary and the hegemony of abstraction in the post-war era. In the present work, three birds perch around the perimeter of a fountain. Birds in many ancient civilizations were considered couriers of the Gods and represented a gateway between worlds, carrying messages of love, fertility, life, and even omens of bad fortune. Here, the luscious bronze and carved stone, evoking an ancient ruin, coupled with the symbolic figure of the bird, omnipresent in ancient cosmogonies, create a powerful visual presence whose forms, curves, and tranquil air remain timeless.

CATHY WILKES

Untitled

2022

Pigment and gum arabic on cotton

50.5 x 54 x 2 cm

 

GBP 56,000

PIERRE HUYGHE

Camata III

2024
Photograph

96 x 64 cm
109 x 77 x 4 cm framed
Edition of 5 plus 2 artist's proofs

EUR 65,000

OLAFUR ELIASSON

Colour experiment no. 34
2011
Oil on canvas
80 x 80 cm


EUR 150,000

 

Since 2009, Eliasson has been engaged in a project involving a new colour theory based on the prismatic colors and explored through a series of painted artworks. He began these experiments by working with a colour chemist to mix in paint an exact color for each nanometre of light in the visible spectrum, which ranges in frequency from approximately 390 to 700 nanometers. Since the initial experiments, Eliasson has used this palette to make paintings on circular canvases, known collectively as the Colour experiment paintings.

 

 

ATONG ATEM

I Have Two of Everything 1

2022

Ilford Smooth Pearl print

150 x 100 cm

edition 3 of 3 + 2AP

or

90 x 60 cm

edition 2 of 10 + 2AP

REBECCA ACKROYD
ENSUITE

2024
Sculpture - Epoxy resin cast, mirrored steel tube, stainless steel, colour film, negative film strip, threaded bar
143 x 38 x 105 cm

 

USD 50,000

LEONOR ANTUNES

Ana #1

2024
Brass, wood beads
310 x 130 x 25 cm

 

EUR 90,000

YANG FUDONG

Sparrow on the Sea 1

2024
Black and white photograph

101 x 180 cm
161 x 206 x 1.5 cm framed
Edition of 5 plus 2 artist's proofs

USD 45,000

HAROLD ANCART

Untitled

2018
Oil stick and pencil on paper
162.5 x 129.5 cm

USD 230,000

SANYA KANTAROVSKY

Small Parts

2022

Monotype

53.5 x 43 cm

 

USD 16,000

LUCIO FONTANA

Concetto Spaziale

1962

Graffiti on pink canvas
100 x 80 cm

 

USD 1,200,000

 

With a single deep fissure gouged into its pink, oil paint- encrusted surface, Lucio Fontana’s Concetto Spaziale, 1962, is from the artist’s celebrated body of Olii (oil) paintings. These works represent the ultimate efflorescence of his Spazialismo movement, launched in 1947 with the Primo manifesto dello spazialismo (First manifesto of spatialism.) The title Concetto Spaziale, derived from Spazialismo, was employed by Fontana for the bulk of his output from 1950 onward. In the Olii works, Fontana abandoned the opacity and uniformity of water-based paint in favor of the flexibility and brilliance of oil paint. The Olii came to dominate Fontana’s practice in the early 1960s and remained central to his work until his death in 1968.

 

Characterised by a monochrome canvas with one or more holes roughly torn into the center of the work, the brightly colored Olii’s were counterparts to Fontana’s Minimalist Tagli paintings. While the hallmark of the Tagli (Cuts) were crisp, almost surgical slashes into the surface of the canvas, the Olii expressed a more primal sense of raw immediacy. Indeed, rendered in thick, sculptural lavishes of oil paint, the buco or ‘hole’ in the present work seems to erupt from the surface. The antithesis of the cool and seductive Tagli, the wound-like hole in Concetto Spaziale dominates the composition. Fontana further incised markings into the pictorial surface: they circle and spiral around the gaping hole, imbuing the work with a sense of percolating, pent-up energy.

 

While the paint was still wet, Fontana would employ a sharp tool to gouge the surface, then claw at the canvas with his fingers, adding texture and weight, with a thick impasto of oil paint encrusting the ragged edges surrounding the violently punctured hole. Describing his transition between the Olii and the Tagli, Fontana explained: “The cuts that I have made so far represent above all a philosophical space. But that which I am seeking, now, is no longer philosophical space but rather physical space... It is a human dimension that can generate physiological pain, a terror in the mind, and I, in my most recent canvases, am trying to give form to this sensation.” (Lucio Fontana cited in Grazia Livi, ‘Incontro con Lucio Fontana’, Vanita, No. 13, Autumn 1962, p. 55).

 

The conceptual essence of Concetto Spaziale and the series from which it derives is the creation of the central perforation, which disrupts the traditional flat plane of the medium. This innovation opened the canvas, infusing it with the space endlessly expanding behind, around, and through it. The dawn of the Space Age, marked by Yuri Gagarin’s flight in 1961, introduced an entirely new cultural dimension. For Fontana, the astronaut’s launch into the infinity of the cosmos is echoed in the void created by his perforations. These punctures ruptured the canvas as well as the traditional boundary between painting and sculpture, bringing a new dimension to art of the 20th century and the cosmic age.

JONATHAN LYNDON CHASE

we leave the fan during winter

2022

watercolour and marker on sheet

76.2 x 101.6 x 2.5 cm

 

USD35,000

FERNANDA GOMES

Untitled

2021

Wood and paint

40.6 x 81 x 10.3 cm

 

USD 50,000 

WILFREDO PRIETO

La forma en la que hablas/The way you talk

2023
Acrylic on linen
200 x 300 x 5 cm

 

USD 40,000

CHASE HALL
Portrait of Matteo

2023
Acrylic and coffee on cotton canvas

30.5 x 22.5 x 5.1 cm

 

USD 25,000

 

 

JADÉ FADOJUTIMI
Fleetingly Fresh

2018
Oil on canvas
151 x 120 cm

 

USD 575,000

Radiating a joyously inviting internal light, Jade? Fadojutimi’s Fleetingly Fresh, 2018, conjures an astonishingly lyrical painterly space filled with luminous colour and joie de vivre. Earthy greens, fiery washes of mineral reds and oranges, and a delicate spectrum of violets interact in an expansive space, where the gestural physicality of the artist’s commanding brushwork builds an ethereal cosmos, rhythmically fluctuating between figuration and abstraction. Within this poetic domain, suggestions of organic forms crystalize and dissolve in a meditation on the traditional motif of a floral still life.

 

Created the year after Fadojutimi was awarded a Master of Arts degree from the Royal College of Art in London and honored with that year’s Hine Royal College of Art Painting Prize, Fleetingly Fresh is a sublime example of her work from this period. In the present work, a growing confidence in Fadojutimi’s approach to colour and form is evident, as well as the urgent timeliness of her project, questioning influence and identity, and the evolving nature of beauty. As Andrew Hunt states, her work “demonstrates an oscillation between figuration and abstraction representative of our polyrhythmic identities.” (A. Hunt, Across the Universe: Andrew Hunt on the 11th Liverpool Biennial, Artforum, June 17, 2021)

GLENN LIGON

WITH HOPE

2017

Neon mounted on a white powder coated aluminum box

24.1 x 66.0 x 12.7 cm

Edition of 10 + 2AP

 

USD175,000.00

 

A portion of the proceeds from the sale of this work will be donated to the Equal Justice Initiative (EJI).

 

Equal Justice Initiative, a non-profit organization started by lawyer and social justice activist Bryan Stevenson, is committed to ending mass incarceration and excessive punishment in the United States, to challenging racial and economic injustice, and to protecting basic human rights for the most vulnerable people in American society. Ligon was deeply inspired by Stevenson’s book "Just Mercy." When the two men met, Stevenson thoughtfully inscribed Ligon’s copy of "Just Mercy" with the words “With Hope”—an encouraging and forward-looking message that the artist borrowed to create this evocative neon sculpture.

MAI-THU PERRET

Monkeys clinging to the frosted branches shriek all night

2023
Glazed ceramic

53 x 41 x 11 cm


USD 35,000

MIRIAM CAHN

o.t.,17.9.23

2023

Water color and colored pencil on paper

38 x 70 cm

 

EUR 11,000

Reserved

ANISH KAPOOR

Shudder

2021

Oil on canvas

213 x 274 x 5 cm

 

GBP800,000

WILLIAM E. JONES
Reclining Man

2023
Oil on canvas

30.5 x 40.6 x 1.9 cm
34.9 x 45.4 x 3.5 cm framed

 

USD 15,000

CARRIE YAMAOKA

16 by 12 (blue/white)
2023
Reflective polyester film, urethane resin and

mixed media on wood panel
40.6 x 30.5 cm

 

USD 8,000

 

The reflective polyester film piece 16 by 12 (blue/white) shows edges and pools that are particularly organic. The plastic sheeting the artist used on top of the piece in the making process interacted with the heat of the wet resin, giving birth to the topography of air bubbles and cavities, softening the edges.

JOANNA POUSETTE-DART

Untitled

2024

Acrylic on canvas on wood panel

85.7 x 87 x 1.9 cm

 

USD 60,000

MERET OPPENHEIM

Porträt mit Tätowierung

1980

Gelatin silver print

29.5 x 21 cm

Edition of 50 + 5EA (EA 1)

 

CHF80,000

TATSUO MIYAJIMA

Time Waterfall-panel #10

2018

Computer graphics, LED display

336 x 64 x 32 cm

 

USD180,000

MASAOMI YASUNAGA

Mosaic Vessel

2023

Glaze, Colored glaze, Titanium oxide, Tile, Kaolin

49 x 24 x 19 cm

 

USD 12,000

BROOK HSU

Pasolini Seven Times
2024
200 x 180 cm

 

USD 60,000

 

Pasolini Seven Times is Brook Hsu’s latest ink-on-canvas piece from the text painting series that began in 2023. It directly expresses the artist’s profound affection for the Italian director.

 

By repeating in a special font Pasolini’s name seven times across the large canvas, this painting marks a significant deviation from the ongoing green painting series, speaking of both an obsession with Pasolini’s artistic and political legacies, and a subtle interest in turning texts into radically figurative compositions.

ZHAO GANG

???? Chicken, Duck and Fish

2023

Oil on canvas

180 x 180 cm

 

USD 93,000

ANISH KAPOOR

Shudder

2021

Oil on canvas

213 x 274 x 5 cm

 

GBP800,000

JOSH KLINE

American Camouflage 7

2024

Dehydrated & sterilized fast food, corn, rubber gloves, cardboard packaging, plastic, epoxy resin, aluminum, acrylic, automotive paint, LED strips

76.2 x 114.3 x 6 cm

 

USD 75,000

ANNIE MORRIS

Stack 3, Cobalt Turquoise

2023

Foam core, pigment, concrete, steel, plaster, sand

197 cm approx.

 

On Reserve

CHANTAL JOFFE

Katy in a Pink Dress

2023

Oil on board
100 x 70 x 6 cm

GBP 50,000

NATE LOWMAN

Maria Tree

2021

Oil and alkyd on canvas on wood panel

137.2 x 82.9 cm

Signed and dated verso

 

USD220,000

KELLY AKASHI

Cultivator (Mirror Image)

2023-2024

Lost-wax cast bronze, galena mirrored hand-blown glass, flame-worked borosilicate

24.8 x 22.9 x 29.2 cm

 

USD 55,000

OSCAR TUAZON

Shoshone Cedar

2023

Enamel on glass, aluminium, silicone
61 x 61 x 5 cm
Unique

 

USD 40,000

SARAH CUNNINGHAM

Earth Song

2024

Oil on canvas

80 x 60 x 4 cm

 

USD 16,000

GREGORY HODGE

Blue Light

2024

Acrylic on linen

200 x 160 cm

 

USD 19,800

VAN HANOS

The World

2024

Oil on linen

152.4 x 243.8 x 5.1 cm

 

USD 70,000

SIMONE FATTAL

Study

2014

Watercolor on paper

30 x 38 cm

 

EUR 8,000

HÉLIO OITICICA

Spatial Relief Amarelo 22

1959/2002

Acrylic on wood

127 x 181.6 x 11.4 cm

 

USD2,500,000

OTOBONG NKANGA

Midnight Study I

2021

Woven textile on aluminium frame

85 x 160 x 4 cm

 

EUR 60,000

GORDON PARKS

Muhammad Ali, Miami Beach, Florida

1966

Gelatin silver print 

cm framed

 

USD 42,500

MARIO GARCIA TORRES

O Equilibrista
2024

Acrylic on canvas
97 x 211 cm framed

USD 60,000

TAUBA AUERBACH

Foam

2023

acrylic on dibond

91.4 x 137.2 x 2.5 cm

 

USD136,000

LAURA OWENS

Untitled

2024

Oil, Flashe, and screen-printing ink on linen

275 x 213 cm

 

USD 1,200,000

 

Laura Owens is known for her wide-ranging and experimental approach to painting, which incorporates an extensive scope of sources and painting techniques. Her work embraces multifarious visual references, including embroidery, textiles, literature, wallpaper design, and natural imagery.

 

Untitled, 2024, is inspired by imagery Owens first explored for a 2021 exhibition at the Fondation Vincent van Gogh Arles in France. For the exhibition, the artist created monumental, handmade wallpaper, transforming design motifs borrowed from the little-known twentieth century English artist and designer Winifred How. In Untitled, references to How’s designs include the fragmented wallpaper borders, as well as the bell-shaped Fritillaria flowers. Owens exaggerates the distinctive checkered pattern found on the flower’s surface, producing a pixelated quality that highlights her experimental approach to painterly abstraction.

 

Owens’s use of thickly applied impasto and screen-printing techniques further challenges the traditions of abstraction, reflecting the artist’s ability to raise questions about the painting process, including its materials and history. In Owens’ own words: “I’m trying to move the boundaries of familiar categories in your linguistic mind through your visual perception.”

CAMILLE HENROT

Dos and Don'ts - Self Flood

2022

Digital collage serigraph print with watercolour, ink, acrylic and oil on prepared canvas

80 x 60 x 4 cm

82.6 x 62.6 x 5.4 cm framed

 

USD100,000

LEONOR ANTUNES

Lena #9.2
2024

Brass
260 x 73 x 15 cm

EUR 90,000

FRIDA ORUPABO

Illustration 81 / Bearing Witness

2024

Collage with paper pins

139 x 85 cm

 

USD 26,000

ANISH KAPOOR

Untitled

2019

Acrylic

150 x 100 x 60 cm

 

GBP1,000,000

SANYA KANTAROVSKY

Honey

2022

Monotype

53.5 x 43 cm

 

USD 16,000

CLARE WOODS

The Concealment

2023

Oil on aluminium

150 x 100 cm

 

EUR 55,000

CHOU YU-CHENG

Origami #60
2023
Acrylic on paper, paper inlaid on linen
150 x 135 cm

 

USD 32,000

 

Chou Yu-Cheng’s Origami series of paintings reconsider the tradition of origami or paper-folding, a complex game that transforms flat materials into sculpted, three-dimensional objects. Chou closely examines the plasticity of paper in relation to abstract painting’s illusionistic potentials, producing curvy volumes and depth. Unlike previous series such as Moody and Water, Colour & Paper in which various elements float and converge, Origami paintings are firmly governed by gravity and by the implication of a standing ground, suggesting a still-life quality.

 

Another artistic tradition at work here is ikebana or kado?, the Japanese art of flower arrangement. Instead of creating animals and figures as traditional origami does, Chou’s recent paintings speak of revealing the nature of the material itself, and the aesthetic of bringing distinct elements together to form a harmonious totality.

AILEEN SANDY

Colours of the Rocks

2022

acrylic on canvas

201 x 196 cm

 

AUD28,000

CARRIE YAMAOKA

40 by 40 (clear/black #2)
2023
Black vinyl film and urethane resin on wood panel
101.6 x 101.6 cm

 

USD 20,000

 

A founding member of the artistic collective 'fierce pussy', Carrie Yamaoka is interested in the way error, defect and chance influence the outcome of an art object, and has since 1994 created a series of radically elusive artworks that are at once sculptural, painterly and photographic.

 

The ripples on Yamaoka’s black vinyl film piece 40 by 40 (clear/ black #2) are results of the New York sunshine: black silver vinyl was acted on by the heat generated by sunlight in Yamaoka’s studio and it responded by rippling. Yamaoka’s work wrestles with the viewer’s desire to search for an image: “I want the viewer to lurk in that limbo, that place before an image is arrived at.”

NAN GOLDIN

Empty beds, Boston

1979

Cibachrome

76 x 102 cm

 

USD 18,000 - 35,000

ANISH KAPOOR

Untitled

2019

Acrylic

150 x 100 x 60 cm

 

GBP1,000,000

WALTER PRICE

Alpha vs beta

2023

Ink, acrylic, gesso, vinyl on wood

127 x 152.4 cm

 

USD 65,000

GLENN LIGON

1619-2023 (X)

2023

Oil stick, ink and acrylic on canvas

223.5 × 88.3 cm

 

USD750,000

KATHARINA FRITSCH 

Birkenkreuz (Birch Cross)

2023

Plaster, acrylic paint

30 x 20 x 3 cm

Edition of 16

 

EUR 20,000

 

Katharina Fritsch’s sculptures are based on familiar objects mined from the sphere of public knowledge, which she then distorts through uncanny shifts in colour and scale to create destabilizing encounters. Typically, each work is molded by hand, then cast in plaster, reworked, and then cast again in its final material. The form is finished with a matte paint that absorbs light, giving the sculpture’s surface a disorienting, immaterial quality.

 

Through this unique process, Fritsch creates sculptures that evoke a sense of wonder while probing the nature of human perception and experience. In the artist’s own words: “I find the play between reality and apparition very interesting. I think my work moves back and forth between these two poles. There is still the connection to the real, but at the same time to the unreal.”

 

Birkenkreuz (Birch Cross), 2023, is a plaster sculpture depicting vivid green birch branches assembled into a cross. The simplified yet evocative form reflects the artist’s lifelong fascination with Christian traditions, including frequent visits to Catholic churches throughout Germany as a child. The sculpture exemplifies Fritsch’s ongoing exploration of religious imagery, including St. Nicolas, 2002 (Walker Art Center, Minneapolis) and Mönch (Monk), 1997–99 (Glenstone Museum, Potomac, Maryland).

 

CLARE WOODS

Puff of Smoke

2023

Oil on aluminium

150 x 100 cm

 

EUR 55,000

Katharina Fritsch

Kotelett (Cutlet)

2023

Plaster, acrylic paint

3 x 15 x 11 cm

 

EUR 16,000

 

Kotelett (Cutlet), 2023, is modeled after a cut of meat from the artist’s local butcher shop. Painted a monochrome blue-green colour, Fritsch’s cutlet both intrigues and bewilders. “My sculptures can never be totally grasped, like a picture that has something unresolved about it,” Fritsch has explained. “They stay in your head like an enigma. That’s how life seems to me and that’s how I depict it.”

Fiona Connor

#10

2019

Hand painted lettering on wall

unique

USD$6,600 (inc GST)

 

Fiona is a New Zealand artist of the same generation (and social group) and Simon Denny. She’s been in lots of good international group shows, but no good solo shows as yet. She’s living in LA and clearly trying to crack the US market. She’s just had a new commission at the Sculpture Centre that’s gained some good press. She’s on the radar of The Art Newspaper, Ocula, Artforum, E-flux, Hyperallergic etc.

 

I love this work. It was created for a little private exhibition in an apartment in Potts Point, and speaks to areas of the home that the light cannot reach. It is not a vinyl, but rather, engages a sign writer to hand paint each letter. It is beautiful and poetic. 

 

MARK BRADFORD

Untitled Pink (SFMOMA Benefit)

2016

Acrylic, paper, and string on canvas

152.4 x 121.9 cm

 

USD3,500,000

CHANTAL JOFFE

Bella

2023

Oil on board
100 x 215 x 6 cm

GBP 80,000

ALICJA KWADE

Ein Monat (April 2020)

2021

Nickel-plated brass on cardboard

88 x 77 cm framed

 

EUR28,000

CATHY JOSEFOWITZ

Untitled

c.1974

gouache on paper

23.9 x 32.2 cm

36.5 x 44.8 cm framed

 

USD40,000

FLORA YUKHNOVICH

Study

2020

Oil on paper
21 x 14.5 cm

GBP 45,000

NATE LOWMAN

San Andreas Fault

2021

Oil and alkyd on linen

200.7 x 134.6 cm

Signed and dated verso

 

USD200,000

OSCAR TUAZON

Suovdni

2023

Enamel on glass, aluminium, silicone
61 x 61 x 5 cm
Unique

 

USD 40,000

NATE LOWMAN

Merapi/Cutouts

2021

Oil on canvas on wood panel, two parts

40 x 152.4 cm part one

121.9 x 103.5 cm part two

163.8 x 152.4 overall

 

USD180,000

OSCAR TUAZON

Autumn Equinox

2023

Enamel on glass, aluminium, silicone
61 x 61 x 5 cm

Unique

 

USD 40,000

OLIVER BEER

Resonance Painting (Cry Me A River)

2022

Pigment on canvas

200 x 150 cm

CATHY JOSEFOWITZ

Untitled

c.1974

gouache on paper

23.9 x 32.2 cm

36.8 x 44.8 cm framed

 

USD40,000

SIMONE FATTAL

Woman with Necklace

2011

Stoneware fired in a wood kiln

63 x 35 x 20.5 cm

 

EUR 83,000

 

In Simone Fattal’s practice, archaeology, politics, religion, literature, and history are deeply entangled. Born in Syria and raised in Lebanon, the Mediterranean is the basin from which the artist’s works spread out, equally drawing upon ancient myths and current socio-political concerns. Ancient creation myths have often been connected to Fattal’s sculptures, which depict primordial men and women, goddesses and warriors, animals and trees, as in Woman with Necklace, a stoneware sculpture in which a few irregular pearls suggest the shape of a female figure adorned with jewels.

JONATHAN MEESE

"MEIN BLUT FÜR DEN MELONENKÖNIG "MABUSIS"! (ABRIDGED)"

2021

210 x 140 cm

 

USD50-75k

MARILYN MINTER

Circe

2023

Enamel on wood panel

81.3 x 61 cm

 

USD140,000

SIMONE FATTAL

Fix Your Gaze on Saturn’s Rings

2012-2022

Bronze

63 x 46,5 x 36 cm

Edition of 6 + 2 AP

 

EUR 88,000

JOHN ARMLEDER

Elliptical Galaxy

2021

mixed media on canvas

149.9 x 110.2 x 3.8 cm

 

USD110,000

SIMONE FATTAL

Untitled (House)

2018

Glazed stoneware

24 x 36 x 32 cm

 

EUR 37,000

TERRY ADKINS

Marshall

2013

wood-handled fruit harvester, chrome, blown glass, and velvet cushion

114.3 x 30.5 x 30.5 cm

 

USD175,000

 

PROVENANCE

The Estate of Terry Adkins

SIMONE FATTAL

Sans titre (Variation en noir et blanc, l’état du ciel)

2013

Acrylic and oil on canvas

110 x 110 x 2 cm

 

EUR 70,000

ANN CRAVEN

Portrait of a Red Finch (After Picabia, Singing Kindly, Again) 2023

2023

Oil on linen

213.36 × 152.4 cm

 

USD165,000

SIMONE FATTAL

Variation en noir et blanc, l’état du ciel

2013

Acrylic and oil on canvas

100 x 100 x 2 cm

 

EUR 70,000

GRETCHEN ALBRECHT

Seraf

1982

Acrylic on canvas

153 x 306cm

 

NZD125,000

GORDON PARKS

American Gothic, Washington D.C.

1942

Gelatin silver print

69 x 55 x 3 cm framed

 

USD 38,500

SOPHIE VON HELLERMANN

Nature

2022

Acrylic on canvas

61 x 51 cm

 

GBP10,000

ALICJA KWADE

Principium

2022

Patinated bronze, Brenna stone

143 x 60 x 50 cm

 

EUR65,000

STERLING RUBY

WIDW.PEASEBLOSSOM

2020

Acrylic, oil, elastic and cardboard on canvas

213.4 x 121.9 x 5.1 cm

 

USD350,000

Ore of Cyprus Study

2021

acrylic paint and pigment on glass

29.4 x 20.5cm

 

AUD2,000

RICKY SWALLOW

Skewed Open Structure with Rope #9

2023

Patinated bronze and oil paint

15.2 x 35.6 x 26.7 cm

 

USD 50,000

ALLORA & CALZADILLA

Aeolian Chart

2022

Watercolor on paper

135.9 x 214.9 x 5.1 cm framed

 

USD85,000

LIU WEI

Outcast 2021 No. 1

2021

Oil on canvas

177.8 x 215.9 x 4.44 cm

 

USD400,000

WALID RAAD/THE ATLAS GROUP

Festival of Gratitude: Omar

2003/printed 2021

inkjet print on Luster Paper Epsom Premium

39.4 x 57.2 cm image

42.5 x 60.3 x 3.8 cm framed

Edition 5 of 5 + 2AP

 

USD12,000 or complete set of 12 USD95,000

ANN CRAVEN

Woodpecker (and the Moon, Again, January 14, 2021), 2021

2021

Watercolor on Arches paper, 140lb

76.2 x 55.9 cm

81.3 x 61 cm framed

 

USD25,000

STERLING RUBY

BC (3791)

2012

Paint, bleach, glue and fabric collaged on wood

320 x 243.8 x 5.1 cm

 

USD250,000

ANN CRAVEN

Snowy Owls (after Audubon, January 2, 2021), 2021

2021

Watercolor on Arches paper, 140lb

76.2 x 55.9 cm

81.3 x 61 cm framed

 

USD25,000

CHRISTIAN MARCLAY

Untitled (from the series Taped Tape)

1994

collage of magnetic tape and adhesive tape on paper

63.5 x 74.9 cm

67.9 x 82.6 cm framed

 

USD45,000

STERLING RUBY

SP31

2008

Spray paint on canvas

254 x 365.8 cm

 

USD870,000

CHRISTIAN MARCLAY

Untitled (from the series Taped Tape)

1994

collage of magnetic tape and adhesive tape on paper

66 x 101.6 cm

73 x 108.6 cm framed

 

USD45,000

TALA MADANI

Perfect Copy I

2021

Oil on linen

99.7 x 80 x 2.5 cm

 

USD65,000

Ore of Cyprus

2021

 

Installation view

MARGUERITE HUMEAU

Orisons (Sandhill Cranes)

2022

Pigment and charcoal on paper; wax, resin and wood frame

100 x 140 cm

107.5 x 147.5 x 5 cm framed

 

GBP32,000

TALA MADANI

Smeared Interior II

2021

Oil on linen

30.5 x 45.7 x 2.5 cm

 

USD35,000

VICTOR MAN

As yet untitled

2022

Oil on canvas on wood

70 x 60 cm

 

EUR250,000

Landspace Shaping Of Memory

2019

Wax pastel, wash with oil pigment, acrylic, watercolour, pencil, ink, balsa wood, twine, archival PVA and gilding on paper; two elements on paper mounted on aluminium

176 x 176 cm image

180 x 180 cm framed

Unique work

 

AUD77,000

SOLD

 

MATH BASS

[Title to be determined]

2024

Oil on linen

127 x 132 cm

 

USD 45,000

TALA MADANI

Shit Mom (Zed)

2021

Oil on linen

40.6 x 38.1 x 2.5 cm

 

USD35,000

Ore of Cyprus

2021

 

Installation view

WANGECHI MUTU

Subterranea Holy Cow

2022

Ink, emulsion paint and watercolor paper on photographic print

184.8 x 121.6 cm

201.3 x 140.3 x 6.4 cm framed

 

SOLD

TODD MCMILLAN

Lull (X)

2019

watercolour and gouache on cotton watercolour paper on plywood, epoxy

133 x 98 cm

 

AUD20,000

citizens with birds

2020/21

synthetic polymer on canvas

40 x 51 cm

 

AUD2,750

AMY SILLMAN

Green Shift

2022

oil on canvas

182.9 x 165.1 x 3.8 cm

 

SOLD

URS FISCHER

Sunny Side Up

2012

Epoxy resin, fiberglass, expanded polystyrene foam, pigment, water based oil paint

7.6 x 91.4 x 73.7 cm

 

USD125,000

SOPHIE VON HELLERMANN

Rebirth

2022

Acrylic on canvas

140 x 160 cm

 

GBP28,000

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

ANNE COLLIER

 

Crying (Negative)

2017

C-Print

221.9 x 128.75 x 4.45 cm

Edition of 5

 

USD45,000

SARAH MORRIS

Calendar [Spiderweb]

2022

Household gloss paint on canvas

207 x 152 cm

 

USD185,000

TODD MCMILLAN

Lull (VIII)

2019

watercolour and gouache on cotton watercolour paper on plywood, epoxy

133 x 98 cm

 

AUD20,000

CLARE WOODS

Murk

2022

Oil on aluminium

100 x 100 cm

 

GBP30,000

FELIX GONZALEZ-TORRES

Untitled (Lover's Letter)

1991

C-print jigsaw puzzle in plastic bag

Edition 1 of 3 + 1AP

19.1 x 24.1 cm

 

USD200-300k

WILL COOKE

You and me

2022

primer, acrylic on aluminium, powdercoated aluminium frame, clear coat lacquer

91.6 x 81.6cm

 

AUD6,200

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

OSCAR MURILLO

 

untitled (catalyst)

2018-2019

Oil and graphite on canvas

210 x 165 cm

 

USD300,000

 

Compared years ago to the great Basquiat and set to be the next big thing, Oscar is another big hit in the art fair circuit. His works are indeed enigmatic and totally captivating - and the market seems to agree. His works are highly sought after.

Lot 1

CAROL JERREMS (1949 – 1980)

Mozart Street

1975

silver gelatin photograph

13.5 x 20 cm image

edition 1 of 9

signed, dated, numbered and inscribed with title below image: MOZART STREET. / 1 / 9 / JERREMS, 1975.

 

ESTIMATE AUD20,000 – 30,000

 

PROVENANCE

Gift from the artist, Melbourne, 1975

Catriona [Katrina] Brown, Mexico

 

EXHIBITED

A Decade of Australian Photography 1972–1982: Philip Morris Arts Grant at the Australian National Gallery, Australian National Gallery, Canberra, 8 October 1983 – 29 January 1984 (another example)

Living in the 70s: Photographs by Carol Jerrems, Plimsoll Gallery, University of Tasmania, Hobart, 20 July – 12 August 1990; and touring nationally (another example)

Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang, Heide Museum of Modern Art, Melbourne, 31 July – 31 October 2010 (another example)

Carol Jerrems: Photographic Artist 1968 – 1978, National Gallery of Australia, Canberra, 25 August 2012 – 28 January 2013; and touring nationally (another example)

 

LITERATURE

King, N. (ed.), Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang, Heide Museum of Modern Art, Melbourne and Schwartz City, Melbourne, 2010, p. 131 (illus., another example)

 

RELATED WORKS

Another example of this work is held in collection of the National Gallery of Australia, Canberra

RACHEL HOWARD

Love Fool

2019

Oil and acrylic on canvas

213.4 x 213.4 cm

 

GBP85,000

 

In her work, Rachel Howard plays with the tensions between control and chaos, order and entropy, making and unmaking, beauty and destruction. Dominated by alizarin crimson, Love Fool oscillates between a crisp, clear pattern of leaves and twine that collapses in areas of the canvas into smeared, gestural forms of mark making. The repetitive motif appears to swell and rise above the painting’s surface; the texture and intensity of the red pigment drawing the eye in and across the composition. The softer opaque areas feel similar to light plumes of smoke. The glow of fluorescent yellow paint at the top and bottom edges of the canvas lends the work a forensic quality.

ARNULF RAINER

Ohne Titel

1956

Oil on canvas

100.5 x 75.5 x 3.1 cm

 

EUR450,000

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

MARKUS AMM

 

Untitled

2021

oil on gesso board

35 x 30 x 2.5 cm

 

USD25,000

Installation view

DOUG AITKEN

DEMO CRACY

2020

Archival pigment print on Ilford Galerie Gold Fibre Silk paper

99.1 x 76.2 cm

Edition of 6

 

USD 35,000

Entangled Garden for Plant Memory 1

2020

dye sublimation archival print onto polished mirror

120 x 80 cm

edition of 3 + 1AP

 

AUD16,000

citizens

2020/21

synthetic polymer on canvas

35 x 46 cm

 

AUD2,500

AI WEIWEI

Bicycle Basket With Flowers

2015

Porcelain, Huali wood and glass

35 x 28 x 33 cm

 

EUR220,000

ED RUSCHA

Japan is America

2019

Acrylic on museum board

61 x 86.4 cm

JOAN MITCHELL

Untitled

ca.1962

Oil on canvas

74.9 x 91.4 cm

 

USD2,800,000

collage of imaginary pots

2021

collage, synthetic polymer paint

76 x 56 cm

 

AUD2,200

Lot 31

ARTHUR BOYD (1920 – 1999)

Nebuchadnezzar in the Long Grass

c.1968

oil on canvas

108.5 x 113 cm

signed lower right: Arthur Boyd

bears inscription verso: 13

 

ESTIMATE AUD55,000 – 75,000

 

PROVENANCE

Private collection,

Sotheby’s, Melbourne, 24 July 1988, lot 368 (as ‘Nebuchadnezzar Swimming Across a River’)

Savill Galleries, Sydney

Private collection, Sydney, acquired from the above in 1998

 

‘I’d like to feel that through my work there is a possibility of making a contribution to a social progression or enlightenment. It would be nice if the creative effort or impulse was connected with a conscious contribution to society, a sort of duty of service.’1

 

According to the Old Testament, Nebuchadnezzar, king of ancient Babylon (602-562BCE), was a successful ruler who fell from grace for placing his own self-aggrandisement before God. As punishment for his pride and arrogance, he thus lost his sanity and was banished into the wilderness for seven years where he underwent various trials and tribulations: ‘...his heart was made like the beasts, and his dwelling was with the wild asses: they fed him with grass like oxen, and his body was wet with the dew of heaven; til he knew that the most high God ruled in the kingdom of men, and that he appointeth over it whomsoever he will’.2 Although the Book of Daniel has provided inspiration to the visual arts for centuries from the medieval façade reliefs of Notre Dame La Grande, Poitiers to the Romantic prints of visionary William Blake, no painter has arguably ever devoted him or herself more fully to imagining the degenerative experiences of Nebuchadnezzar in the wilderness than Australian modernist, Arthur Boyd.

 

Imbuing his king with Lear-like characteristics, Boyd embarked upon this impressive Nebuchadnezzar series in 1966 to illustrate a text on the theme by the scholar Thomas S.R. Boase (who subsequently published 34 of the works in his dedicated tome in 1974).3 Characterised by its frenzied energy, vivid colour and profound symbolic permutations, the series still remains one of the artist’s most sustained, encompassing more than a hundred works and featuring some of the most sumptuously executed paintings of his career. Elaborating upon the appeal of the theme for the artist, Boase suggests: ‘Here is a subject that leads immediately into Boyd's preoccupation in many other works with the fusion between man and natural forces, the involvement of man and beast... Other echoes link with Boyd's own symbolism, the sinister dark birds, the gentle mourning dog. Behind the figures there are traces of the Australian landscape of his early inspiration. But if these works are enriched with such references, the myth is newly and freshly created, a second Daniel come to judgment our own contemporary obscure and secret impulses’.4

 

Given the artist’s renowned social conscience, indeed it is perhaps not coincidental that his Nebuchadnezzar series was produced at the height of the Vietnam War when audiences internationally were assailed with images in the mass media of cruel dictatorial regimes: villages incinerated, men and women tortured, children screaming from the pain of napalm. As one author notes, ‘self-immolations in protest actually took place on Hampstead Heath near Boyd's house... and once more, a biblical subject by him was seen to be an allegory of the descent of humanity in a conflicted world’.5 Accompanied by the signature Boydian motif of the black ram, in Nebuchadnezzar in the Long Grass, c.1968, the king ablaze in golden flames has become barely distinguishable from the dry Australian bushland - thus inextricably fused with the natural world in a manner strongly reminiscent of the artist’s interpretations of the Narcissus myth a decade later. As with the finest of Boyd’s Nebuchadnezzar images, the work offers an empathetic and emotive response to a harsh tale of moral instruction, giving compelling form to ‘…good and evil; things elemental and mysterious, things intensely human and vulnerable’.6

 

1. Arthur Boyd, cited at https://www.bundanon.com.au/collection/exhibitions-page/active-witness/

2. Boase, T.S., Nebuchadnezzar, Thames and Hudson, London, 1972, p. 20

3. Pearce, B., Arthur Boyd Retrospective, Art Gallery of New South Wales, Sydney, 1993, p. 26

4. Boase, op.cit., p.42

5. Pearce, op.cit.

6. Oliver, C., ‘A Welcome to Arthur Boyd’ in Retrospective Exhibition of Paintings, Drawings and Other Works by Arthur Boyd, ex.cat., Richard Demarco Gallery, Edinburgh, Scotland, 1969, n.p.

CATHERINE OPIE

Untitled #4, Richmond, Virginia (monument/monumental)

2020

pigment print

Edition of 5

167.6 x 111.8 cm

 

USD55,000

AI WEIWEI

Bicycle Basket With Flowers

2015

 

Detail

KARA WALKER

Yesterdayness in America Today

2020

Graphite and watercolour on paper, diptych

221.9 x 365.8 cm overall

 

USD350,000

PETER FISCHLI

Untitled

2021

cardboard, coated, color

70 x 28 x 28 cm

 

EUR 26,000

SANDRA CINTO

Untitled (from the series By Chance and Necessity)

2015

permanent pen and acrylic on canvas

198.1 x 149.9 cm

 

USD70,000

 

A beautiful convergence of Japanese watercolour techniques and intricately detailed landscapes that seem to hover between myth and reality..

MIRIAM CAHN

L.I.S. (bl.-arb.) gefährlich, m. 09.05.

1989

chalk on paper

8 elements, 53 x 450 cm (overall)

1. 47 x 59 cm

2. 48 x 44 cm

3. 36 x 66 cm

4. 46 x 66 cm

5. 51 x 36 cm

6. 51 x 44 cm

7. 48 x 35 cm

8. 52 x 52 cm

 

CHF40,000

 

These are seminal works for Miriam - the same richly expressive charcoal drawings that were presented at Documenta 7 and Venice Biennale in the 80s that precede her leap into painting. I feel she is a mixture of Maria Lansing and Louise Bourgeois. These works come as a set but of course would need some delicate framing to truly do them justice. 

ED RUSCHA

Corn

1967

Gunpowder on paper

36.2 × 57.5 cm

 

USD800,000

PAMELA ROSENKRANZ

I Wish I Could Cry Blood (Your Products)

2021

Acrylic paint, inkjet print, Plexiglas

37 x 152 cm

 

USD18,000

GEORG BASELITZ

Manifattore

2019

Oil and gold varnish on canvas

165 x 89 cm

168 x 92 x 3.8 cm framed

 

EUR650,000

Christian Marclay

Actions: Spurt Splat Thwump Splsh (No.1)

2014

Screen print and acrylic on canvas

196.4 x 271.4 cm

USD 375,000

MCARTHUR BINION

Modern:Ancient:Brown

2020

ink, oil paint stick, and paper on board

182.9 x 121.9 x 5.1 cm

 

USD160,000

PAMELA ROSENKRANZ

Healer Skins (Moon Water Lodge)

2021

Ekdysian robot snake skin, kirigami cut PVC, LED light

6 x 88 x 6 cm

Installation dimensions variable

 

USD25,000

CHRISTOPHER WOOL

Untitled (S20)

1987

Alkyd and flashe on aluminium

121.9 x 91.4 cm

Signed and dated (on the reverse)

 

USD175,000

 

PROVENANCE

Luhring Augustine & Hodes, Los Angeles

Private Collection, USA

Luhring Augustine, New York

Private Collection

Simon Lee Gallery, London

Private Collection, France

PARK SEO-BO

Ecriture No. 17-70

1970

Pencil and oil on canvas

80 x 100 cm

 

USD590,000

BARBARA KRUGER

Untitled (How can I be a better person?)

2011

Archival pigment print

81.3 × 127 cm 

84 × 129.8 cm

Edition 9 of 10

 

USD80,000

 

The notion of questions and questioning, posed in direct address to the viewer, has played a central role in Barbara Kruger‘s work. Her 2011 series of text-based editions, which each feature a fundamental philosophical or ethical question, are thus emblematic of the artist’s practice not only visually but also conceptually. Across the series’ ten motifs, these range from self-help type concepts—“How can I be a better person?“ and “Do I have to give up me to be loved by you?”—to more esoteric questions, including „Is there life without pain?,“ „Is blind idealism reactionary?“ and „Are there animals in heaven?” Each phrase is rendered in stark white text, outlined in black, atop a vibrant array of colored and patterned backgrounds, which add yet another layer of information for viewers to consider. As ever, the aim is not to find explicit answers, but rather to encourage reflection upon one‘s own reactions to the artist‘s bold inquiries, which she poses to herself as well. Regardless of one’s politics, religion or worldview, Kruger’s questions urge us to push beyond our comfort zones to think clearly, critically and empathetically.

JUAN DAVILA

Untitled

2022

Oil on canvas

314 x 540 cm

 

AUD250,000

LOUISE BOURGEOIS

Cumuls (Double sided)

1972

Recto: watercolour on paper

Verso: pencil on paper

66 x 101 cm

 

USD250,000

PAMELA ROSENKRANZ

Healer Skins (Moon Water Lodge)

2021

 

Installation view

DANIEL RICHTER

Einzelgespricht

2021

Oil on canvas

232.8 x 172.7 x 6.1 cm

 

EUR200,000

LOT 96

DOROTHY NAPANGARDI ROBINSON

Mina Mina

2003

synthetic polymer paint on linen

122 x 122 cm

bears inscription verso: artist’s name, and Gallery Gondwana cat. 8029DN

 

ESTIMATE AUD4,000 – 6,000

 

PROVENANCE

Gallery Gondwana, Alice Springs, Northern Territory (stamped verso)

Vivien Anderson Gallery, Melbourne

The Peter and Renate Nahum Collection of Aboriginal Art, London, acquired from the above in 2003

 

EXHIBITED

Dorothy Napangardi - Mina Mina - My Country, Vivien Anderson Gallery in association with Gallery Gondwana, Melbourne, 4 – 20 December 2003, cat. 6

JOHN CHAMBERLAIN

Rap Psalm II

1999

Painted chromium and painted steel

257.8 x 124.5 x 81.3 cm

 

USD2,950,000

 

PROVENANCE

PaceWildenstein, New York; Private Collection, Dallas; David Zwirner, New York; Private Collection, USA; White Cube, London; Private Collection, São Paulo

 

EXHIBITION HISTORY

Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, 2 February – 30 November 2015

The First Exhibition, The Warehouse, Dallas, 21 October 2012 – 17 January 2013

John Chamberlain: Recent Sculpture, PaceWildenstein, New York, 12 May – 10 June 2000

 

LITERATURE

Susan Davidson, John Chamberlain. Choice, Guggenheim Museum Publications, New York 2012

Carole Goodman and John Chamberlain, John Chamberlain: Recent Sculpture, PaceWildenstein, New York, 2000, illus. pp.1, 3

John Chamberlain: Recent Sculpture, PaceWildenstein, New York, 2000

Allan Schwartzman, Geometries On and Off the Grid: Art from 1950 to the Present, PaceWildenstein, Dallas, 2015, illus., pp.V, 170

Sandra Cinto

From Landscape of a Lifetime

2019

Permanent pen and acrylic on canvas

200 x 100 x 4.5 cm

 

USD60,000

PABLO PICASSO

Tête

1943

Pen and ink on paper

65.5 x 51 cm unframed

92 x 76 x 3 cm framed

 

USD575,000

GILBERT & GEORGE

E II R Bear

2009

mixed media

123 x 88 cm

 

GBP16,750

GARY HUME

Swans I

2021

Gloss paint on aluminium

214 x 151 cm

 

USD185,000

SOPHIE VON HELLERMANN

Surfing with Poseidon

2022

Acrylic on canvas

190 x 160 cm

MAI-THU PERRET

From the leaves of the sandalwood tree a fragrant wind rises

2020

Glazed ceramic

50 x 40 x 6 cm

 

EUR20,000

LOUISE BOURGEOIS

Cumuls (Double sided)

1972

 

Reverse

ROBERT LONGO

Study for Ophelia #16

2005

Ink and charcoal on vellum

27.3 x 33.5 cm

 

USD65,000

JACK PIERSON

HERE AND NOW

2020

Aluminum, gold leaf, steel and tin

208.3 x 172.7 x 7.6 cm

 

USD200,000

RESERVED

THOMAS DEMAND

Canopy

2020

C-print/Diasec

180 × 144 cm

Edition of 6

 

EUR95,000

 

Thomas Demand’s work has long focused on detailed reenactments of specific and familiar places, public and private sites often loaded with sociopolitical meanings. Demand’s large-format photograph Canopy (2020) speaks of a moment in our current pandemic: A solitary balcony has its canopy fully extended, its inhabitants shielding not only from the harshness of the sun’s rays, but also the trouble in nature that has unfolded around them. The ordered seriality of the balconies is in contrast to the disorder beyond, as the world fails to contain a virulent disease. The work is a continuation of the artist’s practice in which he creates cardboard models before photographing and then destroying them; highly detailed, these life-sized models nonetheless retain subtle but deliberate flaws and anachronisms that challenge any complacent assumptions about photography’s claims to verisimilitude and authenticity.

CY TWOMBLY

Untitled

1971

Gouache, graphite, crayon, and oil on paper

68.6 x 86.4 cm

91.8 x 109.2 x 5.1 cm framed

 

USD2,500,000

DONNA HUANCA

SYNECHOCOCCUS

2019

Oil, sand, synthetic hair on steel

201 x 102 x 99 cm

TANIA PÉREZ CÓRDOVA

Contour #5

2020

Bronze poured into sand

50 x 100 x 2 cm

 

USD12,000

AMY SILLMAN

Somewhat Blue

2021

Oil on canvas

182.9 x 152.4 x 3.2 cm

 

USD350,000

KATHERINE BERNHARDT

Pineapple

2019

Acrylic and spray paint on canvas

183 x 152cm

 

USD50,000

 

 

BERNARD PIFFARETTI

Untitled

2019

Acrylic on canvas

170 x 170 cm

 

EUR48,000

 

Since 1986 Piffaretti has committed his practice to the "duplication method", abstract paintings that appear to be two identical halves split through the vertical axis. Closer inspection reveals moments of differentiation: the inclination of the brushstrokes, the number of drips, the weight of the hue. "The duplication clouds the origin of the time of the work. All supremacy is abolished, and that is the subject of my painting".

LATIFA ECHAKHCH

Sun Set Down

2020

acrylic paint and concrete, vinyl and fibre on canvas mounted on aluminium, diptych

200 x 150 x 2.5cm each

200 x 300 x 2.5cm overall

 

EUR150,000

ZOË CROGGON

Magazine 2

2020

Collage of found images and glue on paper, perspex box frame

47.6 x 36.7 x 7 cm

 

AUD3,000

MARCUS COATES

Conference for the Birds

2019

Sound recording, papier mâché bird heads

32 minutes 34 seconds

 

EUR40,000

 

Conference for the Birds celebrates the lives of the birds Thomas Bewick depicted in his wood engravings. His book ‘A History of British Birds’ first published in 1797 was a comprehensive guide to both the appearance and behaviour of birds. In the birthplace of Bewick, in one of the two rooms his family inhabited along with his seven siblings, we are surrounded by seven large bird heads, 3 dimensional renderings of his prints. We hear these seven different bird species discussing their lives with each other. The birds, played by wildlife experts, discuss topics from migration to predation, with each species speaking about the challenges they face day to day. By exploring the lives of the birds that Bewick studied and depicted, this artwork attempts to reveal how we, when speaking from the position of another animal like a bird, rely on subjective experience to relate across to this alien perspective.

LATIFA ECHAKHCH

Wind Wall Icon Diptyque (03)

2020

Metallic pigment, red, black paint, concrete, fiber and vinyl on canvas

200 x 300 cm

two parts, 200 x 150 cm each

 

EUR150,000

Installation view

GIUSEPPE PENONE

Leaves of Grass

2013

Oil on canvas, terracotta, wire

200 x 300 cm

 

EUR950,000

KEITH HARING

Untitled (Three Dancing Figures), Version C

1989

Painted aluminium Sculpture

124.5 x 134.6 x 119.4 cm

Base 109.2 cm diameter

Edition of 5 + 1AP

 

USD650,000

MEL BOCHNER

Ha Ha Ha

2018

Signed on verso in Sharpie on stretcher Oil on velvet 190.5 x 227.3 cm in 3 parts

 

USD225,000

MOON & JEON

My future will reflect a new world -Liverpool

2019

Casted Glass

Edition 3 of 10

65.0 x 65.0 x 1 cm

 

USD10-25k

Cui Jie

Aeron Chair

2019

Acrylic and spray paint on canvas

180 x 250 cm

USD$50,000 (plus relevant tax)

 

Cui Jie produces highly intricate paintings that are extremely sought after at the moment. She is part of a new generation of young Chinese artists with intense international recognition, with a strong market not only in China (the biggest growing market internationally) but also globally.

pc

STERLING RUBY

SP06

2007

Spray paint on canvas

244.2 x 214 cm

 

USD600,000

RAYMOND PETTIBON

No Title (The Clear-cut brow)

2020

Acrylic, ink, and colored pencil on paper

151.4 x 274.3 cm

 

USD1,200,000

CARSTEN HÖLLER

Octopus

2014

Purple-coloured polyurethane, brown glass eyes

40 × 171 × 120 cm

Edition 5/5 + 2AP

 

EUR120,000

KATHERINE BERNHARDT

Sicilia

2020

Acrylic and spray paint on canvas

243.84 × 304.80 cm

 

USD90,000

KAREN KILIMNIK

The chinese pavilion in green park

2007

Water soluble oil colour on canvas

45.7 x 35.6 cm

 

USD90,000

TONY SCHWENSEN

Prototype for Artistically Designed Steel Slats (Proudly Made with All Immigrant Labour in the USA) #17

2019

tung oil and beeswax on poplar

90 x 19 x 19 cm

 

AUD5,500

RICHARD SERRA

Orchard Street #24

2018

Etching ink and silica on handmade paper

120 x 80 cm unframed

131.1 x 91.1 x 6.3 cm framed

 

USD350,000

PHILIPPE PARRENO

Clock

2020

Plexiglas, DMX controller, air pressure and temperature sensor, motor, belts

160 x 168 x 20 cm

 

USD500-750k

 

Clock is part of Philippe Parreno’s new body of work begun in 2019. It consists of a transparent Plexiglas clock with three hands animated by a complex mechanism of gears and belts controlled by a DMX recorder. Clock's mechanism moves like an automaton, following its own rhythm and producing a choreography conceived by Parreno.

Connected to a sensor that records the air pressure and temperature changes occurring in the room, Clock reacts to the climatic conditions happening in real time. When connected to the Internet, Clock can also give time: its three hands marking hours, minutes and seconds. The motor controlling the gears produces a sound similar to a dynamo.

 

SHAHRYAR NASHAT 

Untitled

2021

papier ma?che?, epoxy resin, and acrylic

installation dimensions variable, approximate installation dimensions: 91.4 x 182.9 x 152.4 cm

 

USD55,000

Installation view

JULES DE BALINCOURT

Merging Island, Divided Island

2017

Oil on panel

203.2 x 228.6 cm

 

USD140,000

RYAN GANDER

This natural sign (There was a sense we were being watched, but our attention remained distracted by the moon)

2021

10 oz indigo black Japanese denim, acrylic paint

180.5 x 130.5 x 4.5 cm

 

GBP35,000

ANTHONY JOHNSON

689/254/58 (Service)

2017

tennis racquet, crystal champagne flute, threading needle 69 x 28 x 8 cm

 

AUD5,500

RYAN GANDER

This natural sign (We felt them watching us, as we watched the moon)

2021

10 oz indigo black Japanese denim, acrylic paint

180.5 x 130.5 x 4.5 cm

 

GBP35,000

KATHERINE BERNHARDT

Xanax + Cigarettes

2019

Acrylic and spray paint on canvas

182.88 × 152.40 cm

 

USD50,000

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Brook Andrew

 

Yellow

2019

Detail

 

teamLab

Universe of Fire Particles

2021

single-channel digital work

193 cm × 109.2 cm), [1] 86" monitor

Edition of 10 + 2AP

 

USD85,000

ANGEL OTERO

Untitled

2019

Oil paint and fabric collaged on canvas

182.9 x 121.9 x 6.4 cm

 

USD70,000

AMY SILLMAN

XL36

2020

Ink and acrylic on paper

151.1 x 105.4 cm

156.2 x 111.1 x 5.7 cm framed

 

USD110,000

KATHARINA GROSSE

Untitled

2020

acrylic on canvas

388 x 240 cm

 

EUR350,000

MONICA BONVICINI

Furious Knitting #1

2019

Silkscreen print on aluminium

75.0 x 100.5 (cm)

Edition of 5 + 2AP

 

USD10-25k

 

The silkscreen prints on aluminium panels "Furious Knitting" (2019) follow Bonvicini’s performance "A Choir of Five" that premiered at the Herkulessaal in Munich in 2017. In it, a group of female performers produced clacking sounds by snapping leather belts while trying to sync to each other, turning the belts into a new musical instrument in need of whole bodies and a collectivity in order to produce sound.


In these series of aluminium prints, female hands firmly hold a belt bent in half, as if ready to deliver a strike. Nevertheless, the violent move is frozen, a metaphor for the struggle against cultural symbols of masculinity, discipline and violence. The orange background is a reference to the Saffir–Simpson Hurricane Wind Scale (SSHWS) used to categorise hurricanes depending on the intensity of their sustained winds. In this case the specific gradation of orange suggests a category 4 hurricane; a prediction that a catastrophic damage will occur, with structure failure, irreparable damage and losses.

Untitled (Self Portrait: White Way) polyptych

1995

Acrylic on paper

4 panels; 341.5 x 250 cm overall

 

AUD75,000

LATOYA RUBY FRAZIER

Shea Standing Above the Flint River on the Flint River Trail near the University of Michigan–Flint Campus, Flint, Michigan

2016-2017

Gelatin silver print

50.8 x 61 cm

61 x 71.1 cm framed

Edition of 5 + 2AP

 

USD22,000

CUI JIE

China Merchants Tower

2018

acrylic and oil on canvas

150 x 100 cm

 

USD35,000

KEHINDE WILEY

Portrait of Savannah Essah

2020

Oil on linen

266 x 185.5 cm

 

USD325,000

 

‘Portrait of Savannah Essah’ is a new oval painting by American artist Kehinde Wiley. Wiley met Savannah Essah on the streets of Dalston, East London when he was casting for his exhibition, ‘The Yellow Wallpaper’ at William Morris Gallery in London. In the portrait Wiley portrays Savannah Essah adopting a confident pose with one hand resting on her chest and the other on one hip. Viewed from below, she gazes directly at the viewer from a lavishly patterned background. Here Wiley employs the heroic visual vocabulary of traditional portraiture to depict the subject as an emblem of strength within a society of complicated social networks. Wiley is renowned for his finely detailed portraits of contemporary men and women, as well as global figures such as former US President Barack Obama.

 

‘Portrait of Savannah Essah’ is currently included in 'Kehinde Wiley: The Yellow Wallpaper' at William Morris Gallery, London, the artist’s first solo show in a UK museum and the first to feature exclusively female portraits. The exhibition offers a visual response to American novelist Charlotte Perkins Gilman’s acclaimed feminist short story, 'The Yellow Wallpaper', 1892. Gilman’s text is a semi-autobiographical tale which sees her narrator confined to her bedroom after being diagnosed with hysteria and explores the disastrous consequences of denying women independence. Wiley explains, "'The Yellow Wallpaper' is a work of literary fiction that explores the contours of femininity and insanity. This exhibition seeks to use the language of the decorative to reconcile blackness, gender, and a beautiful and terrible past."

 

For over fifteen years Wiley has sourced William Morris’ iconic floral designs for his paintings. Building on his interest in the relationship between the human body and the decorative, Wiley’s model is depicted in a reimagined field bursting with colour and patterns inspired by the William Morris designs. Gilman’s 'The Yellow Wallpaper' also holds a strong, personal connection to William Morris. Morris’ daughter, May Morris, herself an accomplished designer, struck up a friendship with Gilman in July 1896 when they first met at an International Socialist Conference in London. That autumn, May Morris invited Gilman to give a lecture at her family home Kelmscott House, Hammersmith. A month later William Morris died and Gilman sent a moving letter of sympathy, which was a rousing call to arms: "Do you love to do - to DO and especially to make? With that, and the freedom to exercise it, life has no terrors."

HELEN FRANKENTHALER

Distant Barrier

1992

Acrylic on canvas

115.6 × 268 cm

 

USD2,200,000

JOSH SMITH

Untitled

2020

Oil on linen

152.4 x 121.9 cm

 

USD140,000

LARRY BELL

Untitled Triolith C SS

2020

Blush and Lapis laminated glass coated with Inconel and silicon monoxide Unique

30.5 x 30.5 x 30.5 cm

 

USD75,000

MARTHA JUNGWIRTH

Ohne Titel

1993

watercolour on paper

151 x 250 cm

166 x 264.7 cm framed

 

EUR75,000

SAMSON KAMBALU

Flag Factory 5

2021

24 prints on archival paper

166 x 386 cm overall

 

GBP25,000

GARTH WEISER

Marshmallow lyrics

2019

Oil and spray paint on canvas

185.4 x 152.4 cm

 

USD85,000

NIGEL COOKE

Healed

2021

oil and acrylic on linen

225 cm x 164 cm

 

USD250,000

MAMMA ANDERSSON

The First Magician

2020

Oil and acrylic on linen

105 x 80 cm

 

USD350,000

 

‘The First Magician’ is a new painting by Mamma Andersson featuring a lone female figure standing before an ominous, brooding sky. The wanderer wears a jacket featuring an indecipherable symbol sewn onto the back in thick, gold brocade. Her tall riding boots highlight the absence of any equestrian companion, emphasising the isolation of the figure in the landscape. Depicted in muted tones of forest green and earthy brown, interrupted with an expressive stroke of blood red, the painting juxtaposes loose washes with textured brushstrokes. Engaging with themes of femininity, fantasy and memory, the Swedish artist imbues the scene with an eerie, uncanny quality.

 

Inspired by filmic imagery, theatre sets, and period interiors, Andersson’s compositions are dreamlike and expressive. While stylistic references include turn-of-the-century Nordic figurative painting, folk art and local or contemporary vernacular, her evocative use of pictorial space and juxtapositions of thick paint and textured washes are uniquely her own. Andersson’s melancholic landscapes recall late nineteenth-century romanticism, whilst also embracing a contemporary interest in layered, psychological compositions. The desolate patch of Nordic countryside depicted in ‘The First Magician’ is an enduring subject in the artist’s practice. Yet, rather than pinpoint a particular spatial or temporal location, her works appear to combine past, present and future. Otherworldly in quality, Andersson leaves the scene in this painting entirely open to interpretation by denying the viewer any form of narrative or visual clue.

SUPERFLEX

If Value Then Copy

2021

Oil on canvas

70 x 185 cm

 

EUR25,000

 

Signed on verso
(EK 706)
$8,500
Ella Kruglyanskaya
Untitled
2018
Flashe, oil pastel, and graphite on paper
22 1/2 x 14 1/4 inches (57.2 x 36.2 cm)
Signed on verso
(EK 708)
$8,500
Ella Kruglyanskaya
Untitled
2018
Pastel on paper
19 3/4 x 13 1/8 inches (50.2 x 33.3 cm)
Signed on recto
(EK 710)
$8,500

Ella Kruglyanskaya

Untitled

2018

Flashe, oil pastel, and graphite on paper

22 1/2 x 14 1/4 inches (57.2 x 36.2 cm)

$8,500

 

 

LIZ DESCHENES

Green

1997-2021

Dye transfer print

50.8 x 40.6 cm

58.1 x 48.9 cm framed

Unique

 

USD24,000

JULIAN SCHNABEL

November

2017

Inkjet print and oil on polyester

223.5 x 172.7 cm

 

USD200,000

LIZ DESCHENES

Green/Cyan

1997-2021

Dye transfer print

50.8 x 40.6 cm

58.1 x 48.9 cm framed

Unique

 

USD24,000

LORNA SIMPSON

Midnight LA time

2021

Ink and screenprint on gessoed fiberglass

274.3 x 243.8 x 3.2 cm

 

USD495,000

ROBERT LONGO

Study of Swimmer (Butterfly)

2019

Ink and charcoal on vellum

43.3 x 83.8 cm

 

USD90,000

TETSUMI KUDO

Votre portrait (Your Portrait)

1970-79

Mixed media

50 x 46 x 25 cm

 

USD350,000

ANGEL OTERO

Drifting Far From Shore

2020

Oil paint and fabric collaged on canvas

182.9 x 213.4 cm

 

USD95,000

DAMIEN HIRST

Five Prayers for Forgiveness

2008

Butterflies and household gloss on canvas

Each panel 107 x 91 cm

 

USD1,250,000

OSCAR MURILLO

(untitled) surge

2019-2020

Oil and oil stick on canvas and linen

240 x 330 cm

Signed verso

 

SOLD

FRED TOMASELLI

Untitled

2020

Leaves, photo collage, acrylic and resin on wood panel

152.4 x 152.4 cm

 

USD575,000

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Alex Katz

 

White Roses 7

2012

Oil on linen

320 x 243.8 cm

 

USD950,000

CLARE WOODS

Airdrop

2019

Oil on aluminium

200 x 100 cm

 

GBP40,000

SARAH MORRIS

October 2019

2019

Household gloss paint on canvas

90 x 90 x 4 cm

Unique

ROBERT RAUSCHENBERG

Rice Wine Dog, Tuak Hudok-Iban (ROCI Malaysia)

1990

Silkscreen ink, gold leaf and fabric on plywood

244.15 x 122.2 cm

Rauschenberg 90 in lower front

 

USD1,350,000

JON RAFMAN

You are Standing in an Open Field (Thanatopsis)

2020

Dye sublimation aluminum print and resin on dibond aluminum and wood

149.9 × 201.9 cm

 

USD35,000

JIA AILI

Mountain and Line

2020

Oil on canvas and tempered glass, and wood frame

82 x 70 cm (unframed)

 

USD350,000

FRANK BOWLING

Wadi √ Two

2011

Acrylic on canvas

188 x 180.5 cm

 

GBP445,000

CINDY SHERMAN

Untitled

2019

cotton, wool, acrylic, cotton mercurisé, and polyester cotton woven together

285.8 x 218.4 cm

Edition 1 of 10

 

USD150,000

 

This is an interesting development for Cindy, transitioning her portraiture from paper to woven tapestry. 

PHILIP GUSTON

Untitled

1971

Oil on paper mounted on panel

72.4 x 94 cm

SAM GILLIAM

Untitled

2019

Watercolour on washi

188 x 99.1 cm 

 

USD180,000

ANSELM KIEFER

Der Gordische Knoten

2019

Oil, emulsion, acrylic, shellac, wood and metal on canvas

280 x 380 cm

 

EUR1,200,000

GILBERT & GEORGE

BEARD HONOR

2016

Mixed media

226 x 380 cm

 

GBP130,000

NICOLAS PARTY

Cave

2020

Soft pastel on canvas

101.6 x 76.2 cm

 

 

Emily Kame Kngwarreye

Alalgura Country

1993

Synthetic polymer paint on canvas

121 x 90 cm painting

AUD$45,000

 

CA

LOUISE FISHMAN

Perilous Things

2003

Oil on canvas

228.6 x 152.4 cm

 

USD250,000

PAT STEIR

Untitled XX, 2019 (Taipei)

2019

Oil on canvas

91.4 x 91.4 cm

 

USD400,000

ROSEMARIE TROCKEL

Men

1985

Wool on canvas

110 x 50 cm

 

EUR380,000

 

Rosemarie Trockel is one of the most versatile and pioneering contemporary artists working today. Since the early 1980s, her collages, knitting pictures, sculptures, installations

and film works have investigated such diverse concerns as cultural codes and roles, gender and social identities, philosophy and theology, the natural sciences, and the importance of craft. Men (1985) is a unique work among Trockel’s celebrated Strickbilder (knitting pictures), as it is the only motif of its kind across the series, and it succinctly captures the complex ambivalence of medium and statement so characteristic of the artist’s wool works.

The running American-football player represents an activity and physique that is distinctly male, which on the one hand is emphasized by the work’s title, but on the other is compli- cated by the woolen material and knitting process, often coded female. Machine-generated rather than hand-knit, Trockel’s wool works shift the way traditionally craft-based, feminine materials are used, at once critiquing both gender roles and established artistic hierarchies that revere painting above all other arts and crafts. The repeating football player recalls a larger football team, and the motif also suggests art historical references such as American Pop Art of the 1950s and 1960s—perhaps to offer a feminist commentary on this male-dominated, “boy’s club” aspect of the art movement.

Latifa Echakhch

The green leaves stick to my soles. Several of its agglutinate enough to make steps heavier enough to slow me down

2019

Black India ink and sepia ink on canvas

200 x 150cm

 

EUR80,000

MILTON RESNICK

Diamond city

1963

Oil on paper mounted on canvas

110.5 x 255.9 cm

 

USD275,000

Jules de Balincourt

Cliff Dwellers

2016

Oil on panel

61 x 50.8 cm

USD$40,000 (ex tax)

ROY LICHTENSTEIN

Head (Study)

1986

Cut painted paper, cut printed paper, graphite pencil on board

96.5 x 66 cm

 

USD580,000

 

‘Visible brushstrokes in a painting convey a sense of grand gesture. But, in my hands, the brushstroke becomes a depiction of a grand gesture. So the contradiction between what I’m portraying and how I’m portraying it is in sharp contrast.’ - Roy Lichtenstein

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

DOUG AITKEN

 

electric eden (aerial pools with red)

2019

Chromogenic transparency on acrylic in aluminium lightbox with LEDs

172.1 x 316.2 x 18.1 cm

Edition 1 of 4 + 2 AP

 

USD250,000

ANICKA YI

You Are Identical With Yourself

2020

High density foam, resin, urethane paint, and color matched frame

121.9 x 182.9 x 12.7 cm

 

USD150,000

Remnant

1994

acrylic on cotton duck and sash cord

165 x 90 cm

 

AUD35,000

HUMA BHABHA

I was Invited

2020

cork, Styrofoam, acrylic, oil, chalk, clay,

wood, and Masonite

190.5 x 91.4 x 91.4 cm

 

USD185,000

 

Huma condenses the sweep of figurative art-making into objects and two-dimensional works of monumental power. She draws from many traditions and contemporary sources, including ancient religious statuary, science fiction and horror movies, and modernist painting and sculpture. But above all her work conjures the strangeness, violence, and paradoxical beauty of the current moment. Her sculptures have been a foundation part of her practice for many years, using recycled materials such as cork and Styrofoam to create hybridized humanoid beings. On the surface of her sculptures, Bhabha builds up layers of marks made in different mediums, using ink and paint to produce visual textures that approximate those of the natural world in states of decay and regeneration. Huma evokes archaic and contemporary sources alike, so that cycles of time, of life and its inevitable decay, are concretised as physical forms.

 

I was Invited is a continuation of her approach to making that imbues formal similarities to the archaic. The multi-faced head, made from cork and Styrofoam and fastened to a wooden pedestal for support, is brought to life by riddling it with dark incised lines that read like scars casted against a vivid hue of light sky blue. Resembling a mauled head, a few oval markings resemble singular eyes, and in some cases pairs of, their haunting gaze looking onward to one or several futures.

TOMÁS SARACENO

Solitary semi-social simultaneous mapping of FK5 3724 and GC 14232 by a solo Nephila senegalensis - six weeks, a duet of Cyrtophora citricola - two weeks

2019

Spidersilk and ink on archival paper

149 x 270 cm

153.4 x 274.4 x 6 (framed)

 

EU75,000

 

The process to make these works is part of its allure (maybe not if you're arachnophobic) - two spider species wove a web in a carbon frame for a few weeks each before the web is applied to paper and lightly misted with ink to create the monochrome, sculptural surface. 

Oliver Wagner

Removed Painting 8

2019

house paint dust on linen

137 x 152.5 cm

AUD12,000

Heimo Zobernig

Untitled

2018

Acrylic on canvas

200x200cm

 

EUR120,000

RODNEY GRAHAM

Untitled

2020

Oil and sand on canvas, walnut frame

185.4 x 155.9 x 5.2 cm each

185.4 x 318.3 x 5.2 cm overall

Signed, dated, verso: R. Graham 

 

USD235,000

Wave

2015

porcelain

18,1 × 34 × 47 cm

 

RODNEY GRAHAM

Untitled

2020

Oil and sand on canvas, walnut frame

216.7 x 253.7 x 6.2 cm

Signed, dated, verso: R. Graham 

 

USD225,000

LIZA LOU

Desire Lines

2019

woven glass beads and thread on canvas

142.9 x 284.5 x 5.1 cm

 

USD375,000

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Doug Aitken

 

Inside me

2018

Aluminum, high density foam, resin, auto paint, acrylic mirror

143.5 x 161.3 x 104.1 cm

Variation of 4

USD$300,000

 

303

 

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

 

 

RODNEY GRAHAM

Untitled

2020

Oil and sand on canvas, walnut frame

200.3 x 155.1 x 5.2 cm

Signed, dated, verso: R. Graham 

 

USD170,000

ALEX DA CORTE

THE SUPÆŽRMAN

2018

 

INSTALLATION VIEW

Lot 72

Arthur Boyd

Wimmera Landscape with Windmill

n.d.

oil on composition board

signed 'Arthur Boyd' lower right

91.5 x 122 cm

Provenance

Private Collection Eva Breuer Art Dealer, Sydney (label verso) Private Collection, Perth Australian + International Art, Deutscher-Menzies, Sydney, 13 June 2007, lot 60, illustrated

Savill Galleries, Sydney, acquired from the above (label verso)

Private Collection, Melbourne, acquired from the above in 2007

Estimate: $80,000 – $100,000

Untitled (self portrait)

1993

Acrylic, pencil and collage on paper

2 panels; 240 x 70 cm overall

 

AUD45,000

Theaster Gates

Dance of Malaga

2019

Single-channel video, sound and five wooden stools

Aspect Ratio 16:9

Duration: 35 minutes 4 seconds

Screen: 394.11 × 700.13 cm

Edition of 3

 

ALEX DA CORTE

THE SUPÆŽRMAN

2018

 

INSTALLATION VIEW

Oliver Wagner

Removed Painting 10

2019

house paint dust on linen

137 x 152.5 cm

AUD12,000

Untitled (self portrait)

1993

Acrylic on paper

2 panels; 240 x 70 cm overall

 

AUD25,000

Wave

2015


Installation view

Body print (E)

1994

Acrylic on paper

120 x 80 cm

 

AUD25 000

Sarah Lucas

Hunk of the Year

1990-1992

inkjet print on paper

site size: 305.5 x 224 cm

frame size: 325 x 241 x 9 cm

unique

price to be confirmed 

 

TRACEY EMIN

The Shower

2019

Acrylic on canvas

183.4 x 122.2 cm

 

USD420,000

Untitled (White Way II) Study

1995

Acrylic on paper

120 x 80 cm (unframed)

132.5 x 91 cm (framed)

 

AUD25,000

Julie Mehretu

Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin)

2014

Multi-colored aquatint and spit bite on

Hahnemühle Museum Etching 450 gsm

Four panels, each: 206.4 x 114.9 cm

214.6 x 125.7 x 5.7 cm framed

Edition 9 of 30

 

USD475,000

 

The Los Angeles County Museum of Art is showing a mid-career survey by Julie Mehretu until 22 March 2020. Co-organised with the Whitney Museum of American Art, the exhibition brings together nearly 40 works on paper with 35 paintings dating from 1996 to the present day. Over the next two years, the exhibition will go on tour to the High Museum of Art and the Walker Art Center.

 

Lot 73

Charles Blackman

Child with a Pram

1953

enamel paint and tempera on composition board

signed and dated 'B APRIL 53 / BLACKMAN' lower right

61 x 76 cm

Provenance

Charles Blackman, Sydney Joseph Brown Gallery, Melbourne (stock 6818), acquired in 1978, 'Girl with Pram/Portrait (verso)'

Private Collection, Melbourne, acquired from the above on 18 April 1979

Estimate: $80,000 – $120,000

 

 

Julie Mehretu

Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin)

2014

 

Detail

 

The face Gordon Bennett had before he was born

1997

Mixed media

size variable

 

AUD5,000

Julie Mehretu

Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin)

2014

 

Detail

 

Ruyi

2012

porcelain

10 × 41 × 16 cm

 

 

Emily Kame Kngwarreye

WILD FLOWERS

1995

Synthetic Polymer Paint on Belgian Linen

180.0 x 283.0 cm

AUD$130,000

 

CA

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

MARILYN MINTER

 

Ginger

2016

Enamel on metal

213.4 x 152.4 cm

 

USD325,000

 

These are great works - beautifully soft, tone and palette complement the fuzziness (which also obscures enough for those adverse to the risqué)

Ruyi

2012

 

Installation view

Bernard Frize

Brick

2009

Acrylic and resin on canvas

180 x 160 cm

Unique

€62,000 (USD$68,878) without tax

Free Speech Puzzle

2017

porcelain

0,8 × 51 × 41 cm

unique, from a total of 12 sets

Emily Kame Kngwarreye

n.d.

Acrylic on Canvas

111 X 168 cm

Framed

AUD$75,000

 

CA

Free Speech Puzzle

2017

 

Installation view

Daniel Boyd

untitled

2019

oil, charcoal and archival glue on digital print on paper mounted to linen

80.5 x 91.5 x 4 cm

AUD$12,000 (inc. GST)

Kathy Temin

Purple Garden

2015

Synthetic fur, steel, synthetic filling

194 x 60 x 60 cm

AUD26,000

Remains

2014

porcelain

13 parts, dimensions variable

unique, from a total of 8 sets

Ruby Onyinyechi Amanze

The Gap [and the beams of sun, special ordered on our behalf]

2017

Graphite, ink, photo transfer, metallic pigment,

acrylic on paper

427 x 183 cm

Unique

35,000.00

 

Brooklyn-based Nigerian artist Ruby Onyinyeche Amanze has been chosen as the featured artists for the Deutsche Bank VIP lounge - a great opportunity for such a young artist. I haven't recommended her work before but I think it's good. Think of her paintings as non linear narratives - disjointed objects and displaced bodies within alien landscapes or simply floating in space, acting to explore cultural hybridity and post-colonial non-nationalism.

 

GG

Remains

2014

 

Installation view

Emily Kame Kngwarreye

UNTITLED (ALALGURA I)

1992

synthetic polymer paint on belgian linen

150 x 120 cm

AUD$95,000

 

CA

 

Lee Bul

Untitled (Mekamelencolia - Velvet #10 DDRG35AC)

2018

human hair, mother of pearl, acrylic paint, dried flower on silk velvet

triptych, canvas overall: 130 x 285 x 3.2 cm

USD$250,000

 

Lee Bul is considered the leading Korean artist of her generation, and has achieved international recognition for her formally inventive, intellectually provocative oeuvre. It's characterised by an unwavering defiance of boundaries, that explore challenging media and experiment with form. She is influenced by utopian ideas and which she formally applies in her sculptural works to ponder contemporary society’s unending pursuit of perfection in all things...physically and socially.

Daniel Boyd

Untitled

2018

mirrored Perspex, acrylic, aluminium composite panel

150 x 360 cm***

AUD$50,000 (inc. GST)

 

**This can be custom fitted to any window

Ruby Onyinyechi Amanze

Swim caps for Flying [the ocean forgot its perimeter]

2018

Graphite, ink, photo transfers and colour pencils on

paper

Work: 101 x 140 cm

Unique

USD$ 16,500.00

GG

Lot 438

Jennifer Steinkamp

Formation C

2006

computer video installation

installation dimensions variable

Executed in 2006, this work is unique and is accompanied by a certificate of authenticity signed by the artist.

Estimate: USD$20,000 - 30,000

Daniel Boyd

untitled

2019

oil, charcoal and archival glue on digital print on paper mounted to linen

26 x 18.5 cm

AUD$5,000 (inc. GST)

Lot 473

Rita Ackermann

Fire by Days X

2011

signed, titled and dated "F-B-D X 2011 Rita Ackermann" on the left turnover edge

oil, pigment, wax, modeling paste, enamel, rabbit skin glue and spray paint on canvas

162.6 x 104.1 cm

Estimate: USD$20,000 - 30,000

 

Ella Kruglyanskaya
Untitled
2018
Flashe, oil pastel, graphite, and collage on paper
19 5/8 x 11 5/8 inches (49.8 x 29.5 cm)
Signed on verso
(EK 706)
$8,500

Ella Kruglyanskaya

Untitled

2018

Flashe, oil pastel, graphite, and collage on paper

19 5/8 x 11 5/8 inches (49.8 x 29.5 cm)

$8,500

 

Sabine Moritz

Untitled

2019

Oil on canvas

200 x 200 cm

EUR 72,000 (plus relevant tax)

 

pc

 

Young artist who can paint and is now being championed by uber NY gallery Marion Goodman.

Carrie Mae Weems

Scenes & Take (Director's Cut)

2016

inkjet print on canvas

185.42 x 154.94 x 6.35 cm(framed)

Edition of 5

USD$72,000

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Karen Kilimnik

 

the royal Swedish forest

2018

Water soluble oil color on canvas

35.6 x 45.7 cm

Signed, titled, dated verso

USD$130,000

 

Karen Kilimnik is a mid career/established American painter, whose work builds a tension between romantic tradition and consumer culture. Steeped in references to romantic painting, pop music, icons of film and fashion, signs of witchcraft, time-travel, murder, the ballet and childhood traditions, Karen's art rematerialises a quest for the romantic sublime.

 

303

Oscar Murillo

Untitled

2019

Etching, pen and graphite on paper

58 × 40 cm

USD$16,000

 

Oscar too is bringing a gorgeous series of small works to ABHK. Although small, they are each individual works - etchings with explosions of pen and graphite scrawled over the top. Murillo is a highly desirable artist and his large canvases fetch between USD350-500k. As small (but potent) works on paper, these are a fraction of the price and a much more affordable way of adding Murillo to your collection before making such a large financial commitment. 

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Ann Veronica Janssens

 

Brass Disc

2010-2017

Brass

75 cm diameter x 2 cm

Edition 1 of 1 + 1 AP

UDS$55,000

 

Ann Veronica Janssens builds upon the legacy of Minimalism and the California Light and Space Movement, enabling viewers to perceive visible light as a material through intimate sculptural environments. In the mid-1990s she ventured into object-based work, creating a series of minimal geometric forms; squares, diamonds, and circles of various colours. Brass Disc is one example from this series. The subtle groove in the surface of this work plays a trick on the eye so that the light appears to emanate from the centre, creating a convex light cone that one perceives but cannot touch.

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Cerith Wyn Evans

 

Locus Solus

2010

Kokeshi dolls and mirrored plinth

format variable

GBP 50,000 + VAT

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Pier Paolo Calzolari

 

Untitled

1983

Lead, iron, oyster, tea light oil

35.6 x 60.3 x 8.9 cm

USD$275,000

 

Calzolari is an important historial figure who originally associated with “Arte Povera” and included in the seminal 1960’s exhibitions curated by Germano Celant.

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Lu Pingyuan

 

“Look! I’m Picasso!” -1810-1

2018

Acrylic on canvas

112 x 141 cm

USD$12,000 (VAT not included)

 

Lu Pingyuan is a young emerging Chinese artist who is doing some interesting this. His Look! I’m Picasso! series is inspired by the first feature-length computer-animated film produced by Pixar in 1995, “Toy Story”. The film exerted a strong influence on the artist in his childhood as the plot featuring toys being alive in the absence of humans, appeared to him as rather terrifying. A scene in the film presents the toy Mr. Potato with his eyes, nose and mouth on the side claiming: “Look! I’m Picasso”. 

Alicja Kwade

Meta-Meter

2018

Measuring stick on paper

150 x 250 cm

154 x 254 cm framed

Unique

€45,000

 

303

Bonita Bub

Box Study for Industry III

2018

powdercoated mild steel, concrete

71.00 x 50.00 x 50.00 cm

TCG21532

AUD$5,000 (incl. GST)

Oscar Murillo

Untitled

2019

Etching, pen and graphite on paper

58 × 40 cm

USD$16,000

Anna Kristensen

Brick wall

2014

silkscreen, ink and acrylic on canvas

231.00 x 195.50 x 6.00 cm

AUD$14,000 (incl. GST)

 

 

I thought I'd sneak this one in - just over the 10k price point but it is a large work and good value for money! I love how she has taken the banality of a basic architectural material, and reproduced it into a shimmering metallic canvas - very striking! There are other young artists who I think have more promise in terms of their future careers, but she is still, nonetheless, a very respectable artist and this is a bold work.

Elizabeth Peyton

Jake and Heath (Jack and Ennis)

2012-2013

Color pencil and pastel on black paper

29.8 x 21 cm artwork

47 x 37.5 cm framed

USD$100,000

 

Imants Tillers

Nature Speaks: FX

2017

Sung into Being

acrylic, gouache on 16 canvas boards, no. 102573 - 102588

100 x 141 cm

AUD$27,500 (inc. GST)

Pamela Rosenkranz

Pattern Tension (Holimos)

2017

Acrylic paint, inkjet print, plexiglas

PR1282.17

110 x 155 cm

USD$35,000

 

Oscar Murillo

Untitled

2019

Etching, pen and graphite on paper

58 × 40 cm

USD$16,000

Sam Falls

Relocation

2018-2019

Pigment on canvas

179.1 x 123.8 cm framed

USD$50,000

 

Sam is an artist who is primarily concerned colour, digital imagery, and natural processes. You might remember his work in Mami Kataoka's Sydney Biennale last year at Carriageworks. His 'paintings' are what he is best known for, but he has recently started to explore the possibilities of ceramics (it helps that his wife is a ceramicist).

 

303

Ghada Amer

Rainbow Lulu

2018

Acrylic, embroidery and gel medium on canvas

150 x 178 cm

USD$250,000 (plus relevant tax)

David Griggs

Rorschach test fail

2017

acrylic on canvas

153 x 143 cm

12,000.00 AUD (inc. GST)

George Condo

Figure Composition 8

2008

signed and dated 'Condo 08' (upper left)

Wax crayon and acrylic on panel

127 x 116.8 cm 

USD$950,000 + taxes where applicable

 

 

Oscar Murillo

Untitled

2019

Etching, pen and graphite on paper

58 × 40 cm 

USD$16,000

Lot 138

Rosalie Gascoigne

Pavement III

1998

sawn wood on plywood

69.0 x 52.0cm

signed, dated and titled verso: 'Rosalie Gascoigne / 1998 / PAVEMENT'

 

Estimate: AU$ 50,000 - 70,000

£ 28,000 - 40,000

 

Oscar Murillo

Untitled

2019

Etching, pen and graphite on paper

58 × 40 cm

USD$16,000

Patricia Piccinini

Cloudless Field

2017

Automotive paint on ABS plastic

150 x 200 cm

AUD$22,000 (inc. GST)

 

She will take commissions on these, if you had a colour preference. 

Pamela Rosenkranz

Alien Blue Window (Xenesz, Via San Tomaso 53)

2017

Lighttex, blue LEDs, anodized frame, remote control, USB dongle

158 x 138 x 10 cm

USD$55,000

 

Chris Ofili

Poolside Magic 15

2013

Charcoal, watercolour and pastel on paper

39.5 x 26 cm

USD$75,000 (ex tax)

 

Over the past two decades, Ofili’s practice has become identified with vibrant and meticulously executed artworks that meld figuration, abstraction, and decoration. As one of the leading YBAs, his diverse oeuvre has taken imagery and inspiration from history-spanning sources such as the Bible, hip-hop music, Zimbabwean cave paintings, Blaxploitation films, and the works of William Blake. These smaller paintings from 2013 riff on themes of sexuality, mutability, magic, and the occult, making reference to the vibrant and sensuous landscape and culture of Trinidad, where Chris lives and works.

Wolfgang Tillmans

audio recording

2013

inkjet print mounted on aluminum, in artist’s frame

63.9 x 85.5 cm (framed: 69.5 x 91 x 3.3 cm)

3 + 1 AP (1/3)

USD$35,000

Chris Ofili

Poolside Magic 5

2012

Charcoal, watercolour and pastel on paper

39.7 x 26 cm

USD$75,000 (ex tax)

Patricia Piccinini

The pressure as they close

2012

Curious Affection

automotive paint on aluminium

100 x 200 cm

AUD$27,500 (inc. GST)

James Angus

Mountains Valleys Caves

2005

fiberglass and acrylic

90 x 146 x 90 cm

Edition of 3 + AP 1

ED 3

USD$44,000 (inc. GST)

Monika Sosnowska

Balustrade

2016

Painted steel

250 x 180 x 210 cm

98.4 x 70.9 x 82.7 in

EUR 60,000

 

Mikala Dwyer

The Letterbox Mary

2015

Perspex, steel, mary

170 x 22 x 30 cm

AUD11,000 (inc. GST)

Chris Ofili

Poolside Magic 19

2013

Pastel, charcoal and watercolour on paper

39.5 x 25.5 cm

USD$75,000 (ex tax)

Mikala Dwyer

Semi Caldron (witches 'n' britches, Melbourne)

2018

acrylic, wood, fabric, wire mesh

70 x 90 x 70 cm

AUD$11,000 (inc. GST)

Lot 23

John Brack

Study for Standing Nude

1970

conté on paper

signed and dated 'John Brack 70' lower right

68.5 x 49.5 cm

Estimate $30,000 - $40,000

Carrie Mae Weems

Louvre

2006

Digital c-print

185.42 x 154.94 x 6.35 cm
(framed)

Edition of 5

USD$72,000

Mirdidingkingathi Juwarnda Sally Gabori

Dibirdibi Country

2012

Synthetic polymer paint on linen

151 x 196 cm

AUD$40,000.00 including GST

 

Andro Wekua

Levan Portrait

2017

Oil and silkscreen ink on aluminum panel

100 x 70 cm

101.6 x 72.4 x 3.8cm (framed)

€90,000

Angela Tiatia

Narcissus

2019

pigment print on cotton rag

157 x 244 cm

Edition of 3 + 2 AP

AUD$9,900

Secundino Hernandez

Instant Disassembly

2018

Rabbit skin glue, calcium carbonate, chalk, titanium white acrylic, and dye on linen

244 x 240 x 4 cm

USD$130,000

 

Secundino is a brilliant artist who is on the rise, represented by Victoria Miro and I think is destined for great things! His more colourful work is more sought after, however this darker piece is broody and dramatic. 

Kaari Upson

10:25 A.M. (Color)

2015

Watercolor and watercolor pencil on paper mounted on aluminum panel

245.1 × 123 × 2,8 cm

246.1 × 123.8 × 5.7 cm (framed)

USD$75,000 + Vat if applicable

 

Another work by Kari, even more overtly sexual if that is at all possible.

 

Lot 7 

Brett Whiteley

The Pink Dove I

1983

gouache and collage on cardboard

76.0 x 51.0 cm

artist’s frame: 195.0 x 65.0 cm

stamped with monogram lower right: BW

signed on the stretcher bar verso: Brett Whiteley

ESTIMATE:

$80,000 – 120,000

Binion McArthur

Hand:Work

2019

oil paint stick and paper on board

182.9 x 121.9 x 5.1 cm

USD$125,000

Jacqueline Fraser

"Those giant shamrocks are super-glued for extra heavy duty luck, baby"

2008

mixed media

101.5 x 198 x 12 cm

AUD$30,000 (inc. GST)

Paulina Olowska

The Puppeteers

2017

oil and acrylic on canvas

220 x 180 cm

USD$90,000

Liu Xiaodong

Europa Europa

2016

Oil on canvas

220 × 300 cm

USD$550,000

Jacqueline Fraser

"If that faded Sharon Stone clone blinks her Lancome lashes slowly, she knows something good's going to

happen, precious"

2008

mixed media

102 x 76.5 x 18 cm

AUD$10,000 (inc. GST)

Rirkrit Tiravanija

untitled 2008 (fifty dollar the days of this society is numbered)

2008

$50 bill, oil paint, gray ink stamp, MDF frame

23.5 x 29.8 cm

Edition of 5 + 1 AP

USD$10,000

 

Rirkrit is an artist who is absolutely in tune with the current zeitgeist and this piece in particular is not for the faint of heart - hitting scarily close to home.

Theaster Gates

Shine Study 1

2013

Wood, roofing paper, tar and metal

153.7 x 184.9 cm

USD$250,000

Zeng Fanzhi

Untitled

2017

Oil on canvas

249.7 x 250 x 6.5 cm

255 x 255 x 8.6 cm (framed)

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Glenn Ligon

 

Figure #97

2010-2016

Acrylic, oil stick, coal dust and silkscreen on canvas

152.4 x 121.9 x 3.8 cm

USD$450,000

 

Ella Kruglyanskaya
Striped
2018
Oil on linen
90 x 59 inches (228.6 x 149.9 cm)
Signed on verso
(EK 673)
$60,000

Ella Kruglyanskaya

Striped

2018

Oil on linen

90 x 59 inches (228.6 x 149.9 cm)

$60,000

 

Reko Rennie

Crest

2014

enamel on aluminium

161 x 124 x 4 cm

AUD$27,500 inc GST

Bharti Kher

Algorithm for embodying control

2018

Bindis on painted board

Diameter 137.2 cm

EUR 100,000

 

I've recommended Bharti Kher since 2012. Married to Gupta, who is acclaimed as the Damian Hirst of India, Kher is regarded by most people as being the better artist. She is collected by impeccable institutions and continues to make beautifully socially engaged works with the Indian Bindi as her medium.

Louise Weaver

Mirage (The fear of unstructured time)

2009

nylon wool, hessian, cotton

210 x 300 cm

AUD$55,000

Harold Ancart

Untitled (the great night)

2018

Oil and pencil on canvas

457.2 x 1346.2 cm

Signed and dated verso

*On view at Pompidou Metz

USD$750,000

 

Ella Kruglyanskaya
Fish, Yellow, Bikini
2018
Oil on linen
59 x 74 inches (149.9 x 188 cm)
Signed on verso
(EK 679)
$50,000

Ella Kruglyanskaya

Fish, Yellow, Bikini

2018

Oil on linen

59 x 74 inches (149.9 x 188 cm)

$50,000

 

Rudi Mantofani

DLROW #2

2018

acrylic on canvas

200 x 200cm

Milton Avery

Wader

1963

Oil on canvas

61 x 76.2 cm

USD$450,000 (ex tax)

 

A playful piece from 'the American Fauvist', who is considered a master of luminous landscapes, figures and still lifes. His gallery Victoria Miro featured him in a solo exhibition last year, his first in over a decade. They are pushing him as one of the under-regarded heroes of American modernism. As he died in 1965, there is a limited supply of work available. I've chosen this one as it feels more contemporary, more timeless than some of his other paintings. 

Rudi Mantofani

CAHAYA DUNIA #2 (Light of The World #2)

2017

acrylic and gold plating on canvas

170 x 250 cm

Adrián Villar Rojas

From the series 'Planetarium' 9

2015

Wire, tennis shoe, metal, plastic, bones, coral, glass, pigmented cement

105 x 34 x 54 cm

USD$100,000

 

A truly brilliant young artist, Argentinian Adriàn Villar Rojas made a particular impact on me with his awe inspiring installation at the 2015 Istanbul Biennale. He is the hottest young artists on the circuit right now - well worth acquiring.

 

Tim Silver

Untitled (When Lilacs Last in the Dooryard Bloom'd 02)

2016

Porcelain with enamel and acrylic

34 x 44 x 20 cm

Unique edition of 3

AUD 17,600 incl. GST

Louise Weaver

Mirage (The fear of unstructured time)

2009

Detail

Tracey Emin

She closed her eyes

2017

Acrylic on canvas

121.8 x 121.8 x 3.4 cm

GBP250,000

Ashley Bickerton

Codsallop & Doggeral

2019

oil and acrylic on canvas

190 x 179 x 8.5cm

Tony Albert

weight of the world

2018

vintage playing cards, coasters and matchboxes on board

154 x 183 (framed size)

94 x 88 cm (image size)

AUD$38,500 Including GST

Ashley Bickerton

PST2

2018

oil and acrylic on jute in artist designed wood frame inlaid with mother of pearl, bamboo & found objects

221 x 241.5 x 13 cm

Wolfgang Tillmans

peninsula

2011

inkjet print mounted on aluminum, in artist’s frame

90.4 x 72.5 cm (framed: 95.8 x 77.9 x 3.3 cm)

Edition of 3 + 1 AP

USD 35,000.- + VAT

 

Louise Weaver

Beetle elytra

2008

Nylon wool, jute, linen, foil, synthetic polymer gloss medium

55.2 x 46.4

AUD$9,900

 

 

Ella Kruglyanskaya
Dolls in Orange
2018
Oil on linen
66 x 64 inches
(167.6 x 162.6 cm)
(EK 677)
Ella Kruglyanskaya
Yapping Men
2018
Oil on linen
66 x 64 inches (167.6 x 162.6 cm)
Signed on verso
(EK 684)
$50,000

Ella Kruglyanskaya

Yapping Men

2018

Oil on linen

66 x 64 inches (167.6 x 162.6 cm)

$50,000

 

Tony Albert

Fight for your rights

2017

vintage playing cards and acrylic on Eric Jolliffe comic book pages

30.5 x 44.3 cm

AUD$3,300 Including GST

 

Preview video

 

 

Ella Kruglyanskaya
Dolls in Orange
2018
Oil on linen
66 x 64 inches
(167.6 x 162.6 cm)
(EK 677)
Ella Kruglyanskaya
Yapping Men
2018
Oil on linen
66 x 64 inches
(167.6 x 162.6 cm)
(EK 684)

Ella Kruglyanskaya

Horse and Carriage on Green

2018

Oil on linen

66 x 64 inches

(167.6 x 162.6 cm)

$50,000

 

Louise Weaver

Like a needle in moss (Turquoise)

2008

Nylon wool, jute, linen

122.2 x 102.2 cm

AUD$22,000

Rachel Harrison

The Legend

2015

Wood, metal, raincoat, telephone, polyester resin with fiberglass mask, costume beard, telephone book, and acrylic

223.5 x 85.1 x 82.6 cm

USD$225,000

Ceal Floyer

Umbrella

2018

C-print on alu-dibond

86 x 119.5 cm

Edition of 6

CF 221

€18,000

Julian Schnabel

North America

2007

oil on map and fabric, mounted on linen

205.7 x 165.7 cm frame

USD$200,000

Richard Wright

No Title

2017

Ink, watercolour and enamel on paper

30 x 25 cm

GBP 35,000 + VAT

USD 45,000 + VAT

Anne Collier

Black and White Crying Eye (Negative)

2017

C-print

136.84 x 92.1 x 3.97 cm framed

Edition of 5

USD 22,000 + VAT

Mark Leckey

NOBODADDY'S WET MAP

2018

Archival pigment

160.7 cm x 160.7 cm

framed 163.8 x 163.8 x 6.4 cm

Unique

USD$60,000

Daniel Silver

After Golden

2018

Portoro Marble

52 x 27.5 x 30 cm

£40,000 + VAT

Paul Yore

Art Is Theft

2016

Mixed media textile, beads, sequins, buttons

fringe and marker

100 x 110 cm (irreg)

AUD$8,900

Dinh Q. Lê

Fragile Springs

2012

portfolio of 10 silkscreen prints in a laser engraved aluminum box

14 x 17 inches each; edition of 21

USD$ 7,500

Louise Weaver

Object of the Sun

2009

hand crocheted lambswool over hand-turned Japanese birchwood, cedar wood, sequins, human hair, silk fabric, cotton thread, gold leaf, gesso, enamel paint, steel

71 x 32.5 x 12.5cm

AUD$22,000

Glenn Ligon

Debris Field #8

2018

Etching ink on canvas

289.6 x 223.5 cm

USD$500,000

Julian Schnabel

Strait of Georgia and Strait of Juan de Fuca

2007

oil on map mounted on linen

122 x 83.8 cm

136,8 x 99 cm frame

USD$65,000

Zhou Li

Lines

2017

Mixed media on canvas

200 x 300 cm

€40,000 ex VAT

Lee Ufan

Dialogue

2018

Oil on canvas

162 x 130 cm

Signed on bottom right edge of Recto

USD 300,000

Tony Cragg

Castor & Pollux

2016

Wood, appr. 250 kg

130 x 114 x 64 cm

€325,000

Sarah Lucas

Hunk of the Year

1990-1992

inkjet print on paper

site size: 305.5 x 224 cm

frame size: 325 x 241 x 9 cm 

price tbc

Doug Aitken

Eclipse (countdown)

2006-2007

Neon, wood, program and synchronizer

66 inches (167.6 cm) diameter

8 inches (20.3 cm) depth

Edition of 4

USD$125,000

Paul Yore

Art Is Fun

2016

Mixed media textile, beads, sequins and buttons

105 x 108 cm (irreg)

AUD$8,900

Starry Sky

2016

Archival inkjet print

69 x 120 cm

Edition of 6 + 2 AP

USD 7,500 excluding framing

Paul Yore

When Will It End

2016

wool needlepoint

47 x 28cm (irreg)

AUD$4,000

Katharina Grosse

o.T.

2017

acrylic on canvas, framed

290 x 193 cm

293 x 196 x 4.8 cm

unique

EUR 150,000

Paulina Olowska

The Premiere

2017

oil and acrylic on canvas

220 x 180 cm

USD$90,000

Kiki Kogelnik

Untitled (Still Life with Hand)

c. 1964

oil and acrylic on canvas

66.7 x 51 cm

USD 38,000

Rodney Graham

Cylindro - chromatic Abstraction Construction􀀃

2015

Acrylic gouache on wood

104.1 x 80 x 21.6 cm

USD$70,000

 

Amy Feldman

Bliss Amiss

2017

Acrylic on canvas

152.4 x 152.4 cm

USD$14,000

Annette Kelm

Helmholtz Sirene

2017

archival pigment print, framed

99.8 x 75 cm

102 x 77.2 x 4 cm

EUR 14,000

Trevor Paglen

Karnak (working title)

2018

three LE silver gelatine prints

80 x 40 inches (each)

203.2 x 101.6 cm

 

Daniel Boyd

Untitled (WTABP)

2017

oil, charcoal and archival glue on canvas

198.5 x 122 cm

AUD$30,000

Sanford Biggers

Just Us

2017

Vinyl banner

60 x 120 inches

152.4 x 304.8 cm

USD$45,000

Thomas Schütte

Eierkopf, halb

2014

Glazed ceramic

25 x 28 x 36 cm

NG3694

Thomas Struth

Notre-Dame, Paris

2000

Chromogenic print

186.37 x 229.55 x 6.35 cm

Edition of 10

USD$550,000

Tracey Emin

A New Upgrade

2002

Balsa wood, wire mesh and metal

37.5 × 69 × 86 CM

GBP85,000

Christian Thompson

To Behold Is to Be Beholden

2016

c-type print on Fuji Pearl Metallic Paper

120 X 120

edition of 6 + 2AP

AUD$11,000 unframed

AUD$12,000 framed

 


 

Michael Reid, Sydney

Sarah Scout Presents, Melbourne

Alicia Kwade

Candle Column (Camile) 

2018

Bronze

173 cm 

€28,000

 

Theaster Gates

Gold Landscape in Three Strokes

2017

Bronze and tar

146 x 231 x 15 cm

USD$ 325,000

Arthur Jafa

Slaver

2017

Printed acetate

130 x 106 cm

Edition 1, Edition of 10

USD 10,000

Mark Grotjahn

Untitled (Moss on Rock Heavy Texture Mask M16.d)

2012

Painted bronze

110.5 x 40.6 x 13.3 cm

USD$ 750,000

YOU

2007

1 channel video

AUD$20,000

 

https://vimeo.com/47387278

Takashi Murakami

And then, and then and then and then and then

2017

Acrylic and platinum leaf on canvas mounted on wood panel

141 x 150 x 5 cm

Unique

USD$$485,000 (€472,953) without tax

Urs Fischer

Green Mountain

2016

Aluminum panel, epoxy, reinforced polyurethane foam, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, acrylic paint

181.6 x 228 x 2.5cm

USD 500, 000

Jonathan Jones

untitled (salt) A

2010

Graphite on Arches paper

113 x 73 cm

NZD$7,500

Tatiana Trouvé

Untitled

2013

patinated bronze, copper, paint

90 x 60 x 62 cm

EUR 25,000

Jonathan Jones

untitled (salt) K

2010

Graphite on Arches paper

113 x 73 cm

NZD$7,500

Ugo Rondinone

morning mist in the mountains 1808

2016

Cast aluminumm

55.7 x 46 x 4.8 cm

price TBC

Jonathan Jones

untitled (salt) E

2010

Graphite on Arches paper

113 x 73 cm

NZD$7,500

Tracey Moffatt

Plantation (Diptych No. 11)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta

paper

46 x 50.5 cm (each)

Edition of 12 + AP 2

ED 2

AUD$13,000

Nate Lowman

Before and After

2014

Oil, alkyd, resin, tape, paper and dirt on inkjet on canvas

91.4 x 381 x 3.8 cm

USD$195,000

Mai-Thu Perret

In the dark, the expert is startled

2017

glazed ceramic

50.2 x 40 x 5.1 cm

USD$24,000

Jonathan Jones

untitled (salt) B

2010

Graphite on Arches paper

1130mm H x 730mm W

NZD$7,500

Anne Noble

Dead Bee Portrait #11

2015

archival photograph on Canson Baryta Paper, framed museum glass

 425 x 515 mm

edition 6 of 10

AUD$5,000 AUD inc GST

Edith Dekyndt

Summer Drum 003

2017

Fabric and resin on wooden frame

30 x 40 x 8 cm

€ 13,000

Joan Jonas

House Drawing 13

Watercolor on handmade paper

121.9 x 81.3 cm

USD$22,000

Janet Laurence

Habitat

2016

duraclear and oil glaze on acrylic

100 x 117 cm

AUD$20,000

Sigmar Polke

Elementares Baumaterial

1998

Mixed media on fabric

137.2 x 157.5 x 5.1 cm framed

USD$1,300,000

Louise Bourgeois 

Untitled

2002

Fabric and wood

61 x 35.6 x 35.6 cm / 24 x 14 x 14 inches

Steel, stainless steel, glass and wood vitrine: 177.8 x 76.2 x 76.2 cm 

USD$3,800,000 excl. VAT

Armor (Jakob Schnatz, Plankengestechteile Erzh. Ferdinands II., 1545-50 Kat. Nr. 122)

2017

C-print mounted on Dibond

157.48 x 106.68 cm

Edition of 3 with 2 AP

USD$14,000

framed and glazed with OP3 UV Plexiglas

Georg Baselitz

Winfried

2017

Oil on canvas

155 x 120 cm

EUR 320,000

Mamma Andersson

Black Cat

2015

Handprinted colour woodcut on rice paper, monotype

65 x 50cm

USD$10,000

Ugo Rondinone

elfterjulizweitausendundfünfzehn

2015

Acrylic on canvas, plexi plaque with labeling

280 x 185 cm

price TBC

 

Lot 32

 

Arthur Boyd (1920-1999)

Dancers

n.d.

bronze

signed and numbered on base: Arthur Boyd E/E

with Meridian Foundry stamp

48 cm high, 32 cm wide, 31 cm deep

Estimate: $20,000-22,000

 

Fred Wilson

Tears for Desdemona

2015

Murano glass and light bulbs

94.9 cm x 74.9 cm x 74.9 cm

Edition 2 of 6 + 2 APs

No. 61881.02

USD$90,000

Rebecca Baumann

Automated Colour Field (Variation 4)

2013

44 flip clocks, archival card, batteries

1420 x 1430 x 90 mm

Duration 24 hours

Edition of 5 (+1AP)

USD$1,500 for a single clock piece

USD$32,500 for the set of 44 clocks

 

Jim Shaw

Untitled (Hand Drawing)

2006

Pencil and airbrush on paper

208 x 139 cm

USD$ 85,000

HARVEST

2017

Installation view

Mary Weatherford

phoenix

2017

Flashe and neon on linen

236.2 x 200.7 x 7.6 cm

USD$180,000

 

Llyn Foulkes

Night Train

2016

Velvet, luan, acrylic, photographs and found objects on canvas

180.3 x 203.2 cm

USD$325,000 plus VAT and taxes if applicable

Edith Dekyndt

Summer Drum 002

2017

Fabric and resin on wooden frame

30 x 40 x 8 cm

€ 13,000

Robert Rauschenberg

Saturday / ROCI Venezuela

1985

oil on plywood

125.7 cm x 228.9 cm

USD$2,500,000 subject to applicable taxes

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

John Armleder

 

Untitled

2017

mixed media on canvas

224.8 x 149.9 x 10.2 cm

USD$150,000

Rirkrit Tiravanija

untitled 2009 (who is afraid of chrome, chrome and chrome)

2009

4 oil barrels, 4 grills, left over charcoal, chromed lamb bones, empty bottles

dimensions variable

unique

USD$250,000 + VAT if applicable

Ronnie Tjampitjinpa

Tingari Cycle at a Site Adjacent to Wikinkarra

1994

Synthetic polymer paint on canvas

182cm x 152cm

 AUD$180,000

Rob Pruitt

TBT

2017

80.01 × 177.8 cm

USD$60,000

Antony Gormley

FAZE

2013

Mild steel bar

184 x 48 x 44 cm

GBP350,000

Rebecca Baumann

Automated Colour Field (Variation 6)

2017

28 flip clocks, archival card, batteries

900 x 1430 x 90 mm

Duration 24 hours

Edition of 5 (+1AP)

USD$1,500 for a single clock piece

USD$22,500 for the set of 28 clocks

Theaster Gates

Meditation station for prayer and the contemplation of local knowledges

2016

Mixed media

190 x 70 x 96 cm

USD$275,000

Carrie Mae Weems

Untitled (Black Love)

1992

three gelatin silver prints

28 x 28 inches (each print)

28 1/4 x 28 1/4 inches (framed)

Edition of 10, with 2APs

USD$75,000

Rosella Namok

New villages in Lockhart

2016

acrylic on canvas

303x193cm

$3,5000

Grisha Bruskin

Scene Change

2016-2017

Russian Pavilion

Gary Simmons

On Point (Big Sur)

2007

Pigment and oil paint on canvas

137.2 x 137.2 cm

USD$75,000.00

Harold Ancart

Untitled

2016

Detail

Theaster Gates

Face over time

2016

Clay, metal and wood

28.3 x 64.1 x 24.8 cm

Plinth: 46 x 116 x 31 cm)

USD$165,000

Rosella Namok

New villages in the tropics

2017

acrylic on canvas

135x210cm

$1,6500

Korakrit Arunanondchai

With history in a room filled with people with funny names 4 (with stage for extinction)

2018

Installation, video: HD video, 23 mins

stage: soil, left over seafood remains, latex paint, clear resin,

jackfruit shell, various shaped fabric pillows

400 x 600 cm

USD$70,000

 

Jean-Luc Moulène

Monochromes / Samples Girlies (American Standard), New York, January 2017

2017

Bic ink on Ampersand clayboard

4 parts, each:

50.8 x 40.6 cm

USD$60,000

Rirkrit Tiravanija

untitled 2017 (eclipse of the soul) (nation: march 2, 2009)

2017

Gold leaf and newspaper on linen

164 x 142 cm

USD$100,000 (plus relevant tax)

Armor (Sebastian Schmid, Harnash, 1550-60. Kat. Nr. 139)

2017

C-print mounted on Dibond

157.48 x 106.68 cm

Edition of 3 with 2 AP

USD$14,000

framed and glazed with OP3 UV Plexiglas

Tim Maguire

Continuous Life and Death at the Now of Eternity

2017

Digital work, 9 channels, Endless

Edition of 10 + 2 AP

AUD$220,000

Hans-Peter Feldman

Flower Pot

n.d.

Mixed media

Dimensions variable

15 flower pots

HPF 197

€2ô€€˜,000

Anne Noble

Dead Bee Portrait #7

2015

archival photograph on Canson Baryta Paper, framed museum glass

425 x 515 mm

edition 6 of 10

AUD$5,000 AUD inc GST

Roe Ethridge

Blue Roses

2017

Dye sublimation print on aluminum

91.4 x 61 cm

USD$16,000

Toby Ziegler

Yellow wallpaper

2017

Oil on aluminium

120 x 123 cm

GBP 35,000

Rirkrit Tiravanija

untitled 2017 (eclipse of the soul) ( nation: november 14, 2009)

2017

Gold leaf and newspaper on linen

164 x 142 cm

USD$100,000 (plus relevant tax)

Gabriel de la Mora

B-8 izq / 8 der I

2016

16 vintage radio speaker fabrics

Dimensions variable

USD$60,000

Richard Long

Red Ring

2017

Red slate

215 cm (diameter)

USD$140,000

Tim Silver

Untitled (When Lilacs Last in the Dooryard Bloom'd 01)

2016

Porcelain with enamel and acrylic

34 x 44 x 20 cm

Unique edition of 3

AUD 17,600 incl. GST

 

 

Yinka Shonibare Mbe

The American Library Collection

2017

225 Hardback books, Dutch wax

printed cotton textile, gold foiled

names, shelving

248.9 x 101.6 cm

USD$85,000

Kerry James Marshall

to be titled

2017

74 x 60 cm

USD$800,000

Oscar Murillo

untitled

2016

Install 

 

David Zwiner

Tracey Moffatt

Plantation (Diptych No. 5)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta

paper

46 x 50.5 cm (each)

Edition of 12 + AP 2

ED 2

AUD$13,000

Georg Baselitz

La futura cammin facendo

2015

Oil on canvas

205 x 150 cm

Frame 224 x 169.2 x 7 cm

€380,000 + VAT

Lisa Yuskavage

Ledge

2005

Oil on linen

154.9 x 102.2 cm

Signed and dated verso

USD$750,000

Tracey Moffatt

Plantation (Diptych No. 7)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta

paper

46 x 50.5 cm (each)

Edition of 12 + AP 2

ED 2

AUD$13,000

Cindy Sherman

Untitled Film Still #44

1979

gelatin silver print

76.2 x 101.6 cm (image)

101.9 x 122.2 cm (frame)

Edition of 3, 1 AP

USD$375,000

Verne Dawson

The New Road

2017

Oil on canvas

50.8 x 61 cm

Signed and dated on verso

USD$30,000

Michel Majerus

Ohne Titel

1998

acrylic and pencil on cotton

480 x 700 cm

EUR 500,000 + VAT if applicable

Matt Johnson

Drywall #2 (Grape Hyacinth M560-3)

2016

Carved wood and paint

160 x 165.1 x 81.3 cm

pedestal: 20.3 x 162.6 x 106.7 cm

Unique

Signed and dated

USD$55,000

Tracey Moffatt

Plantation (Diptych No. 10)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta

paper

46 x 50.5 cm (each)

Edition of 12 + AP 2

ED 2

AUD$13,000

Karl Holmqvist

Untitled

2016

Marker on canvas

180 x 180 cm

USD$18,000

Sterling Ruby

DRFTRS (5606)

2015

Collage, paint and glue on paper

21.9 x 27.9 cm

54.9 x 61.6 x 3.8 cm (framed)

USD$12,000

Matt Johnson

Drywall #2 (Grape Hyacinth M560-3)

2016

Carved wood and paint

160 x 165.1 x 81.3 cm

pedestal: 20.3 x 162.6 x 106.7 cm

Unique

Signed and dated

USD$55,000

Tim Silver

Untitled (When Lilacs Last in the Dooryard Bloom'd 03)

2016

Porcelain with enamel and acrylic

34 x 44 x 20 cm

Unique edition of 3

AUD 17,600 incl. GST

Kara Walker

Spectators

2014

Ink, watercolour and cut paper on paper

127 x 96.5 cm

USD$125,000 (ex tax)

Tracey Moffatt

Plantation (Diptych No. 8)

2009

Digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta

paper

54 x 57.5 cm

Paper size: 46 x 50.5 cm (each) - Diptych

Edition of 12 + AP 2

ED 2

AUD$13,000

Tracey Moffatt

Plantation (Diptych No. 12)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta

paper

46 x 50.5 cm (each)

Edition of 12 + AP 2

ED 2

AUD13,000

Sterling Ruby

DRFTRS (4987)

2014

Collage, paint and glue on paper

30,2 x 45,7 cm

85.1 x 100.3 x 3.8 cm (framed)

USD$15,000

Gillian Wearing

Cahun and Wearing

2017

bromide print

42.5 x 52.4 cm

edition of 6 + 2 AP

GBP£18,000 exc VAT

Tracey Moffatt

Plantation (Diptych No. 6)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta

paper

46 x 50.5 cm (each)

Edition of 12 + AP 2

ED 2

AUD$13,000

Brian Belott

Tondo Puff

2017

Mixed media on canvas

54.6 x 54.6 x 12.7 cm

Signed and dated on verso

USD$10,000

Lot 150

 

Danie Mellor (B.1971)

Tracing a Path Lost

2004

glazed slip cast earthenware

signed, dated and titledverso: Danie Mellor 2004 Tracing a Path Lost

cat. no. FW8685

78 x 42 cm

Estimate: $2,500-3,000

 

LITERATURE

Grishin, Sasha, Accounting for Taste: the Lowensteins Arts Management Collection, Macmillan Art Publishing, Melbourne, 2013, p. 276 (illustrated)

Ibrahim Mahama

Smoked fish paper on charcoal sacks

2016

212 x 326 cm

EUR45,000

Robert Longo

Study of Breaking Shark

2017

ink and charcoal on vellum

32.1 x 53 cm (image)

USD$65,000

Sterling Ruby

Brigade RWG

2014

Collage, paint and glue on paper

66 x 101.6 cm

72.7 x 108.3 x 3.8 cm (framed)

USD$32,000

Franz Ackermann

Formerly Grey (Walled City)

2017

oil on canvas / öl auf leinwand

210 x 160 cm

EUR 125,000 + VAT if applicable / zzgl. MwS

Oscar Murillo

exercises 6

2015

Oil and oil stick on paper

152.4 x 101.6 cm image

160.7 x 109.9 x 4.4 cm framed

Signed and dated verso

 

David Zwiner

Brook Andrew

Systems of Substance V

2017

small size

Hand coloured Silver gelatin photograph

65 x 73 cm

(framed)

Edition of 5 + AP 1

ED 1

AUD$3,000

Lot 149 

 

Danie Mellor (B.1971)

Moving In Moving Out

2004

glazed slip cast earthenware

signed, dated, titled and editioned verso: Danie Mellor 2004 Moving in moving out 2/3

Estimate: $2,500-3,000

Bill Henson

Untitled #29

2008 - 2009

archival inkjet pigment print

127 x 180 cm

Edition of 5 plus 2AP 

AP 1

55,000.00 AUD (inc. GST)

Brook Andrew

Systems of Substance VII, 2017

(small size)

Hand coloured Silver gelatin photograph

65 x 73 cm

(framed)

Edition of 5 + AP 1

ED 1

AUD$3,000

Pae White

Drone-drome H

2016

cotton, polyester, lurex, cashmere

290 x 290 cm

USD 70,000 + VAT if applicable

Navid Nuur

The Tuners

2005-2017

prepared linen canvas, mixed media

165 x 125 cm

USD$17,000

Jimmie Durham 

(BLAM!)

2002

Ink on paper

114 x 85.5 cm

framed

€30,000

Brook Andrew

Systems of Substance VI

2017

(small size)

Hand coloured Silver gelatin photograph

65 x 73 cm

(framed)

Edition of 5 + AP 1

ED 1

AUD$3,000

Mickalene Thomas

Untitled #17

2016

rhinestones, glitter, acrylic, and oil paint on wood panel

152.4 x 121.9 x 5.1 cm

USD$105,000

Mario García Torres

N.D.

n.d.

graphite on plastilita on canvas

25 x 20 cm

numbered on verso

EUR 8,000 + VAT if applicable

 

Installation view

Billy Childish

irises in cat pot

2016

oil and charcoal on linen

122 x 91,5 cm

EUR 18,000 + VAT if applicable

 

Section from Clark's Myriorama within a feigned frame

2016

acrylic on canvas

102 x 76 cm

AUD$ 22,000.00

Andreas Eriksson

Strata

2017

oil on canvas

130 x 80 cm

EUR 25,000 + VAT if applicable

 

Tim Silver

Untitled (Husk) 

2016

Copper

76 x 20 x 9 cm

edition of 3 plus 2 AP

AUD 24,200 incl. GST

 

Damián Ortega

Lava wave XVII

2016

Clay from Oaxaca, Mexico

13.8 x 15.5 x 14.5 cm

USD 25,000

Andreas Eriksson

Boarder

2017

oil on canvas

50 x 40 cm

EUR 15,000 + VAT if applicable

 

11-11:15pm

 

Jamie North


Sarah Cottier Gallery

23 Roylston Street, Paddington NSW 2021

 

Artists of interest: Todd McMillan, Sarah Mosca, Gemma Smith

Thaddeus Strode

Pelican Thoughts (The Cold)

2010

epoxy resin, pigment, metal, concrete

head: h 20 x ø 24 cm

with bucket and metal support: approx. h 165 x ø 24 cm

USD$7,500 + VAT if applicable

 

Damián Ortega

Lava wave XVIII

2016

Clay from Oaxaca, Mexico

13.5 x 37.9 x 14.7 cm

USD 30,000

Damián Ortega

Installation view

Roe Ethridge

(to be titled)k

2017

Dye sublimation print on aluminium

134.6 x 101.6 cm

Edition of 5, with 2 APs

USD$20,000

Martin Creed

Work No. 1634

2013

Acrylic on canvas

40 x 30 cm 

42 x 32 cm with frame 

USD$45,000 + VAT

Uri Aran

Book Sad

2016

wood, glass and mixed media

121.9 x 60.9 x 160 cm

US$ 35,000 excl. vat

Nyapanyapa Yunupingu

49. Birrka'mirri 22

2011

paint pen on clear acetate plastic

83.5 x 59.5 cm

AUD$3,000

Roe Ethridge

Double Fruit Plate

2017

Dye sublimation print on aluminium

83.8 x 125.7 cm

Edition of 5, with 2 APs

USD$20,000

Andreas Eriksson

Court

2017

oil on canvas

50 x 40 cm

EUR 15,000 + VAT if applicable

Damián Ortega

Installation view

Lee Bul

Untitled (Mekamelencolia - Yellow Velvet #2)

2016

crystal and acrylic paint on silk velvet

79.4 x 59.1 x 3.5 cm

framed: 85.7 x 64.1 x 8.2 cm

USD$75,000

Patricia Piccinini

The Dancer

2016

Silicone, steel, resin, human and animal hair

45 x 24 x 16 cm

Edition of 3, 1AP

Edition AP

AUD$25,000

Thaddeus Strode

Pelican Thoughts (The Misunderstood)

2010

epoxy resin, pigment, metal, concrete

head: h 18 x ø 21 cm

with bucket and metal support: approx. h 165 x ø 21 cm

USD$7,500 + VAT if applicable

 

 

Vanessa Billy

Five continents, three oceans

2013

Cardboard Box, Epoxy Resin

50 x 40 x 24 cm

£6,000.00

 

Limoncello

Louise Bourgeois

Untitled

1950

48.3 x 31.6 cm

USD$300,000

Nick Mauss

Waiting

2016

Installation

Damián Ortega

Installation view

Georg Baselitz

Wadi, Wadi

2012

Oil on canvas

305 x 245 cm

EURO 550,000

 

PROVENANCE

Gagosian Gallery, New York

Nyapanyapa Yunupingu

Untitled 23

2012

paint pen on clear acetate plastic

83.5 x 59.5 cm

AUD$3,000

Alice Browne

Occupation

2016

Acrylic and Oil on Canvas

50 x 45 cm 

£2,500.00

 

Limoncello

David Ostrowski

F (San Francisco days)

2016

Acrylic, lacquer and paper on canvas

276 x 221 cm (framed)

EUR 60,000

Damián Ortega 

Iceberg IV 

2016

Detail

Ben Quilty

Rezene Mebrahta Engeda

2017

Oil on linen

130 x 110 cm

AUD 35,000

11:15-11:45am

 

Brenda L Croft

Full/blood

2016

Pigment Print

111.2 x 90.5 cm

Edition of 5

 

Stills Gallery

36 Gosbell Street, Paddington NSW, 2021, Australia.

 

Artists of interest: Trent Park, Ricky Maynard, Roger Ballen

Louise Bourgeois

Greetings: A Laughing Monster

1946

etching

12.7 x 15.2 cm

USD$60,000

Damián Ortega

Iceberg III

2016

Glazed clay from Oaxaca, Mexico

23 x 36 x 20 cm

USD 30,000

Thaddeus Strode

Pelican Thoughts (The Ostrich)

2010

epoxy resin, pigment, metal, concrete

head: h 22 x ø 26 cm

with bucket and metal support: approx. h 153 x ø 26 cm

USD$7,500 + VAT if applicable

John Armleder

Soak

2016

detail

Lot 48

 

Arthur Boyd (1920-1999)

Shoalhaven

(c.1980)

oil on board

signed lower right: Arthur Boyd

37 x 29.5 cm

Estimate: $18,000-20,000

 

LITERATURE

Grishin, Sasha, Accounting for Taste: the Lowensteins Arts Management Collection, Macmillan Art Publishing, Melbourne, 2013, p. 43 (illustrated)

Mikalene Thomas

Untitled #13

2015

rhinestones, acrylic, oil, glitter, pastel, graphite and oil stick on wood panel

243.8x182.9cm

USD $150,000

 

Ryan Gander

Felix provides a stage #7 — (Eleven sketches for ‘A

sheet of paper on which I was about to draw, as it slipped from my table and fell to the floor’)

2008

Color photograph printed on wall paper

300 x 450 cm

Edition 1 of 1 (+ 1 AP)

GBP£25,000

Uri Aran
Bumblebee in Italian

2016

acrylic, graphite and mixed media on HDO
122 x 84 x 6 cm
US$ 30,000 excl. vat

Nyapanyapa Yunupingu

Untitled 26

2012

paint pen on clear acetate plastic

83.5 x 59.5 cm

AUD$3,000

Uri Aran
Books

2016

charcoal, oil pastel, graphite,

china marker, carbon copy, ink on paper, framed

installation dimensions:

143.5 x 219 x 3.5 cm
US$ 40,000 excl. vat

Nyapanyapa Yunupingu

47. Birrka'mirri 19

2011

paint pen on clear acetate plastic

83.5 x 59.5 cm

AUD$3,000

Damián Ortega

Iceberg V-VI

2016

Set of 2. Clay from Oaxaca, Mexico

with acrylic and varnish

36 x 30 x 27 cm

26 x 28 x 18 cm

USD 45,000

Lot 47

 

Freddie Timms (c.1944)

Mount Keira Massacre

1998

natural earth pigments and synthetic binder on linen

singed, titled and dated verso: F TIMMS 98 MOUNT KEIRA MASSACRE WOLLONOONG

cat no. FT45

120 x 120 cm

Estimate: $7,000-9,000

 

PROVENANCE

Watters Gallery, Sydney

 

LITERATURE

Grishin, Sasha, Accounting for Taste: the Lowensteins Arts Management Collection, Macmillan Art Publishing, Melbourne, 2013, p. 214 (illustrated)

 

Eva Rothschild

Your Head In My Eyes

2015

Jesmonite, fiberglass, polystyrene, steel, paint

226.1 x 79.1 x 79.1 cm

£40,000 + VAT

 

303 Gallery

Ben Quilty

Reza

2016

Oil on linen

130 x 110 cm

AUD$35,000

Damián Ortega

Lava wave VI

2016

Clay from Oaxaca, Mexico

7.5 x 41.8 x 13 cm

USD 30,000

Jacqueline Humphries

Untitled

2016

Detail

Kate Owens

Alarms & Embarrassments

2016

Reduced Energy Drink

3 x 21 x 29 cm 

£3,000.00

 

Limoncello

Thaddeus Strode

Pelican Thoughts (The Deformed)

2010

epoxy resin, pigment, metal, concrete

head: h 21 x ø 24 cm

with bucket and metal support: approx. h 185 x ø 24 cm

USD$7,500 + VAT if applicable

 

Damián Ortega

Iceberg V-VI

2016

Detail

Louise Bourgeois

Untitled 

1949

ink and graphite on paper

55.9 x 38.1 cm

USD$345,000

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

XXGreg Creek

 

Amendment #11 – #19

2014–2016

Watercolour on paper with balsa drip tray, framed

Each 204 x 145 cm

Each $12,500

 

Creek’s practice over the past twenty years has represented a political perspective on personal and public histories – engaging narrative, allegory and satire in large painting, drawing and installation projects. Described as one of Melbourne’s most complex and demanding artists, Creek’s practice poses compelling questions about art history, politics, aesthetics and, not least, the question that perpetually hovers over art making today: the relevance of painting as a medium for contemporary practice.

Ben Quilty

Leo Seemanpillai

2017

Oil on linen

130 x 110 cm

AUD$35,000

 

Jimmie Durham

Echo

2008

Glass and German silver (copper,

zinc and nickel)

28 x 23 x 23 cm.

€60,000

Nyapanyapa Yunupingu

Untitled 27

2012

paint pen on clear acetate plastic

83.5 x 59.5 cm

AUD$3,000

Katie Paterson

Candle (from Earth into a Black Hole)

2015

A candle scented as if journeying from planet to planet

29 x 3 cm (height x diameter)

edition of 45

£2,000 + VAT

 

Ingleby Gallery

Ben Quilty

Mohammad Hadi

2016

Oil on linen

130 x 110 cm

AUD$35,000

Damián Ortega

Iceberg XI

2016

Glazed clay from Oaxaca, Mexico

23 x 26 x 20 cm

USD 30,000

Ben Quilty

Khodayar Amini

2017

Oil on linen

130 x 110 cm

AUD$35,000

Alice Browne

More

2012

Oil on Canvas

60 x 55 cm 

£2,000.00

 

Limoncello

Renata Lucas

Homeless topography

2016

ceramic tiles, mixed textile blanket, aluminum, steel, polyurethane construction adhesive, epoxy based tile grout

3 x 174.5 x 151.5 cm

EUR 50,000 + VAT if applicable

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Jimmie Durham

 

Echo

2008

Detail

Louise Bourgeois

Untitled

1945

oil on canvas

101.6 x 61 cm

USD$2,500,000

12-12:30pm

 

Diena Georgetti

KIT

2016

Acrylic on canvas, custom frame,

74.00 x 52.50 x 6.50 cm

 

The Commercial

148 Abercrombie Street, Redfern

 

Artists of interest: Archie Moore, Michael Riley, Lilian O'Neil

Ben Quilty

Fazel Chegeni

2017

Oil on linen

130 x 120 cm

AUD$35,000

William Mackinnon

Yulong

2014

oil & automotive enamel

on synthetic linen

200 x 100 cm

$9,900

Damián Ortega

Iceberg IX

2016

Clay from Oaxaca, Mexico with

acrylic and varnish

33 x 38 x 27 cm

USD 30,000

Tim Silver

Untitled (Found Image)

2016

C-Type Print

77 x 62 cm

AUD 4,840 incl. GST (framed)

Keith Edmier

Keith Edmier 1998 [ After ] Tobias Rehberger

2016

epoxy, dental acrylic, polyurethane, and acrylic paint

59 x 40 x 33 cm

USD 35.000,00 + VAT if applicable

Tim Silver

Untitled (Husk) 

2016

Jimmie Durham

Echo

2008

Detail

Greg Creek

Amendment #11 – #19

2014–2016

Watercolour on paper with balsa drip tray, framed

Each 204 x 145 cm

Each $12,500

 

Creek is perhaps most well known for his large scale political and allegorical paintings, including his series The Violence of Appearances, but large desktop works – begun as the throw away blotting sheets for his oil paintings – have since become a focus of his practice, significant in their own right. Creek uses a range of different graphic styles and mediums: representational and abstract rendered drawings, watercolours, diagrams, notations from everyday life and collage among so many others.

Jorge Pardo

untitled

2016

stained mahogany wood, leather, metal hardware

2 parts, each 237.9 x 68.8 x 5.5 cm

USD$95,000 + VAT if applicable

Eva Rothschild

Your Head In My Eyes

2015

Detail

Ben Quilty

Fereshteh

2016

Oil on linen

130 x 110 cm

AUD$35,000

Adriana Varejão

Rome Meat Ruin

2016

Detail

Damián Ortega (1967)

Lava wave V

2016

Clay from Oaxaca, Mexico

4 x 31.8 x 13.4 cm

USD 30,000

Yonatan Vinitsky

Why does nobody talk to circles? (Because there is no point!) 1

2014

Back-Painted Gloss Paint (RAL 9010) on Extra Fine Gouache

Paint (Brilliant Red, Sky Blue, Meadow Green, Permanent

Yellow Deep, Cobalt Violet Deep Imit.) on Extra Clear Glass

(4mm), Bespoke Oak Frame

31 x 39 cm

£2,250.00

Limoncello 

Ragnar Kjatansson

Klang der Offenbarung Dioramas

2016

mixed media in glass vitrine

50 x 50 x 50 cm

USD$135,000

Katie Paterson
Candle (from Earth into a Black Hole)

2015

A candle scented as if journeying from planet to planet

29 x 3 cm (height x diameter)

edition of 45

£2,000 + VAT

 

Ingleby Gallery

Nyapanyapa Yunupingu

48. Birrka'mirri 20

2011

paint pen on clear acetate plastic

83.5 x 59.5 cm

AUD$3,000

Mickalene Thomas

Clarivel #4

2016

Detail

 

Lehmann Maupin

Ben Quilty

Omid Masoumali

2016

Oil on linen

130 x 110 cm

AUD$35,000

Damián Ortega

Lava wave IV

2016

Clay from Oaxaca, Mexico

7 x 34 x 12.5 cm

USD 30,000

Tala Madani

Blue Room

2016

oil on linen

50.8 x 43.2 x 2.5 cm

USD $22,000

 

SOLD

Tony Oursler

E*Nel

2016

aluminum, acrylic paint, LCD screen, and sound

139.1 x 94 x 8.9 cm

USD 100,000

 

Lehmann Maupin

Ben Quilty

Rakib

2016

Oil on linen

130 x 110 cm

AUD$35,000

Isa Genzken

Hallelujah (Portraits)

2012

Paper, wallpaper, foil, photographs, prints on paper,

adhesive tape, lacquer, and spray paint

290 x 180 cm

Certificate of Authenticity

$300,000

Modello for a backdrop with two sections from Clark's Myriorama

2016

acrylic on paper

30 x 30 cm (2)

30 x 60 cm overall

56 x 84 framed

AUD$ 5,500.00

Greg Creek

Amendment #11 – #19

2014–2016

Watercolour on paper with balsa drip tray, framed

Each 204 x 145 cm

Each $12,500

 

There is both a pure optical beauty and a strong material presence in these works. Part object, part process and part exercise in repetition, the works might also be read metaphorically: the titles, First Amendment, Second Amendment and so on suggest a political reference to the subtle alteration or decay of an ideal. In their serial formulation, titling and temporality Creek’s Amendments indicate an interest in minimalist and other 60s and 70s process driven drawing practices. For this series he revisits and expands upon the target motif used in previous drawing projects.

Ben Quilty

Omid Ali Avaz

2016

Oil on linen

130 x 110 cm

AUD$35,000

Gary Hume

Horizon

2011

Gloss paint on aluminium

134.6 x 97.8 cm

GBP 95,000.00 + VAT

Installation view

Gary Hume

March 33,

2016

Charcoal on 90 gsm Ingres Celeste

32 x 24 cm image

44 x 35.5 x 3 cm framed

GBP 9,000.00 + VAT 

 

Sprüth Magers

Ben Quilty

The Last Supper

2016

Oil on linen

205 x 268.5 cm

AUD$65,000

Greg Creek

Amendment #11 – #19

2014–2016

Watercolour on paper with balsa drip tray, framed

Each 204 x 145 cm

Each $12,500

 

The works often incorporate aspects of the working process such as spills and stains and, much as Creek constructs the works themselves, this excess of information begins to form an idiosyncratic, philosophical narrative. Amendments comprises an ongoing series of large watercolour works on paper made up of numerous concentric coloured rings. From each ring paint drips and spills, amending those rings it traverses as it gravitates down the paper’s surface – colour drips and spills from the edge of the page, staining the balsa wood tray beneath. Creek’s drawings take an extended period to complete. As the rings gradually accrue and colour harmonies develop, time and change accumulate. The materiality of the drawing and sense of performance is heightened by the play of gravity and drip trails. 

Damián Ortega

Lava wave XVI

2016

Clay from Oaxaca, Mexico

8.7 x 37 x 9 cm

USD 30,000

Marisa Merz

Senza Titolo 

2010

Mixed media on paper

308.3 x 260 x 6 cm

USD 500,000

 

Gladstone Gallery

Ben Quilty

2016

2016

Oil on linen

186 x 175 cm

AUD$44,000

Victor Man

Untitled

2016

Watercolor on paper

27.5 x 23 cm

 

Private collection

Ruth Root

Untitled

2016

Fabric, plexiglas, enamel, spray paint,

and digitally printed fabric

224.2 x 135.9 x 1.3 cm

USD$35,000

Gary Hume

Bones

2013

Enamel on aluminum

153 x 115 cm

GBP 110,000.00 + VAT

 

Sprüth Magers

Section from Clark's Myriorama folded to form an octagon

2016

acrylic on paper

20 x 14 cm

51 x 38 cm (framed)

AUD$ 1,750.00

Vanessa Billy

The removed hand of man (Blue)

2016

Bio Resin, Dye

50 x 40 x 1 cm

£6,000.00

 

Limoncello

Gary Hume

March 40

2016

Charcoal on 90 gsm Ingres Celeste

32 x 24 cm image

44 x 35.5 x 3 cm framed 

GBP 9,000.00 + VAT

 

Sprüth Magers

Ryan Gander

Mr Gander, My Fickle Friend

2016

Digital print on newsprint

118.9 x 84.1 cm (unframed)

125.7 x 90.9 x 4.2 cm (framed)

Edition of 1 + 1 AP

GBP 25,000.00 excl. taxes

1-1:30pm

 

Tim Silver

Untitled (Blow Up)(Film Still)

2014

single channel video

5 minutes

 

Sullivan+Strumpf

799 Elizabeth St Zetland, Sydney NSW, Australia

 

Artists of interest: Darren Sylvester, Richard Lewer, Tim Silver, Tony Albert, Hiromi Tango

 

Kader Attia

Untitled

2015

Detail

 

Lehmann Maupin

William Mackinnon

After the wedding

2016

acrylic and enamel on canvas

120 x 150 cm

$7,700

Gary Hume

Back of Snowman

2016

Blue lacquer, stainless steel

152.4 (height) x 124.5 (diam.) x 44.5 (diam.) cm

GBP 200,000.00 + VAT

 

Sprüth Magers

Craig Kauffman

#1-5

1994/95

Drape formed acrylic with acrylic lacquer

79,4 x 54 x 11,4 cm

USD 75,000.00 + VAT

 

Sprüth Magers - his work featured in the Berlin Biennale

Cory Arcangel

Fashion / Lakes

2015

1920x1080 H.264/MPEG-4 Part 10 looped digital file (from 11 lossless TIF masters), media player, 70” flatscreen, armature, various cables

200.7 x 92.7 x 27.9 cm

USD 60,000

 

Lisson Gallery

William Mackinnon

Together now

2016

acrylic and enamel on canvas

120 x 150 cm

$7,700

Craig Kauffman

Pakwan

2007

Acrylic lacquer on vacuum formed plastic

86.4 x 96.5 x 30.5 cm

USD 125,000.00 + VAT

 

Sprüth Magers

Gary Hume

Bones

2013

Enamel on aluminum

153 x 115 cm

GBP 110,000.00 + VAT and taxes if applicable

 

Sprüth Magers

Ella Kruglyanskaya

Untitled (Hammocks)

2014

Ink on paper

52.7 x 38.1 cm

Signed and dated on verso

ON RESERVE

USD $6,000

 

Gavin Brown's Enterprise

Gabrielle & Silvana Mangano

Endless End (Option #1)

2009

Single-channel digital video 8 minutes 52 seconds

16:9, black & white, sound

Edition of 5 plus 2 Aps

Video | https://vimeo.com/162920362

Password GMSMEE2009

$9,000

 

We see a romantic silhouetted figure before a shuttered window, slowly closing an opening the shutters, we see a terrazzo floor, the draping of a curtain and the peripheral details of heavy furniture. The elements are alternatively lit and obscured as the light penetrates into the room.

Craig Kauffman

Bayabas

2008

Acrylic lacquer on vacuum formed plastic

60.3 x 65.4 x 24.1 cm

USD 75,000.00 + VAT

 

Sprüth Magers

Chen Wei

Stairs

2015

Archival inkjet print

150 x 187.5 cm

Edition of 6

USD $12,000 excluding framing

180 x 225 cm

 

AP 1/2

USD $15,000 excluding framing

 

An up and coming Chinese photographer from

Leo Xu Projects

 

William Mackinnon

Love Letter

2016

acrylic, oil and enamel on linen

217 x 215 cm

$16,500

Craig Kauffman

Untitled

2009

Drape-formed acrylic with acrylic lacquer and glitter

91,4 x 101,6 x 20,3 cm

USD 125,000.00 + VAT

 

Sprüth Magers

Chen Wei

Dance Hall (Pearls)

2015

Archival inkjet print

150 x 187.5 cm

Edition of 6

USD $12,000 excluding framing

180 x 225 cm

 

AP 1/2

USD $15,000 excluding framing

 

An up and coming Chinese photographer from

Leo Xu Projects

 

Ella Kruglyanskaya

Untitled (Running)

2016

Graphite on paper

44.5 x 31.4 cm

Signed and dated on recto

USD 3,000

 

Gavin Brown's Enterprise

3:40-4pm (time permitting)

 

Richard Lewer

Depression is like quicksand you have to avoid panic to escape

2016

graphite on museum rag board

85 x 102 cm

 

AGNSW

Art Gallery Rd, The Domain 2000

Sydney, Australia

 

Artists of interest: Richard Lewer

Craig Kauffman

Untitled

2009

Drape-formed acrylic with acrylic lacquer and glitter

91.4 x 101.6 x 20.3 cm

USD 125,000.00 + VAT 

 

Sprüth Magers

Lorna Simpson

Selections from Photos

2016

Found photograph and collage on paper

76.2 x 54.9 cm

Individual work: USD 22,000

Suite of two: USD 40,000

Suite of three: USD 54,000

Suite of four: USD 60,000

 

Salon 94

Ella Kruglyanskaya

Untitled (Crouching Girl)

2016

Graphite on paper

45.7 x 30.2 cm

Signed and dated on recto

USD 3,000

 

Gavin Brown's Enterprise

Shirazeh Houshiary

Swift

2016

Cast Aluminium

132 x 84.5 x 35.2 cm

GBP 160,000

Thomas Ruff

09h 32m/-25°

1992

C-Print

260 x 188 cm

Edition 2/2 + 1AP

EUR 110,000.00 + VAT

 

Sprüth Magers

Lorna Simpson

Untitled (Feathers Head)

2016

Found photograph and collage on paper

76.2 x 54.9 cm

 

Salon 94

MIAMI DESIGN DISTRICT AND WYNWOOD ARTIST STUDIO VISITS | THURSDAY, DECEMBER 1 | 9AM TO 12 NOON

 

A | Mira Lehr

5215 Pine Tree Drive

B | Locust Projects

3852 North Miami Avenue

Oliver Sanchez

3940 North Miami Avenue

Obsolete Miami Media

Kevin Arrow and Barron Sherer

5 NW 39 Street, Loft #2

C | The Bakehouse Art Complex

561 NW 32nd Street

D | Magnus Sigurdarson

2628 NW 2nd Avenue, 2nd Floor

E | Asif Farooq

4261 NW 36 Avenue

F | Dimensions Variable and Studios of Frances Trombly and Leyden Rodriguez-Casanova

300 NE 2nd Avenue, MDC Building 1, 3rd floor

3:30-4pm (time permitting) 

 

Moon Kyungwon & Jeon Joonho,

El Fin Del Mundo (still)

2012

2 channel HD film

 

Museum of Contemporary Art

140 George Street, The Rocks, Sydney NSW 2000

 

Exhibition: New Romance

Uri Aran

Merrily

2016

polyurethane, acrylic and mixed media on wood

81.4 x 123 x 7 cm

US$ 30,000 excl. vat

 

ARTIST STUDIO VISITS | SATURDAY, DECEMBER 3 | 9AM TO 12 NOON

 

 

A | Bridge Red Studios: Carol K. Brown, Robert & Kristen Thiele, Lou Anne Colodny, Stephan Tugrul, Yanira Collado William Cordova and Luisa Basnuevo

12425 NE 13th Avenue

B | Carlos Betancourt

283 NE 86th Street

C | Agustina Woodgate

300 NW 73rd Street

D | Michael Loveland

65 NW 71st Street

Douglas Hoekzema

The Fountainhead Studios, 7252 NW Miami Ct

Bhakti Baxter, Michael Vasquez

7111 North Miami Avenue, Suite A

E | Odalis Valdivieso

2640-A NW 21 Terrace

Marcos Valella and Angela Valella

2623 N.W. 21 Terrace Miami, FL 33142

F | Meetinghouse

Moira Holohan

168 SE 1st Street

G | Mette Tommerup and Robert Chambers

3697 Avocado Avenue

H | Lynne Golob Gelfman

9401 Kerwood Court

Thomas Ruff

neg◊india_17

2014

C-Print

29.4 x 22.4 cm image

70.5 x 60.5 cm framed

Edition 2/8

EUR 8,000.00 + VAT 

 

Sprüth Magers

Lorna Simpson

Window

2016

Found photograph and collage on paper

76.2 x 54.9 cm

Gabriel Kuri

Untitled (Caviar House 54)

2016

Detail

 

Kurimanzutto

William Mackinnon

The Fraternity

2016

oil and enamel on canvas

2 panels of 150 x 200 cm

$22,000

Robert Therrien

No title (head with sore nose)

1999

Enamel and mixed media on metal

11 x 10 x 2 cm

USD 25,000.00 

 

Sprüth Magers

Thomas Ruff

neg◊artist_23

2015

C-Print

32 x 42 cm image

71 x 81 cm framged

Edition 1/8

EUR 8,000.00 + VAT 

 

Sprüth Magers

Oscar Murillo

VS 25

2015-2016

Installation view

 

David Zwirner

Lorna Simpson

Golden Glove

2016

Found photograph and collage on paper

76.2 x 54.9 cm

 

Salon 94

Andra Ursuta

Uphill Farmer

2015

Ex. unique

Canvas and linen on plywood panel with

Optium in artist wooden frame

191.8 138.5 3.5 cm  unframed

207 x 154.5 x 13 cm framed

USD 50,000

 

Massimo De Carlo

Rashid Johnson

Untitled Anxious Men

2016

white ceramic tile, black soap, wax

184.8 x 119.4 x 7.6 cm

$110,000

 

Though Johnson employs images and materials drawn from particular sociological and autobiographical contexts, he is equally interested in their ability to function as part of an abstract visual language. The visceral experience of an artwork, on purely formal terms, is therefore considered inseparable from the social matrix that gives rise to it. This is a two-way phenomenon, however: in the realm of art, the social must also be considered as something with formal reverberations, and Johnson’s practice is predicated upon moving freely between these two modes. The visceral force in Johnson’s recent series of Untitled Anxious Men reflects the emotional charge generated by this movement. Beginning with the grid of a white tile support, he lays down a layer of his characteristic mixture of black soap and wax, creating a roughly rectangular shape with a kind of stem. Once he uses tools to dig into the wax, inscribing frenetic renditions of eyes, a nose, and mouth, the rectangle is transformed into a head, and the portrait of an anxious man begins to take shape.

 

Like the fleeting emotional portraits of ourselves and others that we endlessly sketch in our minds, Johnson’s figures reflect the vagaries of the present moment. In this sense they are performative abstractions, made in response to the relatively quick drying time of the wax, and sculptural meditations on the contrast between its flowing, molten plasticity and the rigidity of the tile grid. But these works are also figurative representations of a pervasive psychological state that seems to define our historical period. Born of paradox, they are portraits of the free-floating anxiety that unites us, even as it forces each of us into our own subjective experience of a fragmented world.

Gabriel Kuri

Untitled (Caviar House 54)

2016

Detail

 

Kurimanzutto

Gabrielle & Silvana Mangano

Mechanical Cloud

2009

21 minutes 03 seconds, 4:3, black and white, silent,

Edition of 5 plus AP1 and AP2

Video | https://vimeo.com/144828216

Password GMSM09MC

$9,000

 

Mechanical Cloud is a mesmerising film of a ceiling light. The movement of the light creates kaleidoscopic abstractions and patterns. Nascent and engorged geometries, prisms, the shimmer of a star are all suggested by this mechanical ballet of light

Robert Therrien

No title (Joyce)

1999

Mixed media

28.6 x 26 x 5.1 cm

USD 25,000.00 

 

Sprüth Magers

Thomas Ruff

neg◊stil_06

2015

C-Print

29.4 x 22.4 cm image

70.5 x 60.5 cm framed

Edition 1/8

EUR 12,000.00

 

Sprüth Magers

William Eggleston

Untitled

c. 1983-1986

Pigment print

114.3 x 166.1 x 5.7 cm

Edition 1 of 2, 2 AP

Signed in ink and Eggleston Artistic Trust copyright 
 reproduction limitation on label affixed verso on mount

USD 185,000

 

 

David Zwirner

 

 

David Noonan

Untitled

2015

silk screen on dyed linen collage, steel tray frame

154 x 114 cm

GBP 32,000

 

Modern Art

Nate Lowman

TBT - Broken Bridge

2016

Ex. unique

Alkyd in canvas

139.7 177.8 3.8 cm

USD 180,000

 

Massimo De Carlo

Damiano Bertoli

Mystere Machine Molle

2010

VIDEO | https://vimeo.com/137825435

PRICE | $7,000 (incl. GST)

 

Bertoli is a conceptual artist, whose practice lingers over the legacy of radical 60’s art practices and modernism, taking prominent historical works, movements, and figures and subjecting them to reworking. His practice is the result of a type of time travel; the way art history asserts itself in the artist’s studio, and what can result from collaborating with certain moments from the past. Utilising a wide range of media such as drawing, video, performance and sculpture and installation Bertoli communicates his historical influences in speculative, remixed and intuitive ways.

Wolfgang Tillmans

Silver Medi Zini

2013

Inkjet print on paper mounted on 
 Dibond aluminum in artist's frame 145 x 212.5 x 6 cm

Edition 1 of 1, 1 AP

Signed verso

USD 80,000

 

David Zwirner

Robert Therrien

No Title (baby)

2003

Graphite on paper on wood

44,5 x 34,3 x 10,2 cm

USD 25,000.00 

 

Sprüth Magers

Uri Aran

Untitled

2015

Graphite, resin, polyurethane, HDO, transparent poly lactic acid on wood

36.8 x 29.8 x 12.1 cm

USD 14,000

 

Gavin Brown's Enterprise

William Eggleston

Untitled

c. 1983-1986

Pigment print

52.7 x 73 x 4.4 cm

Edition 1 of 5, 2 AP

Signed in ink and Eggleston Artistic Trust copyright 
 reproduction limitation on label affixed verso on mount 

USD 45,000

David Zwirner 

Pedro Cabrita Reis

Les verts #1

2011

aluminum, double laminated glass, acrylic on raw canvas

171.5 x 121.5 x 13.5 cm

EUR €50,000

 

Peter Freeman, Inc.

Isa Genzken

Untitled

2015

Mirror foil on aluminum panels

4 panels

147.3 x 214.6 x 2.2 cm

Certificate of Authenticity

$250,000

Wolfgang Tillmans

Easter, b

2012

inkjet print mounted on aluminum in artist’s frame

73.1 x 61.7 x 3.3 cm

Edition 1 of 3 plus 1AP

USD 24,000.- + VAT

Caroline Rothwell

Barometer

2016

Detail

Uri Aran

She woke early and left straight for the bodega.

She picked up scissors and glue.

She had to let him know how she feels, and an hour before was beautiful. 

2016

Detail

Cindy Sherman

Untitled #578

2016

Dye sublimation metal print

128.3 x 121.9 cm

Edition of 6

USD 350,000.00 

 

Sprüth Magers

Robert Therrien

No Title (box edition, blue)

2011

Mixed media

41.6 x 33.3 x 11.4 cm

Edition 10/15

USD 45,000.00

 

Sprüth Magers

Robert Therrien

No title (single foot in smoke signal)

1998

Pencil and bleach on paper

42.2 x 35.9 cm

USD 15,000.00

 

Sprüth Magers

Gabriel De La Mora

Impossible II

2015

Hand carved obsidian

14 x 110 x 4 cm

USD 6,000

 

Proyectos Monclova

Laurence Aberhart 

War Memorial , Westbrook, Queensland, 25 March 2013

2013

platinum print

51 x 61 cm (image),56 x 76 cm (paper)

5/5

$14,300.00

Mickalene Thomas

Shug

2016

silkscreen, ink, and acrylic on acrylic mirror mounted on wood panel

182.9 x 152.4 cm

signed, dated, and Ntled on verso

USD 125,000

 

Lehmann Maupin

11-11:15pm

 

Jamie North


Sarah Cottier Gallery

23 Roylston Street, Paddington NSW 2021

 

Artists of interest: Todd McMillan, Sarah Mosca, Gemma Smith

Angel Otero

Untitled

2016

oil paint and fabric collaged on canvas

243.8 x 304.8 x 5.1 cm

signed on verso

USD 115,000

 

Lehmann Maupin

John Olsen 1928

Wet Lands

2005

oil on canvas

signed and dated ' John Olsen / 05' lower left; signed and dated 'John Olsen 05' lower right

184 x 244.3 cm

 

Estimate $200,000 - $300,000

 

Provenance

Private Collection, Sydney, acquired directly from the artist

 

Exhibited

Pulse: Paintings by John Olsen 1961-2005, TarraWarra Museum of Art, Healesville, 29 May - 23 October 2005, illustrated

Uri Aran

Untitled

2015

mixed media on paper

44.8 x 57.8 x 3.8 cm / 45.4 x 58.1 x 3.8 cm

US$ 14,000 excl. vat

Anna Uddenberg

Lady Unique

2015

mixed media 

Nick Mauss

Waiting

2016

15 panels with reverse glass painting, mirrored

221.6 x 267.7 cm

USD 90,000

Celia Hempton

Greece

21st March

2016, 2016

oil on linen

30 x 35 cm

£6,200.00

Martin Basher

Untitled

2016

Oil on canvas with artist’s frame

101.6 x 76.2 cm

$7,500.00 USD

 

Basher will present new paintings featuring the trademark brand of optically complex gradated stripes he has become known for in recent years. Working with the languages of retail and advertising, Basher explores the emotional charge of common objects and images.

Robert Therrien

No title (running feet)

2011

Graphite and coloured pencil on paper

33,7 x 33,7 cm

USD 15,000.00 

 

Sprüth Magers

Ashley Bickerton

Wall-Wall Triptych No. 1 (Double Silver/Psychedelic)

2016

oil paint on resin and fiberglass on plywood with aluminum

180 x 120 x 15 cm

USD 125,000 

 

Lehmann Maupin

Adriana Vaerjao

Kindred Spirits III, 2015

oil on canvas

3 parts, each 52 x 45.5 x 3.5 cm

signed, dated, and Ntled on verso

USD 300,000 

 

Lehmann Maupin

Gabriel De La Mora

1,287

2013

1,287 eggshell fragments on cardboard

9 x 6.5 x 6.5 cm

USD 6,000

 

Proyectos Monclova

Tony Cragg

Bust

2014

Stainless Steel

175 x 78 x 65 cm

EUR 550,000

TONY OURSLER

E*Nel

2016

aluminum, acrylic paint, LCD screen, and sound

139.1 x 94 x 8.9 cm

USD 100,000 

 

Lehmann Maupin

Caroline Rothwell

Flux

2016

Detail

Simon Fujiwara

Masks (Merkel D8.1)

2016

Make-up on canvas

104 x 60 x 4 cm

EUR €12,000

 

Andrea Rosen Gallery

Jim Lambie

Metal Box (Buttercup Orchid)

2015

Aluminium and polished steel sheets, gloss paint

125 x 375 x 30 cm

MI

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

 

Isa Genzken

Untitled

2014

Plastic, mirror foil, adhesive tape, paper,

and spray paint

169 x 131 x 15 cm

Certificate of Authenticity

$200,000

EDDIE PEAKE

Make Me Hard (tbc)

2015

Lacquered spray paint on polished stainless steel

100 x 70 cm

GBP 20,000 + VAT

Adriana Vaerjao

Kindred Spirits III, 2015

oil on canvas

Detail

 

Lehmann Maupin

Jessica Sanders

Mold Form AW3

2015

Fired porcelain

27.9 x 12.7 x 2.5 cm

$3,000.00 USD

 

Sanders will present a continued body of ceramic works that share a formal vocabulary of organic shape derived from the terms of the process that creates it - in this case slip casting. Sanders began as a ceramicist, and that background is very evident here, where her interest in clay returns in the form of cast porcelain objects that are segments of a single mold, displayed in sets of four.

Sarah Crowner

Untitled

2016

Detail

 

Casey Kaplan Gallery

Martin Basher

Untitled

2016

Oil on canvas with artist’s frame

101.6 x 76.2 cm

$7,500.00 USD

Teresita Fernandez

Fire (America) 3

2016

glazed ceramic

182.9 x 365.8 x 3.2 cm

USD 450,000 

 

Lehmann Maupin

Elizabeth Peyton

Elizabeth (self portrait II)

2016

Monotype on handmade paper

33.8 x 43.5 cm image

38.4 x 48.3 x 3.8 cm framed

USD 55,000

 

Gladstone Gallery

Sarah Crowner

Tile Painting (Terracotta Pentagon Leaves, White)

2016

Glazed terracotta tiles, grout, steel frame

152.4 x 121.9 x 8.2 cm

34,000 USD

 

Simon Lee Gallery

Nicolas Party

Table and Few Bronze Snails

2016

cast bronze, glass

92 x 130 x 0,5 cm

Ed. of 5 + 1AP

EUR 12,000 + VAT

 

Kaufmann Repetto Gallery

Jean-Michel Basquiat

J. D. Card

1984

Acrylic on canvas

223.5 x 177.8 x 5.1 cm

$6,500,000

 

PROVENANCE

Galerie Bruno Bishofberger, Zurich and Mary Boone Gallery, New York

Private collection, Paris

Steve Carr

Transpiration

2014

HD Video

Duration 15 mins, continuous loop

VIDEO | https://vimeo.com/125862564

PRICE | NZ$40,700 (incl. GST)

 

This work references the well known flower series by Andy Warhol, who in turn when making these works was referencing the closing cinematic sequence to Jean Cocteau’s 1960 film Testament of Orpheus. In keeping with Carr’s on going interest in the notion of time, this wrap-around video wall stretches out the optical experience making viewers aware of the materiality of film, while also making vivid painterly connections.

Teresita Fernandez

Fire (America) 3

2016

Detail

 

Lehmann Maupin

Martin Basher

Untitled

2016

Oil on canvas with artist’s frame

101.6 x 76.2 cm

$7,500.00 USD

Jessica Sanders

Mold Form AW2

2015

Fired porcelain

34.9 x 8.9 x 2.5 cm

$3,000.00 USD

 

They are all parts of an earlier mold of a previous work from years ago, which Sanders cast in porcelain, then altered. Much like antique sculptural fragments, these works of Sanders' feel complete despite their self-evidently fractured nature. Displaying these works in sets of four underscores the way that they are both complete in themselves, but also relate to a larger unity - that of the original mold.

Teresita Fernandez

Small American Fires 3

2016

colored ink and pencil on wood

12 panels, each 15.2 x 20.3 x 5.1 cm

Overall 55.9 x 96.5 x 5.1 cm

signed, dated, and numbered on verso of all panels

USD 225,000

 

Lehmann Maupin

 

William Kentridge

Sister Cone

2016

Bronze

37 x 47 x 33 cm

USD 110,000

 

Marian Goodman Gallery

David Altmejd

The Turtle

2016

Aqua-Resin, pigment, polystyrene, polyurethane foam, fiber glass, steel, stainless steel, plaster, wood, latex

paint

247.7 x 160.7 x 20.3 cm

$90,000

Caroline Rothwell

Orbit

2016

Details

Teresita Fernandez

Small American Fires 3

2016

Detail

 

Lehmann Maupin

William Kentridge

Sister Fan

2016

Bronze

33 x 51 x 31 cm

US 110,000

 

Marian Goodman Gallery

Jessica Sanders

Mold Form AW1

2015

Fired porcelain

27.9 x 15.2 x 2.5 cm

$3,000.00 USD

Marisa Merz

Senza Titolo 

2010

Detail

 

Gladstone Gallery

Martin Basher

Untitled

2016

Oil and acrylic on tape and cardboard mounted on fiberboard

101.6 x 76.2 cm

$4,000.00 USD

William Kentridge

Sister Fan

2016

Bronze

33 x 51 x 31 cm

US 110,000

 

Marian Goodman Gallery

Jennifer Steinkamp

It’s a nice day for a white wedding (white + yellow)

2008

video installation

dimensions variable

Edition of 1

PRICE | US$65,000

 

Five colour strips formed out of seasonally arranged wedding flowers are combined to form a cascade of flowers flowing down the wall. Steinkamp infuses these animations with a psychological complexity seemingly born of relentless trauma as wide bands of flowers cascade from the ceiling to the floor, falling in a continuous stream of moving colour. Snapdragons, asters, lilies, columbines, mums, jasmine, thistles - these flowers have no roots - only stems, leaves and ravishing blossoms that drift silently through optical space

Do Hu Suh

Rubbing/Loving Project: Unit 2, 348 West 22nd

Street, New York, NY 10011, USA

2014

colored pencil on vellum pinned on board

162.3 x 305 x 20 cm, framed

USD 225,000

 

Lehmann Maupin

Tracey Emin

Feeling Sexy and Beautiful

2015

embroidered calico

139.5 x 197 cm (fabric)

183 x 214 x 8.5 cm (framed)

titled lower left

signed and dated lower right

£170,000 GBP

Glenn Brown

Drawing 1 (after Greuze)

2014

ink on polypropylene

29.8 x 24.9 cm

51.5 x 46.5 cm framed

USD 70,000 + VAT

 

Galerie Max Hetzler

Alicja Kwade

Untitled

2016

Copper, stone

193 x 94 x 150 cm

Unique

€65,000

Ethan Greenbaum

’49-’78

2015

Direct to substrate print on vacuum formed PETG and spray enamel

71.1 x 63.5 cm

$4,600.00 USD

 

The final work is embossed with a low relief impression of ceiling tiles - topographical surfaces similarly used to mask the internal wiring and pipe work in many buildings. In addition to the vacuum forms, Greenbaum will exhibit new examples from his recent series of low-relief 3D powder prints. The prints begin with dimensional scans of building materials like insulating foam, wood and ceiling tiles, often the same items used as molds in his vacuum forms. The scans are then wrapped or engraved with architectural imagery or logos recreated from building supply brands. This process results in works where language is literally embedded in form, modeling how branding penetrates material.

Roni Horn

Untitled ("...he is remembered for a remark he didn't make.")

2016

Solid cast glass with as-cast surfaces

with oculus

Unique (Series 19)

Height: 72.4 cm

Diameter: 106.5 cm

USD 1,350,000.00

These just go up every year...they started at US$800,000.

Jennifer Steinkamp

Daisy Bell (spring all)

2008

video installation

dimensions variable

Edition of 1

Certificate of Authenticity included

$70,000 USD

 

The format of white wedding has been multiplied to create a more expansive work that showcases Steinkamp’s wry humour in a cascade of brightly coloured flowers. Her choice of flowers, however, plays against this bright aesthetic as they are both seductive and deadly. The themes reflected in Daisy Bell (spring all) follow Steinkamp’s artistic trajectory that renders and questions the meeting points of animation and the digital, nature and pop-culture.

Peggy Preheim

Ark

2015

mixed media

52.4 x 42.2 cm (framed)

8,200 + framing

Do Hu Suh

Rubbing/Loving Project: Unit 2, 348 West 22nd

Street, New York, NY 10011, USA

2014

Detail

 

Lehmann Maupin

Ethan Greenbaum

Foam Render (Foamular)

2015

3D powder print, UV varnish

43.2 x 43.2 cm

$2,500.00 USD

Theaster Gates

Water Proof anti-racist action painting

2016

Wood, tar paper, various foils and tar

246 x 246 x 14.5 cm

USD 375,000

 

White Cube

Wang Jianwei

Untitled

2015

Acrylic and oil on canvas

101x150cm

$68,250

 

Jeppe Hein

Installation view

König Galerie

Nate Lowman

TBT - stitched dropcloth ceiling painting

2015

Oil, alkyd and dental floss on canvas

117.5 x 77.5 cm

USD 120,000

William Kentridge

Sister Box

2016

Bronze

23 x 45 x 40 cm

USD 110,000

 

Marian Goodman Gallery

Adam Fuss

FROM THE SERIES 'MY GHOST'

2014

Daguerreotype

89.5 x 72.4 x 3.8 cm

$40,000

Ricky Swallow

Z Sculpture with Band #3

2016

patinated bronze unique

9 x 25.4 x 12.7 cm

US$44,000.00

Pat Foster & Jen Berean

Untitled (Never Alone Again)

2016

Resin, Plexiglas, enamel and aluminum

106.7 x 76.2 cm

$4,500.00 USD

 

Foster & Berean work predominately in sculpture and installation, employing a diverse array of media and processes. These works are from their ongoing series Never Alone Again. Informed by various methods for obscuring windows, primarily plastic drop sheets and adhesive privacy vinyl, these new works are comprised of cast resin on plexiglas. Windows veiled in plastic during periods of construction, or renovation, are a recurring motif of this series, which looks to articulate the precariousness of the act of translating ideas into physical form. 

Günther Förg

Untitled

1992

acrylic on wood

201 x 171 cm

EUR €210,000 + VAT

 

Galerie Max Hetzler

 

Tony Cragg

Mixed Feelings

2012

Bronze

550 x 236 x 224 cm

€950,000

Liz Larner

ii (mantle)

2014 - 2015

Ceramic, epoxy, pigment, oil paint

46.4 x 97.2 x 17.1 cm

MI

Jessica Sanders

Mold Form AW9

2015

Fired porcelain

34.9 x 15.2 x 2.5 cm

$3,000.00 USD

Ethan Greenbaum

Report

2015

Direct to substrate print, acrylic on vacuum formed PETG

41.3 x 26.1 cm

$3,500.00 USD

Edmund De Waal

diary of a long year

2016

49 porcelain vessels, some with gilding, with 27 alabaster blocks and 1 piece of silver in a wood, aluminium and

plexiglass vitrine

102 x 158 x 10 cm

USD 300,000 + VAT

 

Galerie Max Hetzler

Duane Hanson

Surfer

1987

Polyvinyl, polychromed in oil, mixed media, with accessories

66 1/4 x 37 1/2 x 16 inches / 168.3 x 95.3 x 40.6 cm

$475,000

 

PROVENANCE

Collection of the artist

Theaster Gates

Water Proof anti-racist action painting

2016

Detail

 

White Cube

Jeff Elrod

Desert Inset

1997

laser print

27,8 x 43,2 cm

33,8 x 49,2 cm, framed

$ 15.000, plus frame $ 200 (VAT not included)

John Armleder

OLG

2016

Tecnica mista su tela / Mixed media on canvas

150 x 130 cm

EUR 90,000
Swiss Giant - undervalued right now 

 

 

William Kentridge

Sister Box

2016

Bronze

23 x 45 x 40 cm

USD 110,000

 

Marian Goodman Gallery

Ugo Rondinone

the waterfall

2011

Cast bronze, patinated

AP 1/2 + Ed. of 3

Approx. 16.5 x 25 x 12 cm

 

Galerie Eva Presenhuber

Isa Genzken

Hallelujah (New Museum)

2012

Wooden crates, acrylic on canvas, plastic, glass,

dried branches, artificial flowers, and casters

352 x 142 x 102 cm

Certificate of Authenticity

$450,000

(On Reserve)

 

With a career spanning four decades, Isa Genzken's works draw upon everyday material culture, including design, consumer goods, the media, architecture, and urban environments. Widely recognized for her significant, pioneering contribution to sculpture, Genzken's prodigious oeuvre also includes paintings, collages, drawings, films, and photographs, and frequently incorporates seemingly disparate materials and imagery to create characteristically complex, enigmatic works.

 

Kerstin Brätsch
Blocked Radiant (for Ioana) Occhiolino (K 242), 2016
Baked and sandblasted Artista Glass with metal stand; neon tubing
(warm, cold, pure white)
Glass + metal stand: ca. 24 x 21 x 21 cm

Kerstin Brätsch

Blocked Radiant (for Ioana) Occhiolino (K 242)

2016

Baked and sandblasted Artista Glass with metal stand; neon tubing

(warm, cold, pure white)

Glass + metal stand: ca. 24 x 21 x 21 cm

 

Geoffrey Farmer

Tramp Tree, Eating Tree, Honey Dipping Crow Crate.

2016

Magic Sculpt, metal wire, paper cuts, acrylic painted foam core

40.6 x 22.9 x 16.5cm

$16,000.00

Guan Xiao

Din Din Jaarhh

2016

Brass, stainless steel wheel, colored flax rope

 

Peter Doig

G.P.

1999

Oil on canvas

40 x 29.8 cm

$ 650,000.00 (ex tax)

Karen Kilimnik

hiding out in the cold winter polish countryside, the old country

2013

Water soluble oil color on canvas

255 cm diameter

USD 80,000

 

Sprüth Magers

Ryan Gander

Kodak Courage

2012

Oak display vitrine, Smart glass

GAND120012

170 x 60 x 60 cm

GBP 40,000

Edmund De Waal

silentia

2016

4 porcelain vessels with 4 sheets of Cor-Ten steel and 13 sheets of lead in a wood and lead-lined cabine

48 x 105 x 23 cm

USD 110,000 + VAT

 

Galerie Max Hetzler

 

Ethan Greenbaum

Bar

2015

Direct to substrate print and acrylic on vacuum formed PETG

55.9 x 73.7 cm

$4,600.00 USD

 

In his vacuum formed works, Greenbaum focuses on the ground plane in urban environments and visualizes this surface as a skin dividing the world above from a network of infrastructure beneath. His imagery often isolates moments where this partitioning is revealed through abstract symbols like the marks delineating telephone wiring or the graphic mark-making that splits pedestrian and traffic lanes. In these latest works, the artist has printed photographs onto both sides of transparent panels, resulting in a dense layering of figure and ground that echoes his preoccupation with what lies above and below.

Jonas Wood

Wimbledon #7

2013

ink, gouache, colored pencil on paper

unframed: 153.7 x 102.9 cm

framed: 166.4 x 115.6 x 5.1 cm

USD 140,000

 

David Kordansky Gallery

Theaster Gates

Water Proof anti-racist action painting

2016

Detail

 

White Cube

Rachel Kneebone

To think of one's life is to destroy it, to make it sterile

2016

Detail

 

White Cube

Laurence Aberhart 

War Memorial, Kendall, New South Wales, 11 March 2013

2013

platinum print

51 x 61 cm (image),56 x 76 cm (paper)

5/5

$14,300.00

Sculpture is accompanied by:

 

Akio Makigawa 

Titans I

1998

watercolour, ink, pastel on paper

signed, dated and inscribed 'Titans I AKIO Makigawa 98' lower right

29 x 41 cm

Jennifer Steinkamp

Formation B

2006

video installation

dimensions variable

Edition of 1

$80,000 USD

 

Formation B is a hypnotic video installation that is made up of falling pieces of animated cloth. Their bright colours and patterns both adds to the awareness of the works artificiality while creating a dynamism and rhythm of movement. There is no sense of digital alienation in her works that embrace beauty and a lightness created through both the movement of the fabric and the immersive installation format that sees the shapes fall from ceiling to floor.

Hans Op de Beeck

Lucas

2016

Polyester

height 143 cm

Ed. 2/3+2 AP

EUR 65,000

 

Galerie Krinzinger

Lynette Yiadom-Boakye

Conspiracies

2010

oil on canvas

140 x 190 cm

This is a secondary market piece.

$225,000 RESERVED

Eddie Peake

Want To Suck This Pussy

2015

Installation

 

White Cube

Tracey Emin

In You

2009

embroidery on cotton

34.5 x 40.5 cm (fabric)

55.6 x 62.2 x 6.4 cm (framed)

signed, dated, and titled

£45,000 GBP

Pat Foster & Jen Berean

Untitled (Never Alone Again)

2016

Resin, Plexiglas, enamel and aluminum

106.7 x 76.2 cm

$4,500.00 USD

 

In this iteration, the artists have cast plastic sheets in resin rendering a flimsy, disposable material, solid and locked. In doing so, the distinguishable materiality of the plastic sheet is lost and its form shifts to the ambiguous. The plastic, once a device to conceal, is now intriguing. It becomes an object to be looked at rather than through. This surface/depth dichotomy is further confused by the potentially unsettling realization that one is viewing both sides of a seemingly opaque material at once. Inevitably, there is no decision

Gert & Uwe Tobias

untitled

2016

woodcut on canvas

ed. 2/2

200 x 168 cm

EUR 46,000

 

Contemporary Fine Arts

Florian Meisenberg

Isa Genzken

Untitled

2012

2 parts, child mannequin and chair on wooden pedestals, mixed media

child: 286 x 53 x 60 cm

chair: 230 x 60 x 46 cm

installation dimensions variable

€250,000

Theaster Gates

Face over time

2016

Detail

 

White Cube

Sarah Lucas

Eros

2013

cast concrete, crushed car

275 x 135 x 106 cm 

edition 1 of 3 + a/p

 

SC

 

Christopher Hanrahan

A Stage (for BF)

2012

Embroidered fabric

154 x 330 cm

$7,000.00 USD

Rachel Kneebone

To think of one's life is to destroy it, to make it sterile

2016

Detail

 

White Cube

Thilo Heinzmann

O. T.

2014

Oil, pigment on canvas behind plexiglass cover

127 x 106 x 8.5 cm

£ 18,000.00 GBP ex VAT

Isa Genzken

Monterosso

1990

Concrete and steel

228 x 68 x 47 cm

$650,000

Ethan Greenbaum

Slat Blade

2015

3D powder print, UV varnish

20.3 x 15.2 x 3.8

$2,000.00 USD

Sascha Braunig

Herm 2

2016

Oil on linen over panel

96.52 × 33.66 cm.

USD25,000

 

Kerstin Brätsch
Blocked Radiant (for Ioana) Occhiolino (K 243), 2016
Baked and sandblasted Artista Glass with metal stand; neon tubing
(warm, cold, pure white)
Glass + metal stand: ca. 24.5 x 20.5 x 21 cm

Kerstin Brätsch

Blocked Radiant (for Ioana) Occhiolino (K 243)

2016

Baked and sandblasted Artista Glass with metal stand; neon tubing

(warm, cold, pure white)

Glass + metal stand: ca. 24.5 x 20.5 x 21 cm

 

N. Dash

Untitled

2016

Silkscreen ink, adobe, jute, wood support

149.9 x 129.5 x 3.6cm

HOLD

Jeffrey Smart

Study I for Bus Terminus

1972-1973

synthetic polymer paint and oil on canvasboard

signed 'JEFFREY SMART' lower right

58 x 50 cm

 

Estimate: $80,000 - $100, 000 

 

Provenance 

Rudy Komon Art Gallery, Sydney

Dr Peter M. Elliott AM, Sydney, acquired from the above

The Peter Elliott Collection, Mossgreen Auctions, Sydney, 30 August 2015, lot 14, illustrated

Savill Galleries, Sydney, acquired from the above

 

Exhibited 

Jeffrey Smart, Rudy Komon Gallery, Sydney, 30 November - 31 December 1973, no. 18

Up Close and Personal: Works from the Collection of Dr Peter Elliott AM, S.H. Ervin Gallery, Sydney, 12 August - 18 September 2011

Breaking History: Denis Savill, Savill Galleries, Sydney, 21 October - 13 November 2015, no. 3, illustrated

Dan Colen

To be titled

2012

Oil and pigment on canvas

100.3 x 81.3 x 3.8 cm

POA

 

PROVENANCE

Collection of the artist

Theaster Gates

Tar work for Pfänderslope

2016

Detail

 

White Cube

Cory Arcangel

Lohan / Lakes

2015

1920x1080 H.264/MPEG-4 Part 10 looped digital file (from 11 lossless TIF masters), media player,

70” flatscreen, armature, various cables

200.6 x 92.7 x 28 cm

USD 60,000

Isa Genzken

Hanne

2000

Wood and metal

290 x 24.6 x 24.6 cm

$450,000

Kerry James Marshall

Untitled (Looking Man)

2016

acrylic on PVC panel

30 1/2 x 24 1/2 inches

$350,000 SOLD

Kerstin Brätsch

Blocked Radiant (for Ioana) Occhiolino (K 240)

2016

Baked and sandblusted Artsits Glass with metal stand; neon tubing

(warm, cold, pure white)

Glass + metal stand: ca. 24 x 20.5 x 21 cm

Louise Bourgeois

Love

2000

Fabric and stainless steel

206.4 x 30.5 x 25.4 cm

USD 2,400,000.00

Ethan Greenbaum

Hook

2015

Direct to substrate print, acrylic on vacuum formed PETG

92.1 x 69.8 cm

$5,500.00 USD

Lin Onus

Butterflies

1994

synthetic polymer paint on card

signed 'Lin Onus' lower right

49.5 x 37.5 cm

 

Estimate $15,000 - $25,000

 

Provenance

Gallery Gabrielle Pizzi, Melbourne

Private Collection, acquired from the above in 1995

Contemporary Art, Christie's Australia, Sydney, 26 August 2001, lot 31, illustrated

Private Collection, Sydney

Australian + International Art, Deutscher-Menzies, Sydney, 6 December 2006, lot 14, illustrated

Savill Galleries, Sydney (stock 206244) (label verso), acquired from the above

Judy Chicago

EU-22 Earth Birth

1983

Sprayed Versatex and DMC floss on fabric

154.3 x 335.9 cm

$325,000

 

A monumental painting from her Birth Project series from the early 1980s.

Helen Frankenthaler

Winter Figure with Black Overhead

1959

Oil on sized primed canvas

213.4 x 134.6 cm

$3,000,000

 

PROVENANCE

Collection of the artist

Michael Heizer

Yet to be titled

2015-2016

Polyvinyl latex on canvas

35 1/4 x 27 1/8 x 2 1/8 inches89.5 x 68.9 x 5.4 cm (unframed)

$250,000 USD

 

PROVENANCE

Artist Studio

Jennifer Steinkamp

Invisible Man

2007

video installation

dimensions variable

Edition of 1

$80,000 USD

 

Inspired by H.G Well’s film of the same name, Steinkamp creatively interprets the connection between cloth and surface in rendering the invisible, visible. The layers of animated falling cloth have texture and surface of their own while simultaneously revealing a previously unnoticed surface behind them. Steinkamp employs computer animation and new media to create projection installations in order to explore ideas about architectural space, motion, and phenomenological perception.

Theaster Gates

Tar work for Pfänderslope

2016

Detail

 

White Cube

Lisa Yuskavage

Stoned

2016

Oil and graphite on linen

42.2 x 40 x 3.2 cm

$180,000)

(On Reserve)

 

Widely associated with a re-emergence of the figurative in contemporary painting, Lisa Yuskavage has, over the course of several decades, developed her own genre of portraiture in which lavish, erotic, vulgar, angelic women (and more recently men) are cast within fantastical landscapes or dramatically lit interiors. Seamlessly blending pop cultural imagery, feminist discourse, color theory, and psychology, Yuskavage draws on classical and modern painterly techniques and, in particular, martials color as a conduit for complex psychological constructs.

Rodney Graham

Artist in Artists' Bar, 1950's

2016

Painted aluminum lightbox with transmounted chromogenic transparency

241.3 x 181.9 x 17.8 cm

Edition of 4

$275,000

Joan Mitchell

UNTITLED

1951

Oil on canvas

203.2 x 177.8 cm

$3,500,000

Hans Op de Beeck

Clouds (small study)

2014

black and white watercolor on Arches paper, wooden frame

65 x 80 cm

EUR 15,500.00

R.H. Quaytman

The Origin of the Sauromatai Tribe

2016

silkscreen ink, gesso on wood

152.5 x 94 x 4 cm

*price upon request

Andrea Büttner

Beggar

2016

woodcut

unframed: 126.5 x 90 cm

framed: 131.4 x 94.9 x 3.8 cm

unique

USD 11,000 unframed

 

David Kordansky Gallery

Lynette Yiadom-Boakye

Goldfinch

2010

Oil on canvas

11 3/4 x 9 7/8 inches (canvas)

13 3/8 x 11 7/16 inches (framed)

$42,000 RESERVED

Pae White

Untitled (Smoke)

2016

Cotton, polyester and Trevira

190 × 245 cm / 74.8 x 96.5 in

USD $55.000 + VAT

These are woven tapestries and look totally gorgeous in situ.

Ethan Greenbaum

Lacquer Scraps

2015

Direct to substrate print on vacuum formed PETG

67.9 x 69.2 cm

$4,600.00 USD

FRAMED

Thilo Heinzmann

O. T.

2010

Oil, pigment on canvas behind plexiglass cover

212 x 187 x 9 cm

£ 31,000.00 GBP ex VAT

Sergej Jensen

Untitled

2011

Sewn fabrics

250 x 221 cm

USD 175,000

 

Modern Collections Ltd

Charles Blackman

The Ceremony

1959

oil on composition board

152.8 x 137.3 cm

 

Estimate $250,000 - $300,000

 

Provenance

The Hon. John Siddeley, London

Private Collection, London, by descent from the above

Important Australian Art, Bonhams, Sydney, 24 November 2014, lot 35, 'Two Figures with Flowers', illustrated

Savill Galleries, Sydney (stock 610316), (label verso), acquired from the above

 

Exhibited

Antipodeans, Victorian Artists' Society, Melbourne, 4-15 August 1959, uncatalogued, 200 gns

The Helena Rubinstein Travelling Art Scholarship, Art Gallery of New South Wales, Sydney, September 1959, no. 5

Four Arts in Australia, South-East Asia, 1962, no. 1, 'Passing in the Street'

First International Art Exhibition, Saigon, 1962, no. 131, 'Passing in the Street', illustrated

Breaking History: Denis Savill, Savill Galleries, Sydney, 21 October - 13 November 2015, no. 14, illustrated

 

Lisa Yuskavage

Lovers

2016

Oil on linen

203.2 x 203.2 x 3.8 cm

Signed and dated verso

$900,000

(On Reserve)

Kerstin Brätsch

Blocked Radiant (for Ioana) Occhiolino (K 243)

2016

Baked and sandblasted Artista Glass with metal stand; neon tubing

(warm, cold, pure white)

Glass + metal stand: ca. 24.5 x 20.5 x 21 cm

Josephine Meckseper

Dirty Hands

2016

Detail

 

Andrea Rosen Gallery

Betty Woodman

Kabuki Diptych

2016

Glazed earthenware, epoxy resin, lacquer, acrylic paint

88.9 x 170.2 x 20.3 cm

$60,000

 

In addition to having a new ceramic diptych

Michael Heizer

Yet to be titled

2015-2016

Polyvinyl latex on canvas

36 3/4 x 26 3/4 x 2 1/8 inches93.3 x 67.9 x 5.4 cm (unframed)

$250,000

 

PROVENANCE

Artist Studio

ALICJA KWADE

Untitled

2016

Copper, stone

76 x 37 x 59 inches (193 x 94 x 150 cm)

€65,000

Ugo Rondinone

the water

2011

Cast bronze, patinated

AP 1/2 + Ed. of 3

Approx. 13.5 x 20 x 7 cm

 

Galerie Eva Presenhuber

Jeff Wall

Daybreak

2011

Colour photograph

243 x 319 cm

248.2 x 324.1 x 5 cm (framed)

Edition of 3

Dan Colen

TBT (Miracle Painting)

2012

Oil and pigments on canvas

76 x 61 cm

USD 200,000

Glenn Sloggett

Amputee Op-Shop Bride

Series: A White Trash (Lost) Love Story

Type C Print

80 x 80cm

Edition 1 of 5

$1750

Kerstin Brätsch

Blocked Radiant (for Ioana) Occhiolino (K 250)

2016

Baked and sandblasted Artista Glass with metal stand; neon tubing

(warm, cold, pure white)

Glass + metal stand: ca. 24 x 20 x 21 cm

Kerstin Brätsch

Blocked Radiant (for Ioana) Occhiolino (K 245)

2016

Baked and sandblasted Artista Glass with metal stand; neon tubing

(warm, cold, pure white)

Glass + metal stand: ca. 24 x 20 x 21 cm

Simon Starling

Adam Chair

2016

Adam Chair, over-printed Fig Leaf fabric

94 x 79 x 74cm

$44,000.00

Michael Heizer

Yet to be titled

2015-2016

Polyvinyl latex on canvas

36 1/8 x 29 x 2 1/8 inches91.8 x 73.7 x 5.4 cm (unframed)

$250,000

 

PROVENANCE

Artist Studio

Torbjørn Rødland

Cake (Studio 798)

2008-2016

chromogenic print

unframed: 80 x 105 cm

framed: 81.6 x 106.7 x 3.8 cm

Edition of 3, with 1 AP

USD 13,000

 

David Kordansky Gallery

Celia Hempton

Kate

2014

Oil on panel

35 x 30 cm

GBP £ 4,500 + VAT

ALICJA KWADE

Untitled

2015

Granite, steel i-beam

86 3/4 x 47 1/4 x 78 3/4 inches (220 x 120 x 200 cm)

€85,000

Laurence Aberhart 

War Memorial, Brydone, Southland, 11 December 2010

2010-2013

platinum print

51 x 61 cm (image),56 x 76 cm (paper)

5/5

$14,300.00

Josephine Meckseper

Dirty Hands

2016

Detail

 

Andrea Rosen Gallery

Brett Whiteley

Preliminary Idea for Very Large Plum and Ultramarine Vase or Pot

1976

oil on paper on card

141.5 x 87 cm

 

Estimate $60,000 - $80,000

 

Provenance

Arkie Whiteley

The Estate of the Late Christopher Kuhn, Canada

Quarterly Fine Art Auction, Lawson Menzies, Sydney, 19 June 2014, lot 59, illustrated

Savill Galleries, Sydney (stock 610290) (label verso), acquired from the above

 

Exhibited

Breaking History: Denis Savill, Savill Galleries, Sydney, 21 October - 13 November 2015, no. 22

Theaster Gates

Face over time

2016

Detail

 

White Cube

Tom Friedman

Looking Up

2014

Highly polished stainless steel

10.2 x 2.3 x 1.75m

Edition 2 of 3 plus 1 AP

Park Avenue and East 53rd Street, New York

SF

Ugo Rondinone

the wind

2011

Cast bronze, patinated

AP 1/2 + Ed. of 3

Approx. 16.5 x 29.5 x 9.5 cm

 

Galerie Eva Presenhuber

Kerstin Brätsch

Blocked Radiant (for Ioana) Occhiolino (K 247)

2016

Baked and sandblasted Artista Glass with metal stand; neon tubing

(warm, cold, pure white)

Glass + metal stand: ca. 24 x 20 x 21 cm

Tracey Emin

The more of you the more I love you

2016

Neon, mirror, and dibond installation

174 x 660 cm

John Armleder

OLG

2016

Mixed media on canvas

150 x 130 cm

EUR 90,000

Lothar Hempel

Plakat (Projektor)

2015

laminate, inkjet on dibond, colour pencil, ink, perspex, cellophane, framed

259 x 259 x 10 cm

EUR 26,000

Arthur Boyd

Bride over Shoalhaven

oil on paper on board

24.2 x 27.5 cm

 

Estimate $14,000 - $18,000

 

Provenance

Savill Galleries, Sydney

The Denis Savill Collection of Australian Art

 

Exhibited

Kerstin Brätsch

Don't Shape_Shape Shift_Mund der Wahrheit

2012 – 2016

Glass, neon and wood

Michelangelo Pistoletto

Workers' exit

1962-2007

Silkscreen on polished stainless steel

250 x 125 cm

 

Nate Lowman

TBT - poppy

2015

Joint compound and house paint on dropcloth

99 x 99 x 3.2 cm

USD 140,000

John Armleder

GLO

2016

Mixed media on canvas

150 x 130 cm

EUR 90,000

Frank Thiel

Perito Moreno #03 (Large Edition)

2012 - 2013

c-print

210 x 180 cm

Editioin 5 plus 2AP

EUR 36,000.00

Richard Prince

He Ain't Here Yet

1988

Acrylic and silkscreen on canvas

56 x 48 inches142.2 x 121.9 cm (unframed)

POA

 

PROVENANCE

Galerie Thomas Borgmann, Cologne

Private collection

Phillips de Pury & Company, New York, Sale of Contemporary Art, November 10, 2005

Private collection

Sotheby’s, New York, Sale of Contemporary Art, November 14, 2007

Private collection

William Kentridge

Drawing for 'Lulu'

2014

Indian ink and red pencil on found pages

45.1 x 46.8 cm

$90,000

Isa Genzken

Untitled

2015

Bronze sculpture, headphones, and portable

CD player

149 x 98 x 65 cm

€180,000

Jason Martin

Untitled (Alizarin violet)

2014

Mixed media on panel in black frame

MART130042

40 x 29 cm Framed dims. 50.5 x 38 cm

Framed dims 19.9

GBP 30,000

Kerstin Brätsch

Don't Shape_Shape Shift_Mund der Wahrheit,

2012 – 2016

Detail glass

Karla Black

Fed

2015

sugar paper, oil paint, body paint, cotton wool, ribbon

49 x 54 x 23 cm

GBP 10,000

Neil Jenny

Media and Man

1969

Acrylic on canvas

59 1/2 x 73 x 4 inches151.1 x 185.4 x 10.2 cm (framed)

$1,500,000

 

PROVENANCE

Collection of the artist

Jack McConville

Sugar Melt

2015

Oil on canvas

120 x 110 x 4 cm

MI

Richard Serra

Ramble 5-8

2015

Litho crayon and pastel powder on paper

28 x 21 inches71.1 x 53.3 cm (unframed)

$190,000.00 + $1,596 for framing

 

PROVENANCE

Gagosian Gallery, London

Jules de Balincourt

Study for Idol Hands

2012-2015

Oil on panel

50.8 x 40.6 cm

$ 40,000.00 (ex tax)

Cy Twombly

Untitled

1954

Pencil on paper

8 9/16 x 11 1/4 inches21.8 x 28.5 cm (unframed)

$400,000

 

PROVENANCE

Private collection, Rome (acquired directly from the artist)

Sarah Lucas

Beautiness

1999

r - type print on MDF board

129 x 90 cm

edition 5 of 6

 

SC

Kerstin Brätsch

Don't Shape_Shape Shift_Mund der Wahrheit

2012 – 2016

Detail glass

Gillian Wearing

Wallpaper

2015

wallpaper

dimensions variable

edition of 9, 2 APs

Edition 1 of 9

10,000 GBP

Sergej Jensen

Mac to Black

Year to be confirmed

Acrylic on sewn money bags

180 x 130 cm

US 100,000 plus VAT

Kara Walker

Stage as Mask

2015

Paper, mounted

59.5 x 74.5 x 10 cm

$ 50,000.00 (ex tax)

Kerstin Brätsch

Poli‘ahu’s Curse: first bone chill & Poli‘ahu’s Curse: second cold into heat & Poli‘ahu’s Curse: third Shock freeze

2012 – 2016

Detail glass

 

Jules de Balincourt

They Just Wanted To Look At The Moon

2015

Oil on panel

86.4 x 76.2 cm

$ 55,000.00 (ex tax)

N. Dash

Untitled

2016

Adobe, graphite, pigment, acrylic, gesso, string, canvas, jute, wood support

192.4 x 152.4 x 3.6cm

$36,000.00

Kerstin Brätsch

Don't Shape_Shape Shift_Mund der Wahrheit

2012 – 2016

Detail glass

Kerstin Brätsch

I Nomi / Le Linee (the Lie, the Lines, in name of life)

2012 - 2016

Glass, neon and wood

Cy Twombly

Untitled

1957

Pencil on paper

13 5/8 x 18 3/4 inches34.6 x 47.6 cm (unframed)

$450,000

 

PROVENANCE

Private collection, Rome (acquired directly from the artist)

William Kentridge

Polychrome Heads

2014

Oil on bronze on wood

Head 1: 27.6 x 16.1 x 8.7 cm

Head 2: 30.9 x 19.5 x 17.8 cm

Head 3: 26.5 x 14 x 20.1 cm

Head 4: 29.2 x 18.3 x 12 cm

Head 5: 27.8 x 18.7 x 12.7 cm

Edition of 9 +3AP

$310,000

Alighiero Boetti

Marco Ambra Martino

1981 - 1982

Black ballpoint pen on paper

100 x 210 cm

 

Florian Meisenberg

Tony Cragg

First Person

2014

plywood, glazed white

89 (h) x 95 x 77 cm

€ 240,000.00

Thilo Heinzmann

O. T.

2014

Oil, pigment on canvas behind plexiglass cover

153 x 133 x 9 cm

£ 21,500.00 GBP ex VAT

Donald Moffett

(graphite)

2016

Oil on linen, wood panel support

53.3 x 43.2 x 5.1 cm

$70,000

 

Thilo Heinzmann

O. T.

2012

Oil, pigment on canvas behind plexiglass cover

133 x 153 x 9 cm

£ 21,500.00 GBP ex VAT

Ryan Gander

Lost In The Complexity Of A Language Of My Own Making (ii)

2016

Wood, Marble

120 x 91 x 5 cm

GBP 35,000.00 excl. taxes

 

During a visit to a stonemason’s workshop in Belgium Gander noticed the wooden board on which marble was cut to size. The surface is crisscrossed by vertical and horizontal saw marks of different depth and width, creating a grid of grooves. Bearing the traces of past actions, the wood is a record of the stonemason’s craft. In a self-referential nod to the board’s function, its frame is made from marble.

Celia Hempton

Kajsa

2015

oil on canvas

180 x 140 cm

£15,000.00

Adam Mcewen

Rubbermaid Step Stool

2010

Graphite 2AP from an Edition of 3 + 2APs

13 1/8 x 15 7/8 x 15 7/8 inches33.3 x 40.3 x 40.3 cm

$110,000

 

PROVENANCE

Private collection

Thomas Zipp

A.B.: Independence Law

2015

acrylic, oil, lacquer on canvas

160 x 130 cm

 

GK

Cy Twombly

Untitled

1961

Oil pastel, graphite, ballpoint pen, and acrylic on paper

19 1/2 x 27 1/4 inches49.5 x 69.2 cm (unframed)

$1,100,000

 

PROVENANCE

Galleria La Tartaruga, Roma

Sylvio Perlstein, Antwerp

Van de Weghe Fine Art, New York

Private collection, New York

Phillips de Pury & Company, London, Sale of Contemporary Art, June 22, 2007

Private collection, Europe

Gillian Wearing

Rock 'n' Roll 70

2015

framed c-type prints

131 x 192 cm

Edition of 6, 2 APs

Edition 3 of 6, with APs

35,000 GBP

Kerstin Brätsch

Don't Shape_Shape Shift_Mund der Wahrheit

2012 – 2016

Detail glass

Daniel Steegmann Mangrané

Systemic Grid

2015

Laser cutting on polished steel

280 x 202 cm

MI

Kerstin Brätsch

Holo mai Pele, Is it you or perhaps you? (Mund der Wahrheit) & Holo mai Poli'ahu; Facefold (Dritte Dame)

2012 – 2016

Detail glass

Jeff Koons

Gazing Ball (Rembrandt Self-Portrait Wearing a Hat)

2015

Oil on canvas, glass, and aluminum

64 1/2 x 52 1/4 x 14 3/4 inches163.8 x 132.7 x 37.5 cm (unframed)

$2,500,000

 

PROVENANCE

Gagosian Gallery, New York

Laurence Aberhart 

War Memorial, Berriwillock, Victoria, 4 May 2005

2005-2013

platinum print

51 x 61 cm (image),56 x 76 cm (paper)

5/5

$14,300.00

Lorna Simpson

Selections from Earth & Sky series

2016

Collage on paper

27.9 x 21.6 cm each

$14,000 each

 

New series of collages that pair 60s and ’70s advertisements in Ebony magazine with illustrations of geological and astrological forms from a 1931 textbook.

Cy Twombly

Virgil

1973

Oil, crayon, and pencil on card (4 panels)

Each Panel: 27 1/2 x 39 3/8 inches69.9 x 100 cm (unframed)

$6,000,000

 

PROVENANCE

Galerie Karsten Greve, Cologne

Sammlung Marx, Berlin

Thomas Ammann Fine Art, Zurich

Private collection (acquired from the above in 1995)

John Baldessari

Rigatoni

2013

Varnished inkjet print on canvas with acrylic paint

217.8 x 137.2 x 3.8 cm

$375,000

Liu Wei

Jungle No. 23

2014

canvas and wood

311x111.5x19.5cm

Price on inquiry

 

John Armleder

GLO

2016

Tecnica mista su tela / Mixed media on canvas

150 x 130 cm

EUR 90,000 

 

Anna Zahalka

The Surfers

from the series Bondi: Playground of the Pacific

1989

printed 2015

Type C print,

signed, titled, dated and editioned in ink verso

74 x 90cm

Edition of 20

$4,400

Celia Hempton

James

2014

Oil on polyester

51 x 61 cm

GBP £ 6,000 + VAT

 

Her work explores in a sometimes startling fashion contemporary questions around privacy and intimacy, what they mean in a world where traditional norms of modesty, privacy, and discretion have been provoked and adjusted to fit an age of redefined boundaries.

Tatsuo Miyajima

Life (Corps sans Organes) No.18

2013

L.E.D., IC, microcomputer by Ikegami program, Steel, Plastic cover, passive sensor, electric wire,

LED type; Life D-R(6), Life D-BL(5), Life D-W(7), Life D-PG(7), Life G-R(8), Life G-BL(9), Life

G-W(8), Life G-PG(8)

MIYA130013

288.1 (266.7 + 21.4) x 434.3 x 79.5 cm install on the wall and floor

USD 100,000

N. Dash

Untitled

2016

Adobe, string, pigment, acrylic, linen, jute, wood support

160 x 101.6cm

$32,000.00

Shilpa Gupta

Untitled

2012

sound installation

5 speakers,1 audio set, 7742 microphones, cables

415 x 450 x 450 cm

audio loop

GC

Camille Henrot

Undelivered Message

2016

bronze, wood

300 x 110 x 50 cm

Edition of 8

EUR 180,000 - 250,000

 

 

Daniel Steegmann Mangrané

Systemic Grid XI

2014

Pencil and plaster

56 x 56 x 1.2 cm

MI

Kerstin Brätsch

Don't Shape_Shape Shift_Mund der Wahrheit

2012 – 2016

Detail glass

George Condo

Untitled

2016

Acrylic, metallic paint, charcoal and pastel on linen

167.6 x 144.8 cm

USD 400.000,00

Kerstin Brätsch

Lacrima di PELE (naked eye planet) & Ka Wahine Ai Honua_the Earth eating woman (witchfinger)

2012-2016 & 2015

Detail glass

Adam Mcewen

Up & Down Elevator

2015

GraphiteAP 2

12 x 5 1/2 x 1 inches30.5 x 14 x 2.5 cm (unframed)

$35,000

 

PROVENANCE

Artist Studio

Cy Twombly

Untitled

1990

Acrylic on paper

30 11/16 x 22 1/16 inches78 x 56 cm (unframed)

$2,000,000

 

PROVENANCE

Thomas Ammann Fine Art, Zurich

Aristide Maillol

La Montagne, 1er état (petit modele)

1936

bronze

29x13x28cm

Edition 4 of 6

Conceived in 1936-37 and cast by Emile Godard at a later date numbered and signed with the artist's monogram, inscribed with the foundry mark: E.Godard. Fonder Paris

 

Estimate $140,000-$180,000

Catherine Opie

Untitled #6

2012

pigment print

111.1x161.9x5.7cm (framed size)

Edition of 5

USD $40,000

 

Kerstin Brätsch

Poli‘ahu’s Curse: first bone chill & Poli‘ahu’s Curse: second cold into heat & Poli‘ahu’s Curse: third Shock freeze

2012 – 2016

Detail glass

John Baldessari

Commissioned Painting: A Paining by Nancy Conger

1969

Acrylic and oil on canvas

154.9 x 120.7 x 4.1 cm (with frame)

POA

Anna Zahalka

The Tourist

from the series Bondi: Playground of the Pacific

1989

printed 2015

Type C print

signed, titled, dated and editioned in ink verso

74 x 90cm

Edition of 20

$4,400

Jeff Wall

Listener

2015

Inkjet Print

167.2 x 240 x 6.5 cm

Edition of 3+1AP

$500 000

Ricky Maynard

Wik Elder, Joel

Series: Returning to Places that Name Us

Gelatin Silver RC

95 x 122cm

Edition 6 of 15

$9900

 

Part of the Museum of Contemporary Art Collection and from the same series of works as the ones already in your collection.

Dan Colen

TBT (Miracle Painting)

2012

Olio e pigmenti su tela / Oil and pigments on canvas

76 x 61 cm

USD 200,000

Laurence Aberhart 

War Memorial, Parakai, Helensville, Kaipara, 29 June 2013,

2013

platinum print

51 x 61 cm (image),56 x 76 cm (paper)

5/6

$14,300.00

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Kerstin Brätsch

 

Holo mai Pele, Is it you or perhaps you? (Mund der Wahrheit) & Holo mai Poli'ahu; Facefold (Dritte Dame)

2012 – 2016

Detail glass

Laurence Aberhart 

Conical monopole, Scott Base, Ross Island, Antarctica, 3 December 2010

2010-2014

silver gelatin, gold & selenium toned

19.4 x 24.5 cm

$3,850.00

 

Darren Sylvester

When Will I Learn

2014

lightjet print

120 x 160cm

Tracey Emin

Crucifixion

2014

Bronze

Edition 5 of 6

25 x 17 x 7 cm

GBP £ 45,000 + VAT

Mark Tansey

Study for Clockwork

1993-1998

Oil on canvas

40 x 30 1/8 inches101.6 x 76.5 cm (unframed)

$1,000,000

 

PROVENANCE

Curt Marcus Gallery, New York

Private collection, New York (acquired from the above)

Darren Sylvester

If All We Have Is Eachother Then That's OK

2003

lamba print

120 x 90cm

edition of 6

Kerstin Brätsch

Lacrima di PELE (naked eye planet) & Ka Wahine Ai Honua_the Earth eating woman (witchfinger)

2012-2016 & 2015

Detail glass

Andy Hope 1930

Monstre

2016

acrylic and acrylic lacquer on canvas

80 x 70 cm

Euro 27,000 excl. VAT

He is being taken on by a number of good gallereis

 

Christopher Wool

What Time It Is

2005

Silkscreen ink on linen

104 x 78 inches264.2 x 198.1 cm (unframed)

$1,800,000

 

PROVENANCE

Gagosian Gallery, New York

Tim Silver

Untitled (Blow Up)

2014

video

5 minutes

AP1, edition 5 + 2APs

Tony Cragg

Compound

2015

Stone

98 x 86 x 90 cm

EUR 290,000 

Anna Zahalka

The Girls #2, Cronulla Beach

2007

From the series Bondi: Playground of the Pacific

Type C prints

signed, titled, dated and editioned in ink verso

74 x 90cm

Edition of 20

$4,400

Pablo Picasso

La Minotauromachie

1935

Etching and engraving, with scraper, on laid Montval paperSeventh State

Plate: 19 5/8 x 27 5/16 inches (49.8 x 69.3 cm)

POA

 

PROVENANCE

Estate of the artist

Marina Picasso (acquired by descent from the above)

Jim Lambie

Pin Number 0389

detail 

 

SC

Dan Colen

TBT

2014

Oil on canvas

63.5 x 49.5 cm

75.5 x 61.5 cm framed

USD $175,000

 

Elizabeth Peyton

Mifune

2014

Watercolour on paper

site size: 41 x 31 cm

frame size: 48.5 x 59 cm

 

SC

Lucas Arruda

Untitled

2015

Oil on canvas

40 x 30 cm

MI

Shannon Ebner

Traffic Control Device

2014

archival pigment print

site size: 127 x 240 cm

frame size: 131.3 x 236.8 x 6 cm

edition 2 of 5 + 2 a/p

 

SC

Nicole Wermers

CSFX-2

2015

Vintage fur, steel tubing, upholstery, silk and velvet

90 x 65 x 60 cm

14,000 GBP

Tracey Emin

Selfie 17

2014

Gouache on paper

14.5 x 10 cm

40.5 x 35.5 cm (with frame)

GBP £ 12,000 + VAT

Cy Twombly

Untitled

1954

Pencil on paper

8 9/16 x 11 1/4 inches21.8 x 28.5 cm (unframed)

$400,000

 

PROVENANCE

Private collection, Rome (acquired directly from the artist)

Jim Lambie

Pin Number 0389

2012

safety pins, paint, canvas

190 x 160 cm

 

SC

Kerstin Brätsch

Poli‘ahu’s Curse: first bone chill & Poli‘ahu’s Curse: second cold into heat & Poli‘ahu’s Curse: third Shock freeze

2012 – 2016

Detail glass

Gabriel Orozco

Unfinished 3

2015

Tempera and burnished gold leaf on linen canvas

200 x 200 cm

$900,000

Tony Cragg

Wild Relatives

2013

bronze, 5 orginal versions in different patina

240 (h) x 170 x 165 cm

€ 640,000

 

This piece has got an expressive patina which underlines the sensitive surface of the work.

Adam McEwen

Untitled

2015

Inkjet print on cellulose sponge

260 x 193 cm

MI

Richard Serra

Ramble 4-15

2015

Litho crayon and pastel powder on paper

40 x 28 3/4 inches101.6 x 73 cm (unframed)

250,000.00 + $1,656 for framing

TV Moore

Difficult Pleasures

2015

UV print on linen

215.0 x 156.0 cm

 

$ 25,000

Edward Ruscha

Woman on Fire

1990

Acrylic on canvas

36 1/8 x 48 inches 91.8 x 121.9cm (unframed)

Ask MW

 

PROVENANCE

Collection of the artist

Gagosian Gallery, New York

Sprüth Magers Gallery, London

Private Collection (acquired from the above in 2010)

Christie's, London, Sale of Post War and Contemporary Art, June 30, 2015

Private collection

Julian Opie

Soldier and Pilot. 1.

2015

Vinyl on wooden stretcher

OPIE150018

225.2 x 190.2 cm

GBP 65,000

Kerstin Brätsch

Poli‘ahu’s Curse: first bone chill & Poli‘ahu’s Curse: second cold into heat & Poli‘ahu’s Curse: third Shock freeze

2012 – 2016

Detail glass

Tracey Emin

Good Sex

2015

acrylic on canvas

30.7 x 30.6 x 2 cm

LM22595

£65,000 GBP

Gary Hume

Six Flags

2015

Gloss paint on canvas in artist's frame

102,7 x 77 x 3,2 cm (framed)

GBP 80.000,00

Georg Baselitz

Ohne Titel

2015

India ink, watercolor and ink on paper

Diptych A: 66,5 x 50,2 cm

Diptych B: 66,2 x 50,1 cm - Frame 94,5 x 133,5 x 2 cm

Pablo Picasso

Le guéridon

1920

Charcoal on paper

10 5/8 x 8 1/4 inches27 x 21 cm (unframed)

$425,000

 

PROVENANCE

Heinz Berggruen, Paris

Private collection, Berlin

Sotheby’s, London, Sale of Impressionist & Modern Art, October 22, 1997

Private collection

Sotheby’s, London, Sale of Impressionist and Modern Art, Works on Paper,

February 6, 2007

Private collection

Adam Norton

TV Tower Blob

2015

synthetic polymer and

pigment ink on canvas

122 x 91 cm

$3,500

Ryan Sullivan

Untitled

2015

lacquer and synthetic polymer paint on canvas

243.8 x 213.4 x 4.5 cm

 

SC

Thilo Heinzmann

O. T.

2015

Oil, pigment on canvas behind plexiglass cover

138 x 148 x 8.5 cm

£ 21,500.00 GBP ex VAT

Tracey Emin

Crucifixion

2014

Bronze

25 x 17 x 7 cm

Edition of 6

GBP 45,000.00

 

Ricky Maynard

Untitled (self Mutilation)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 4 of 10

$3300

Laurence Aberhart 

Laidley, Queensland, 25 March 2013

2013

silver gelatin, gold & selenium toned

19.4 x 24.5 cm

$3,850.00

Anna Zahalka

The Women

1989

printed 2015

From the series Bondi: Playground of the Pacific

Type C prints

signed, titled, dated and editioned in ink verso

74 x 90cm

Edition of 20

$4,400

Tim Silver

Untitled (Trauma) #11

2015

cast pigmented polyurethane

16 x 24 x 70cm

Ugo Rondinone

sechsundzwanzigsterjulizweitausendundfunfzehn

2015

acrylic on canvas

96 x 61.5 cm

unique

 

SC

Louise Bourgeois

Untitled

2008

Fabric and stainless steel

40.6 x 30.5 x 30.5 cm 

Stainless steel, glass and wood vitrine: 177.8 x 60.9 x 60.9 cm

 

HW

Nicole Wermers

Kusine (turquoise)

2008

painted steel and concrete

311 x 12 x 12 cm (steel sculpture)

11 x 45 x 45 cm (concrete base)

20,000 GBP

Gabriel Orozco

Drain

2015

Pigment print

Paper: 40.6 x 50.8 cm

Edition of 5 +2AP

$25,000

Mark Flood

Cloud Consciousness

2015

UV ink on canvas

274 x 214 cm

USD 70,000

Adam McEwen

George II

2014

Inkjet print on cellulose sponge

530.9 x 81.3 cm

MI

Gabriel Orozco

Spit Plug

2015

Pigment print

Paper: 0.6 x 50.8 cm

Edition of 5 +2AP

$25,000

Sanné Mestrom

Dear Jamie (after Jamie Hall)

2015

ceramic, acrylic sheet

Dimensions variable

$7,000

Jacqueline Humphries

:-//

2015

Oil on linen

182.9 x 193 cm

$155,000.00

Julian Opie

Woman with hoop earrings

2015

Vinyl on wooden stretcher

192 x 171 cm

GBP 50,000

Victoria Morton

Untitled

2015

Oil on canvas

51 x 56 x 2 cm

MI

George Condo

Laughing Portrait

2015

ink on paper

76.8 x 56.5 cm

signed and dated Condo Nov. 5, 2015 (upper right)

$50,000

Hong Kong Harbour - Art central tents to the left

Sergej Jensen

Black Moneybags

2016

Acrylic on sewn money bags

250 x 180 cm

US 135,000 plus VAT

Urs Fischer

TBD toilet

2015

porcelain toilet, glass, fruit

76.7 x 44.5 x 70.5 cm

 

SC

Fred Tomaselli

Respirator 1

Installation view

Not for sale

Laurence Aberhart

Tikitiki, East Coast, 30 June 2013

2013

silver gelatin, gold & selenium toned

19.4 x 24.5 cm

$3,850.00

Tony Oursler

Yet to be titled

2016

Aluminum, paint screen and sound

134.6 x 89 x 10.2 cm

USD 100,000

 

Frothe series Bondi: Playground of the Pacific
Type C prints
signed, titled, dated and editioned in ink verso
74 x 90cm
Edition of 20
$4,400

Anna Zahalka

The Council Workers

1989

printed 2015

From the series Bondi: Playground of the Pacific

Type C prints

signed, titled, dated and editioned in ink verso

74 x 90cm

Edition of 20

$4,400

 

George Condo

The Philosopher

2012

bronze

61 x 40.6 x 45.7 cm

Edition 1 of 3 plus 1 AP

$275,000

Tim Silver

Untitled (Trauma) #10

2015

cast pigmented polyurethane

20 x 28 x 48cm

Thomas Demand

Daily #18

2011

Dye transfer print, framed

53,8 x 68,6 cm

61,8 x 76,6 x 5,2 cm (framed)

Edition 5 of 6

EUR 35.000,00

Florian Meisenberg

MW.FMG.P.002.00.00

Detail

Sam Durant

Epistemologies

2015

ink on paper

installation variable

nine parts, each: 10 ¼ x ¾ cm

 

SC

Ricky Maynard

Untitled (Pauly)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Roni Horn 

Or 1

2014

Powdered pigment, graphite, charcoal, coloured pencil and varnish on paper

234.3 x 248.9 cm

 

HW

Laurence Aberhart

Antechamber, church, Knapdale, Southland, 11 September 2007

2007

silver gelatin, gold & selenium toned

19.4 x 24.5 cm

$3,850.00

Georg Baselitz

La fontana va

2014

Oil on canvas

183.2 x 89.2 cm, 199.7 x 105.4 x 8 cm (framed)

EUR 270,000.00

Anna Zahalka

The Lifesavers

1989

printed 2015

From the series Bondi: Playground of the Pacific

Type C prints

signed, titled, dated and editioned in ink verso

74 x 90cm

Edition of 20

$4,400

Tim Silver

Untitled (Trauma) #3

2011

cast pigmented polyutethane

28 x 18 x 13cm

edition of 2

Nina Beier

Extension

2015

felt and human hair extensions

130.2 x 91.4 cm

USD $16,000

Günther Förg

Untitled

1990

Acrylic on canvas and wood

85 x 310 cm

285,000.00 Euros

Scott Myles

Not Yet Titled

2015

Screen print & TrueGrain on canvas

204 x 120 x 3.6 cm

MI

Ryan Gander

Two-Way Associative Sequel # 31 (Thematic or no thematic a pattern shall emerge)

2015

Double sided framed works of two photographs. Aluminium frame can be rotated on a

wall hinge to display its two faces.

125,2 x 125,2 cm, Edition 1 of 1 (+ 1 A.P.)

Price 25 000 GBP VAT Excluded

 

Fred Tomaselli

Respirator 2

Installation view

Not for sale

George Condo

Untitled (Artist and Muse)

2015

acrylic, pigment stick, and gold paint on canvas

165.1 x 147.3 cm

$400,000

Thomas Demand

Daily #23

2014

Dye transfer print, framed

45,8 x 56,4 cm

53,8 x 64,4 x 5,2 cm (framed)

Edition 4 of 6

EUR 35.000,00

Gunter Christmann 

untitled 

1977 

Fiberpen on paper 

9x9cm (image size), 16x12.5cm (paper size) 

$8,000.00 (incl. GST)

Adriano Costa

Shark

2015

wood and steel

part 1: 33 x 163 x 10 cm

part 2: 25 x 148 x 10 cm

 

SC

Ricky Maynard

Untitled (First Day in gaol)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Laurence Aberhart

Building, Syracuse, New York, 30 August 2010

2010-2013

silver gelatin, gold & selenium toned

19.4 x 24.5 cm

$3,850.00

Tim Silver

Untitled (Trauma #9)

2014

cast pigmented polyurethane

72 x 60 x 22 cm

edition 2 of 2

Ricky Maynard

Untitled (First Day in gaol)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

 

Helen Marten

Smoke description [detail]

2015

screen printed suede, leather and PVC, hand thrown glazed ceramic, lacquered hardwood, Formica, steel, oysters, stitched fabric, tree

215 x 458 x 59.5 cm

 

SC

Tracey Emin

Strung Out

2009

Embroidered cotton

157 x 171 cm (unframed)

175 x 189 x 9.5 cm (framed)

GBP 160,000.00

Olaf Breuning

Thumbs Down

2015

stainless steel and chromed brass

189.1 x 91.6 cm

Edition of 3

 

Olaf Breuning

Thumbs Up

2015

stainless steel and chromed brass

182.2 x 92.9 cm

Edition of 3

 

$50,000 each

Isaac Julien

Echo (Stones Against Diamonds)

2015

Premier photograph

120 x 160 cm

Edition of 10, 1 AP

USD$40,000

 

Thomas Struth

Basilica of the Annunciation, Nazareth

2014

Inkjet print

Image: 144 x 207.1 cm

Frame: 153.9 x 215.9 x 6 cm

Edition of 6

€130,000

Adrian Villar Rojas

From the series 'The Most Beautiful of All Mothers'

2015

Watercolor on inkjet print

Paper: 20.6 x 29.4 cm

Frame: 37.46 x 44.4 x 3.4 cm

$10,000

Günther Förg

Untitled

1999

Acrylic on canvas

190 x 220 cm

225,000.00 Euros

Rachel Whiteread

Study for Garage

2005

Gouache and collage on paper

42 x 29.5 cm

USD $ 35,000.00

Ryan Gander

Any Vehicles (Associative Photograph #9)

2004

Color photograph framed

125,3 x 125,3 x 4,8 cm

Edition 2/2 (+ 1 A.P.)

Price (2/2) 16 500 GBP VAT Excluded

Celia Hempton

Iraq, 25th August 2014

2014

oil on panel

20 x 25 cm

£4,000.00

Celia Hempton

Egypt, 6th November 2013

2013

oil on canvas

30 x 35 cm

£6,000.00

John Stezaker

Double Shadow XXXVIII

2015

Collage

23.5 x 29.6 cm

£9,000.00 + VAT

Tracey Emin

Yes I Think About You

2016

Embroidered calico

177 x 226 cm

GBP 180,000.00

WC

Florian Meisenberg

MW.FMG.P.005.00.00

Detail

David Noonan

Untitled

2008

screen printed jute, plywood, metal stand

178 x 33 x 5.5 cm

17,500.00 USD (inc. GST)

Urs Fischer

yuckyhand

2013

top: Ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, urethane, Base: Steel powder-coated with polyester TGIC (RAL 3012), silicone adhesive, cork com

44.5 x 158.8 x 118.4 cm

 

SC

Ricky Maynard

Untitled (Profile with Headband)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Tracey Emin

Keeping you there

2015

Embroidered calico

162 x 199 cm

GBP 180,000.00

 

Laurence Aberhart

The smudged girls, Shackleton's Hut, Cape Royds, Ross Island, Antarctica, 1 December 2010

2010-2013

silver gelatin gold & selenium toned

19.4 x 24.5 cm

$3,850.00

Isaac Julien

En Passage (Stones Against Diamonds)

2015

Premier Photograph

180 x 240 cm

38,500.00 GBP (inc. GST

This was from a comission he did in Venice and Basle for Roles Royce.

 

 

Tracey Emin

Aware of you

2010

acrylic on canvas

60 x 80 cm (canvas)

61.8 x 81.8 x 3.2 cm (framed)

titled lower left

signed and dated lower right

LM22593

£90,000

Ricky Maynard

Untitled (Profile with Headband)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Adrian Villar Rojas

From the series 'The Most Beautiful of All Mothers'

2015

Watercolor on inkjet print

Paper: 20.6 x 29.4 cm

Frame: 37.46 x 44.4 x 3.4 cm

$10,000

Anna Zahalka

Oceanworld

from the series Leisureland

1998-2001

printed 2015,

Type C print, signed, titled, dated and editioned in ink verso

115 x 145cm

Edition of 12 plus 2 A/P’s

$6,600

A medium format is available on request: 57.5 x 72.5cm in an edition of 6 plus

2 A/P’s

$3,300.

Tracey Emin

This is it

2015

Acrylic on canvas

152.4 x 152.4 cm

GBP 250,000.00

WC

George Condo

Young Girl with Blue Eyes

2004

Oil on canvas

30.5 x 30.5 cm

sold

Rachel Whiteread

Study for Platform

1992

Watercolor, ink and correction fluid on graph paper

45.5 x 30.5 cm

USD $ 50,000.00

Tim Silver

Untitled (Mutated Echeveria Clauca)

2013

cast pigmented polyurethane

11 parts

17 x 16 x 8cm each

Tracey Emin

All for you

2015

Acrylic on canvas

20.3 x 20.5 cm

GBP 45,000.00

WC

Simon Starling

Recursive Plates (Martino Gamper, Firelit, 2013 / Michael Wilkinson, Colonna, 2012)

2015

Daguerreotype on silver-plated copper (Unique)

24 x 19 cm image size

55.5 x 49 cm

MI

Celia Hempton

Marco, Italy, Posing with Sailor Hat On, 17th June 2013

2013

acrylic on panel

26 x 31.5 cm

£5,000.00

Ricky Maynard

Untitled (Profile)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Tracey Emin

Spending time with you

2015

Acrylic on canvas

152.5 x 152.2 cm

GBP 250,000.00

WC

Tracey Emin

Sunday morning

2015

Acrylic on canvas

122 x 122 cm

GBP 200,000.00

WC

Matthew Barney

Was

2014

Cast sterling silver and sulfur in bronze vitrine

106.7 x 182.9 x 76.2 cm

Edition 1 of 3

GG

Pascale Marthine Tayou

Plastic Tree

2014

branches, plastic bags

variable dimensions

GC

Tracey Emin

More Dreaming

2016

Acrylic on canvas

30.9 x 30.6 cm

GBP 60,000.00

WC

Ricky Maynard

Untitled (Profile)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Tracey Emin

Hotter

2015

Acrylic on canvas

29.9 x 29.9 cm

GBP 60,000.00

WC

Laurence Aberhart

War Memorial, Dorrigo, New South Wales, 11 March 2013

2012-2013

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Tracey Emin

Its how it is

2015

Acrylic on canvas

152.3 x 182.8 x 3.6 cm

153.6 x 184 cm (framed)

GBP 300,000.00

WC

Gunter Christmann

untitled 

1977

pencil and coloured pencil on paper 

9x9cm (image size), 16x12.5cm (paper size) 

$8,000.00 (incl. GST)

Anna Zahalka

The Boys, Murrumbidgee River

from the series Leisureland Regional

2002

printed 2015

Type C print, signed, titled, dated and editioned in ink

verso

115 x 145cm

Edition of 12 plus 2 A/P’s

$6,600

A medium format is available on request: 57.5 x 72.5cm in an edition of 6 plus 2 A/P’s

$3,300.

Nëil Beloufa

Chutes

2015

Steel, epoxy resin, pigment, cigs

75x45

 

MW

Ricky Maynard

Untitled (Profile)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

David Noonan

Untitled

2008

screen printed jute, plywood, metal stand

187 x 58 x 5.5 cm

17,500.00 USD (inc. GST)

Adrian Villar Rojas

From the series 'The Most Beautiful of All Mothers'

2015

Watercolor on inkjet print

Paper: 20.6 x 29.4 cm

Frame: 37.46 x 44.4 x 3.4 cm

$10,000

Ricky Maynard

Untitled (Man and mirror)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1/ of 10

$3300

Thomas Hirschhorn

Easycollage 12

2014

Prints and tape on canvas

222 x 335cm

SF

Laurence Aberhart

War Memorial, Pimpana, Queensland, 19 March 2013

2013

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Wolfgang Tillmanns

Repose II

2013

Inkjet print on paper

Framed: 44.1 x 34 x 2.5 cm

Paper: 40.6 x 30.5 cm

Edition 7 of 10 plus 1 AP

Signed verso

DZ

Gunter Christmann 

untitled 

1977 

Biro and pen ink on paper 

9x9cm (image size), 16x12.5cm (paper size)

$8,000.00 (incl. GST)

Anna Zahalka

Cole Classic

from the series Leisureland

1998-2001

printed 2015

Type C print

signed, titled, dated and editioned in ink verso

57.5 x 72.5cm (medium format)

Edition of 6 plus 2 A/P’s

$6,600

Isaac Julien

Western Union Series No.12, (Balustrade)

2007

duratran in lightbox

123 x 123 x 7.5 cm

33,000.00 GBP (inc. GST)

Tim Silver

Untitled (Rory Grown Up) Relic

2013

watercolour pigment

Ricky Maynard

Untitled (The Elder)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 2 of 10

$3300

 

 

Ricky Maynard

Untitled (Man and mirror)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Laurence Aberhart

War Memorial, Clive, Hawke’s Bay, 29 June 2013

2013

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Günther Förg

Untitled

1990

Acrylic on lead laid down on panel

150 x 110 cm

USD 575,000.00

Anna Zahalka

Open Air Cinema

from the series Leisureland

1998-2001

printed 2015

Type C print, signed, titled, dated and editioned in ink verso

115 x 220cm

Edition of 12 plus 2 A/P’s

$11,000

A medium format is available on request: 57.5 x 121cm in an edition of 6 plus

2 A/P’s

$5,500.

Tim Silver

Untitled (Mixed TDK tapes)

2009

archival ink on 100% rag

each individual image 18 x 27 cm

Ricky Maynard

Untitled (Young Men in Dormitory)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Adrian Villar Rojas

From the series 'The Most Beautiful of All Mothers'

2015

Watercolor on inkjet print

Paper: 20.6 x 29.4 cm

Frame: 37.46 x 44.4 x 3.4 cm

$10,000

Ged Quinn

Cut

2015

Oil on linen

183 x 240cm

SF

Simon Starling

A Zig-Zag Chair designed by Gerrit Rietveld in 1934 and reproduced using 45,910 year-old swamp kauri wood in 2015 

2015

detail 

Bill Henson

Untitled #19

2000 - 2001

type c colour photograph

127 x 180 cm

Edition 4 of 5 plus AP 2

47,000.00 AUD (inc. GST)

Gary Hume

Double Exposure

2015

Gloss paint on aluminium panel

122 x 78 x 2,1 cm each part (framed)

GBP 175.000,00

Josephine Meckseper

Untitled

2015

Pigment prints on anodized aluminum, mannequin leg with stocking, wood, stainless steel, cast aluminum, chrome painted acrylic hand, metal wire in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting

203.2 x 119.4 x 50.8 cm

$110,000.00

Marlene Dumas’s work in the central pavilion was very engaging. 

Isaac Julien

Red Chamber Dream (Ten Thousand Waves)

2010

Endura Ultra photograph

180 x 462 cm

Diptych: 180 x 230cm each

55,000.00 GBP (inc. GST)

Ricky Maynard

Untitled (Young Men in Dormitory)

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Laurence Aberhart

War Memorial, Clydevale, Otago, 6 November 2012

2012-2014

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Rashid Johnson

Seven Stars

2015

White ceramic tile, black soap, wax, vinyl, spray paint

184.2 x 125.7 x 6.4 cm

HW

Anna Zahalka

Australia, Isle of Refuge

2009

printed 2015

From the series Homeground

archival pigment ink prints

signed, titled, dated and editioned in ink verso

84 x 59.5cm.

Edition of 7 plus 2 A/P’s

$4,400

Jeff Wall

Changing Room

2014

Inkjet print

Image: 199.1 x 109 cm

Frame: 205.1 x 114.9 x 4.8 cm

Edition of 4 +1AP

$500,000

Tim Silver

Untitled (Chilli Flake Pentax Binoculars)

2009

archival ink on 100% cotton silver rag

18 x 27cm (each image)

edition of 3 +2AP

David Shrigley

Gate (To be kept shut)

2014

Powder coated steel

296 x 180 x 7cm

Ricky Maynard

Death in exile

Series: Portrait of a Distant Land

gelatin silver

34 x 52cm

Edition 5 of 10

$5500

Cathy Wilkes

Untitled

2012

Oil on canvas

65 x 90.1 x 1.5 cm

MI

Cindy Sherman

Untitled

2015

three dye sublimation metal prints

91.4 x 67.3 cm(left panel image dims)

91.4 x 133.7 cm(middle panel image dims)

91.4 x 61 cm (right panel image dims)

Edition of 6

USD $250,000

Ryan Gander

Investigation # 85 - The halo effect (second attempt)

2013

Sculptures of ca. 15 cm tall displayed on an off-white fibreglass block (like an Eames

chair) of 30 x 30 cm, on a white plinth of 70 x 45 cm, dimensions installation 115 x 45 cm

Unique piece

Price 22 500 GBP VAT Excluded

Adrian Villar Rojas

From the series 'The Most Beautiful of All Mothers'

2015

Watercolor on inkjet print

Paper: 20.6 x 29.4 cm

Frame: 37.46 x 44.4 x 3.4 cm

$10,000

Celia Hempton

Corinthian (Detail), Iraq, 29th August 2013

2013

oil on canvas

25 x 30 cm

Yinka Shonibare MBE

Butterfly Kid (boy) II

2015

Fibreglass mannequin, Dutch wax printed cotton textile, silk, metal, globe, leather and steel baseplate

134 x 66 x 86cm

Sergej Jensen

£100 Midland Bank

2016

Acrylic on sewn money bags

100 x 75 cm

US 55,000 plus VAT

Hayley Tompkins

Lookalike IV

2015

Acrylic paint on stock photograph, electrical tape, galvanised metal tray

87.5 x 59 x 2 cm

MI

Richard Prince

Untitled (Protest Painting)

1994

acrylic, silkscreen on canvas

97.2 x 46.4 cm

signed and dated R. Prince 1994 (on the reverse)

$950,000

Gunter Christmann 

untitled 

1977

Pen and ink on paper 

9x9cm (image size), 16x12.5cm (paper size) 

$8,000.00 (incl. GST)

Danie Mellor

Naturata

2015

c-print on metallic photographic paper

180 x 120 cm

edition of 3 + 2 artist's proofs

$15,000 incl. GST

There are more available in this series

Sarah Sze

Midnight, Beijing

2015

Silkscreen, digital print, and laser engraved paper

98.1 x 100.4 x 5.6 cm

Edition 1 of 5 plus 2 APs

$ 7,500.00 (ex tax)

Isaac Julien

Mise-en-scene (Ten Thousand Waves)

2010

Endura Ultra photograph

180 x 438 cm

Diptych: 180 x 218cm (each)

55,000.00 GBP (inc. GST)

Laurence Aberhart

Interior, Shackleton's Hut, Cape Royds, Ross Island, Antarctica, 1 December 2010

2010-2012

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Laurence Aberhart

Monte Carlo, Niagara Falls, New York, 26 October 2010

2010-2012

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Anna Zahalka

Cronulla, Jewel of the Shire

2010

printed 2015

From the series Homeground

archival pigment ink prints

signed, titled, dated and editioned in ink verso

84 x 59.5cm.

Edition of 7 plus 2 A/P’s

$4,400

Tim Silver

Untitled (monument) 3

2014

steel

49.5 x 40 x 43 cm

Tim Silver

Bust from Untited (Blow Up)

2014

42.5 x 36 x 22.5 cm

Huon Pine dust and cellulose binder

edition 5 of 5

Ricky Maynard

Untitled by Ricky Maynard

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Ricky Maynard

A Free country

Series: Portrait of a Distant Land

Gelatin Silver FB

42.5 x 41.5cm

Edition 2 of 10

$5500

Mona Hatoum

Electrified (variable)

2013

Kitchen utensils, furniture, transformer, electric cable and light bulb

750 x 320 x 170 cm

EUR 210,000.00

John Armleder

Fishes weep

2014

Mixed media on canvas

190 x 190 x 4 cm

EUR 115.000,00

David Shrigley

Untitled

2015

Oil on canvas

160 x 120cm

Michael Wilkinson

Dream a Garden 3

2015

Acrylic on linen with oil, verdigris, reflective tape, digital print, beeswax, pin badge

200.5 x 200.5 x 3 cm

MI

Sergej Jensen

Blue Horse

2016

Acrylic on sewn money bags

100 x 75 cm

US 55,000 plus VAT

Florian Meisenberg

MW.FMG.P.006.00.00

Detail

Isaac Julien

No Moon Shining (Ten Thousand Waves)

2010

Endura Ultra photograph

180 x 240 cm

38,500.00 GBP (inc. GST)

Laurence Aberhart

Interior, hair salon, Opunake, Taranaki, 1 June 2010

2010

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Anna Zahalka

Manly, Surfing Capital

2015

From the series Homeground

archival pigment ink prints

signed, titled, dated and editioned in ink verso

84 x 59.5cm.

Edition of 7 plus 2 A/P’s

$4,400

Tim Silver

Untitled (monument) 1

2014

steel

30 x 17 x 17 cm

Ricky Maynard

untitled

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 2 of 10

$3300

Paul McCarthy 

White Snow, Dopey, Black Red White, Black

2011-2015

Black Walnut, stain

152.4 x 109.2 x 111.8 cm

 

HW

Sergej Jenson

Untitled

Year tbc

Acrylic on sewn money bags

130 x 180 cm

US 100,000 plus VAT

Mona Hatoum

Natura morta (vetrina inglese)

2009

Murano glass, wood and glass cabinet

114 x 55.5 x 27 cm

 

Raqib Shaw

Centaur Duo

2016

Bronze with a classical renaissance patina finish

110 x 70 x 85 cm

GBP 500,000.00 plus VAT

Daniel Buren

A Work in four parts for one wall

1980

Painting on linen cloth

124 x 142 cm (prior to cutting)

LG

John Armleder

Traumatic

2014

Mixed media on canvas

140 x 90 cm

EUR 70.000,00

Ed Fornieles

London Has Fallen: The Good Dinosaur

2015

Cartoons on acrylic and watercolour paper mounted on dibond with aluminium frame

90 x 90 x 5 cm

£ 7,000 + VAT

 

Funny Young artist

Tomas Saraceno

16 Cyg B b /M+Mb

2015

Metal, polyester rope, fishing line,

steel thread, black

131 x 142 x 108 cm

(6 modules, ø 60 cm, black)

EUR 75.000,– (excl. VAT)

Ricky Maynard

Traitor

Series: Portrait of a Distant Land

gelatin silver

40.5 x 52cm

Edition 5 of 10

$5500

Thomas Wachholz

BLUE 100/100/0/0

2015

Solvent InkJet Print, Alkohol auf Leinwand solvent inkjet print, alcohol on canvas

190 x 140 cm

11,000.00 EUR

 

Laurence Aberhart

Kodak building from Orchard St, off Lyall Ave, Rochester, New York, 2 September 2010

2010

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Richard Wright

No Title

2015

Watercolour on heliogravure print on handmade Zerkall Butten paper

37.4 x 53 cm

MI

Anna Zahalka

Manly, South Pacific Playground

From the series Homeground

2015

From the series Homeground

archival pigment ink prints

signed, titled, dated and editioned in ink verso

84 x 59.5cm.

Edition of 7 plus 2 A/P’s

$4,400

Ryan Gander

Investigation # 34 - Amend Amend Amend

2008

Antique print and collage, framed

54 x 38 cm

Unique piece

Price 8 500 GBP VAT Excluded

Michael Lindeman

Saturday Night Syndrome

2015

acrylic on canvas

56.5 x 85 cm

Katharina Grosse

o.T.

2009

acrylic,soilon paper

101 x 67 cm

115 x 81 x 3 cm

EUR 14,000.00 + VAT

Imi Knoebel

Lllila

2002

Acrylic and aluminium

304.8 x 465.5 x 10.8 cm

EUR 260,000.00

Isaac Julien

When the Tree Blooms

2010

Endura Ultra photograph

180 x 240 cm

38,500.00 GBP (inc. GST)

Martin Boyce

Dead Star (Ghost Palms)

2015

Painted steel, blackened steel, painted bronze,

chain, cast bronze

2 parts

54 x 40 x 40 cm, chandelier

9,6 x 9,6 x 1 cm, light switch

GBP 35.000,– (excl. VAT)

Ricky Maynard

Untitled

Series: No More Than What You See

Gelatin Silver FB

31 x 45.5cm

Edition 1 of 10

$3300

Sherrie Levine

After Duchamp 2: Bride

2012

Suite of 18 postcards

Overall dimensions:

179.7 x 306.1 x 2.5 cm

Framed, each:52.4 x 42.2 x 2.5 cm

Paper, each:15.2 x 10.8 cm

DZ

Michael Lindeman

Theoretically this should be fun

2015

acrylic on canvas

63.5 x 91.5 cm

Sergej Jensen

Penny Painting

2016

Acrylic and oil on sewn money bags

95 x 115 cm

US 65,000 plus VAT

Florian Meisenberg

MW.FMG.P.013.00.00

Detail

Tony Albert

Brothers

2013

pigment print on aluminium, acrylic paint

210 x 280 cm

installation view

Cindy Sherman

Untitled

1980

Chromogenic color print

40.6 x 61 cm (image size)

60.3 x 79.1 cm (frame size)

Edition of 5 plus AP 1 of 1

MP

Sylvie Fleury

Crash Test 3-21

2001

Two-component paint on steel

175 x 100 x 10 cm

EUR 50.000,00

Ricky Maynard

Clyde

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

 

Anna Zahalka

Manly, Still Going Strong!

2015

From the series Homeground

archival pigment ink prints

signed, titled, dated and editioned in ink verso

84 x 59.5cm.

Edition of 7 plus 2 A/P’s

$4,400

Michael Lindeman

The source of magic and problems

2015

approx. 158.5 x 870 cm (overall)

Ryan Gander

As is... (Statuette of a woman, 200-100 BC, Anon.)

2015

Marble resin, Plexiglas

93,5 x 51,5 x 34,2 cm

GBP 35.000,– (excl. VAT)

These small sculptures are envisaged as the robe or wrap - once the live model has left.

Laurence Aberhart

Lodge Kurow #164, Kurow, Canterbury, June 1981

1981-2002

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Sherrie Levine

After Duchamp 2: Bride

2012

detail 

Tony Cragg

Wild Relatives

2012

Bronze

104 x 78 x 79 cm

Version of 6

LG

Thomas Wachholz

YELLOW 0/0/100/0

2015

Solvent InkJet Print, Alkohol auf Leinwand solvent inkjet print, alcohol on canvas

190 x 140 cm

11,000.00 EUR

 

Anna Zahalka

The Couple

2015

From the series Manly: Playground of the Pacific, which consists of 25 portraits

archival pigment ink prints

signed, titled, dated and editioned in ink verso

40.5 x 55.8cm.

Edition of 5 plus 2 A/P’s

$3,300

Jeppe Hein

Modified Social Bench #28

2011

powder coated aluminium

144 x 350 x 94 cm

1/3 + 2 AP

EUR 50,000.00 + VAT

Sylvie Fleury

SF 2001/024 Crash Test 3-38

2001

Two-component paint on steel

175 x 100 x 10 cm

EUR 50.000,00

Celia Hempton

Corinthian (Detail), France, 29th September 2013

2013

oil on canvas

30 x 35 cm

Michael Lindeman

Oops!

2015

acrylic on canvas

60 x 86.5 cm

Wolfgang Tillmans

in flight astro, South America 

2013

inkjet print mounted on Dibond in artist’s frame

211 x 145 x 6 cm

1 + 1 AP (1/1)

USD 80.000,- + VAT

Caroline Rothwell

Wind Machine

2013

Britannia metal, PVC, thread, stainless steel

87 x 45 x 25 cm

9,000.00 AUD (inc. GST)

Tracey Emin

In Solitude

2015

embroidered calico

(fabric) 161 x 229 cm

(framed) 185 x 250 x 9 cm

£180,000 GBP

Imi Knoebel

Kartoffelbild 15

2015

Acrylic and aluminium

177 x 251 x 11 cm

EUR 140,000.00

Sherrie Levine

Beach Ball after Lichtenstein

2015

Cast bronze

39.4 x 40.6 x 38.1 cm

DZ

Simon Denny

Berlin Startup Case Mod/Canvas: GoButler Magic Clone

2015

Customised Revostage platform, Thermaltake Core P5 Design Midi-Tower,

vinyl gloves, plexiglas box, laser cut plexiglas lettering, cotton gloves,

customised steel components, latex print on Canvas, IdeaPaint, PC-8K paint marker

Case: 163 x 100 x 100 cm

Canvas: 220 x 150 cm

Donald Judd

Untitled

1969

Galvanized iron

5 x 40 x 9 inches

12.7 x 101.6 x 22.9 cm

$1,350,000

Matthew Ritchie

Home is the hangman

2014

Oil and ink on linen

Framed Dimensions:

147.3 x 213.4 x 6.4 cm

$150,000.00

Sergej Jensen

Green Landscape

Year tbc

Medium tbc

130 x 180 cm

USD 100,000.00 plus VAT

Alicja Kwade

Time Zone Asia

Alternate View

Gabriel Kuri

Untitled (99c only)

2015

Set of 2. Hand woven wool gobelin

300 x 155 cm

305 x 155 cm

$110,000.00

Ricky Maynard

Jamie

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Laurence Aberhart

Taranaki from Okato cemetery, Okato, Taranaki, 22 May 2010

2010

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Olaf Breuning

Don't Worry

2015

dye-sub metal print

101.6 x 124.5 cm

Edition 1 of 3

MP

Marlene Dumas

Past and Present Preserved

2000

Ink and acrylic on paper

229.2 x 90.2 cm

DZ

Florian Meisenberg

MW.FMG.P.014.00.00

Detail

Laurence Aberhart

Pressure ridges #10, Ross Sea, Scott Base, Antarctica, 6 December 2010

2010

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Caroline Rothwell

Cave

2013

UV stable structural PVC

250 x 200 cm

(approx) TBC

10,000.00 AUD (inc. GST)

Anna Zahalka

Untitled (Figures on Manly Beach after Nancy Kilgour)

2015

archival, pigment ink print

signed, titled, dated and

editioned in ink verso

76 x 115cm.

Edition of 5 plus 2 A/P’s

$6,600

 

The background of this work was taken (literally) from the painting by Nancy Kilgour (circa 1930) which depicts the south end of Manly Beach but it has all of Zahalka's trade mark style that has added a new dimension to the image with all her subtle touches like the indigenous flag colours on the pair of thongs in the foreground, the mother and child standing in the center using a mobile phone, also the young Muslim woman with surf board far left. Kilgour’s painting was in itself based on the Impressionist painting Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat in 1884. The artist, Anne Zahalka has said of this,

I’m intrigued that Nancy Kilgour has reflected on Seurat’s early painting almost as an early post modern gesture…. I enjoyed thinking about the fact that Nancy had chosen this relatively modern painting to draw inspiration from…. it was a wonderful new stimulus for me.

 

 

Ricky Maynard

Darrell

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Michael Lindeman

Great Ideas (Self Portrait)

2015

pencil and acrylic on canvas

80 x 65cm

Laurence Aberhart

Taranaki #3, Whanganui, 3 July 2011

2011

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Clare Milledge

Night-Weeders

2015

oil on tempered glass, bronze,

110 x 110 x 0.8cm

$ 7,700.00 (incl. GST)

Anna Zahalka

The Dog Minder

2015 

From the series Manly: Playground of the Pacific, which consists of 25 portraits

archival pigment ink prints

signed, titled, dated and editioned in ink verso

40.5 x 55.8cm.

Edition of 5 plus 2 A/P’s

$3,300

Ricky Maynard

Clyde

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Michael Lindeman

Not Long Now

2015

acrylic on canvas

57 x 85.5 cm

Julie Mehretu

Untitled (4)

2014

Graphite on paper

55.9 x 76.2 cm

68.5 x 88.5 x 4.5 cm (framed)

USD 40,000.00

Clare Milledge

Theoretical Headspeople

2015

oil on two sheets of tempered glass, silk, hemp rope

120 x 120 x 20 cm

$ 13,500.00 (incl. GST)

Neil Beloufa

Untitled

2015

steel, epoxy resin

180 x 135 x 20 cm

 

MW

Lisa Oppenheim

Landscape Portraits (Poplar) (Version II)

2015

poplar print

63.5 x 66 cm each (unframed)

USD 36,000

Wolfgang Tillmans

Geschlechtsteile

2010

inkjet print, framed

40,6 x 30,5 x 2,4 cm

10 + 1 AP (2/10)

USD 8.000,- + VAT

Josiah McElheny

Blue painting

2015

Glass object and box (to be confirmed)

110.2 x 110.2 x 19.1 cm

 

Ryan Gander

I Mean to Say

2014

A framed paper script

35.4 x 44 x 3.5 cm, Script: 21 x 29.7cm (A4)

Unique piece

Price 5 000 GBP VAT Excluded

Adrián Villar Rojas

From the series "The Most Beautiful of All Mothers", 1

2015

Oil on colour print

21 x 29.5 cm

37 x 43 x 3 cm framed

$25,000.00

Ryan Gander

It is Positively Wanting

2014

Fifteen folded paper scripts in one frame

64 x 81.2 x 4.5 cm, Folded A4 scripts: 10.5 x 14.8cm (A6)

Unique piece

Price 8 000 GBP VAT Excluded

Wolfgang Tillmans

filament

2014

inkjet print mounted on aluminum in artist’s frame

87,7 x 64 x 3,3 cm

3 + 1 AP (1/3)

USD 24.000,- + VAT

Ryan Gander

On display (Alchemy Box # 28)

2011

Sculpture (Alchemy box series)

18 x 32 x 7.5 cm

Unique piece

Price 20 000 GBP VAT Excluded

Shilpa Gupta

Untitled

2014

Installation

Site specific

261 x 41.5 x 3 cm

GC

Ryan Gander

View with culturally preoccupied eyes (17:31)

2014

Panoramic black and white framed photographs

2 elements

200 x 37,5 cm each

Edition 1 of 1 (+ 1 A.P.)

Price 25 000 GBP VAT Excluded

Nathalie Djurberg & Hans Berg

Rabbit

2015

Mixed media

51.5 x 44 x 43.5 cm

LG

Sergej Jensen

Grey Rocks

Year tbc

Medium tbc

130 x 175 cm

USD 100,000.00 plus VAT

Caroline Rothwell

Artificial Tree

2013

63 x 21.5 x 6 cm

9,000.00 AUD (inc. GST)

David Altmejd

Untitled

2011

Epoxy clay, polystyrene, expandable foam, metal, resin, assorted minerals, pigment

24.4 x 16.2 x 19.1 cm

certificate of authenticity

$55,000

LISSON

Ricky Maynard

Kerry

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Marina Abramovic

Carrying the Skeleton (I)

2008

Color chromogenic print

203.2 x 180.3 cm

Edition AP2 of 9 plus 2 AP

LG

Laurence Aberhart

Hut Point, Ross Island, Antarctica, 29 November 2010

2010

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Caroline Rothwell

Circles

2014

Britania metal

80 x 310 x 19 cm

16,000.00 AUD (inc. GST)

Michael Lindeman

Great Ideas (Portrait of artist Heath Franco)

2015

pencil and acrylic on canvas

204 x 142cm

Laurence Aberhart

Taranaki #2, Whanganui, 2 July 2011

2011

silver gelatin, selenium toned

19.4 x 24.5 cm

$3,850.00

Ricky Maynard

Darrell

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Anna Zahalka

The Plein-Air Artists

2015

From the series Manly: Playground of the Pacific, which consists of 25 portraits

archival pigment ink prints

signed, titled, dated and editioned in ink verso

40.5 x 55.8cm.

Edition of 5 plus 2 A/P’s

$3,300

Julie Mehretu

Untitled (5)

2014

Graphite on paper

55.9 x 76.2 cm

68.5 x 88.5 x 4.5 cm (framed)

USD 40,000.00

Michael Lindeman

Great Ideas (Thong on wheels) 2015

2015

pencil & acrylic on canvas

80 x 65 cm

Neil Beloufa

Untitled

2015

steel, epoxy resin

180 x 135 x 30 cm

 

MW

Camille Henrot

New York Skyline

2014

digital print on canvas

143 x 243 cm

Éd. 3/3

EUR 24,000.00 + VAT

Adrián Villar Rojas

From the series "The Most Beautiful of All Mothers", 16

2015

Oil on colour print

21 x 29.5 cm

37 x 43 x 3 cm framed

$25,000.00

Julie Mehretu

Untitled (2)

2014

Graphite on paper

55.9 x 76.2 cm

68.5 x 88.5 x 4.5 cm (framed)

USD 40,000.00

Luc Tuymans

Untitled

1996

Watercolor on paper

Framed:57.8 x 52.4 x 1.9 cm

Paper: 19.1 x 14 cm

DZ

XU ZHEN

Under Heaven

2014

Oil on canvas, aluminum

200 x 140 x 15 cm

 

JC

Wolfgang Tillmans

still life (photographic vegetables)

2014

inkjet print, framed

30.5 x 40.6 cm

Edition 10 + 1 AP

USD 8.000,- + VAT

Liu Wei

Jungle No.21

2013

Canvas and wood

209.5 x 209.5 x 19.5 cm

WC

Caroline Rothwell

Figure

2013

Britannia metal, PVC, dimensions variable, metal figure

34 x 16.5 x 23 cm

9,000.00 AUD (inc. GST)

Ricky Maynard

Mick

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Jon Campbell 

Folky Post Punk Pop

2011

acrylic and enamel paint, enamel paint marker, mdf board

60 x 40 cm

$4,750.00

Michael Lindeman

Great Ideas (It's not much fun here.) 2015

2015

pencil & acrylic on canvas

80 x 65 cm

Ricky Maynard

Jamie

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Adrián Villar Rojas

From the series "The Most Beautiful of All Mothers", 19

2015

Oil on colour print

21 x 29.5 cm

37 x 43 x 3 cm framed

$25,000.00

Danh Vo

Snowfall, Northern Sierras, 1847

2014

b&w photogravure on paper

image: 17,7 x 35,8 cm

paper: 41,2 x 48,5 cm

Edition 10/24 + 6 AP

EUR 4.000,- + VAT

Tracey Emin

My heart for you X

2015

Gouache on paper

28 x 38 cm

GBP 22,000.00

WC

Florian Meisenberg

Da série: Being blonde with insufficient funds (transpirations of a virgin)

Detail

Ricky Maynard

Murray

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Jon Campbell

Paris

2013

enamel, plywood

40 x 50 cm

$4,750.00

Michael Lindeman

Great Ideas (Futuristic walking stick) 2015

2015

pencil & acrylic on canvas

80 x 65 cm

Magnus Plessen

Untitled (19)

2015

Oil on canvas

190.5 x 150 cm

EUR 115,000.00

Gabriel Orozco 

Untitled

2015

Set of 4. Graphite on gesso

40 x 40 cm each

$550,000.00

Ernesto Neto 

Untitled

2010

Polyamide fabric and stocking, lavender and styrofoam

beads

257 x 192 x 21,5 cm

FV

Tracey Emin

Loving you

2015

Gouache on paper

28 x 38 cm

GBP 22,000.00

WC

Jorinde Voigt

From Behind

2015

ink, goose feathers, oil crayon, India ink, pencil on paper

77.5 x 57.5 cm

unique

Euro 11,000.00

Tony Oursler

Untitled (TBC)

2015

Aluminium and acrylic, with video and LCD screen

Diameter 119.4cm

LG

Ricky Maynard

Philip

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Jon Campbell

Friday Night Dilemma

2013

enamel, plywood

50 x 60 cm

$4,750.00

Michael Lindeman

Great Ideas (Artists' disguise)

2015

pencil & acrylic on canvas

80 x 65 cm

Ricky Maynard

Mick

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Liu Wei

Crucifixion

2014

Iron and steel

300 x 220 x 5 cm

USD 115,000.00

Allora & Calzadilla

Solar Catastrophe

2015

Broken solar cells on canvas

217.8 x 373.4 cm

USD 250,000

Lucia Laguna

Paisagem n. 87

2015

Acrylic and oil on canvas

150 x 170 cm

FV

Tracey Emin

The Forrest

2015

Gouache on paper

28 x 38 cm

GBP 22,000.00

WC

Richard Lewer

The Min Min Lights

2015

oil on canvas

76.5 x 76.5 cm

$9,000

 

David Griggs

Frat of the Obese 2

2011

acrylic on canvas

213 x 274 cm

20,000.00 AUD (inc. GST)

Ricky Maynard

Ronnie

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Jon Campbell

 

Crazy Horse

2013

enamel, spray paint, plywood

45 x 35 cm

$4,200.00

Ricky Maynard

Murray

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Liu Wei

Dialogue No.1

2015

Mirror, metal and wood

90 x 110 x 70 cm

USD 125,000.00

Sonia Gomes

Memória

2006

stitching, bindings, different fabrics and laces on wire

50 x 36 x 23 cm

 

MW

Cory Arcangel

Shania / Lakes

2015

1920x1080 H.264/MPEG-4 Part 10 looped digital file (from 11 lossless TIF masters), media

player, 70” flatscreen, armature, and various cables

200.6 x 92.7 x 28 cm

USD 60,000

Lucia Laguna

Paisagem n. 88

2015

Acrylic and oil on canvas

160 x 160 cm

FV

Mark Wallinger

Self Portrait (Freehand 29)

2013

Acrylic on canvas

75 x 50 cm

£22.500 excl. VAT

Ricky Maynard

Sean

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Jon Campbell

Fuck yeah (Warhol)

2015

acrylic paint, linen

41 x 56 cm

$4,750.00

Lillian O’Neil

When you died

2015

collage on Kappa board, framed

185 x 95 x 6cm (estimated framed dimension)

$ 9,000.00 (incl. GST)

[note: this image is of Photoshopped framed not actual frame]

Ricky Maynard

Philip

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Sonia Gomes

Nº1, from Torções Circulares series

2015

stitching, bindings, different fabrics and laces on wire

90 x 58 x 44 cm

 

MW

Ryan Gander

View with culturally preoccupied eyes (17:31)

2014

Panoramic black and white framed photographs

2 elements

200 x 150 cm and 200 x 75 cm

Edition 1 of 1 (+ 1 A.P.)

Price 35 000 GBP VAT Excluded

Alicja Kwade

Conversation in Perspective

2016

Mirror, brass

150 x 280 cm

€75,000

Ryan Gander

The things you make they mock you,

the things you make they mimic you (It’s a hang!)

2012

84 Frames of 28,5 x 35,5 x 2,7 cm

Overall dimensions 223,5 x 470 cm

Edition 1 of 1 (+ 1 A.P.)

Price (1/1) 37 500 GBP VAT Excluded

Florian Meisenberg

MW.FMG.P.012.00.00

Detail

Jon Campbell

Fuck Yeah (Matisse)

2015

acrylic and enamel paint, cottonduck

41 x 56 cm

$4,750.00

Katharina Grosse

o.T.

2009

acrylic and soil on canvas

217 x 203 cm

EUR 85,000.00 + VAT

Cerith Wyn Evans

Neon forms (resembling clouds...)

2014

Neon

67 x 170 x 4.5 cm

Edition of 5

Price TBC

Franz West

Untitled

1986-88

Gypsum, gauze, and paint on artist's plinth

Overall dimensions:

160.3 x 45.1 x 36.2 cm

Sculpture: 50 x 45 x 30 cm

Base:110.2 x 32.1 x 32.1 cm

DZ

William MacKinnon

The party is over

2015

oil & automotive enamel on synthetic linen

150 x 200 cm

$10,000 - 

 

David Griggs

Frat of the Obese 5

2011

acrylic on canvas

183 x 137 cm

10,000.00 AUD (inc. GST)

Jess Johnson

Flesh (Black)

2015

acrylic paint, pen on paper

76 x 56 cm (paper size)

$3,000.00 (GST inclusive)

Michael Riley

Telphia

1990/2013

from the series Portraits by a Window

pigment UltraChrome ink on Platine fibre rag

60 x 41cm (image size) 62 x 43.3cm (frame size)

edition 15 + 1AP (+ exhibition set)

$3,500.00 (unframed)

 

Telphia Joseph was a dancer with the Aboriginal Islander Dance Theatre and a former model with Lee Madden’s Promotions and Model Agency in Redfern that promoted Aboriginal models on catwalks internationaly. She now works prominently in National Indigenous Health Advocacy programs.

Ricky Maynard

Sean

Series: Saddened Were the Hearts of Many Men

silver gelatin FB

45 x 45cm

Edition 7 of 10

$5500

Rodney Graham

Nautical Scene with Loudhailer

2004

Chromogenic transparency, plexiglass, aluminium

68.6 x 85.7 x 13.9 cm

edition 10 of 10 plus 3 APs

USD 90,000

Cy Twombly

Untitled (Sperlonga)

1963

Lead pencil, colored pencil, wax crayon,

and acrylic on paper

Paper: 55.9 x 42.5 cm

Framed:80.6 x 65.4 x 4.1 cm

DZ

LOT 1

 

Tom Roberts (1856-1931)

On the Beach, Port Macquarie

1896

signed and dated 'Tom Roberts 96' lower right; inscribed 'Lake Macquarie by Tom Roberts' in pencil verso

oil on wood panel

19.0 x 43.0cm (7 1/2 x 16 15/16in).

 

AU$ 120,000 - 150,000

£65,000 - 81,000

 

PROVENANCE

Private collection

Thence by descent

Private collection, Sydney

 

EXHIBITED

probably The Society of Artists Members Autumn Exhibition, Mutual Life Association of Australasia Buildings, Sydney, March 1896, cat. 31

 

 

Along with fellow artists Albert Henry Fullwood and Gother Victor Fyers Mann, from December of 1895 through to late January of 1896, Tom Roberts enjoyed a summer yachting trip aboard Alexander Oliver's Antidote. Journeying along the Hastings River in northern New South Wales, the trip took in the quiet eddies of the river and broad, still mouth of Port Macquarie. Helen Topliss notes that whilst on the yacht, Robert's produced a number of paintings, seven of which were exhibited in the Society of Artists Autumn Exhibition of March that year.1 Considered lost, On the Beach, Port Macquarie, was one of those works, exhibited alongside 141 other works from various contemporaries at the Mutual Life Association of Australasia Buildings, then on the corner of George and Wynyard Streets in Sydney. Comprising entirely of smaller works, primarily landscapes, the exhibition was heralded as being of outstanding quality, 'One notices in a large number of them that brilliance and glow of color, which has begun to make itself felt in what one would like to call the Australian "school". An air of gladness tinges the mysteries and poetry of sea and sky. And after all, this is the tendency that one naturally looks for in a country such as ours. The sadness which once brooded over the Australian bush vanishes with each succeeding year.'2

 

Both Fullwood and Mann contributed works to the exhibition though it was Roberts whose paintings captured the mood of high summer on the river. Morning Light on the Hastings River, now in the collection of the Tasmanian Museum and Art Gallery, Hobart, (now known as A Morning on the Hastings River) and Sunset on the Yacht, Hastings River, are filled with colour and light as it reflects off the glassy river surface, the air still with the heat of January on the Australian coast. Resting on the sandy banks of the river, our subjects are presumably of the Antidote's party. Possibly fellow artists, the models may also be of the four other guests also on board – D.W. Roxburgh, Professor Richard Threlfall, Hugh Pollock, and W.C. Shipway. A letter on day nine of the journey described the party as very happily 'tossed, delighted, swearing, fresh, fagged, chirpy, sunsick, seasick, & perfectly well, growling, content, symposiums on the stern at evening, & upping anchor after midnight.'3

 

The 1890s had been a formative period for Roberts. The Hastings River trip was one of many such journeys as he sought to create work which defined a way of life which was particular to Australia. From the stations of northern New South Wales where Bailed Up, 1895, and The Golden Fleece, 1894 (both in the collection of the Art Gallery of New South Wales) were painted, Roberts sought out themes and subjects whose narratives formed a vision in counterpoint to the aestheticism of his contemporaries at the Royal Academy.

 

Gentle and contemplative, On the Beach, Port Macquarie, shows a quiet scene of companionable reflection with great fidelity. Painted en plein air with the wide river beyond, the subjects are loose limbed as they recline on the sand, enjoying a midday pipe.

Robert Longo

Untitled (Balcony)

2015

Charcoal on mounted paper

127 x 127 cm

 

TR

Mario Garciá Torres

The Strange Things My Eyes See (Postscript)

n/d

bronze on pedestal (unique); HD colour video Tetela (ed. 1/5)

13 x 65 x 50 cm (bronze); 125 x 70 x 70 cm (pedestal); 19 min. (video)

EUR 35.000,00 + VAT if applicable

David Griggs

Frat of the Obese 14

2011

acrylic on canvas

110 x 119 cm

6,000.00 AUD (inc. GST)

Tomma Abts

Untitled #5

2014

Pencil and color pencil on paper

Framed:89.5 x 64.5 cm

Paper: 84.1 x 59.4 cm

DZ

Richard Lewer

Saddle Bronc

2014

oil on epoxy coated steel

75 x 75 cm

$9,000

William Yang

Peter Tully, Sydney Gay and Lesbian Mardi Gras

Series: Mardi Gras

Gelatin Silver FB

40 x 26.5cm

Edition 2 of 10

William Yang

Street scene, Mardi Gras

Series: Old New Borrowed Blue

Inkjet Print

30 x 45cm

Edition 1 of 20

$1540

Jess Johnson

Flesh (Blue)

2015

acrylic paint, pen on paper

76 x 56 cm (paper size)

$3,000.00 (GST inclusive)

Trent Parke

Tarot cards

2003 - 2015

from The Black Rose

36 pigment prints framed

20.5 x 17.5cm each

edition 9 of 10

$25,000 (inc GST)

 

I dont think this is such a great image its just indicative.

 

Michael Riley

Delores

1990/2013

from the series Portraits by a Window, pigment UltraChrome ink on Platine fibre rag

57.5 x 40.5cm (image size) 60.5 x 43.4cm (frame size) edition 15 + 1AP (+ exhibition set)

$ 3,500.00 (unframed)

 

Delores Scott was a dancer with the Aboriginal Islander Dance Theatre. Her mother, Dr Evelyn Scott, is the Chairperson of the Aboriginal Council for Reconciliation.

 

Jess Johnson

We Float

2015

acrylic paint, pen on paper

38.5 x 28 cm (paper size)

$1,400.00

Richard Aldrich

Flying UFO Flying

2015

Oil, wax and enamel on panel

213.4 x 147.3cm

$80,000

Nicolas Guagnini

Jo (Golden Shower)

2015

Vitrified glazed ceramic, book (John Wesley, P.S.1, New York [2000], ISBN: 0-9704428-0-7)

Ceramic: 14 x 11 x 8 1/4 in

Book: 2.5 x 31.1 x 24.1cm

$16,500

Tobias Rehberger

Kyllikki hat eine Idee

2008

steel, marble, wood, nylon ropes, Montana spray paint, lacquer

200 x 200 x 220 cm

EUR 65.000,00 + VAT if applicable

Günther Förg

Untitled

2006

Acrylic on canvas

195 x 165 cm

 

GL

 

Ai Weiwei

Bicycle Basket with Flowers

2014

Porcelain

34 x 37 x 28cm

EUR 150,000

Richard Serra

Untitled

2001

Paintstick on paper

Paper:100.6 x 78.7 cm

Framed:86 x 108.2 x 6.3 cm

DZ

Tomma Abts

Untitled

2010

Pencil, felt tip pen, fineliner pen,

watercolor, and collage on paper

Framed:36 x 27.3 cm

Paper: 29.8 x 21 cm

DZ

Gabriel de la Mora

‘B-164’

2015

Textile from vintage speaker

13.2 x 18.2 cm

Framed: 31.6 x 36.6 x 4.5 cm

USD 10,000

Matthew Ritchie

Causal Drawing

2014

Powder coated aluminum

205.7 x 358.1 x 350.5 cm

Edition 1 of 1 with with 1 AP

$200,000

Ben Quilty

Sharri (Queen)

2015

Oil on linen

265 x 202 cm

$65,000

 

Ryan Gander

Best work EVER EVER EVER EVER EVER EVER

2010

16 mm film (done from digital video transfered on 16 mm film) with separate digital voice - over

Duration 3 minutes

Edition 3

Price (2/3) (last edition available) Price (2/3) 15 000 GBP VAT Excluded

Michael Riley

Avril and Miya

1990/2013

from the series Portraits by a Window, pigment UltraChrome ink on Platine fibre rag

49 x 41cm (image size) 51.6 x 43.2cm (frame size), edition 15 + 1AP (+ exhibition set)

$ 3,500.00 (unframed)

 

Avril Quaill is an artist, curator and arts administrator. She was a founding member of Boomalli Aboriginal Artists Co-operative, former Artistic Director of the Cairns Indigenous Art Fair and is currently Principal Arts Development Officer for Arts Queensland.A vintage print of this image is in the collection of the National Gallery of Australia, Canberra.

Tracey Emin

I love you

2014

Bronze

111.8 x 25.4 x 15.2 cm

Edition of 6

GBP 120,000.00 plus VAT

Florian Meisenberg

MW.FMG.P.004.00.00

Detail

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Nicolas Guagnini

 

International Brigade

2015

Vitrified glazed ceramic, book, (Dalì, Arnoldo Mondadori, Milan [September 1978], ISBN: 978-1555213428)

Ceramic: 47 x 33 x 19.1cm

Book:12.7 x 31.8 x 26cm

$20,000

William Yang

Darren + Linden Part 3

Series: Old New Borrowed BLue

Gelatin Silver FB

27 x 40cm

Edition 11 of 20

$3080

Jorge Pardo

untitled

2007

extira mdf, lacquer, formica, fabric, acrylic glass, 5 electric ventilators, glass, light

205,5 x 267 x 206 cm

USD 225.000,00 + VAT if applicable

Jess Johnson

Flesh (Red)

2015

acrylic paint, pen on paper

76 x 56 cm (paper size)

$3,000.00 (GST inclusive)

Robert Mapplethorpe

Honey

1976

gelatin silver print

50.8 x 40.6 (paper)

FN

Richard Aldrich

Untitled

2014-2015

Oil, wax and enamel on panel

50.8 x 38.1cm

$20,000

Wolfgang Tillmans

water melon still life

2012

Inkjet print on paper, clips

138 x 206 cm

Edition 1 of 1, 1 AP

DZ

Billy Childish

West St. Modeste, Pinware Bay (version)

2015

Oil and charcoal on linen

61 x 91.5 cm

£ 8,200.00 GBP ex VAT

Andy Goldsworthy

Kelp thrown into a grey, overcast sky, Drakes Beach, California, 14 July 2013

2013

Archival inkjet print

80 x 53.33 cm

 

GL

 

Gabriel de la Mora

‘B-224’

2015

Textile from vintage speaker

21.6 x 26.3 cm

Framed: 40 x 44.7 x 4.5 cm

USD 10,000

Erwin Wurm

Mutter

2014

Bronze, orange patina

168 x 80 x 43 cm

TR

Wolfgang Tillmans

Iquitos Amazon

2013

Inkjet print and clips

135 x 202.5 cm

Edition 1 of 1 plus 1 AP

Certificate of Authenticity

$75,000

FM

Ryan Gander

And You Will be Changed (Centre Pompidou, Paris)

2014

Video, color, sound (French spoken, English subtitles)

Duration: ca. 10 minutes

Edition of 3 (+ 2 A.P.)

Price (3/3) 15 000 GBP VAT Excluded

Jules de Balincourt

Untitled (Phi)

2013

Oil on Panel

182.9 x 121.9 cm

$110,000

Matthew Ritchie

Saturn Time

2015

Oil, ink, wax and varnish on canvas

Framed dimensions: 253.8 x 259.1 x 6 cm

Artwork dimensions: 223.5 x 251.6 x 4 cm

Signed label

Julie Mehretu

Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin)

4

William Yang

Fear of Aids

Series: Old New Borrowed Blue

Inkjet Print

33 x 42cm

Edition 5 of 10

$1980

Adam Norton

Modernist Spaceship

2015

pigment ink on card

Edition of 3 plus 1 AP

10 x 15 cm

$550 (framed)

William Yang

Ian Jopson as the Angel by William Yang

Series: Old New Borrowed Blue

Gelatin Silver FB

29 x 40cm

Edition 4 of 10

$3080

Corplegados

Installation view

Jess Johnson

They Float

2015

acrylic paint, pen on paper

38.5 x 28 cm (paper size)

$1,400.00

 

Michael Riley

Joe and Brenda

1990/2013

from the series Portraits by a Window

pigment UltraChrome ink on Platine fibre rag

53 x 41cm (image size) 55 x 43.4cm (frame size)

edition 15 + 1AP (+ exhibition set)

$3,500.00 (unframed)

 

Joe Croft was the first Aboriginal person to study at an Australian university, Queensland University in 1944. He is father of Brenda Croft, artist and Senior Curator of Aboriginal and Torres Strait Islander Art at the National Gallery of Australia, Canberra between 2002-2009. She co-curated the Australian Indigenous Art Commission at The Musée du quai Branly, Paris. She curated Riley’s posthumous retrospective, Michael Riley: sights unseen, at the National Gallery of Australia and touring venues. She was a founding member of Boomalli Aboriginal Artists Co-operative. She is currently Senior Research Fellow at the University of New South Wales.

Jutta Koether

Brooklyn Boogie II

2015

Oil or acrylic on canvas or panel

Each: 30.5 x 30.5cm

$60,000

Günther Förg

blei and blei II

Detail

Richard Aldrich

Dealing With My Own Obsession With the Idealization of Dylan Going Electric #s 1 and 2

2005

Oil, wax and duct tape on canvas; oil and wax on linen

Diptych: 121.9 x 91.4cm

and 101.6 x 76.2cm

$60,000

Robert Mapplethorpe

Larry

1979

gelatin silver print

50.8 x 40.6 (paper)

FN

Peter Doig

Blizzard '77

1997

Folio of eight aquatint etchings on paper

49 x 39 cm Paper size

Edition 14 of 17 image IV (split set)

Wolfgang Tillmans

paper drop fused I

2006

Inkjet print on paper, clips

207.3 x 138.1 cm

Edition 1 of 1, 1 AP

DZ

Rita Ackermann (b. 1968)

Fire by Days XXXIX

2011

Oil, pigment and spray paint on paper

91.4 x 68.6 cm

USD 35,000.00

Robert Rauschenberg

Monkey Climb (Borealis)

1990

Tarnishes on brass

154,3 x 93,3 cm

TR

Billy Childish

amongst cactus

Installation view

Adam Norton

Ice Borg

2015

pigment ink on card

Edition of 3 plus 1 AP

15 x 10 cm

$550 (framed)

Gerhard Richter

25 Farben [902-33]

2007

Enamel on Alu Dibond

48.5 x 48.5 cm

Jesse Wine

Mr Good Ideas II

2015

Glazed Ceramic

60 cm 

£6,000.00

Sabine Moritz

2 Peonies

2014

Oil on canvas

61 x 51 cm

Ivan Morely

From Don, George, and Diane

2008

Oil, wax, and KY Jelly on canvas

133.4 x 120.7cm

$32,000

Renata Lucas

quadroquadro (overall)

2015

wood, metal, glass, mirror

97 x 67 x 4,5 cm

EUR 50.000,00 + VAT if applicable

Max Dupain

Macquarie Place

1937

silver gelatin photograph, printed later

inscribed 'Macquarie Place.' lower left; signed and dated 'Max Dupain '37 - ' lower right

44.5 x 28.3 cm

Estimate $2,000-4,000

 

Provenance

Minter Ellison Collection, Sydney

 

As the pre-eminent photographer of Australian architecture for more than half a century, Dupain's work often explores shapes hidden within the geometry of buildings. In Macquarie Place we see the preliminary stages of his interest in line as a tool to create meaning and beauty. The photograph is particularly enthralling in its use of line, which is used to construct multiple layers of depth.

Gert & Uwe Tobias

Untitled

2015

woodcut on canvas

240 x 190 cm

Edition 1/2 plus 1 AP

CFA

Günther Förg

blei and blei II

Detail

Thomas Ruff

Substrat 32 I

2007

Chromogenic print

184.8 x 284.8 x 6 cm

Edition 1 of 3

DZ

Max Dupain

Steam at Central

1939

silver gelatin photograph, printed later

inscribed 'Steam at Central' lower left; signed and dated -Max Dupain '40 - ' lower right

38.4 x 39.5 cm

Estimate $3,000-5,000

 

Provenance

Minter Ellison Collection, Sydney

 

As evident in his photograph Steam at Central, Dupain was heavily influenced by European and American modernist photographers. As 20th Century Industrialism blew full steam ahead around the globe, the busy, chaotic and transitory train station became symbolic of the times. This work can be aligned with seminal European modern artworks which depicted similar scenes, such as Monet's The Saint-Lazare Train Station (1877). Steam at Centralpoints toward the impact of modernism in Australia, making it a very important part of Australian art history.

Robert Rauschenberg

Barrier (Borealis)

1990

Tarnishes on brass

93,3 x 124,1 cm

TR

JOHN OLSEN

Lake Alexandrina and Dirt Roads

1997-1998

oil on canvas

signed and dated 'John / Olsen / 97-98' lower right; signed and inscribed 'Dirt Roads & LAKE John / Olsen' verso

199 x 183 cm

 

Estimate

 

$140,000 - $180,000

 

Provenance

Savill Galleries, Sydney

Private Collection, Melbourne, acquired from the above

 

Exhibited

 

John Olsen: Recent Work 1995-1998, Olsen Carr Art Dealers, Sydney, 7-25 April 1998, no. 13, illustrated

John Olsen, Savill Galleries, Sydney, 2-26 June 1999

Australian Painting, Savill Galleries, Sydney, 16 May - 17 June 2001, no. 27, illustrated (label verso)

 

Literature

Giles Auty, 'Grasping the Subject', The Weekend Australian, Sydney, 11-12 April 1998

Deborah Hart, John Olsen, Craftsman House, Sydney, 2000, p. 234

Jenny Zimmer and Ken McGregor, John Olsen: Journeys into the 'You Beaut Country', Macmillan, Melbourne, 2007, pp. 200-201 (illustrated), 315

 

Robert Motherwell

Gauloises on Scarlet over Yellow No. 3

1972

Acrylic and pasted papers on canvas

Framed Dimensions: 97.2 x 59.1 cm

Artwork Dimensions: 76.2 x 38.1 cm

Catalogue raisonné no. C333

Max Dupain

York and Carrington Street - Twilight

1930

silver gelatin photograph, printed later

inscribed 'York and Carrington - Twilight.' lower left; signed and dated '- Max Dupain '30' lower right

39.5 x 49.5 cm

Estimate $3,000-5,000

 

Provenance

Minter Ellison Collection, Sydney

 

Dupain said that modern photography must do more than entertain, it must incite thought and by its clear statements of actuality, cultivate a sympathetic understanding of men and women and the life they create and live.

Max Dupain

The Office Worker's Dream

1950

silver gelatin photograph, printed later

37.8 x 31.4 cm

Estimate $2,000-4,000

 

Provenance

Minter Ellison Collection, Sydney

 

Dupain was heavily influenced by European and American modernist photographers and this is evident here. Rather than making descriptive photographs, they were more interested in exploring abstract form. It is this move from the former to the latter that describes the move from Pictorialism to Modernism that occurred in Europe early in the 20th Century and later in Australia with the work of Max Dupain leading the way. Dupain’s beach images portray a way of life that has now become embedded in the Australian Psyche – hedonistic sun worship – the city dwellers' weekend recreation.

 

Fudong Yang

New Women 4

2013

Black and white inkjet print

Photo: 110 x 165 cm

Frame: 175 x 200 cm

Edition of 10 plus 2AP

Adam Norton

Steampunk Spaceship

2015

pigment ink on card

Edition of 3 plus 1 AP

15 x 10 cm

$550 (framed)

Ged Quinn

Narrow Roads of Geneland

2013

Oil on linen

61.5 x 50cm

Framed: 97.5 x 86.5 x 22cm

£35,000

Gabriel Orozco

Two Grids

2012

Photography

20 x 15 cm(framed)

Edition of 10 plus 1 AP

USD 12 000

LOUISE LAWLER

ABN AMRO Zaal

2012/2013

Laminated Fujiflex mounted on museum box

20 x 39 1/2 inches

50.8 x 100.3 cm

Edition 2/5

$40,000.00

Peter Doig

Blizzard '77

1997

Folio of eight aquatint etchings on paper

49 x 39 cm Paper size

Edition 14 of 17 image V (split set)

Subodh Gupta

No Ritual, No Spiritual, Just a Form #2

Alternate View

Saskia Leek

Untitled

2014

oil and gesso on aluminium board

57 x 47cm

$4,400.00

Martin Creed

Work No. 1926

2014

Acrylic on canvas

50.7 x 40.5 cm

56.5 x 46 x 5 cm (framed)

50.000,00 USD + VAT

Saskia Leek

Untitled

2014

oil and gesso on aluminium board

57 x 47cm

$4,400.00

Max Dupain

Martin Place at Night

1939

silver gelatin photograph, printed later

inscribed 'Martin Place. Twilight' lower left; signed and dated 'Max Dupain '60s -' lower right

49.5 x 39.5 cm

Estimate $3,000-5,000

 

Provenance

Minter Ellison Collection, Sydney

 

Dupain's focus on the expanding landscape of urban Sydney firmly places his work - such as Martin Place at Night - within Australian modernist rhetoric. Building upon European traditions of composition: balance, framing and most obviously vanishing point, ensure that Dupain's photograph is beautiful in its precision and skill. Particularly worthy of appreciation is Dupain's use of light, which illuminates his subject: the city.

Max Dupain

Surf Race Start

1940

silver gelatin photograph, printed later

inscribed and dated 'SURF RACE 1938' lower left

36.8 x 38 cm

Estimate $3,000-5,000

 

Provenance

Minter Ellison Collection, Sydney

 

In contrast to the elegant aestheticism of Sunbaker, Surf Race and March Past highlight the masculinity of the subject bodies. Taut and muscular, as they surge into the surf or march in its honour, these images each portray one instant in time, a single perfect moment frozen forever. They present the stereotypical sun-bronzed surfer, healthy and strong, competing in outdoor sports at the beach.

Zhang Enli

Trunk

2006

Oil on canvas

130 X 240 cm

USD 195,000.00

 

Thomas Hirschhorn

Pixel-Collage n°2

2015

Paper, plastic sheet, tape

170 x 185 cm

EUR 25 000

MARLO PASCUAL

Untitled

2013

Digital C-print

Print size: 50 x 40” / 127 x 101.6cm

Edition of 2

MP2013-023

$15,000.00

Michael Riley

Tracey

1986/2013

from the series NADOC '86: Aboriginal and Islander Photographers

pigment UltraChrome ink on Platine fibre rag

34.5 x 72 cm (image size) 37.5 x 76cm (frame size)

edition 15 + 1AP (+ exhibition set)

$ 3,500.00 (unframed)

 

Tracey Moffatt is an internationally acclaimed artist and filmmaker. She has had solo exhibitions at the Dia Art Foundation and the Museum of Modern Art, New York. Her influential experimental film Night Cries: A Rural Tragedy was selected for offical competition at the Cannes Film Festival in 1990, four years after this portrait was taken. She was a founding member of Boomalli Aboriginal Artists Co-operative. In 2013, she was awarded the Australia Council Visual Arts Award. A vintage print of this image is in the collection of the National Gallery of Australia, Canberra.

 

DARREN ALMOND

Fullmoon@North Atlantic

2013

c-print, mounted onto aluminium

Image size: 70,9 x 70,9 in / 180 x 180 cm, 74 x 74 in / 188 x 188 cm, framed

edition of 3 plus 2 AP (1/3)

£ 20.000,00

(VAT not included)

Michael Riley

Kristina

1986/2013

from the series NADOC ’86: Aboriginal and Islander Photographers

pigment UltraChrome ink on Platine fibre rag

35 x 69.5 cm (image size) 37.5 x 71.6cm (frame size) edition 15 + 1AP (+ exhibition set)

$ 3,500.00 (unframed)

 

Kristina Nehm was a dancer with the Aboriginal Islander Dance Theatre as well as a singer and actor. She has appeared in numerous Australian films and television dramas.A vintage print of this image is in the collection of the National Gallery of Australia, Canberra.

 

Wolfgang Tillmans

Haircut

2007

Chromogenic print

Framed: 44.8 x 34.6 x 2.5 cm

Paper: 40.5 x 30.5 cm

Edition 4 of 10, 1 AP

Signed verso

$8,000

FM

Wolfgang Tillmans

Schneckenstilleben

2004

Chromogenic print mounted on

Dibond aluminum in artist's frame

146 x 213 x 6 cm

Edition 1 of 1 plus 1 AP

Signed verso

Reserved

William Kentridge

If You Have No Eye

2014

Linocut printed on a selection of non-archival dictionary pages, collaged and attached with archival tape to a backing sheet of Arches, Cover

White, 300 gsm.

Paper: 202 x 108 cm

Edition of 24

Petra Cortright

i feel u

2015

Webcam video

Dimensions variable, 1 min. 46 sec.

Edition of 3 with 1 AP

10,000 USD

Peter Doig

Black Palms

2004

Etching on paper

53 x 38 cm

Michael Riley

Kristina

1984/2013

from the series Koori Art '84

pigment UltraChrome ink on Platine fibre rag

41 x 60 cm (image size) 43.5 x 62cm (frame size)

edition 15 + 1AP (+ exhibition set)

$ 3,500.00 (unframed)

 

A vintage print of this image is in the collection of the National Gallery of Australia, Canberra. Kristina Nehm was a dancer with the Aboriginal Islander Dance Theatre as well as a singer and actor. She has appeared in numerous Australian films and television dramas.This is the first formal portrait that Riley exhibited.

Ed Fornieles

You and Me Land: The shadows of New York, The Longest Ride

2015

Cartoons on acrylic and watercolour paper mounted on dibond with aluminium frame.

90 x 90 x 5 cm

$ 9,000 + VAT

Ivan Morley

A True Tale

2015

Thread on canvas

168.5 x 80cm

$32,000

MICHAEL ZAVROS

Crystal/Thistle

2013

oil on canvas

73 x 55 cm

$27,000

SOLD

Max Dupain

Sunbaker

1937

silver gelatin photograph, printed later

signed and dated '- Max Dupain '37 - ' lower right

39.2 x 43.5 cm

Estimate $15,000-20,000

 

Provenance

Minter Ellison Collection, Sydney

 

Sunbaker, now an iconic image, was taken while he was on holiday at Culburra, on the New South Wales South Coast, in 1937. It pictures a sunbaker, completely relaxed and at one with the landscape. He lies motionless, with his back exposed to the sun and the heat, the sweat glistening on his skin. By using a low-angle shot, Dupain has transformed the simple shapes of the man’s oval head and triangular torso into a mountain-like outcrop set against the line where the sea meets the sand. In the image, the sunbaker is the dominant shape and only figure. He is positioned in the middle of the frame, for maximum effect, and the eye, drawn initially to his head, is lead over his shoulders and down his arms to his hand, as it sits lightly on the sand. He is enjoying that moment of blissful repose after the struggle with the waves, when consciousness is all gathered into the body’s sensation of the hot sun after the cold sea.

MARLO PASCUAL

Untitled

2013

Digital C-print

Print size: 50 x 40” / 127 x 101.6cm

Edition of 2

MP2013-024

$15,000.00

Alicja Kwade

Unexplained Attraction (Roof Lath/Sheet steel)

Alternate View

Ed Fornieles

You and Me Land: The shadows of New York, Skin Trade

2015

Cartoons on acrylic and watercolour paper mounted on dibond with aluminium frame.

90 x 90 x 5 cm

$ 9,000 + VAT

Ivan Morley

A True Tale

2015

Thread on canvas

203.2 x 121.9cm

$40,000

LOT 24

 

Rammey Ramsey (born circa 1935)

Untitled (My Country)

2007

initialled and inscribed 'RR / Jirrawun Arts / RR 11 2007 124' verso

natural earth pigments and synthetic polymer paint on composition board

80.0 x 100.0cm

 

AU$ 4,000 - 6,000

£2,200 - 3,200

 

PROVENANCE

Jirrawun Arts, Wyndham, Western Australia

Private collection, Queensland

Pae White

Fool’s Errand

2015

226 mirrored glass bricks

diameter 430 cm

each 10,9 x 23,8 x 6,7 cm

USD 125.000,00 + VAT if applicable

Peter Doig

Blizzard '77

1997

Folio of eight aquatint etchings on paper

49 x 39 cm Paper size

Edition 14 of 17 image VI (split set)

Max Dupain

Maroubra Marches Past at Bondi

1950

silver gelatin photograph, printed later

inscribed 'March Past. Maroubra' lower left; signed and dated 'Max Dupain '30s -' lower right

29.5 x 42.2 cm

Estimate $2,000-4,000

 

Provenance

Minter Ellison Collection, Sydney

 

The beach is a vital part of Australian culture and in the spirit of his words, Dupain captured its varying moods with images of waves, sunshine, sand and people, during his holidays at beaches around the country, in pictures that have become his most famous.

Maria Kontis

Six (from the series 'Six Letters')

2012

Pastel on velvet paper

55.5 x 75.5 cm

$6,000.00

Sandra Cinto

Untitled (from the series By Chance and Necessity)

2015

watercolor and china ink on hand made washi paper

111.8 x 78.1 cm (framed) 102 x 69 cm (unframed)

12,000 usd + framing

BRETT WHITELEY

UNTITLED RED PAINTING

1961

oil, gouache, collage of canvas on board

32.0 x 39.0 cm

$15,000 – 25,000

Provenance

Matthiesen Gallery, London

Collection of Lex Aitken and Alfredo (Bouret) Gonzalez, Sydney

Literature

Sutherland, K., Brett Whiteley: A Sensual Line, 1957–67, Macmillan Art Publishing, Melbourne, 2010, p. 246

John Baldessari

Exulting Figure (with Coins) and Witness

1990

Two elements: color photographs in artist`s frames

142,2 x 177,8 cm

SM

Ged Quinn

Cyclone

2014

Oil on linen

17.2 x 91.2cm

£15,000

Georg Baselitz

Reflexsigmund

2000

oil on canvas

210 x 136 cm

CFA

Tracey Emin

I Felt you

2014

Gouache on board

25.4 x 30.5 cm

26.7 x 31.8 x 3.2 cm (framed)

GBP 55,000.00

Yonatan Vinitsky

Maestro

2015

Hand-Laminated from Laser Profiled and Etched Medite (3mm, 6mm, 9mm and 18mm) based on a shape from a Saul Steinberg drawing, Bespoke Laser Profiled Aluminium, Brass Hinges, 12-Core A2 Stainless Steel Wire, Right Angled Wormed Gear Motor (Output Speed 4.6rpm, Torque 88N.m), Wood Sealer, Acrylic Primer and Oil-Based Satin Paint (RAL 9016, RAL 9017, RAL 8011)

When Standing: 180 x 85 x 65 cm

Alicja Kwade

Stellar Day

Installation View

Angel Otero

Untitled

2015

Oil paint and oil paint skins collaged on canvas

20942

214.6 x 153.7 x 6.4 cm

$50,000.00

 

Otero is using Picasso as a reference and these have great structure. The image is from the studio, but I can tell this one is great!

Agnieszka Kurant

Untitled (Meme Machine)

2015

LED lights, sensors, mirrors, perspex, glass, aluminium

69.9 x 89.5 x 61 cm

24,000 usd

Georg Baselitz

Mehr oder weniger leise gesungen

2015

Oil on canvas

203 x 125 cm

TR

Urs Fischer

Doodlesac

2014

Acrylic paint, silkscreen medium, paper, acid-free mat board, dry mount adhesive, poplar frame, primer, oil-based paint, wood glue, plastic spacers, museum glass

55.7 x 60 x 3.5 cm

image size: 32.1 x 36.5 cm

paper size: 52.4 x 56.8 cm

Edition of 6 plus 3AP

SCHQ

Georg Baselitz

Davongehen, weggehen, abgehen

2015

Oil on canvas

305 x 209 cm

TR

 

Ged Quinn

Untitled

2014

Oil on linen

47.8 x 36.9cm

£15,000

Wolfgang Tillmans

Silver 117

2013

C-print

171 x 228 cm

181 x 237 cm

Edition of 1 plus 1 AP

USD 120 000

LIAM GILLICK

GROUPED DECIDED

2008

painted aluminium

opaque Plexiglas

150 x 300 x 30 cm

59.1 x 118.1 x 11.8 in

€62,000

Alicja Kwade

Time Zone Asia

Detailed View

Thomas Ruff

nudes dh17

2012

Chromogenic print

155 x 110 cm

Edition 2 of 5 plus 2 AP

Signed, titled, and dated verso

$65,000

Florian Meisenberg

MW.FMG.P.016.00.00

Detail

Gabriel Orozco

Empty Club #1

1996

Color photograph, ink, gouache mounted on

Korean note paper

17.46 x 12.7 cm

Karla Black

Invasive Phase

Detail

Wangechi Mutu

FlameDrop

Ink, latex paint, color pencil and collage on linoleum

91.4 x 60.6 cm

$ 85,000.00 (ex. taxes)

Saskia Leek

Untitled

2014

oil and gesso on aluminium board

61 x 51cm

$4,400.00

BILLY CHILDISH

the threshold of the invisible

2012

oil and charcoal on linen

72.05 x 96.06 inches

183 x 244 cm

LM17219

€40,000.00 EUR

Peter Doig

Blizzard '77

1997

Folio of eight aquatint etchings on paper

49 x 39 cm Paper size

Edition 14 of 17 image VII (split set)

Ed Fornieles

Limited edition T-Shirts: $90

Limited edition thermal mugs: $50

Michael Riley

Maria

1986/2013

from the series NADOC ’86: Aboriginal and Islander Photographers, pigment UltraChrome ink on Platine fibre rag

39.1 x 40.9cm (image size) 41.5 x 43.4cm (frame size) edition 15 + 1AP (+ exhibition set)

$ 3,500.00 (unframed)

 

Polly (Maria) Cutmore was a dancer with the Aboriginal Islander Dance Theatre and is Riley’s first cousin.

 

 

Yonatan Vinitsky

Maestro

Action shot

Heimo Zobernig

Untitled

2011

Oil on canvas

200 x 200 cm

EUR 90 000

DORA LONGO BAHIA

Gel Poetics (Internal Conflict in Burma 1943) - on going conflicts

Edition: unique

Date: 2012

Technique: acrylic and enamel on used truck canvas

Dimensions: 171 x 168 cm

Code: 78 0309

Price: US$ 22,000.00

Nicole Wermers

Kusine (turquoise)

2008

painted steel and concrete

311 x 12 x 12 cm (steel sculpture)

11 x 45 x 45 cm (concrete base)

20,000 GBP

Tracey Emin

Feel You

2014

Gouache on canvas

30.7 x 30.7 cm

32 x 32 x 3.2 cm (framed)

GBP 60,000.00

Monika Baer

Überlieferung verpflichtet

2014

Acrylic and oil on canvas

250 x 220 cm

$85,000.00

John Baldessari

Storyboard (In 4 Parts): Boxer (On Floor Of Ring) Being Pummeled By Another Boxer

2013

Varnished inkjet print on canvas with acrylic and oil paint

193 x 238,1 cm

US$ 275,000

ERNESTO NETO

man and woman itaota

2013

2 photographs, 2 ceramic pots with plants

Diptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 28.000,00

(VAT not included)

Louise Bourgeois

Untitled

2005

Fabric

40.6 x 52.7 cm

Eddie Martinez

Untitled

2015

Silkscreen ink, oil, enamel and spray paint on canvas

182.9 x 152.4 cm

USD 40,000

William Kentridge

Aegyptus Inferior

2008

Tapestry

270 x 360 cm

Edition of 6 plus 2AP

Sam Durant

Study for Top Ten Places for Tax Avoidance and Money Laundering (Singapore variant)

2011

Spray enamel on cut map

50.8 x 95.9 centimeters

$12,000

AI YAMAGUCHI

yorokobi / aki

2011

47.5 x 37 cm

print (framed)

AUD 1,500

AI YAMAGUCHI

yama to naru (1)

2011

40 x 34 x 1.8 cm

acrylic on paper on panel

AUD 8,700

Similar work:

Alicja Kwade

Pulse

2013

Steel; 400 x 80 x 57.2 cm

(Fiac Paris, Jardin des Tuileries)

Peter Doig

Blizzard '77

1997

Folio of eight aquatint etchings on paper

49 x 39 cm Paper size

Edition 14 of 17 image VIII (split set)

Adel Abdessemed

go on

2010

Cement and cotton

1 pair

Left: 29.2 x 16.5 x 14 cm

Right: 30.5 x 17.1 x 12.7 cm

Certificate of Authenticity

$180,000

Saskia Leek

Untitled

2014

oil and gesso on aluminium board

54 x 44cm

$4,400.00

DAMIAN ORTEGA

Continuous fragment

2013

26 bronze bas-reliefs

Dimensions variable

Each approx.: 8 11/16 x 4 3/4 in. (22 x 12 cm)

Edition of 3

USD 60,000.00

Ged Quinn

Free Sample

2014

Oil on linen

41 x 61cm

£15,000

Angel Otero

Daughters of wheat and sky

Detail view

Stuart Middleton

Sad Sketches 2

2014

Paper mâché, cardboard, watercolour, coloured pencil, polymer clay, aluminium foil and laminated chipboard

70 x 125 x 195 cm

$ 12,500 + VAT

Monika Baer

monochrome

2009

Oil, matches, coin, key on canvas, cut

40 x 32.5 cm

$16,000.00

Michael Riley

Linda and Binni

1984/2013

pigment UltraChrome ink on Platine fibre rag

41 x 51.5cm (image size) 43.3 x 54cm (frame size)

edition 15 + 1AP (+ exhibition set)

$3,500.00 (unframed)

 

Linda Burney was one of the first Aboriginal woman to graduate from an Australian University, first Aboriginal person to be elected to the New South Wales Parliament and current Deputy Leader of the New South Wales Labour Party.

 

LIU WEI

Exotic Lands No.17

2012

Doors, wood

79 1/2 x 62 3/8 in. (201.9 x 158.5 cm)

USD 82,000.00

THOMAS ZIPP

A. B.: Screaming P

2013

oil and marker on canvas

cm 185 x 155

Euro 40.000 + VAT

Ben Quilty

Self Portrait Alien 2

2014

Oil on linen, diptych two panels

140x190cm

AUS 38,000 inc GST

Tracey Emin

Grotto

2014

Edition of 6

Bronze

50 x 30 x 21 cm

GBP 75,000.00

Nicole Wermers

CSFX-2

2015

Vintage fur, steel tubing, upholstery, silk and velvet

90 x 65 x 60 cm

14,000 GBP

Jim Shaw

Crowd, House Web

2013

Acrylic, plastic model homes and magnets on muslin

121.9 x 243.8 x 7.3 centimeters

$85,000

ANDRÉ KOMATSU

Sem título 3 - da série Ato de ...

Edition: unique

Date: 2013

Technique: wood, spaypaint, glass, foamboard, iron nails and adhesive plastic tape

Dimensions: 122 x 119,5 x 7 cm

Code: 1594 0255

Price: US$ 15,000.00

Urs Fischer

TBD

2014

aluminum panel, aluminium honeycomb, two-component epoxy adhesive, two-component epoxy primer,

galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, spray enamel, acrylic silkscreen medium,

acrylic paint

243.8 x 304.8 x 2.5 cm

SOLD

Alicja Kwade

Waiting for the Present

Kunstmuseum St.Gallen, November 22, 2014 – February 15, 2015

Installation shot

Sabine Moritz

Dahlien

2014

Oil on canvas

61 x 51 cm

Billy Apple®

 

SW

Robert Longo

Untitled (Cold as Love)

2015

Ink and harcoal on mounted paper

116,8 x 101,6 cm

TR

MARLO PASCUAL

Untitled

2013

Digital C-print

Print size: 50 x 40” / 127 x 101.6cm

Edition of 2

MP2013-025

$15,000.00

Jenny Holzer

Assets and Activities 13

2013

Oil on linen

203.2 x 157.5 cm

TEXT: U.S. GOVERNMENT DOCUMENT

Alicja Kwade

Not yet titled

Detail

Julie Mehretu

Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin)

2014

Set of 4 multi-colored aquatint and spit bite on Hahnemuhle Museum Etching 450gsm

Print: 206.4 x 115 cm

Frame: 214.6 x 126 x 6 cm

Edition of 30 1.

Gabriel Kuri

inverted lightbox SRPV02

2014

Mixed media on stainless steel and plexiglass lightbox

120 x 80 x 19.1 cm

$25,000.00

Ben Quilty

Self Portrait, cloaked

2015

oil on linen

190 x 140 cm

$40,000

 

AI YAMAGUCHI

yorokobi / natsu

2011

47.5 x 37 cm

print (framed)

AUD 1,500

Ged Quinn

Spyder

2014

Oil on linen

49.5 x 61cm

£15,000

Thomas Struth

Steppe In Der Inneren Mongolei, Bei Hailar

2002

Chromogenic print

181.93 x 209.87 cm

Edition of 10

Gabriel Orozco

Water Drop

2005

Fuji crystal chromogenic archive c-print /

40.64 x 50.80 cm

Edition of 5

USD 20,000

Alicia Frankovich

Becoming Public: Actor

2015

 

and

 

The Female has Undergone Several Manifestations

2015

 

SW

Saskia Leek

Untitled (2)

2009

oil on board

29 x 39cm

$3,300.00

ANTONY GORMLEY

Meme CCCXXIII

2013

Cast iron

14 9/16 x 14 15/16 x 2 3/16 in. (37 x 38 x 5.6 cm)

GBP 30,000.00

ROBERT LONGO

Untitled (Bruce)

2013

Charcoal on mounted paper

70 x 116 inches (image size)

177.8 x 294.6 cm

71 x 117 inches (frame size)

180.3 x 297.2 cm

(MP# D-1378)

RESERVED

William Kentridge

Self-Portrait as a Coffee Pot

2012

Multiple run hand printed lithograph and collage

88 x 71.5 cm

Edition of 35

Peter Doig

Black Palms

2004

Etching on paper

53 x 38 cm

Jacco Olivier

Pav de Flore

2015

HD animation

3 minutes

Edition 1 of 5 plus 1AP

$ 25,000.00 (ex. taxes)

Michael Riley

Avril

1986/2013

from the series NADOC ’86: Aboriginal and Islander Photographers

pigment UltraChrome ink on Platine fibre rag

40.9 x 59.5cm (image size) 43.5 x 62cm (frame size) edition 15 + 1AP (+ exhibition set)

$ 3,500.00 (unframed)

 

Avril Quaill is an artist, curator and arts administrator. She was a founding member of Boomalli Aboriginal Artists Co-operative, former Artistic Director of the Cairns Indigenous Art Fair and is currently Principal Arts Development Officer for Arts Queensland.

 

 

GISELA MOTTA & LEANDRO LIMA

Beija-Flor

Edition: 2/3

Date: 2013

Technique: installation - 2 tripods, 1 single-chip DLP projector, 1 DC motor (10k rpm), propellers,

video player and AC / DC transformer 3.3V.

Dimensions: variable

Code: 1656 0198

Price: US$ 15,000.00

Tony Albert

We Come In Peace

2014

vintage playing cards, metal

110 x 82 x 5.5 cm

Not available for sale

Stuart Middleton

Sad Sketches 1

2014

Paper mâché, cardboard, watercolour, coloured pencil, polymer clay, aluminium foil and laminated chipboard

105 x 100 x 100 cm

$ 12,500 + VAT

Monika Baer

on hold (constant repair)

2014

Acrylic, ink, oil on mirror and canvas

180 x 140 cm

MB.004

$40,000.00

 

Ronnie Van Hout

Ray and Mike

2014

cast polyurethane, fiberglass, acrylic, clothing, wig, glass eyes, plastic

137 x 210 x 50cm (approx.)

$18,500.00

Gillian Wearing

Wallpaper

2015

wallpaper

dimensions variable

edition of 9, 2 APs

Edition 1 of 9

10,000 GBP

Anne Collier

Negative (California)

2013

C-print

226.4 x 180.3cm unframed

229.6 x 183.5 x 4.5 cm framed

Edition of 5

USD 38,000 + VAT

Ged Quinn

Ava Gardner Loves Our Country

2014

Oil on linen

200 x 396cm

£125,000 - £140,000

Tracey Emin

You are Here

2014

Gouache on board

30 x 25 cm

31.2 x 26.2 x 3.2 cm (framed)

GBP 55,000.00

Rashid Johnson

Off Season

2014

Mirrored tile, black soap, wax

Unique

184.2 x 125.7 x 6.4 cm

USD 110,000.00

 

See link to artist bio here.

Günther Förg

Untitled

1995

Gouache on paper

Frame: 125.1 x 89.5 cm

Paper: 119.4 x 101.6 cm

signed and dated on recto

$75,000.00

Robert Longo

Study for X-Ray of "A Bar at the Folies-Bergere, 1882" after Manet

2015

Ink and charcoal on vellum

39,1 x 53,3 cm

TR

BILLY CHILDISH

Rowers (version y) (Oyster Catchers, Thames Estuary 1932)

2012

oil and charcoal on linen

72.05 x 108.07 inches

183 x 274.5 cm

LM17214

€45,000.00 EUR

VIK MUNIZ

Pictures of Magazine 2: Woman and Bicycle, after Willem de Kooning

2012

c-print digital / digital c print ed 3/6

160 x 100 cm

Dominique Gonzalez-Foerster

Exotourisme

2012

Neon, blue paint

20 x 102 x 9 cm

wall paint (3 x 2 m)

Variation of 3

€45,000

Gabriel Kuri

inverted lightbox SRPV02

Detail

Tony Cragg

After We've Gone

2013

Bronze

90 x 46 x 41 cm

Ronnie Van Hout

Dad Drawing

1995/96

cotton embroidery on canvas

44 x 40 cm

$3,000.00

Jenny Holzer

The Living Series: You Can Make Yourself Enter Somewhere

1981

Enamel on metal, hand-painted sign: black on white

53.3 x 58.4 cm

Text: Living, 1980-82

US$60,000

Alex Dordoy

Dialta Cuts 4

2014

Silicone rubber, toner, oil paint

72 x 38 x 4 cm

GBP 3,500 + VAT

Thomas Struth

Paradise 28, Rio Madre de Dios, Peru

2005

Chromogenic print

222 x 171.8 cm

Edition of 10

Rita Ackermann

Chalkboard Painting IV

2013

Acrylic, spray paint and chalk on canvas

198.1 x 111.8 x 4 cm

USD 75,000.00

Lot 28

 

JEFFREY SMART

Study for Supermarket Car Park II

2004

oil on canvas

signed 'JEFFREY SMART' lower left

frame: original, Graham Reynolds, Brisbane

60 x 77 cm

 

Estimate

 

$220,000 - $280,000

 

Provenance

 

Philip Bacon Galleries, Brisbane (label verso)

Mr David Clarke AO, Sydney, acquired from the above on 20 August 2005

The Estate of the Late David Clarke AO, Sydney

 

Exhibited

 

Jeffrey Smart, Philip Bacon Galleries, Brisbane, 30 August - 1 October 2005, no. 12, illustrated

 

Literature

 

Christopher Allen, Jeffrey Smart: Unpublished Paintings 1940-2007, Australian Galleries, Melbourne, 2008, p. 54 (illustrated)

Saskia Leek

Untitled (6)

2009

oil on board

29 x 39cm

$3,300.00

CALLUM INNES

Untitled No.6

2013

oil on linen

160 x 156 cm

63 x 61.4 in

£45,000

MARLO PASCUAL

Untitled

2013

Digital C-print

Print size: 50 x 40” / 127 x 101.6cm

Edition of 2

MP2013-021

$15,000.00

Diana Thater

Day for Night Four

2013

9 monitor videowall installation

Overall: 173.67 x 307.34 x 9.21 cm

Monitors, each: 58.1 x 102.55 x 9.21 cm

HW

Mamma Andersson

Stays

Installation View

Ronnie Van Hout

Heaven and Hell

1995/96

cotton embroidery on canvas

54 x 81 cm

$4,500.00

Michael Riley

Darrell

1989/2013

from the series Portraits by a Window, pigment UltraChrome ink on Platine fibre rag

41.5 x 41cm (image size) 43.8 x 43.4cm (frame size), edition 15 + 1AP (+ exhibition set)

$ 3,500.00 (unframed)

 

Darrell Sibosado was a student of the National Aboriginal and Islander Skills Dance Association. He undertook a producers cadetship at Film Australia and the ABC where Riley mentored him. He has been active in Indigenous arts management and cultural policy development. He currently works as Artist Development Manager at Koori Radio, Redfern. Sibosado features in Riley's first major conceptual photographic series, Sacrifice (1992).A vintage print of this image is in the collection of the National Gallery of Australia, Canberra

CINDY SHERMAN

Untitled

1996

Chromogenic color print

57 7/8 x 39 1/4 inches (image size)

147 x 99.7 cm

59 1/4 x 40 5/8 inches (frame size)

150.5 x 103.2 cm

Edition 2/6

(MP# 317)

$200,000.00

Ged Quinn

Rose, Cherry, Iron Rust, Flamingo

2014

Oil on linen

267 x 200cm

£125,000 - £140,000

John Baldessari

The Artist Hitting Various Objects With a Golf Club

1972-73

Thirty color photographs

Each image: 8.9 x 12.7 cm

Overall: 78.4 x 84.5 x 3.2 cm

James Rosenquist

Embrace III

1983

Oil on canvas

167.6 x 198.1 cm

GTR

Peter Doig

Blizzard '77

1997

Folio of eight aquatint etchings on paper

49 x 39 cm Paper size

Edition 14 of 17 image I (split set)

Cecil W. Bostock

A Portfolio Of Art Photographs

Detail

MARLO PASCUAL

Untitled

2013

Digital C-print mounted on Plexiglas with sintra backing

31.75 x 25 x 2” / 80.6 x 63.5 x 5.1cm

MP2013-026

$20,000.00

ELAD LASSRY

Laminated Structure (For Collectable and Basket)

2013

c-print and silver gelatin print on c-print, painted frame

14.5 x 11.5 x 1.5 inches

(36.8 x 29.2 x 3.8 cm)

unique

Inv# EL 13.036

Price: $16,000

Gabriel Kuri

inverted lightbox SRPV02

Alternate View

Peter Doig

Black Palms

2004

Etching on paper

53 x 38 cm

Ronnie Van Hout

Heaven and Hell

1995/96

cotton embroidery on canvas

54 x 81.5 cm

$4,500.00

Gillian Wearing

Rock 'n' Roll 70

2015

framed c-type prints

131 x 192 cm

Edition of 6, 2 APs

Edition 3 of 6, with APs

35,000 GBP

CINDY SHERMAN

Untitled

2003

Chromogenic color print

45 1/4 x 31 1/8 inches (framed)

114.9 x 79.1 cm (framed)

Edition 2/6

(MP# 411)

$600,000.00

Chantal Joffe

Striped Dress

2014

Oil on canvas

152.4 x 121.9 cm

Mark Bradford

Untitled

2014

Mixed media on canvas

142.2 x 109.2 x 109.2 cm

USD 350,000.00

Stuart Middleton

Sad Sketches 3

2014

Paper mâché, cardboard, watercolour, coloured pencil, polymer clay, aluminium foil and laminated chipboard

130 x 90 x 90 cm

$ 12,500 + VAT

Tomas Saraceno

GSC 06214-00210/ M+W

2015

metal, polyester rope, fishing line, acrylic, steel thread

003mod 80cm metal cloud tensegrity wood

75,000 euro

PAULINA OLOWSKA

Mały nieznany teatr/Small unknown theatre

2013

gouache on canvas

100 x 140 cm

PO2013_07

USD 45.000,-

Simon Denny

The Personal Effects of Kim Dotcom: Seized Property 

installation view

Mark Bradford

South View

2014
Mixed media on canvas

20 parts, each: 11 x 8 1/2 in. (27.9 x 21.6 cm) (unframed) 15 1/2 x 12 1/2 in. (39.4 x 31.8 cm) (framed) 

Trent Parke

Dash

2009

from The Black Rose

150 x 120cm

edition of 7

$8800

 

AI YAMAGUCHI

yama to naru (13)

2011

40 x 34 x 1.8 cm

acrylic on paper on panel

AUD 8,700

Ernesto NETO

dois seres de luz

2014

spices on canvas

80 x 120 cm

$37,500.00

Tony Albert

I Am, You Are, We Are

2014

vintage playing cards, metal

110 x 82 x 5.5 cm

Not available for sale

Eva Rothschild

Teardrop

2014

Concrete, re-bar, metal, stones

82 x 70 x 70 cm

GBP 35,000

LOT 25

PROPERTY FROM A PRIVATE COLLECTION, SYDNEY

 

ARTHUR STREETON (1867-1943)

Auntie

1893

Oil on wood panel

signed and dated 'Arthur StrEEton / 93' lower right

76 x 32.3 cm

 

Estimate $80,000 - $120,000

 

Provenance

 

Mr W. Hardy Wilson, Sydney

Hardy Wilson Collection of Works of Art, James R. Lawson, Sydney, 3 May 1922, lot 346

Private Collection, Sydney

Private Collection, Sydney, by descent

 

Exhibited

 

Studio Private View, Commercial Union Chambers, Sydney, 17-18 August 1893

Fourteenth Annual Exhibition, Art Society of New South Wales, Sydney, 1 September 1893, no. 223, GBP7.7.0

Julie Mehretu

Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin)

2

Heimo Zobernig

Untitled

2011

Acrylic on canvas

100 x 100 cm

EUR 44,000

Jenny Holzer

SECRET 5

Text: U.S. government document

2012

Oil on linen

147,3 x 111,8 x 3,8 cm

152,73 x 116,84 x 6,68 cm (framed)

CADY NOLAND

THE MIRROR DEVICE

Lot 20 / Sale 1134

Price Realized

£217,875

($336,399)

Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.

Estimate

£200,000 - £300,000

($307,200 - $460,800)

Sale Information

Sale 1134

Post-War and Contemporary Art Evening Auction

25 June 2013

London, King Street

Lot Description

Cady Noland (b. 1956)

The Mirror Device

chrome plated metal, steel handcuffs, flare gun and vanity mirror

22½ x 28 3/8 x 2 7/8in. (57.2 x 72.1 x 7cm.)

Executed in 1987

Pre-Lot Text

PROPERTY FROM THE COLLECTION OF MARCEL BRIENT

Provenance

Galerie Hans Meyer, Dusseldorf.

Paris, Galerie 1900-2000.

Private Collection, Paris.

Anon. sale, Christie's New York, 10 November 1993, lot 267.

Paula Cooper Gallery, New York.

Acquired from the above by the present owner in 1996.

Literature

N. Jones, 'Anxieux Objets Made in USA', in Artstudio, Winter 1990 (illustrated, p. 119).

Exhibited

Dusseldorf, Galerie Hans Mayer, Works, Concepts, Processes, Situations, Information, 1988-1992 (illustrated in colour, p. 73). This exhibition later travelled to Paris, Galerie 1900-2000.

Paris, Fondation Cartier pour l'art contemporain, Vraiment faux (Truly Fake), 1988-1991. This exhibition later travelled to Milan, Rotonda della Besana and Munich, Villa Stuck.

Paris, Galerie 1900-2000, No, Not that one it's not a chair, 1990, no. 28 (illustrated, p.17).

Lot Notes

'There is a method in my work which has taken a pathological trend. From the point at which I was making work out of objects I became interested in how, actually, under which circumstances people treat other people like objects' (C. Noland, quoted in M. Cone, 'Interview with Cady Noland', in Journal of Contemporary Art, vol. 3, no. 2, 1990, pp. 20-25).

 

 

Executed in 1987, Cady Noland's The Mirror Device is an objet trouvé forming a subversive portrait of American life. Conceived the year before her first solo exhibition at White Columns, New York, The Mirror Device is an early work from her practice, with other examples held in such prestigious museums as The Museum of Modern Art and The Guggenheim Museum, New York, and The Museum of Contemporary Art, Los Angeles. Regarded by art critic Peter Schjeldahl as the 'dark poet of the national consciousness', Noland's practice exposes the seedy underbelly of the American psyche, and its specific fascination with celebrities, violence and psychopathological behavior (P. Schjeldahl, 'Venice Anyone?', in Mirabella, September 1990, p. 93). In The Mirror Device, Noland flanks a vanity make-up mirror, with a chrome bar, defiling the glossy Hollywood associations with a pair of hand-cuffs and a fluorescent orange flare gun. For Noland, the combination of chrome and mirror draws out relative relationships: 'The coolness [of metal] might infer dissociation, but the mirror effect in some places is to draw you back in after the dissociation' (C. Noland, quoted in M. Cone, 'Interview with Cady Noland', in Journal of Contemporary Art, vol. 3, no. 2, 1990, pp. 20-25). By including the viewer's reflection as her fourth 'object', Noland implicates us in this scene casting us in this culture of celebrity, violence and falsification. In doing so, Noland deploys a quiet warning, presenting contemporary society and culture with stark and sobering clarity. This work belongs to a series of sculptures and installations that Noland began in the late 1980s examining the dark underbelly of criminality, violence and celebrity. Using found objects, images and texts, Noland transformed the discarded and often overlooked aspects of daily experience into a disturbing portrait of American life in the twentieth century. As she explained, 'There is a method in my work which has taken a pathological trend. From the point at which I was making work out of objects I became interested in how, actually, under which circumstances people treat other people like objects' (C. Noland, quoted in M. Cone, 'Interview with Cady Noland', in Journal of Contemporary Art, vol. 3, no. 2, 1990, pp. 20-25). Noland has associated this tendency with psychopathology and in her treatise, 'Towards a Metalanguage of Evil' which was included in Documenta X in 1992, the artist outlines the rules of play in a society where the successful are the psychopaths. It was here that she developed her ideas on the 'mirror device', a tool which she believes is used to 'mollify Y, and render him more pliable to X's manipulations', with X as the perpetrator and Y as the victim (C. Noland, 'Towards a Metalanguage of Evil', in Documenta X, vol. 3, New York 1991, p. 412). The Mirror Device is both rooted in its potent psychological charge as well as in art history. With an aesthetic vocabulary that integrates strategies historically associated with Pop and Post-Minimialism, Noland has developed a body of work which is distinctly separate from its abstract predecessors of the late 1960s through its host of overlapping allusions.

Ronnie Van Hout

Sincere Thanks

1995/96

cotton embroidery on canvas

103 x 62 cm

$6,000.00

Jack Pierson

Gold

2010

Folded pigment print

210.8 x 157.5 cm

3/3

Gary Simmons

Strong Boy Title Fight

2015

Collage on wood

121.9 x 121.9 cm

MP

 

Martin Creed

Work No 1636

2013

Balls

dimensions variable

USD 85,000.00

Georg Baselitz

Nänner männer acktem

2013

Oil on canvas

300 x 275 cm

GTR

Ronnie Van Hout

Untitled

1994

cotton embroidery thread on linen

68 x 60.5cm

$4,500.00

RITA ACKERMANN

Chalkboard Painting IX

2013

Acrylic, spray paint and chalk on canvas

198.1 x 111.8 cm / 78 x 44 inches

ACKER60541

USD 75,000.00 excl. VAT

Ged Quinn

Happy Unbirthday, Margarete

2014

Oil on linen

274.5 x 183cm

£125,000 - £140,000

Zhang Enli

The Transparent Fabric

2014

Oil on canvas

220 X 180 cm

USD 235,000.00

Peter Doig

Blizzard '77

1997

Folio of eight aquatint etchings on paper

49 x 39 cm Paper size

Edition 14 of 17 image II (split set)

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Grayson Perry

 

A Map of Days (Special edition in artist's frame)

2013

Etching from four plates

111.5 x 151.5 cm

Edition 5 of 6, lettered A-F plus 2 APs

$ 100,000.00 (ex. taxes)

 

A self-portrait as a fortified town, the wall is perhaps my skin. Each day I worked on it I finished by marking the point with the date to highlight the passage of time in the production of art to reflect the forming and reforming of one’s identity. The self I think is not a single fixed thing but a life long shifting performance. In the centre is an open space, there is no pearl, no central core, our selves are but shifting layers of experience. My sense of self is a tiny man kicking a can down the road. - Grayson Perry

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Tomas Saraceno

 

One Module Cloud with interior net (working title)

2015

polished stainless steel, black steel cable, steel grommets

346 x 341 x 360 cm

180,000 euro

KATHLEEN PETYARRE

Sandhills and Engerima

2003

synthetic polymer paint on Belgian linen

186.5 x 187.5 cm

Provenance:

Urapunja Artists, Northern Territory

Simon Turner International, New South Wales

Coo-ee Aboriginal Art Gallery, Sydney

Private collection, Sydney

accompanied by a certificate of authenticity from Coo-ee Aboriginal Art Gallery, Sydney|

Estimate: $15,000 - 18,000

SOPHEAP PICH

Gold Drips on Black No. 2

2013

bamboo, rattan, wire, burlap, plastics, beeswax, damar resin, charcoal, bronze powder, copper powder

79 x 79 x 3 in. (200 x 200 x 8 cm)

(Contains two images of the piece: one frontal view and one side view)

USD 45,000

Sam Leach

World as object

Detail

Peter Doig

Black Palms

2004

Etching on paper

53 x 38 cm

Ronnie Van Hout

Untitled Embroidery 1993-2000

2000

cotton embroidery on canvas

100 x 60.5 cm

$6,000.00

Astrid Klein

Passage of Love

1980

Collage on cardboard

120,6 x 88 cm

EUR 25,000

JESS MACNEIL

Angle of Incidence (video still)

2012

high definition digital video with sound

edition of 5

duration 11:07 min

$15,000

Ricky Swallow

Stair Principle

Alternate view

Sergej Jensen

Untitled

2014

Acrylic on linen

279.4 x 229.9 cm

$180,000.00

Yayoi Kusama

DOTS-INFINITY [ATNON]

2014

Acrylic on canvas

145.5 x 112 cm

Signed, titled, and dated verso

Reserved

Yoko Ono

Revolution: Object in Three Parts (Bronze, cast of 1966 version)

1988

Bronze plate, condom, diaphragm, pill

Plate length: 61 cm

Edition 4 of 9 plus 2 AP

Signature and edition engraved on reverse of plate

Stuart Middleton

Piss bottles

2014

Plastic bottles, resin, oil paint, cigarette ends

$ 3,000 + VAT

RICHARD PHILLIPS

Ingrid II

2013

Oil on linen

60 x 78 3/4 in. (152.4 x 200.0 cm)

USD 200,000.00

SIMON DENNY

“Butterfly Fish Video Aquarium 2”

2010

aluminum, CRT television casing, screenprint on plexiglas and wood

75 x 100 x 20 cm

SD2010_50

Euro 12.000,-

Mark Bradford

Bear Running From the Shotgun

2014

Mixed media on canvas

213.4 x 274.3 cm

USD 800,000

Eva Rothschild

Midnight Moonlight

2015

Fibreglass resin, paint, steel, oak

276.5 x 30 x 30 cm

GBP 38,000

Ronnie Van Hout

Untitled Embroidery 1993-2000

2000

cotton embroidery on canvas

100 x 60.5 cm

$6,000.00

Peggy Preheim

Ark

2015

mixed media

52.4 x 42.2 cm (framed)

8,200 + framing

SOPHEAP PICH

Untitled (The Night No. 2)

2012

bamboo, rattan, wire, burlap, plastics, beeswax, damar resin, earth pigment, charcoal, oil paint

78.74 x 79.13 x 3.15 in. (200 x 201 x 8 cm)

USD 45,000

Tal R

13 West Indies

2013

Pigment and oil on canvas

132 x 85 cm

Sam Leach

World as object

2014

oil and resin on wood

28 panels, each 50 x 50 cm

200 x 350 cm overall

$ 71,500

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Eva Rothschild

 

Teardrop

Detail

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Grayson Perry

 

Britain is Best

2014

Hand embroidery; silk, glass beads, sequins, cotton thread

120 x 100 cm

Edition 9 of 20 plus 4 APs

$ 85,000.00 (ex. taxes)

 

These are five loyalists from East Belfast. Four of them participated in a march I witnessed commemorating the centenary of the founding of the Ulster Volunteer Force and I was fascinated by how exotic it felt. Ironically being fervently patriotic is not a particularly British trait. Their portrait is in the form of an embroidered banner that might be carried aloft on a march. I deliberately chose a very colourful and jolly style as the murals that are everywhere in East Belfast erred heavily towards the dour and aggressive.

- Grayson Perry

Louise Lawler

Obviously

2010/2015

Direct cibachrome mounted to plexiglass on museum box

53,3 x 42,9 cm

Edition 2 of 5 plus 1AP

US$ 45,000

AI YAMAGUCHI

yama to naru (16)

2011

40 x 34 x 1.8 cm

acrylic on paper on panel

AUD 8,700

JITISH KALLAT

Preamble

2013

Lenticular Photo Print

114 x 114 cm

Edition 2/3

USD 20,000

 

In a series of works in various media, light box, photography, and video Jitish Kallat explores the formal and semantic analogies of planetary forms and food. He uses the ‘roti’, the Indian bread and a staple die, to represent the waxing and waning of the moon. In both cases food serves as a metaphor of sustenance, there one day and vanishing the next, much like the cycle of the moon that oscillates between abundance and dearth.

Tracey Emin

Grotto

2014

Edition of 6

Bronze

50 x 30 x 21 cm

GBP 75,000.00

Lot 17

 

JOHN OLSEN

Captain Dobbin

1973

oil and synthetic polymer paint on composition board

signed and dated 'John Olsen / 73' lower left

183 x 228.5 cm

 

Estimate

 

$300,000 - $500,000

 

Provenance

 

Rudy Komon Gallery, Sydney

Australian Galleries, Melbourne

Mr Norman Glenn, New South Wales, acquired from the above in May 1989

Feneley Fine Art Consultants, Sydney

Mr David Clarke AO, Sydney, acquired from the above on 28 June 2005

The Estate of the Late David Clarke AO, Sydney

 

Exhibited

 

First Biennale of Sydney, Sydney Opera House, Sydney, 23 November - December 1973, Sydney, no. 36

John Olsen, Atelier 72 Gallery, Adelaide, 11-30 March 1974

John Olsen, Institute of Modern Art, Brisbane, 1975, no. 3, 'Captain Bobbin'

 

Literature

 

Anthony Winterbotham (ed.), The Biennale of Sydney, Biennale of Sydney, Sydney, 1973 (n.p.)

Deborah Hart, John Olsen, Craftsman House, Sydney, 1991, cat. no. 74, pp. 119, 121 (illustrated), 214

Deborah Hart, John Olsen (rev. ed.), Craftsman House, Sydney in association with G + B Arts International, 2000, pp. 119, 121 (illustrated), 253

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Petra Cortright

 

banksi unbrush ponitaeyel

2015

Webcam video

Dimensions variable, 1 min. 8 sec.

Edition of 3 with 1 AP

10,000 USD

 

Ronnie Van Hout

Untitled Embroidery 1993-2000

2000

cotton embroidery on canvas

100 x 60.5 cm

$6,000.00

SOPHEAP PICH

Luminous Falls No. 1

2013

bamboo, rattan, wire, burlap, plastics, beeswax, damar resin, charcoal, bronze powder, copper powder

79 x 79 x 3 in. (200 x 200 x 8 cm)

USD 45,000

Mark Bradford

South View

2014
Mixed media on canvas

20 parts, each: 11 x 8 1/2 in. (27.9 x 21.6 cm) (unframed) 15 1/2 x 12 1/2 in. (39.4 x 31.8 cm) (framed)

JJ53082 

Hernan Bas

Treasure Hunting in a Bog on a June Night with Nothing but an Old Map in a Book

Detail

Peter Doig

Black Palms

2004

Etching on paper

53 x 38 cm

Lara Favaretto

New work, reference image

FN

Maria Kontis

One (from the series 'Six Letters')

2012

Pastel on velvet paper

55.5 x 75.5 cm

$6,000.00

CALLUM INNES

Exposed Painting Cobalt Blue

2008

oil on linen

160 x 156 cm

63 x 61.4 in

£45,000

Juan Uslé

Title Pending

2014

Vinyl, acrylic, dispersion and dry pigment on canvas

46 x 31 cm

Ed Fornieles

You and Me Land: The shadows of New York, I’ll See You in My Dreams

2015

Cartoons on acrylic and watercolour paper mounted on dibond with live news ticker in aluminium frame.

100 x 140 x 5 cm

$ 14,000 + VAT

Ronnie Van Hout

Untitled

1994

cotton embroidery on canvas

75.5 x 50.5 cm

$4,500.00

Susan Philipsz

Part File Score III

2014

Digital print and silk screen print on canvas

189 x 150 x 4.2 cm (framed)

Edition of 3, 2 APs

AP1

10,000 euro

FRIEDRICH KUNATH

Novalis’ Sunglasses

2013

(FK 1309)

Acrylic, indian ink, graphite, charcoal, coloured pencil and varnish on paper; framed

138.4 x 106.1 cm sheet size

148.2 x 115.9 x 5.1 cm framed

17.500,– Euro

Ged Quinn

Saint Paul

2014

Oil on linen

93.5 cm x 49.5cm

£35,000

Eva Rothschild

Your Head In My Eyes

Alternate View

Marie Angeletti

Catwoman

2014

Digital print on polished steel

110 x 154 cm

$ 8,000 + VAT

Bill Culbert

Strait, Darkside

2014

fluorescent light, electrical cords, black plastic bottles (5 litre)

33 x 120 x 11 cm

18,000.00 EUR (inc. GST)

 

Shannon Ebner

The Sun as Error

2009

chromogenic print

106.7 x 82 cm

AP 1 (edition of 4 plus 2 AP)

USD 15.000 + VAT

GILLIAN WEARING

Me As Talbot

framed bromide print

print: 147 x 124 cm - 57 7/8 x 48 7/8 inches

edition of 6 + 2 AP

2013

(MP-WEARG-01000)

GBP £35,000.00 exc VAT

THOMAS STRUTH

Cinema

Anaheim, California

2013

C print

242 x 180 cm framed

Edition of 10

[15036]

Barti Kher

Strange Dyad I

2014

Bindis on painted board

157.8 x 157.8 x 8.6 cm

EUR 120,000.00

Monika Sosnowska

Window grate

2015

Steel, paint

100 x 170 x 100 cm

USD 80,000.00 excl. VAT

Karen Black

Making Do

2015

Oil on wood

46 x 37 cm

$4,400

 

Ronnie Van Hout

The Way Home

2014

cotton embroidery on canvas

2 panels, 110 x 80 cm each

$8,500.00

WOLFGANG TILLMANS

Silver 118

c-type print mounted on Dibond in artist’s frame

238 x 181 cm - 93 3/4 x 71 1/4 inches

2013

(MP-TILLW-01109)

USD $90,000.00 exc VAT

Tony Albert

We Can Be Heroes, Forever and Ever

2014

vintage playing cards, metal

110 x 82 x 7 cm

Not available for sale

Lot 56

 

ANDREW BROWNE (born 1960)

Katoomba

2004

oil on linen

153.0 x 153.0 cm

signed and dated verso: A. BROWNE / 2004

 

Estimate $12,000 - 18,000

 

Provenance

 

Gould Galleries, Melbourne

Private collection, Melbourne

Kaliman Gallery, Sydney

Private collection, Sydney

 

Exhibited

 

Various Places, Gould Galleries, Melbourne, 6 April – 9 May 2004

Mark Handforth

New work, reference image

FN

Max Dupain

Off Beat

1940

silver gelatin photograph, printed later

inscribed 'Three Cops - Summer' lower left; signed and dated '-Max Dupain '40' lower right

39.5 x 44.7 cm

Estimate $3,000-5,000

 

Provenance

Minter Ellison Collection, Sydney

 

Created in the midst of World War II, Off Beat reflects Dupain's shift from the self-consciously artistic, soft-focus style of Pictorialism, which had dominated photography since the 1890s. The image instead concentrates on the social landscape, and issues absorbed within it. At a time when modernist ideals of rationality, control and progress pervaded Western civilisation, Off Beat begins to reflect on the development of mid-twentieth century society: an important photograph in his body of work.

Maria Kontis

Two (from the series 'Six Letters')

2012

Pastel on velvet paper

55.5 x 75.5 cm

$6,000.00

MARLO PASCUAL

Untitled

2013

Digital C-print

Print size: 50 x 40” / 127 x 101.6cm

Edition of 2

MP2013-022

$15,000.00

MICHAEL ZAVROS

Prince/Zavros 4 (detail)

2012

charcoal on paper

122 x 86 cm

$20,000

SOLD

Monica Bonvicini

Legscutout #02

2013

Collage, pigment print on paper, framed

100 x 75 cm

unique

EUR 15,000.00 plus VAT

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

George Shaw

 

Study for Landscape with Fuck All

2015

Humbrol enamel on board

43 x 53 x 5 cm

£20,000 (+ Vat)

Ronnie Van Hout

I didn’t see it coming

2012

painted polyurethane and fiberglass

135 x 14 x 7 cm

$9,000.00

Jennifer Allora & Guillermo Calzadilla

Contract (UXO-16-6)

2015

Silkscreen on linen

183 x 244 cm

USD 250 000

MARINA ABRAMOVIC

Places of Power,Waterfall

2013

framed fine art pigment print

image/paper: 63 x 83 7/8 inches (160 x 213 cm)

framed: 64 x 84 7/8 inches (162.6 x 215.6 cm)

edition of 7 with 2 APs

work is accompanied by a signed certificate of authenticity

MA-­270

€80,000.00 framed

Ged Quinn

Peter, Paul, Mary

2014

Oil on linen

61 x 49.5cm

£35,000

Tracey Emin

Grotto

Detail

Francis Alÿs

Untitled (Study for 'Railings’)

1998

Oil on canvas

26.4 x 18.4 x 1 cm

Signed verso

$180,000

Reserved

FM

Alicja Kwade

Figure

Detail

Julie Mehretu

Myriads, Only By Dark (unfolded body map, mathematics of droves, indigine, origin)

3

DINH Q. Lê

Untitled From the Sumerian series

2013

120 x 180 cm

Color print, Linen Archival tape

TBA

Tony Albert

Mr. Bluebird On My Shoulder

2014

vintage playing cards, metal

110 x 82 x 8 cm

Not available for sale

James Casebere

Arcade

1995

Framed Cibachrome (dye destruction) print

image: 149.2 x 118.1 cm

framed: 156.8 x 125.7 cm

Edition of 5 plus 2 APs, mounted, framed, glazed

signed by artist on label, verso

$70,000 

Gabriel Orozco

Dark Dragon, New York, Lac Du Bourdon,

2009-2011

Gouache, acrylic, pastel on paper

182.88 x 95.89 cm

Maria Kontis

Three (from the series 'Six Letters')

2012

Pastel on velvet paper

55.5 x 75.5 cm

$6,000.00

Ronnie Van Hout

I should’ve done that ages ago

2012

painted polyurethane and fiberglass

140 x 20 x 20 cm

$9,000.00

MICHAEL ZAVROS

Tiger Pelt

2012

charcoal on paper

86 x 122 cm

$20,000

SOLD

Ghada Amer

The Slightly Smaller Coloured Square Painting

2001

Acrylic, embroidery and gel medium on canvas

182.9 x 152.4 cm

Louise Lawler

Ash Wednesday/ Stone/ une peinture en 4

1991-93

Cibachrome

48.3 x 58.4 cm, 126.4 x 85.7 cm framed

Edition 3 of 5

Subodh Gupta

No Ritual, No Spiritual, Just a Form #2

2015

Brass

90 x 42 x 70 cm

US$165,000.00

Max Dupain

Gilmore's Bookshop, Bond Street, Sydney

1936

silver gelatin photograph, printed later

inscribed and dated 'Bond St Bookstore 1936' lower left; signed and dated 'Max Dupain '36' lower right

35.2 x 49 cm

Estimate $3,000-5,000

 

Provenance

Minter Ellison Collection, Sydney

 

This book stall was close to Dupain's studio in Bond Street. He said We fed our spiritual selves on books and magazine articles. I can remember the excitement in the studio when a new copy of ‘Photography’ or ‘Das Deutsche’ hit the book stalls. Souls condemned to starvation, saved once more from pictorial purgatory! - Max Dupain

Rivane Neuenschwander

J.N.M. [Chico Buarque (Sinal Fechado; Chico Buarque Volume 3; A Arte Do Encontro; Quando o Carnaval Chegar; Meus Caros Amigos; Construcão)]

2015

6 acrylic paintings on wooden panels, 2 wood shelves, fern plant

overall installation dimensions are variable;

31 x 31 cm (each panel)

 4.1 x 131.4 x 7.9 cm (each shelf)

85,000 usd

AARON CURRY

Untitled

2013

ink, silkscreen and spray paint on wood with painted aluminum base

overall: 102 1/8 x 40 x 30 3/8 inches

(259.4 x 101.6 x 77.2 cm)

sculpture: 88 1/2 x 40 x 28 1/4 inches

(224.8 x 101.6 x 71.8 cm)

base: 13 7/8 x 37 15/16 x 30 3/8 inches

(35.2 x 96.4 x 77.2 cm)

Inv# AC 13.057

$95,000.00

JITISH KALLAT

Preamble

2013

Lenticular Photo Print

114 x 114 cm

Edition 2/3

USD 20,000

Indicating change in print

Henry Moore

Drawing for Sculpture: Reclining Figures

c. 1938

Pencil and chalk on paper

27.8 x 37.8 cm

GBP 64,000.00

Peter Doig

Black Palms

2004

Etching on paper

53 x 38 cm

Ronnie Van Hout

Learnt Happiness

2008

painted resin

26.5 x 10 x 7 cm

$5,500.00

Thomas Hirschhorn

Collage-Truth n°28

2012

Paper, prints, plastic sheet, tape

38 x 46 cm

EUR 13 500

JAMES CASEBERE

Party at Caffey’s Inlet Lifesaving Station (Dare County, NC)

2013

framed fine art pigment print

paper: 46 3/4 x 60 1/16 inches (118.7 x 152.6 cm)

framed: 49 3/8 x 62 11/16 inches (125.4 x 159.2 cm)

edition of 5 with 2 APs

signed by artist on label, verso

JC-­242.M

$50,000.00

mounted, framed, glazed

Mark Bradford

South View

2014
Mixed media on canvas

20 parts, each: 11 x 8 1/2 in. (27.9 x 21.6 cm) (unframed) 15 1/2 x 12 1/2 in. (39.4 x 31.8 cm) (framed)

JJ53082 

Thomas Zipp

A.B.: R

2014

Acrylic, oil, lacquer on canvas

185 x 155 x 5 cm

€44,000.00 ex vat

John Baldessari

Sailing and Tennis

1987

Color and black and white photographs

228.6 x 243.8 cm

MG

Gabriel Orozco

Dark Dragon, New York, Lac Du Bourdon,

2009-2011

Gouache, acrylic, pastel on paper

182.88 x 95.89 cm

Ed Fornieles

You and Me Land: The shadows of New York, Hot Pursuit

2015

Cartoons on acrylic and watercolour paper mounted on dibond with aluminium frame.

90 x 90 x 5 cm

$ 9,000 + VAT

MAGGIE WATSON NAPANGARDI

Hair String and Snake Vine Dreaming

1998

synthetic polymer paint on Belgian linen

190.0 x 70.5 cm

Provenance:

Kimberley Art, Melbourne

Coo-ee Aboriginal Art Gallery, Sydney

Private collection, Sydney

Exhibited:

Way Out West, Coo-ee Aboriginal Art Gallery, Sydney, June 2006

accompanied by a certificate of authenticity from Coo-ee Aboriginal Art Gallery, Sydney|

Estimate: $25,000 - 30,000

BILLY CHILDISH

Handmade Gate (version y)

2012

oil and charcoal on linen

48.03 x 60.04 inches

122 x 152.5 cm

LM17210

€21,500.00 EUR

*RESERVED

CLEMENT MEADMORE

UNTITLED

c1960

welded steel

23.0 cm height

$4,000 – 6,000

Provenance

Lois Hunter collection, London and Sydney

Collection of Lex Aitken and Alfredo (Bouret) Gonzalez, Sydney

Rudolf Stingel

Untitled

2014

Oil and enamel on canvas

3 panels: each 134.6 x 104.1 cm

unique

SCHQ

Eva Rothschild

Lantern

2014

Aluminium, paint, steel rings

dimensions variable

GBP 50,000

ELMGREEN & DRAGSET

He (Copper Green)

2013

Reinforced colored epoxy

180 x 120 x 100 cm / 70.9 x 47.2 x 39.4 in

EUR 114.000,- (plus vat).

DETAIL VIEW

Unfortunately it does not go outside..

Maria Kontis

Four (from the series 'Six Letters')

2012

Pastel on velvet paper

55.5 x 75.5 cm

$6,000.00

Cecily Brown

We think the same things at the same time

2014

Oil on canvas

109.22 x 165.1 cm

EUR 357,057.84

ON HOLD

Ronnie Van Hout

Sad Toy

2010

archival inks on museum rag

Ed. 1/10

78 x 108 cm

$4,500.00

DINH Q. Lê

Untitled 1 - 07

2007

180 x 120 cm

Fuji Professional Color Paper

AUD 60,000

JAMES WELLING

Winter Corn

Inkjet print (Epson 9800 print on Museo Silver Rag)

image: 106.7 x 71.1 cm - 42 x 28 inches, framed: 124.6 x 89.1 cm - 49 x 35 1/8 inches

edition of 5 + 2 AP

2012

(MP-WELLJ-00201)

USD $22,000.00 exc VAT

Ged Quinn

The Book of Two Ways

2013

Oil on linen

Unframed: 61.5 x 50cm

Framed: 97.5 x 86.5 x 22cm

£35,000

Frank Thiel

Stadt 12/55 (Berlin)

2006

framed chromogenic print face mounted to Plexiglas

framed: 179 x 236 x 5 cm

Edition of 4 plus 2 APs

titled, dated, signed and numbered on verso

€32,000 framed

MARINA ABRAMOVIC

Places of Power, The Garden of Maitreya

2013

fine art pigment print

62.99 x 83.85 in

ed 1/7

EUR70,000-80,000

Jorinde Voigt

A Difference that makes a Difference + Tube + Focus

2014

Ink, gold leaves, copper foil, oil crayon, pastel, Chinese ink, pencil on paper, framed

240 x 140 cm

250.5 x 150.5 x 4.8 cm

unique

EUR 58,000.00 plus VAT

Eva Rothschild

Tir Na nÓg

Detail

Pipilotti Rist

Iris Log Little Cherry (Iris Ruggel kleine Kirsche)

2014

Video object; wood log with an integrated monitor, covered by a glass half sphere, silent

Unique

60.5 x 18.5 x 20.5 cm

USD 95,000.00

BARNABY FURNAS

Genesis

2013

Acrylic on linen

279.4 x 304.8 cm

110 x 120 in

(BF05)

$ 225,000.00 (ex tax)

Günther Förg

blei and blei II

1999

Acrylic on lead mounted on wood

Overall: 119 x 190.1 cm

Two parts, each 119 x 90 cm

signed and dated on verso

$325,000.00

Daniel Arsham

Rose Quartz Eroded Chicago Bulls Jacket

2015

Rose quartz fragments, marble fragments, hydrostone

73,7 x 71 x 30,5 cm

Unique

$48,000 (46 494 €) without tax

work on hold

Thomas Hirschhorn

Collage-Truth n°32

2012

Paper, prints, plastic sheet, tape

42.50 x 42 cm

EUR 13 500

AI YAMAGUCHI

tsuki wa kakureru (4 & 5)

2011-2012

#4: 95x 58 x 6cm; #5: 56 x 35 x 6 cm

acrylic on cotton, blanket and panel

AUD 44,300

GARDAR EIDE EINARSSON

Cruising the Anime City - An Otaku guide to Neo-Tokyo (III)

2011

Acrylic, gesso and graphite on canvas

220 x 183 cm (86.61 x 72.05 in)

ANTONY GORMLEY

GUT XI

2013

cast iron

79 1/8 x 20 1/16 x 15 3/8 inches (201 x 51 x 39 cm) unique

AG-­1746

£300,000.00

INSTALLATION VIEW

Rita Ackermann

Fire By Days XXXII

2011

Oil and spray paper on paper

111.8 x 76.2cm

USD 35,000.00 ex vat

MARINA ABRAMOVIC

Artist Portrait with A Candle (C)

2013

c-print

62.99 x 62.99 in

ed 1/7

EUR70,000-80,000

Varda Caivano

Untitled

2013

Acrylic on canvas

90 x 65 cm

$ 24,000.00 (ex tax)

Edith Dekyndt

14 Mars 2010

2010

Silver ink on blue paper

60 x 44 cm

£ 7,000.00 GBP ex VAT

Peter Doig

Blizzard '77

1997

Folio of eight aquatint etchings on paper

49 x 39 cm Paper size

Edition 14 of 17 image III (split set)

NANDAN GHIYA

The Dreamer 4

2012

73.7 x 58.4 cm

acrylic on old photographs

AUD 10,600

Helen Marten

Gulls

2014

Welded steel, beaten aluminium, stitched fabric, wood, string, cardboard tubes, clay hand painted marbles, airbrushed steel, MDF, hand carved bone, fur, fork, ash

110 x 160 x 130 cm

unique

GBP 55,000.00 + VAT

Rirkrit Tiravanija

untitled 2013 (behold your future executioners)

2013

Mirror polished stainless steel

241.3 x 119.4 cm

Edition 2 of 2 plus 1 AP

USD 55,000 plus VAT if applicable

Karen Black

Hotel Foyer

2015

oil on canvas

67 x 116 cm

$11,000

 

MICHAEL KREBBER

MP-KREBM-00072

acrylic on linen

160 x 120 cm - 63 x 47 1/4 inches

2013

(MP-KREBM-00072)

USD $60,000.00 exc VAT

SARAH JONES

Cabinet (drape)

framed c-type print from black and white negative

frame: 65.3 x 53.3 cm - 25 3/4 x 21 inches, 60 x 48 cm - 23 5/8 x 18 7/8 inches

edition of 5 + 1 AP

2013

(MP-JONES-00575)

GBP £7,000.00 exc VAT

MAGNUS PLESSEN

Diptych

2013

Oil and charcoal on canvas

Right: 79 15/16 x 36 5/8 in. (203 x 93 cm)

Left: 74 13/16 x 41 5/16 in. (190 x 105 cm)

EUR 140,000.00

Jorinde Voigt

A Difference that makes a Difference (Var. III)

2014

Ink, Chinese ink, gold, oil crayon, pencil on paper, on canvas

102 x 66 cm

107 x 71 x 5 cm

unique

EUR 15,000.00 + VAT

MARINA ABRAMOVIC

Untitled

2013

c-print

63 x 84 in

EUR70,000-80,000

Noel Mckenna

Horse in Grove of Trees on Hill near Canberra

2008

Oil, acrylic on plywood

52 x 66cm

$8,000

Thomas Ruff

Stern 17h 30m/-20°

1992

Chromogenic print

258.4 x 186.7 x 4 cm

Edition 1 of 2

Signed, titled, and dated verso

$140,000

MAAIKE SCHOOREL

Lisa

oil on canvas

81 x 107 cm - 31 7/8 x 42 1/8 inches

2013

(MP-SCHOM-00156)

GBP £8,500.00 exc VAT

ALICE NEEL

Josephine Garwood

1946

Oil on canvas

45.7 x 45.7 cm

18 x 18 in

(AN 32)

$ 500,000.00 (ex tax)

LOT 30

 

Rammey Ramsey (born circa 1935)

Untitled (My Country)

2007

initialled 'RR' and inscribed 'Jirrawun Arts / RR 11 2007 161' verso

natural earth pigments and synthetic polymer paint on linen

150.0 x 180.0cm

 

AU$ 6,000 - 8,000

£3,200 - 4,300

 

PROVENANCE

Jirrawun Arts, Wyndham, Western Australia

Private collection, Queensland

Maria Kontis

Five (from the series 'Six Letters')

2012

Pastel on velvet paper

55.5 x 75.5 cm

$6,000.00

JESSE WINE

Perfect Bird

2013

Glazed Ceramics

H57cm x W29cm x D26cm

Unique

£3,500.00 (+VAT)

LLJW149_13

FRIEDRICH KUNATH

Transcendental Fatigue

2013

(FK 1308)

Acrylic, oil, coloured pencil and varnish on paper; framed

144.8 x 106.1 cm sheet size

154.6 x 115.9 x 5.1 cm framed

17.500,– Euro

John Baldessari

Portrait: Various Identity Hidden with Name/Date Cards (4 MR. 74)

1974

Six black-and-white photographs

Each image: 35.2 x 27.9 cm

Eva Rothschild

Lantern

Installation View

KARL HAENDEL

Wishbone

2011

Pencil on paper

213.4 x 261.6 cm (84 x 103 in) (unframed)

ANTONY GORMLEY

SMALL BIND IV

2013

cast iron

39.96 x 7.87 x 5.51 inches (101.5 x 20 x 14 cm)

unique

AG-­1829

£135,000

INSTALLATION VIEW

Louise Lawler

Metadata

2003/2014

Digital fujiflex print mounted on aluminium on plywood

49.5 x 45.7 cm

Edition of 5 plus 1 AP

MP

Dirk Bell

No title

2013

Oil on leather

120 x 64 cm

Euro 15.200 (excl. VAT)

ROBIN RHODE

Rocks

2011

digital animation

2:45 minutes

Edition of 5

LM16409

€30,000.00 EUR

Do Ho Suh

Specimen Series: Corridor/ Ground Floor/Staircase 1, 348 West 22nd Street, New York, NY 10011, USA

2015

Polyester fabric and stainless steel wire

31.2 x 30.2 x 6.2 cm (framed)

Edition of 3

These are quite engaging and light.

 

Zhang Enli

The Branches (3)

2015

Oil on canvas

200 x 180 cm

USD 225,000.00

 

Charles Long

Previously Unowned Vase with One Known Unknown and One Unknown Unknown

2015

aqua-resin, stoneware

166.4 x 73.7 x 44.5 cm

USD 42,000

LLOYD REES

Gerringong Landscape

c.1947

signed 'L Rees' lower left

oil on board

44.0 x 62.0cm (17 5/16 x 24 7/16in).

Estimate: AU$ 25,000 - 35,000

£15,000 - 20,000

US$ 22,000 - 31,000

Footnotes

PROVENANCE

Macquarie Gallery, Sydney (label attached verso)

Private collection

Savill Galleries, Sydney (label attached verso)

Private collection, New South Wales

ISABEL NOLAN

as yet untitled

2013

approx. 250 x 150 cm

98.4 x 59.1 in

€30,000

Atsuko Tanaka

Work

1983

Enamel on canvas

227.5 x 180 cm

USD 575,000.00

Rirkrit Tiravanija

untitled 2013 (no no america)

2013

Mirror polished stainless steel

241.3 x 119.4 cm

Edition 2 of 2 plus 1 AP

USD 55,000 plus VAT if applicable

GORDON WALTERS

Black and white with red triangle

1972

acrylic on canvas

635 x 635mm

AUD$58,000

JOHN MASON

Vertical Intersection, Red

1997

ceramic

sculpture: 61.75 x 16 x 16 inches

(156.8 x 40.6 x 40.6 cm)

base: 8 x 24 x 24 inches

(20.3 x 61 x 61 cm)

Inv# JM 13.033

$70,000.00

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Helen Marten

 

Gulls

Detail

Jorinde Voigt

Forward Beobachtungen im Jetzt

2015

Ink, India ink, oil crayon, gold leaves, pastel, pencil on paper

220 x 140 cm

230.5 x 150.5 x 4.8 cm

unique

EUR 53,000.00 + VAT

TIM ROLLINS and K.O.S.

A MIDSUMMER NIGHT’S DREAM (after Shakespeare and Mendelssohn)

ink, mustard seed, , glue, gesso, apple juice, mulberry paper, music score pages on canvas

152.4 x 182.9 cm - 60 x 72 inches

2013

(MP-K.O.T-00022)

USD $60,000.00 exc VAT

WOLFGANG TILLMANS

London Olympics

inkjet print

207.5 x 138 cm - 81 3/4 x 54 3/8 inches

edition of 1 + 1 AP (1/1)

2012

(MP-TILLW-01110)

USD $57,000.00 exc VAT

Ugo Rondinone

sechsundzwanzigsterjulizweitausendundvierzehn

2014

Acrylic on canvas

80cm diameter

unique

 

JOHN MASON

Blue Spear

2000

ceramic

sculpture: 64 x 25 x 26 inches

(162.6 x 63.5 x 66 cm)

base: 8 x 32 x 32 inches

(20.3 x 81.3 x 81.3 cm)

Inv# JM 13.031

$80,000.00

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #3

2013

paint on magazine paper

Edition: unica

31.5 x 44.5 cm

US$ 5,000.00

Robert Mapplethorpe

Ken Moody

1985

(printed 2014)

gelatin silver print

image: 48.3 x 38.1 cm

paper: 51 x 41 cm

framed: 68.9 x 56.2 cm

Edition of 10 plus 2 APs (AP2 of 2)

estate stamped on verso

$25,000 + $700 frame

Eva Rothschild

Tir Na nÓg

2014

Jesmonite, reinforced steel bar, resin, paint

267 x 38.5 x 38.5 cm

GBP 40,000

DINH Q. Lê

Untitled 4 - 07

2007

120 x 180 cm

Fuji Professional Color Paper

AUD 60,000

ROBIN RHODE

Zig Zag

2011

digital animation

2:20 minutes

Edition of 5

LM17107

€30,000.00 EUR

John Baldessari

Thaumatrope Series: Horse with Two Riders (Double Thaumatrope)

1975

Three black-and-white photographs

Each image: 27.9 x 35.6 cm

Overall: 36.2 x 120.7 x 5.1 cm

Helen Marten

Gulls

Detail

JOHN MASON

Grey Figure

1998

ceramic

59.75 x 18 x 16 inches

(151.8 x 45.7 x 40.6 cm)

Inv# JM 13.044

$70,000.00

WILLIAM KENTRIDGE

If you have no Eye then use your Heart

2013

India ink on Crabb's Universal Technological Dictionary 1826

70 7/8 x 40 1/8 inches

[14838]

Tracey Emin

Grotto

Detail

Edith Dekyndt

Mud 007

2014

White natural clay on fabric

107 x 74 cm

£ 8,000.00

STEPHEN PRINA

Untitled / Exquisite Corpse: The Complete Paintings of Manet, 230 of 556, Claude Monet, sa Femme et son Fils au Jardin, (Claude Monet, his Wife and Son in the Garden), 1874, Private Collection, New York

2012

black cord and brass escutcheon pins

left panel: 48 x 95 cm - 18 7/8 x 37 3/8 inches, right panel: 66 x 83 cm - 26 x 32 5/8 inches

(MP-PRINS-00014)

USD $3,770.60 exc VAT

TRACEY EMIN

Home

2013

gouache on board

5.91 x 7.87 inches

15 x 20 cm

LM17733

Eva Rothschild

Tir Na nÓg

Alternate View

Zhang Enli

The Forest (3)

2014

Oil on canvas

250 x 250 cm

USD 295,000.00

YAYOI KUSAMA

HEART [HBSL]

2013

Acrylic on canvas

97 x 130.3 cm

38 1/4 x 51 1/4 in

(KUSA 883)

$ 250,000.00 (ex tax)

ROBERT MAPPLETHORPE

Orchid

1988

gelatin silver print

image: 19 1/4 x 19 1/4 inches (48.9 x 48.9 cm)

paper: 24 x 20 inches(61 x 50.8 cm)

framed: 29 1/2 x 29 1/2 inches (74.9 x 74.9 cm)

edition of 10 with 2 APs (#2/10)

estate stamped on verso

MAP-­1933.2

$65,000.00

Camille Henrot

Telepathic Lovers

2015

Chinese ink on inkjet paper

113.7 x 76.8 cm

$22,000

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Paulo Nazareth

 

Untitled, from Para Venda (For Sale) series

2011

photo printing on cotton paper

80 x 60 cm

MW

CHRIS OFILI

Ovid-Stag

2012

Oil on linen

310 x 200 x 4 cm

122 1/8 x 78 3/4 x 1 5/8 in

(CO 589)

$ 480,000.00 (ex tax)

JESSE WINE

Welding Problems II

2013

Glazed Ceramics

H30cm x W20cm x W19cm

Unique

£2,000.00 (+VAT)

LLJW152_13

Tim Schultz

Psyche

1993

oil on cotton

137 x 118 x 7cm (framed)

$ 18,000.00 (incl. GST)

 

Info as above

Zhang Enli

Fruit Bowl with Decoration

2011

Oil on canvas

80 x 100 x 4 cm

USD 100,000.00

MICHAEL ZAVROS

Warhol/Richter/Zavros

2013

charcoal on canary yellow paper

59.5 x 84 cm

$9,000

SOLD

ELMGREEN & DRAGSET

He (Copper Green)

2013

Reinforced colored epoxy

180 x 120 x 100 cm / 70.9 x 47.2 x 39.4 in

EUR 114.000,- (plus vat).

INSTALLATION VIEW

Unfortunately it does not go outside..

John Baldessari

Strobe Series/Futurist: False Bird. Path of Fight (For Balla) (Version #2)

1975

Four black-and-white photographs

Each image: 20.3 x 21 cm

Daniel Arsham

Pyrite Eroded Arm with Basketball

2015

Pyrite, ground black glass, hydrostone

68,6 x 33 x 28 cm

Unique

$35,000 (32 646 €) without tax

NANDAN GHIYA

The Dreamer 1

2012

47 x 58.4 cm

acrylic on old photographs

AUD 9,200

Thilo Heinzmann

O. T. (Aicmo)

2015

Pigment and epoxy on aluminium, framed

130 x 130 x 5 cm

£ 21,500.00 GBP ex VAT

 

 

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #9

2013

paint on magazine paper

Edition: unica

31.5 x 44.5 cm

US$ 5,000.00

Jakub Julian Ziolkowski

Untitled

2009

Oil on canvas

114.3 x 94 x 4.4 cm

EUR 25,000.00

DAVID SALLE

Hannah 8

oil on canvas

76.2 x 50.8 cm - 30 x 20 inches

2013

(MP-SALLD-00120)

USD $38,000.00 exc VAT

Tobias Rehberger

leiCht verkommen

2008

Wood, print on glass

86.3 x 126 x 6 cm framed

EUR 12,500 plus VAT if applicable

ROBIN RHODE

See/Saw

2002

digital animation

55 seconds

Edition of 5

LM18095

€30,000.00 EUR

Francis Upritchard

Step Off

2014

modelling material, fabric, wood, paint, steel,

101x30x34cm

$26,000

SOLD

JOHN WOOD AND PAUL HARRISON

Bored Astronauts on the Moon

2011

Single channel HD (16:9), 20:00 min

Editionof 5 plus 2 APs

(CF1486)

£ 15,000 (plus applicable taxes)

 

Bored Astronauts on the Moon (2011) sees Wood and Harrison wandering aimlessly about on what is apparently the surface of the moon. Referencing precedents such as 19th century romantic landscape painting, as well as more recent artistic endeavours in the natural environment, the work playfully critiques our ambitions to take on the world and the spaces beyond. On the moon, the artists have found a location in which the earthly parameters of time, space and gravity don't apply. Without the parameters, so rigorously tested in earlier works, it would appear that they have nothing to do.

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Paulo Nazareth

 

Untitled, from Notícias de América series

2010/2012

photo printing on cotton paper

90 x 67,5 cm

MW

MICHAEL ZAVROS

Weeping Willow in Yellow

2013

charcoal on canary yellow paper

84 x 59.5 cm

$9,000

RESERVED

Cecily Brown

Fond Phantom

2014

Oil on canvas

246.38 x 261.62 cm

EUR 634,769.50

SOLD

JOHN STEZAKER

Untitled

1983

Silkscreen on canvas

81x104.5 cm, 31.9x41.1 ins

2 parts

AP-STEZJ-00948

£30,000 GBP + VAT

Takashi Murakami

Portrait and DOB Sky

2015

Acrylic on canvas

100 x 100 cm

Unique

$400,000 (387 447 €) without tax

This work will be on view upon request, not on view on the booth the first day of fair

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE

2012

Silicon mold: 52 x 141 x 12 cm each half; Composite cast:

34 x 11 x 123 cm; Timed safe: 30 x 30 x 38 cm

Mixed media: silicon mold, composite cast, timed safe and

two video, wooden pedestals.

USD 53,500 (edition 1 of 3)

Tony Cragg

Hardliner

2013

Bronze

115 x 140 x 97 cm

Liss

EVA AND FRANCO MATTES

Stolen Pieces (from Claes Oldenburg)

1995-97

Print on Somerset velvet

76.2 x 106.7 cm

30 x 42 1/8 in

(CF0342)

$ 6,500 (plus applicable taxes)

 

John Baldessari

Spaces Between: Equal Time

1986

Nine black-and-white photographs individually mounted on aluminum

Each panel: 243.8 x 20.3 cm

Overall: 243.8 x 365.8 cm

KARLA BLACK

Living Conditions

2013

aluminium tooling foil, nail varnish, petroleum jelly

90 x 19 x 19 cm

35 3/8 x 7 1/2 x 7 1/2 ins

(MA-BLACK-00065)

GBP 12,000

Mariko Mori

Entities no. 51

2014

Mixed media

paper: 55.4 x 75.4 cm

signed and dated by the artist, recto

$12,000 Framed

DIRK STEWEN

AKT AUF EINEM SOFA, Los Angeles

ink, watercolour and gouache on paper

37.5 x 27.5 cm - 14 3/4 x 10 7/8 inches

2013

(MP-STEWD-00101)

EURO €3,000.00 exc VAT

Paulo Nazareth

Untitled, from Notícias de América series

2011

photo printing on cotton paper

67,5 x 90 cm (each)

MW

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #4

2013

paint on magazine paper

Edition: unica

31.5 x 44.5 cm

US$ 5,000.00

Carla Klein

Untitled

2006

oil on canvas

180 x 400 cm

$45,000.00

DANIE MELLOR

Kangaroo love and a moment of comfort

2008

mixed media on paper

103.0 x 100.0 cm

Provenance

Caruana & Reid Fine Art, Sydney

Private collection, New York, USA; purchased in 2008

Sebastian Stöhrer

Ceramic

2014

Fired clay, glaze, wood

27 x 26 x 29 cm

£ 3,000.00 GBP ex VAT

JONATHAN MONK

Back in 5 Minutes

2013

Framed photo, wooden chair and cardboard sign

Photo: 163 x 116 cm

Chair: 78 x 50 x 50 cm

Edition of 2 (+ 1 AP)

Paulo Nazareth

Untitled, from Cadernos de África series

2014

37 photo printing on cotton paper

variable dimensions

MW

EVA AND FRANCO MATTES

Stolen Pieces (from Jeff Koons)

1995-97

Print on Somerset velvet

76.2 x 106.7 cm

30 x 42 1/8 in

(CF0345)

$ 6,500 (plus applicable taxes)

Tracey Emin

Just us

2014

Gouache on board

25 x 30 cm

GBP 55,000

DO HO SUH

Staircase

2013

thread, cotton, and methylcellulose

12.5 x 22.5 x .125 inches

31.8 x 57.2 x .3 cm

17.125 x 27.25 x 1.75 inches (framed)

43.5 x 69.2 x 4.4 cm

Lower right verso

LM17921

John Baldessari

Commentary (with Giraffe)

1989

Black and white and color photographs, oil tint, vinyl paint

Dimensions variable

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #10

2013

paint on magazine paper

Edition: unica

31.5 x 44.5 cm

US$ 5,000.00

Sebastian Stöhrer

Ceramic

2014

Fired clay, glaze, wood

42 x 50 x 35 cm

£ 2,500.00 GBP ex VAT

JENNY HOLZER

Survival

1989

Horizontal electronic LED sign with red diodes and black housings

Text: Survival

Animation comprises drawings such as planes

6.5 x 121.5 x 4 in (16.5 x 308.6 x 10.2 cm)

Edition 1/5 + 1 AP

(Inv# JEHO-0226.1)

$400,000

Jon Armleder

JA 2012/011 Australian Pontoon

2012

Acrylic on canvas

90 x 90 cm

Unique

VAT not included

EUR 55.000,00

 

Since the early 80’s, John Armleder’s paintings have been very much related to the post-modern era by reusing well known avant-garde aesthetics. In this case he employs those aesthetic techniques visually, combining them with popular culture. With Australian Pontoon (2012), Armleder entitles his work after a casino game and the golden monochromatic range plays the counterpart to the pure formalistic composition

SONIA MEHRA CHAWLA

Transitory Shores & Biomorphic

Daydreams

2013

183 x 259 cm (triptych)

Mixed media on archival canvas

TBA

Paulo Nazareth

San Judas

2013

video

28’13”

MW

TIM ROLLINS AND K.O.S

On the Origin of Species (After Darwin)

2013

ink and matte acrylic on book pages mounted on wood panel

36 x 48 inches

91.4 x 121.9 cm

LM18004

$30,000.00 USD

Marilyn Minter

Lithium

2014

C-print

101.6 x 76.2 cm

Edition 1 of 5

$16,000.00

JUDY MILLAR

Untitled

2013

oil and acrylic on canvas

2350 x 1750mm

AUD$

John Baldessari

Two Stories (Yellow and Blue)

1989

Black and white and color photographs, oil tint, vinyl paint

Dimensions variable

GARDAR EIDE EINARSSON

Cruising the Anime City - An Otaku guide to Neo-Tokyo (I)

2011

Acrylic, gesso and graphite on canvas

220 x 183 cm (86.61 x 72.05 in)

(Inv# GAEI-0004)

Reserved $33,000

Paulo Nazareth

Chanson Pour Le Vodou

2013

video

02’03”

MW

HAMISH FULTON

21 pieces of wood. Beartooth Mountains. Montana. 1997

painted wood with wall text

69 x 134 cm - 27 1/8 x 52 3/4 inches

1997

(MP-FULTH-00078)

EURO €20,000.00 exc VAT

Don Brown

Yoko XXII

2009

Acrylic composite, gesso, wood

108 x 47.9 x 18.1 cm

Edition 6 of 6 plus 2 a/p

SCHQ

ANNE HARDY

Extrapolation

Fuji Instant print

unframed: 13 x 10 cm - 5 1/8 x 3 7/8 inches, framed: 39.5 x 32 cm - 15 1/2 x 12 5/8 inches

edition of 5

2013

(MP-HARDA-00280)

GBP £2,800.00 exc VAT

Philippe Parreno

Speaking to the Penguins

2007-2009

Black and white silver print

67.8 x 93 cm (framed)

Edition 1 of 10

€15 000 plus taxes

DO HO SUH

Bridging Home - 2

2012

pencil, colored pencil and photograph on paper

42.91 x 68.78 inches (paper)

109 x 174.7 cm

50 x 77 x 2.5 inches (framed)

127 x 195.6 x 6.4 cm

LM16125

Paulo Nazareth

San Judas

2012

video

13’22”

MW

CANDIDA HOFER

Stahlhof Düsseldorf

2013

c-print

180 x 245 cm (70.87 x 96.46 in)

Edition 1/6

(Inv# CAHO-0155.1)

58,000 euros

LOT 35

 

Charles Blackman (born 1928)

Two Figures with Flowers

1959

signed and dated 'Blackman '59' top left oil on board

152.0 x 136.0cm

 

 

 

PROVENANCE

South Yarra Galleries, Melbourne

Private collection, London, acquired from the above c.1965

 

Charles Blackman painted Two figures with flowers in 1959, a critically important time in his evolution as an artist. In January 1959, his work was included in Survey III – Figurative Painting at the National Gallery of Victoria alongside Sidney Nolan, Arthur Boyd, John Perceval and Fred Williams. In August of that year he exhibited eight major canvases in the watershed exhibition Antipodeans organized by art critic Bernard Smith and including artists such as John Brack, Arthur Boyd and Robert Dickerson. So serious were the aims of the Antipodeans that they printed 'The Antipodean Manifesto' as a preface to the catalogue for the show. The crux of the manifesto sought to apparently liberate the artist from the shackles of abstract expressionism and action painting, which they believed dominated artistic practice and criticism in the 1950s. They worried that abstractionists would 'threaten to benumb the intellect and wit of art with their bland and pretentious mysteries," thus they intended to reassert the preeminence of the figure in painting.1

 

Two figures with flowers shares common ground with a number of works known to have been included in the Antipodeans exhibition at the Victorian Artists' Society, such as The presentation, which shows a solitary girl holding out a bouquet of daisies. Ironically, Charles Blackman's art has always contained elegant passages of abstraction and quite possibly his strength as a figurative painter is distilled from his ability to abstract and reduce the figure to flat colour planes, which powerfully represent themes such as fear, isolation, childhood and memory. This painting also shares another characteristic of the Antipodean works by him in that the gold background, applied in rich, rough impasto, takes a leaf from the book of abstract expressionism, in spite of the manifesto's derision of the technique.

 

Completed two years after his defining Alice in Wonderland suite of works of 1956-57, Two figures with flowers contains several key elements of Blackman's iconography, namely women and flowers. They are the mainstay of his compositions since the earliest works of the 1950s such as The room (also known as The blue dress, National Gallery of Australia) and most notably, Golden Alice, 1956, and All on a summer's day, 1957, both in private collections. The other key Blackman trait is the obscuring of the face with shadow. In this work one figure faces away from the viewer and the other seen in profile holds flowers, perhaps in a gesture of contrition. At the time Blackman included a work titled Tryst in the Antipodean show and he worked on the subject in two other works Tryst I and II of 1958 and 1959 respectively. Painted on a significant scale, Two figures with flowers is another powerful incarnation of this key theme in the art of Charles Blackman painted during a critical period for the artist.

 

TAL R

Walk towards Hare Hill

2013

Oil on canvas

60 x 50 cm

23 5/8 x 19 3/4 in

(TR 207)

EUR 18,000.00 (ex tax)

Joe Bradley

Frankenstein

2010

Oil and spraypaint on canvas

223 x 190 cm

PP

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #8

2013

paint on magazine paper

Edition: unica

31.5 x 44.5 cm

US$ 5,000.00

Paulo Nazareth

CA - pescador

2013

polyester pants and housing puffer

85 x 65 cm

MW

 

PAUL DIBBLE 

Waiting for Godot

2013

cast bronze

single edition

3680 x 1380 x 1275mm

AUD$85,000

Sigmar Polke

Ich will den Stall ausmisten

1999-2000

Acrylic and indian ink on paper

200.7 x 149.9 cm

$1,200,000

MIRA SCHENDEL

Untitled

1963

watercolor

35 x 50 cm

10283

 

Mira Schendel was one of Latin America’s most important and prolific post-war artists. With her contemporaries Lygia Clark and Hélio Oiticica, Schendel reinvented the language of European Modernism in Brazil. Tate Modern is currently staging the first international full-scale survey of her work. The exhibition reveals aspects of Schendel’s dialogues with a diverse range of philosophers and thinkers, as well as her engagement with universal ideas of faith, self-understanding and existence (25 September 2013 – 19 January 2014).

Paulo Nazareth

CA - Are you happy with this neger?

2011

photo printing on cotton paper

67,5 x 90 cm

MW

KARLA BLACK

Living Conditions

2013

aluminium tooling foil, nail varnish, petroleum jelly

90 x 19 x 19 cm

35 3/8 x 7 1/2 x 7 1/2 ins

(MA-BLACK-00065)

GBP 12,000

INSTALLATION VIEW

Ryan Gander

The way things collide (Hantarex monitor, meet cum)

2013

38.5 x 54 x 52 cm

Unique edition

KARL HAENDEL

Wishbone

2011

Pencil on paper

213.4 x 261.6 cm (84 x 103 in) (unframed)

signed on reverse

(Inv# KAHA-0047)

$40,000

Pieter Vermeersch

Untitled

2014

Oil on marble

42.3 x 34.7 cm

£ 5,000.00 GBP ex VAT

YINKA SHONIBARE MBE

Flight Painting (airplanes)

2013

Acrylic on textile, toys, wire

85cm diameter

GBP £17,500

Sam Leach

Lioness moon

2014

oil and resin on wood

12 panels, each 50 x 50 cm

200 x 150 cm overall

$ 48,000

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #11

2013

paint on magazine paper

Edition: unica

31.5 x 44.5 cm

US$ 5,000.00

Pieter Vermeersch

Untitled

2014

Oil on marble

39.5 x 34.7 cm

£ 5,000.00 GBP ex VAT

MIRA SCHENDEL

Untitled

1965

oil on rice paper

47 x 23 cm

10430

Liam Gillick

Split Discussion

2014

Powder coated aluminium, Plexiglas

200 x 100 x 30cm

$80,000.00

DO HO SUH

Specimen Series: 348 West 22nd Street, APT. New York, NY 10011, USA - Stove

2013

polyester fabric

73.66 x 36.22 x 34.8 inches

187.1 x 92 x 88.4 cm

Edition of 3

LM18348

$150,000.00 USD

Pieter Vermeersch

Untitled

2014

Oil on canvas

150 x 111 cm

£ 14,000.00 GBP ex VAT

PABLO PICASSO

Visage au Masque

1963

silver plate, sterling silver, 1390 grams

310mm diameter

AUD$77,000

Leo Gabin

Dixie Highway Shell

2014

Lacquer, spray paint, acrylic and silkscreen on canvas

205 x 150 cm

$25,000

GARDAR EIDE EINARSSON

Stainless Steel XIV

2011

Acrylic on canvas

183 x 220 cm (72.05 x 86.61 in)

(Inv# GAEI-0003)

$33,000

Doug Aitken

SUN POOL

2014

Aluminum lightbox, LED lights, chromogenic transparency, acrylic

96.5 x 224.8 x 18.7 cm

Edition of 4

$180,000

EVA AND FRANCO MATTES

Stolen Pieces (from Jean Tinguely)

1995-97

Print on Somerset velvet

76.2 x 106.7 cm

30 x 42 1/8 in

(CF0350)

$ 6,500 (plus applicable taxes)

Mark Flood

New Idea

2013

Acrylic on canvas

182.9 x 121.9 cm

KAYE DONACHIE

Mirror

oil on canvas

61 x 45.8 cm - 24 x 18 inches

2013

(MP-DONAK-00249)

GBP £18,000.00 exc VAT

Julian Schnabel

Domingueros en la Plaza de la Revolucion

1998

Oil, gesso, spraypaint on tarp

243.8 x 304.8 cm

EUR 357,057.84

 

TAL R

Walk towards Hare Hill

2013

Oil on masonite

29 x 23 cm

11 3/8 x 9 1/8 in

(TR 219)

EUR 10,000.00 (ex tax)

ANDREAS GURSKY

Bangkok III

2011

Inkjet print

307 x 227 x 6,2 cm (framed)

120 7/8 x 89 3/8 x 2 3/8 inches (framed)

Edition 5/6

MSPM AGU 19771

EUR 400.000,00

Mika Tajima

To be titled

2015

Spray enamel, thermoformed acrylic

109.2 x 83.8 cm

USD $30,000

MICHAEL JOAQUIN GREY

Panopticon Asymptotic

2012

Generative animation LED monitor, computer, custom software

Edition of 5 + 1 AP

(CF0744)

$ 35,000 (plus applicable taxes)

Jake and Dinos Chapman

Sturm und Drang

2014

Painted bronze

246 x 244 x 125 cm

Edition of 3

GBP 500,000

NIR HOD

Once Everything Was Much Better Event the Future

2013

Glass, Mineral Oil, Steel, Wood, 24-carat gold leaf, Globe - approx 36 inches in diameter

Base approx 4 ft x 4 ft x 4 ft (base type can be customized)

Retail: $250,000

 

Nir Hod's new sculpture Once Everything Was Much Better Even The Future consists of a moving scale model of an oil pumpjack encased within a large globe of oil. The piece alludes to the nostalgic scenes often depicted in snow globes. In Hod's globe, the viewer is presented with an idealized, isolated landscape of oil extraction - a world suspended in time, where the contradictions inherent in oil production and consumption can peacefully coexist. This calming effect is precipitated by the slow movement of the pumpjack and the swirling "snow" which is comprised of flakes of 24 carat gold, a reflection of the immense wealth generated by the oil trade. The world inside the globe is one stripped of political and ethical concerns, a world without military conflicts or environmental destruction. Once Everything Was Much Better Even The Future portrays a romanticized version of reality enclosed in glass, as fragile and precarious as the future of a world powered by oil.

Mary Heilman

Space

1995

Oil and collage on gessoed paper

57.8 x 76.2 cm

67.3 x 85.1 cm framed

Signed, dated and titled on recto

$40,000

SONIA MEHRA CHAWLA

Transitory Shores & Biomorphic II

2013

182 x 204 cm (diptych)

mixed media on archival canvas

AUD 17,100

Georg Baselitz

Zweitens, bitte schön

2014

Oil on canvas

300 x 207 x 3.7 cm (unframed)

304 x 211 x 6 cm (framed)

€460,000

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: Scenes From Future Histories

2012

30 x 30 cm (frame size: 33 x 33 x 4.7 cm)

Mixed media

AUD 4,000

Michael Zavros

Bad Dad

2013

Oil on canvas

110 x 150cm

POA

DAVID SALLE

Untitled

mixed paper

23.5 x 29.2 cm - 9.25 x 11.5 inches

2013

(MP-SALLD-00105)

USD $16,000.00 exc VAT

KARLA BLACK

Living Conditions

2013

aluminium tooling foil, nail varnish, petroleum jelly

90 x 19 x 19 cm

35 3/8 x 7 1/2 x 7 1/2 ins

(MA-BLACK-00065)

GBP 12,000

INSTALLATION VIEW

Gail Hastings

Space holder for a yellow, white and red space

2012

watercolour and lead pencil on paper, lead pencil and acrylic on wood, oil on wood

32 x 200 x 32cm (three components)

$ 20,000.00 (incl. GST)

 

Exhibited: Direct Democracy, Monash University Museum of Art, curated by Geraldine Barlow. 2010 (Illustrated in catalogue.)

 

 

ISABEL NOLAN

Reclusion 1515. Far out and fading away

2013

watercolour and waterbased oil on canvas

30 x 40 cm

11.8 x 15.7 in

€5,000

Walead Beshty

Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fukicolor Crystal Archive Super Type C, Em. No. 165 021, 05310)

2010

Colour photographic paper

126 x 287.5 cm

$ 60,000.00 plus 20% VAT

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #13

2013

paint on magazine paper

Edition: unica

31.5 x 25 cm

US$ 4,000.00

Sue Williams

WTC Wispiness

2013

Oil and acrylic on canvas

127 x 172.7 cm

Signed on verso

$90,000

YINKA SHONIBARE MBE

Flight Painting (helicopter)

2013

Acrylic on textile, toys, wire

85cm diameter

GBP £17,500

Walead Beshty

Cross-Contaminated RA4 Contact Print [Black Curl (9:6/MYC/Six Magnet: Los Angeles, California, April 1st 2014, Fuji Color Crystal Archive Super Type C, Em. No. 107 016, 56814), Kreonite KM IV 5225 RA4 Color Processor, Ser. No. 00092174]

2014

Color photographic paper

304.8 x 127 cm

$ 60,000.00 plus 5% Import VAT

ROBIN RHODE

Paper Planes

2009

digital animation

2:40 minutes

Edition of 5

LM17421

€30,000.00 EUR

Anish Kapoor

Double Return 

2014

Stainless steel

140 x 140 x 25.6 cm

Liss

SHANE COTTON

Abstraction Painting #3

2013

250 x 250mm

acrylic on canvas

SC3406-01

NZD 7500

Walead Beshty

Marginalis (London, United Kingdom, October 1-8, 2014)

2014

Cyanotype chemistry on canvas

300 x 180 cm

$ 120,000.00 plus 20% VAT

DO HO SUH

Secret Garden

2012

mixed media with digital animation

55.12 x 39.37 x 62.99 inches

140 x 100 x 160 cm

LM16476

Mark Whalan

Room of knowledge

Detail

DO HO SUH

Paratrooper

2013

thread, cotton, and methylcellulose

19 x 14.125 x .375 inches

48.3 x 35.9 x 1 cm

23.75 x 18.75 x 1.75 inches (framed)

60.3 x 47.6 x 4.4 cm

LM17920

Steve McQueen

Untitled (fingers)

2006

Photograph

29 x 20 cm

Frame: 46.4 x 37.5 cm

Edition AP of 6 plus 1 AP

€ 20,000.00 plus 20% VAT

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #2

2013

paint on magazine paper

Edition: unica

31.5 x 25 cm

US$ 4,000.00

Jeppe Hein

Spinning Ball 50

2007

High polished stainless steel ball, motor, accumulators, magnet, white plate

50 cm diameter of ball

2 x 80 x 80 cm plate

Edition of 3

€45,000

GUNTER BRUS

Das Vitriolkabinett

1966 - 2012

12 Farbfotos (Fotos: Ludwig

Hoffenreich) Mappe and Text,

40 x 40 cm

25/35 (Ed 35+5EA)

BRU/Po 11/7

EUR 10,500.-

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Gail Hastings

 

Space holder for a yellow, white and red space

Detail


ROBIN RHODE

Parabolic Bike

2010

digital animation

2:43 minutes

Edition of 5

LM16946

€30,000.00 EUR

Jeff Wall

Daybreak

2011

Colour photograph

243 x 319 cm

248.2 x 324.1 x 5 cm (framed)

Edition of 3

WC

LIU WEI

Exotic Lands No.13

2013

wood, doors, iron

78.74 x 74.8 x 1.97 inches

200 x 190 x 5 cm

LM17127

Nathalie Djurberg

Red Donut with White Cream

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

Ca. 70 x 147.5 x 157.5 cm

€45,000.00

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #14

2013

paint on magazine paper

Edition: unica

31.5 x 24 cm

US$ 4,000.00

ASHLEY BICKERTON

Eyeball Painting 2

2013

mixed media

50.5 x 59 x 5.5 inches

128.3 x 149.9 x 14 cm

LM18224

Richard Lewer

Untitled

2014

oil on epoxy coated steel

100 x 100 cm

$12,500

EVA ROTHSCHILD

Hansel and Gretel

2013

steel, acrylic paint, lacquer

283 x 160 x 153 cm

111.4 x 63 x 60.2 ins

(MA-ROTHE-00334)

GBP 40,000

Steve McQueen

Barrage

1998

Fuji long life colour photograph, plexiglass

47 x 69 cm

Edition of 2 plus 1AP

€ 6,500.00 plus 20% VAT

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #5

2013

paint on magazine paper

Edition: unica

31.5 x 44.5 cm

US$ 5,000.00

Rodney Graham

Cylindro-chromatic Abstraction Construction #13

2014

Gouache auf Holz

104 x 80 x 20.5 cm framed

55.000,00 USD plus VAT

DEL KATHRYN BARTON

GIRL #6

2004

synthetic polymer paint, gouache, watercolour and ink on polyester canvas

signed, dated and inscribed 'del kathryn barton 2004' upper left; signed, dated and inscribed 'girl #6" / del Kathryn barton / 2004' verso"

124 X 90CM

 

Estimate: $30,000 - $50,000

 

Provenance

Ray Hughes Gallery, Sydney

Private Collection, Sydney

Exhibited

Del Kathryn Barton: Girl, Ray Hughes Gallery, Sydney, 6 November - 1 December 2004, no. 6

Gail Hastings

Space holder for a yellow, white and red space

Detail

ERNESTO NETO

Ready to leave

2013

photograph, ceramic pot with plant (Ficus Benjamini)

146 x 110 cm (framed)

Edition of 3 (1/3) + 2 AP

$ 18.000,00

(VAT not included)

Steve McQueen

Barrage

1998

Fuji long life colour photograph, plexiglass

47 x 69 cm

Edition of 2 plus 1AP

€ 6,500.00 plus 20% VAT

CHRIS BURDEN

Tower of London Bridge

2003

BUR/S 1

Stainless steel reproduction Mysto type I Erector parts

76 x 244 x 30.5 cm

3/6

TBA

Nathalie Djurberg

Blue Donut with Glaze

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

ca. 75 x 153 x 146.5 cm

€45,000.00

RICKY SWALLOW

Drapery Form with S’s

2013

patinated bronze

72.4 x 25.4 x 10.2 cm

28 1/2 x 10 x 4 ins

unique

(MA-SWALR-00469)

USD 30,000

INSTALLATION VIEW

Nathalie Djurberg

Donut with White and Purple Glaze

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

Ca. 66.5 x 166 x 166 cm

€45,000.00

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #15

2013

paint on magazine paper

Edition: unica

31.5 x 24 cm

US$ 4,000.00

Dario Escobar

Composition No. 17

2012

Motor oil on paper

32.5 x 275 cm

CT

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #16

2013

paint on magazine paper

Edition: unica

31.5 x 24 cm

US$ 4,000.00

Steve McQueen

Portrait as an Escapologist

2006

Lambda print on photographic paper

poster: 60 x 40 cm

frame: 78 x 58 cm

Edition 4 of 6 plus 1AP

€ 25,000.00 plus 20% VAT

EULALIA VALLDOSERA

Dust Sweepings (Series: The Navel of the World, Documentation #5)

1991-2008

B/w giclée prints on cotton paper (9 image polyptych)

Each: 71.6 x 90 cm

Each: 28 1/4 x 35 3/8 in

Edition 2/3 + 1 AP

(CF0831)

€ 20,000 (plus applicable taxes)

 

The Navel of the World series marks a turning point in Eulalia Valldosera’s career where she is the material of her work. Personal images of her body are re-created from her imagination – exposing the viewer to her vulnerability. She the artist becomes her own model. This work marks a brief return to the paintbrush Vallodosera abandoned a year before. She has drawn the images with a broom made from tree branches. The debris being swept consists of the artist’s cigarette ends and ash accumulated during her artistic production, clearing away without erasing. The Navel of the World series originated as a live performance in Galeria Antoni Estrany, Barcelona in 1991.

Sam Leach

Lioness with progression of colour terms

Detail

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: L’art du Hue, pg. 17

2012

30 x 30 cm (frame size: 33 x 33 x 4.7 cm)

Mixed media

AUD 4,000

DO HO SUH

Myselves

2013

thread, cotton, and methylcellulose

35.75 x 25 x .25 inches (paper)

90.8 x 63.5 x .6 cm

LM17924

Dario Escobar

Juego a 13 manos

2012

Wood and metal

240 x 200 x 160 cm

CT

EVA ROTHSCHILD

Snowman

2013

rebar, polyurethane resin, plaster, paint

262 x 63 x 66 cm

103 1/8 x 24 3/4 x 26 ins

(MA-ROTHE-00346)

GBP 35,000

Sandra Cinto

Untitled

2015

Acrylic on canvas

200 x 150 cm

CT

LIU WEI

Exotic Lands No.12

2013

wood, doors, iron

78.74 x 55.12 x 1.97 inches

200 x 140 x 5 cm

LM17126

Pier Paolo Calzolari

Untitled

1989

Burnt salt, lead, refrigeration unit, refrigerator motor

219.7 x 264.8 x 59.7 cm

€195,000

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #7

2013

paint on magazine paper

Edition: unica

31.5 x 44.5 cm

US$ 5,000.00

Dario Escobar

Silent Drawning #16

2010

Paper (book and pages)

120 x 80 cm each

CT

LEE BUL

Untitled (Structure for wraparound topography - flush)

2010

acrylic, pigmented ink, color pencil on paper

60.5 x 45.5 cm (framed)

75.5 x 60.5 cm

LM17472

$15,000.00

NOEL SKRZYPCZAK

Mountain Painting #1

2013

Synthetic polymer paint on canvas

188 x 146 cm

$9600

Dario Escobar

Silent Drawning #17

2010

Paper (book and pages)

120 x 80 cm each

CT

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #17

2013

paint on magazine paper

Edition: unica

31.5 x 25 cm

US$ 4,000.00

Mark Whalan

I’ll meet you in the middle

Detail

ISABEL NOLAN

The beautiful burning midday sun.1923

2013

watercolour and waterbased oil on canvas

45 x 35 cm

€5,000

Dario Escobar

Silent Drawning #21

2010

Paper (book and pages)

120 x 80 cm each

CT

SUSANNE KUHN

Mushroom Hunt

2013

Acrylic on canvas

230 x 210 cm

90 1/2 x 82 5/8 in

(CF1702)

€ 30,000 (plus applicable taxes)

Pier Paolo Calzolari

Untitled

1988

Salt, lead, refrigeration unit, refrigerator motor

245.1 x 259.7 x 55.2 cm

€195,000

TATSUO MIYAJIMA

Life (Corps Sans Organes) No.17

2013

LED, IC, microcomputer by Ikegami programme, steel, plastic, passive sensor, electric wire

241.0 x 356.3 x 136.0 cm

 

Rodney Graham

Cylindro-chromatic Abstraction Construction #16

2014

Gouache on wood

104 x 80 x 20.5 cm framed

55.000,00 USD plus VAT

DO HO SUH

Flowers

2013

thread, cotton, and methylcellulose

14.5 x 11.5 x .5 inches

36.8 x 29.2 x 1.3 cm

18.75 x 16.125 x 1.75 inches (framed)

47.6 x 41 x 4.4 cm

LM17916

Mona Hatoum

Korb II

2014

Metal and glass

38.5 x diameter 49 cm

€95,000

EVA ROTHSCHILD

Snowman

2013

rebar, polyurethane resin, plaster, paint

262 x 63 x 66 cm

103 1/8 x 24 3/4 x 26 ins

(MA-ROTHE-00346)

GBP 35,000

DETAIL VIEW

Nathalie Djurberg

Green Donut with Glaze

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

Ca. 76 x 145.5 x 151.5 cm

€45,000.00

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #19

2013

paint on magazine paper

Edition: unica

31.5 x 24.5 cm

US$ 4,000.00

Pier Paolo Calzolari

Untitled (Still life)

1985

Lead buttons, tin, paper, iron, copper

110.5 x 95.3 x 19.1 cm

€300,000

MICKEY BUNGKUNI

Untitled (Wanjina)

c.1960

Natural earth pigments on eucalyptus bark

83.5 by 30.5 cm irregular

PROVENANCE

Collected c.1960 by Mr. Bruce Godwin, a missionary and administrator at Mowanjum Presbyterian Mission between 1958 and 1968. The painting was given to his sister Lois in 1962

Thence by descent

Private collection, New South Wales

Rodney Graham

Cylindro-chromatic Abstraction Construction #17

2014

Gouache on wood

52 x 40 x 9.5 cm framed

25.000,00 USD plus VAT

EULALIA VALLDOSERA

Do Ut Des

2012

wooden shelf, books, mini projectorplastic bottle, glass containers, red liquid, yellow liquid,

tooth

39 x 110 x 50 cm

15 3/8 x 43 1/4 x 19 3/4 in

(CF0901)

€ 15,000 (plus applicable taxes)

Damien Hirst

Because I Can't Have You I Want You

1993

Melamine, glass, perspex, fish and formaldehyde solution􀀃

121.9 x 243.8 x 30.5 cm

£3,850,000

TATSUO MIYAJIMA

Life (Corps Sans Organes) No.11

2013

LED, IC, microcomputer by Ikegami programme, steel, plastic, passive sensor, electric wire

190.2 x 242.0 x 11.0 cm

MIYA130008

Nathalie Djurberg

Red Donut with White and Pink Glaze

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

Ca. 68 x 148 x 158 cm

€45,000.00

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #20

2013

paint on magazine paper

Edition: unica

31.5 x 24 cm

US$ 4,000.00

THOMAS SCHEIBITZ

Georgette und Landschaft

2013

Oil, vinyl, pigment marker, varnish on canvas

240 x 270 cm

94 1/2 x 106 1/4 inches

MSPM TSC 21327

SOLD

Rita Ackermann (b. 1968)

Fire by Days Blues XV

2013

Oil, pigment and spray paint on paper

111.8 x 76.2 cm

USD 35,000.00

EVA ROTHSCHILD

Snowman

2013

rebar, polyurethane resin, plaster, paint

262 x 63 x 66 cm

103 1/8 x 24 3/4 x 26 ins

(MA-ROTHE-00346)

GBP 35,000

DETAIL VIEW

Rodney Graham

Cylindro-chromatic Abstraction Construction #19

2014

Gouache on wood

52 x 40 x 9.5 cm framed

25.000,00 USD plus VAT

NOEL SKRZYPCZAK

Mountain Painting #2

2013

Synthetic polymer paint on canvas

188 x 146 cm

$9600

Damien Hirst

The Dance

2005-2006

Patinated silver

194 x 41 x 41 cm

£1,5000,000

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #22

2013

paint on magazine paper

Edition: unica

31.5 x 24 cm

US$ 4,000.00

Nathalie Djurberg

Runny Egg

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

Ca. 71 x 155 x 105 cm

€45,000.00

ADAM CULLEN

(Wild Boar)

bronze

75.0 cm height

signed and numbered to front left leg: A.CUllEN/ 3/3

edition: 3/3

Provenance:

Acquired from the artist, private collection, New South Wales

Estimate: $12,000 - 15,000

THOMSON & CRAIGHEAD

Decorative Newsfeeds

2004

Digital projection from online sources

Edition of 3 + 2 APs

(CF0042)

£ 15,000 (plus applicable taxes)

 

Using a live feed from the web, international and up to the minute news headlines are presented as a series of visual animations. The gallery version of this work is projected onto both sides of a suspended screen so that the 'front' and 'back' of each trajectory can be viewed by a circling audience.

 

Edition 1 is owned by British Council.

TATSUO MIYAJIMA

Life (Rhizome) No. 18

2013

LED, IC, microcomputer by Ikegami programme, steel plastic, passive sensor, electric wire

68.5 x 98.5 x 4.0 cm

MIYA130017

Pier Paolo Calzolari

Untitled - Dalle serie "Piombi specchio" 1972-2000 (studio per camera da toilette per signora),

1994

Lead, rose petals, tin, copper wire, brass wire, iron wire, glass

202 x 126 cm

$250,000

MATTHEW MONAHAN

A Certain Time of You

2013

plaster, oil, steel, fiberglass reinforced polyurethane, charcoal on paper

233 x 46 x 41 cm

91 3/4 x 18 1/8 x 16 1/8 ins

(MA-MONAM-00122)

USD 95,000

Rodney Graham

Cylindro-chromatic Abstraction Construction #18

2014

Gouache on wood

52 x 40 x 9.5 cm framed

25.000,00 USD plus VAT

ASSUME VIDID ASTRO FOCUS

Abusada Sao Paulo #23

2013

paint on magazine paper

Edition: unica

32 x 25.5 cm

US$ 4,000.00

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

Nathalie Djurberg

 

Yellow and Blue Fried Egg

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

Ca. 49 x 265 x 243 cm

€45,000.00

TJUMPO TJAPANANGKA

Marlboree

2000

Synthetic polymer paint on canvas

Warlayirti artists catalogue number 171/00

120 by 80 cm

PROVENANCE

Painted at Wirrimanu (Balgo Hills) in 2000

Hogarth Galleries, Sydney

Private Collection

FILMOGRAPHY

Painting Country, 2000, Electric Pictures, Robin Eastwood Productions,

the painting features in the this film

Sam Leach

Trichonic Rhino

2014

oil and resin on wood

12 panels, each 50 x 50 cm

200 x 150 cm overall

$ 48,000

THOMAS SCHEIBITZ

Optison

2007

Oil on canvas

50 x 70 cm

MSPM TSC 12399

SOLD

Ricky Swallow

Chair Study/Relief in Plain Weave

Alternate View

SHANE COTTON

Blowing Smoke With Ball 'n Chain

2013

250 x 250mm

acrylic on canvas

SC3405-01

NZD 7500

Rodney Graham

Cylindro-chromatic Abstraction Construction #20

2014

Gouache on wood

52 x 40 x 9.5 cm framed

25.000,00 USD plus VAT

SHANNON EBNER

Public Surface Pattern

2013

inkjet print, diasec mounted on aluminum

site size: 243.8 x 14 cm / 96 x 5 ½ in

frame size: 243.8 x 14 cm x 2.7 / 96 x 5 ½ x 1 1/8 in

edition of 5 + 2AP

HQ17-SE10003P

Price: $15,000 USD

Gary Hume

Unicorn 1

2014

Gloss paint on aluminium

97.9 x 80.5 cm

£70,000

CHARLES MEERE AND STUDIO

Australian Beach Pattern

c.1940

oil on wax on cardboard

73.0 x 102.5cm (28 3/4 x 40 3/8in).

Estimate: AU$ 300,000 - 500,000

£180,000 - 290,000

US$ 270,000 - 450,000

Footnotes

PROVENANCE

Private collection, Europe

Private collection, Australia

Fine Australian and European Paintings, Sotheby's, Sydney, 16 August 1999, lot 39 (illus. cover)

Private collection, Sydney

 

LITERATURE

Terry Ingram, 'Price aurge at Sydney art sale', Australian Financial Review, 17 August 1999, p. 3 (illus.)

Ben Holgate, '$395,000 for Boyd painting' The Australian, 17 August 1999, p. 5

Peter Cochrane, 'Art sale soars with angels', Sydney Morning Herald, Sydney, 17 August 1999, p. 3

 

RELATED WORK

Charles Meere (1890-1961), Australian Beach Pattern 1940, oil on canvas, 91.5 x 122.0cm, In the collection of the Art Gallery of New South Wales, Sydney

 

 

Born in England in 1890, Charles Meere trained at the Royal College of the Arts as a designer and muralist before moving to Australia in 1930 looking for work as a commercial artist. He shortly set up his own business whilst juggling part time teaching at the East Sydney Technical College alongside other modernist painters including Herbert Badham, Douglas Dundas and E.A. Harvey.

 

By 1938 Meere had established himself and was granted the job of designing the promotional poster for the British Empire Games, now known as the Commonwealth Games, which were to be held in Sydney. That same year he won the Sulman prize with Atalanta's eclipse (now in the collection of the S.H Ervin Gallery, Sydney). Consequently Meere had brought on three apprentices to assist, one being Freda Robertshaw a graduate in commercial illustration from the National Art School. Robertshaw learnt figure painting by working alongside Meere on her own version of Australian Beach Pattern (now in the Reg Grundy AC, OBE and Joy Chambers Grundy Collection)

 

"After the sesquicentenary celebrations climaxed in January 1938, Charles Meere began work on Australian Beach Pattern (in the collection of the Art Gallery of New South Wales, Sydney) a major work in the iconography of the Australian Beach and now one of the most popular paintings in the collection of the Art Gallery of New South Wales. No other beach painting expresses the spirit of Australia before the Second World War as succinctly as this painting, with its combination of 'national types' and neo-classical composition.

 

Never has the Australian beach been portrayed with such vigour and energy. Far from the leisure and relaxation we expect in the depiction of our beach, this strenuos composition with it heroic figures is more suggestive of a renaissance battle scene." 1

 

Robertshaw recalled that 'Charles never went to the beach. We made up most of the figures, occasionally using one of Charles's employees as a model for the hands and feet, but never the complete figure. They were then arranged to fill in a composition until a small sketch was realised and colour indicated. It was then squared up and enlarged to the size of the painting. The outline was overlaid, pricked and then dusted with chalk. He started with a sepia base to fix the outline and then blocked in the larger areas, working slowly for about a year to complete the painting.'2

 

The present Australian Beach Pattern c.1940, rediscovered in Europe in the 1990's is slightly smaller than the version in the Art Gallery of New South Wales, Sydney.

 

1 Linda Slutzkin, 'Spartans in SSpeedos', in Daniel Thomas (ed.), Creating Australia: 200 years of art 1788-1988, International Cultural Corporation of Australia/ Art Gallery Board of South Australia, Adelaide, 1988, p.176-177.

2 Linda Slutzkin, Charles Meere 1890 – 1961, introductory catalogue essay, S.H. Irvin Gallery, Sydney, 1987, pp. 6–7, from an interview with Freda Robertshaw, 6 September, 1987.

Nathalie Djurberg

Brown Egg

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

Ca. 92 x 103 x 145 cm

€45,000.00

NOEL SKRZYPCZAK

Mountain Painting #4

2013

Synthetic polymer paint on canvas

188 x 146 cm

$9600

EVA AND FRANCO MATTES

Stolen Pieces (from Marcel Duchamp)

1995-97

Print on Somerset velvet

76.2 x 106.7 cm

30 x 42 1/8 in

(CF0340)

$ 6,500 (plus applicable taxes)

 

The Stolen Pieces series is a collection of artworks' fragments stolen by the artists from museums around the world including a manufacturer's label peeled from the aquarium in which Jeff Koons floated his basketballs, a short length of shoelace from a Claes Oldenburg soft sculpture, a little blob of lead from an installation by Joseph Beuys, and a tiny chip of porcelain from the urinal Fountain by Marcel Duchamp.

WILL FOWLER

Untitled

2013

acrylic on canvas

65 x 60 x 1.5 inches

(165.1 x 152.4 x 3.8 cm)

Inv# WF 13.014

$16,000

Pae White

Module#32 NCS-Color S4040-R80B (cloudy)

2014

copper, epoxy filler, halogen illuminant, glass cover, stainless steel wire, cable, paint, passiflorae herba

265 x 100 x 130 cm

USD 60,000.00 + VAT if applicable

TRACEY EMIN

Past Reflection

2012

Embroidered calico

61 13/16 x 69 5/16 in. (157 x 176 cm) (unframed)

71 1/4 x 78 3/8 x 3 9/16 in. (181 x 199 x 9 cm) (framed)

GBP 160,000

Richard Lewer

Thursday night training before the finals

2014

oil on epoxy coated steel

75 x 75 cm

$9,000

JEFFREY SMART

Skaters

1999

signed 'Jeffrey Smart' lower left

oil on canvas

65.0 x 85.0cm (25 9/16 x 33 7/16in).

Estimate: AU$ 300,000 - 400,000

£180,000 - 230,000

US$ 270,000 - 360,000

Footnotes

PROVENANCE

Australian Galleries, Sydney

Private collection, Sydney

Martin Brown Fine Art, Sydney

Private collection, Sydney

Australian + International Fine Art, Deutscher~Menzies, Sydney, 10 March 2004, lot 27 (illus.)

Private collection, Sydney

 

EXHIBITED

Jeffrey Smart Paintings 1958-1999, Including Seven New Works, Australian Galleries, Sydney, 27 August - 15 September 1999

The Australian Art and Antiques Fair, Martin Browne Fine Art, Sydney, 22-26 May 2002 (illus. cover)

Ricky Swallow

Chair Study/Relief in Plain Weave

Detail

 

In his recent bronze sculptures Ricky Swallow reimagines quotidian objects and materials through a series of formal transformations. Each object starts modestly: a cardboard tube or foam plank, which Swallow economically and inventively cuts and reconfigures, adding tape or rubber bands to fasten the construction together. The resulting forms, seemingly smaller-than-life, deftly evoke domestic objects, rendered abstract and uncanny through Cubist and Surrealist strategies. Here, for instance, a chair back form recalls the compositions of Chicago Imagist Christina Ramberg, poised between irrational and rational impulses, dynamism and stasis. Casting these elegant forms in bronze and finishing them with patinas reminiscent of ceramic glazing, Swallow enacts further visual alchemy. The bronze adds literal and historic weight, as well as permanence to these studies, while the patina imbues each sculpture with graphic and painterly qualities, and a pictorial sensibility.

LIONEL SMIT

Disclose #2

Oil on Belgian Linen

190 x 190 cm

Elad Lassry

Untitled (Panel, Pink, Green, Raccoon)

2014

C-print, aluminum, carpet

167.6 x 160 x 3.8 cm

$75,000.00

 

MARIANA PALMA

Unitled

2013

oil and acrylic on canvas

Edition: unica

150 x 120 cm

US$ 40,000.00

Thomas Ruff

nudes gi03

2011

C-Print, gerahmt - framed

155 x 110 cm

Edition 5

EUR 50,000 plus VAT

MARIANA PALMA

Unitled

2013

oil and acrylic on canvas

Edition: unica

200 x 120 cm

US$ 40,000.00

Thomas Ruff

nudes nd07

2011

C-Print, gerahmt - framed

152 x 110 cm

Edition 5

EUR 50,000 plus VAT

TRACEY EMIN

Stupid Studio Girl

2011

embroidered calico

62.2 x 70.08 inches (fabric)

158 x 178 cm

68.9 x 77.17 x 3.74 inches (framed)

175 x 196 x 9.5 cm

LM14702

Gary Hume

Hoof

2014

Gloss paint on aluminium

91 x 51 cm

£65,000

NO INFO YET

Nathalie Djurberg

Egg Fried Red Green

2013

canvas, foam, acrylic, silicone

h = 60, Ø ca. 215 cm

€45,000.00

MARY HEILMANN

Green Orla

1992

Oil on canvas

76.2 x 55.9 cm / 30 x 22 inches

HEILM56908

USD 190,000.00 excl. VAT

Nathalie Djurberg

Dark Green Egg

2013

Rubber foam, coated with fabric canvas, painted with acrylic paint and silicone

Ca. 80 x 157 x 114 cm

€45,000.00

JOHANNA CALLE

Lied (2)

2013

photographic drawing on analog

photo, 27 x 21 cm

CALL/F 2

EUR 6,000.-

Clarice Beckett

The single oarsman

c.1931

oil on board

38 x 28.5cm

$55,000

STEVIE FIELDSEND

Progenies#4

2011

glass, wood

37 x 66 x 13cm

$680

Exemplary of Elad Lassry’s increasingly radical and sculptural practice, his new unique pictures feature a variety of physical and conceptual interventions into, onto, and around a photographic image. These manoeuvres suggest an uncharted territory for the photograph, namely one of dimensionality and unfixed status. In each work, the frame becomes continuous with the image, and Lassry leaves it to the viewer to decide how the photographic print differs from the rest of the object. Lassry suspends the viewer of these pictures between recognition—of photographic conventions and popular histories—and alienation, critically distancing her from received ideas about the lives of images.

In Untitled (Panel, Pink, Green, Raccoon), 2014, for example, Lassry sourced four sequential images of a raccoon from the discarded editorial assignment of an anonymous nature photographer. Drawn to the failure of the photographs as images— the animal isn't working for the camera—Lassry invests the pictures with an exceptional physical and tactile presence: a polished aluminum case accented by carpet forms. With this gesture, he asks whether identity is restored to the pictures’s subject, i.e. the raccoon, or newly granted to the pictures together as an independent thing.

MARIANA PALMA

Unitled

2013

oil and acrylic on canvas

Edition: unica

110 x 200 cm

US$ 40,000.00

James Casebere

Monticello #3

2001

Framed Cibachrome (dye destruction) print

paper: 118.1 x 147.3 cm

framed: 125.7 x 154.9 cm

Edition of 5 plus 2 APs

signed and numbered on label, verso

$70,000 mounted, framed, glazed

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: Expiration Date August 2012

2012

30 x 30 cm (frame size: 33 x 33 x 4.7 cm)

Mixed media

AUD 4,000

Thomas Ruff

Nudes gi03

2011

C-Print, gerahmt - framed

155 x 110 cm

Edition 5

EUR 50,000 + VAT

CHRIS OFILI

Study for Ovid-Stag

2012

Oil on paper

Image size: 66 x 49.5 cm, 26 x 19 1/2 in

Framed size: 84.14 x 66.83 x 3.97 cm

(CO 616)

£ 20,000.00 (ex tax)

Elad Lassry

Untitled (Panel, Pink, Green, Raccoon)

Detail

TRACEY EMIN

More come

2013

gouache on board

5.91 x 7.87 inches

15 x 20 cm

LM17738

Cerith Wyn Evans

'Witness' (after Iannis Xenakis)

2011

Chandelier (Luce Italia), independent breather unit and flash player

Height: h: 180 x diameter 120 cm

£150,000

THOMAS HOUSEAGO

(tbc, heart shaped face)

2013

Graphite and charcoal on canvas

213.4 x 182.9 x 5.1 cm / 84 x 72 x 2 inches

HOUSE60149

USD 100,000.00 excl. VAT

Olafur ELIASSON

Your momentum device

Installation View

ARTIST UNKNOWN

Natural earth pigments on eucalyptus bark

86 by 50 cm irregular

PROVENANCE

Painted at Kalumburu, Western Australia

Aboriginal Traditional Arts, Perth c.1977

The Estate of William Bowmore

Private collection, Sydney

Elad Lassry

Untitled (Panel, Pink, Green, Raccoon)

Detail

JOANA VASCONCELOS

Ipanema

2013

Viuva Lamego's tiles, handmade woolen crochet, ornaments, polester, MDF and iron

Edition: unica

242 x 160 x 45 cm

EUR 120,000.00

Jenny Holzer

TOP SECRET 23

2011

Oil on canvas

147.3 x 111.8 cm

$225,000

BRETT WHITELEY

Another Way of Looking at Vincent Van Gogh 1888-1889

1983

etching (3)

(i) 26.0 x 20.5 cm, (ii) 20.5 x 37.0 cm, (iii) 26.5 x 20.0 cm

(i) Self Portrait, One of a Dozen Glimpses, numbered and signed below image

(ii) The Back of the Asylum, St Rémy, numbered and signed below image

(iii) Sons of the Sun, numbered and signed with artist's stamp below image

edition: 51/100

Provenance:

Private collection, Sydney

Reference:

Brett Whiteley The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, cat.72,73,74 (illus., other examples)

Estimate: $7,000 - 9,000

Cory Arcangel

Miley / Lakes

2014

1920x1080 H.264/MPEG-4 Part 10 looped digital file (from lossless Quicktime Animation

master), media player, 70" flatscreen, armature, various cables

USD 60,000

CHRIS OFILI

Study for Ovid-Stag

2012

Oil on paper

Image size: 65.5 x 43.5 cm, 25 3/4 x 17 1/8 in

Framed size: 83.66 x 60.8 x 3.97 cm

(CO 617)

£ 20,000.00 (ex tax)

Richard Lewer

Happy Australia Day

2014

oil on epoxy coated steel

50 x 50 cm

$7,000

THOMAS HOUSEAGO

(tbc, cyclops head on plinth)

2013

Tuf-Cal, hemp, iron rebar, redwood

Unique

193 x 59.7 x 59.7 cm / 76 x 23 1/2 x 23 1/2 inches

HOUSE60153

USD 200,000.00 excl. VAT

Elad Lassry

Untitled (Zebrawood Bars, Thought Bubble)

2014

C-print, zebrawood

96.5 x 47 x 14 cm

JOANA VASCONCELOS

Curumim

2013

ceramic urinals and handmade cotton crohet

Edition: unica

40 x x 58 x 30 cm

EUR 48,000.00

Cory Arcangel

Photoshop CS: 1200 by 1200 centimeters, 10 DPC, RGB, square pixels, default gradient "Russel's Rainbow", mousedown y=220 x=380, mouseup y=7460 x=7360

2014

Carpet

Dimension Variable

Dimension Variable

USD 115,000.00

STEVIE FIELDSEND

Progenies #7

2011

glass, wood

36 x 20 x 13cm

$750

Gonkar Gyatso b. 1961

Shangri La

2014

Mixed media collage on Aluminum backed honeycomb panel

76 x 76 cm

TRACEY EMIN

Memory

2013

acrylic on board

6.06 x 8.11 x .12 inches

15.4 x 20.6 x .3 cm

LM17760

Elad Lassry

Untitled (Zebrawood Bars, Thought Bubble)

Alternate View

ELMGREEN & DRAGSET

But I'm on the Guest List, Too!

2012

Mirror polished stainless steel

250 x 120 x 10 cm

98 3/8 x 47 1/4 x 4 in

(ED 71)

£ 95,000.00 (ex tax)

Richard Prince

Untitled (Cowboys)

1984

Ektacolor photograph

91.4 x 73.7 cm

Edition AP

signed, dated, numbered 'ap' and inscribed in ink (on the recto), titled in ink (on the reverse)

$175,000

JOANA VASCONCELOS

Overflow

2013

ceramic wash basin, handmade cotton crochet, ornaments, polyester

Edition: unica

242 x 160 x 45 cm

EUR 36,000.00

Jesús Rafael Soto

Circulo virtual blanco con gris

1978

Paint on wood and metal

102 x 102 x 28 cm

Unique

320 000 € / $413,952 without tax

 

SHANE COTTON

Diamond with Circle Landscape

2013

250 x 250mm

acrylic on canvas

SC3404-01

NZD 7500

Ben Quilty

Self portrait

2014

Oil on Canvas

170 x 160 cm

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: Private Little Wars Pt. 1

2012

30 x 30 cm (frame size: 33 x 33 x 4.7 cm)

Mixed media

AUD 4,000

Ryan Gander

Memory stick containing research pictures of Q's

2014

Framed photograph and USB stick

189 x 142 cm

Ed. 1 of 1 plus 1 ap

GBP 40,000.00

TRACEY EMIN

light space

2013

gouache on board

5.91 x 7.87 inches

15 x 20 cm

LM17737

Louise Bourgeois (1911 - 2010)

Untitled

2005

Fabric

60.3 x 78.7 centimeters

$275,000

ELMGREEN & DRAGSET

Powerless Structures, Fig. 101

2013

Sculpture: 24-carat gold plated. Plinth: wood

152 x 160 x 65 cm

59 7/8 x 63 x 25 5/8 in

(ED 103)

£ 150,000.00 (ex tax)

Jesús Rafael Soto

Circulo virtual blanco con gris

Detail view

DANIE MELLOR

New World, New Order (The Visitors)

2009

mixed media on paper

139.5 x 100.0 cm

Provenance

Jan Murphy Gallery, Brisbane

Private collection, Brisbane

Exhibited

Tweed River Art Gallery, 7 May - 20 June 2010

Bathurst Regional Art Gallery, 7 October - 20 November 2011

PAE WHITE

Soft Wizard

2013

cotton, polyester and lurex

cm 283 x 379 / in 111,5 x 150

unique edition

USD 75.000 + VAT

PAUL MCCARTHY

White Snow, Prince and Snow White (working title)

2012-2013

Black walnut

Ed. 1/5 + 2 AP

91.4 x 50.5 x 93.8 cm / 36 x 19 7/8 x 36 7/8 inches

McCAR51711

USD 650,000.00 excl. VAT

Beatriz Milhazes

Snake Dreaming

2013

Woodblock and screenprint on Saunders 425g paper

94 x 117 cm

Edition 15 of 40

JCG6782.15

 

$35,000 unframed

 

This is Milhazes newest work. Her major survey show is up at Perez Art Museum Miami now/during time of Basel fair.

STEVIE FIELDSEND

Progenies #13

2013

glass, wood

44 x 33 x 15cm

$1,900

Jesús Rafael Soto

Circulo virtual blanco con gris

Detail view

RASHID JOHNSON

The Baptism

2013

black mirrored tile, black soap, wax

72.5 x 49.5 x 3 inches

(184.2 x 125.7 x 7.6 cm)

Price: $110,000.00

DETAIL VIEW

Del Kathryn Barton

the heart land

2013/2014

(panel 3)

JONAS WOOD

Clipping E3

2013

oil and acrylic on canvas

114 x 76 inches

(289.6 x 193 cm)

Inv# JW 13.016

$64,000

Jacqueline Humphries

Untitled

2014

Oil on linen

254 x 282 cm

USD 150,000

PAUL MCCARTHY

She He Enis Penis Cut

2013

Acrylic and collage on canvas stretched over board

243.8 x 335.3 cm / 96 x 132 inches

McCAR60212

Jesús Rafael Soto

Vibración tricolor marrón, negra y azul

1990

Paint on wood and metal, nylon

102 x 102 x 17 cm

Unique

287 500 € / $371,910 without tax

JOHANNA CALLE

Lied (11)

2013

photographic drawing on analog

photo, 27 x 21 cm

CALL/F 11

EUR 6,000.-

Michael Zavros

Rolls Royce Poodle

2014

Oil on canvas

160 x 225cm

AUD$90,000 inc gst

Looks like a photo, but it is a painting.

TRACEY EMIN

The Passion of Your Smile

2013

neon

32.8 x 74.8 inches

83.3 x 190 cm

Edition of 3

LM18880

GB£70,000.00

Jesús Rafael Soto

Vibración tricolor marrón, negra y azul

Detail view

VERNE DAWSON

Straying From De Soto's Party

2013

Oil on linen

182.9 x 213.4 cm

72 x 84 in

(VD 112)

$ 90,000.00 (ex tax)

Olafur ELIASSON

Your momentum device

Installation View

RICKY SWALLOW

Drapery Form with S’s

2013

patinated bronze

72.4 x 25.4 x 10.2 cm

28 1/2 x 10 x 4 ins

unique

(MA-SWALR-00469)

USD 30,000

Jon Pestoni

Wino

2014

Oil and mixed media on canvas

198.1 x 152.4 cm

$45,000

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: Private Little Wars Pt. 2

2012

30 x 30 cm (frame size: 33 x 33

AUD 5,800 pair with notes on energy text work

WILLIAM KENTRIDGE

Tango for Page Turning

2012/2013

Single channel HD video; 2 min. 48 sec.

Music by Phillip Miller

Edition of 9 plus 2AP

No. 16449

$120,000.00

RON MUECK

Woman with Shopping

2013

Mixed media

Ed. 2/4 + 1 AP

113 x 46 x 30 cm / 44 1/2 x 18 1/8 x 11 3/4 inches

MUECK58252

GBP 550,000.00 excl. VAT

Jesús Rafael Soto

Vibración tricolor marrón, negra y azul

Detail view

NO INFO YET

Michael Zavros

The Octopus

2014

Oil on canvas

180 x 180cm

AUD75,000 inc gst

DANIEL ARSHAM

Moai

2013

Gouache on mylar, frame

30,2 x 21,5 cm / 11 3/4 x 8 1/3 inches

Unique

$5,000 AUD

Jon Pestoni

Wino

2014

Oil and mixed media on canvas

198.1 x 152.4 cm

$45,000

ERNESTO NETO

Me, my back and my life

2013

2 photographs, 2 ceramic pots with plants (Muehlenbeckia)

Diptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 28.000,00

(VAT not included)

WILLIAM & GERHARD MARX KENTRIDGE

Fire Walker

2013

Rusted steel

100 x 50 x 40 cm

Edition of 9 plus 2AP

No. 16189

EVA ROTHSCHILD

Hollywood Nights

2013

spray paint, jesmonite, mixed media, steel stand

216 x 67 x 72 cm

85 1/8 x 26 3/8 x 28 3/8 ins

(MA-ROTHE-00332)

GBP 35,000

Claire Healy & Sean Cordeiro

Kitchenette – Dolphin

2014

Lego, Ikea shelf and plant

$12,000.00

JENNY HOLZER

SELECTION FROM SURVIVAL: THE FUTURE IS STUPID

2006

Danby Imperial white marble footstool

17 x 23 x 15 3/4 inches

43.2 x 58.4 x 40 centimeters

(JH983.4/10)

HO.18515.4

Jon Pestoni

Motel

2014

Oil on canvas

198.1 x 152.4 cm

$45,000

TRACEY EMIN

A cloud of blood invisible mist

2013

bronze

8.5 x 15 x 5.51 inches

21.6 x 38.1 x 14 cm

Edition of 5

LM17633

£45,000.00 GBP

These are also undervalued as they are very beautiful as well as poignant.

Andreas Gursky

Ocean II

2010

Edition 4 / 6

Medium to be confirmed

341.1 x 249.4 x 6.4 cm

EUR 400,000.00

BERNAR VENET

221.5" Arc x 12

2008

Corten steel

H: 260 diameter: 450 cm 126cm

(n.b. Overall width dimensions vary depending on installation)

EURO 350,000 +GST

Jon Pestoni

Motel

2014

Oil on canvas

198.1 x 152.4 cm

$45,000

DIANA THATER

Day for Night Two

2013

9 monitor videowall installation

Overall: 173.67 x 307.34 x 9.21 cm / 68 3/8 x 121 x 3 5/8 inches

Monitors, each: 58.1 x 102.55 x 9.21 cm / 22 7/8 x 40 3/8 x 3 5/8 inches

173.6 x 307.3 x 9.21 cm / 68 3/8 x 121 x 3 5/8 inches

THATE58674

USD 150,000.00 excl. VAT

WILLIAM & GERHARD MARX KENTRIDGE

Fire Walker

2013

Rusted steel

100 x 50 x 40 cm

Edition of 9 plus 2AP

No. 16189

STEVIE FIELDSEND

Progenies #15

2012-­13

glass, wood

42 x 27 x 15cm

$1,900

Christian Holstad

Entrance

2014

Hand-cut paper collage on MDF wood

8 panels each 203 x 104 x 6.5 cm

$ 180,000.00 (excluding tax)

TRACEY EMIN

Before

2013

acrylic on canvas

8.07 x 8.07 x .79 inches

20.5 x 20.5 x 2 cm

LM17745

£45,000.00 GBP

Rita Ackermann (b. 1968)

Chalkboard Painting I

2013

Acrylic, spray paint and chalk on canvas

198.1 x 111.8 cm

USD 75,000.00

DANIEL ARSHAM

Mataveri airport entrance

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/3 x 11 3/4 inches

Unique

$5,000 AUD

Mark Flood

Love Bruise

2013

Painting - Acrylic on canvas

238.8 x 176.5 cm

PP

 

Mark Flood (b. 1957, USA) has been making work in Houston, Texas since the late 1970s. As a founder of the seminal punk rock band Culturcide and later presenting work in galleries and off spaces under various pseudonyms, Flood has produced a range of work over the past 40 years which undermines and subverts oneway, omnipresent forms of corporate communication. Recent and upcoming solo shows include the Contemporary Arts Museum, St. Louis and the Contemporary Arts Museum, Houston.

TRACEY EMIN

Another leg

2013

acrylic on board

6.06 x 8.11 x .12 inches

15.4 x 20.6 x .3 cm

LM17759

Jon Pestoni

Windex

2014

Oil on canvas

198.1 x 172.7 cm

$45,000

MATHIEU MERCIER

Untitled (Bike/primary aerosol)

2012

Bike, sublimation on Corian pedestal

150 x 185 x 70 cm

59.06 x 72.83 x 27.56 in

Unique piece

MM 2012/010

Certificate signed by the artist

EUR 24,000.00

Lionel Bawden

flipside

2011

coloured Staedtler pencils, epoxy & incralac on perspex shelf

28.0 x 33.0 x 13.0 cm

$8,800

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: Notes on Energy Continuums

2012

30 x 30 cm (frame size: 33 x 33 x 4.7 cm)

Mixed media

AUD 5,800 pair with Private Little Wars text work

Pae White

Module#535 NCS-Color S1050-G90Y (golden)

2014

copper, epoxy filler, halogen illuminant, glass cover, stainless steel wire, cable, paint, earth from Garden of the Gods

260 x 110 x 120 cm

USD 60,000.00 + VAT if applicable

 

Part of a series of boldly colored and uniquely designed chandeliers, each of Pae White’s Modules is an illusion of materials, appearing to the eye to be cast in plaster, the structural basis of each sculpture is in fact epoxy-coated copper. No longer bearing the shining traces of metal, the lamps' branches float in the air with a subtle expanse of chalky, pastel color. As a new improvisation on the chandelier, each work integrates not only light sources but also various material elements, including fragrant earth, cocktails, bathwater, spices and crystals, which allude to the artists' own personal history and can be interchanged with other meaningful items.

TRACEY EMIN

Humiliated

2013

bronze

8.5 x 12.52 x 7.52 inches

21.6 x 31.8 x 19.1 cm

Edition of 5

LM17820

£45,000.00 GBP

Jon Pestoni

Brains

2014

Oil and mixed media on canvas

198.1 x 172.7 cm

$45,000

STURTEVANT

Dillinger Running Series

1999

Hand-pulled Black and white photography, graphite on paper

25 x 22.2 cm (9.84 x 8.74 in) (paper)

13.1 x 11.1 cm (5.16 x 4.37 in) (image)

Ed. unique

ST 2071

EUR 10,000

Mark Flood

THAT FUCK

2014

Painting - Archival ink on canvas

236.5 x 129.5 cm

PP

 

 

PEDRO MOTTA

Da série a Natureza das coisas [From the series the nature of things]

2013

Pencil on mineral ink print on cotton paper

Edition: Ed. 3/3 + 1 AP + 1EC

61 x 55 cm

10242

US$3,000 - 3,500

Giulio Paolini

Studio per "Villa dei Misteri"

2013

Collage on black paper

50 x 50 cm

No. 16098

MGG

TRACEY EMIN

Lonely Chair drawing I

2012

gouache on paper

39.96 x 53.94 inches

101.5 x 137 cm

43.5 x 59.25 x 2 inches (framed)

110.5 x 150.5 x 5.1 cm

LM16843

£45,000.00 GBP

Jon Pestoni

Windex

2014

Oil on canvas

198.1 x 172.7 cm

$45,000

STURTEVANT

Warhol Flowers

1964-70

S/C, acrylic

28 x 28 cm (11.02 x 11.02 in)

At the back : "Warhol Flowers Sturtevant 64-70 Paris"

#7 Artsit Studio

ST 2037

EUR 85,000

Ettore Spalletti

Ma, sì, blu di Prussia e oro

2011

Colour impasto on board, gold leaf

50 x 50 x 4 cm

€35,000.00 (+VAT)

EVA SCHLEGEL

Ohne Titel (194)

2010

SCHLE/D 155

silkscreen on lead

35 x 53 cm

ed. 2/5

EUR 5,900.-

Dont konw this artist but she is specifically channleing Yves Klien and its great prictuer

THOMAS STRUTH

Mount Bental, Golan Heights

2011

Inkjet print Image:

125 x 158 cm

Edition of 6

No. 16307

€100,000.00

 

ADAM CULLEN

Shark

2010

oil on canvas

182.0 x 244.0 cm

signed with initials lower right: AC

Provenance:

Acquired from the artist, private collection, Sydney

Estimate: $16,000 - 20,000

Jon Pestoni

Brains

Detail

TRACEY EMIN

Always

2013

acrylic on board

6.06 x 8.11 x .12 inches

15.4 x 20.6 x .3 cm

LM17748

Claire Healy & Sean Cordeiro

Garage / Tool Shed - Doe

2014

Lego, Ikea trestle with shelf and plant

130 x 150 x 70cm

$28,000.00

STURTEVANT

Dillinger Running Series

1999

Hand-pulled Black and white photography and photocopies on paper

15.1 x 21.1 cm (5.94 x 8.31 in)

Ed. unique

ST 2074

EUR 10,000

Alexandra Bircken

Crown

2014

Nickel silver

36 x 27x 21 cm

Plinth: 95 x 40 x 40 cm

Edition 1 of 3 plus 1 AP

HS

TRACEY EMIN

Lonely Chair drawing II

2012

gouache on paper

39.96 x 53.94 inches

101.5 x 137 cm

43.5 x 59.25 x 2 inches (framed)

110.5 x 150.5 x 5.1 cm

LM16844

£45,000.00 GBP

Jon Pestoni

Wondering Eye

Detail

Invisible Language Workshop, Wallspace, New York, 2009

INSTALLATION VIEW

Santo Tolone

Rondò

2014

Etched Engraving on Brass Plate

Poplar Wood

H140cm x W100cm x D4cm

£11,000

Very young artist

YANG SHAOBIN

Blue Room 21

2010

Oil on canvas

195 x 217 cm

RMB 1,000,000

Kawita Vatanajyankur

The Basket

2014

Type HD colour video

edition of 3, $990

COLIN McCAHON

Black Diamond, White Square (No. 8, The First Gate Series)

1961

enamel on hardboard

1230 x 780 mm

AUD$350,000

Alexandra Bircken

Crown

Alternate View

STURTEVANT

Dillinger Running Series

2000

Black and White photocopy collage on paper

24 x 32 cm (9.45 x 12.6 in) (paper)

21.2 x 26 cm (8.35 x 10.24 in) (image)

Ed. unique

ST 2080

EUR 10,000

Jon Pestoni

Wondering Eye

2014

Oil and mixed media on canvas

198.1 x 172.7 cm

$45,000

DANIEL ARSHAM

Ahu Tongariki

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/3 x 11 3/4 inches

Unique

$5,000 AUD

Nyapanyapa Yunupingu

Djorra (paper) 3

felt tip pens, white clay, acrylic paint on discarded print proofs

228 × 224cm

76 x 56cm each

AU$ 22,000.00

TRACEY EMIN

Small Tears

2012

embroidered calico

24.8 x 24.8 inches

63 x 63 cm

33 x 33 x 3.75 inches (framed)

83.8 x 83.8 x 9.5 cm

LM17291

£55,000.00 GBP

Alexandra Bircken

Crown

Alternate View

NADER AHRIMAN

Die Fußwaschung – Heimkehr der lachenden Seeligkeit und des lachenden Gleichmuts der Götter zu den Menschen

2009

AHR/M 27

acrylic on canvas

120 x 100 cm

TBA

Jon Pestoni

High Wall

2014

Oil and mixed media on canvas

198.1 x 152.4 cm

$45,000

STURTEVANT

Dillinger Running Series

2000

Hand-pulled Black and white photography

42.1 x 35.7 cm (16.57 x 14.06 in) (paper)

Ed. 1/2

ST 2091

EUR 10,000

Peter Doig

Paragrand Beach (eu plein air…!)

2004

Oil on paper

Signed and dated on reverse

25 x 35.2 cm

$ 30,000.00 (ex tax)

ERNESTO NETO

Rita Ackermann (b. 1968)

Chalkboard Painting IV

2013

Acrylic, spray paint and chalk on canvas

198.1 x 111.8 cm

USD 75,000.00

JACK STRANGE

Lump Inside A Lump (kicking it)

2013

Soil, Plaster, Wire, Sculptamold, iPods, 2 x Video Files (10'00" each)

40cm Diameter Approx.

Unique

£4,000.00 (+VAT)

LLJS293_13

 

A soil-encrusted lump with two video screens inserted into it. The screen show footage made from cameras being kicked along the ground. The footage stills submerged in grass for a while or stares up into the sky; a pair of legs can be seen moving slowly towards the camera and a foot comes into shot and fills the screen; a big toe or sole of a foot appear and the footage tumbles widely as ground and sky roll over each other or ground and darkness tumble together.

Jon Pestoni

High Wall

2014

Oil and mixed media on canvas

198.1 x 152.4 cm

$45,000

ADEL ABDESSEMED

L'age d'or

2013

Gold-plated brass

44 1/2 x 74 x 1 3/4 inches

113 x 188 x 4.5 cm

Edition of 3, 1 AP

ABDAD0479

$850,000

Stan Douglas

Hogan's Alley

2014

Digital chromogenic print mounted on Dibond aluminum

157.5 x 309.9 x 7.6 cm

$ 100,000.00 (ex tax)

TRACEY EMIN

The Super Prince is coming

2012

gouache on paper

9.84 x 9.84 inches

25 x 25 cm

20.3125 x 20.375 x 1.5 inches (framed)

51.6 x 51.8 x 3.8 cm

LM17572

£15,000.00 GBP

Kawita Vatanajyankur

Wet Rag

2014

Type HD colour video

edition of 3, $990

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

Jon Pestoni

Brains

2014

Oil and mixed media on canvas

198.1 x 172.7 cm

$45,000

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: Fragment of an Antique Phaser Rifle 01

2012

30 x 30 cm (frame size: 33 x 33 x 4.7 cm)

cast paper on archival watercolor paper

AUD 4,000

Pae White

Perisna (ranSeed(5311), COMBO[3].loc.x*s, COMBO[3].loc.y*s)

2014

lurex, silver, cotton and polyester

290 x 410 cm

USD 75.000,00 + VAT if applicable

GRAYSON PERRY

Role Models

1994

Glazed ceramic

23 x 24 cm diameter

9 1/8 x 9 1/2 in diameter

(GP 393)

£ 38,000.00 (ex tax)

Michael Dean

N (Working Title), analogue series (muscles)

2014

Concrete

180 x 45 x 40 cm

£14,000

HS

TRACEY EMIN

There is nothing left but you

2013

bronze

9.02 x 15.98 x 5.98 inches

22.9 x 40.6 x 15.2 cm

Edition of 5

LM17631

£45,000.00 GBP

These are also undervalued as they are very beautiful as well as poignant.

Jon Pestoni

Blacktop

2014

Oil and mixed media on canvas

198.1 x 172.7 cm

$45,000

SHIRAZEH HOUSHIARY

Untitled

2008

blue pencil on black aquacryl on canvas

15.75 x 15.75 inches

40 x 40 cm

LM12062

Kawita Vatanajyankur

The Robes

2014

Type HD colour video

edition of 3

$990

 

ADEL ABDESSEMED

Mappemonde - olive

2011

Printed steel

Diameter: 118 1/2 inches

301cm

ABDAD0333A

$550,000

Djordje Ozbolt

tbc

2014

Acrylics on canvas

80 x 70 cm

£12,000

HS

Invisible Language Workshop, Wallspace, New York, 2009

INSTALLATION VIEW

Jon Pestoni

Blacktop

2014

Oil and mixed media on canvas

198.1 x 172.7 cm

$45,000

MARTIN CREED

Work No. 1293

2011

Watercolour on paper

29.7 x 21 cm / 11 3/4 x 8 1/4 inches

CREED50419

USD 20,000.00 excl. VAT

Yayoi Kusama

INFINITY-NETSï¼»OGWA]

2014

Acrylic on canvas

130.3 x 130.3 cm

$ 320,000.00 (ex tax)

ROBERT KLIPPEL

No. 550

1985

painted wood assemblage

74.5 cm height

Provenance:

Robert Klippel Estate

Private collection, Sydney

Menzies, Sydney, 24 March 2011, lot 5

Private collection, Melbourne

Menzies, Sydney, 06 December 2012, lot 101

Corporate collection, Melbourne

Estimate: $12,000 - 16,000

Claire Healy & Sean Cordeiro

Kitchen / Pantry – Seal

2014

Lego, Ikea foot stool and plant

103 × 110 × 112cm

AU$ 20,000.00

GRAYSON PERRY

Primitive Men

1994

Glazed ceramic

42.5 x 36 cm diameter

16 3/4 x 14 1/8 in diameter

(GP 395)

£ 42,000.00 (ex tax)

Jon Pestoni

High Wall

2014

Oil and mixed media on canvas

198.1 x 152.4 cm

$45,000

TOMMA ABTS

Eerke

2000

Oil and acrylic on canvas

19 1/8 x 15 1/4 x 3/4 inches

48.6 x 38.7 x 1.9 cm

Signed, titled, and dated verso

ABTTO0028B

$200,000

FM

Ian Hamilton Finlay

Five Finials

1999

Stone, with Peter Coates

39 x 21 x 21 cm, each approx

£ 90,000.00 (ex tax)

TERESITA FERNÁNDEZ

Aurora Green

2012

solid graphite

2 panels, each: 16 x 20 inches

40.6 x 50.8 cm

Overall: 16 x 40 inches

40.6 x 101.6 cm

LM16190

$60,000.00 USD

Christian Thompson

Ellipse

2014

C-Type print

100 x 100 cm

edition of 5 +2AP

unframed

$8,800.00

STEVIE FIELDSEND

Progenies #16

2012-­13

glass, wood

60 x 28 x 20cm

$2,500

Jon Pestoni

Windex

2014

Oil on canvas

198.1 x 172.7 cm

$45,000

SEAN EDWARDS

Untitled

2013

Framed Archival Giclee Print on Dibond

H150cm x W132cm

Ed 1/5 (+2AP)

£4,000.00 (+VAT)

LLSE178_13_1

Nicholas Hlobo

Emgibeni

2014

Ribbon on Fabriano paper

Paper size: 66 x 102cm

€25 000 including frame

TOMMA ABTS

Untitled

2010

4 parts Drawings 1, 2, and 4: Watercolor Drawing 3: Watercolor and

graphite on paper

Each framed: 14 1/2 x 11 x 5/8 inches

36.8x 27.9 x 1.6 cm

Each paper: 11 5/8 x 8 1/4 inches

29.5 x 21cm

Each signed,titled, and dated

ABTTO0105A

$45,000

Pat Brassington

Asphalt

2013

from In search of the marvellous

83 x 120cm

edition of 8

$7700

TERESITA FERNÁNDEZ

Ghost (Vines)

2013

stainless steel

92.5 x 130.5 inches

235 x 331.5 cm

Edition of 3

LM18400

$425,000.00 USD

Jon Pestoni

Wino

2014

Oil and mixed media on canvas

198.1 x 152.4 cm

$45,000

DANIEL ARSHAM

Rano Kau with view of Hanga Roa

2013

Gouache on mylar, frame

21,45 x 56,1 cm / 8 1/4 x 22 inches

Unique

$6,000 AUD

Rita Ackermann (b. 1968)

Chalkboard Painting VI

2014

Acrylic, spray paint and chalk on canvas

198.1 x 111.8 x 4.1 cm

USD 75,000.00

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: Fragment of an Antique Phaser Rifle 02

2012

30 x 30 cm (frame size: 33 x 33 x 4.7 cm)

cast paper on archival watercolor paper

AUD 4,000

Jon Pestoni

Motel

2014

Oil on canvas

198.1 x 152.4 cm

$45,000

JENNY HOLZER

SELECTION FROM SURVIVAL: USE WHAT IS DOMINANT...

2006

Danby Imperial white marble footstool

17 x 23 x 15 3/4 inches

43.2 x 58.4 x 40 centimeters

(JH978.5/10)

HO.30334.5

Olafur Eliasson

The new planet

Alternate View

TERESITA FERNÁNDEZ

Nocturnal (Magenta Rise)

2011

graphite on wood panel

4 panels, each: 12 x 36 inches

30.5 x 91.4 cm

Total dimension: 12 x 144 inches

30.5 x 365.8 cm

LM17929

SOLD

Pat Brassington

Gifted

2013

from In search of the marvellous

100 x 80cm

edition of 8

$7700

SEAN EDWARDS

Untitled

2013

Framed Archival Giclee Print on Dibond

H150cm x W132cm

Ed 1/5 (+2AP)

£4,000.00 (+VAT)

LLSE181_13_1

Jon Pestoni

Wondering Eye

2014

Oil and mixed media on canvas

198.1 x 172.7 cm

$45,000

ISA GENZKEN

Guardini

1987

Concrete and steel

89 x 31 7/8 x 18 1/8 inches

226 x 81 x 46 cm

Signed,titled, and dated bodom

GENIS0106H

$450,000

Olafur Eliasson

Dew viewer

2014

213 partially silvered crystal spheres, acrylic paint (black), stainless steel,

ca. ø 138 x 56,5 cm

unique

 

EUR 250.000,00 + VAT if applicable

MARCUS COATES

Comma Butterfly, Polygonia c-album (larva) Self portrait, sugar

2013

Archival Giclée Print mounted on Aluminium

172.7 x 121.9 cm, 68 x 48 in

edition of 5 plus 1 artist's proofs

(MC0167)

£ 7,500.00 + Tax (unframed)

Pae White

Perisna (ranSeed(4722), COMBO[17].loc.x*s, COMBO[17].loc.y*s)

2014

lurex, silver, cotton and polyester

290 x 290 cm

USD 65.000,00 + VAT if applicable

 

In 2005, White began to create large-scale tapestry works using an elaborate process of translation and production, illustrating fleeting material constellations that range from passing smoke to momentary light reflections. Transforming the material of her motifs with fabric, White captures the plasticity of the source objects while also decontextualizing the wall tapestry genre. In her new series of tapestries, White has woven scanned images of antique Japanese fabric samples using shimmering gold, copper, silver and lurex threads in a technique specially devised for several large-scale works currently on view in her solo exhibition at the MAK Museum für Angewandte Kunst in Vienna. Playing on the tradition of the Persian tapestry, the Perisna series is an occasion for White to interprest her medium yet again anew with complex panoramas rendered in colors, forms and textures. Oscillating between the sculptural and the picturesque, these free-hanging works have an almost impenetrable presence, paradoxically conveying both a visual density as well as a delicate lightness.

TERESITA FERNÁNDEZ

Nocturnal (Magenta Rise)

2011

graphite on wood panel

4 panels, each: 12 x 36 inches

30.5 x 91.4 cm

Total dimension: 12 x 144 inches

30.5 x 365.8 cm

LM17929

DETAIL VIEW

SOLD

 

Jon Pestoni

Jukebox

2014

Oil on canvas

198.1 x 152.4 cm

$45,000

ADAM CULLEN

Foreign Correspondent

2002

synthetic polymer paint on canvas

182.5 x 60.5 cm

signed and dated verso: Adam Cullen 2002

signed, dated and inscribed on stretcher verso: 'FOREIGN CORRESPONDENT, 2002/ ADAM CULLEN/ FOREIGN/ CORRESPONDENT

 

Provenance:

Gift from the artist to the present owner, Sydney

Estimate: $6,500 - 8,500

Pat Brassington

Blush

2014

Type pigment print

80 x 72cm

edition of 8

$6600

Thomas Ruff

r.phg.s.02

2012

Chromogenic print

94 1/2 x 72 7/8 inches

240 x 185 cm

Edition 1 of 4

Signed, dated, numbered verso

RUFTH0957

$95,000

Jon Pestoni

Blacktop

2014

Oil and mixed media on canvas

198.1 x 172.7 cm

$45,000

JACK KAREDADA (ATTRIBUTED TO)

Untitled (Wanjina)

c.1971

Natural earth pigments on eucalyptus bark

145.5 by 67 cm irregular

PROVENANCE

Graham Cormall, Melbourne

Private Collection, Sydney

Sotheby’s Australia, Aboriginal Art, Melbourne, 26/07/2010, Lot No. 213

LITERATURE

Graham Cornall, Wandjina Paintings of the Kimberley: A Continuing Tradition,

in The Australian Antique Collector, July-December 1999, pp.37-38,

p.36 (illus.)

LOT 59

Brett Whiteley B.1939-1992)

Preliminary Idea for Very Large Plum and Ultramarine Vase or Pot

1976

oil on paper on card

141.0 x 86.0 cm

signed and dated upper left: brett whiteley 1976

inscribed upper right: preliminary idea for very large plum + ultramarine vase or pot. 48" high

Provenance:

Arkie Whiteley

The Estate of the late Christopher Kuhn, Canada

Estimate: $55,000 - 75,000

ALEX PRAGER

Face in the Crowd Film Strip #1

2013

archival pigment print

48 x 23 inches

121.9 x 58.4 cm

48.94 x 23.94 x 1.75 inches (framed)

124.3 x 60.8 x 4.4 cm

Edition of 6

LM18564

SOLD

Pat Brassington

Quiescent

2014

Type pigment print

80 x 63cm

edition of 8

$6600

SEAN EDWARDS

Untitled

2013

Framed Archival Giclee Print on Dibond

H150cm x W132cm

Ed 1/5 (+2AP)

£4,000.00 (+VAT)

LLSE177_13_1

Rita Ackermann (b. 1968)

Chalkboard Painting XII

2014

Acrylic, spray paint and chalk on canvas

195.6 x 101.6 cm

USD 75,000.00

YUTAKA SONE

VENEZIA

2013

White marble

18%1/8 x 69 5/8 x 49 1/8 inches

46 x 177 x 125 cm

Edition 1 of 3, 1 APs

SONYU1053

$400,000

Pat Brassington

Rosa

2014

Type pigment print

80 x 62cm

edition of 8

$6600

DAMIEN HIRST

Transportation

2008

butterflies and household gloss on canvas

1219 x 1219mm

USD $750,000 +GST

 

David Griggs

The Yum Yuck Hippy Painting #1

2014

Oil on canvas

213 x 152cm

$13,000.00

DANIEL ARSHAM

Horse riding on Terevaka

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/3 x 11 3/4 inches

Unique

$5,000 AUD

Oldenburg/van Bruggen

Leaning Clarinet

2006

aluminum painted with acrylic polyurethane

358.1 cm x 157.5 cm x 81.32' 8" cm

Cast 1 of 3

Edition of 3 plus 1 AP

$3,500,000.00

No. 37178.01

TAL R

Walk towards Hare Hill

2013

Oil on cardboard

23 x 36 cm

9 1/8 x 14 1/8 in

(TR 212)

EUR 9,500.00 (ex tax)

Alfredo Jaar

Other People Think

2012

lightbox with b/w-transparency

152.4 x 152.4 x 15.2 cm

2/3 plus 1AP

35.000,00 EUR (+VAT and transport costs)

JESSE WINE

Culture Stick I

2013

Glazed Ceramics

H54cm x W28cm x D30cm

Unique

£4,000.00 (+VAT)

LLJW132_13

Olafur Eliasson

Borders versus horizons

2014

Partially silvered crystal spheres, acrylic paint (black),

ø 30 cm

unique

 

EUR 65.000,00 + VAT if applicable

 

Two closely related works, Horizons versus borders andBorders versus horizons each consist of a mirrored sphere resting on an elegant, linear pedestal. Intricate, geometric patterns cover the globes’ surfaces, which have been silvered and then painted matte black, with thin lines in the silvering and paint cut away. When viewers peer into the spheres, these interstitial voids reveal a mesmerising infinitude, a complex, kaleidoscopic view into each sculpture‘s interior, its patterned surface, and what lies beyond.

THE PROPELLER GROUP

THE HISTORY OF THE FUTURE: Fragment of an Antique Phaser Rifle 03

2012

30 x 30 cm (frame size: 33 x 33 x 4.7 cm)

cast paper on archival watercolor paper

AUD 4,000

Ben Quilty

Jug (Nose)

2014

Porcelain

23 x 23 x 23 cm

Edition of 5 plus 2 AP

AUD $15,000.00

JAMES WELLING

G13QW

2012

Archival inkjet print

Framed:60 3/4 x 48 3/4 x 1 1/2 inches

154.31 x 123.83 x 3.81 cm

Image: 51 7/8 x 40 inches

131.8 x 101.6 cm

Edition 4 of 5

WELJA1125

$25,000

Olafur Eliasson

Horizons versus borders

2014

Partially silvered crystal spheres, acrylic paint (black),

ø 30 cm

unique

 

EUR 65.000,00 + VAT if applicable

MATHIEU MERCIER

Drum and Bass 182

2002-2013

shelf system, red folders, yellow plastic boxes, blue cash box

100 x 96 x 30 cm

Unique piece

MM 2013/002

Certificate signed by the artist

EUR 18,000.00

Larry Bell

Mirage Painting #225

1990

Mixed media on black canvas

42 11/16 x 42 11/16 in. (108.5 x 108.5 cm)

USD 70000

ROBIN RHODE

Arm Chair

2011

digital animation

1:20 minutes

Edition of 5

LM16960

€30,000.00 EUR

Ben Quilty

Jug (Private Phil Butler)

2014

Porcelain

26 x 19 x 27 cm

Edition of 5 plus 2 AP

AUD $15,000.00

TAL R

Walk towards Hare Hill

2013

Oil on cardboard

26 x 33 cm

10 1/4 x 13 in

(TR 213)

EUR 9,500.00 (ex tax)

Rita Ackermann (b. 1968)

Chalkboard Painting XIII

2014

Acrylic, spray paint and chalk on canvas

195.6 x 101.6 cm

USD 75,000.00

JESSE WINE

Plenty of Vessels

2013

Jesmonite

H50cm x W45cm x D45cm

Unique

£3,000.00 (+VAT)

LLJW150_13

Ben Quilty

Jug (Leonardo)

2014

Porcelain

22 x 26 x 17 cm

Edition of 5 plus 2 AP

AUD $15,000.00

DANH VO

Untitled (Flag)

2012

cardboard, gold - 395 gr.

Oldenburg/van Bruggen

Leaning Clarinet

 Alternate View

ROBIN RHODE

Kid Candle

2009

digital animation

1:03 minutes

Edition of 5

LM16407

€30,000.00 EUR

Ben Quilty

Jug (Scream after Leonardo)

2014

Porcelain

18 x 20 x 17 cm

Edition of 5 plus 2 AP

AUD $15,000.00

ROVER THOMAS (JULAMA)

Tumbi (Owl)

1989

Natural pigments and binder on canvas

Bears artists name, titled Dunbi (sic) and dated 1989 on the stretcher

120 by 64 cm

PROVENANCE

Acquired on behalf of Mr. Stephen Muecke directly from the artist by Mr. Krim Benterrak at Warmun (Turkey Creek) in August/September 1989.

John Cruthers, Art Consultant

Private Collection, Perth

LOT 67

Emily Kame Kngwarreye (B.c1910-1996)

Wildflower Dreaming

Ammatyerre language group

1995

synthetic polymer paint on Belgian linen

159.0 x 207.0 cm

inscribed verso: FLG17/ DACOU/ 741

Provenance:

Dacou Gallery, Adelaide (cat.DG741)

Flinders Lane Gallery, Melbourne (cat.FLG17, label attached verso)

Private collection, Victoria

Lawson-Menzies, Sydney, 9 November 2005, lot 123

Private collection, Sydney

Menzies, Sydney, 24 June 2010, lot 48

Private collection, Sydney

accompanied by a photograph of the artist with the work and documentation from Flinders Lane Gallery, Melbourne

Estimate: $26,000 - 36,000

TV MOORE

Gonshi Beat

2013

cibachrome in unique frame

168.0 x 135.0 cm

(KR5750)

$ 22,000

Del Kathryn Barton

the heart land

2013/2014

(panel 1)

TAL R

Walk towards Hare Hill

2013

Ink on paper

28 x 24 cm

11 1/8 x 9 1/2 in

(TR 214)

EUR 8,500.00 (ex tax)

Rita Ackermann (b. 1968)

Chalkboard Painting XVII

2014

Acrylic, spray paint and chalk on canvas

195.6 x 101.6 cm

USD 75,000.00

STEVIE FIELDSEND

Solve et Coagula #6

2013

glass, wood

43 x 33 x 13cm

$1,900

Del Kathryn Barton

the heart land

2013/2014

(panel 2)

TAL R

Walk towards Hare Hill

2013

Ink on paper

30 x 22 cm

11 3/4 x 8 5/8 in

(TR 215)

EUR 8,500.00 (ex tax)

Oldenburg/van Bruggen

Leaning Clarinet

Alternate View

FRANCIS UPRITCHARD

Taranaki Lichen

2012

glass and bronze

20 x 43 x 10 cm

£7500 +VAT

Claire Healy & Sean Cordeiro

Master Bedroom – Deer

2014

Lego, Ikea chairs, drawing paper roll and plant

179 × 170 × 130cm

AU$ 35,000.00

DANIEL ARSHAM

Ahu Tongariki

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/3 x 11 3/4 inches

Unique

$5,000 AUD

Del Kathryn Barton

the heart land

2013/2014

(panel 4)

TAL R

Walk towards Hare Hill

2013

Oil on cardboard

32 x 22 cm

12 5/8 x 8 5/8 in

(TR 216)

EUR 9,000.00 (ex tax)

Teresita Fernández

Nocturnal (Golden Night)

2014

graphite & metallic paint on wood panel

two panels, each: 91.4 x 121.9 cm

Overall: 91.4 x 243.8 cm

$150,000 USD

FRANCIS UPRITCHARD

Hogweed

2013

modeling material, foil, wire, paint, cloth

117 x 40 x 40 cm + steel plinth

£17,000 +VAT

Del Kathryn Barton

the heart land

2013/2014

(panel 5)

AIDA TOMESCU

RIRE JAUNE

2004

oil on canvas

184.0 x 154.5 cm

signed, dated and inscribed verso: Aida Tomescu / ‘RIRE JAUNE’ / 2004 / ...

EST $20,000 – 30,000

 

Provenance

Martin Browne Fine Art, Sydney

Private collection, Sydney

Exhibited

Aida Tomescu, Martin Browne Fine Art, Sydney, 12 October – 7 November 2004, cat. 4 (illus. front cover and p. 11 in accompanying exhibition catalogue)

Rashid Johnson (b. 1977)

Cosmic Slop "Front Row Seats"

2012

Black soap, wax

Unique

246 x 307 x 5 cm

USD 165,000.00

TAL R

Walk towards Hare Hill

2013

Oil on cardboard

33 x 22 cm

13 x 8 5/8 in

(TR 217)

EUR 9,000.00 (ex tax)

Oldenburg/van Bruggen

Leaning Clarinet

Detailed View

FRANCIS UPRITCHARD

Old Drinks I

2012

glass

dimensions variable

£6,500 +VAT

Ettore Spalletti

Il colore e l'oro, grigio 

2010

Colour impasto on board, tapered frame, gold leaf

50 x 50 x 3 cm

€35,000.00 (+VAT)

SHANE COTTON

Black Blood

2013

250 x 250mm

acrylic on canvas

SC3403-01

NZD 7500

Raqib Shaw

Fall of the Jade Kingdom II

2014

Paradise Lost II

Oil, acrylic, glitter, enamel and rhinestones on birchwood

91.44 x 152.4 cm

GBP 300,000

TAL R

Walk towards Hare Hill

2013

Ink on paper

34 x 18 cm

13 3/8 x 7 1/8 in

(TR 218)

EUR 8,500.00 (ex tax)

Rashid Johnson (b. 1977)

Shut Down

2013

Burned red oak flooring, black soap, wax, shea butter, book,

gold spray enamel

Unique

292.4 x 243.8 x 34.7 cm

USD 165,000.00

FRANCIS UPRITCHARD

Glass Cups

2012

glass

green: 90 x 56 cm diameter, blue: 83 x 60 cm diameter

£3,000 +VAT

Oldenburg/van Bruggen

Inverted Collar and Tie

1993 

canvas, resin, steel, latex paint, and wood painted with polyurethane enamel

234 cm x 130.8 cm x 74.3 cm

$1,500,000.00

No. 46102

SHIRAZEH HOUSHIARY

Origin

2012

Blue pencil and pigments on white Aquacryl on canvas and aluminium

70 x 70 cm

HOUS120021

GBP 50,000.00

Claire Healy & Sean Cordeiro

Upstairs Study – Penguin

2014

Lego, Ikea chair and plant with hanger

80 × 67 × 62cm

AU$ 15,000.00

ERIK SCHMIDT

sold out

2012

oil on canvas

120 x 120 cm

SCHM/EX 15

EUR 15,900.-

AI YAMAGUCHI

yama to naru (18)

2011

40 x 34 x 1.8 cm

Acrylic on paper on panel

AUD 8,700

FRANCIS UPRITCHARD

Osaka Dancer

2012

modeling material, foil, wire, paint, fabric, human hair, 67.5 x 24 x 56 cm + steel plinth

£16,500 +VAT

Tracey Moffatt

Plantation (Diptych No. 1)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper

46 x 50.5 cm (each)

Edition of 12 plus 2 A/Ps

AU$ 13,000.00

 

There is a set of these - this is only one part. All the works are available to see on RoslynOxley9 website.

IVAN SEAL

twodhoodal

2013

Oil on canvas

60 x 50 cm

(IS543)

£ 6,000.00 GBP ex VAT

Rashid Johnson (b. 1977)

Curve

2014

Burned red oak flooring, black soap, wax

Unique

184.2 x 125.7 x 7.6 cm

USD 110,000.00

DANIEL ARSHAM

Ahu Tahai

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

Tracey Moffatt

Plantation (Diptych No. 2)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper

46 x 50.5 cm (each)

Edition of 12 plus 2 A/Ps

AU$ 13,000.00

TAL R

Walk towards Hare Hill

2013

Oil on masonite

32 x 23 cm

12 5/8 x 9 1/8 in

(TR 220)

EUR 9,000.00 (ex tax)

Oldenburg/van Bruggen

Inverted Collar and Tie

Alternate View

TRACEY EMIN

2013

Dolde Grande 7

Acrylic on canvas

10 x 12 in. (25.4 x 30.5 cm)

GBP 55000

Tracey Moffatt

Plantation (Diptych No. 7)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper

46 x 50.5 cm (each)

Edition of 12 plus 2 A/Ps

AU$ 13,000.00

IVAN SEAL

vavewoveffal upskirt

2013

Oil on canvas

90 x 72 cm

(IS544)

£ 7,500.00 GBP ex VAT

MIROSLAW BALKA

"6 x (138 x 47 x 10)"

2013

Glass

6 x (54 5/16 x 18 1/2 x 3 15/16 in. (138 x 47 x 10 cm))

Edition of 2

EUR 200,000.00

JACK PIERSON

SAFE BET

2012

Metal, wood, plastic and neon

97 x 87 inches

246.4 x 221 centimeters

PI.31233

 

Tracey Moffatt

Plantation (Diptych No. 8)

2009

digital print with archival pigments, InkAid, watercolour paint and archival glue on handmade Chautara Lokta paper

46 x 50.5 cm (each)

Edition of 12 plus 2 A/Ps

AU$ 13,000.00

TAL R

Walk towards Hare Hill

2013

Oil on masonite

32 x 23 cm

12 5/8 x 9 1/8 in

(TR 221)

EUR 9,000.00 (ex tax)

Oldenburg/van Bruggen

Inverted Collar and Tie

Alternate View

ALISON RASH

Reaching

Acrylic, Pencil on canvas over panel

36"x36"

$3600

Andreas Gursky

Lehmbruck I

2013

Edition of 6

Inkjet print

249 x 357 x 6.2 cm

EUR 450,000.00

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

TV Moore

Short Circuit Romantical Catastrophe

2014

cibachrome in unique frame

168 × 135cm

AU$ 18,000.00

ANTONY GORMLEY

MEME CCXLIII

2011

cast iron

9,5 x 9,2 x 23 cm

Unique Work

30.000 GBP + vat

Oldenburg/van Bruggen

Inverted Collar and Tie

Detailed View

SAM SAMORE

Murdered Brother #17

1973

gelatin silver print

32 x 38.5 inches framed; 81.3 x 97.8 cm

unique + 1 AP

$ 20,000

Maggie Napangardi Watson

Mushroom Dreaming

1995

synthetic polymer paint on linen

140 x 200.5cm

est. $60,000- $80,000

TRACEY EMIN

Feeling you

2013

Gouache on paper

12 x 9 1/16 in. (30.5 x 23 cm)

GBP 16000

Oldenburg/van Bruggen

Collar and Bow 1:16

2005

aluminum painted with acrylic and polyurethane enamel

127 cm x 127 cm x 101.6 cm

Cast 1 of 3

Edition of 3

$675,000.00

No. 37332.01

VIK MUNIZ

Gordian Puzzles: Lengiz!, after Rodchenko

2007

digital C print ed PA 1/4

180 x 260 cm

US$ 55.000,00

23934

Andreas Gursky

Tote Hosen II

2013

Inkjet print

249.6 x 434.6 x 6.2 cm (framed)

Edition of 6

EUR 500,000.00

CHARLOTTE POSENENSKE

Series B Relief

1967-2013

Aluminium, convexly or concavely angled or canted, sprayed standard

RAL matte in red, yellow, blue, black

Variable dimensions

Authorised reconstruction certified by the estate

CP 2011/031

EUR 4.800,00 Each

INSTALLATION VIEW

Her whole history is being recouped now, its a stylish work in the right place (no where near the Hans Peter Feldman's! ).

Oldenburg/van Bruggen

Collar and Bow 1:16

Alternate View

IVAN SEAL

phonwaylyssocloutphas

2013

Oil on canvas

40 x 30 cm

(IS547)

£ 4,500.00 GBP ex VAT

Christian Thompson

Siren

2014

C-Type print

100 x 100 cm

edition of 5 +2AP

unframed

$8,800.00

HANS OP DE BEECK

Shelf (5)

2012

sculpture (synthetic gypsum, wood)

approx 41 x 100 x 20 cm

25.000,00 €+ VAT

Andy Warhol (1928 - 1987)

Self-Portrait with Skull

1977

Acrylic and silkscreen ink on canvas

41 x 33.3 x 1.5 cm

USD 4,500,000.00

STEVIE FIELDSEND

Solve et Coagula #7

2010

glass, wood

66 x 13 x 15cm

$2,500

Jitish Kallat

Syzygy

2014

Full Installation View

Available

THOMAS JEPPE

Schoggi Vista G

2013

oil and enamel on canvas, steel, artist frame

160 x 125cm

$5,500

HEINZ MACK

Licht-Relief

1959/60

Aluminum on masonite

26,2 x 34,4 cm

# MACK0054

 

€ 66.667

Jennifer Steinkamp

Garlands 1

2013

video installation

dimensions variable

Edition of 3

$60,000 USD

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

Jitish Kallat

Syzygy

2014

plâtre pour empreintes dentaires sur banc en bois / dental plaster on a wood bench

123,2 x 61 x 94 cm

EUR 60 000

Available

TAL R

Walk towards Hare Hill

2013

Oil on masonite

28 x 24 cm

11 1/8 x 9 1/2 in

(TR 223)

EUR 8,500.00 (ex tax)

Michael Wilkinson

Graph (grey, red or orange) TBD

2014

£15,000.00

 

Wilkinson's graph paintings explore how we visualize data of all kinds by subtly layering his canvases with art historical and socio-political meaning. In Graph (Grey) TBD, Wilkinson combines references to art history through Minimalism and monochrome painting with subtle experimentations in collage and representation. Placed at the top of the painting’s edge is a small photograph of a mountain in the Himalayas, the wire mimics the outline of the mountain in the small photograph below it. Wilkinson repeatedly uses imagery of mountains in his work as he finds it is a popular modern symbol of strength and freedom (as seen in advertisements). The linear quality of the mountain range, the artist finds, is visually similar to the ebbs and flows of graphs and fluctuating statistical data.

HEALY & CORDEIRO, CLAIRE & SEAN

Not under my roof 8/10

2009

lustre print

88.2 x 82.5 cm (unframed)

$A $11,000

incl GST

 

First exhibited: gbk @ ART HK 09, Hong Kong, 2009

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Floor of entire farmhouse from Millmerran Queensland, wood, linoleum, 11 x 12 meters, for

'Contemporary Australia: Optimism' at The Queensland Art Gallery, Brisbane

Photo: Natasha Harth, Queensland Art Gallery

Artist Statement:

The question of what constitutes home today is a major theme in Healy and Cordeiro's work. Inviting us to look at how we live in different ways, this work explores the domestic space in terms of its symbolism functionality, affordability, construction and decay. Enormous in both size and ambition, Not Under My Roof involved the acquisition of a Queensland farm house, which the artists then separated from its footings and sliced to retrieve the floor. The large form was then hung on a gallery wall at the Gallery of Modern Art, Queensland Art Gallery, Brisbane.

Anish Kapoor

Untiled (Void)

1992

Fibreglass and pigment

112 x 112 x 86.5 cm

 

ANTONY GORMLEY

Stave II

2013

Cast iron

72 1/4 x 19 1/2 x 12 in. (183.5 x 49.5 x 30.5 cm)

GBP 300,000

Jitish Kallat

Syzygy

2014

plâtre pour empreintes dentaires sur banc en bois / dental plaster on a wood bench

114.8 x 58.4 x 96.5 cm

EUR 60 000

Available

ARMANDO ANDRADE TUDELA

Lashed Joint

2013

16mm transferred to digital

1:27 sec (loop)

Edition of 5 plus 2 APs (#1/5)

(AT935)

£ 4,500.00 GBP ex VAT

Bill Hammond

Boulder Bay

2000

Acrylic on canvas

83 x 200cm

est. $120,000.00- $160,000.00

 

Lot 56

ROBIN RHODE

Cap n' Coins

2007

silver plated bronze, steel and coins

39 x 39 x 4 inches

99.1 x 99.1 x 10.2 cm

Edition of 3, AP 1/2

LM16731

€30,000.00

Urs Fischer

sqeamishsquiggles

2013

top: Ultralight MDF, acrylic sealer, wallpaper primer,

wallpaper adhesive, paper, silk-screened acrylic

paints, acrylic polymer emulsion, acrylic

polyurethane, urethane; Base: Steel powder-coated

with polyester TGIC (RAL 1013), silicone adhesive,

cork com

75.6 x 165.1 x 164.5 cm

$95,000 USD

FIONA RAE

Best favorite

2013

oil, acrylic on canvas

61 x 49,5 cm / 24 x 19½ in

€ 19.000

YBA still ok

Christian Thompson

Ariel

2014

C-Type print

100 x 100 cm

edition of 5 +2AP

unframed

$8,800.00

 


IVAN SEAL

roolmer

2013

Oil on canvas

50 x 40 cm

(IS549)

£ 5,500.00 GBP ex VAT

Thea Djordjadze

2014

wood, plaster, paint, wire

130 x 130 x 4 cm

EUR 26,000.00

TRACEY EMIN

Suffer Love 31

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46984

Ettore Spalletti

Rosso verso l'azzurro

2010

Colour impasto on board

50 x 50 x 4 cm

€35,000.00 (+VAT)

CHARLIE NUMBULMOORE

Untitled (Wanjinas)

c.1965

Natural earth pigments on cardboard

42 by 66 cm

PROVENANCE

Collected by Mr C. D. Dohnt in the Kimberley in the mid 1960s

Private Collection, Adelaide

Sotheby’s Australia, Aboriginal, African & Oceanic Art, Sydney, 09/11/1998, Lot No. 123

Private collection, Melbourne

Haroon Mirza

Solar Powered LED Circuit Composition 15

2014

Solar panel, LED circuit, copper tape, solder, wire,speaker grill, turntable casing

120 x 88 x 5 cm

GBP 18,000.00

DANIEL ARSHAM

Anakena beach

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

Peter Fischli / David Weiss

Das Sedativ

1984

Colour photograph

30 x 40 cm

37 x 47 cm (framed)

EUR 55,000.00

 

CAROLINE ROTHWELL

Urpflanze street plant #1 (Barcom Avenue, Sydney, Australia, 16.2.11)

2011

Embroidery thread on stretched canvas, 198380 stitches

100 x 80 x 2 cm

Edition 2/3

AUD $8,800.00 inc GST

Jitish Kallat

Installation View

ROVER THOMAS (JULAMA)

Untitled (The Serpents – Juntarkal and Wungurr)

1987

Natural earth pigments and bush gum on canvas

Bears Mary Macha catalogue number RT 1787 on the upper edge of the canvas stretcher

90 by 180 cm

PROVENANCE

Commissioned by Mary Macha, Perth

Private Collection, Canberra

Niagara Galleries, Melbourne

Private Collection, Perth

Cf. For two related paintings, by Rover Thomas, connected to the Kurirr-kurirrr ceremony see Wungurr is the name for that Snake, 1983, and Ngamarrin (The Snake near Turkey Creek), 1984, in the collection of the National Gallery of Australia, in R. Thomas with K. Akerman, M. Macha, W. Christensen and W. Caruana, Roads Cross: The paintings of Rover Thomas, Canberra: National Gallery of Australia, 1994, pp. 28 and 38 respectively,( illus.).

Urs Fischer

sqeamishsquiggles

2013

Detail view

TAL R

Walk towards Hare Hill

2013

Oil on masonite

31 x 18 cm

12 1/4 x 7 1/8 in

(TR 224)

EUR 8,000.00 (ex tax)

Andreas Gursky

Tote Hosen II

2013

Inkjet-Print

222.5 x 387 x 6.2 cm (framed)

EUR 500,000.00

ROBIN RHODE

Night Boarding

2004

6 gelatin silver prints face mounted with

plexiglass on aluminum panels

Each: 10.3125 x 15.5625 inches

26.2 x 39.5 cm

Together: 10.3125 x 102.8125 inches

26.2 x 261.1 cm

Edition 3 of 5, 1 AP

LM16404

€30,000.00

PAE WHITE

Soft Wizard

2013

cotton, polyester and lurex

cm 283 x 379 / in 111,5 x 150

unique edition

USD 75.000 + VAT

DETAIL VIEW

SANTIAGO SIERRA

NO (Police)

2011

B&W photograph, lambda print on dibond, wooden frame and plexiglass

161 x 257 cm (framed)

ed.3/3

SIER110003-3

EUR 35,000

Joyce Pensato

Eyes for You

2014

Enamel paint on canvas

203.2 x 228.6 cm

USD 75,000.00

IVAN SEAL

bullynor

2013

Oil on canvas

90 x 72 cm

(IS559)

£ 7,500.00 GBP ex VAT

Bill Culbert

Dawn- Piha

2005

Cibachrome print

51 x 34.5cm

est. $3500.00- $5000.00

Lot 87

Just a good image - normally I wouldn't recommend this artist.

Colin McCahon

Dark Landscape

1965

Synthetic polymer and sawdust on board

60 x 60cm

est. $70,000.00- $100,000.00

 

Lot 60

TRACEY EMIN

Suffer Love 32

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46985

Callum Innes

Untitled Painting No. 15

2013

oil on linen

125 x 123 cm

signed by the artist, verso

£40,000.00

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

LOTHAR HEMPEL

Die Blinde Sängerin

2012

acrylic, oil, crayon, ink, silver paint, red sand on aluminium, steel frame

61.5 x 59.5 cm

24 1/4 x 23 3/8 ins

EUR 20,000

Isaac Julien

The Maid/ Reflections (Playtime)

2013

Endura Ultra photograph

160 × 240cm

Edition of 6 + 1 A/P

GBP £38,500.00

DAMIAN ORTEGA

Mythic language organ. Object / organ

2013

5 individual pieces, concrete and pigment

12 3/16 x 10 5/8 x 10 5/8 in. (31 x 27 x 27 cm)

USD 80000

David Noonan

untitled

2014

silkscreen on paper, framed

149 x 113 cm

58 5/8 x 44 1/2 ins

Edition 1 of 3, 2 AP’s

(MA-NOOND-00678)

GBP 5,500

ARMANDO ANDRADE TUDELA

Marcahuasi

2009

16 mm film transferred to DVD

10 minutes 37 seconds

Edition 3 of 5 Plus 2 APs

(AT652.3)

£ 9,000.00 GBP ex VAT

Alicja Kwade

Freitag, 21 Juni 2013, 15:30:11 Uhr

2014

Gold, silver, tin, nickel, copper, lead, zinc, aluminium

Installation size 35,2 x 202 x 35 cm

EUR 33,000.00

 

The size of each element is determined by the market value of each element, starting with gold, of the specific time indicated in the title.

VIK MUNIZ

Gordian Puzzles: The School of Athens, after Raphael

2008

Digital C print ed PA 1/4

139 x 200 cm

US$ 65.000,00

24207

Damien Hirst

Denial

1994

Glass, stainless steel and surgical instruments

70 7/8 x 35 7/16 x 14 3/16 in. (180 x 90 x 36 cm)

GBP 1,500,000.00

HAIM STEINBACH

dancer with raised right foot

2011

Wood, plastic laminate and glass box; wood stool; painted bonded bronze Degas statuette

52 x 56 x 25 5/8 inches; 132.1 x 142.2 x 65.1 cm

signed on shelf verso

(TBG 13209)

USD $65,000

DETAIL VIEW

Rosemarie Trockel

Untitled (The Face)

1998

Baking varnish on aluminium, enamel on steel sheet, silkscreen print, metal

260 x 210 x 4.5 cm

EUR 300,000.00

EDUARDO STUPIA

100cm x 100cm

Mixed media on canvas

US$ 35,000.00

 

IVAN SEAL

berpon

2013

Oil on canvas

90 x 72 cm

(IS568)

£ 7,500.00 GBP ex VAT

MOSHEKWA LANGA

Mokwena meets Mujaji

2013

Mixed media on paper

204 x 171,5 cm 

$ 25,000.00

Mamma Andersson

Huggermugger

2013

Oil on panel

82 x 170cm

CHARLOTTE POSENENSKE

Series B Relief

1967-2013

Aluminium, convexly or concavely angled or canted, sprayed standard

RAL matte in red, yellow, blue, black

Variable dimensions

Authorised reconstruction certified by the estate

CP 2011/031

EUR 4.800,00 Each

SHANNON EBNER

XIS

2011

chromogenic print

160 x 122.5 cm

Mamma Andersson

Glade

2008

Mixed media on paper

Framed: 57.5 x 70.5cm

LIZA LOU

Untitled, #18

2012

Cotton and glass beads

71 7/8 x 72 1/4 in. (182.5 x 183.5 cm)

USD 195,000.00

 

Owen Yalandja

Yawk Yawk

2007

natural earth pigments on carved and shaped hardwood

274cm

est. $15,000- $20,000

THOMAS JEPPE

Schoggi Vista B

2013

oil and enamel on canvas, steel, artist frame

160 x 125cm

$5,500

Tom Friedman

Untitled (Snowflake Cube)

2014

Styrofoam and paint

18.4 x 18.4 x 17.8cm

DAVID HARRISON

The Fairy (Flowers of Evil)

2013

Oil on wood

100 x 75 cm

39 3/8 x 29 1/2 in

(DH 266)

£ 8,500.00 (ex tax)

Alicja Kwade

72 hours

2014

Stainless steel (pocket watch hands) on cardboard

232 x 35.4 cm framed

EUR 12,000.00

 

Hands from pocket watches are placed vertically on a piece of cardboard, with each hand representing an hour to complete the 72 hours.

KENDELL GEERS

Bladerunner XVII

2012

Mild steel and razor mesh

120 x 51 x 51cm

$ 30,000.00

Milan Mrkusich

Painting II (Blue)

1972

Acrylic on canvas

172.5 x 172.5cm

est. $70,000.00- $100,000.00

 

Lot 55

ROVER THOMAS (JULAMA)

Tjadarung (Rainbow)

1985

Natural earth pigments and bush gum on composition board

Bears artist’s name, MM9-4 and ‘1985’ on the reverse

60 by 120 cm

PROVENANCE

Commissioned by Mary Macha, Perth, catalogue Number M9-4

Private collection

Sotheby’s Tribal Art, Melbourne, 21 April 1991, Lot 20

Louise Smith collection, Adelaide

Kimberley Art, Melbourne

Sotheby’s, Important Aboriginal Art, Melbourne, 24/06/2002, Lot No. 101

Private collection, Sydney

Private collection, Melbourne

Tom Friedman

Untitled (sun)

2012

Wood, styrofoam, and paint

81.3 x 81.3 x 81.3cm

DANIEL ARSHAM

Kids playing football

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

Alicja Kwade

Zeitpfeil (Time’s arrow) I

2014

Acrylic block with broken vase, vase on acrylic pedestal, acrylic pedestal with broken vase

Dimensions variable

Acrylic pedestal with broken vase: 110.7 x 13.5 x 13.5 cm

Vase on acrylic pedestal: 124.3 x 13.5 x 13.5 cm

Acrylic block with broken vase: 34 x 24.5 x 24.5 cm

EUR 35,000.00

 

An identical vase is shown in three different forms—one atop an acrylic pedestal, one encased intact in the pedestal, and then one broken with its pieces dispersed within the acrylic pedestal, as if we are being shown the same object in three different moments in time.

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

PAE WHITE

Soft Wizard

2013

cotton, polyester and lurex

cm 283 x 379 / in 111,5 x 150

unique edition

USD 75.000 + VAT

DETAIL VIEW

MAGNUS PLESSEN

Untitled

2013

Oil and charcoal on canvas (to be confirmed)

52 3/8 x 48 1/16 in. (133 x 122 cm)

EUR 90000

Kendell Geers

LDF 7479

2014

Acrylic on canvas

123 x 83cm

ROBIN RHODE

Open Court

2012

digital animation

variable dimensions

Edition 5 of 5

LM16410

€25,000.00

Alicja Kwade

Zeitpfeil (Time’s arrow) I

Detail View

CANDICE BREITZ

Extra #32

2011

Chromogenic print

28 x 42 cm

$ 6,400.00

INCI FURNI

Untitled

2010

Watercolor on paper

38 x 40cm

FUR/P 8

EUR 1,700.-

Kendell Geers

LDF 7487

2014

Acrylic on canvas

163 x 123cm

SEHER SHAH

Capitol Complex – Courtyard

2012

Collage on Paper

28 x 36 cms

Euro 950 / AUD 1500

Alicja Kwade

Zeitpfeil (Time’s arrow) I

Detail View

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

CORY ARCANGEL

Diddy/Lakes

2013

digital video

dimensions variable

unique

$ 32,000

FRIEDRICH KUNATH

Only a fool breaks his own heart

2013

Oil, acrylic, charcoal and watercolour on muslin (to be confirmed)

55 1/8 x 48 1/16 in. (140 x 122 cm)

USD 45000

Jim Hodges

A Model of Delicacy

1992

White brass chain, silk, and wire

142.2 x 162.5 x 43.2cm

CI C 83

2011

Exposed Painting Ivory Black

Oil on Linen

160 x 156

GBP45,000.00

Alicja Kwade

Zeitpfeil (Time’s arrow) II

2014

Vase on acrylic pedestal, acrylic pedestal with broken vase

Dimensions variable

Vase on acrylic pedestal: 124.3 x 13.5 x 13.5 cm

Acrylic block with broken vase: 34 x 24.5 x 24.5 cm

EUR 25,000.00

 

An identical vase is shown in two different forms—one atop an acrylic pedestal, and one broken with its pieces dispersed within the acrylic pedestal, as if we are being shown the same object in two different moments in time.

LEE BUL

Shade of Maehwa

2011

india ink, acrylic on paper

17.91 x 12.01 inches

45.5 x 30.5 cm

24.02 x 18.11 inches (framed)

61 x 46 cm

LM17465

$10,000.00

KENDELL GEERS

Bladerunner XIV

2012

Mild steel and razor mesh

120 x 51 x 51cm

$ 30,000.00

Jim Hodges

Here and Now

1992

Cardboard box and paper with white brass chain

27 x 41 x 34cm

CATHERINE STORY

Calvero

2013

Oil on wood (framed)

17 x 14 cm (approx unframed dimensions)

(CS293)

£ 3,500.00 GBP ex VAT

Alicja Kwade

Zeitpfeil (Time’s arrow) II

Detail View

DAVID HARRISON

Blue Hare

2013

Oil on wood

100 x 75 cm

39 3/8 x 29 1/2 in

(DH 267)

£ 8,500.00 (ex tax)

MICHAEL ZAVROS

Medusa

2013

oil on canvas

130 x 105 cm

$36,000

SOLD

BILLY CHILDISH

man stood by tomb (Flinders Petrie) (version x)

2013

2013

Oil and charcoal on linen

152.5 x 122 cm

(BC021)

£ 18,800.00 GBP ex VAT

Jim Hodges

Scratched Sky/Horizontal III

2012

Scratched and incised archival pigment print

153.6 x 229.6 x 5cm

TRACEY EMIN

Suffer Love 30

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46986

Alicja Kwade

Option (option)

2014

Wood, bronze

142,4 x 13 x 5 cm

EUR 14,000.00

 

Two nearly identical pieces of cut wood are placed side by side, one in wood, the other, slightly smaller, in bronze. The relationship between the two is left deliberately ambiguous.

GARY WEBB

Out and About (detail)

2013

Aluminium and glass

300x130x130 cm, 118.1x51.2x51.2 ins

AP-WEBBG-00200

£25,000 GBP + VAT

MONA HATOUM

Reflection

2013

Print on three layers of tulle on aluminium

55 1/8 x 81 7/8 x 3 11/16 in. (140 x 208 x 9.4 cm)

Edition of 6

EUR 85,000.00

CANDICE BREITZ

Extra #33

2011

Chromogenic print

28 x 42 cm

$ 6,400.00

Jim Hodges

Untitled (When we collide)

2001

Ceramic light sockets and light bulbs mounted on wood and metal panel, in two parts

2 parts, overall 91.4 x 114.3 x 23.5cm

RASHID JOHNSON

Waterfall

2013

Black mirrored tile, black soap, wax

Unique

184.2 x 125.7 x 7.6 cm / 72 1/2 x 49 1/2 x 3 inches

JOHNR58976

USD 90,000.00 excl. VAT

AI YAMAGUCHI

yorokobi / haru

2011

47.5 x 37 cm

print (framed)

AUD 1,500

ANGEL OTERO

Untitled (SK-LK)

2013

oil paint and oil paint skins collaged on canvas

85 x 60.5 x 4 inches

215.9 x 153.7 x 10.2 cm

LM17993

$35,000.00 USD

Jim Shaw

The One-Eyed Man Is King

2014

Acrylic on canvas

122 x 244 cm

KATHARINA FRITSCH

4. Stillleben / 4. Still Life

2012

Fastcast resin, polyester, plaster and paint (to be confirmed)

11 x 13 3/4 x 14 3/16 in. (28 x 35 x 36 cm)

Edition of 6

EUR 50000

Jim Hodges

Between Them

2002

Ceramic light sockets and light bulbs mounted on wood and metal panels, in 2 parts

Each panel 57.2 x 57.2 x 29.8cm

MADELN COMPANY

Light Source – Venus Standing in a Landscape

2012

Oil on canvas

220 x 145 cm

RMB315,000.00

Alicja Kwade

Unbestimmter Tausch (indefinite exchange)

Alternate View

CARLA BUSUTTIL

The First Movers

2012

Oil on canvas

180 x 300 cm

$ 22,000.00

PAE WHITE

Venusia

2012

clay and ink on wood

cm 45 x 45 x 5

USD 15.000 + VAT

MARK DION

Marine Encrustations

2012

colored pencil on paper in seven parts

11 x 8 1/2 inches; 27.9 x 21.6 cm (unframed)

12 1/8 x 10 3/8 inches; 30.8 x 26.4 cm (framed)

(TBG 14613)

USD $12,000 (plus $1,575 framing)

DETAIL VIEW

Yoshitomo Nara and David Shrigley

Untitled (William Tell with Shield)

2002

Mixed media on paper

26.5 x 23.2cm

SARAH SZE

Duped

2010

mixed media, stools, wood, Windex, chain, stool, LEDs, extension cord

191 x 251 x 67 inches; 485.1 x 637.5 x 170.2 cm

(TBG 12450)

USD $32,000

Alicja Kwade

Unbestimmter Tausch (indefinite exchange)

2014

Wood,iron, 2 parts

Dimensions variable

366 x 115 x 48 cm

EUR 35,000.00

 

A branch is mirrored and made in iron, creating a second similar, yet different version of the first.

CHARLES BLACKMAN

TWO SCHOOLGIRLS

1953

oil on board

63.5 x 76.0 cm

signed and dated lower right: 3 July 1953 Blackman

$60,000 – 80,000

Provenance

Private collection

Savill Galleries, Sydney (label attached verso)

Private collection, Sydney

Essay

Charles Blackman’s acclaimed schoolgirl series of paintings and drawings had its public debut in Melbourne in 1953, the same year in which Two Schoolgirls was painted. Exhibited at the Peter Bray Gallery, it was Blackman’s first solo show, the source of Blackman’s inspiration, Shaw Neilson’s lines from Schoolgirls Hastening, appearing in the catalogue:

 

Fear it has faded in the night.

The bells all peal the hour of nine.

Schoolgirls hastening through the light

Touch the unknowable divine.

 

Since those many years ago, these young faces have found a place among the iconic works of Australian art. Celebrated, they are legendary for their understanding of children through Blackman’s ability to enter their minds and imagination, then paint what he sees. For he sees the world through the eyes of a child, and feels her fears, especially isolation and loneliness, so movingly expressed in Two Schoolgirls. They are alone in an environment that threatens through its darkness, empty of protection, yet full of the unknown. Even the two buildings project rejection by their angularity, closed to their needs. They embrace for protection and mutual support, their inner fears stamped in face and profile. The emptiness of the streets is palpable, voluminous of atmosphere in which stalk the latch-key kids’ ongoing nightmares. Yet, there is a lyricism in the colours, which tell of happier dreams, of blue as a sanctuary, the colour long associated with goodness and the maternal. It is through these means of form and colour that Blackman gives visibility to emotions and re-introduces the viewer to his or her childhood with an innocence that is disarmingly irresistible.

 

Blackman’s schoolgirl paintings are so telling because he drew deeply on personal experience for their creation. ‘The Schoolgirl pictures had a lot to do with fear, I think. A lot to do with my isolation as a person and my quite paranoid fears of loneliness and stuff like that; and indeed you could almost say why I painted them.’

 

From the beginning, the schoolgirl paintings and drawings were recognised by the perceptive as something special. Art critic for the Melbourne Herald, Alan McCulloch, acknowledged their ‘undeniable power and artistry’. ‘In Blackman’s hands’, he continued with presience, ‘Neilson’s schoolgirl becomes a creature of endless aesthetic possibilities.’ And so it proved to be, as seen in this and other paintings – Prone Figure, 1953 (Heide Museum of Modern Art, Melbourne), Floating Schoolgirl, 1954 (National Gallery of Australia, Canberra), and The Cigarette Shop (Running Home), 1954 (National Gallery of Victoria, Melbourne).

Nathan Coley

Choir

2012

steel, 5 powder-coated steel elements

and cardboard

164 x 93 x 75 cm

Group of 5: SGD 20,000 (incl.GST)

Individual: SGD 4,000 (incl.GST)

With New York, Tuesday,

October 18, 2011: SGD 27,500 (incl.GST)

 

LIU WEI

Exotic Lands No.20

2012

Doors, wood

91 7/8 x 54 1/4 in. (233.4 x 137.8 cm)

USD 81698

Yoshitomo Nara and David Shrigley

Untitled (L Nimrod R)

2002

Mixed media on paper

43.4 x 35.6cm

HEINZ MACK

Light-Relief

1966-67

Aluminum, wood, plexiglas

framed 84,5 x 84,5 x 8,5 cm

# MACK0056

 

€ 244.444

Alicja Kwade

Unbestimmter Tausch (indefinite exchange)

Alternate View

MOSHEKWA LANGA

Magic

2000

Mixed media on paper

140 x 100 cm

$ 16,000.00

Mona Hatoum

Untitled (rack)

2011

Mild steel, aluminum, vinyl and carbon transfer􀀃

61 x 84 x 23 cm

Edition of 3

EUR 95,000.00

JACKSON SLATTERY

Untitled (window)

2013

watercolour on paper

size 52 x 35cm

$6,000

Rivane Neuenschwander

Reticências [Omission Points]

2013

Caderno Japonês perfurado com incenso/ Japanese notebook perforated with incense

Opened in 4 parts: 28 x 20 x 2.2cm (closed)

JONATHAN MONK

Senza Titolo I

2012

Jesmonite bust with nose broken by John Baldessari

Bust: 45.5 x 21 x 26 cm

Base: 150 x 50 x 50 cm

MONK120004

EUR 55,000

MICHAEL RAEDECKER

plot

2013

acrylic and thread on canvas

70,9 x 58,3 in / 180 x 148 cm

£ 100.000,00

(VAT not included)

ANGELA DE LA CRUZ

Clutter Bag (cracked white) II, 2004

2004

oil and canvas, wood

172 x 78 x 36 cm

AUD46,000

Schwartz

SHANNON EBNER

Los Angeles Series No 2

2009

Chromogenic print

77 x 51.8 cm / 30 ⅛ x 20 ⅜ in

edition two of four + 2 a/p

 

In Ebner’s Los Angeles Series (2009), which fragments of the urban landscape are captured in black and white. Their cryptic content and monochromatic tone form a contrast to the usually colour-saturated imagery of Los Angeles. Often tantalisingly ambiguous – Ebner has commented that the camera “misunderstands what it is seeing” – these photographs disguise the boundary between objects and their imitations (whether as shadows, reflections or pictures).

 

Illustrated (all works from Los Angeles series): Shannon Ebner, The Sun as Error, in collaboration with Dexter Sinister, in edition of 1000 (Los Angeles: 2009)

BILLY CHILDISH

father and son

2013

Oil and charcoal on linen

244 x 183 cm

(BC003)

£ 35,000.00 GBP ex VAT

ROBERT IRWIN

Orange

2010-2012

Honeycombed aluminium panel with lacquer and polyurethane paint

77 x 96 1/2 in. (195.6 x 245.1 cm)

USD 500,000.00

CAROLINE ROTHWELL

Urpflanze street plant #4 (Pilgrim's Way, Guildford, England, 19.4.11)

2011

Embroidery thread on stretched canvas, 195063 stitches

100 x 80 x 2cm

Edition 1/3

AUD $8,800 inc GST

Ged Quinn

Free Sample

2014

Oil on linen

41 x 61cm

TIM ROLLINS AND K.O.S.

Adventures of Huckleberry Finn - On the Raft (after Mark Twain)

2011

matte acrylic, book pages on canvas

96 x 72 x 1.5 inches

243.8 x 182.9 x 3.8 cm

LM14598

$70,000.00

Alicja Kwade

Indefinite Heremeticism (II)

2014

Mirror, bronze

Installation size approx. 209 x 80 x 170 cm

Unique

Gary Hume

Unicorn 1

2014

Gloss paint on aluminium

97.9 x 80.5 cm

GBP 80,000.00

THOMAS JEPPE

Postbox (Gentle Decline Reach Around: Right)

2013

enamel on steel, wall painting, 15 x 15cm x 34cm, wall painting dimensions variable

$1,800, wall painting POA

Ged Quinn

Peter, Paul, Mary

2014

Oil on linen

61 x 49.5cm

DANIEL ARSHAM

Sooty tern

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

Alicja Kwade

Ein Tisch ist ein Tisch (A table is a table)

2014

Wood, mirror

100 x 127 x 127 cm

EUR 18,000.00

 

A table is divided into eight sections, with each containing a triangular shaped mirror, allowing for gaps in between, creating 16 dimensions.

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

MICHAEL ZAVROS

The Crystal Palace

2013

oil on canvas

120 x 90 cm

$33,000

SOLD

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

HEALY & CORDEIRO, CLAIRE & SEAN

Future Remnant

2011

dinosaur fossil replica, cable binding, IKEA items

285cm x 180cm x 485cm (irregular)

$A $70,000

incl GST

 

Exhibited:

Future Furnishings, Nature Morte Berlin, 2011

Art 42 Basel, Basel, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

In Future Remnant a strategically composed stack of partially-assembled IKEA furniture and accessories props up a life- sized replica of a Monolophosaurus dinosaur skeleton. The sculpture is held together with bright orange strapping, a utilitarian packing material that in many of Healy & Cordeiro's works. In this work, the mighty dinosaur highlights the contemporary disposable, massproduced against an historical artefact: the uncertain present and future versus the known past. The work juxtaposes our keen understanding of where we fit into the past and our myopic vision of where we want to be in the future.

William Eggleston

Untitled (Memohis, Tennessee)

1971

Dye-transfer print

61 x 50.8 cm

TRACEY EMIN

Suffer Love XVII

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ34961

ERNESTO NETO

caring time

2013

30 mm corten steel, 2 ceramic pots with plants

(Nephrolepis Green Lady and Vrisea arden)

51,2 x 38,6 x 64,2 in / 130 x 98 x 163 cm

Edition of 3 + 1 AP (1/3)

$ 100.000,00

(VAT not included)

DANIEL TURNER

Untitled 5150

5.6.13

bitumen emulsion, transparent vinyl, wood

17 x 15 inches

unique

$ 12,000

Fudong Yang

International Hotel 8

2010

Black and white ink jet print

120 x 180 cm

Edition of 10

€25,000 (includes frame)

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

Ged Quinn

Everything Sucks

2014

Oil on linen

25.8 x 41.5cm

£15,000

SEHER SHAH

Capitol Complex – Façade Object

2012

Collage on Paper

28 x 36 cms

Euro 950 / AUD 1500

PAE WHITE

Fruity Stars

2012

clay and ink on wood

cm 45 x 45 x 5

USD 15.000 + VAT

BILLY CHILDISH

father and son

2013

Oil and charcoal on linen

244 x 183 cm

(BC003)

£ 35,000.00 GBP ex VAT

Louise Fishman

Saga

2010

Oil on jute

129.5 x 76.2 cm

ROBIN RHODE

Soap & Water

2007

sculpture - soap, steel, bronze and water

bike: 74.02 x 44.88 x 25.2 inches

188 x 114 x 64 cm

bucket: 11.81 x 12.99 x 11.81 inches

30 x 33 x 30 cm

Edition of 3, 2 AP

LM16379

€75,000.00

Laurent Grasso

Anechoic Wall (A)

Copper / Cuivre

101,6 x 161,3 x 19,7 cm

edition of 4 plus 1AP

60 000 € + taxes if applicable

STEVEN CLAYDON

Convolute

2012

formica, resin, bamboo fungus, ceramic,

acrylic, brass, powder coated steel

169 x 40 x 40 cm / 66 ½ x 15 ¾ x 15 ¾ in

unique

HQ15-SC8850S

Price: £25,000 GBP

Ged Quinn

Untitled

2014

Oil on linen

21.7 x 41.2cm

£15,000

CARLA BUSUTTIL

Mojito Punch

2012

Oil on board

18 x 13 cm

$ 2,500.00

MARLO PASCUAL

Untitled

2013

Digital C-print mounted on Plexiglas with sintra backing

42 x 64.5 x .5” / 106.7 x 163.8 x 1.3cm

MP2013-027

$28,000.00

FIONA RAE

Gloomy feelings

2013

oil, acrylic on canvas

61 x 49,5 cm / 24 x 19½ in

€ 19.000

Christian Marclay

Actions: Sploosh Whooosh Blub Blub Blub Blub (No.4)

2013

Screen print and acrylic on canvas

188.4 x 241.3 cm

USD 375,000.00

MAT COLLISHAW

Sordid Earth 2

2011

C-Type Print

65 x 52cm, ed 2/5

£7,000 / Approx $11,000

(framed)

Bharti Kher

Portrait: Sonia

Alternate view

ALEC MINGELMANGANU

Untitled (Wanjina)

1980

Natural earth pigments and natural binders on canvas

120.5 by 65.5 cm

PROVENANCE

Aboriginal Traditional Arts, Perth

Private collection, Western Australia, acquired from the above in 1980

EXHIBITED

Images of Power, Aboriginal Art of the Kimberley, National Gallery of Victoria, 12 February to 5 May 1993, label on the reverse

Ged Quinn

Elpenor Unburied

2014

Oil on linen

36.7 x 71.2cm

£15,000

WILLEM BOSHOFF

SAU AUS USA

2011

Cut-out block letters in wood.

Variable

$ 12,000.00

STEPHEN BUSH

UNTITLED IN GREEN AND GOLD

1987

oil on linen

122.0 x 142.5 cm

signed, dated and inscribed verso on stretcher: “UNTITLED IN GREEN AND GOLD” Stephen Bush 13/11/87 – 27/11/87

EST: $20,000 - 25,000

 

Provenance

Powell Street Gallery, Melbourne (label attached verso)

The John L. Stewart Collection, New York

Exhibited

Claiming: An Installation of Paintings by Stephen Bush, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 1991 – January 1992

Essay

‘It’s a bicentennial picture, a bit like a joke. It’s a theatre diorama with curtains on both sides. A fake architectural setting with a view opening out on to a Western District landscape. In the diorama there are three kangaroos standing, one of which is a fighting kangaroo. It looks a bit like something you might find on a bank note as a crest. It’s playing with the idea of “Australiana”. It depicts something which is supposedly ‘uniquely’ Australian – but they’re stuffed – standing on a carpet square.’ Abounding with theatricality, Untitled in Green and Gold is a tongue in cheek satire of the nationalistic themes and romantic agricultural myths that permeated journalism, photography and landscape painting throughout Australia and America during the 19th century. Stilted and overly dramatic, there is a tangible awkwardness to this picture, falling short of grandeur. The stuffed kangaroos are carefully positioned on a stage with gilded curtains, separated from the natural landscape behind them. In an otherwise monochromatic painting, Bush employs two characteristically Australian colours – green and gold – further emphasising the ridiculousness of this patriotic scene. ‘The dioramas are something I’ve been led into by looking at those photographs where historical figures stand in front of representations of reality. I am really playing up the fact – that the pictures aren’t “real” – by emphasising the awkwardness.’ Born in a small rural town outside Colac, Victoria, Stephen Bush has gone on to achieve significant acclaim throughout Australia and America, dividing his time between these two countries. Bush has exhibited prolifically in major public galleries and art fairs, including VOLTA Art Fair, New York, Australian Centre for Contemporary Art, Melbourne, The National Gallery of Victoria, Art Gallery of New South Wales, The Gallery of Modern Art, Brisbane, and the Aldrich Museum of Contemporary Art, Ridgefield, USA. He has received numerous awards including the Arthur Guy Memorial Painting Prize, Bendigo Art Gallery 2007, and in 2012 he was the recipient of the Australia Council’s New York Green Street Residency. Bush’s work is represented in major public collections including Art Gallery of New South Wales, National Gallery of Australia, and National Gallery of Victoria, Melbourne, in addition to multiple private collections throughout Australia, Europe and the United States of America.

ELAD LASSRY

Untitled (Panel, Yellow)

2013

Zebrawood, silver gelatin prints, varnish and paint

63 x 66 x 1 1/2 in. (160 x 167.6 x 3.8 cm)

USD 75,000

CALLUM INNES

Exposed Painting Dioxazine Violet

2012

oil on linen

180 x 175 cm

£50,000

ISAAC JULIEN

Yishan Island, Voyage (Ten Thousand Waves)

2011

fotografia em papel

Endura Ultra ed 8/10 + 2

PAs

120 x 160 cm

R$ 81.000,00

SHANE COTTON

Smoke - In Clouds

2013

250 x 250mm

acrylic on canvas

SC3402-01

NZD 7500

ANTONY GORMLEY

Lift II

2011

6mm square section mild steel bar

Dimensions variable

GBP 300,000.00

BRENDAN VAN HEK

Black Composition #1

2009

found neon, neon blockout paint, metal hooks

260 x 145 cm

$15,000

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

CANDICE BREITZ

Extra #35

2011

Chromogenic print

28 x 42 cm

$ 6,400.00

CARLA BUSUTTIL

The ghost of spare time past

2012

Oil on canvas

30 x 20 cm

$ 4,500.00

JUAN FORD

Disobey Yourself

2013

oil on linen

91 x 71cm

AUD $20,700

DANIEL ARSHAM

Rano Raraku from entrance road

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

ALLORA & CALZADILLA

Shape Shifter

2012

Sandpaper on canvas

254 x 187.3 cm

100 x 73.7 in

A&C120016

TRACEY EMIN

Suffer Love 35

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46987

MATTHEW MONAHAN

A Certain Time of You

2013

plaster, oil, steel, fiberglass reinforced polyurethane, charcoal on paper

182 x 45 x 45 cm

72 x 18 x 18 ins

USD 95,000

DETAIL VIEW

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

SHANNON EBNER

DELAY

2011

Chromogenic prints

5 parts : 80 x 53.3 cm / 31.5 x 24 in (each)

edition of 5

HAYDEN FOWLER

New World Order

2013

HD video, colour, sound

edition of 10 15:17min duration

Editions 1-5 (sold) / $5,000 (ed 6) / $5,500 (ed 7) / $6,000 (ed 8) / $6,500 (ed 9) / $7,000 (ed 10)

To preview a short extract from this work click here

 

ERNESTO NETO

bronze stone you and me

2013

2 plexiglass panels with 2 photos each, ceramic pot with plate and plant (Asplenium

Osaka XXL)

photo each 146 x 110 cm

Edition of 3 (1/3) + 1 AP

$ 48.000,00

(VAT not included)

DETAILS VIEW

DAMIEN HIRST

What Goes Up Must Come Down

1994

Ping-pong ball, hairdryer and plexiglas

12 x 12 x 12 in. (30.5 x 30.5 x 30.5 cm)

Edition of 15

GBP 35000

TIM ROLLINS AND K.O.S.

A Midsummer Night's Dream (After Shakespeare and Mendelssohn)

2012

thai mulberry paper, watercolor, acrylic and

india inks, collage, mustard seed, offset

lithography on paper and canvas

60 x 72 inches

152.4 x 182.9 cm

LM16696

$55,000.00

CARLA BUSUTTIL

The Prescription Overdose

2012

Oil on board

15 x 18cm

$ 2,500.00

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

SEHER SHAH

Capitol Complex – Minor

2012

Collage on Paper

28 x 36 cms

Euro 950 / AUD 1500

TIM ROLLINS AND K.O.S.

Invisible Man (after Ralph Ellison)

2012

india ink and pencil on book page

12 x 12 inches

30.5 x 30.5 cm

LM16249

$7,500.00

MIKHAEL SUBOTZKY

CCTV

SIngle-channel video

2011

00:15:39

$ 30,000.00

TONY CRAGG

Versus

2011

Bronze

17 3/4 x 19 1/4 x 6 3/4 in. (45 x 49 x 17 cm)

[14121]

€ 80,000.00

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

THOMAS JEPPE

Social Realism

2013

oil and enamel on canvas,

artist frame

217 x 104.5

$6,000

EDITH DEKYNDT

2 Mars 2013

2013

Black ball point drawing on paper (framed)

20 x 26 cm (paper dimensions)

(ED037)

£ 4,000.00 GBP ex VAT

KUDZANAI CHIURAI

The Most Beautiful Boogie man

2013

Charcoal and pastel on paper

163 x 125 cm

$ 13,000.00

CARLA BUSUTTIL

Spend hours looking south, finding only north

2012

Oil on canvas

50 x 60 cm

$ 8,000.00

CANDICE BREITZ

Extra #27

2011

Chromogenic print

28 x 41 cm

$ 6,400.00

THOMAS DEMAND

Tribute

2011

Chromogenic print on photographic paper and Diasec

166 x 125 cm (unframed)

65 3/8 x 49 1/8 inches (unframed)

Edition 6/6

MSPM TDE 17562

EUR 85.000,00

ditto

MATTHEW MONAHAN

A Certain Time of You

2013

plaster, oil, steel, fiberglass reinforced polyurethane, charcoal on paper

182 x 45 x 45 cm

72 x 18 x 18 ins

USD 95,000

DETAIL VIEW

BILLY CHILDISH

clamming on maud (version y)

2013

Oil and charcoal on linen

61 x 91.5 cm

(BC009)

£ 8,800.00 GBP ex VAT

TRACEY EMIN

Suffer Love VII

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ34954

HAYDEN FOWLER

new world order production still xi

2013

colour pigment print on cotton rag art paper

unique edition

75 x 54cm

$750 unframed

ANALIA SABAN

Slingshot (Plant) #2

2012

Oil stick on gelatin silver print on resin coated paper and canvas

20 x 32 inches; 50.8 x 81.3 cm

(TBG 14171)

USD $10,000

JONAS MEKAS

To Petrarca series

2009

print on aluminium

36 x 29 x 3 cm

Ed. 1/25

MEK/F 35

EUR 1,900.-

ANGELIKA KRINZINGER

Ambras # 6

2013

c-print on aluminium

25 x 35cm

KRI/F 171

EUR 1,500.-

SHANNON EBNER

Y

2007-12

wood, steel, paint

233.7 x 119.4 x 18.4 cm / 92 x 47 x 7 ¼ in

unique

 

Ebner’s sculpture Y (2007 – 2012) is a large letter ‘Y’ held in place by one pin and two hinges. This piece was first conceived of in 2007 and sat in the artist’s studio as a prototype for five years –unable to be exhibited and unable to be put away. It was only recently that the piece was completed through the addition of a ‘thought bubble’. Y is similar to monumental ampersands Ebner has previously exhibited in that its presence in the world asks a rhetorical question of itself and the environment that it is placed within.

HEINZ MACK

Untitled

1959

Resin on burlap on wood

33 x 43 x 2 cm

# MACK0055

 

€ 133.333

LOT 36

WILLIAM ROBINSON

Morning Tallanbanna

1998

signed and dated 'William Robinson 98' lower left

oil on linen

138 x 183cm (54 5/16 x 72 1/16in).

Estimate:

 

AU$ 190,000 - 260,000

£120,000 - 170,000

US$ 200,000 - 270,000

 

Footnotes

PROVENANCE:

Purchased from the artist in December 1998

 

LITERATURE:

Lou Klepac, William Robinson - Paintings 1987-2000, The Beagle Press, Sydney, 2001, pp.132-133 (illus.)

 

In 1984 the Robinsons moved to a property in Beechmont in the Gold Coast hinterland, approximately 100 kms south of Brisbane. Part of the attraction was the close proximity of the Springbrook and Lamington National Parks, two sanctuaries of unspoiled natural beauty where the artist could explore his growing fascination with the rainforest.

 

From the late 1980s onwards it had become clear that Robinson was charting new territory in these rainforest paintings, which showed an Australia that was more than just a dry, dusty outback. It wasn't only the subject that was new - Robinson invented an entirely new way of seeing the landscape that captured the vertiginous feeling of walking among the trees. In these pictures one could look up and down simultaneously, experiencing day and night on the one canvas.

 

Tallanbanna is a part of the Springbrook National Park where the rainforest meetsthe eucalypt forest. In this painting the threads that connect these different environments are drawn with light, with the rays of the morning sunfiltering across a deep valley still bathed in the darkness of evening. As the light hits the trees, illuminating the old growth and the new, we feel the drama of this diurnal resurrection. The forest wakes from its slumbers and the world is made afresh.

 

John McDonald

CARLA BUSUTTIL

The Day Electricy Ended

2012

Oil on canvas

10 x 16 cm

$ 2,400.00

SHANNON EBNER

Image Enjambment

2013

inkjet print

site size: 132.1 x 182.1 cm / 52 x 71.67 in

frame size: 135 x 185 x 6 cm / 51 ⅝ x 72 ¾ x 2 ⅜ in

edition of 5 + 2AP

HQ17-SE9995P

15,000 USD

SHANNON EBNER

Los Angeles Series No 4

2009

chromogenic print

77 x 51.8 cm/ 30 ⅛ x 20 ⅜ in

edition of 4 + 2 a/p

CATHERINE STORY

Magnolia

2013

Oil and sand on wood

51 x 40.5 cm

(CS292)

£ 6,000.00 GBP ex VAT

SUSAN NORRIE

'Untitled' from 'Tall Tales and True'

1986

oil on plywood

91.5 x 91.5 cm

signed ‘Susan Norrie’ (lower left) and Susan No /‘86’ (lower right)

$70,000

MARK BRADFORD

Soccer Ball Bag 456

2012

Mixed media

36 x 32 x 30 in. (91.4 x 81.3 x 76.2 cm)

USD 175,000.00

 

VIK MUNIZ

Monadic Works: Largo de São Francisco, after Militão Augusto de Azevedo (Militão 1)

2003

dye destruction

100 x 130 cm

US$ 39.000,00

24255

KATE MITCHELL

Getting Through It

2012

Single-channel High Definition digital video, 16:9

colour, silent

Duration: 28 mins 1 sec

Edition of 3 + 2 AP

Price (including GST): $3000

All prices are in $AUD

JASON MARTIN

Salazar

2012

Copper

60 x 45 x 5 cm

MART120021

GBP 70,000

DANIEL ARSHAM

Headdresses

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

ANDY WARHOL

Self Portrait

1977

Polaroid photograph

10.8 x 8.26 cm

30.000 USD

LOT 63

IVAN NAMIRRKKI

Ngalyod Rainbow Serpent

2002

bears Maningrida Arts & Culture catalogue number 3055-02 on a label on the reverse

natural earth pigments and synthetic binder on eucalyptus bark

246 x 66cm (96 7/8 x 26in).

Estimate:

 

AU$ 5,000 - 8,000

£3,300 - 5,200

US$ 5,200 - 8,200

 

Footnotes

PROVENANCE:

Painted at Marrkolidjban, Northern Territory

Purchased from Maningrida Arts & Culture, Maningrida, Northern Territory in June 2002

The Laverty Collection, Sydney

 

This painting is sold with accompanying Maningrida Arts & Culture documentation.

CANDICE BREITZ

Extra #26

2011

Chromogenic print

28 x 42 cm

$ 6,400.00

MOSHEKWA LANGA

Untitled (Landscape, orange & yellow at the top)

2008

Mixed media on Paper

140 x 100 cm

$ 15,000.00

SHANNON EBNER

GL*R/A

2010

Chromogenic prints

6 parts: 160 x 140 cm / 63 x 48 in each

edition of 5

SEHER SHAH

Study for a totem I

2012

graphite on paper

set of 4 drawings

168 x 152.5 cms

Euro 12000 / AUD 18000

TIM ROLLINS AND K.O.S.

Invisible Man (after Ralph Ellison)

2012

matte acrylic and book pages on canvas

24 x 24 inches

61 x 61 cm

LM16804

$18,000.00

CANDICE BREITZ

Extra #28

2011

Chromogenic print

28 x 42 cm

$ 6,400.00

BENJAMIN ARMSTRONG

Madame

2013

Plaster, wood, aluminium and ink

86 x 57 x 60 cm

AUD $8,800.00 inc GST

Back view

(Not exhibited)

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

FERNANDA GOMES

Untitled

1995

matchboxes and various contents

24,3 x 1,7 x 6 cm

9176

US$ 8,000 - US$ 50,000

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

HEALY & CORDEIRO, CLAIRE & SEAN

Sameday Service or Sooner

2008

mdf, cardboard, perspex, acrylic, tie-down ratchets

220 x 138 x 130 cm (irregular)

$A $25,000

incl GST

Provenance/ Story/ Additional Notes

Exhibited:

Disruptive Colouration, gbk 2008

Art Month Sydney, Starcom Mediavest, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

Dr Who travels inside a space ship named the TARDIS which stands for Time And Relative Dimensions In Space. This machine makes it possible for him to travel to any place within any time period. We have flat packed the TARDIS to make it more transport-friendly. This is a sculptural example of an outcome when one particular system is grafted on to another system in the hope of greater productivity. Through lack of understanding between the original system and the new one, the end resultant system is one that fails.

STEVEN CLAYDON

Picture Element, Hermaline, Eye

2012

oil, Indian and squid ink, Optrex on canvas, laminated plywood

81 x 68.7 x 10 cm / 31 â…ž x 27 x 3 â…ž in

unique

HQ16-SC9505P

Price: £14,000 GBP

TRACEY EMIN

Suffer Love XI

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ34949

THOMAS JEPPE

Postbox (High Pitch Reach Around: Right)

2013

enamel on steel, wall painting, 15 x 15cm x 48cm, wall painting dimensions variable

$1,800

wall painting POA

JON PESTONI

Untitled

2013

oil on canvas

78 x 60 inches

(198.1 x 152.4 cm)

Inv# JPE 13.071

$40,000

EDITH DEKYNDT

10 Novembre 2012 (Blue)

2012

Blue ball point drawing on paper (framed)

50 x 36 cm (framed dimensions)

41 x 29 cm (paper dimensions)

(ED036)

£ 4,000.00 GBP ex VAT

TRACEY EMIN

Suffer Love 37

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46989

VIK MUNIZ

Paisagem (Landscape)

2012

Digital C print ed 8/10

100 x 130 cm

US$ 39.000,00

24167

ANDY WARHOL

Self Portrait

1977

Polaroid photograph

10.8 x 8.26 cm

30.000 USD

KUDZANAI CHIURAI

Safari Club

2013

Charcoal and pastel on paper

163 x 125 cm

$ 13,000.00

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

PETER FISCHLI / DAVID WEISS

Grosse Röhre aus Ton, stehend

2012

Unfired clay

Sculpture: 91 x 70 x 70 cm

35 7/8 x 27 5/8 x 27 5/8 inches

Plinth: 20 x 80 x 80 cm

7 7/8 x 31 1/2 x 31 1/2 inches

Edition unique

MSPM FWE 19531

MAT COLLISHAW

Pearls of the abyss 1

2011

3D lenticular print

100 x 67.5cm, ed 2/3

£25,000/Approx $40,000

(framed)

DAMIEN HIRST

Happy Happy

1993

Oil on canvas

Diptych, each: 20 x 15 15/16 in. (50.8 x 40.5 cm) / 24 3/16 x 20 1/16 x 3 1/8 in. (61.5 x 51 x 8 cm) (framed)

GBP 550,000.00

 

MATTHEW MONAHAN

Body Electric (promenade)

2012

oil on paper, framed

228 x 113 cm

89 3/4 x 44 1/2 ins

USD 42,000

JULIAN MEAGHER

Distillation II

2013

Oil on linen

81 x 61 cm

Price (including GST): $3,300

All prices are in $AUD

GERWALD ROCKENSCHAUB

GR08SC01 Square alumnium tubing, satin matt finish, screws 

2008

300 x 225 x 125 cm

Unique piece

Certificate signed by the artist

EUR 52,000.00

BILLY CHILDISH

girl stood with flowers

2013

Oil and charcoal on linen

152.5 x 107 cm

(BC005)

£ 15,800.00 GBP ex VAT

CAROLINE ROTHWELL

Urpflanze street plant #5 (The Street, Compton, England, 10.4.11)

2011

Embroidery thread on stretched canvas

100 x 80 x 2cm

Edition 1/3

AUD $8,800 inc GST

JUERGEN TELLER

Cerith, Suffolk 2011

2011

c-print

24 x 20 inches (image)

61 x 50.8 cm

25.79 x 21.65 x 1.26 inches (frame)

65.5 x 55 x 3.2 cm

Edition 1 of 5

LM15846

£10,000.00

TRACEY EMIN

Suffer Love 38

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46988

SARAH SZE

Vices and Various Defects (Liquid to Solid)

2010

plaster in 46 pieces on floor

52 x 122 x 12 inches; 132.1 x 309.9 x 30.5 cm

(TBG 12452)

USD $16,000

DANIEL ARSHAM

Kanahau restaurant

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

CHRISTIAN MARCLAY

Skrakk

Pigment print on Arches paper

60 3/16 x 41 5/16 in. (152.8 x 105 cm)

2006-2013

Edition of 5

GBP 50000

 

 

 

TV MOORE

Gummo

2013

cibachrome in unique frame

168.0 x 135.0 cm

(KR5751)

$ 22,000

ERNESTO NETO

bronze stone you and me

2013

2 plexiglass panels with 2 photos each, ceramic pot with plate and plant (Asplenium

Osaka XXL)

photo each 146 x 110 cm

Edition of 3 (1/3) + 1 AP

$ 48.000,00

(VAT not included)

DETAILS VIEW

NICHOLAS HLOBO

Unganya Kum

2013

Ribbon and aluminium on canvas

100 x 102 x 21cm

48 000 Euros

CANDICE BREITZ

Extra #29

2011

Chromogenic print

28 x 42 cm

$ 6,400.00

A Language of Exposures, Wallspace, New York, 15 February – 23 March, 2013

INSTALLTION VIEW

CARLA BUSUTTIL

Starman

2012

Oil on canvas

30 x 30 cm

$ 4,800.00

MARK DION

Marine Encrustations

2012

colored pencil on paper in seven parts

11 x 8 1/2 inches; 27.9 x 21.6 cm (unframed)

12 1/8 x 10 3/8 inches; 30.8 x 26.4 cm (framed)

(TBG 14613)

USD $12,000 (plus $1,575 framing)

SEHER SHAH

Capitol Complex – Blue Façade

2012

Collage on Paper

28 x 36 cms

Euro 950 / AUD 1500

SEHER SHAH

Unit object (Plan perspective)

2012

Graphite and gouache on paper

65 x 85.5 cms

Euro 5000 / AUD 9000

CATHERINE STORY

As Yet Untitled

2013

Oil on wood (framed)

17 x 14 cm (approx unframed dimensions)

(CS294)

£ 3,500.00 GBP ex VAT

JONATHAN MONK

Some Bottles For Red Painted To Look White And Some For White Painted to Look Red

2013

Spray paint on canvas

150 x 160 cm

EUR 40.000

MARTIN BELL

UFO BUSTER! 9

2012

Modeling clay on wooden board in acrylic box

30 x 20 x 5 cm

$1,800.00

HAYDEN FOWLER

antler ii

2013

cement,gypsum,sand

unique version

76 x 33cm

$1,000

HEALY & CORDEIRO, CLAIRE & SEAN

T+100_yellow

2011

LEGO

160 x 71 x 4 cm

Available Yes

Price $A $20,000

incl GST

 

Exhibited:

Un-Built, Gallery Reis, Singapore, 2011

Are We There Yet?, Corcoran Gallery of Art, 2011

 

Available to see at Gallery Barry Keldoulis 

285 Young Street

Waterloo NSW 2017

 

+61 414 864 445

 

285 Young Street
Waterloo NSW 2017

 

 

BILLY CHILDISH

astrakhan hat and flower bonnet (version x)

2013

Oil and charcoal on linen

61 x 46 cm

(BC012)

£ 6,200.00 GBP ex VAT

TIM ROLLINS AND K.O.S.

A Midsummer Night's Dream (After Shakespeare and Mendelssohn)

2012

thai mulberry paper, watercolor, acrylic and

india inks, collage, mustard seed, offset

lithography on panel

36 x 48 inches

91.4 x 121.9 cm

LM16697

$35,000.00

EDITH DEKYNDT

Untitled (Pink duvet and silver fold)

2012

Pink blanket and silver leaf

70 x 110 cm

(ED041)

£ 12,500.00 GBP ex VAT

ERNESTO NETO

ALAN MICHAEL

The Prisoner

2013

oil on canvas

49.61 x 35.43 x 1.18 inches

(126 x 90 x 3 cm)

Inv# AM 13.002

$16,000 

On Hold

Lot 42 ARISTIDE MAILLOL

La montagne, 1er état (petit modèle)

bronze

29.0 x 13.0 x 28.0 cm

conceived in 1936-37 and cast by Emile Godard at a later date

inscribed with the artist's monogram and numbered 4/6

inscribed with the foundry mark: E. GODARD. Fondeur Paris

 

edition: 4/6

 

Provenance:

Galerie Dina Vierny, Paris

Australian Collectibles Trading Pty Ltd., Melbourne

Menzies, Sydney, 8 December 2011, lot 34

Private collection, Melbourne

 

Reference:

Rewald, J., Aristide Maillol, London, Paris & New York, 1950, pl.120 (illus. of the terracotta)

Maillol, A., Exposition - Hommage du Centenaire de sa naissance, Galerie Daber, Paris, 1961, pl.15 (illus. of the terracotta, exhibition catalogue)

Aristide Maillol, Perls Galleries, New York, 1970, no.58, p.40 (illus. exhibition catalogue, another example)

Maillol au Palais des Rois de Majorque, Musée Hyacinthe Rigaud, Perpignan, 1979, p.110 (illus. exhibition catalogue, another example)

Aristide Maillol, Palais des Congrès, Perpignan, 2000, pl. 85 (illus. exhibition catalogue, another example)

 

Estimate: $180,000 - 240,000

 

The human form holds a perennial fascination for artists. The famous French sculptor Aristide Maillol was one of its masters. He was responsible for keeping the human subject alive as a viable theme in valid sculpture and rescuing it from the confines of mere statuary. Maillol’s sculpture is born of the studio rather than the workshop and his work is always artistic in origin and never decorative in intent.

 

We all inhere in a body – we therefore relate to bodies. These two intrinsic factors say much about depictions of the human body and their ability to artistically express a wide range of emotions, attributes and attitudes. All good artists know these often forgotten interconnections and Maillol used such knowledge to narrow his artistic attention to the human body. A similar narrowed focus may also be found in the works of Paul Cézanne, with his almost sole restriction to tabletops and landscapes, and Pablo Picasso with his still-lifes and figures. The reasons are simple. There was enough content there to satisfy the artist and likewise there is enough there to satisfy the most discerning of viewers. For Maillol, simple ‘embodiment’ was the essence of sculptural form.

 

Maillol’s sculpture La Montagne is one of his most famous works. The modelling of the original sculpture was first commenced in 1935 in four different versions, all based upon studio poses by his model and later during World War II member of the French Resistance, Dina Vierny, and completed in 1937.1 Like many of his sculptures these early versions were later cast in bronze, lead and terracotta – in this case each in editions of six.

 

After completing the four early studies Maillol started working on a larger version of the sculpture, first in clay and later in plaster so that the work could be scaled up and re-created in stone – usually by his studio assistant Jean Van Dongen, the brother of the artist Kees Van Dongen. This larger sculpture was commissioned by the Musée National d’art Moderne in Paris and carved in Van Dongen’s studio in Montval near Versailles after being transported from Maillol’s studio in Marly-le-Roi, eighteen kilometres from Paris.

 

The fact that La Montagne could accommodate being scaled up into a much larger work points to an important attribute. Very few sculptures look ‘right’ when created out of scale, as they are usually conceived as self-contained and self-scaled entities. They do not tolerate visual ‘zooming’ well as volumes lose their conviction, details are lost in space, surfaces become coarse and scale is disrupted.

 

Significantly, this is never the case with Maillol – all his sculptures look potentially ‘monumental’ when small and potentially ‘small’ when monumental – his sculptures have the knack of looking ‘right’ downsized on a brooch or upsized on a building.

 

This rare ability is no happy accident. Maillol had a secret: most of his best sculptures were designed to be visually contained within certain geometrical structures – a square, rectangle, triangle, circle, rhomboid or parallelogram was often used to set out a planned format. For example, the present work, is formed within a square that takes in the top edge of the figure’s hair, the left toe and the tips of the right hand. The right arm, the only section that exists outside the square format, adds a visual balance that is contained within a rectangle that is exactly one-fifth the length of the side of the square. Additionally, this rectangle is used to divide off horizontal sections of the figure; that is, the top edge of the right thigh, the line of the right nipple and the line of the right eye. These hidden geometric structures give La Montagne a visual denseness and packed solidity, that seem to heighten its sense of compacted compositional energy – an implanted energy that is palpable regardless of size.

 

There is also something of the Art Deco style in many of Maillol’s compositions – especially in the present work La Montagne. Art Deco was famously designed to convey visual glamour and part of its appeal was its elegance of form and the type of volumetric shapes that flood the paintings of Tamara de Lempicka and others. However, Maillol’s work is not ornamental in the Art Deco manner and belongs to the studio proper, rather than to the design office or the fashion boutique.

 

The pose of Maillol’s La Montagne is redolent of history. The figure’s position is closely linked to the composition of Michelangelo’s sculpture Night completed in 1534 as part of Giuliano de Medici’s tomb in the Chapel of San Lorenzo in Florence. It also bears close similarities to Michelangelo’s Ignudi figures that populate the surrounds of his famous Sistine Chapel ceiling and to some of Bernini’s fountain Naiads. Additionally, Maillol’s posed figure may be found in many late Art Nouveau bookplates, brooches and friezes. All this is not to say that Maillol somehow ‘borrowed’ or derived his sculpture from others. The point is that he has managed to bring them all together to give a historically established pose with a new Modernist inflection – in much the same way that Auguste Rodin and Edgar Degas did. These artists, like Maillol, moved away from strict naturalism to emphasize a more fluid and plastic rendition of the human figure. In their sculptures anatomical details are not fully finished, muscles do not sag, breasts do not droop and bodily proportions often look askew. What is important in their works are nuanced handling of material, flow of shapes, a type of blurring of shapes in ways that use plays of light as to almost dissolve form. Sculptural lines are accentuated, parts are related to wholes and a new visual grammar governs all.

 

What Maillol has done is to render all this – that is, to put it all together and give it back with a new Modernist visual density.

 

It is now generally agreed that Maillol’s almost sole emphasis upon the naked female form paved the way for its later acceptance as a continuing subject by two of Modernism’s greatest sculptors: Alberto Giacometti and Henry Moore. Together with Rodin, Maillol kept figurative form alive and almost single-handedly transformed the sculptured figure in the landscape from the state of being an ornamental statue to becoming an artistic sculpture.

 

There is a marked difference between the two categories as one, statues, tends to look back to emulate classical Greece and the other, sculpture, looks forward to respond to a new Modern world and to evolve more appropriate ways to embody its different aesthetic needs. Consequently, Maillol is considered to be one of the masters of figurative sculpture in the Twentieth Century.

 

Maillol was educated in Paris by two of the great classicists of French painting: Jean-Léon Gérôme and Alexandre Cabanel. Both of these academic painters were immensely popular in their own time and their work was very eagerly collected all over Europe. All of their many students did extremely well and some became quite famous – that is, artists such as Jules Bastien Lepage, Odilon Redon and the American Thomas Eakins. However, Maillol became the most famous and the most successful.

 

A distinct line runs through Maillol’s work that links his work to the ages-old tradition of modelling. Maillol’s sculpture is not constructed, collaged, carved, chipped or welded – it is modelled – whether this is in clay, wax or plaster. Most modelling needs an internal armature to hold it upright during the making of a model. Armature built structural forms run through Maillol sculptures and the hand of the artist is always evident. Maillol’s materials are humble and time tested and purposely restricted to the materials of bronze, lead and iron. Often, his use of these traditional materials leads to striking early Modernist compositions where long established techniques are made to express new harmonies. This can be most obviously seen in his three sculptures, Summer, Venus without Arms and Kneeling Woman: Monument to Debussy, on the central staircase of the Metropolitan Opera House in New York and his lead sculpture The River, in the garden of the Museum of Modern Art in New York. In both these locations Maillol’s work looks completely in place and adds to an ambience of calm and reserved airy grace – this is especially the case in his work at MoMA where the naked female figure, based upon one of William Blake’s Fallen Angels, suspended over the still water of a garden pond, presents a harmonious and perfectly balanced visual whole. This is transitional Modernism at its best.

 

Maillol was born into a long artistic tradition, but he was not defined by it. His art in sculpture, painting, drawing and etching was not limited by his training and he rose above it to be one of the most significant French sculptors to straddle the Nineteenth and the Twentieth Century. John Rewald, the great German/American expert on the art of the Nineteenth Century summed up part of Maillol’s achievements:

 

To celebrate the human body, particularly the feminine body, seems to have been Maillol’s only aim. He did this in a style from which all grandiloquence is absent, a style almost earthbound and grave … The absence of movement is, however, compensated by a tenderness and charm distinctively his own.2

LAUREN BRINCAT

You’ve Got a Good Eye (Left)

2013

Bermuda sail, silk, cotton

Dimensions variable

$10,000

CARLA BUSUTTIL

Nakh Nakh

2011

Oil on board

25 x 14 cm

$ 3,200.00

CATHERINE STORY

Elephant

2013

Oil on wood (framed)

14 x 17 cm (approx unframed dimensions)

(CS295)

£ 3,500.00 GBP ex VAT

Roslyn Oxley9 Gallery

 

8 Soudan Lane (off Hampden Street), Paddington 2021.

(02) 9331-1919.

Fax 9331-5609.

oxley9@roslynoxley9.com.au

www.roslynoxley9.com.au

Director: Roslyn Oxley (member of ACGA).

Tues-Fri 10.00 to 6.00, Sat 11.00 to 6.00.

 

To Nov 10 Imants Tillers – Tabula Rasa.

Nov 15 to Dec 8 (opening Thurs Nov 15, 6-8pm) Lindy Lee.

 

LINDY LEE

[as yet untitled]

2012

plasma cut steel

210 x 100 cm

$ 20,000.00

ISAAC JULIEN

Yishan Island, Long March (Ten Thousand Waves)

2010

Endura Ultra Photograph ed 4/6

180 x 240 cm

US$ 60.000,00

24471

LOCUST JONES

Unplug

2012

dry glazed ceramic

25 x 22 x 22 cm

$1,500

CANDICE BREITZ

Extra #30

2011

Chromogenic print

$ 6,400.00

GARDAR EIDE EINARSSON

Fluorescent Pink X

2013

Acrylic paint on primed canvas / wooden stretcher

220 x 183 x 4 cm / 86 2/3 x 72 x 1 1/2 in

Unique / SOGEE/P 2013-007

PRICE: USD 33,000.00 / RESERVED

ABDULNASSER GHAREM

The Stamp (Amen)

2012

GHA/D 1/1

silkscreen on paper

149.9 x 119.4 cm

17/25

TBA

TRACEY EMIN

Suffer Love 34

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46990

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

TRACEY EMIN

I left you on the kitchen table I

2012

Gouache on paper

9 13/16 x 9 13/16 in. (25 x 25 cm)

JJ46957

CARLA BUSUTTIL

Slouching Man. Look Forward

2012

Oil on board

13 x 18 cm

$ 2,600.00

ADEL ABDESSEMED

Nuit de Noces

1997

cotton curtain

275x110cm

40,000US$

TOM FRIEDMAN

Untitled (sun)

2012

Wood, Styrofoam and paint

Approximately 3,650 12-inch wooden dowels, painted yellow, were stuck and glued into a 12-inch Styrofoam ball,

at varying angles.

32 x 32 x 32 inches

(81.3 x 81.3 x 81.3 cm)

C21652

$ 225,000.00

 

MATTHEW MONAHAN

Body Electric (cape slip)

2012

oil on paper, framed

206.5 x 113 cm

81 1/4 x 44 1/2 ins

USD 42,000

SHANNON EBNER

Los Angeles Series No 9

2009

Chromogenic print

77 x 51.8 cm / 30 ⅛ x 20 ⅜ in

edition of four + 2 a/p

RACHEL HARRISON

Sculpture with Raincoat

2012

Wood, styrofoam, cement, acrylic, hanger, The Economist, and Gherardini rain coat

68 x 27 x 20 1/2 inches

172.7 x 68.6 x 52.1 cm

RH.1120

$145,000.00- On Reserve

Detail View

SHANNON EBNER

Los Angeles Series No 5

2009

Chromogenic print

51.8 x 77 cm / 20 ⅜ x 30 ⅛ in

edition of 4 + 2 a/p

STEVIE FIELDSEND

Solve et Coagula #8

2012

glass, wood

97 x 17 x 17cm

$2,900

SEHER SHAH

The Expansion of the First Great Ornamental Age: Hierarchy

2009

Archival Giclee Print

76 x 51 cms

edition 5/10.

Euro 2000 / AUD 3000

JOSIAH McELHENY

The Architectural Body (after Cardin)

2012

Hand blown and carved dense white moiré glass, wood, low iron glass and steel

64 3/4 x 32 1/2 x 20 1/2 in. (164.5 x 82.6 x 52.1 cm)

USD 90,000.00

On hold

RAQIB SHAW

[Title to be confirmed - Whimsy I]

Bronze

9 13/16 x 6 5/16 x 9 7/16 in. (25 x 16 x 24 cm)

GBP 45000

LUKE FOWLER

 

Turner Prize 2012, Tate Britain, London

Installation View

 

Luke has been nominated for the Turner Prize this year. The winner will be announced in a ceremony on 3 December. An exhibition of work by the nominated artists is on show at Tate Britain until 6 January. Luke’s presentation includes his film All Divided Selves, which focuses on archival representations of maveric psychiatrist RD Laing and his colleagues as they struggled to acknowledge the importance of considering social environment as significant factors in human distress and suffering.

In 2013 Luke’s new film The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott will tour to the Wolverhampton Art Gallery. The film explores the role played by left wing intellectuals in the working class communities of post-war Yorkshire. At night schools organised by the Workers’ Educational Association, adults with no other access to further education were taught by progressive thinkers such as Raymond Williams, Richard Hoggart and EP Thompson. The soundtrack features the lilting voice of artist Ceryth Wyn Evans reading Thompson’s class reports.

CANDICE BREITZ

Extra #31

2011

Chromogenic print

28 x 42 cm

$ 6,400.00

JUERGEN TELLER

The Keys to the House No. 18, Suffolk 2010

2010

c-print

20 x 24 inches (image)

50.8 x 61 cm

21.65 x 25.59 x 1.26 inches (frame)

55 x 65 x 3.2 cm

Edition 2 of 5

LM15830

£10,000.00

VIK MUNIZ

Pictures of Earthworks: Outlet (Fabrica, Iron Mine)

2005

digital C print ed 2/10

127 x 102 cm

US$ 25.000,00

24321

TRACEY EMIN

Your heart is like the wind / Throw Yourself At Anyone / I Loved you like the sky

2009

Embroidered calico

Left panel: 68 1/2 x 33 7/16 in. (174 x 85 cm) (framed), Centre panel: 68 1/2 x 79 1/2 in. (174 x 202 cm) (framed), Right Panel: 68 1/2 x 33 7/16 in. (174 x 85 cm) (framed)

GBP 235,000.00

INSTALLATION SHOT

FERNANDA GOMES

Sem Título

2013

papel, fio de nylon

47 x 10 cm

10247

US$ 8,000 - US$ 50,000

VIK MUNIZ

Pictures of Junk: The Birth of Venus, after Botticelli (Triptych)

2008

Digital C print ed 5/6

235 x 390 cm (tríptico)

US$ 149.000,00

23897

JULIAN MEAGHER

Blue

2013

Oil on linen

120 x 90 cm

Price (including GST): $5,500

All prices are in $AUD

SEAN SCULLY

WALL OF LIGHT PINK ORANGE

2012

Oil on aluminum

85 x 75 inches

215.9 x 190.5 centimeters

(SS2151)

SY.31738

CALEB SHEA

Untitled (stainless to yellow)

2013

polyeurethane on stainless steel

160 x 90 x 80cm

$7,500

LOT 93

RICHARD LARTER

Inner

1988

signed with initials and dated 'R.L. / 6.3.1988' lower left; signed and inscribed 'Richard Larter' / "Inner" / 6th March 1988 / Yass' verso

synthetic polymer paint on canvas

176.5 x 70cm (69 1/2 x 27 9/16in).

Estimate:

 

AU$ 3,000 - 5,000

£2,000 - 3,300

US$ 3,100 - 5,200

 

Footnotes

PROVENANCE:

Purchased from Watters Gallery, Sydney in July 1988

 

EXHIBITED:

The Work of Richard Larter, Watters Gallery, Sydney, 6-23 July 1988, cat. no. 32

 

LITERATURE:

The Work of Richard Larter, exh. cat., Watters Gallery, Sydney, 1988, cat. no. 32, p.13 (illus.)

Elwyn Lynn, 'Sustaining craft for art's sake', The Weekend Australian, Magazine 13, 16-17 July 1988

 

After deciding to change tack from his distinctive 1970s approach to the figure, Larter intensified his concentration on non-figurative work in the 1980s. He notes that phenomenal changes in thinking around physics and maths have provided him with a ballast of ideas to work with in his paintings. 'The abstract paintings very often were to do with me mapping out what very abstract ideas in physics were about'. In numerous series, he worked with passion on a particular approach and set of ideas from one painting to the next... His rigorous self-imposed discipline to work every day and learn as much as he could around a particular idea has resulted in an extraordinary outpouring of work.

 

Deborah Hart, "A way of life: in pursuit of learning", in Richard Larter, National Gallery of Australia, Canberra, 2008, pp 15-16; 23; 37; 111; 146

(published on the occasion of the exhibition Richard Larter: a retrospective 20 June – 14 September 2008, National Gallery of Australia, Canberra).

THILO HEINZMANN

O. T.

2013

Oil, pigment on canvas behind Plexiglas cover

83 x 73 x 9 cm

(TH170)

£ 11,500.00 GBP ex VAT

ROSALIE GASCOIGNE

Thirty Two

1987

Sawn soft drink crates on plywood

131.0 x 111.0 cm

Signed, dates and inscribed verso: THIRTY TWO 1987/ Rosalie Gascoigne

Around AU$255,000

CARLA BUSUTTIL

She's big on the plastic scene reworked

2012

Oil on board

20 x 15 cm

$ 2,600.00

INSTALLATION SHOT

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

ARTHUR BOYD

 

Narcissus and three clouds

signed 'arthur boyd' lower right

oil on canvas

107.0 x 91.7cm (42 1/8 x 36 1/8in).

Estimate: AU$ 50,000 - 60,000

£29,000 - 35,000

US$ 45,000 - 54,000

Footnotes

PROVENANCE

Savill Galleries, Sydney

Private collection, New South Wales

TOM FRIEDMAN

Untitled (sun)

2012

Wood, Styrofoam and paint

Approximately 3,650 12-inch wooden dowels, painted yellow, were stuck and glued into a 12-inch Styrofoam ball,

at varying angles.

32 x 32 x 32 inches

(81.3 x 81.3 x 81.3 cm)

C21652

$ 225,000.00

Detail View

SEHER SHAH

The Expansion of the First Great Ornamental Age: 3 distances

2009

Archival Giclee Print

76 x 56 cms

edition 6/10.

Euro 2000 / AUD 3000

MAT COLLISHAW

Pearls of the abyss 2

2011

3D lenticular print

100 x 67.5cm, ed 2/3

£25,000/Approx $40,000

(framed)

INSTALLATION SHOT

VIK MUNIZ

Earthworks: Pipe (the sarzedo drawings)

2002

gelatin silver print ed 7/10 + 5 PAs

100 x 130 cm

US$ 25.000,00

23902

DIRK BELL

Untitled

2012

chalk and charcoal on paper

56 x 82.2 x 4 cm / 22 x 32 ⅜ x 1 ⅝ in

unique

HQ15-DB9055D

Price: €5,000 EUR

TATSUO MIYAJIMA

Life (Rhizome) No. 3

2012

280 LEDs, IC, electric wire, stainless steel

unique work

203 x 293 cm / 80 x 115 in

EDITH DEKYNDT

Drawing 012

2009

Ink on aluminium (framed)

45 x 59 cm

(ED042)

£ 5,800.00 GBP ex VAT

MARINA ABRAMOVIC

Portrait with white lamb

2010

Black and white photographic print

125 x 125 cm

159 x 159 cm (inc 17 cm border)

49.2 x 49.2 in

ed.1/9+2 ap

ABRA100009-1

LUKE FOWLER

Red, Green, Gold (flare)

2011

C-Type Print

67.3 x 67.3 x 3.3 cm framed

edition of 6+2 ap

TMI-FOWLL-30512-1

HEINZ MACK

Black & White

1958

Resin on canvas

133,5 x 205,5 cm

# MACK0038

 

Price upon request

SAâDANE AFIF

Et l'Eternité

2013

Paint on canvas, digital print on plexiglass

215 x 138 x 10 cm

Unique piece

SA 2013/003

Certificate signed by the artist

EUR 40,000.00

YAYOI KUSAMA

UNIVERSE [ABVR]

2013

Acrylic on canvas

162 x 162 cm, 63 3/4 x 63 3/4 in

(KUSA 884)

$ 345,000.00 (excluding tax)

ALEC MINGELMANGANU

Untitled (Wanjinas and Birds)

c.1978

Natural earth pigments on wood, engraved

Inscribed on the reverse Idelphonsus

52 by 18cm

FRED WILLIAMS

Rocks at the You Yangs I

1978

Oil on canvas, 76.2 x 81.2cm

Unsigned, estate stamp verso

Provenance: Estate of the Artist (LW 699)

$300,000 (no GST)

JUERGEN TELLER

The Keys to the House No. 19

2011

c-print

12 x 16 inches (image)

30.5 x 40.6 cm

13.78 x 17.72 x 1.26 inches (frame)

35 x 45 x 3.2 cm

Edition 1 of 5

LM15828

£7,000.00

KATY MORAN

Country House

2012

acrylic and collage on canvas and board

44 x 52.5 cm

17 3/8 x 20 5/8 ins

GBP 22,000

SIMON STARLING

The Inaccessible Poem (After James Nasmyth & James Carpenter, An Ideal Sketch of "Pico" an isolated lunar mountain 8000 feet high as it would probably appear if seen by a spectator located on the moon, 1874)

2013

C-type

70.9 x 92.6" / 180 x 235.2cm

Framed: 74.4 x 96.1" / 189 x 244.2cm

SS2013-001

$72,000.00

STERLING RUBY

SPCE (4034)

2012

Collage, paint and urethane on cardboard

304.8 x 243.8 cm / 120 x 96 inches

RUBYS56865

USD 115,000.00 excl. VAT

DANIEL ARSHAM

View of Mataveri airport

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

MARTIN BELL

UFO BUSTER! 10

2012

Modeling clay on wooden board in acrylic box

30 x 20 x 5 cm

$1,800.00

RYAN GANDER

The whole world rises up, 1977 by Spencer Anthony

2011

Black & white photograph, red oil paint

203 x 203 x 7 cm

79.9 x 79.9 x 2.8 in

ed.unique

GAND110033

ERNESTO NETO

SARAH SZE

Lifted

2010

bike chain, lock, silver plating

3 x 204 x 12 inches; 7.6 x 518.2 x 30.5 cm

(TBG 12453)

USD $12,000

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

SEHER SHAH

The Expansion of the First Great Ornamental Age: Vector Connections

2009

Archival Giclee Print

76 x 51 cms

edition 5/10.

Euro 2000 / AUD 3000

MICKALENE THOMAS

Qusuquzah, Une Trés Belle Négresse 2

2012

c-print

60 x 50 inches

152.4 x 127 cm

62 x 52 x 3 inches (framed)

157.5 x 132.1 x 7.6 cm

Edition 1 of 3, 2 AP

LM16540

$17,000.00

LUKE FOWLER

Vocal Transitions (Cara)

2011

C-Type Print

64.6 x 64.6 cm unframed, 67.3 x

67.3 x 3.3 cm framed

edition of 6+2 ap

TMI-FOWLL-30959

ERNESTO NETO

GREGORY & WATTS

Champagne Cocktail Observatory Hill

2012

HD Digital video

Duration: 3 mins 38 secs

Edition of 5

Price (including GST): $2,200

All prices are in $AUD

KAMEN STOYANOV

Future Idea

2013

video

1/5 (Ed 5+1AP)

STO/V 2/1

EUR 4,500.-

Prints EUR 350,-

JOHN MCALLISTER

venerable articulate complete

2013

Oil on canvas

53 x 43 cm

(JM15)

£ 7,800.00 GBP ex VAT

FRANCIS UPRITCHARD

Twice Majic

2012

modelling material, wire, paint, fabric, synthetic hair

118 x 43 x 30cm

£18,500 + VAT (with plinth)

SUSAN HILLER

Shipping Out

2008/2012

25 colour dry prints

Each: 4 x 6 in. / 10 x 15 cm

Overall: 22 1/4 x 31 5/8 in. / 56.5 x 80.5 cm

T008672

GBP 16,000.00

VAT Exclusive

SEHER SHAH

The Expansion of the First Great Ornamental Age: Division

2009

Archival Giclee Print

76 x 56 cms

edition 6/10.

Euro 2000 / AUD 3000

WILLIAM KENTRIDGE

Learning the Flute

2003

35mm film transferred to video, blackboard, easel, duration 8 min, 2 sec.

blackboard: 63 x 51-1/4 in. (1m 60 x 1m 30) easel: 74-7/8 x 27-1/2 in. (1m 90 x 70 cm)

Edition of 8

[S/9002]

$ 325,000.00

JONATHAN MONK

One Hundred Red Bottles Painted White And One Hundred White Bottles Painted Green

2013

Spray paint on canvas

150 x 160 cm

EUR 20.000

GARDAR EIDE EINARSSON

ARROW PAINTING

2011

acrylic on canvas

182.9 x 213.4 cm (72 x 84 in)

(Inv# GAEI-0001)

$33,000(without tax)

TRACEY EMIN

I left you on the kitchen table II

2012

Gouache on paper

9 13/16 x 9 13/16 in. (25 x 25 cm)

JJ46958

PAUL LEE

Untitled (triple negative)

2011

cut hand dyed cotton towel

182.9 x 106.7 cm

72 1/8 x 42 1/8 ins

USD 12,000

GHADA AMER

BLACK - RFGA

2013

Acrylic, embroidery and gel medium on canvas

65 x 78 inches

165.1 x 198.1 centimeters

GA.32117

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

EDITH DEKYNDT

Drawing 011

2009

Black ink on aluminium paper (framed)

41 x 54 cm

(ED043)

£ 5,800.00 GBP ex VAT

FIONA LOWRY

Nuytsia floribunda

2012

acrylic on canvas

56.0 x 51.0 cm

$4,500

NARI WARD

Medicine Bats

2011

glass, cotton

7 parts, each approximately: 32 x 3 x 3

inches

81.3 x 7.6 x 7.6 cm

LM15270

$35,000.00

LAWRENCE WEINER

WHERE IT SEEMS AS IT IS WHERESOEVER HOWSOEVER WHATSOEVER PENDING

2012

Ink, pencil and pastel on paper

Approx. 101 x 81 cm

WEIN120006

USD 30,000.00

LEE BUL

Indication No. 3

2008

acrylic paint, india ink and pigmented ink on paper

16.54 x 22.05 inches

42 x 56 cm

23.23 x 28.74 inches (framed)

59 x 73 cm

LM17469

$15,000.00

THOMAS DEMAND

Beyer #34

2011

Framed Pigment Print

106,3 x 159,6 cm (unframed)

41 7/8 x 62 7/8 inches (unframed)

123,8 x 177,1 x 6 cm (framed)

48 3/4 x 69 3/4 x 2 3/8 inches (framed)

Edition 1/2

MSPM TDE 20638

EUR 35.000,00

HANNAH STARKEY

Untitled, January 2013

2013

C-print

48 x 64 1/2 inches; 122.4 x 163.6 cm (unframed)

49 x 65 1/8 inches; 124.5 x 165.4 cm (framed)

Edition of 5; 2 AP

(TBG 14940)

GBP £12,000

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

HEALY & CORDEIRO, CLAIRE & SEAN

Drunken Clarity

2011

broken beer bottles, putty, 23 carat gold, arabic gum

dimensions variable

$A $50,000

incl GST

 

Exhibited:

Drunken Clarity, gbk, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

It is said that the origins of Kintsugi lie in the dissatisfaction of a 15th century shogun when an important piece of his porcelain returned from repair in China held together by ugly staples. Local craftsmen then repaired the tea bowl a second time, using lacquer and powered gold, returning it to functionality and adding aesthetic value to the object.

Purposely smashing something in the hope of discovering something new and beautiful is also an act endlessly carried out in countless parties across the world. In English, the terms like wasted,smashed, wrecked, shattered, obliterated and trashed are often used to describe altered states of consciousness brought on by the imbibing of alcoholic beverages. The temporary destruction of the self is carried out in the hope that fun or adventures may be had that would not be possible sober. The hangover after the consumption of large quantities of alcohol can sometimes result in moments of clarity, even inspiration. The ebbing of serotonin in the body’s system and general physical lethargy can create a state of reverie that brings forth thoughts and ideas that may not otherwise come to mind.

Drunken Clarity is a celebration and commemoration of the by-products of the shattering of our ordered, constrained mind.

THOMAS HOUSEAGO

Arm Studies

2011

Tuf-Cal, hemp, iron rebar

white arm: 27.9 x 132.1 x 12.7 cm large arm: 35.6 x 167.6 x 25.4 cm

TMI-HOUST-28902

HEINZ MACK

Kleine Wüste

1964

Sand, wood

82 x 92 x 8 cm

# MACK0017

 

€ 155.556

CALEB SHEA

Untitled (stainless to white)

2013

polyeurethane on stainless steel

125 x 70 x 50cm

$5,500

ADEL ABDESSEMED

Nuit de Noces

2013

oil and chalk on paper

16x30.5cm

25,000US$

HAIM STEINBACH

LP (a) 9/23/2013

2013

Linoleum, aluminium-faced honeycomb board

23 1/4 x 23 1/4 x 1 2/8 in. (59 x 59 x 2.7 cm)

USD 17500

INSTALLATION SHOT

VIK MUNIZ

Pictures of Paper (Color): Northeaster, after Winslow Homer

2010

Digital C Print ed 3/6

180 x 265 cm

US$ 58.000,00

24391

 

TOM FRIEDMAN

Untitled (Hostess treats)

2013

Styrofoam and paint

15 ½ x 61 x 61 inches

(39.4 x 155 x 155 cm)

C23650

$ 135,000.00

Detail View

RUDOLF SCHWARZKOGLER

4. Aktion

1965

silver gelatine (Franziska Cibulka)

49 x 59 cm

Orginal

SCHWAR/F 107

EUR 32,000.-

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

THUKRAL & TAGRA

Wonder Woman III (Flying Girl)

2011

Acrylic, oil on canvas

72” x 48” (183 x 122 cms)

Euro 20000 / AUD 30000

MAT COLLISHAW

Sordid Earth 3

2011

C-Type Print

65 x 52cm, ed 2/5

£7,000 / Approx $11,000

(framed)

FRANCIS UPRITCHARD

David

2012

modelling material, wire, paint

87 x 64 x 24cm

£18,500 + VAT (with plinth)

 

PAUL LEE

Untitled

2010

bath towels, cotton thread, ink

126 x 155 cm

49 5/8 x 61 1/8 ins

USD 12,000

HAIM STEINBACH

dancer with raised right foot

2011

Wood, plastic laminate and glass box; wood stool; painted bonded bronze Degas statuette

52 x 56 x 25 5/8 inches; 132.1 x 142.2 x 65.1 cm

signed on shelf verso

(TBG 13209)

USD $65,000

DANIEL ARSHAM

Rano Raraku

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

JOHN MCALLISTER

exalts airy well

2013

Oil on canvas

94 x 76 cm

(JM16)

£ 10,500.00 GBP ex VAT

MARY CORSE

Black Square Glitter

1977

Metallic squares on canvas

84 x 84 in. (213.4 x 213.4 cm)

USD 225,000.00

JAMES CASEBERE

Store Front

1992

Selenium toned silver print

72 x 95 cm

28.3 x 37.4 in

ed.3/7

CASE920002

RICHARD HUGHES

Where it all happened once, Tramway, Glasgow, 2012

INSTALLATION VIEW

 

As with all of Richard’s work, the familiar abandoned objects are painstakingly re-made and transformed - recontextualising them to make something uncanny and spectacular.

His solo exhibition at Tramway in Glasgow opened at the end of October. The focal piece of the main space is a scale replica of a run-down community centre. The building has been modeled on an existing space built in the early 80s which serves the community of a social housing scheme. Its absurd counter pose suggests that it has been thrown directly into the space. In the corner of the gallery a series of apparently rusty drainpipes reach vine-like across two walls spelling out in sprawling bold negative shapes the phrase ‘nowhere’.

JULIAN OPIE

Maria 1.

2011

Inkjet on canvas on wooden stretcher

192 x 119.6 cm

OPIE110065

GBP 40,000

HAYDEN FOWLER

antler iv

2013

cement,gypsum,sand

unique version

58 x 24cm

$650

SEHER SHAH

The Expansion of the First Great Ornamental Age: Fragmented Landscapes

2009

Archival Giclee Print

76 x 56 cms

edition 5/10 and 6/10.

Euro 2000 / AUD 3000

DIRK BELL

Gate

2010

Steel

238 x 120 x 2cm

edition of 2

TMI-BELLD-28082

 

The piece, which is made from tesselations of the chracteristic ‘love’ motif, was originally shown in his exhibition MADE IN GERMANY at the Baltic Centre for Contemporary Art, Gateshead.

LOT 128

PATRICIA PICCININI

Team WAF (Precautions)

2003

fibreglass, PET and autmotive paint

32 x 28 x 32cm (12 5/8 x 11 x 12 5/8in).

Estimate:

 

AU$ 10,000 - 15,000

£6,600 - 9,800

US$ 10,000 - 15,000

 

Footnotes

PROVENANCE:

Purchased from Roslyn Oxley9 Gallery, Sydney in July 2003

 

EXHIBITED:

Patricia Piccinini: We are Family, Venice Biennale, Venice, Italy, 15 June - 2 November 2003

Patricia Piccinini: We are Family, Bendigo Art Gallery, Bendigo, 17 April - 27 June 2004

Patricia Piccinini: We are Family, Hara Museum Tokyo, Japan 6 December 2003 - 1 February 2004

Patricia Piccinini: Hold Me Close to Your Heart, ARTER, Istanbul, Turkey, 22 June - 21 August 2011

 

 

What strangely evolved creatures wear these adornments? Speed, clearly, is like oxygen to them. Movement, presumably, on sleek and murderous machines that test the boundaries of the body is a clear requirement. But Patricia Piccinini has always done that; seeking out the borderline between human and alien, works that question the very nature of our biology. While science intrigues her – from genetic manipulation to cloning – it is in fact what it does and can do to the human. Team WAF (Precautions) was a part of Piccinini's exhibition, We Are Family, which delighted, confused, chilled and inspired audiences when she represented Australia at the 2003 Venice Biennale. That same year the show travelled to the Hara Museum in Tokyo. In a talk she gave to theTokyo National University of Fine Arts and Music
that year she described the work: "The first thing that you saw as you entered the exhibition was this row of helmets for the work Team WAF (Precautions). And this is the first family that you find in the show, a family of helmets for inhabitants with very strange heads. They indicate that the inhabitants of the house need these beautiful helmets - not because they are different, but because they ride motorcycles very fast. With these helmets, you get a very familiar feeling, because helmets are familiar to us, but a strangeness as well."1

 

Ashley Crawford

 

1 Patricia Piccinini, artists talk, Tokyo National University of Fine Arts and Music, Tokyo, 2003

HEINZ MACK

Prism Whirl

1960

Aluminum, glas, wood, motor

48 x 29 x 22,5 cm

# MACK0035

 

€ 177.778

LOUISE BOURGEOIS

UNTITLED

2007

Fabric

22 1/2 x 16 1/2 inches

57.2 x 41.9 centimeters

(BOUR-15715)

BO.32288

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

EDITH DEKYNDT

Cold Drawing 018

2012

Inkjet on rag paper (framed)

41 x 30 cm

(ED039)

£ 3,500.00 GBP ex VAT

CHRISTIAN CAPURRO

Young man against the white curtain

2011

partially erased magazine page, erasings pile, tabletop and tripod

90 x 80 x 140 cm

$18,000

PETER LIVERSIDGE

Hello

2012

54 low energy bulbs, powder coated steel, motion activated sensor

200 x 40 x 18cm

£20,000

 

There will be 3 versions made, one bigger than this and another smaller, each unique at their size. The piece is motion activated (it turns on when someone walks towards it). There is a lot of flexibility regarding the timings and the positioning of the motion sensor: It can be lit up for anything from 2 seconds to 1/2 an hour once activated, so can be adjusted according to preference.

 

Peter has been invited to contribute a sculpture for the Frieze Sculpture Park, and has made another bulb sign, EVERYTHING IS CONNECTED, which will be on view there. I can send further details/images of this if desired.

TOM FRIEDMAN

Untitled (Hostess treats)

2013

Styrofoam and paint

15 ½ x 61 x 61 inches

(39.4 x 155 x 155 cm)

C23650

$ 135,000.00

Detail View

YAYOI KUSAMA

THE END OF THE UNIVERSE

2012

Acrylic on canvas

130.3 x 162 cm, 51 1/4 x 63 3/4 in

(KUSA 756)

$ 285,000.00 (excluding tax)

JUAN FORD

The Reorientalist

2013

oil on linen

122 x 183cm

SOLD

JAMES ORAM

Wallpaper

2012

HD Digital video

Duration 9 mins 13 secs

Edition of 5

Price (including GST): $3,000

All prices are in $AUD

EX DE MEDICI

I and I

2011

watercolour and gold leaf on paper

114 x 136 cm

$ 35,300 AUD (inc. gst)

DIRK BELL

Untitled

2011

Watercolour, pastel on newsprint

79.5 x 56.7 cm unframed, 88.9 x 67.3 cm framed

TMI-BELLD-28796

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

MARCUS COATES

 

Leopard Slug (Great Slug), Limax maximus, Self portrait, cotton wool

2013

Archival Giclée Print mounted on Aluminium

76.2 x 66 cm, 30 x 26 in

edition of 5 plus 1 artist's proofs

(MC0169)

£ 3,000.00 + Tax (unframed)

THOMAS DEMAND

Vault

2012

Chromogenic print on photographic paper and Diasec

220 x 277 cm (unframed)

86 5/8 x 109 inches (unframed)

Edition 4/6

MSPM TDE 19325

EUR

SHANNON EBNER

EKSIZ

2011

type C print

160 x 106.7 cm / 63 x 42 in

HOSSEIN VALAMANESH

Internal Travel

1998

cibachrome print

76.5 x 105.70cm

edition of 1

$9,000 (framed)

VIK MUNIZ

Pictures of Diamonds: Louise Brookes

2005

digital C print ed 10/10

152 x 122 cm

US$ 110.000,00

24320

ERNESTO NETO

SHANNON EBNER

Los Angeles Series No 8

2009

chromogenic print

51.8 x 77 cm / 20 ⅜ x 30 ⅛ in

edition of 4 + 2 a/p

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

JOHN MCALLISTER

everywhere quiet clamor

2013

Oil on canvas

145 x 125 cm

(JM17)

£ 15,500.00 GBP ex VAT

MAT COLLISHAW

Sordid Earth 1

2011

C-Type Print

65 x 52cm, ed 2/5

£7,000 / Approx $11,000

(framed)

CARMEN HERRERA

Stanzas

2012

Acrylic on canvas

91.4 x 91.4 x 6.4 cm

36 x 36 x 2.5 in

HERR120007

ROSALIE GASCOIGNE

Imperial Measure

1993/94

retro-reflective sign, sawn soft drink crates on craftboard

82 × 60cm

$120,000.

ARTIST NAME

Title of Work

Year

Materials

Size of Work

Price of Work

THOMAS DEMAND

 

Wood #89

2011

Framed Pigment Print

106,3 x 159,6 cm (unframed)

41 7/8 x 62 7/8 inches (unframed)

123,8 x 177,1 x 6 cm (framed)

48 3/4 x 69 3/4 x 2 3/8 inches (framed)

Edition 1/2

MSPM TDE 20647

EUR 35.000,00

A Language of Exposures, Wallspace, New York, 15 February – 23 March, 2013

INSTALLTION VIEW

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

ANTONY GORMLEY

CORNER

300.000,00 GBP + vat

 

2011

Ghisa

79 x 45 x 65 cm

 

2011

Cast iron

79 x 45 x 65 cm

ANDREW KERR

Frieze Art Fair, London 2012

INSTALLATION VIEW

 

Andrews' paintings are rarely direct observational studies. Some are loosely based on small interior scenes, either arranged or as they were found, others are remembered events. Working on blank pieces of paper, acrylic paint is put down in short, tentative strokes. From this field of

shifting colour, shapes, tones and gaps are embroidered, leading toward definition. The resultant mash of sparse outlines, dappled zones of colour, dull brown smears, milky films and luminous scatterings is composed in order to prompt recognitions - perhapsutensils of indeterminate

size, up-ended boxes spilling their contents, hillsides, table tops or the edges of flower beds.

TOM FRIEDMAN

Untitled (Hostess treats)

2013

Styrofoam and paint

15 ½ x 61 x 61 inches

(39.4 x 155 x 155 cm)

C23650

$ 135,000.00

Detail View

SEHER SHAH

The Expansion of the First Great Ornamental Age: Horned God

2009

Archival Giclee Print

76 x 56 cms

edition 6/10.

Euro 2000 / AUD 3000

GüCLü ÖZTEKIN

Nameless 13

2012

acrylic on Kraft paper

99 x 90 cm

ÖZT/P 13

EUR 9,000.-

LOUISE LAWLER

Full Frame

2002

Cibachrome on museum mounted

75,6 x 61 cm

29 3/4 x 24 inches

Edition 3/5

MSPM LLA 22000

HOSSEIN VALAMANESH

Something from Nothing

2009

Black paper, 79 x 79cm

$8,000

LIZA LOU

Untitled, Black & White

2011-2012

Glass beads and cotton

63 3/8 x 64 9/16 in. (161 x 164 cm)

USD 185,000.00

DIRK BELL

Untitled

2011

Watercolour, pastel on newsprint

79.5 x 56.7 cm unframed, 88.9 x 67.3 cm framed

TMI-BELLD-28800

SHANNON EBNER

Los Angeles Series No 12

2010

chromogenic print

51.8 x 77 cm / 20 ⅜ x 30 ⅛ in

edition 1 of 4 + 2 a/p

REBECCA BAUMANN

NZD12,500

EDITH DEKYNDT

Cold Drawing 023

2012

Inkjet on rag paper (framed)

41 x 30 cm

(ED040)

£ 3,500.00 GBP ex VAT

CHRISTIAN CAPURRO

Young man against the white curtain

2011

partially erased magazine page, erasings pile, tabletop and tripod

90 x 80 x 140 cm

$18,000

Detail View

ANDREW KERR

Untitled

2012

Acrylic on paper

42 x 29.6 cm

TMI-KERRA-32647

ISAAC JULIEN

Green Screen Goddess, Triptych (Ten Thousand Waves)

2010

Endura Ultra photograph ed 2/6

180 x 240 x 4.5 cm cada

US$ 159.000,00

24486

MARY RAMSDEN

Untitled

2013

Oil, acrylic on canvas

170 x 130 cm

(PC23221)

 

GBP 7,000.00 + VAT

STANLEY WHITNEY

11-1998

1998

graphite on paper

25 x 33 inches framed (approx.)

$ 4,500 + frame

JOHN A DOUGLAS

The Visceral Garden

2013

Single channel HD 1080p video with sound

by Heath Franco and Naomi Oliver

Collaborative performance with Naomi Oliver

Duration: 16 mins 47 secs

Edition of 3

Price (including GST): $1,750

All prices are in $AUD

Also available as four channel installation version for museum installation

POA

LOT 393

BRETT WHITELEY

Change

1971

Oil on board

With artist’s studio stamp upper right

Signed, titled and dated 1971 on reverse

134 x 122cm

 

Provenance

Sotheby’s Australia, Important Australian Art, Melbourne, 11/04/2006, Lot No. 50;

Private Collection, Sydney;

Deutscher~Menzies, Australian and International Art, Sydney, 10/12/2008, Lot No. 28;

Bay East Auctions, Bay East Art, Sydney, 21/03/2010, Lot No. 169;

Private Collection, Sydney.

© Wendy Whiteley

 

$100,000–150,000

TRACEY EMIN

I left you on the kitchen table III

2012

Gouache on paper

9 13/16 x 9 13/16 in. (25 x 25 cm)

JJ46959

FIONA TAN

Cloud Study I

2010

Black and white, pigment print on archival paper

295 x 90 cm

Edition of 4

EUR 14,000.00

 

Fiona Tan

b. 1966, Pekan Baru, Indonesia

Printed as a negative image, Cloud Study I is a black and white print shot from an airplane during the filming of Cloud Island in 2010 over the tiny island of Inujima in Japan. Inujima is in many ways exemplary of the country's last 400 years of industrialization. Once an island of fishermen and farmers, Inujima then became a place of granite quarries and copper refineries. Now all the works stand empty; the quarries filled with water, factory chimneys crumbling. The island’s aged population has dwindled to around fifty people who continue their day-to-day lives in this evocative and rather neglected place where clipped trees and well tended allotments stand next to abandoned homes.

 

THUKRAL & TAGRA

Splendidly Sad (c )

2009

Lithography, screen print collage, hand cut, hand paint, air brush thread constructed on

laminated STPI stencil shaped paper, cast paper and pigmented pulp

134 x 107 x 2 cms

Euro 15000 / AUD 22000

MARK DION

Marine Encrustations

2012

colored pencil on paper in seven parts

11 x 8 1/2 inches; 27.9 x 21.6 cm (unframed)

12 1/8 x 10 3/8 inches; 30.8 x 26.4 cm (framed)

(TBG 14613)

USD $12,000 (plus $1,575 framing)

DETAIL VIEW

CINDY SHERMAN

Untitled #548

2010/2012

Color photograph

179,1 x 353,1 cm

70 1/2 x 139 inches

181,6 x 354,3 cm (framed)

71 1/2 x 139 1/2 inches (framed)

Edition 1/6

MSPM CSH 19898

BILLY CHILDISH

Helmet Diver (Leaping)

2011

oil and charcoal on linen

120.08 x 72.05 inches

305 x 183 cm

LM16718

€40,000.00 EUR

*Hoxton pop-up

 

DIRK BELL

Untitled

2011

Watercolour, pastel on newsprint

79.5 x 56.5 cm unframed, 88.9 x 67.3 cm framed

TMI-BELLD-29511

MUSEUM OF CONTEMPORARY ART

HEALY & CORDEIRO, CLAIRE & SEAN

 

Par Avion

2011

70 cut pieces from a Cessna 172 airplane, gaffa tape

$A $77,000

incl GST

 

Exhibited:

Par Avion, Frey Norris Contemporary and Modern, San Francisco, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

Claire Healy & Sean Cordeiro acquired a small Cesna airplane from a scrap airplane merchant in Roma, Australia, and then deconstructed the entire body by cutting it into small pieces and applying postage stamps directly to the surface of each article. These parcels were then sent by air freight to Gallery Frey Norris, San Francisco, before being relabelled and returned to Australia for their survey

exhibition at the Museum of Contemporary Art Australia, Sydney.

 

Par Avion, or Airmail, is French and the phrase often appears on a sticker or label indicating a letter should be sent by air. Healy & Cordeiro think that it is apt that such postal etiquette should be placed upon the small parcels that once comprised a vehicle of air travel. The wreckage of the plane that no longer has the capability of flying has been given new means of movement. The speed, maneuverability and size were once the distinguishing features of the aircraft but these have now been stripped away, and the object of these qualities arranged as isolated components. The method of delivery may bring some order out of disorder or lay to rest some of the intrinsic purposes of the original airborne machine.

SARAH SZE

Lifted

2010

bike chain, lock, silver plating

3 x 204 x 12 inches; 7.6 x 518.2 x 30.5 cm

(TBG 12453)

USD $12,000

DETAIL VIEW

MAHA MALLUH

Man About Town

2010

c-print, 80 x 100 cm

1/3

MALL/F 1/1

EUR 4,300.-

IVAN SEAL

izibleawovi

2013

Oil on canvas

120 x 110 cm

(IS534)

£ 9,000.00 GBP ex VAT

RACHEL HARRISON

Sculpture with Raincoat

2012

Wood, styrofoam, cement, acrylic, hanger, The Economist, and Gherardini rain coat

68 x 27 x 20 1/2 inches

172.7 x 68.6 x 52.1 cm

RH.1120

$145,000.00- On Reserve

ANDREW KERR

Our Litre

2011

Acrylic on paper

20.8 x 29.5 cm

TMI-KERRA-29160

VIK MUNIZ

Hume / Bologna

1998

polaroid ed unique

59,5 x 53 cm

US$ 23.000,00

11337

STEVEN SHEARER

Bunching & Shading

2012

inkjet print on aluminium, framed

147 x 109 cm

57 7/8 x 42 7/8 ins

edition 2 of 3 + 1 AP

EUR 45,000

HEINZ MACK

Ohne Titel

1958

Polymer on wood

43,3 x 43,3 x 2,7 cm

# MACK0022

 

€ 155.556

CALEB SHEA

Untitled (orange to red)

2013

polyeurethane on steel

125 x 135 x 70cm

$6,500

ANGELA DE LA CRUZ

Tight (Red/Orange)

2012

Oil on canvas

66.5 x 48.5 x 8.5 cm

26.2 x 19.1 x 3.3 in

CRUZ120003

VIK MUNIZ

Pictures of Paper (Color): The Great Turf, after Durer

2010

Digital C print ed PA 1/5

135 x 100 cm

US$ 44.000,00

24222

DAVID HARRISON

Four Portraits of a Gambler

2012

Oil on canvas

45.5 x 61 x 2 cm, 17 7/8 x 24 1/8 x 3/4 in

(DH 178)

 

£ 6,000.00 (ex tax)

BHARTI KHER

Landscape

2007

Triptych: Bindis on wooden panels.Signed and dated "Bharti Kher 2007" on the reverse of each panel.

74 1/4 x 74 1/4 inches / 188.6 x 188.6 cm (each)

$550.000 USD

 

THOMAS DEMAND

Landscape

2013

C-Print / Diasec

200 x 325 cm

78 3/4 x 128 inches

Edition 2/6

MSPM TDE 21105

EUR 140.000,00

SHANNON EBNER

Y

2007-12

wood, steel, paint

233.7 x 119.4 x 18.4 cm / 92 x 47 x 7 ¼ in

unique

INSTALLATION VIEW

JUAN FORD

Entwine & Implode

2013

oil on linen

91 x 71cm

SOLD

JOHN BALDESSARI

The intersection series: Four Persons at Meeting/High Rise Building

2002

Digital photographic prints with acrylic on sintra board

215,3 x 136,2 cm

84 3/4 x 53 5/8 inches

MSPM JBA 20691

US$400,000.00

NICOLAS PARTY

Landscapes

2012

Watercolour on paper

TMI-PARTN-32553

48 x 48 x 2 cm framed

SEHER SHAH

The Expansion of the First Great Ornamental Age: Separation

2009

Archival Giclee Print

76 x 56 cms

edition 6/10.

Euro 2000 / AUD 3000

EX DE MEDICI

You can tell from the smell, that there's nothing going on around here.

2011

watercolour and gold leaf on paper

114 x 131 cm

$88,000 AUd (inc. gst)

DANIEL ARSHAM

Rano Kau crater

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

CHRISTIAN CAPURRO

Young man against the white curtain

2011

partially erased magazine page, erasings pile, tabletop and tripod

90 x 80 x 140 cm

$18,000

Detail View

HEALY & CORDEIRO, CLAIRE & SEAN

Sameday Service or Sooner

2008

mdf, cardboard, perspex, acrylic, tie-down ratchets

220 x 138 x 130 cm (irregular)

$A $25,000

incl GST

Provenance/ Story/ Additional Notes

Exhibited:

Disruptive Colouration, gbk 2008

Art Month Sydney, Starcom Mediavest, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

Dr Who travels inside a space ship named the TARDIS which stands for Time And Relative Dimensions In Space. This machine makes it possible for him to travel to any place within any time period. We have flat packed the TARDIS to make it more transport-friendly. This is a sculptural example of an outcome when one particular system is grafted on to another system in the hope of greater productivity. Through lack of understanding between the original system and the new one, the end resultant system is one that fails.

HANS OP DE BEECK

Vanitas (1) (photo)

2011

Lambda print mounted on Dibond back in wooden frame

163,1 x 108,1 cm

15.000,00 € + VAT

SHANNON EBNER

The Ecstaticalphabet

2009

single Channel Projection

2:41 minutes;

 

SHANNON EBNER

Paging Walter

2009

chromogenic print

10.7 x 8.127 inches

WILLIAM MACKINNON

Landscape as self-portrait III

2012

acrylic, oil and enamel on lenticular print, framed

47 x 63cm

$3,500 AUD / $4,520 SGD

bronze wood, 2013

2 photographs, ceramic pots with plants (Haworthia fasciata and Hedera helix)

Diptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 28.000,00

(VAT not included)

UGO RONDINONE

lax low lullaby

2010

wood, fittings, varnish

320 x 260 x 25 cm / 126 x 102 ⅜ x 9 ⅞ in

unique

HQ13-UR7644S

Price: 350,000 CHF

JOAN BELMAR

Chicago

mixed media framed

32"x30"

$3000

ALI TAPTIK

Untitled (from Serie: Nothing Surprising)

2008 - 2010

Lambdaprint

90 x 90 cm

Ed. 5 (AP 90x90) +1 AP

TAP/F 8/1

EUR 2,200.-

THILO HEINZMANN

O. T.

2013

Styrofoam, nail varnish, wood behind plexiglass cover

193.5 x 154.5 x 12 cm

(TH172)

£ 24,500.00 GBP ex VAT

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

HEALY & CORDEIRO, CLAIRE & SEAN

Dust to dust

2008

pulverised IKEA LACK table, wood vitrine

50 x 50 x 120 cm, (each part, 3 parts)

$A $21,000

incl GST

 

Exhibited:

Manual, Galerie Gitte Weise, Berlin, 2008

Future Furnishings, Nature Morte Berlin, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

IKEA is a recurring presence in Claire Healy & Sean Cordeiro's work; the artists use its standardised forms not only as sculptural devices but also to highlight the increasing sameness of global society and the growing consumption of cheaply-made material goods. To create Dust to Dust the artists pulverised three coffee tables from a low-priced IKEA furniture range in their Berlin living room. While the tables are completely unrecognisable, on close inspection tiny flecks of colour, the remains of their formally smooth MDF surfaces, can be seen in the circular mounds of sawdust. By presenting the destroyed tables as pseudo-historical artefacts the artists invite us to imagine our enduring legacy on the planet.

Hammer Museum, Los Angeles, 15 July – 09 October 2011

INSTALLATION VIEW

 

 

MAT COLLISHAW

Sordid Earth

2012

C-Type print

65 x 52cm, Ed 5

£4,000 / Approx $6,600

(framed)

WILLIAM MACKINNON

Landscape as self-portrait II

2012

acrylic, oil and enamel on lenticular print, framed

47 x 63cm

$3,500 AUD / $4,520 SGD

VARDA CAIVANO

Untitled

2012

Oil on canvas

40 x 30 cm, 15 3/4 x 11 3/4 in

(VC 196)

 

£ 7,000.00 (ex tax)

JOHN BRACK

PINOCCHIO ON THE HANDS

1992

watercolour, pen and ink on paper

65.0 x 50.0 cm

signed and dated lower right: John Brack 92

EST $60,000 – 80,000

 

Provenance

Private collection, Melbourne

Exhibited

Deutscher Fine Art, Melbourne, 20 May – 11 June 1994, cat. 11

Essay

The Pinocchio paintings were among the last works John Brack was to paint. The motif of the wooden puppet enshrined in childhood literature became his final reflection on the cycle of life and the theatre in which our lives play out. It was the next inevitable evocation of humanity after Brack’s decade long fascination with pencils and ink pens as a metaphor for the human condition. While the pencils tended to express a sense of the individual drowning in the homogenous crowd and thus relinquishing his or her personal characteristics, private thoughts or ambitions, the Pinocchio manikins suggested an ironic Brackian return to the human being. One interpretation suggests that ‘The Pinocchio pictures celebrate the playful purity of the male self, before it has graduated to more dangerous adult games.’1 At play in these final paintings and drawings is a teetering sense of a destabilising threat to order. Pinocchio on the Hands, 1992 epitomises this quality with its straight row of six painted figures standing improbably on a ply panel held up only by the index figure of four wooden model hands. In a candid interview in 1991 he commented, ‘I see the 20th-century world as being in a state of precarious balance. Things are on the verge of toppling, but they haven’t quite yet.’2 Sometimes Brack would place the dolls on artist’s manikins such as observed in On Stage, 1992 (private collection) and in more playful guises tumbling across the round marble table top in Seven on the Table, 1990 (private collection). Helen Brack observed of these last works, ‘... he embarked upon a very tender and optimistic coda, using the marble oval with the full value of its preceding connotations, but using the manikins as a stylisation of people – and the hand, in a gesture of authority, the hand of God, God who is not God but is the Master, The Father, The Protector, the Prophet and Teacher from our ancient past. These he bound into the continuous and continuing family unit, the Mother connected to the stem of the table, the underneath of the stage on which we perform our lives.’

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

MARCH, group exhibition, Sadie Coles HQ, London, 14 March – 21 April 2012

INSTALLATION VIEW

NAT THOMAS

bust after Arcimboldo

54cm (height) x 19cm (width) x 19cm (depth)

shell vase, plastic head, shells and adhesive

2011

$1600

DANIEL ARSHAM

Can

2013

Gouache on mylar, frame

30,2 x 21,5 cm / 11 3/4 x 8 1/2 inches

Unique

$5,000 AUD

ALEX HARTLEY

If only it could be this way

2011

Constructed mixed media on C-type photograph

100 x 125 cm, 39 3/8 x 49 1/4 in

(AH 157)

 

£ 17,200.00 (ex tax)

DANIEL ARSHAM

Tattoo parlor

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

INSTALLATION SHOT

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

VICTORIA MORTON

Afternoon Session

2012

Oil on canvas

18 x 24 x 2 cm

TMI-MORTV-32715

Hammer Museum, Los Angeles, 15 July – 09 October 2011

INSTALLATION VIEW

MADELN COMPANY

The Butterfly Nightmare

2012

Mixed media on canvas

180 x 253 cm

LEE BUL

Indication No. 1

2008

acrylic paint, india ink and pigmented ink on paper

22.05 x 16.54 inches

56 x 42 cm

28.74 x 23.23 inches (framed)

73 x 59 cm

LM17467

$15,000.00

INSTALLATION SHOT

DAMIEN HIRST

Capaneus

2012

Insects and household gloss on canvas

60 x 48 in. (152.4 x 121.9 cm)

GBP 600,000.00

 

VIK MUNIZ

Gordian Puzzles: Garden of Earthly Delights, after H. Bosch

(Triptych)

2008

digital C print ed 6/6

195 x 342 cm

 

24485

DIRK BELL

Untitled

2012

chalk and charcoal on paper

82.5 x 57 x 2.8 cm / 32 ½ x 22 ½ x 1 â…› in

unique

HQ15-DB9071D

Price: €5,000 EUR

LOCUST JONES

Headline junket

dry glazed ceramic

30 diameter cm

$3,500

VIK MUNIZ

Pictures of Magazine 2: Study of Ostrich, After Nicasius Bernaerts

2013

c-print digital ed 1/6

125 x 100 cm

US$ 39.000,00

JEREMY DELLER

Quotations

2005

Six xerox prints on paper

84.1 x 59.4 cm each

Edition of 6+2 ap

TMI-DELLJ-00052

 

Installation at Joy in People, Weils, Brussels, 2012

 

Jeremy will be showing a piece from his major retrospective, Joy in People. Entitled Quotations, the piece takes song lyrics from the 80s and 90s and re-presents them as scripture posters. Through this simple action he recontextualises the songwriters as the profits of today.

Images of this work installed at Weils in Brussels can be seen below.

Joy in People is currently on show at the Institute of Contemporary Art in Philadelphia. His major public art work, Sacrilege, toured to Paris during FIAC in October. Next year the 1:1 inflatable Stone Henge will be embark on a world tour.

We are pleased to announce that Jeremy has been selected to represent Britain at the 55th Venice Biennale next year.

SHANNON EBNER

Blank Field

2009

chromogenic print

63 x 48 inches

ANTONY GORMLEY

PUSH IV

2012

Cast iron

164 x 46 x 45 cm

Unqiue Work

300.000 GBP + vat

HAIM STEINBACH

dancer with raised right foot

2011

Wood, plastic laminate and glass box; wood stool; painted bonded bronze Degas statuette

52 x 56 x 25 5/8 inches; 132.1 x 142.2 x 65.1 cm

signed on shelf verso

(TBG 13209)

USD $65,000

DETAIL VIEW

VIK MUNIZ

Pictures of paper: White brazilian orchid, after Martin Johnson Heade

2010

digital c-print ed 3/6

305 x 180 cm

24513

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

ROSEMARIE TROCKEL

As the weird woman promised

2005

Ceramics, glazed, plastic

26 x 21 x 13,5 cm

ca. 8 kg

10 1/4 x 8 1/4 x 5 1/4 inches

Edition 3/12 (+ 2 AP) in seven different colours

MSPM RTR 20833

EUR 30.000,00

DANIEL ARSHAM

Dancer in traditional Rapa Nui dress

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

ANDREW KERR

Dashing From Life Is Also Important

2011

Acrylic on paper

29.5 x 42 cm

TMI-KERRA-29174

YAYOI KUSAMA

HEART [HBSL]

2013

Acrylic on canvas

97 x 130.3 cm, 38 1/4 x 51 1/4 in

(KUSA 883)

$ 245,000.00 (excluding tax)

NICOLAS PARTY

Landscapes

2012

Watercolour on paper

TMI-PARTN-32556

48 x 48 x 2 cm framed

DANIEL ARSHAM

Ahu Nau Nau at Anakena

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

LYNETTE DIADEM-BOAKYE

Clarity in Waiting

2012

Oil on canvas

200 x 120 cm, LYB12-2

£19,000 + vat

ANDREW LIVERSIDGE

ALL THAT FALL (red yellow blue) - PRODUCTION SHOT ONLY, mid set building 15/09/13

a new video work

Edition of 5 + 2AP, $ 5,000.00 (incl. GST).

VICTORIA MORTON

Untitled

2012

Oil on canvas

28 x 36 x 2 cm

TMI-MORTV-32474

YASMIN SMITH

Apprentice Welder

2013

white earthenware paper clay, satin matt base glaze with copper carbonate, cobalt carbonate and chromium oxide

IMAGE OF MARQUETTE ONLY

5 large scale ceramic scultpures (can go outside)

Largest object approx. 120 x 90 x 90cm

Prices to be determined but approx. $ 3,500 - $ 5,000.00.

HANS OP DE BEECK

Location (7) (photo)

2012

OPD/F 19/1

Lambdaprint on Dibond

115.7 x 187.2 x 4.2 cm

Ed5+2AP

16.500 Euros

ADAM FUSS

UNTITLED

2001

Unique cibachrome photogram

62 x 49 1/2 inches

157.5 x 125.7 centimeters

(AF# 2087)

FU.5749

Unique

CHANTAL JOFFE

Anna

2009

Oil on linen

41.3 x 33.2 x 2.2 cms, 16.27 x 13.08 x 0.87 inches

(CJ 569)

 

£ 12,000.00 (ex tax)

 

TOM FRIEDMAN

Untitled (pea)

2013

Styrofoam and paint

Lifesize; diameter: 3/8 inch

(8.6 cm)

C23653

$ 35,000.00

HEINZ MACK

Untitled, 1957

Ink on paper

62,5 x 48 cm

# MACK0042

 

€ 24.444

CHRIS TRUEMAN

HQ

62"x56"

acrylic and acrylic spray

$9000

VICTORIA MORTON

Untitled

2012

Oil on canvas (with cut outs)

97 x 102 x 2 cm

TMI-MORTV-32712

DANIEL ARSHAM

Crystal Eroded Table Phone

2013

Crystal, shattered glass, hydrostone

12,5 x 12,5 x 21,5 cm / 5 x 5 x 8 1/2 inches

Unique

$10,800 AUD

GRANT STEVENS

Love is the Drug

lenticular print, 30 x 50 cm

edition of 5

$2,700

DAVID KORTY

Study for Nocturnal Composition #1

2012

paper on canvas with collage, ink and pencil

144.8 x 106.7 x 3.5 cm / 57 x 42 x 1 ⅜ in

unique

HQ16-DK9465P

Price: $12,000 USD

JUAN FORD

Paradox Lost

2013

oil on linen

91 x 71cm

SOLD

GREGOR KREGAR

Cultural Nature, 4

1.9x1.6x1.35m

stainless steel and chameleon paint

 

Gregor Kregar is one of our wonderful artists from Auckland, New Zealand. He has just been the recipient of the Southern Highway Mc Clelland Sculpture Commission here in Victoria.

FRANCIS UPRITCHARD

Tree

2012

modelling material, foil, wire, paint, cloth

102 x 92 x 25 cm

£18,500 + VAT

IVAN SEAL

corvorkfeak

2013

Oil on canvas

120 x 100 cm

(IS535)

£ 9,000.00 GBP ex VAT

ANISH KAPOOR

Copper Sky

2012

Powdered copper on canvas

213 x 152 x 3.5 cm

83.9 x 59.8 x 1.4 in

KAPO120056

LEE BUL

Phantom 2

2011

acrylic on paper

17.91 x 12.01 inches

45.5 x 30.5 cm

24.02 x 18.11 inches (framed)

61 x 46 cm

LM17464

$10,000.00

CHRIS TRUEMAN

C0

55"x44"

Acrylic and Acrylic spray

$7500

MARCUS COATES

Common Slug, Arion hortensis, Self portrait, cotton wool

2013

Archival Giclée Print mounted on Aluminium

76.2 x 66 cm, 30 x 26 in

edition of 5 plus 1 artist's proofs

(MC0168)

£ 3,000.00 + Tax (unframed)

FRANCIS UPRITCHARD

Balata Sitting Point Black

2006

black bronze

27.5 x 50 x 14.5 cm

2/2

£12,000 & VAT

 

The figures in bronze are edition 2/2 but never in the same colour, so in a way each is unique, but 2 were cast from each mould. The snap shots might give you more sense of the material than the professional images. Francis can also suggest outdoor plinths for these works if necessary, she has worked with dyed concrete in the past.

 

BACKGROUND to the bronze figures:

These are the first figures that Francis made. The latest figures have much more detail and are modeled in plastic and painted often in bright colours but they still originate from these early works. She was doing a residency in the north of Brazil in 2005 when she found a local material - a rubber called balata that had to be sculpted under water. She loved the forms that the limitations produced. The original works in balata - which was not archival - have been cast in bronze.

SHANNON EBNER

Incendiary Distress Signals

2011

type “C” prints

each: 80 cm x 61 cm/ 31 ½ x 24 in

HANS OP DE BEECK

Blossom Branch

2012

OPD/S 13

synthetic gypsum, wood, MDF, yarn, copper, plaster, concrete paste

53 x 110 x 19 cm

25.000 Euros

SAâDANE AFIF

Et l'Eternité

2013

Paint on canvas, digital print on plexiglass

215 x 138 x 10 cm

Unique piece

SA 2013/001

Certificate signed by the artist

EUR 40,000.00

GERWALD ROCKENSCHAUB

Acrylic glass inlay

2013

Acrylic glass, wooden frame

110 x 90 x 5 cm

43.3 x 35.4 x 1.9 in

Unique piece

Signed verso: Gerwald Rockenschaub 2013

GR13OB01

EUR 18,500.00

ANTONY GORMLEY

Slump

2012

Cast iron

58 7/8 x 22 5/8 x 28 15/16 in. (149.5 x 57.5 x 73.5 cm)

GBP 300,000.00 plus VAT

INSTALLATION VIEW

JASON MARTIN

Zurbarán

2011

Oil on aluminium

176 x 156 cm

69.3 x 61.4 in

MART110008

HEINZ MACK

Untitled

1960

Graphite on paper

48,5 x 63 cm

# MACK0044

 

€ 24.444

WAQAS KHAN

Ohne Titel

2013

ink on paper

56 x 76 cm

KHA/P 11

EUR 5,700.-

STEVIE FIELDSEND

Solve et Coagula #9

2013

glass, wood

100 x 21 x 16cm

$2,900

JIM LAMBIE

Shaved Ice

2012

Wooden ladders, mirrors, household fluorescent paint

Dimensions variable

TMI-LAMBJ-32804

Installation at The Modern Institute, Aird’s Lane, Glasgow (Solo, 23/11/2012—19/01/2013)

 

In Miami we will be showing a new safety pin painting by Jim. The large white canvas, entitled Pin Number 1260, is bisected by lines of multicoloured fastenings, recalling both the punk aesthetic. An image can be seen in the following pages. We have also included a selection of other available works, a mirror collage and a metal box, which will not be at the fair.

Shaved Ice, Jim’s solo exhibition at Aird’s Lane in Glasgow, opened on Friday 23 November. Using the height of the old glass works, he has made a major new installation that takes the form of a forest of brightly luminously coloured ladders. With mirrored inserts between the steps these ladders are devoid of function; instead they forever reflect the architectural properties of the space, staging an environment that could belong to another sensory dimension. Images of the installation can be seen below and on the following page.

He is currently working on a monograph with Rizzoli, which will be available later this year.

NICOLAS PARTY

Landscapes

2012

Watercolour on paper

TMI-PARTN-32558

48 x 48 x 2 cm framed

 

 

HAYDEN FOWLER

antler v

2013

cement,gypsum,sand

unique version

57 x 26cm

$650

LOUISE BOURGEOIS

SLEEPING FIGURE

2004

Fabric and aluminum

10 1/2 x 23 1/2 x 16 1/4 inches

26.7 x 59.7 x 41.3 centimeters

Stainless steel, glass and wood vitrine: 70 x 32 x 24

inches

Stainless steel, glass and wood vitrine: 188 x 81.2 x

 

JITISH KALLAT

Traumanama (The Cry of the Gland)

2011

Mixed media on Indian handmade paper

134,6 x 94 cm | 52.99 x 37.01 in

AU$ 28,000.00

FRANCIS UPRITCHARD

Balata Kneeling Black

2006

bronze

33.5 x 24 x 17 cm

2/2

£12,000 & VAT

DETAILS VIEW

ALISON RASH

Down to Three

Oil/Flashe on canvas over panel

36"x36"

$3,600.00

JUAN FORD

Chlorophiliac

2013

oil on linen

91 x 71cm

SOLD

NICOLA TYSON

Vase of Flowers

2012

oil on linen

86.4 x 66 cm / 34 x 26 in

unique

Price: $20,000 USD(20% VAT where applicable )

JOHN BALDESSARI

The intersection series: Four Persons at Meeting/High Rise Building

2002

Digital photographic prints with acrylic on sintra board

215,3 x 136,2 cm

84 3/4 x 53 5/8 inches

MSPM JBA 20691

US$400,000.00

ANTONY GORMLEY

Slump

2012

Cast iron

58 7/8 x 22 5/8 x 28 15/16 in. (149.5 x 57.5 x 73.5 cm)

GBP 300,000.00 plus VAT

UTA UTA TJANGALA (ATTRIBUTED TO)

Untitled (Yumari)

1972

Synthetic polymer paint on composition board

48.4 by 36cm

PROVENANCE

Deutscher and Hackett, Aboriginal Art Auction, Melbourne, 25/03/2009, Lot No. 89

Private Collection

MAT COLLISHAW

Pearls of the abyss 3

2011

3D lenticular print

144 x 93cm, ed 2/3

£35,000 / Approx $55,000

(framed)

CHANTAL JOFFE

Untitled (Double sided)

2011

40.5 x 30.4 cm, 16 x 12 in

(CJ 765)

 

£ 12,000.00 (ex tax)

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

ROBERT MANGOLD

Ring Image Study

2009

Pastel and pencil on paper

66 x 57.2 cm

26 x 22.5 in

MANG090008

NICOLAS PARTY

Landscapes

2012

Watercolour on paper

TMI-PARTN-32554

48 x 48 x 2 cm framed

THOMAS DEMAND

Pacific Sun

2012

Single channel 4K video projection with stereo sound

2,02 Minuten (2944 frames)

2.02 minutes (2944 frames)

Edition 3/4

MSPM TDE 19398

EUR220,000.00

SHANNON EBNER

Not Equal

2009

plywood, wood glue and enamel paint

13.1 x 17.75 inches

VIK MUNIZ

Pictures of pigment: Cloud study (31 september 1822), after John Constable

2007

chromogenic print ed 1/6

180 x 218 cm

US$ 55.000,00

23698

CHRIS TRUEMAN

NR

36"x36"

Acrylic and Acrylic spray

$3500

SHANNON EBNER

Dismantled Peace Sign

2004

chromogenic print

103 x 81.5 / 40 â…ž x 32 â…› in

edition of 4 + 2a/p

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

DANIELLE HAKIM

Drawing with light, drawing without light

DVD 1.05 looped

16:9 HD

2010

$750 edition of 3

JIM LAMBIE

Shaved Ice

2012

Wooden ladders, mirrors, household fluorescent paint

Dimensions variable

TMI-LAMBJ-32804

Installation at The Modern Institute, Aird’s Lane, Glasgow (Solo, 23/11/2012—19/01/2013)

Hammer Museum, Los Angeles, 15 July – 09 October 2011

INSTALLATION VIEW

DANIEL ARSHAM

Crystal Eroded Reel to Reel

2013

Crystal, shattered glass, hydrostone

48,5 x 44,5 x 24 cm / 19 1/8 x 17 1/2 x 9 1/2 inches

Unique

$26,500 AUD

CHIEH JEN CHEN

Empire’s Borders I

2008-2009

35mm transferred to DVD, color and black and white, sound, 27 minutes, single channel video, continuous loop

26 min 50 sec

Edition of 5 + 2 AP

RMB460,000.00

SCOTT MYLES

DUST (DRAW)

2009

Unique screenprint on aluminium

100 x 141 x 5 cm

TMI-MYLES-26648

 

At Art Basel Miami beach Scott will be showing one of his screenprints on aluminium. The work superimposes the words ‘draw’ and ‘dust’ over over one another. By doing this he obscures their meaning and turns them into abstract blocks of colour.

Images of This Production, Scott’s recent solo show at the DCA in Dundee, can be seen on the following. It shows two major new works that he made for the show - the mirrored bus-shelter Analysis (Mirror) and his brick construction Displaced Façade (For DCA).

LOT 76

JOHN MAWURNDJUL

Mardayin design

2004

bears artist's name, title, language group, dimensions, medium and Maningrida Arts & Culture catalogue number 537-04 on the reverse

natural earth pigments on eucalyptus bark

174 x 58 cm (68 1/2 x 22 13/16in).

Estimate:

 

AU$ 30,000 - 40,000

£20,000 - 26,000

US$ 31,000 - 41,000

 

Footnotes

PROVENANCE:

Painted at Milmilngkan, Northern Territory

Purchased from Maningrida Arts & Culture, Maningrida, Northern Territory in April 2004

The Laverty Collection, Sydney

 

EXHIBITED:

The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Exhibition, Victoria, 17 July - 26 September 2004; Ballarat Fine Art Gallery, Ballarat, 4 March - 25 April 2005

 

This painting is sold with accompanying Maningrida Arts and Culture documentation.

DANIEL ARSHAM

Dancer in traditional Rapa Nui dress

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

VARDA CAIVANO

Untitled

2012

Acrylic on canvas

100 x 70 cm, 39 3/8 x 27 1/2 in

(VC 199)

 

£ 15,000.00 (ex tax)

LEE BUL

Indication No. 2

2008

acrylic paint, india ink and pigmented ink on paper

16.54 x 22.05 inches

42 x 56 cm

23.23 x 28.74 inches (framed)

59 x 73 cm

LM17468

$15,000.00

GARDAR EIDE EINARSSON

Fluorescent Pink IX

2013

Acrylic paint on primed canvas / wooden stretcher

220 x 183 x 4 cm / 86 2/3 x 72 x 1 1/2 in

Unique / SOGEE/P 2013-003

PRICE: USD 33,000.00 / RESERVED

CALEB SHEA

Untitled (Concrete)

2013

concrete

66 x 77 x 15cm

$3,000

CHANTAL JOFFE

Self-Portrait with Esme in St Leonards

2012

Oil on canvas

244 x 183.5 x 3.5 cm, 96 1/8 x 72 1/4 x 1 3/8 in

(CJ 804)

 

£ 50,000.00 (ex tax)

HEALY & CORDEIRO, CLAIRE & SEAN

Drunken Clarity

2011

broken beer bottles, putty, 23 carat gold, arabic gum

dimensions variable

$A $50,000

incl GST

 

Exhibited:

Drunken Clarity, gbk, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

It is said that the origins of Kintsugi lie in the dissatisfaction of a 15th century shogun when an important piece of his porcelain returned from repair in China held together by ugly staples. Local craftsmen then repaired the tea bowl a second time, using lacquer and powered gold, returning it to functionality and adding aesthetic value to the object.

Purposely smashing something in the hope of discovering something new and beautiful is also an act endlessly carried out in countless parties across the world. In English, the terms like wasted,smashed, wrecked, shattered, obliterated and trashed are often used to describe altered states of consciousness brought on by the imbibing of alcoholic beverages. The temporary destruction of the self is carried out in the hope that fun or adventures may be had that would not be possible sober. The hangover after the consumption of large quantities of alcohol can sometimes result in moments of clarity, even inspiration. The ebbing of serotonin in the body’s system and general physical lethargy can create a state of reverie that brings forth thoughts and ideas that may not otherwise come to mind.

Drunken Clarity is a celebration and commemoration of the by-products of the shattering of our ordered, constrained mind

JOHN ARMLEDER

UIUEUUE (Furniture Sculpture)

2006

Lacquer on MDF, steel

140 x 140 x 40 cm

55.12 x 55.12 x 15.75 in

Unique piece

JA 2006/005

Certificate signed by the artist

EUR 90,000.00

KENDELL GEERS

Country of my skull

2010

Ink on found object

12 x 12.5 x 22 cm

£ 45,000.00

AIDA TOMESCU

Diacritical

2012

mixed media on linen

184 x 145cm

$50000

 

Argint

2012

mixed media on linen

183 x 153cm

$50000

 

 

TOBY PATERSON

Remnant, Glasgow Print Studio, Glasgow (15/09—28/10/2012)

Installation view

 

In Miami we will be showing a selection of Toby’s small paintings on aluminium. These draw their imagery from the designs of the modernist and brutalist buildings that Paterson has studied for many years. Abstracting them often to the point of ambiguity, he returns these icons of design to the coloured shapes and edges from which they were built. An example of these works can be seen on the following page.

An image of one of Toby’s works from Remnant, his recent solo show at Glasgow Print Studios, can be seen below. The exhibition is made up of prints of surfaces and details of the city environment. Through the processes of printmaking and painting Paterson looks again at the textures we come into contact with; surfaces that were nuanced, technical, morally and politically charged at their inception but have now disappeared in plain sight.

TRACEY EMIN

I left you on the kitchen table IV

2012

Gouache on paper

9 13/16 x 9 13/16 in. (25 x 25 cm)

JJ46960

TONY CRAGG

Versus

2011

Bronze

17 3/4 x 19 1/4 x 6 3/4 in

45 x 49 x 17 cm

14121

EUR 165,000.00

MARK HISLOP

Untitled

2012

18 x 14 cm

graphite on mylar

framed

$550

LUCIO FONTANA

18 Concetto Spaziale

1960

Linen

92,4 x 73 cm | 36.38 x 28.74 in

# FONT0001

 

US$ 1.222.222,00

 

Provenance:

Collection Europa, Perugia

Private Collection, Florence

Private Collection, NY

 

TATSUO MIYAJIMA

Life (Rhizome) No. 3

2012

280 LEDs, IC, electric wire, stainless steel

unique work

203 x 293 cm / 80 x 115 in

DETAIL VIEW

DANIEL ARSHAM

Crystal Eroded Film Reel (large)

2013

Crystal, shattered glass, hydrostone

35,5 x 35,5 x 2,5 cm / 14 x 14 x 1 inches

Unique

$10,800 AUD

BILLY CHILDISH

Frozen Estuary - River Roach, 1947

2012

oil and charcoal on linen

17.72 x 24.02 inches

45 x 61 cm

LM16722

€6,000.00 EUR

*Hoxton Pop-up

PETER DOIG

Untitled

1999

Oil on paper/paper on paper collage

59.5 x 42 cm, 23 3/8 x 16 1/2 in

(PD 408)

 

$ 110,000.00 (ex tax)

CLAIRE FONTAINE

Please Come Back

2011

neon

12x140cm

edition of 3+2AP

30,000US$

MARK DION

MMXII Western Hemlock, Tsuga Hetereophylla, Seattle

2011

wood, hemlock, glue

2 1/4 x 6 1/4 x 6 7/8 inches; 5.7 x 15.9 x 17.5 cm

(TBG 13185)

USD $18,000

NAOMI ELLER

The flight of man

Ceramic

250 x 300 x 130

$2,500

ISAAC JULIEN

Yishan Island, Voyage (Ten Thousand Waves)

2011

Endura Ultra photograph

120 x 160 cm, 47 1/4 x 63 in

Edition of 10 plus 2 APs (#2/10)

(IJ 167)

 

£ 20,000.00 (ex tax)

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

HEALY & CORDEIRO, CLAIRE & SEAN

Takadanobaba 8/10

2005

lambda print

147 x 119 cm, unframed

$A $10,000

incl GST

 

Installation Materials: entire found objects of artists’ residency in Tokyo

Exhibited:

‘Custom Living’, gbk, 2006

‘Melbourne Art Fair’, 2006

Finalist, ‘ABN AMRO Emerging Artist Award’, 2006

‘The Year in Art’, S. H. Ervin Gallery, Sydney, 2006

‘The Best of Discovery’, SH Contemporary, Shanghai, 2008

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Collections: Artbank

Artist Statement:

Takadanobaba is the display of the entire contents of a cramped artist residency in the Tokyo precinct of the same name. This mass is the result of individuals caught up within the initial heady excitement of Tokyo's hyper-consumer society. Due to the steady cycle of each individual's short-term habitation of the space, the unwanted mementos just keep accumulating within the studio living space. Claire & Sean stacked the material dispossessions in some kind of order, creating space within the confinement. The question of whether these left behind items are of practical use for future residents

remains: sword made of wood, a guitar left unstrung, old pornographic comics in Japanese, unused language books, things that did not make it to souvenir status became the detritus of a shifting space. Within the assorted trash lay more personalised objects: a Christmas tree, a baby's pillow, a broken answering machine with a stranger's messages, un-erasable. In the end, all these objects were turned into nothing more than a wall, a barricade, demarking a world created by forgotten objects. The detritus of habitation, part tourist, part nester.

STEVEN CLAYDON

Convolute

2012

formica, resin, bamboo fungus, ceramic,

acrylic, brass, powder coated steel

169 x 40 x 40 cm / 66 ½ x 15 ¾ x 15 ¾ in

unique

HQ15-SC8850S

Price: £25,000 GBP

DETAIL VIEW

HAROON MIRZA

Cordova_UFO

2012

LED drivers, LEDs, active speaker, speaker stand, turntable amplifier,corrugated plastic, wire,

bulldog clip

95 x 61 x 126 cm (Install dims); Component dims: stand: 107 x 9 cm; amp: 21 x 22 x 43 cm,

speaker: 21 x 15 x 15 cm, corrugated

plastic: 39 x 39 x 0.5 cm

37.4 x 24 x 49.6 in cm

ed.unique

MIRZ120019

PHILIPE DECRAUZAT

BSBTE (Black Should Bleed To Edge)

2012

Acrylic on canvas

222 x 192 cm

87.4 x 75.6 in

Unique piece

PD12P24

Certificate signed by the artist

EUR 21,000.00

IDRIS KHAN

You and Only You

2012

White gesso and oil based ink on aluminum

237 x 200 cm, 93 1/4 x 78 3/4 in

(IK 87)

 

£ 70,000.00 (ex tax)

CLAIRE FONTAINE

Foreigners everywhere (in hebrew and arabic)

2011

superposed neons

29x150cm

edition of 5+2AP

30,000US$

MARY RAMSDEN

Untitled

2013

Oil, acrylic on canvas

130 x 170

(PC23222)

 

GBP 7,000.00 + VAT

 

Mary Ramsden (Born in Yorkshire in 1984) practice is unapologetically painterly. Strategically refusing referential readings, she makes painted objects whose compositional unity belies the complexity of their making. In Ramsden’s work even the most subtle adjustment is generative. Each shift in palette, variation in scale, or nuance of mark effects an incremental development within a broader scheme of experimentation. Ramsden belongs to a group of young artists who over the last few years have come to prominence and share an aesthetic guided by the questioning of materials and the way in which painting and contemporary art describes its self to the audience.

 

Ramsden has been placed within several large collections of international repute including Saatchi, Zabludowicz ( both London) and Susan and Michael Hort collection, (New York).

LUCA TREVISANI

Dans une bouche où sa forme se meurt

2013

UV print on window insulation film

170 x 160 x 9 cm

Unique piece

Certificate signed by the artist

LT 2013/009

EUR 9,000.00

THOMAS DEMAND

Concannon #37

2011

Framed Pigment Print

106,3 x 159,6 cm

41 7/8 x 62 7/8 inches

123,8 x 177,1 cm (framed)

48 3/4 x 69 3/4 inches (framed)

Edition 2/2

MSPM TDE 19677

EUR35,000.00

ANTONY GORMLEY

Slump

2012

Cast iron

58 7/8 x 22 5/8 x 28 15/16 in. (149.5 x 57.5 x 73.5 cm)

GBP 300,000.00 plus VAT

DETAIL

JIM LAMBIE

Pin Number 1260

2012

White Acrylic on canvas, safety pins

191 x 160 x 3.8 cm

TMI-LAMBJ-32711

PEDRO REYES

Disarm (Xylophone V)

2013

Metal

Approx dims. 45 x 35 x 30 cm

REYE130050

USD 25,000

FRANCIS UPRITCHARD

Balata Kneeling Black

2006

bronze

33.5 x 24 x 17 cm

2/2

£12,000 & VAT

TOBY PATERSON

Site of Resistance

2012

Acrylic on aluminium

100 x 100 x 2.3cm

TMI-PATET-32673

VIK MUNIZ

View of Rio de Janeiro from Niterói, after Marc Ferrez, from the series Pictures of Paper

2009

digital gelatin silver print (Silver Gelatin LE) ed 5/6

180 x 260 cm

24388

SHANNON EBNER

RAW WAR

2004

chromogenic development print

framed: 20 1/2 x 23 1/2 x 1 1/2 in

GORAN PETERCOL

Parallels

2013

graphite on paper

70 x 100 cm

PETER/P 12

EUR 7,700.-

SARAH LUCAS

Sheela na gig

2012

concrete toilet, tights, fluff, wire, adobe bricks

sculpture: 48 x 46 x 35.5 cm / 18.9 x 18.1 x 13.9 in

unique

HQ15-SL9035S / SL7140

120,000 GBP

DANIEL SINSEL

Untitled

2012

oil on linen, lead-crystal glass, nutshells

47.7 x 40.2 x 4 cm / 18 ¾ x 15 â…ž x 1 ⅝ in

unique

HQ16-DS9229P

TBA

SHANNON EBNER

Erratum cum Laude

2009

chromogenic print

24 x 19 inches

IAN HAMILTON FINLAY

Terror and Virtue

c. 1985

Glazed ceramic

Terror - 34.3 x 8.8 x 8.8 cm, 13 1/2 x 3 1/2 x 3 1/2 in, Virtue - 34.3 x 8.8 x 8.8 cm, 13 1/2 x 3 1/2 x 3 1/2 in

(IHF 212)

 

£ 25,000.00 (ex tax)

NICOLAS PARTY

Landscape

2012

Hand-tufted rug

172 x 254 cm

edition of 8 + 1 ap

TMI-PARTN-32803

 

Nicolas has recently completed his second meal performance, Dinner for 24 Dogs, in New York. The project started last September as Dinner for 24 Elephants at the Modern Institute. He decorated plates and tables with his characteristic gestural patterns and made 24 stools for the

guests to sit on - each one decorated to resemble an elephant. Working closely with a chef, he devised a menu of edible still lifes remeniscent of those that he depicts in his pencil drawings.

In Miami we will be showing a selection of his framed watercolour lanscapes. Similar in size to his monochrome still lives, these new works were made by Nicolas when he returned home to Switzerland last summer. Images of these works can be seen on the following page.

He has also recently worked with design curators Panel and the Edinburgh Dovecot weaving studios to create a bespoke hand-tufted rug.

Through a close dialogue with the weaver he created a colourful landscape rendered in wool. Images of the piece can be provided on request.

EVA ROTHSCHILD

Sightings, Nasher Sculpture Center, Dallas, 20/10/2012—20/01/2013

INSTALLATION VIEW

 

In Miami Eva will be showing Good Times (Ghost), a wall-mounted tube piece in aluminium. Decorated in bands of muted colour, this body of work references the markings of snakes and the warnings they hold.

Her solo exhibition Sightings opened at the Nasher Sculpture Center in Dallas in October. The major one-piece structure is made of the same striped aluminium tubing as Good Times (Ghost). In this incarnation the snake winds itself around the museums expansive foyer space, sliding over desks and between floors. As it continues its colours gradually shift through the spectrum, with the black stripe as the only constant.

SAâDANE AFIF

Et l'Eternité

2013

Paint on canvas, digital print on plexiglass

215 x 138 x 10 cm

84.65 x 54.33 x 3.94 in

Unique piece

SA 2013/002

Certificate signed by the artist

EUR 40,000.00

JOAN BELMAR

Corona

mixed media framed

32"x30"

$3000

JOHN A DOUGLAS

Body Fluid II (redux)

2013

Handmade archival box set comprising

5 B&W fibre prints & 5 C-type prints

Video documentation of live performance

and video installation files in HD 1080p with sound

Collaboraitve performance with David Capra

Box: 43 x 43 x 8 cm

Edition of 3

Price (including GST): $2,800

All prices are in $AUD

INSTALLATION VIEW

VIK MUNIZ

Evening in the Woods, after Grandma Moses, from the series Pictures of pigment

2006

chromogenic print ed PA 3/4

127 x 100 cm

US$ 39.000,00

24261

CLAIRE FONTAINE

Foreigners everywhere (in hebrew and arabic)

2011

superposed neons

29x150cm

edition of 5+2AP

30,000US$

DETAIL VIEW

THOMAS DEMAND

Hope #98

2011

Framed Pigment Print

106,3 x 159,6 cm

41 7/8 x 62 7/8 inches

123,8 x 177,1 cm (framed)

48 3/4 x 69 3/4 inches (framed)

Edition 2/2

MSPM TDE 19680

EUR35,000.00

CHARLIE NUMBULMOORE

Untitled (Wanjinas)

c.1970

Natural earth pigments on cardboard

59 by 91 cm

PROVENANCE

Collected by Tom McCourt at Gibb River Station in the West Kimberley in 1970

Thence by descent

Private collection, South Australia

Deutscher and Hackett, Aboriginal + Oceanic Art, Melbourne, 14/10/2009, Lot No. 9

Private Collection

LITERATURE

McCourt, T., Aboriginal Artefacts, Rigby Press Australia, Adelaide, 1975,

p. 48 (illus.)

JITISH KALLAT

Traumanama (The Cry of the Wild)

2011/2012

Mixed media on Indian handmade paper

134,6 x 94 cm | 52.99 x 37.01 in

AU$ 28,000.00

LYNETTE DIADEM-BOAKYE

Oyster

2012

Oil on canvas

180 x 100 cm, LYB12-21

£18,000 + vat

VIK MUNIZ

Pictures of Pigment: Achrome, after Piero Manzoni

2007

Chromogenic print ed 2/6

264 x 180 cm

US$ 55.000,00

24327

A Language of Exposures, Wallspace, New York, 15 February – 23 March, 2013

INSTALLTION VIEW

IMANTS TILLERS

Trees in the studio garden

2012

acrylic, gouache on 54 canvasboards, no.91050 - 91103

228.6 × 213.4cm

AU$ 75,000.00

MARCUS COATES

Mayfly, Ephemeroptera (Subimago stage) Self Portrait, flour and water

2013

Archival Giclée Print mounted on Aluminium

172.7 x 121.9 cm, 68 x 48 in

edition of 5 plus 1 artist's proofs

(MC0166)

£ 7,500.00 + Tax (unframed)

Hammer Museum, Los Angeles, 15 July – 09 October 2011

INSTALLATION VIEW

THOMAS JEPPE

Schoggi Vista R

2013

oil and enamel on canvas, steel, artist frame

160 x 125cm

$5,500

NAOMI ELLER

The Fates: Nona

Ceramic

210 x 250 x 280

$2,500

YAYOI KUSAMA

COSMIC SPACE HPPX

2010

Acrylic on Canvas

162 x 162 cm, 63 3/4 x 63 3/4 in

(KUSA 645)

 

$ 300,000.00 (ex tax)

DANIEL ARSHAM

Seated moai outside of Rano Raraku quarry

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

GAIL HASTINGS

Measuring the Missing

2013 (detail)

watercolour and lead pencil on paper framed etc.

5 new works

Prices to be determined but approx. $ 8,000.00 - $ 18,000.00

 

 

MONA HATOUM

Shift

2012

Edition of 6

Wool

59 1/16 x 102 3/8 in. (150 x 260 cm)

EUR 50,000.00

CLAIRE FONTAINE

Tactical Entry: Regular Square/Rectangle Room with Two Entrances (#3.)

2012

acrylic and pencil on canvas

200x142x3cm

30,000US$

BHARTI KHER

The Whale

2013

Bindis on painted board

115.5 x 115.5 x 7 cm / 45 1/2 x 45 1/2 x 2 3/4 inches

each, 4 parts

KHER 58843

EUR 240,000.00 excl. VAT

PHILIP WOLFHAGEN

Preparation for First Exaltation

2012

120 x 129 cm

$28,000

VARDA CAIVANO

Untitled

2011-2012

Oil and ink on canvas.

78 x 66 cm, 30 3/4 x 26 in

(VC 192)

 

£ 14,500.00 (ex tax)

LOT 135

BILLY THOMAS JOONGOORRA

Gadabaliji Country

1997

synthetic polymer paint on canvas

48 x 36cm (18 7/8 x 14 3/16in).

Estimate:

 

AU$ 1,500 - 2,500

£980 - 1,600

US$ 1,500 - 2,600

 

Footnotes

PROVENANCE:

Waringarri Aboriginal Arts, Kununurra, Western Australia

Purchased from Framed Gallery, Darwin in July 1997

The Laverty Collection, Sydney

 

This painting is sold with accompanying Waringarri Aboriginal Arts documentation.

 

MARTIN BOYCE

Untitled

2013

Jesmonite, steel, plywood and acrylic paint

24 x 18 x 2.76 inches; 61 x 45.7 x 7 cm

(TBG 14988)

GBP £12,000

**Text reads: "Strange Leaves"

PETER DOIG

Untitled

1999

Oil on paper

Framed: 49.4 x 66.9 x 1.4 cm, 42 x 59.5 cm, 16 1/2 x 23 3/8 in

(PD 409)

 

$ 110,000.00 (ex tax)

JOHN A DOUGLAS

Body Fluid II (redux)

2013

Handmade archival box set comprising

5 B&W fibre prints & 5 C-type prints

Video documentation of live performance

and video installation files in HD 1080p with sound

Collaboraitve performance with David Capra

Box: 43 x 43 x 8 cm

Edition of 3

Price (including GST): $2,800

All prices are in $AUD

MARK DION

MMXII Western Hemlock, Tsuga Hetereophylla, Seattle

2011

wood, hemlock, glue

2 1/4 x 6 1/4 x 6 7/8 inches; 5.7 x 15.9 x 17.5 cm

(TBG 13185)

USD $18,000

DETAIL VIEW

IVAN SEAL

tinphee

2013

Oil on canvas

120 x 110 cm

(IS541)

£ 9,000.00 GBP ex VAT

BILLY CHILDISH

Man with Shadow

2012

oil and charcoal on linen

72.05 x 108.07 inches

183 x 274.5 cm

LM16725

€37,500.00 EUR

*Hoxton Pop-up

YAYOI KUSAMA

A Talk About Boundless Love, and All About Love

2009

Acrylic on canvas

162 x 162 cm, 63 3/4 x 63 3/4 in

(KUSA 712)

 

$ 345,000.00 (ex tax)

DANIEL ARSHAM

Crystal Eroded Rolleiex Camera

2013

Crystal, shattered glass, hydrostone

15 x 11 x 11 cm / 6 x 4 1/4 x 4 1/4 inches

Unique

$8,500 AUD

JULIAN OPIE

At the studio with Ika 3.

2011

Inkjet on canvas with brass frame

250.3 x 136.5 cm

98.5 x 53.7 in

ed.unique

OPIE110059

ROSEMARIE TROCKEL

As the weird woman promised

2005

Ceramics, glazed, plastic

26 x 21 x 13,5 cm

ca. 8 kg

10 1/4 x 8 1/4 x 5 1/4 inches

Edition 1/12 (+ 2 AP) in seven different colours

MSPM RTR 20834

EUR 30.000,00

MONIKA SOSNOWSKA

 

 

Monika’s new sculpture Fir Tree has recently been unveiled in New York. The major Public Art Fund commission has been installed in Doris C Freedman Plaza on the edge of Central Park. The inverted 40-foot-tall steel stairway has been manipulated using heavy machinery into an approximation of an evergreen fir. At the edge of the park it marks the threshold between the built environment of midtown Manhattan and the natural landscape of Central Park. Images and details can be seen below and on the following .

Monika’s solo exhibition will be the next to open in our Osborne St gallery. She has made four large new works for the show.

JENNY HOLZER

SELECTION FROM SURVIVAL: MEN DON'T PROTECT...

2006

Danby Imperial white marble footstool

17 x 23 x 15 3/4 inches

43.2 x 58.4 x 40 centimeters

(JH974.5/10)

HO.29796.5

BILLY CHILDISH

Handmade Gate

2012

oil and charcoal on linen

72.05 x 108.07 inches

183 x 274.5 cm

LM16658

€40,000.00 EUR

*Frieze 2012

EUBENA NAMPITJIN

Kunawarritji

2002

bears artist's name, dimensions, Warlayirti Artists catalogue number 204/02 and Alcaston Gallery catalogue number AK7716 verso

synthetic polymer paint on canvas

120.5 x 81.0cm (47 7/16 x 31 7/8in).

Estimate: AU$ 8,000 - 12,000

£4,700 - 7,000

US$ 7,200 - 11,000

Footnotes

PROVENANCE

Warlayirti Artists, Wirrimanu (Balgo Hills), Western Australia

Alcaston Gallery, Melbourne

Private collection

 

This painting is sold with accompanying Warlayirti Artists documentation that describes the area as the middle and upper stretches of the Canning Stock Route. Sandunes (tali) surround three rockholes (wilpa), Mitjil, Mintiguy and Mirrilin, in the centre of the painting. These rockholes were vital in supporting hunters as they traveled through this area and, as Eubena recalled, it was important practice to sing at the rockholes to ensure that the goannas kept returning for the next hunt. The white area in the bottom right hand corner of the painting represents a hill where the aerodrome of Kunawarritji is located.

ELMGREEN & DRAGSET

Civilised

2012

Bronze

195 x 160 x 70 cm, 76 3/4 x 63 x 27 1/2 in

(ED 92)

 

£ 95,000.00 (ex tax)

A Language of Exposures, Wallspace, New York, 15 February – 23 March, 2013

INSTALLTION VIEW

YAYOI KUSAMA

Night-Waves

2011

Acrylic on canvas

162 x 130 cm, 63 3/4 x 51 1/8 in

(KUSA 748)

 

$ 285,000.00 (ex tax)

JOAN JONAS

Volcano Saga II, Performance Drawing

1987

Oil stick on paper

65 x 93.2 cm

£12,500 / $18,500 USD + Vat

WG/JJON00239

THOMAS DEMAND

Beyer #34

2011

Framed Pigment Print

106,3 x 159,6 cm

41 7/8 x 62 7/8 inches

123,8 x 177,1 cm (framed)

48 3/4 x 69 3/4 inches (framed)

Edition 2/2

MSPM TDE 19678

EUR35,000.00

TATE INSTALLATION VIEW

MONIKA SOSNOWSKA

Fir Tree

2012

TMI-SOSNM-29490

DETAIL

HEALY & CORDEIRO, CLAIRE & SEAN

Dust to dust

2008

pulverised IKEA LACK table, wood vitrine

50 x 50 x 120 cm, (each part, 3 parts)

$A $21,000

incl GST

 

Exhibited:

Manual, Galerie Gitte Weise, Berlin, 2008

Future Furnishings, Nature Morte Berlin, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

IKEA is a recurring presence in Claire Healy & Sean Cordeiro's work; the artists use its standardised forms not only as sculptural devices but also to highlight the increasing sameness of global society and the growing consumption of cheaply-made material goods. To create Dust to Dust the artists pulverised three coffee tables from a low-priced IKEA furniture range in their Berlin living room. While the tables are completely unrecognisable, on close inspection tiny flecks of colour, the remains of their formally smooth MDF surfaces, can be seen in the circular mounds of sawdust. By presenting the destroyed tables as pseudo-historical artefacts the artists invite us to imagine our enduring legacy on the planet.

KEN WHISSON

Ganderland Rome

2000

crayon on paper

32.0 x 44.5 cm

inscribed and dated verso: Ganderland Rome 30\8\00/ staedler crayons

Provenance:

Niagara Galleries, Melbourne (label attached verso)

Private collection, Melbourne

Estimate: $1,600 - 2,400

TRACEY EMIN

Its Over

2012

Gouache on paper

9 13/16 x 9 13/16 in. (25 x 25 cm)

JJ47028

GBP 14,000.00

TRACEY EMIN

Suffer Love 25

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46976

GBP 10,000.00

BENJAMIN ARMSTRONG

Janus

2013

Plaster, wood, aluminium and encaustic

82 x 50.5 x 44 cm

AUD $8,800.00 inc GST

Front view

(Not exhibited)

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

Stieg Persson

More joyous 2012

51 x 46 cm,

oil on linen

 

ANALIA SABAN

Kitchen Sink

2012

White glass on linen

26 x 52"

(TBG 14442)

Price: $22,000

TRACEY EMIN

Suffer Love 36

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46980

THOMAS DEMAND

Wood #12, Wood #15

2011

Set of 2 Framed Pigment Prints

je 135 x 90 cm

53 1/8 x 35 3/8 inches each

je 151 x 106,1 x 6 cm (framed)

59 1/2 x 41 3/4 x 2 3/8 inches each (framed)

Edition 2/2

MSPM TDE 19695

EUR50,000.00

JOHN KORNER

Morten

2008

Acrylic on canvas

150 x 120 cm, 59 1/8 x 47 1/4 in

(JK 60)

 

£ 15,000.00 (ex tax)

TRACEY EMIN

Like it should Feel Good

2012

Embroidered cotton

57 7/8 x 81 7/8 in. (147 x 208 cm)

JJ34922

GBP 120,000.00

THOMAS SCHEIBITZ

Radio Vase

2013

Pappe, epoxy, montiert

165 x 206 x 11 cm

65 x 81 x 4 1/4 inches

MSPM TSC 21257

EUR45,000.00

Hammer Museum, Los Angeles, 15 July – 09 October 2011

INSTALLATION VIEW

RACHEL WHITEREAD

Untitled

2005

Collage and gouache on watercolour paper

15.2 x 10.5 cm / 6 x 4.1 inches (R001530)

MONIKA SOSNOWSKA

Balustrade

2012

Painted steel

300 x 210 x 130cm

TMI-SOSNM-31866

JR

Inside Out Sculpture #1

2012

Aluminium, paint / Aluminium, peinture

47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm

Unique (#23460 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW 

DANIEL ARSHAM

Hanga Roa’s main street

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

VIK MUNIZ

Pictures of Pigment: Green Target, after Jasper Johns

2008

chromogenic print ed 4/6

105 x 100 cm

US$ 39.000,00

24256

LORIS CHECCHINI

Sinapsis paradigms and Micrologies I

2012

self-producted welded steel modules

90 x 60 x 45 cm

15.000 € + VAT

ANDY WARHOL

Self Portrait

1977

Polaroid photograph

10.8 x 8.26 cm

30.000 USD

JULIAN MEAGHER

Gin Act 1751

2013

Oil on linen

137 x 182 cm

Price (including GST): $11,000

All prices are in $AUD

PHILIP WOLFHAGEN

Preparation for Fifth Exaltation

2012

120 x 129 cm

$28,000

 

DETAILS VIEW

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

HEALY & CORDEIRO, CLAIRE & SEAN

Par Avion

2011

70 cut pieces from a Cessna 172 airplane, gaffa tape

$A $77,000

incl GST

 

Exhibited:

Par Avion, Frey Norris Contemporary and Modern, San Francisco, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

Claire Healy & Sean Cordeiro acquired a small Cesna airplane from a scrap airplane merchant in Roma, Australia, and then deconstructed the entire body by cutting it into small pieces and applying postage stamps directly to the surface of each article. These parcels were then sent by air freight to Gallery Frey Norris, San Francisco, before being relabelled and returned to Australia for their survey

exhibition at the Museum of Contemporary Art Australia, Sydney.

Par Avion, or Airmail, is French and the phrase often appears on a sticker or label indicating a letter should be sent by air. Healy & Cordeiro think that it is apt that such postal etiquette should be placed upon the small parcels that once comprised a vehicle of air travel. The wreckage of the plane that no longer has the capability of flying has been given new means of movement. The speed, maneuverability and size were once the distinguishing features of the aircraft but these have now been stripped away, and the object of these qualities arranged as isolated components. The method of delivery may bring some order out of disorder or lay to rest some of the intrinsic purposes of the original airborne machine.

LOT 50

JOHN MAWURNDJUL

Mardayin Ceremony

1999

bears artist's name, Maningrida Arts & Culture catalogue number 19951999BP, title and a description of the story depicted on Maningrida Arts & Culture certificate and similar information on a Maningrida Arts & Culture label and on an Annandale Galleries label on the reverse

natural earth pigments on eucalyptus bark

153 x 88cm (60 1/4 x 34 5/8in).

Estimate:

 

AU$ 50,000 - 70,000

£33,000 - 46,000

US$ 52,000 - 72,000

 

Footnotes

PROVENANCE:

Maningrida Arts & Culture, Maningrida, Northern Territory

Purchased from Annandale Galleries, Sydney in September 1999

The Laverty Collection, Sydney

 

 

EXHIBITED:

John Mawurndjul, Annandale Galleries, Sydney, 10 August - 4 September, 1999

12th Biennale of Sydney 2000, Museum of Contemporary Art, Sydney, 26 May - 30 July 2000

Ngurra Kutu: Going Home, Yiribana Gallery at the Art Gallery of New South Wales, Sydney, September 2001 - June 2002

rarrk - John Mawurndul : Journey Through Time in Northern Australia, Museum Tinguely, Basel, Switzerland, 21 September 2005 - 29 January 2006; Sprengel Museum, Hannover, Germany, 19 February - 5 June 2006

Mumeka to Milmilngkan - Innovation in Kurulk Art, Drill Hall Gallery, Australian National University, Canberra, 2 November - 17 December 2006, cat. no. 30

John Mawurndjul Survey 1979 - 2009, Drill Hall Gallery, Australian National University, Canberra, 16 April - 24 May 2009, cat. no. 16

 

LITERATURE:

Ewen McDonald (ed.), 12th Biennale of Sydney 2000, exh. cat. Sydney: Biennale of Sydney, 2000, p.77 (illus.), p.221

Benjamin Genocchio, 'Greatest hits earns modern merit', Arts Review, The Weekend Australian, 10 - 11 June 2000, p.23 (illus.)

Art Monthly Australia, August 2000, p.40 (illus.)

Ron Ramsey and Deborah Hart, 'The Laverty Collection - an interview with Colin & Liz Laverty', Artonview, National Gallery of Australia magazine, summer 2003 - 2004, illustrated p.43 (illus.)

Howard Morphy, Becoming Art: Exploring Cross-Cultural Categories, Oxford; New York: Berg, 2007, p.165 (illus.)

Christian Kaufmann et al., rarrk - John Mawurndul: Journey Through Time in Northern Australia, exh. cat. Belair, South Australia: Crawford House Publishing Australia, 2005, p.135 (illus.), p.228

Jon C. Altman and Apolline Kohen, Mumeka to Milmilngkan - Innovation in Kurulk Art, exh. cat. Canberra: Drill Hall Gallery, 2006, cat. no. 30, pl.11, p.39 (illus.), p.62

Colin Laverty and Elizabeth Laverty et al., Beyond Sacred: Recent Painting from Australia's Remote Aboriginal Communities - the collection of Colin and Elizabeth Laverty, Melbourne: Hardie Grant Books, 2008, pp.278-279 & p.280 (illus.)

Art Monthly, May 2009, (image rotated horizontally, incorectly titled and incorrectly attributed to the collection of Bill and Ann Gregory; corrected in June issue, p.80).

Apolline Kohen, John Mawurndjul Survey 1979 - 2009, exh. cat. Canberra: ANU Drill Hall Gallery, 2009, pl.10, cat. no. 16, cat. cover [illus. (detail)] and p.18 (illus.)

Claus Volkenandt and Christian Kaufmann (eds.), Between Indigenous Australia and Europe-John Mawurndjul, Canberra: Aboriginal Studies Press, 2009, p.99 (illus.) and plate XIX, page not numbered (illus.)

'Maningrida on Show', Australian Aboriginal Art magazine, issue 2, June/July/August 2009, p.144 (illus.)

Colin Laverty and Elizabeth Laverty et al., Beyond Sacred: Australian Aboriginal Art - the collection of Colin and Elizabeth Laverty, Edition II, Melbourne: Kleimeyer Industries, 2011, p.313 (illus.)

 

This work is a masterful representation of the Mardayin

themes that Mawurndjul started to depict in the late

1990s. The powerful and dynamic composition, the fine

execution of intricate rarrk (crosshatching) and the fact

that this painting was created in 1999 at a pivotal time

in Mawurndjul's career in terms of creativity and public

recognition explain why this particular work has been

widely exhibited and illustrated in many catalogues.

 

Apolline Kohen

ALICE NEEL

Richard Gibbs

1965

Oil on canvas

96.5 x 86.4 cm, 38 x 34 in

(AN 80)

 

$ 400,000.00 (ex tax)

RODNEY GRAHAM

Gary Oak, Galiano Island

2012

Transmounted C-print

Edition of 3 + AP

190.5 x 238.8 cm / 75 x 94 inches

GRAHR56037

USD 180,000.00 (excl. VAT)

DAMIEN HIRST

Triazolam

1995

Gloss household paint on canvas

39 x 19 1/2 in. (99 x 49.5 cm) (1 in. spots)

375,000.00 GBP

 

DANIEL ARSHAM

Crystal Eroded Microphone

2013

Crystal, shattered glass, hydrostone

28 x 15 x 15 cm / 11 x 6 x 6 inches

Unique

$10,800 AUD

KATJA STRUNZ

Zeittraum # 10

2003-2012

Wood, metal, paint

Dimensions variable

TMI-STRUK-32434

 

Installation at The Imminence of Poetics, 30th São Paulo Biennial (Group, 07/09–09/12/2012)

In Miami we will be showing a series of Katja’s collages originally presented in her third solo exhibition at The Modern Institute in July this year, Dynamic Fatigue Test. Images of these works and others from the show can be seen below.

Katja is currently showing a series of works in the 30th Sao Paulo Bienal, The Imminence of Poetics. Her piece Zeittraum # 10, which is made of 40 of her characteristic angular constructions collected from over 10 years of practice, is installed directly at the bottom of the main ramp in the Neimayer-designed Bienal building. She is also showing Sound of the Pregeomatic Age - a selection of haphazard instruments that was originally shown in her solo exhibition at the Whitechapel gallery.

UTA BARTH

Field # 18

1996

Color photograph on panel

23 x 28 3/4 inches; 58.4 x 73 cm

Edition of 8

Edition 8 of 8

(TBG 13377.8)

$20,000

JR

Inside Out Sculpture #1

2012

Aluminium, paint / Aluminium, peinture

47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm

Unique (#23460 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW

ERNESTO NETO

YAYOI KUSAMA

INFINITY-NETS [HPWSB]

2012

Acrylic on canvas

162 x 130.3 cm, 63 3/4 x 51 1/4 in

(KUSA 877)

$ 285,000.00 (excluding tax)

MARTIN BOYCE

The After and the Always

2012

Painted steel, rust and clear lacquer

159 x 70 x 70cm

(TBG 14436)

GBP £35,000

DANIEL ARSHAM

Fire station

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

BILLY CHILDISH

Frozen Estuary - Oyster Smack, Caroline, 1947

2012

oil and charcoal on linen

48.03 x 31.89 inches

122 x 81 cm

LM16712

€14,000.00 EUR

*Hoxton Pop-up

 

WILLIAM MACKINNON

Studio days I

2012-13

oil on linen

37 x 43cm

$2,500 AUD / $3,250 SGD

JEFF WALL

Hillside near Ragusa

2007

Colour photograph, Edition 2 of 3

234 x 306 x 5 cm (R001637)

JOAN MITCHELL

Untitled

1980

Pastel on paper

45.7 x 30.5 cm / 18 x 12 inches

MITCH40498

USD 150,000.00

TRACEY EMIN

Suffer love 40

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46977

GBP 10,000.00

TRACEY EMIN

It Happened to Me Again

2007

Embroidered cotton

71 7/8 x 55 7/8 in. (182.5 x 141.9 cm)

JJ29555

GBP 120,000.00

TOM FRIEDMAN

Untitled (Looking Up)

2012

Stainless steel and paper

85 x 19 x 15.2cm

(33 1/2 x 7 1/2 x 6in)

Edition 1 of 3 + 2 APs

FRIE 218

$95,000

DETAIL VIEW

SANDRA CINTO

Untitled

2013

acrylic on canvas

24 x 20 inches; 61 x 50.8 cm

signed and dated verso

(TBG 14639)

USD $18,000

ANGELIKA KRINZINGER

Ambras # 5

2013

c-print on aluminium

25 x 35cm

KRI/F 170

EUR 1,500.-

GRAYSON PERRY

The Adoration of the Cage Fighters

2012

Wool, cotton, acrylic, polyester and silk tapestry

200 x 400 cm, 78 3/4 x 157 1/2 in

Edition of 6 plus 2 APs (#2/6)

(GP 358)

 

£ 55,000.00 (ex tax)

TRACEY EMIN

Suffer Love 28

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46981

LEE BUL

Sleeplessness

2011

india ink, acrylic on paper

17.91 x 12.01 inches

45.5 x 30.5 cm

24.02 x 18.11 inches (framed)

61 x 46 cm

LM17466

$10,000.00

J. Ariadhitya PRAMUHENDRA

The Four Thinkers

2012

Charcoal on canvas / Fusain sur toile

6.2 x 9.10 feet / 190 x 300 cm

Unique (#23537 Location: Singapour)

$28,000 (20 265 €) Tax included

animal nature, 2013

25 mm corten steel

216 x 348 x 216 cm

Edition of 3 (1/3) + 1 AP

$ 200.000,00

(VAT not included)

CLAIRE FONTAINE

Tactical Entry: Regular Square/Rectangle Room with Two Entrances (#9.)

2012

acrylic and pencil on canvas

200x142x3cm

30,000US$

TOM FRIEDMAN

Untitled (Green Balloon with Skeleton)

2012

Styrofoam, paint and string

322.6 x 64.8 x 118.1cm

(127 x 25 1/2 x 46 1/2in)

FRIE 208

$200,000

DETAIL VIEW

TRACEY EMIN

Sex 27 25-11-07 Sydney

2007

watercolor on paper

8.27 x 11.69 inches

21 x 29.7 cm

LM16157

£14,000.00

btw us, 2012

2 photographs, 2 ceramic pots with plants (Kalanchoe tomentosa and Aloe variegata)

Diptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 28.000,00

(VAT not included)

VIK MUNIZ

Rebus: Death of Loyalist Militiaman Frederico Borrell Garcia, After Robert Capa

2004

dye destruction ed 5/6

100 x 135 cm

US$ 39.000,00

23848

CARO NIEDERER

Untitled

1987

Oil on canvas

140 x 100 cm / 55 1/8 x 39 3/8 inches

NIEDE40558

USD 35,000.00

GORAN PETERCOL

Symmetries

2013

graphite on paper

70 x 100 cm

PETER/P 13

EUR 7,700.-

JOHN NIXON

Silver Monochrome

2006

enamel and wood on MDF

60 x 91 cm

$9,000

KATJA STRUNZ

Zeittraum # 10

2003-2012

Wood, metal, paint

Dimensions variable

TMI-STRUK-32434

SHILPA GUPTA

Untitled (Thread)

2012

Single channel video projection

3min 42 sec loop

47 x 26 cm

13,000US$

JR

Inside Out Sculpture #1

2012

Aluminium, paint / Aluminium, peinture

47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm

Unique (#23460 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW

LORIS CHECCHINI

Sinapsis paradigms and Micrologies II

2012

self-producted welded steel modules

120 x 70 x 45 cm

18.000 € + VAT

JOHN A DOUGLAS

Body Fluid II (redux)

2013

Handmade archival box set comprising

5 B&W fibre prints & 5 C-type prints

Video documentation of live performance

and video installation files in HD 1080p with sound

Collaboraitve performance with David Capra

Box: 43 x 43 x 8 cm

Edition of 3

Price (including GST): $2,800

All prices are in $AUD

INSTALLATION VIEW

NAT THOMAS

Puppy

50cm (length) x 25cm (depth) x 39cm (height)

plaster, shells, adhesive

2012

$2800

EDDIE PEAKE

Grrrl

2012

Paint on polished stainless steel

100 x 70 cm / 39.4 x 27.6 inches (R002002)

my hand my ear my time, 2013

2 photographs, ceramic pot with plant (Adiantum Fritz Luthi)

Diptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 28.000,00

(VAT not included)

TRACEY EMIN

You Loved Me Like a Distant Star

2012

neon

58 x 65 inches

147.3 x 165.1 cm

Edition 1 of 3, 2 AP

LM16899

£65,000.00

KADER ATTIA

Repaired broken mirror #4

2013

mirror

120 x 80 cm

EUR60,000

THOMAS ZIPP

A.B.: Boiling

2013

acrylic and oil on canvas

185 x 155 x 3.5 cm

ZIP/M 26

EUR 46,000.-

JOHN NIXON

Silver Monochrome

2005

enamel and large wooden blocks on MDF

60 x 47 cm

$9,000

GRAYSON PERRY

The Gardens of East Dean

2002-2012

Glazed ceramic

Height: 49cm, Diameter: 28cm

(GP 371)

 

£ 70,000.00 (ex tax)

CARLOS BUNGA

Fragmento #4

2011

Cartón, pintura, madera / Cardboard, paint, wood

15 x 33 x 33 cm

10.500,00 € (IVA no incluido / Taxes not included)

EDDIE PEAKE

Widow 9

2012

Spray painting on canvas

200 x 200 cm / 78.7 x 78.7 inches (R002100)

HENRY MOORE

Drawing for Sculpture: Reclining Figures

c. 1938

Pencil and chalk on paper

27.8 x 37.8 cm / 11 x 14 7/8 inches

MOORE43559

USD 98,000.00

Hammer Museum, Los Angeles, 15 July – 09 October 2011

INSTALLATION VIEW

FLORIAN PUMHOSL

Relief (Sutnar)

2010

Wall vitrine, edition of Daumier mluví knám Statni graficka skola Praha 1935. Soukrome tisky Statni graficke

skoly no.3, cover and typo by Ladislav Sutnar text by Jaromir Pecirka. 23 pp., orig. wrappers 4° and Nohejl

Miloslav SvÄ›t nic neví Druzstevni prace DP Praha1934 typo, binding and photomontage by Ladislav Sutnar

280 pp., orig.all-cloth binding 8°

120 x 90 x 10 cm

47.2 x 35.4 x 3.9 in

PUMH100002

JAKE AND DINOS CHAPMAN

One Day You Will No Longer Be Loved (that it should come to this...) II

2010

Oil on canvas

24 x 20 1/16 x 0 13/16 in. (61 x 51 x 2 cm)

70,000.00 GBP

 

MARC QUINN

silver

87 x 51 x23 cm

ed 7

£ 180,000

 

DANIEL ARSHAM

Rapa Nui dancers

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

JOHN NIXON

Silver Monochrome

2005

enamel and ceramic tiles on MDF

46 x 61 cm

$9,000

KATJA STRUNZ

Bending Moment

2012

Clock hand, clock face

Clockhand 3 parts, 113 x 9.3 x 2.4 cm, 152 x 9.3 x 2.4 cm, 112 x 9.3 x 2.4 cm,

Clock face 88 x 143 x 33 cm

TMI-STRUK-32190

PEGGY PREHEIM

Our Glass

2011

pencil and banknote fragments on paper

27 1/4 x 35 inches; 69.2 x 89 cm (framed)

22 x 30 inches; 55.9 x 76.2 cm (unframed)

(TBG 13741)

$8,200 plus framing

CARLOS BUNGA

Dos fragmentos suspendidos

2013

Cartón maché, pintura, cuerda / Mache cardboard, paint, cord

21,5 x 16 x 16 / 27 x 10 x 4

10.500,00 US$ (IVA no incluido / Taxes not included)

 

STEPHEN WILLATS

Democratic Grid No. 12

February 1992

Poster paint, pencil, Letraset text on paper

84 x 114 cm, 33 1/8 x 44 7/8 in

(SW 38)

 

£ 12,000.00 (ex tax)

ERNESTO NETO

LUCA TREVISANI

You gotta yell in the woods to hear its echo

2013

hand-colored MDF, 100 pieces

variable Dimensions

Unique piece

Certificate signed by the artist

LT 2013/010

EUR 10,000.00

DANIEL ARSHAM

SNARKITECTURE

Shelf

2012

Lacquered wood, berglass, steel clip

30,5 x 121,9 cm / 12 x 48 inches - $2,500 AUD

30,5 x 91,4 cm / 9 x 36 inches - $1,500 AUD

22,9 x 60,9 cm / 6 x 24 inches - $900 AUD

20,3 x 60,9 cm / 9 x 24 inches - $800 AUD

PIETRO RUFFO

U.K. Spring

2012

Gesso, acrylic and cutouts on paper

82.5 x 63 x 10 cm / 32.5 x 24.8 x 3.9 inches (R002100)

TONY SWAIN

Untitled

2012

Acrylic on pieced newspaper

68 x 61 cm unframed, 88 x 81 x 3.5 cm framed

TMI-SWAIT-31739

 

In Miami this year we will be showing a series of Tony’s paintings on newspaper. Using the images and graphics found on the sheets to provide him with the starting point for each painting, these elements are ultimately incorporated, adapted or obliterated by their inclusion in Swain’s imagined landscapes and abstracts. Images of these works can be seen on the following pages.

A monograph of Tony’s exhibition at the Fruitmarket gallery in Edinburgh, Drowned Dust, Sudden Word will be available at the fair.

ANGEL OTERO

Trophies

2010

trophies, oil skins, wood, spray paint

55 x 47.5 x 9 inches

139.7 x 120.7 x 22.9 cm

LM13917

$25,000.00

DANIEL ARSHAM

Crystal Eroded Film Reel

2013

Crystal, shattered glass, hydrostone

25,5 x 25,5 x 2,5 cm / 10 x 10 x 1 inches

Unique

$7,500 AUD

VIK MUNIZ

Pictures of pigment: Mist, after Caspar David Friedrich

2007

chromogenic print ed 2/6

102 x 160 cm

US$ 39.000,00

23702

SHILPA GUPTA

1:129.4

2012

Thread wound on two nails

127x3.8 cm

etched brass plate 2.5x14 cm

Edition of 3

20,000US$

GABRIEL OROZCO

Monet's Waterlilies

2011

Pigment ink and acrylic on canvas

34 1/2 x 36 1/2 in. (87.63 x 92.71 cm)

[13471]

$ 350,000.00

JOSIAH MCELHENY

The Geometric Body (after Cardin)

2012

Steel, wood, low iron glass, hand blown and carved glass

64 3/4 x 32 1/2 x 20 1/2 in. (164.5 x 82.6 x 52.1 cm)

90,000.00 USD

 

STEPHEN WILLATS

An Endless Sequence of Perceptual Frameworks

2008

Ink, water colour, Letraset text on paper

137 x 67 cm, 54 x 26 3/8 in

(SW 185)

 

£ 18,000.00 (ex tax)

MARY HEILMANN

Matisse

1989

Oil on canvas

137.2 x 137.2 cm / 54 x 54 inches

HEILM51691

USD 180,000.00 (excl. VAT)

TRACEY EMIN

Suffer Love 39

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46978

JOSEPH KOSUTH

‚Titled [Art as Idea (as Idea)]‘ [Language]

1966

Photographic enlargement of dictionary definition (English)

120 x 120 cm

MSPM JKO 03036

EUR140,000.00

TONY SWAIN

Tariff of fir

2012

Acrylic on pieced newspaper

46 x 23 cm unframed, 64.5 x 41 x 3.5 cm framed

TMI-SWAIT-31684

THOMAS STRUTH

Paradise 14 Yakushima/Japan

1999

Chromogenic print

72 1/8 x 87 in. (183.2 x 221 cm)

Edition of 10

[S/6691]

€ 80,000.00

MICHAEL RAEDECKER

supply

2011

Acrylic and thread on canvas

118 x 102 cm / 46 1/2 x 40 1/8 inches

RAEDE51155

USD 100,000.00

ALEC MINGELMANGANU

Untitled (Wanjina)

Natural earth pigments and natural binders on bark

66.5 by 35.2cm irregular

PROVENANCE

Stanley & Co., Fine Australian, Aboriginal & International Art, Sydney, 24/10/2004, Lot No. 79

Private collection, Sydney

BRENDAN VAN HEK

Untitled (#7 tangerine)

2011

Neon, steel

Two parts, each 110 x 103 x 49 cm

$10,000

OTTO PIENE

Struwwelpeter 2

1990/1991

Oil on canvas

200 x 200 cm | 78.74 x 78.74 in

# PIEN0005

 

€ 300.000,00

 

The ZERO Group, celebrated worldwide in museums and collections with planned shows at Grand Palais Paris, Solomon R. Guggenheim Museum NYC, and Stedelijk Museum in Amsterdam from spring 2013 to 2015, has been founded by Otto Piene and Heinz Mack (and Günther Uecker) in 1958, with the goal of revolutionising post-war art, leaving received principles of art behind.

From now, light and movement was the central point of their art. What had begun in Düsseldorf, Germany, would develop in less than a decade into one of the most significant avant-garde movements of the 20th century.

When ZERO disbanded in 1966, the group had collaborated with a wide range of artist – such as Lucio Fontana, Yves Klein, Piero Manzoni, Jean Tinguely and Yayoi Kusama. After more than half a century of ZERO, the group is once again becoming a centre of public attention; therefore it was only a matter of time that the three exceptional artists Otto Piene, Heinz Mack and Günther Uecker would equalise with the wider circle of ZERO members on the international art landscape and market.

PEGGY PREHEIM

Our Glass

2011

pencil and banknote fragments on paper

27 1/4 x 35 inches; 69.2 x 89 cm (framed)

22 x 30 inches; 55.9 x 76.2 cm (unframed)

(TBG 13741)

$8,200 plus framing

 

DETAILS VIEW

FRANCESCA WOODMAN

From Angel Series, Rome

1977-1978 (I.171)

Gelatin silver estate print

25.4 x 20.3 cm, 10 x 8 in

Edition 6/40

(FW 82)

 

$ 4,500.00 (ex tax)

TRACEY EMIN

Suffer Love 33

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46982

THOMAS SCHEIBITZ

Verstärker

2013

Oil, vinyl, pigment marker on canvas

290 x 195 cm

114 1/8 x 76 3/4 inches

MSPM TSC 21254

EUR80,000.00

BENJAMIN ARMSTRONG

Couple

2013

Plaster, wood, aluminium and encaustic

87.5 x 50.5 x 45.5 cm

87 x 50.5 x 48 cm

AUD $18,000.00 inc GST

Front view

PIETRO RUFFO

Small World Spring

2012

Gesso, acrylic and cutouts on paper

85 x 110 x 10 cm / 33.5 x 43.3 x 3.9 inches (R002101)

HEALY & CORDEIRO, CLAIRE & SEAN

Takadanobaba 8/10

2005

lambda print

147 x 119 cm, unframed

$A $10,000

incl GST

 

Provenance/ Story/ Additional Notes

 

Installation Materials: entire found objects of artists’ residency in Tokyo

Exhibited:

‘Custom Living’, gbk, 2006

‘Melbourne Art Fair’, 2006

Finalist, ‘ABN AMRO Emerging Artist Award’, 2006

‘The Year in Art’, S. H. Ervin Gallery, Sydney, 2006

‘The Best of Discovery’, SH Contemporary, Shanghai, 2008

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Collections: Artbank

Artist Statement:

Takadanobaba is the display of the entire contents of a cramped artist residency in the Tokyo precinct of the same name. This mass is the result of individuals caught up within the initial heady excitement of Tokyo's hyper-consumer society. Due to the steady cycle of each individual's short-term habitation of the space, the unwanted mementos just keep accumulating within the studio living space. Claire & Sean stacked the material dispossessions in some kind of order, creating space within the confinement. The question of whether these left behind items are of practical use for future residents

remains: sword made of wood, a guitar left unstrung, old pornographic comics in Japanese, unused language books, things that did not make it to souvenir status became the detritus of a shifting space. Within the assorted trash lay more personalised objects: a Christmas tree, a baby's pillow, a broken answering machine with a stranger's messages, un-erasable. In the end, all these objects were turned into nothing more than a wall, a barricade, demarking a world created by forgotten objects. The detritus of habitation, part tourist, part nester.

JR

Inside Out Sculpture #1

2012

Aluminium, paint / Aluminium, peinture

47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm

Unique (#23460 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

HAYLEY TOMPKINS

Spoon II

2012

Found object, watercolour

2 x 14.4 x 3.1 cm

TMI-TOMPH-32389

 

In Miami Hayley will be presenting a devised room of her works. These include a selection of sculptural collages and her painted plastic trays.

There will also be a number of furniture pieces. Many of these works were shown in her recent solo exhibition at Cairn projects in Fife. She is currently showing in the the 30th Sao Paulo Bienal, The Imminence of Poetics.

We are pleased to announce that Hayley will be representing Scotland at the Venice Biennale in 2013.

MAGNUS PLESSEN

Ohne Titel (Kerze) (Untitled [Candle])

2012

Oil and charcoal on canvas

70 7/8 x 55 1/8 in. (180 x 140 cm)

105,000.00 EUR

 

PETER LIVERSIDGE

Hello

2012

58 light bulbs, powder coated steel, motion sensor

53.5 x 267.9 x 18 cm

£27,000

SHANNON EBNER

The Man in the White Hat Dropped It

2013

18 framed Epson prints

each print: 76.2 x 109.2 cm / 30 x 43 in

edition of 5 + 2 AP

DETAIL VIEW

FRANCESCA WOODMAN

Depth of Field, Providence, Rhode Island

1975-1978 (P.80)

Gelatin silver estate print

25.4 x 20.3 cm, 10 x 8 in

(FW 115)

 

$ 4,500.00 (ex tax)

TOM FRIEDMAN

Untitled (Black Ball)

2012

Styrofoam and flock

15.2 x 15.2 x 15.2cm

(6 x 6 x 6in)

FRIE 219

$95,000

 

PEGGY PREHEIM

Our Glass

2011

pencil and banknote fragments on paper

27 1/4 x 35 inches; 69.2 x 89 cm (framed)

22 x 30 inches; 55.9 x 76.2 cm (unframed)

(TBG 13741)

$8,200 plus framing

 

DETAILS VIEW

DANIEL ARSHAM

St. Peter protecting the fishermen

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

LAWRENCE WEINER

Logs Bound Together

1991

Language & the materials referred to

Dimensions variable

WEIN910001

HEINZ MACK

Untitled

1966

Light relief with large and small wing

Aluminum, wood, stainless steel, plexi glass

163 x 103 x 12 cm

# MACK0025

 

€ 288.889

ERNESTO NETO

MARC QUINN

silver wcube

87 x 51 x23 cm

ed 7

£ 180,000

INSTALLATION VIEW

ANTONY GORMLEY

MEME CCIV

2011

cast iron

9 x 8.5 x 16,7 cm

Unqiue Work

30.000 GBP + vat

 

HAYLEY TOMPKINS

No Title

2012

Glass bottle, coloured liquid, rainbow fabric, light bulb, postcard and wooden shelf

38 x 12.5 x 17.5 cm

TMI-TOMPH-32395

J. Ariadhitya PRAMUHENDRA

Theater of God

2012

Charcoal on canvas / Fusain sur toile

6.2 feet x 26.2 feet x 2 inches / 190 x 800 x 5cm

Unique (#23589 Location: Singapour)

$82,500 (59 709 €) Tax included

 

 

" Theater of God "

 

 

Discussion and debates on science and religion often occurs along with the development of human civilization. In this series I want to express and question that based on my daily experiences and my understanding on the subject.

 

What is the right science?

What is the right religion?

 

In "Theater of God" I want to imagine the atmosphere of Mass at the church -with the main focus at the altar- that is symbolized into the form of scie nce. I put an operating room in the middle, like what doctors and scientists do when they want to explore and learn about things happen inside human body through dissection. This practice used to be done in amphitheaters.

 

In this current work, the role of doctors and nurses are changed into priests and nuns who seem as if they're praying to a figure who is been dissected or operated. Like a doctor who wants to find out the cause of illness in a patient's body through dissecting it, so does a priest who searches faith or even God inside the human body itself.

 

In this work, there are 7 people ( 3 priests and 4 nuns). This refers to catholic dogma on certain contexts where church uses the number 7, such as 7 sacraments and 7 sins of mankind. Similarly with this work I take the context of : "Seven Deadly Sins". The currently recognized version of these sins are wrath, greed, gluttony, sloth, pride, envy and lust.

 

This is an illustration on sinners who ar e trying to find their God through science.

 

"Christ is within us" , "God is within us" , "God is us". There are lots of terms which say that God is inside us. Symbolically, I want to reveal those searches as how science try to find illness inside the human body through dissection.

 

The presence of the intelligent people surrounding the priests and the nuns seem as if they are watching and questioning the validity of the actions of the perpetrators of the ritual.

 

" Science without religion is lame. Religion without science is blind " - Einstein

 

Thus the explanation of the concept of the work which is the headline of this exhibition. I hope this can enlighten you on understanding my work.

MARK DION

MMXII Western Hemlock, Tsuga Hetereophylla, Seattle

2011

wood, hemlock, glue

2 1/4 x 6 1/4 x 6 7/8 inches; 5.7 x 15.9 x 17.5 cm

(TBG 13185)

USD $18,000

DETAIL VIEW

FRANCESCA WOODMAN

Splatter Paint, Rome

1977-1978 (I.136)

Gelatin silver estate print

25.4 x 20.3 cm, 10 x 8 in

(FW 124)

 

$ 4,500.00 (ex tax)

MARC QUINN

Flesh Painting (On Sensualism)

2012

Oil on canvas

66 9/16 x 100 3/16 in. (169 x 254.5 cm)

140,000.00 GBP

 

HANS-PEPTER FELDMANN

One Pound Strawberries

2007

34 c-prints

each 10x10cm

13,000US$

JULIAN MEAGHER

Ronald Deeman

2013

Oil on linen

56 x 46 cm

Price (including GST): $2,800

All prices are in $AUD

PREM SAHIB

City Living I

2012

MDF, polished steel

115 x 45 x 45 cm / 45.3 x 17.7 x 17.7 inches

CATHY WILKES

Untitled

2012

Mixed media installation: antique fabric, wire line, textile samplers, canvas and linen books, pebbles, broken ceramic, paper, figures (metal

armature, stocking net fabric, wool stuffing, wire, clay and paper, papier-mâché heads, mohair, acrylic paint, clothes)

Dimensions variable

 

Cathy has created a new installation for the booth in Miami. This will contain a new painting and a new figure piece, which relate directly to her recent exhibition in our Osborne St gallery. Images and details of the show can be seen below and on the following pages.

In a silent encounter between associative objects, signs and ideas, each work implying the next, Wilkes draws upon recurring motifs, and the real, brute elements of life. She offers the viewer a glimpse into a kind of cosmic measuring within the broader themes of life and death, object and meaning. Her installations also draw heavily on the absence of things, the lost associations between objects, and the separation one can feel from ones own self. Demonstrated in a specific time and space, Wilkes’ practice is underpinned by the most intimate of personal experiences together with a poetic visual language.

In 2013 Cathy will be exhibiting in Love is Colder than Capital: An Exhibition about the value of feelings at Kunsthaus Bregenz.

JONATHAN HOROWITZ

Eternity Plant on Sheaf of Wheat Table

2012

interior wall paint on linen

134.9 x 112 x 4.1 cm / 53 ⅛ x 44 ⅛ x 1 ⅝ in

unique

HQ15-JH9094P

Price: $65,000 USD (subject to prior sale and 20% VAT)

MARTIN WALDE

Untitled (Fliege)

2011

glass, ink, human hair, Elastosilikon

79 x 114 cm

WAL/S 58

EUR 24,000.-

TRACEY EMIN

Stupid Studio Girl

2011

embroidered calico

62.2 x 70.08 inches (fabric)

158 x 178 cm

68.9 x 77.17 x 3.74 inches (framed)

175 x 196 x 9.5 cm

LM14702

£95,000.00

VIK MUNIZ

Pictures of Pigment: Oxidation Painting, after Warhol (Diptych)

2007

Chromogenic print ed 5/6

132 x 204 cm cada

US$ 60.000,00

24329

CARLOS BUNGA

Fragmento #13

2011

Cartón maché, pintura, madera / Maché cardboard, paint, wood

15 x 23 x 23 cm

10.500,00 € (IVA no incluido / Taxes not included)

JEAN-LUC MYLAYNE

No 435, Décembre 2007 – Janvier

2008

Chromogenic print

153 x 123 cm (framed)

60 1/4 x 48 3/8 inches (framed)

Edition unique

MSPM JMY 17740

EUR46,000.00

FRANCESCA WOODMAN

Untitled, New York

1979-1980 (N.303)

Gelatin silver estate print

25.4 x 20.3 cm, 10 x 8 in

(FW 126)

 

$ 4,500.00 (ex tax)

Dadang Christanto | They give evidence

 

15 Sep 2012 – 17 Mar 2013

 

Upper Asian gallery

AGNSW

 

A reprise of the confronting and moving, larger-than-life sculptures of human suffering by Dadang Christanto, first seen here at the launch of the new Asian galleries in 2003 and again in 2005 and 2010.

 

Christanto’s works speak eloquently for the victims of oppression and social injustice. The 16 male and female figures in this installation represent displaced victims, mutely carrying the bodies of innocent men, women and children who have been killed – testament to the inhumanity of man, a silent monument to communal grief.

 

Born in Indonesia and based in Australia since 1999, Christanto has a significant reputation internationally. His artistic oeuvre includes painting, drawing, performance, sculpture and installations.

TRACEY EMIN

Suffer Love 26

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46983

JOHN A DOUGLAS

Body Fluid II (redux)

2013

Handmade archival box set comprising

5 B&W fibre prints & 5 C-type prints

Video documentation of live performance

and video installation files in HD 1080p with sound

Collaboraitve performance with David Capra

Box: 43 x 43 x 8 cm

Edition of 3

Price (including GST): $2,800

All prices are in $AUD

INSTALLATION VIEW

CATHY WILKES

Untitled

2012

TMI-WILKC-32702

DETAILS

ISAAC JULIEN

True North Series

2004

Digital prints on gloss paper ed 5/6

100 x 100 cm each / cada (triptych / tríptico)

US$ 44.000,00

24474

JACK PIERSON

"A TRIUMPH!"

2012

Metal, wood, and light bulbs

37 1/4 x 129 3/4 x 8 1/4 inches (94.6 x 329.6 x 21 cm)

JP 365

$225,000

INSTALLATION VIEW

DANIEL ARSHAM

SNARKITECTURE

Shelf

2012

Lacquered wood, berglass, steel clip

30,5 x 121,9 cm / 12 x 48 inches - $2,500 AUD

30,5 x 91,4 cm / 9 x 36 inches - $1,500 AUD

22,9 x 60,9 cm / 6 x 24 inches - $900 AUD

20,3 x 60,9 cm / 9 x 24 inches - $800 AUD

INSTALLATION VIEW

HARLAND MILLER

Health and Safety is Killing Bondgage

2012

Oil on canvas

93 x 61 5/8 x 2 1/16 in. (236.2 x 156.5 x 5.2 cm)

GBP 35,000.00

WILLIAM MACKINNON

Studio days I

2012-13

oil on linen

38 x 42cm

$2,500 AUD / $3,250 SGD

 

UTA BARTH

Deep Blue Day (Untitled 12.10)

2012

inkjet print face-mounted against matte acrylic, framed in painted aluminum frame

37 5/8 x 40 3/8 inches; 95.6 x 102.5 cm (framed)

Edition of 6; 2 APs

Edition 1 of 6

signature label on frame verso

(TBG 14018.1)

$26,000

DANIEL ARSHAM

Dancer in traditional Rapa Nui dress

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

ROMAN ONDAK

Outdoors

1999

Turgriff - door knob

8.7 x 1.4 x 1.6 inch

20,000.00 EUR + VAT

JEFF WALL

Authentication. Claus Jahnke, costume historian, examining a document relating to an item in his collection

2010

Edition of 5

Four inkjet prints

Dimensions variable

USD 350,000.00

HAYDEN FOWLER

new world order production still ix

2013

colour pigment print on cotton rag art paper

unique edition

75 x 54cm

$750 unframed

THOMAS STRUTH

Huang Shan, Huang Shan

2002

Chromogenic print

72 x 87 1/2 x 2 3/8 in.

(182.88 x 222.25 x 6.03 cm)

Edition of 10

[8456]

€ 68,000.00

PREM SAHIB

Realness

2010

Steel, paint

95 x 35 x 18 cm / 37.4 x 13.8 x 7.1 inches

MICHAEL WILKINSON

Never work 5

2012

Acrylic on linen with oil, verdigris, string, 2 inch tape, wood dowel, leather, blackboard paint, digital print, card and cellophane

190 x 175 x 3 cm

TMI-WILKM-31498

 

In Miami Michael will be showing one of his characteristic red paintings on canvas, which is created by pushing the paint through the material from the backside. The face is adorned with strips of recording tape, string and an inverted photograph of Guy Debord’s 1953 piece Ne Travaillez Jamias. It is from this title that the suite of works take their name - Never Works. An image can be seen below.

We will also be showing a selection of his mirrored catalogue pages, which re-contectualise images of historical mirrored works of art such as works by Smithson and Fabro. Images can be seen on the next page.

TRACEY EMIN

Suffer Love 29

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46979

CARLOS BUNGA

Dos fragmentos suspendidos

2013

Cartón maché, pintura, cuerda / Mache cardboard, paint, cord

21,5 x 16 x 16 / 27 x 10 x 4

INSTALLATION SHOT

10.500,00 US$ (IVA no incluido / Taxes not included)

 

HEINZ MACK

Untitled

1959

Resin on burlap on wood

33 x 43 x 2 cm | 12.99 x 16.93 x 0.79 in

# MACK0055

 

€ 133,333

TRACEY MOFFATT

Pioneer Dreaming (No. 1)

2013

digital print on handmade paper, hand coloured in ocher

26.5 x 57.5cm (framed)

Edition of 10

US$ 10,000.00

MARC QUINN

Flesh Painting (On Desire)

2012

Oil on canvas

66 9/16 x 100 3/8 in. (169 x 255 cm)

GBP 140,000.00

 

JAMES CASEBERE

Big Sur

2013

framed fine art pigment print mounted to Dibond

paper: 46 3/4 x 62 3/8 inches (118.7 x 158.4 cm)

framed: 50 7/8 x 66 1/2 x 2 inches(129.2 x 168.9 x 5.1 cm)

edition of 5 with 2 APs signed by artist on label, verso

JC-­239

THOMAS RUFF

ma.r.s05_II

2012

C-Print, gerahmt - framed

255 x 185 cm - 101 x 73 in.

Edition 3

70,000.00 EUR + VAT

ERNESTO NETO

Untitled

2011

clove and tumeric on guarro paper on two sheets

each 48.03 x 59.84 inches, each 122 x 152 cm

(TBG 14389)

$25,000

JR

Inside Out Sculpture #1

2012

Aluminium, paint / Aluminium, peinture

47 1/4 x 33 x 9 inches / 120 x 84 x 23 cm

Unique (#23460 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW

ALEX BAG

Harriet Craig

1998

black & white polaroid

4 x 3.25 inches; 10 x 8 inches framed

10.2 x 8.3 cm; 25.4 x 20.3 cm framed

unique

$ 5,000

ANTONY GORMLEY

POLE II

2012

Ghisa

194 x 46 x 32 cm

300.000,00 GBP + vat

me and myself, 2013

2 photographs, 1 ceramic pot with plate and plant (Bromelien Mini Mix)

Diptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 28.000,00

(VAT not included)

STEVEN CLAYDON

Orion (prepared spinet)

2012

laminated plywood, inlaid composite, bamboo, barley straw, powder coated aluminium,

polyurethane foam, powder coated steel

155 x 158 x 79 cm / 61 x 62 ¼ x 31 â…› in

unique

HQ16-SC9500S

Price: £25,000 GBP

STERLING RUBY

Benactyzine Gate Mouth

2012

Ceramic

58,4 x 74,9 x 65,4 cm

23 x 29 1/2 x 25 3/4 inches

MSPM SRU 21185

US125,000.00

HEALY & CORDEIRO, CLAIRE & SEAN

Future Remnant

2011

dinosaur fossil replica, cable binding, IKEA items

285cm x 180cm x 485cm (irregular)

$A $70,000

incl GST

 

Exhibited:

Future Furnishings, Nature Morte Berlin, 2011

Art 42 Basel, Basel, 2011

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Artist Statement:

In Future Remnant a strategically composed stack of partially-assembled IKEA furniture and accessories props up a life- sized replica of a Monolophosaurus dinosaur skeleton. The sculpture is held together with bright orange strapping, a utilitarian packing material that in many of Healy & Cordeiro's works. In this work, the mighty dinosaur highlights the contemporary disposable, massproduced against an historical artefact: the uncertain present and future versus the known past. The work juxtaposes our keen understanding of where we fit into the past and our myopic vision of where we want to be in the future.

VIK MUNIZ

Rebus: Odalisque, after Gustave Le Gray

2010

Digital C print ed 1/6

180 x 230 cm

US$ 55.000,00

23850

MICHAEL WILKINSON

After Smithson 6

2012

43 x 50 x 3.5 cm framed

TMI-WILKM-32507

Catalogue pages, etched mirror

TRACEY MOFFATT

Pioneer Dreaming (No. 2)

2013

digital print on handmade paper, hand coloured in ocher

26.5 x 57.5cm (framed)

Edition of 10

US$ 10,000.00

ERNESTO NETO

CARLOS BUNGA

Sin título / Untitled #8

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

DARREN ALMOND

At Times There Are No Words

2012

Aluminum and paint

20 x 320 cm

Edition of 3 + 2 AP (1/3)

 

£ 28.000,00

(VAT not included)

VALERY KOSHLYAKOV

Tower 2

2010

acrylic and collage on canvas,

200 x 150 cm

KOS/EX 12

EUR 49,000.-

RYAN GANDER

Born of Babble (A failed essay on how the contemporary still life returns the contemporary gaze)

2012

framed - gerahmt

je 100 x 66 cm - 39.4 x 26 in. each

25,000.00 GBP + VAT

PREM SAHIB

Work

2008

Steel and neon, paint

TRACEY EMIN

I Didn't Say

2011

Gouache on paper

10 x 14 in. (25.4 x 35.5 cm) (unframed)

13 9/16 x 16 3/4 x 1 9/16 in. (34.5 x 42.5 x 4 cm) (framed)

JJ44723

TRACEY MOFFATT

Pioneer Dreaming (No. 3)

2013

digital print on handmade paper, hand coloured in ocher

26.5 x 57.5cm (framed)

Edition of 10

US$ 10,000.00

TRACEY EMIN

Strung out

2009

Embroidered cotton

61 13/16 x 67 5/16 in. (157 x 171 cm)

JJ34923

GBP 120,000.00

ISAAC JULIEN

True North

2012

neon ed 1/6

200 cm

US$ 49.750,00

24530

JACK PIERSON

SAD

2012

Copper and aluminum

13 1/4 x 23 1/2 x 3/4 inches (33.7 x 59.7 x 1.9 cm)

JP 364

$75,000

INSTALLATION VIEW

JENNY HOLZER

TRUISMS: ALL THINGS ARE DELICATELY INTERCONNECTED...

1987

Danby Royal marble bench

17 x 54 x 25 inches

43.2 x 137.2 x 63.5 centimeters

HO.14920

Edition of 3 AP

$750,000

INSTALLATION VIEW

TOM FRIEDMAN

Untitled (Green Balloon with Skeleton)

2012

Styrofoam, paint and string

322.6 x 64.8 x 118.1cm

(127 x 25 1/2 x 46 1/2in)

FRIE 208

$200,000

MICHAEL WILKINSON

After Smithson 5

2012

43 x 50 x 3.5 cm framed

TMI-WILKM-32505

Catalogue pages, etched mirror

JR

Inside Out Sculpture #2

2012

Aluminium, paint / Aluminium, peinture

49 1/4 x 33 x 7 inches / 125 x 84 x 18 cm

Unique (#23462 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW

TRACEY MOFFATT

Pioneer Dreaming (No. 4)

2013

digital print on handmade paper, hand coloured in ocher

26.5 x 57.5cm (framed)

Edition of 10

US$ 10,000.00

ERNESTO NETO

CARLOS BUNGA

Sin título / Untitled #9

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

 

DANIEL ARSHAM

Untitled

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

DANIEL ARSHAM

Pixel Cloud

2011

High desnisty polyethylene balls, steel

116 x 142 x 91 cm / 46 x 56 x 36 inches

Unique piece

$18,000 AUD

CHRISTIAN MARCLAY

title to be confirmed

2012

Acrylic and silkscreen on watercolour paper

49 x 35 in. (124.5 x 88.9 cm)

Price tbc

DAMIEN HIRST

Triazolam

1995

Gloss household paint on canvas

39 x 19 1/2 in. (99 x 49.5 cm) (1 in. spots)

GBP 375,000.00

 

TRACEY EMIN

Leaning back

2012

Gouache on paper

11 5/8 x 16 9/16 in. (29.5 x 42 cm)

JJ47025

GBP 18,000.00

ERNESTO NETO

bronze stone you and me

2013

2 plexiglass panels with 2 photos each, ceramic pot with plate and plant (Asplenium

Osaka XXL)

photo each 146 x 110 cm

Edition of 3 (1/3) + 1 AP

$ 48.000,00

(VAT not included)

ERNESTO NETO

Uma Janelina Entre Nose

2012

Crocheted polypropylene rope and plastic balls

193 x 75 x 99 inches; 490 x 190 x 250 cm

(TBG 14423)

$150,000

 

ANTONY GORMLEY

Hinge Model VI

2012

Cast iron

14 9/16 x 10 13/16 x 11 1/4 in. (37 x 27.5 x 28.5 cm)

GBP 45,000.00

 

ISAAC JULIEN

Yishan Island, The Bridge (Ten Thousand Waves)

2010

Endura Ultra Photograph ed 7/10 + 2 PA

120 x 160 cm

US$ 40.500,00

24591

HAYDEN FOWLER

antler vi

2013

cement,gypsum,sand

unique version

56 x 28cm

$650

HANS-PETER FELDMANN

2 Telefone

23,000.00 EUR + VAT

LYNDA BENGLIS

Oriental Cuckold

1993

ceramic

45.7 x 48.3 x 38.1 cm. / 18 x 19 1/8 x 15 in.

$60,000

MUSEUM OF CONTEMPORARY ART

KEN WHISSON: AS IF

HANY ARMANIOUS

Weeping Woman

2012

cast pigmented polyurethane resin

318 × 71.5 × 86cm

US$ 70,000.00

HEINZ MACK

Ohne Titel (Dynamische Struktur)

1958

Resin on canvas

64 x 86,5 cm

# MACK0015

 

€ 177.777

 

Heinz Mack studied Art and Work Education at the National Academy of Arts, Düsseldorf, as well as Philosophy at the University of Cologne. In 1956 Heinz Mack und Otto Piene found the artist group ZERO. 1968 he was appointed as a member of the Academy of Arts, Berlin, later he became rofessor in Osaka, Japan. Together with Thomas Lenk, Georg Karl Pfahler and Günther Uecker, he represented Germany at the Venice Biennial in 1970. In 1991 the City Museum of Art in Düsseldorf purchased the ZERO-Raum from the documenta III in Kassel from 1964 with works by Mack, Piene and Uecker. 2004 Mack receives the Große Bundesverdienstkreuz der Bundesrepublik Deutschland (First time awarded) in recognition of his works and his commitment as a cultural representative. In 2006/07 a large exhibition was dedicated to his work at the Pergamonmuseum in Berlin with the title 'Transit zwischen Okzident und Orient, working aspects 1950-2006'.

RYAN GANDER

Note to self. Rethink everything

2012

Porcelain

Tbc

ed.1/1+1 ap

GAND120022-1

GBP 60,000.00

SYLVIE FLEURY

Color Lab - Free study with white peacock

2012

Taxidermy peacock (pavo cristatus), black tire, white pedestal

195 x 160 x 100 cm

76.78 x 63 x 39.37 in

Unique piece

Certificate signed by the artist

SF 2012/007

EUR 38,000.00

 

JO

Billy Apple

NZD100,000

BILLY CHILDISH

Erupting Volcano, Iceland (Study)

2011

oil and charcoal on linen

17.91 x 24.02 inches

45.5 x 61 cm

LM15322

€6,000.00

ERNESTO NETO

Uma Janelina Entre Nose

2012

Crocheted polypropylene rope and plastic balls

193 x 75 x 99 inches; 490 x 190 x 250 cm

(TBG 14423)

$150,000

 

INSTALLATION VIEW

MICHAEL WILKINSON

After Smithson 6

2012

43 x 50 x 3.5 cm framed

TMI-WILKM-32507

Catalogue pages, etched mirror

HANY ARMANIOUS

Limerick

2012

cast pigmented polyurethane foam and resin

191 × 50.5 × 50.5cm

US$ 37,000.00

who am i, 2013

3 photographs, 3 ceramic pots with plants (Chamaedorea elegans)

Triptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 38.000,00

(VAT not included)

CARLOS BUNGA

Sin título / Untitled #10

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

JOHN STEZAKER

Mask CXLIII

2013

Collage

25.4x20.7 cm, 10x8.1 ins

AP-STEZJ-01812

£8,000 GBP + VAT

ED RUSCHA

1516 Sargent Place

1965/2003

Gelatin silver print

18,7 x 18,7cm

7 3/8 x 7 3/8 inches

33,7 x 36 x 2,8 cm (framed)

13 1/4 x 14 1/8 x 1 inches (framed)

Edition 2/8

MSPM ERU 16102

US$7,500 

TRACEY EMIN

Deep Blue VII

2011

Gouache and pencil on paper

39 3/8 x 55 1/8 in. (100 x 140 cm)

JJ44742

GBP 40,000.00

TRACEY EMIN

Full Love 6, 8 and 10

2011

Gouache on paper

Triptych: 6 1/8 x 8 1/8 in. (15.6 x 20.7 cm), 6 x 8 1/8 in. (15.2 x 20.7 cm) and 6 x 8 1/8 in. (15.2 x 20.7 cm)

Framed, each: 9 5/16 x 11 1/2 x 1 15/16 in. (23.6 x 29.2 x 5 cm)

JJ44729

VIK MUNIZ

The Icebergs, after Frederic E. Church, from the series Pictures of pigment

2007

chromogenic print ed 1/6

171.5 x 301.5 cm

US$ 55.000,00

23700

HEINZ MACK

Licht, Fläche + Raum

1965

Aluminum, embossed and polished in plexi case

100 x 80 x 13 cm

# MACK0026

 

€ 244.444

bronze stone you and me, 2013

2 plexiglass panels with 2 photos each, ceramic pot with plate and plant (Asplenium

Osaka XXL)

photo each 146 x 110 cm

Edition of 3 (1/3) + 1 AP

$ 48.000,00

(VAT not included)

TONY CLARK

Sections from Clark’s Myriorama

2013

acrylic and permanent marker ink on canvas

73 x 53cm (framed)

US$ 9,000.00

DARREN ALMOND

Hold

2012

bronze and paint

51 x 40 x 6,5 cm

Edition of 3 plus 2 AP (3/3)

 

£ 16.000,00

(VAT not included)

BENJAMIN ARMSTRONG

Couple

2013

Plaster, wood, aluminium and encaustic

87.5 x 50.5 x 45.5 cm

87 x 50.5 x 48 cm

AUD $18,000.00 inc GST

Back view

WOLFGANG TILLMANS

Market I

2012

C-Print mounted on Dibond in artist’s frame

145 x 211 x 6 cm

Ed. 1 + 1 AP (1/1)

USD 57.000,- + VAT

 

LYNDA BENGLIS

Untitled (Mean Green)

1992-94

ceramic

27.9 x 38.1 x 35.6 cm. / 11 x 15 x 14 1/8 in.

$50,000

 

JR

Inside Out Sculpture #2

2012

Aluminium, paint / Aluminium, peinture

49 1/4 x 33 x 7 inches / 125 x 84 x 18 cm

Unique (#23462 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW

MATTHEW MONAHAN

A Certain Time of You

2013

plaster, oil, steel, fiberglass reinforced polyurethane, charcoal on paper

182 x 45 x 45 cm

72 x 18 x 18 ins

USD 95,000

ERNESTO NETO

CARLOS BUNGA

Construcción pictórica #11

2013

Cartón, pintura y madera / Cardboard, paint and wood

115 x 115 x 13 cm

12.000,00 US$ (IVA no incluido / Taxes not included)

DOUGLAS GORDON

Self-Portrait of You + Me (4 piece Marilyn wax)

2008

Smoke and Mirror

131 x 131 x 5 cm

180,000$

THOMAS HOUSEAGO

Face Panel (Landscape)

2012

Tuf-Cal, hemp, iron rebar

247 x 132.1 x 31.8 cm / 97 1/4 x 52 x 12 1/2 inches

HOUSE52760

USD 175,000.00

TOM FRIEDMAN

Untitled (Charred Wood Wall Installation)

2012

Wood

298.4 x 439.4 x 3.8cm

(117 1/2 x 173 x 1 1/2in)

FRIE 210

$185,000

DETAIL VIEW

DIRK STEWEN

untitled, Hamburg

2012

laser copy, vinyl paper, paper and threads on inkjet Prints

35 x 49.5 in; 89 x 126 cm

(TBG 14435)

euro €9,000

 

MICHAEL WILKINSON

After Fabro

2012

43 x 50 x 3.5 cm framed

TMI-WILKM-32506

Catalogue pages, etched mirror

MARK MANDERS

Shadow Study

2010-2011

iron, painted porcelain, and painted wood

59 x 27 x 23 inches; 150 x 68.6 x 58.4 cm

(TBG 12751)

EUR €45,000

VIK MUNIZ

Object: Nail Fetish

2010

mixed media object ed 3/5

70 x 33 x 30 cm

US$ 105.000,00

24036

HAYDEN FOWLER

antler ix

2013

cement,gypsum,sand

unique version

51 x 23cm

$650

JACK PIERSON

$250,000

JULIAN MEAGHER

Gin Act 1736

2013

Oil on linen

137 x 182 cm

Price (including GST): $11,000

All prices are in $AUD

JEAN-LUC MOULENE

Knot 6³â‚‚ V01

2012

25 x 27 x 32 cm., 9 7/8 x 10 5/8 x 12 5/8 in.

Price TBC

TRACEY EMIN

Full Love 6, 8 and 10

2011

Gouache on paper

Triptych: 6 1/8 x 8 1/8 in. (15.6 x 20.7 cm), 6 x 8 1/8 in. (15.2 x 20.7 cm) and 6 x 8 1/8 in. (15.2 x 20.7 cm)

Framed, each: 9 5/16 x 11 1/2 x 1 15/16 in. (23.6 x 29.2 x 5 cm)

JJ44729

INSTALLATION SHOT

BENJAMIN ARMSTRONG

Janus

2013

Plaster, wood, aluminium and encaustic

82 x 50.5 x 44 cm

AUD $8,800.00 inc GST

Back view

(Not exhibited)

HEINZ MACK

Licht-Relief

1958

Aluminum on wood

framed 55 x 60 x 8 cm

# MACK0024

 

€ 133.333

CARLOS BUNGA

Sin título / Untitled #1

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

VIK MUNIZ

Pictures of Magazine 2: Vase of Flowers, after Claude Monet

2013

c-print digital ed 2/6

240 x 180 cm

US$ 55.000,00

SIMON DENNY

“Analogue/Digital Transmission Switchover: Modelli a Confronto”

2012

Samsung UE40ES6300 Television, metal, prints on plexiglas

68 x 120 x 10 cm

SD2012_08

Euro 10.000,-

 

SARAH SZE

Untitled

2012

approximately 25 x 25 x 25 inches

(TBG 14437)

$28,000

JR

Inside Out Sculpture #2

2012

Aluminium, paint / Aluminium, peinture

49 1/4 x 33 x 7 inches / 125 x 84 x 18 cm

Unique (#23462 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW

DANIEL ARSHAM

Cast Light

2011

LED light bulb, white gypsum cement

12.7 x 12.7 x 12.7 cm / 5 x 5 x 5 inches

Unique piece

$500 AUD

JEAN-LUC MOULENE

bic

2012

4 panels (each individual works)

ink on gessoed and oiled panel

146 x 114 x 5cm.

Each: €50,000

GEORGE SHAW

I Woz Ere No. 1

2011

Watercolour on paper

30.5 x 40.5 cm

£4,250 + Vat incl frame

WG/GSHA00584

GABRIEL OROZCO

Echoes Headaches, New York 2009, Lac Du Bourdon 2009, New York 2010

Gouache, acrylic, charcoal, graphite, photo collage, newsprint on paper

72 7/8 x 38 7/8 in. (185.1 x 98.74 cm)

[13428]

$ 350,000.00

DANIEL ARSHAM

Sign for Ko Vai Te Mihi

2013

Gouache on mylar, frame

21,5 x 30,2 cm / 8 1/2 x 11 3/4 inches

Unique

$5,000 AUD

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

HEALY & CORDEIRO, CLAIRE & SEAN

T+64_red

2011

LEGO

130.5 x 111 x 4 cm

Available Yes

Price $A $24,000

incl GST

 

Exhibited:

Un-Built, Gallery Reis, Singapore, 2011

Are We There Yet?, Corcoran Gallery of Art, 2011

SANDRA CINTO

Untitled

2012

permanent pen and acrylic on canvas

47.25 x 63 in; 120 x 160 cm

(TBG 14439)

$48,000

 

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

HEALY & CORDEIRO, CLAIRE & SEAN

Not under my roof 8/10

2009

lustre print

88.2 x 82.5 cm (unframed)

$A $11,000

incl GST

 

First exhibited: gbk @ ART HK 09, Hong Kong, 2009

Claire Healy & Sean Cordeiro, Museum of Contemporary Art Australia, Sydney, 2012

Floor of entire farmhouse from Millmerran Queensland, wood, linoleum, 11 x 12 meters, for

'Contemporary Australia: Optimism' at The Queensland Art Gallery, Brisbane

Photo: Natasha Harth, Queensland Art Gallery

Artist Statement:

The question of what constitutes home today is a major theme in Healy and Cordeiro's work. Inviting us to look at how we live in different ways, this work explores the domestic space in terms of its symbolism functionality, affordability, construction and decay. Enormous in both size and ambition, Not Under My Roof involved the acquisition of a Queensland farm house, which the artists then separated from its footings and sliced to retrieve the floor. The large form was then hung on a gallery wall at the Gallery of Modern Art, Queensland Art Gallery, Brisbane.

 

THOMAS STRUTH

Pond, Anaheim, California 2013

2013

pigment print

138 x 196,1 cm

149 x 207 cm, framed

edition of 10 (1/10)

 

€ 90.000,00

(VAT not included)

TRACEY EMIN

Deep Blue IV

2011

Gouache on paper

39 3/8 x 55 1/8 in. (100 x 140 cm)

JJ44705

GBP 40,000.00

LEE BUL

Untitled (A waterfall structure)

2009

pencil, acrylic, pigmented ink, collage on paper

31.5 x 23.62 inches

80 x 60 cm

37.8 x 30.24 inches (framed)

96 x 76.8 cm

LM17197

$24,000.00

ERNESTO NETO

A head and a breast

2013

2 photographs, 2 ceramic pots with plants (Hedera helix)

Diptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 28.000,00

(VAT not included)

YAYOI KUSAMA

INFINITY-NETS [NOLM]

2013

Acrylic on canvas

162 x 130.3 cm, 63 3/4 x 51 1/4 in

(KUSA 880)

$ 285,000.00 (excluding tax)

JEAN-LUC MOULENE

bic

2012

4 panels (each individual works)

ink on gessoed and oiled panel

146 x 114 x 5cm.

Each: €50,000

DETAIL VIEW

BILLY CHILDISH

Lt. Sydney A. Cloman, First Infantry, on His Horse on the Wounded Knee Battleground

2010

oil and charcoal on linen

24.02 x 17.72 inches

61 x 45 cm

LM15302

€6,000.00

GREGOR WRIGHT

Untitled

2012

Pencil, pastel, oil bar and spray-paint on paper

41.8 x 59.2 cm unframed,

61.5 x 78.5 x 3 cm framed

TMI-WRIGG-32540

 

In Miami we will be showing new framed drawings by Gregor. Built using a canon of motifs and references, they have been described as combining a “strange synthesis [of] oppositions and sophisticated improvisations whose naivety is beautifully academic.” Equally they hover between representation and abstraction, fusing drawn elements that are diagrammatic and almost familiar, to build a sense of space and depth within the picture plane. Works seem to record a moment of near destruction. Chaotic and fractured planes appear to be at odds with each other, the work gives a sense of functioning close to the point of it’s own collapse.

STERLING RUBY

STOVE 1

2012

Bronze, paint

154 x 33 x 51.4 cm

Edition 2 of 3 + 1 AP

RUBY-368-2012

$85,000

THOMAS SCHEIBITZ

Portrait Otto Feige

2012

Resin, mdf, fabric, acrylic glass, mounted

54 x 53 x 9.5 in; 137 x 134 x 24 cm

(TBG 14440)

euro €35,000

GEORGE SHAW

I Woz Ere No. 2

2011

Watercolour on paper

30.5 x 40.5 cm

£4,250 + Vat incl frame

WG/GSHA00585

CALLUM INNES

Untitled

No. 5,

2013

oil on linen 49 1/4 x 48 7/16 inches(125x123 cm)

signed by the artist, verso

CI-­07.13

TONY CRAGG

Runner

2013

Bronze

72 x 52 x 30 cm

Version 1

TC 1108

MADELN COMPANY

Paradise

2012

Mixed media on canvas

147 x 220 cm

RMB300,000.00

VIK MUNIZ

Graphic entomology

2010

wood, paper and glass ed state 1/6 + 3 PAs

117 x 215 x 8 cm

US$ 90.000,00

23910

TRACEY EMIN

Full Love 6, 8 and 10

2011

Gouache on paper

Triptych: 6 1/8 x 8 1/8 in. (15.6 x 20.7 cm), 6 x 8 1/8 in. (15.2 x 20.7 cm) and 6 x 8 1/8 in. (15.2 x 20.7 cm)

Framed, each: 9 5/16 x 11 1/2 x 1 15/16 in. (23.6 x 29.2 x 5 cm)

JJ44729

JULIAN MEAGHER

Distillation I

2013

Oil on linen

81 x 61 cm

Price (including GST): $3,300

All prices are in $AUD

JESS FLOOD-PADDOCK

Harvest, Maurice
2012
Leather, steel, jesmonite
100 x 55 x 50 cm (approx.)
£4,500 GBP ex VAT
Image guide: dark brown saddle

 

 

 

PAUL LEE

Untitled (Yellow)

2012

towels, thread, steel, dye

230 x 310 x 31 cm

90 1/2 x 122 1/8 x 12 1/4 ins

(MA-LEEPA-00261)

USD 18,000

 

New works by the British artist Paul Lee are a series of wall based sculptures made from household towels that have been cut up, dyed and sewn together by the artist into dynamic yet simple wall based sculptures.

RICHARD JACKSON

The Men's Room / The Trophy Room

2004

2 parts, acrylic on mylar

107 x 107 cm / 42 1/8 x 42 1/8 inches

each

JACKS36983

USD 50,000.00

STERLING RUBY

STOVE 1

2012

Bronze, paint

154 x 33 x 51.4 cm

Edition 2 of 3 + 1 AP

RUBY-368-2012

$85,000

HEALY & CORDEIRO, CLAIRE & SEAN

T+64_red

2011

LEGO

130.5 x 111 x 4 cm

Available Yes

Price $A $24,000

incl GST

 

Exhibited:

Un-Built, Gallery Reis, Singapore, 2011

Are We There Yet?, Corcoran Gallery of Art, 2011

 

Available to see at Gallery Barry Keldoulis 

285 Young Street

Waterloo NSW 2017

 

+61 414 864 445

 

285 Young Street
Waterloo NSW 2017

HAIM STEINBACH

mandarin red 2

2008/2012

plastic laminated wood shelf, plastic cauldron, metal and wood cart core, 5 rubber dog chews

46 1/4 x 86 1/2 x 17 inches 117.5 x 219.7 x 43.2 cm

(TBG 14444)

$90,000.

RICHARD WRIGHT

No Title

2012

TMI-WRIGR-31953

Installation view at the Rijksmuseum, Amsterdam 2012

 

Richard has recently completed a major comission for the newly refurbished Reijksmuseum in Amsterdam. He has made two large paintings on the ceiling of the Nachtwachtzaal (Night Watch room). In Miami there will be showing a new painting on paper.

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

INSTALLATION VIEW

JR

Inside Out Project - Oeil Trame #7

2012

Ink, wood / Encre, bois

61 3/4 x 59 3/4 inches / 157 x 152 cm

Unique (#23514 Location: Singapour)

41 800 € ($57,755) Tax included

DETAILS VIEW

JR

Inside Out Sculpture #2

2012

Aluminium, paint / Aluminium, peinture

49 1/4 x 33 x 7 inches / 125 x 84 x 18 cm

Unique (#23462 Location: Singapour)

55 000 € ($75,994) Tax included

DETAILS VIEW

LEE BUL

Phantom 1

2011

acrylic on paper

17.91 x 12.01 inches

45.5 x 30.5 cm

24.02 x 18.11 inches (framed)

61 x 46 cm

LM17463

$10,000.00

Ollaffur Elliason

EX DE MEDICI

Scorpions in a jar (Kerman)

2012

watercolour and gold leaf on paper

114 x 145 cm

$ 77,000 AUD (inc. gst)

PAUL LEE

Untitled (Green)

2012

towels, thread, steel, dye

276 x 168 x 31 cm

108 5/8 x 66 1/8 x 12 1/4 ins

(MA-LEEPA-00260)

USD 18,000

CECILY BROWN

Untitled

2012

Monotype in watercolor and pencil on Lanaquarelle paper

83.2 x 64.1 cm

Signed ‘Cecily Brown, 2012’ in graphite on the verso

Price: $26,000

TRACEY EMIN

Laying on Blue

2011

Gouache on paper

10 x 14 in. (25.4 x 35.5 cm) (unframed)

13 5/16 x 17 3/8 x 1 15/16 in. (33.8 x 44.1 x 5 cm) (framed)

JJ44715

GBP 14,000.00

ALESSANDRO PESSOLI

Tamburino

2013

painted majolica with cast bronze, gold wire

16 3/16 x 9 1/8 x 22 5/16 in.

42 x 24 x 58 cm

PESS-051-2013

$25,000

JOAN MIRO

Sobreteixim - Sac 10

1973

Acrylic, steel, wool and felt sewn on a sack

140 x 80 cm / 55 1/8 x 31 1/2 inches

Mounted on board: 160 x 100 cm / 63 x 39 3/8 inches

MIRÓ 52846

RICHARD WRIGHT

No Title

2012

TMI-WRIGR-31953

Installation view at the Rijksmuseum, Amsterdam 2012

 

CARLOS BUNGA

Sin título / Untitled #4

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

MARK MANDERS

Shadow Study

2010-2011

iron, painted porcelain, and painted wood

59 x 27 x 23 inches; 150 x 68.6 x 58.4 cm

(TBG 12751)

EUR €45,000

DETAIL VIEW

JENNY HOLZER

Ritual between us...

2006

Black and white pigment print

139.7 x 111.1 cm

Text: "Blur" from Middle Earth by Henri Cole

Edition 8/10

Price: $37,000

TERENCE KOH

The Road to The Winterland of My Discontent, I Know Not Where I Lead,

2007

twelve bronze arms with black patina, wax, oil

overall dimensions vary with installation

4 x 6 x 15 3/4 inches (10 x 15 x 40 cm)

each arm edition of 1 with 1 AP

work is accompanied by a signed certificate of authenticity

TK-­29

SEHER SHAH

Mammoth- Aerial Landscapes Proposals

2012

Archival digital prints

Set of 21 works edition 1/5

33 x 44.5 cms

Euro 15000/AUD 24000 for set of 21 framed

Euro 900 / AUD 1200 for each framed print

Euro 800 / AUD 1150 each for 2 to 5 prints

Euro 750/ AUD 1000 each for more than 5 prints

OSCAR MURILLO

work! #9

2012

oil, oil stick, concrete dye, spray paint, dirt on canvas and linen

255 x 325 cm

100 3/8 x 128 ins

(MA-MURIO-00228)

GBP 18,000

 

We are also showing a new painting by the young Colombian artist Oscar Murillo – a canvas that is collaged together through fragments of used and discarded canvas from the artists studio. This patchwork of canvas is treated with a variety of materials including concrete dye, oil stick and dirt. There is a feel of an artwork that has been lived with over some period of time.

TRACEY EMIN

Blue Figure I Relax

2011

Gouache on paper

21 7/8 x 29 5/16 in. (55.5 x 74.5 cm) (unframed)

25 x 32 1/2 x 2 3/8 in. (63.5 x 82.5 x 6 cm) (framed)

JJ44743

GBP 18,000.00

GEORGE SHAW

I Woz Ere No. 5

2011

Watercolour on paper

30.5 x 40.5 cm

£4,250 + Vat incl frame

WG/GSHA00589

ANGUSTE RODIN

Iris, messagere des Dieux, grand modele

Original plaster with waxed paint

84 x 86.5 cm

Conceived in 1890-91 and cast before 1940 by Eugbre Ruder Foundy

$2,200,000

MICHAEL JOO

Heritage

2012

Borosilicate glass, lacquer, epoxy, aluminum

61 x 66 x 25 2/5 cm

Edition 2/5

Price: $40,000

TONY CLARK

Sections from Clark’s Myriorama

2013

acrylic and permanent marker ink on canvas

73 x 53cm (framed)

US$ 9,000.00

LAWRENCE WEINER

WITH EACH SHIFT: A COLLISION WITH EACH COLLISION ANOTHER CONCURRENCY BE THAT AS IT MAY (TBC)

2012

Ink, pencil and pastel on paper

Approx. 101 x 81 cm

WEIN120007

USD 30,000.00

GEORGE SHAW

I Woz Ere No. 7

2011

Watercolour on paper

30.5 x 40.5 cm

£4,250 + Vat incl frame

WG/GSHA00591

VIK MUNIZ

Two Cows

1997

Toned Gelatin Silver Print ed PA 1/5

35,5 x 28 cm

US$ 30.000,00

24315

CALLUM INNES

Exposed Painting Green Lake

2013

oil on linen

49 1/4 x 47 5/8 inches (125 x 121 cm)

signed by the artist, verso

CI-­19.13

TONY CLARK

Sections from Clark’s Myriorama

2013

acrylic and permanent marker ink on canvas

73 x 53cm (framed)

US$ 9,000.00

ED RUSCHA

Palm Tree # 2

1971/2003

Gelatin silver print

25,4 x 25,4 cm

10 x 10 inches

44,1 x 42,9 x 2,6 cm (framed)

17 3/8 x 17 x 1 inches (framed)

Edition 4/8

MSPM ERU 18462

US$10,000.00

JOHN NIXON

Silver Monochrome

2005

enamel and large wooden blocks on MDF

60 x 47 cm

$6,000

MADELN COMPANY

Light Source – Portrait presume de Gabrielle d'Estrees et de sa soeur la duchesse de Villars

2012

Oil on canvas

130 x 170 cm

RMB288,000.00

WAYNE GONZALES

Untitled

2013

Acrylic on canvas

213.4 x 213.4cm

(84 x 84in)

GONZ 84

USD$ 100,000

TONY CRAGG

Runner

2013

Bronze

72 x 52 x 30 cm (28.35 x 20.47 x 11.81 in)

TC 1108

€140.000,00

PAUL LEE

Untitled (Purple)

2012

towels, thread, steel, dye

65 x 570 x 31 cm

25 5/8 x 224 3/8 x 12 1/4 ins

(MA-LEEPA-00262)

USD 18,000

CHRISTOPHER ORR

Take it, Take it

2008

Oil on linen

18.4 x 15.9 cm / 7 1/4 x 6 1/4 inches

ORR C45957

GBP 15,000.00 (excl. VAT)

TRACEY EMIN

Deep Blue I

2011

Gouache on paper

39 3/8 x 55 1/8 in. (100 x 140 cm)

JJ44737

GBP 40,000.00

CARLOS BUNGA

Sin título / Untitled #5

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

JESS FLOOD-PADDOCK

Harvest, Phoebe

2012

Leather, steel, jesmonite

100 x 55 x 50 cm (approx.)

£4,500 GBP ex VAT each

Image guide: light brown saddle

TRACEY EMIN

Blue Figure III

2011

Gouache on paper

21 7/8 x 29 5/16 in. (55.5 x 74.5 cm) (unframed)

25 x 32 1/2 x 2 3/8 in. (63.5 x 82.5 x 6 cm) (framed)

JJ44745

GBP 18,000.00

TRACEY EMIN

Suffer Love 27

2009

Monoprint on paper

8 1/4 x 11 5/8 in. (21 x 29.6 cm)

JJ46975

GBP 10,000.00

ZHANG HUAN

Sea No. 14

2012

Ash on Linen

59 1/16 x 110 1/4 in. (150 x 280 cm)

290,000.00 USD

 

VIK MUNIZ

Carcere III, The Round Tower, after Piranesi, Piranes

2002

dye destruction ed 7/10

102 x 76 cm

US$ 30.000,00

23620

VIK MUNIZ

Verso: Gioconda, after Leonardo da Vinci

2012

mixed media object ed 4/5

100 x 75 x 10 cm

US$ 120.000,00

24259

HANS JOSEPHSOHN

Untitled (Angela)

2000

Brass

Ed. 2/6 + 2 AP

63 x 34 x 25 cm / 24 3/4 x 13 3/8 x 9 7/8 inches

JOSEP52139

USD 60,000.00

BENJAMIN ARMSTRONG

Madame

2013

Plaster, wood, aluminium and ink

86 x 57 x 60 cm

AUD $8,800.00 inc GST

Front view

(Not exhibited)

LEE LOZANO

No title

1962

Ink, crayon and graphite on paper

30 x 22.2 cm / 11 3/4 x 8 3/4 inches

LOZAN30739

USD 65,000.00 (excl. VAT)

JR

Inside Out Project - Oeil Trame #3

2012

Ink, wood / Encre, bois

37 x 34 3/4 / 96 x 88 cm

Unique (#23483 Location: Singapour)

24 200 € ($33,437) Tax included

DETAILS VIEW

body and skin, 2013

photograph

146 x 110 cm (framed)

Edition of 3 (1/3) + 2 AP

$ 18.000,00

(VAT not included)

Billy Apple

NZD100,000

DETAIL VIEW

EX DE MEDICI

Addict #2

2011

watercolour on paper

119 x 114 cm

$ 27,500 (inc. gst)

LOT 457

SALLY GABORI

Ninjilki (main base outstation)

Waterhole

2005

acrylic on canvas

Artist name, title and catalogue details to reverse.

183 x 122cm

Catalogue number 329/C/SG/07/05

 

Provenance

Mornington Island Art & Craft Centre

 

$5,000–8,000

as soon i hear my name i feel my body fragmented in many parts, 2013

11 photographs, collage, ceramic pot with plant (Hedera helix)

73 x 55 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 38.000,00

(VAT not included)

CARLOS BUNGA

Sin título / Untitled #6

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

DJORDJE OZBOLT

Mc Saint

2012

Acrylic on icon board

70 x 60 x 5.5 cm / 27 1/2 x 23 5/8 x 2 1/8 inches

OZBOL53682

GBP 9,000.00 (excl. VAT)

ERNESTO NETO

CARLOS BUNGA

Sin título / Untitled #2

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

RITA ACKERMANN

Fire by Days Blues IV

2012

Oil and spray paint on paper

111.8 x 76.2 cm / 44 x 30 inches

ACKER52939

USD 35,000.00

TRACEY EMIN

Thankyou

2011

Gouache on paper

10 x 14 in. (25.4 x 35.5 cm) (unframed)

13 5/16 x 17 3/8 x 1 15/16 in. (33.8 x 44.1 x 5 cm) (framed)

JJ44725

GEORG BASELITZ

Monogramm

2010

Oil on canvas

118 1/8 x 98 7/16 in. (300 x 250 cm) (unframed)

120 1/4 x 100 9/16 x 2 3/8 in. (305.5 x 255.5 x 6 cm) (framed)

500,000.00 EUR

 

man and woman itaota, 2013

2 photographs, 2 ceramic pots with plants

Diptych: 146 x 110 cm each (framed)

Edition of 3 (1/3) + 2 AP

$ 28.000,00

(VAT not included)

AUGUSTE RODIN

La Femme accroupie, grand modèle avec une terrasse plus haute

bronze

95.0 cm height

inscribed: A. Rodin

inscribed with the foundry mark: Musée Rodin 2010, Fonderie de Coubertin France

numbered: IV/ IV

edition: 4/4

conceived in 1881-82, cast in 2010

Provenance:

Musèe Rodin, Paris

Australian Collectibles Trading Pty Ltd

Menzies, Melbourne, 14 September 2011, lot 42

Property of an investment partnership, Melbourne

Reference:

Grappe, G., Musée Rodin Catalogue, Musée Rodin, Paris, 1927, no.54, p.38 (illus., another example)

Charbonneaux, J., Les Sculptures de Rodin, F. Ilazan, Paris, 1949, pl.25 (illus., another example)

Auguste Rodin, Leicester, 1951, pl.26 (illus., another example)

Elsen, A., Rodin, Museum of Modern Art, New York, 1963, p.59 (illus., another example)

Auguste Rodin, Galerie Claude Bernard, Paris, 1963, pl.14 (illus., another example)

Sutton, D., Triumphant Satyr, The World of Auguste Rodin, Hawthorn Books, London, 1966, fig. 20 (illus., another example)

Homage to Rodin, Collection of B. Gerald Cantor, Los Angeles County Museum of Art, Los Angeles; The Museum of Fine Arts, Houston; The Brooklyn Museum, New York; Virginia Museum of Fine Arts, Richmond; California Palace of the Legion of Honor, San Francisco, 1968-69, pl.14 (illus., another example)

Tacha Spear, A., Rodin Sculpture in the Cleveland Museum of Art, Cleveland Museum of Art, Cleveland, 1967, pl.110S (illus., another example)

Descharnes, R. and Chabrun, J., Auguste Rodin, Chartwell Books, New Jersey, 1967, p.93 (illus., another example)

Jianou, I. and Goldscheider, C., Rodin, Arted, Paris, 1967, pl.22 (illus., another example)

Rodin: Sculpture and Drawings, The Hayward Gallery, London, 1970, cat.16, p.30 (illus., another example)

Steinberg, L., Rodin in Other Criteria: Confrontations with Twentieth-Century Art, Oxford University Press, New York, 1972, pl.221,246 (illus., other examples)

Elsen, A., Rodin, London, 1974, pp.58-59 (illus., other examples)

Tancock, J., The Sculpture of Auguste Rodin, New York, 1976, no.6-1, pp.136-40 (illus., other examples)

Hazlitt, G., and F., Selected Works from the Andrew Gow Bequest, London, 1978, p.23, pl.63 (illus., another example)

Rodin Rediscovered, National Gallery of Art, Washington, 1981 - 82, no.9.63, p.241 (illus., another example)

Elsen, A., The Gates of Hell: by Auguste Rodin, Stanford, 1985, fig. 76, p.84 (illus., another example)

Pinet, H., Rodin sculpteur et les photographes de son temps, Paris, 1985, no.80, p.95 (illus., another example)

Rodin: Sculpture and Drawings, The Hayward Gallery, London, 1986, pp.57-60 (illus., other examples)

Miller, J. and Marotta, G., Rodin, The Gerald B. Cantor Collection, Metropolitan Museum of Art, New York, 1986, no.11, p.29 (illus., another example)

Levkoff, M. Rodin in His Time, Los Angeles County Museum of Art, Los Angeles, 1994, nos.15-16, pp.68-71 (illus., another example)

Masson, R. and Mattiussi, V., Rodin, Flammarion Édition de Musèe Rodin, Paris, 2004, p.45 (illus., another example)

Le Normand-Romain, A., The bronzes of Rodin: catalogue of works in the Musée Rodin, vol.1, Paris, 2007, no.S.1156, pp.360-363 (illus., other examples)

WE, The Moderns: Gaudier-Brzeska and the Birth of Modern Sculpture, Kettles Yard, University of Cambridge, Cambridge, 2007, pp.21,103 (illus., another example)

Estimate: $900,000 - 1,200,000

 

ESSAY

Rodin is the world’s best-known Twentieth Century sculptor. In fact, he is almost history’s best-known sculptor, falling somewhere behind the incomparable Michelangelo in the public mind. This is something that Rodin would certainly have accepted since Michelangelo was the sculptor who he admired above all others. These introductory comments are quite pertinent since the present work La Femme accroupie, grand modèle avec une terasse plus haute, owes part of its compositional structure and form to Michelangelo. More specifically, to the only sculpture by Michelangelo in the famous Hermitage Museum in St. Petersburg. The work is his Crouching Boy of 1530-1534, a white marble work that shows a youth hunched on the ground with his knees almost at shoulder level. His head is bowed down and both hands clench his right foot. The sculpture has a compacted energy and its resting posture contains the force of a compressed spring – this is the inner source of its sculptural impact. Interestingly, the face of the young figure seems focussed upon its foot, as though examining a cut. Everything comes from somewhere and there seems little doubt that in this charming work Michelangelo distantly echoed the well-known and justly famous Hellenistic Greek sculpture Spinario showing a boy removing a thorn from his foot, from the fifth century BC and now in Rome’s historic Capitoline Museum. This ancient Greek sculpture was immensely popular in the Nineteenth Century and every art lover and artist of any note knew it well. However, Rodin did not actually see Michelangelo’s sculpture in the Hermitage but it is virtually certain that he possessed or at least saw a black and white photograph or postcard of it. In this way Rodin’s La Femme accroupie may be seen as a refinement of this ages-old crouching figure theme – indeed, it may well be a culmination of the theme since, sometime after Matisse, the theme dropped off into disuse. All this goes some way toward explaining why Rodin’s La Femme accroupie has been so admired and commented upon. Rodin’s domestic sized bronze sculpture is a compacted composition that owes its visual power to a historically transmitted thematic concept that runs back through Michelangelo to Hellenistic times – that is, the idea of making a sculpture based upon the capture of a momentary gesture or movement. Rodin takes this a little further and centres upon the capture of an emotional state. Rodin’s sculptures almost always capture rest, repose and ease – as though, in his sculptures, we witness the after-effects of effort. For example, a good Baroque sculpture looks as though it is frozen in time; a good Rodin looks as though it is melting after the time. The hidden power of Rodin’s incorporation of this idea rests upon the seemingly impossible task of making a hard and intractable material such as marble or bronze look as though it is in transition to becoming soft and flexible. In this sense, as the present work amply shows, Rodin ably captures such seeming transition best of all. In Rodin, hard material seems to become soft, stone and metal seem to become flesh and the whole effect is rounded off by an aesthetic of transmutation. Before Rodin, only the magnificent Michelangelo achieved this. It is winds its way through his superlative Dying Slave marble in the Louvre in Paris – little wonder that this Renaissance masterpiece was Rodin’s favourite sculpture. Most serious collectors, sculptors and curators have responded to the hidden power and subliminal eroticism of Rodin’s sculpture including the present work. This work has been discussed by great art historians such as Leo Steinberg and Albert Elsen and described by writers as diverse as the Symbolist Gustave Flaubert and the Occultist Aleister Crowley. The American academic and commentator Leo Steinberg wrote that looking at a Rodin is like seeing a ‘congealed reflection of what a departed mirror has left behind’. This wonderfully apt simile captures the sense of seeing something private, personal and hidden. Rodin is the undoubted master of the vignette – decidedly not a peepshow where we are invited to peer, but rather a window that opens onto a diorama that displays only that most evanescent of things: moods, emotions, feelings and subjective states both fabricate and furnish Rodin’s sculptures. Since we all possess these inner states we all respond to the hidden pulse of Rodin’s captivating creations. Rodin had a secret. The way that he achieved this hidden pulse was through what he called le modelé. He explained it in private to the inimitable German poet Rainer Maria Rilke, who relayed it in a letter to his wife the sculptor Clara Westhoff in 1902 ‘Le modelé … I know what that means … it is the science of planes as distinct from contour, that which fills out contours. It is a law governing the relationship between these planes. You see, for him there is only the modelé’. Rodin is more expansive when talking to the interviewer Paul Gsell: ‘I am going to tell you a great secret. The impression of real life … do you know what it is that gives this impression? It is la science du modelé. These words will strike you as commonplace but you will soon judge their full import. This science du modelé was taught to me by a certain Constant who worked in the decorative sculpture shop where I first started out as a sculptor. One day, seeing me model a Corinthian capital in clay, he said. “Rodin, you are going about it badly. All your leaves appear flat. That’s why they don’t look real. Make them so that they shoot their points towards you”. I followed his advice and was amazed at the result I obtained. “Remember well what I am telling you”, Constant continued, “from now on when you model, never look at your forms in extension, but always in depth. Never regard a surface as anything but the outermost point of a volume, as the broader or narrower summit, which it directs towards you. That’s how you will acquire la science du modelé”’. Such great works from such simple advice! The point is clear: Rodin’s sculptures are shaped by imagined inner energies that form outer surfaces. This is quite different from Michelangelo’s famous view that his works were conceived as figures trying to break free and be released from stone by his chisel. In Rodin, something more organic occurs – his forms are shaped by internal forces that are almost embryonic in their imagined growth. This has led to sculptures that are touchingly rudimentary in the sense that they are unfinished or seem to be expelled in an incomplete state. There is something modern and evocative about this characteristically unresolved state and it stands in stark contrast against the bold completeness of most of Michelangelo’s works. Michelangelo is complete and finished; Rodin is finished but incomplete. Both are magnificent but each artist, similar in so many ways, reflected and responded to different views of the desired effects of sculpture. All these above observations bear upon and underline the significance of the present work. Rodin’s La Femme accroupie shows a female figure crouching on a large rock-like plinth. The figure’s head turns to its right and such is its coiled energy at rest that it seems ready to make a panther-like leap. At the time, its rawness of posture and its animalistic aura would have seemed uncouth in that it lacks drawing room refinement. In fact, at the time some thought it reflected the shock of Charles Dickens’s book On the Origin of Species, which was published in 1859 some twenty-three years before Rodin’s creation. Today, none of this seems to matter and it illustrates how far Rodin reached beyond his own time and into our own. His was the world of Henri Bergson’s Vitalism, Nijinsky’s verve and Isadora Duncan’s idea of the free spirit. Rodin’s bronze sculpture La Femme accroupie bears all the hallmarks of that spirited age – that is why it holds pride of place in the collections of the Hirshhorn Museum in Washington, the Kröller-Müller Museum in Otterlo and the Fitzwilliam Museum at Cambridge University.

TRACEY EMIN

Sex 16 25-11-07 Sydney

2007

watercolor on paper

8.27 x 11.69 inches

21 x 29.7 cm

LM16153

£14,000.00

JR

Inside Out Project - Oeil Trame #3

2012

Ink, wood / Encre, bois

37 x 34 3/4 / 96 x 88 cm

Unique (#23483 Location: Singapour)

24 200 € ($33,437) Tax included

DETAILS VIEW

ART & LANGUAGE

Hostage XLIX

1990-2011

Glass, oil on canvas on wood

183.3 x 122.3 x 6.0 cm

A&L120001

GBP 75,000.00

DANIEL ARSHAM

View inland from Rano Raraku

2013

Gouache on mylar, frame

21,3 x 30,8 cm / 8 1/3 x 12 inches

Unique

$5,000 AUD

TATE INSTALLATION VIEW

TOM FRIEDMAN

Untitled (Charred Wood Wall Installation)

2012

Wood

298.4 x 439.4 x 3.8cm

(117 1/2 x 173 x 1 1/2in)

FRIE 210

$185,000

 

TOMAS SARACENO

Solar Bell

edition of 3

(TBG 14443)

euro 22,000

 

Saraceno will contribute a remarkable new project entitled Solar Bell. Like much of the artist’s experimental work related to his ongoing Air-Port-City / Cloud-City project, this sculpture demonstrates a functional model of sustainability through interdependency: a series of small, interconnected solar panels work to absorb enough energy to power a battery or small electronic device. Echoing his nearby networks of aluminum cloud modules, Solar Bell also doubles as a kite, further exploring notions of an airborne existence.

CARLOS BUNGA

Sin título / Untitled #7

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

ART & LANGUAGE

Hostage LXXIX

1991

Glass, oil on canvas on wood

214 x 142.5 cm

A&L9100079

GBP 100,000.00

ATSUKO TANAKA

77R-'84

1977-84

Vinyl paint on canvas

130.3 x 97 cm / 51 1/4 x 38 1/4 inches

TANAK52893

USD 375,000.00 (excl. VAT)

TOM FRIEDMAN

Untitled (Genealogies)

2012

Coloured pencil on paper

48.3 x 61cm (19 x 24in)

Framed: 57.5 x 69.5 x 3.5cm

(22 5/8 x 27 3/8 x 1 3/8in)

FRIE 217

$125,000

HAYDEN FOWLER

antler viii

2013

cement,gypsum,sand

unique version

55 x 27cm

$650

TRACEY EMIN

I wanted to be carried by you

2011

Gouache on paper

10 x 14 in. (25.4 x 35.5 cm) (unframed)

13 3/8 x 17 5/16 x 1 15/16 in. (34 x 44 x 5 cm) (framed)

JJ44724

GBP 14,000.00

for ever, 2013

photograph, ceramic pot with plant (Crassula arborescens)

150 x 200 cm (framed)

Edition of 3 (1/3) + 2 AP

$ 18.000,00

(VAT not included)

LAWRENCE WEINER

SOME LIMESTONE SOME SANDSTONE ENCLOSED FOR SOME REASON SOME

LIMESTONE SOME SANDSTONE INCLOSED FOR SOME REASON

1992

Language & the materials referred to

Dimensions variable

WEIN120001

USD 325,000.00

CORY ARCANGEL

Gerber

2013

Triptych

Pen on paper (produced with Mutoh XP-300 Series

printer)

Approx. 105 x 25.4 cm (TBC)

34.6 x 25.4 cm each

ARCA130009

TBC

HAYDEN FOWLER

antler xii

2013

cement,gypsum,sand

unique version

48 x 18cm

$650

SHILPA GUPTA

24:00:01

2012

mechanical flap board

177 x 27.6 x 25

circa 20 minutes

70,000US$

JIM LAMBIE

Pin Painting 1402

2013

acrylic on canvas, safety pins

unique

HQ16-JL9794P

GBP £ 55,000 (excluding VAT)

PAUL MCCARTHY

Untitled

1984

Charcoal on paper

77 x 55.9 cm / 30 3/8 x 22 inches

McCAR39828

USD 95,000.00 (excl. VAT)

TRACEY EMIN

Sex 26 25-11-07 Sydney

2007

watercolor on paper

8.27 x 11.69 inches

21 x 29.7 cm

LM16156

£14,000.00

YVES KLEIN

Eponge

c. 1961

Pigment and resin on sponge

6,5 x 6,5 x 5,5 cm | 2.56 x 2.56 x 2.17 in

# KLEI0001

 

€ 105.556

 

Provenance:

Galerie J., Paris

Jeanine Restany Collection, Paris

Juliette Hugounenc, Paris (gift from the above c.1965)

Acquired directly from the family of the above

 

The ZERO Group, celebrated worldwide in museums and collections with planned shows at Grand Palais Paris, Solomon R. Guggenheim Museum NYC, and Stedelijk Museum in Amsterdam from spring 2013 to 2015, has been founded by Otto Piene and Heinz Mack (and Günther Uecker) in 1958, with the goal of revolutionising post-war art, leaving received principles of art behind.

From now, light and movement was the central point of their art. What had begun in Düsseldorf, Germany, would develop in less than a decade into one of the most significant avant-garde movements of the 20th century.

When ZERO disbanded in 1966, the group had collaborated with a wide range of artist – such as Lucio Fontana, Yves Klein, Piero Manzoni, Jean Tinguely and Yayoi Kusama. After more than half a century of ZERO, the group is once again becoming a centre of public attention; therefore it was only a matter of time that the three exceptional artists Otto Piene, Heinz Mack and Günther Uecker would equalise with the wider circle of ZERO members on the international art landscape and market.

TONY CLARK

Sections from Clark’s Myriorama

2013

acrylic and permanent marker ink on canvas

73 x 53cm (framed)

US$ 9,000.00

GERARD BYRNE

As yet untitled work (Three connected sites)

2001- ongoing

3 silver gelatin prints framed in stainless steel, oak, and stainless steel

52 x 62 cm each (prints)

(far left) 61 x 73.9 h cm (centre) 57.2 x 67.4 cm

(far right) 65.3 x 83.5 cm (framed)

ed.1/3+1 ap

BYRN110009-3

TBC

MICHELANGELO PISTOLETTO

Vortice-dittico

2013

black and silver mirror, gilded wood

diptych: 203 x 143 cm

320.000 € + VAT

CARLOS BUNGA

Sin título / Untitled #3

2013

Papel, papel transparente, cinta adhesiva, lápiz / Paper, transparentized paper, tape, pencil

21 x 30 cm

4.500,00 US$ (IVA no incluido / Taxes not included)

GEROLD MILLER

set 137

2013

Stainless steel, lacquered

140 x 112 x 7 cm

55.12 x 44.09 x 2.76 in

Unique piece

Signed verso

GM 2013/002

EUR 28,000.00

EX DE MEDICI

While you talked shit on Facebook they blew up the world

2012

watercolour on paper

114 x 138 cm

$35,300 AUD (inc. gst)

TRACEY EMIN

Blue Figure II Im telling you it hurt

2011

Gouache on paper

21 7/8 x 29 5/16 in. (55.5 x 74.5 cm)

JJ44744

GBP 18,000.00

DANIEL CROOKS

Pan No.9 (dopplegänger)

2012

3-channel High Definition video

16:9, colour, stereo

7 minutes 43 seconds

Edition of 3, AP1 and AP2

$35,000

MONA HATOUM

Still Life

2008-09

Edition of 3

Glazed ceramics, wood and painted steel

34 7/16 x 70 7/8 x 35 7/16 in. (87.5 x 180 x 90 cm)

175,000.00 EUR

 

RODNEY GRAHAM

Canadian Humourist

2012

Painted aluminum lightbox with transmounted chromogenic transparency

232.7 x 181.9 x 17.8 cm

ed.2/5+1 ap

GRAR120001-2

USD 250,000.00

CARLOS BUNGA

Sin título / Untitled

2013

Cartón, pintura / Cardboard, paint

Medidas variables / Variable dimensions

 

45 x 35 cm each

Ed.única/unique

8.000,00 USD each (IVA no incluido / Taxes not included)

HAYDEN FOWLER

antler x

2013

cement,gypsum,sand

unique version

51 x 23cm

$650

Gallery Barry Keldoulis

 

285 Young Street, Waterloo, Sydney, NSW 2017.

(02) 8399 1240

gallery@gbk.com.au

www.gbk.com.au

Open Tuesday to Saturday 11am to 6pm

Sean Cordeiro & Claire Healy, Ignition

 

 

HEALY & CORDEIRO, CLAIRE & SEAN

T+100_yellow

2011

LEGO

160 x 71 x 4 cm

Available Yes

Price $A $20,000

incl GST

 

Exhibited:

Un-Built, Gallery Reis, Singapore, 2011

Are We There Yet?, Corcoran Gallery of Art, 2011

DOUGLAS GORDON

Self-Portrait of You + Me (Jackie smiling 3)

2008

Smoke and Mirror

115.4x93.5 cm

150,000US$